#every opinion she has is actually super liberal

[endlessfuckup]

first time in 65 years my grandmother decides to vote

she decides to vote for trump

[somebodyssherlock-heterodyne]

Hello!

do you have any headcanons about jayjon and the super twins? I'm interested in hearing your opinion on how the twins treat Jay, whether he babysits them, walks with them, whether they stay at his place overnight, and whether Jon gets jealous when they literally try to take his boyfriend's attention

Thanks!

I feel like it takes the twins a little while to actually meet Jay- settling into earth, extradimensional gods showing up to try and kidnap/murder/vivisect Osul, Otho actually getting kidnapped, etc. In that time, they do spend some time with Jon, who is besieged by complicated emotions he doesn't want to have or deal with the entire time he's in their presence. The twins, being the twins, ask him if he has any good stories about his victories.

Cue Jon's bedtime story retelling of the liberation of Gamorra. He monologues dreamily about Jay for at least two minutes every time he comes up in the story. Otho and Osul, who know Jon as a figure who briefly darkens the doorway before flying off again, as though he doesn't feel comfortable in the house anymore, are very perceptive children. They were gladiators- they had to be. They notice, immediately, that Jon's perpetually tense shoulders loosen the minute Jay's name leaves his lips.

I think Otho and Osul end up relating to Jon a lot. All three of them are out of sync and out of place with the softness of the house and the warmth of this family. It takes Jon a little bit to realize it, but once he does he and the twins effectively become a unit.

At any rate, the twins continually pester Jon for stories about his boyfriend, and Jay gives Jon leave to tell them everything he knows. Jon tells them the story of Jay Nakamura: of a rigged election, cruel experiments, a daring escape and a rescue by the Revolutionaries. Of the Truth, a college campus, a sinking ship, a rooftop meeting. He skims the romance bits in favor of the action, because the twins did ask for a battle story, but he still ends the story with 'and then we kissed over the smoking rubble of Bendix's dictatorship'.

The twins grew up under a cruel thumb they didn't have the perspective to want to get away from. They had Clark to rescue them, and periodically have nightmares about who they'd be if he hadn't. Jay, by Jon's telling, saved Jon far more often than Jon saved him, fought tooth and nail against a tyrant, and refused to back down even from unbeatable odds.

The twin think Jay is the coolest person they've ever heard of. They are Gossamer stans first and people second. You know that phase kids have where they find an interest and it becomes their whole personality for a while? Yeah.

Jon's cool with making them custom merch and showing them the fifteen thousand pictures in the photos folder labeled LOVE OF MY LIFE KING OF MY HEART. The twins are having fun, he gets to gush about his boyfriend all day, sure why not.

This is fine- Jay laughs when Jon repeats his life story back to him, because "when you say it like that it sounds badass and epic and not like I just spend ten minutes clinging to the ship railing like a wallaby"- until the twins and Jay finally get around to an introduction.

Jon is torn between jealousy and mild irritation because it's impossible to get a moment alone with his boyfriend these days, and immense fondness whenever he sees the twins bracketing Jay as they pester him for stories about the Revolutionaries. Which sentiment wins out depends on whether or not Otho chooses violence and starts asking doe eyed questions about when Jay and Jon are getting married. She looks like a postcard angel when she's doing it but Jon fucking taught her that look, he knows she's a hellion. Osul is less likely to be a menace but it's not out of any sort of kindness, he's just better at waiting for the perfect moment to strike. Jon loves them both but if they ask which of them will be the ring bearer at his wedding "once you finally manage to write a decent proposal" ONE MORE FUCKING TIME he's leaving them on Batman's doorstep. What's two more orphans to a billionaire anyway? Two phaelosian menaces can't possibly be harder to manage than Damian.

[no1ryomafan]

now it’s time for no reason at 2 fucking am for me to give my opinions about every mega man series ✨ (again this is my opinion and also my time to expose how much of a fake fucking fan I am in some regards) imma go in chronological release order to my memory.

Classic: I don’t hate it but I’m the only person who doesn’t feel strongly about it. I just can’t get invested into not only the gameplay but any of the robot masters besides a select few-I’m sorry I just don’t see the appeal-I do like the significant characters like rock, roll, blues and bass obviously, and learning about what influenced mega man as a whole made me appreciate it a little more but I don’t advise it as the series people should get into or like they don’t need to play every single game cause it suffers the most from being samey. (Really just play 11, but I also say this as the only classic game I actually finished 💀) Liked the Archie comics though and wish it continued… Tempo was neat.

X: Mixed feelings galore oh booooy. X and Zero shaped me to be the person who I was for ALL the wrong reasons- I still ship XZero I’ll just never admit to it cause if it’s a overrated pair and the fans can be bad, I just love the most basic fucking yaoi pairs. I like a lot of the other characters like Vile, Axl, Iris-for little she gets-etc. Besides that the X series has been tainted for me cause MAN it has the worst fandom out of the series. I’m sorry X fans are so fucking vicious and I don’t know why, I sometimes wonder if you guys like your own series even if I get it’s super flawed. X discussion can get so annoyed at points especially with the crowd of “oh the games after X5 suck so I don’t count them as canon” (yes people like that fucking exist. Ignoring how X6 CHANGE THE SCOPE OF HOW MMZ1 CAME TO BE) X is definitely that series of “interesting ideas but bad execution” wish MHX got to continue cause the first game had potential to fix the story. Also I never beat a single game but I keep telling myself I’ll beat X1 or X4…

Legends: The only series I haven’t played whatsoever BUT I did watch the cutscenes so I’m up to speed on the lore. Really find the lore cool and the characters are charming, it’s just a series that’s hard to talk about cause it’s all “WHERES MEGA MAN LEGENDS 3” and man I get being salty about that sequel being canned and I wish it happened too but can we talk about the actual series… Also Roll Caskett best Roll don’t @ me.

Battle Network: Okay controversial time this is the Mega Man series I give the least fucks about and it’s gonna shock you when you guys see how I feel about Star Force. Idk why but this series just- doesn’t appeal to me. I want to give it a chance, before the LC even came out I got BN5DS but I didn’t like liberation missions so never got passed the first one, and I still never got the LC and heck is the only LC I didn’t get because I’m sorry no matter HOW much you tell me BN good the pricing is not worth it. I couldn’t be bothered to get into the anime or manga too. Idk just mega man but ai seems like a cool idea and I don’t mind it being a rpg it’s cool mega man changed what it was yet still retained its appeal but BN doesn’t do it for me. It might just be because of the designs and characterization honestly.

Zero: Another mixed bag but NOWHERE near as bad as MMX, and this one I did finish! I like a lot aspects of Zero the story telling and the refinements to the gameplay but the reason I can’t be super invested is when people consider it the best part of the franchise when all of the games have a glaring flaw. I love Z1, it’s unironically my favorite but it’s also the most flawed entry, Z2 is overhated but you can also tell this game was rushed, which it was, Z3 is considered the best and it’s good but I think it’s overhyped to shit-X4 has the same issue tbh-it makes good changes but it’s level design threw me off even if it’s more fixed than Z2 and *sigh* Z4 was a necessary ending narratively but I FUCKING HATE EVERYTHING ELSE ABOUT IT. (Don’t make me talk about Z4, very few things make me mad like that game- it only gets some points for making me cry at the ending even when I knew what was going to happen though) Also the fandom opinions about the story aspect of this game makes me not trust anyone LOL. Zero is better written here then mmx and Ciel doesn’t deserve hate don’t @ me! Anyways my favorite asshole here is Harpiua. Basic pick but I just wanna put him in a jar and shake him.

ZX: YIPPPPPIE- Sorry that was the sound of me getting excited about my favorite entry of the series. I love this game- so much it’s unreal. Everything about it I fucking adore. Art style, characters, music, gameplay, THE LORE even if it’s something they didn’t expand on enough I still love the setting of ZX. Biometals are such a cool concept that I can’t be mad at the idea of X and Zero being rocks unlike other people, there’s so much potential with them. I will always be sad ZXC never happened but the games we got are so replayable to me and I go on a monthly replay- yes I have a problem LOL. I don’t really have a favorite between them- I def get why people prefer the first game but advent isn’t that bad you guys just suck. Favorite character is hard I love everyone. (I’m kidding, it’s Prometheus. But I do like everyone)

Star Force: So remember how I said my opinions on this would confuse you about why I don’t care for BN? Yeah it’s because I’m the one mega man fan who isn’t a coward and also fucking ADORES this series LOL. I understand it’s a huge diversion from mega man and BN at least still uses some characters but I think star force not having AU characters is why I like it more- and also I’m biased for aliens LOL. Omega-Xis one of the best characters in this series and you guys fucking sleep on him, love the general cast too though. Star Force 1 is also a game that means a lot to me, the story touch me and made me cry like Z4. Honestly I’d like it more then ZX if it weren’t for the fact I don’t fuck with the gameplay too hard cause I never replayed it and story wise it really peaked at 1. I don’t think star force 2 is as bad as everyone saids but I get why people don’t like it, star force 3 has the X4/Z3 problem: good but still has plenty of flaws. There’s a lot of changes 3 made I didn’t like and while the story was decent there was some missed potential. The ending was really nice though but after how some aspects of 3 turned out I couldn’t give a shit if star force 4 happens, if I’m being honest it’s the one canceled game I’m glad didn’t happen cause I think it could’ve actually ruined the series. (Sorry I don’t fuck with the geo being bad plot, it sounded like ass) Also yes if you ask I DO own all the games physically cause I’m fucking insane lol.

So given like- 3 of series I really finished I can’t really rank them but I just wanted to yap and give my opinion. Maybe one day I’ll try battle network or beat a x game…

[yeetspace]

Very minor mostly just retrospective Elden ring stuff ahead, A little bit of mention of the recently found out things that were cut from the DLC :

So like apparently in the cut content for Saint Trina's quest line that's supposed to have been there in the DLC, it's implied that the nectar most sweet actively is the only, not one of the few, not possibly an example of, the only other example of something being able to stop the frenzied flame other than unalloyed gold. Because Miquella can create unalloyed gold which actively negates most all outer God interference to begin with, but then as is apparently implied by the mechanics of how the nectar was going to be used, you would give it to the FRIENDZIED MERCHANTS, the people who are the most directly and wholly consumed by the FF. This just adds to my opinion that the literal best case scenario for the lands between (completely foregoing the fact that inside of every other country and Kingdom outside of the lands between, cuz we know there are others, there are other beings just like America and placid-sacs and Melania but for completely different outer gods that we have no concept of which is fucking awesome because their means there's like some super storm out there that is like fully souped up as like the conduit of the storm outer God which HAS to exist somewhere (This also bleeding into my theory that the guy that took down Godfrey wasn't even a bunch of individual people going after him at once, but actually the grafted empyrean, Like as in what Marika is for the golden order and what Miquella is for whatever it is he's gotten a hold of in the DLC cuz we never actually really understand what that is, but for GRAFTING. It's implied godric ran off somewhere or at the very least Goderick ran off somewhere, learned how to do this and then came back and then that information got passed down to godrick)) Is a restructuring of the system with the thing that Gold-mask does, whilst also fighting for the thing that Saint Trina and by extension thollier and then additionally what Mohg originally fought for and what Andsbach continues to fight for. These being a land of freedom and hope.

The entirety of the Moghwyn Dynasty that existed before it was turned into you know a blood cult by miquella, for the sake of liberation from the greater machinations going on but not in an actively violent to other innocent tarnished and p in the lands between, unlike the way of volcano manner. And then with dreams that's where the freedom comes in because we know there's like physical aspects to the magic done by Trina. Whatever capability she has she's capable of creating Putrescent mirrors to existing beings, because it's kind of super heavily implied that the Putrescent Knight is a mirror to Radahn in the same way that Miquela has stolen Radahn's body but not. Some people misconstrued that as to think that that means that the Putrescent Knight is LITERALLY Trina taking Radahn's body, since Michaela took his soul, but no that's not it. It's simply just dream magic which is implied to just be a thing that can make stuff out of nothing. A land of people, dreams, and refined gold is the most safe for those who live in The Lands Between. Fight not for the gods but for man, for the dreams undreamt, and to see the golden order polished from it's tarnished state, and give us, Tarnished in our own right, a reflection of a future most bright.

[keepingsecretstokeepyoutk]

I’ve seen many people upset about recent events and her not being politically vocal currently. I get it. But I’m not confused by it.

She just had to cancel an entire leg of her tour because of a credible terrorist threat. I’m sure her team and the stadiums she performs at field terrorist threats on a daily basis, which makes it very significant that this one actually caused a cancelation for a full set of dates. That should tell you how extremely credible and well laid the plans were. Authorities say they were planning on killing tens of thousands of people. In my opinion, no one in their right mind would then do anything to potentially put concert goers of the rest of the tour in danger. And unfortunately, due the the delusion and violence that has *already* led to a large scale terrorist attack (!) by the far right, on the capitol (!) no less, it makes perfect sense that she wouldn’t make a political statement in this political season when tensions are only rising AND her next tour date is IN FLORIDA.

I understand that because trumpers continue to try to claim her that everyone expects her to denounce him (again) but it is exactly the right’s obsession with her that makes doing so right now so dangerous, again not just for her but for the 70,000 people at each of her concerts. Think about violent men who kill the women that reject them, who are so entitled and delusional they kill. Now think of that type of energy organizing again, (because, again, that’s the type of mindset and group of people that did January 6th) in response to the “rejection” of a woman they have deluded themselves into thinking is somehow one of them, despite earlier this year believing that she was conspiring with Biden and the NFL to indoctrinate Super Bowl viewers with liberal propaganda. I wouldn’t put anything past them, especially not a mass shooting at a Florida Taylor swift concert, full of feminists and queers.

We have a collective obsession with checking the moral purity of women who have already made their political alliances and stances clear. Unless someone is determined to think otherwise, everyone should understand where Taylor stands and how she votes. Don’t give in to the idea that women need to constantly perform their virtue to deserve peace.

In addition to all of the above, keep in mind that Taylor’s remaining US tour dates end on November 3rd, two days before the election. She may have timed that intentionally to give herself the peace of mind of keeping her fans safe at every single show, then having 2 days to make her stance clear and mobilize any fence sitting/politically apathetic fans.

I think it’s also worth remembering that her art suggests that she is already past her breaking point of sanity in regard to being a public figure. She has her plan to burn it all down and i don’t think she’ll risk the possibility of her plan getting messed up again. You can be upset about it, have your feelings, but just remember the hell that has been her entire career (beginning in childhood) and the many times she has warned the world that she is not well. She is head down, sprinting towards the exit. If all she can do is survive as she puts one foot in front of the other to escape her closet of cedar, let the damn woman be selfish in this moment. It might be what saves her life.

[heartbeatbookclub]

what are your thoughts on trans natsuki? do you actively headcanon it or is it more of a “yeah i can get behind this” thing?

I personally don't have any super strong opinion one way or the other. I like both cis and trans Natsuki like I like both exclusive lesbian and bisexual Natsuki. Reality can be whatever you want, that's the benefit of fiction.

This is, incidentally, why I avoided bringing up the topic of gender the one time I discussed my view on all of the girls' sexuality (and, of course, because I don't think it's particularly relevant.) I am a cis man with cis experiences (inb4 i come back to this several years later with a new gender), so I don't feel super confident or insistent on assigning any particular gender headcanons to them. I just play with the concept like I'm playing with dolls; the heavy thinking I leave to people more versed in the field than I.

I think the idea of Natsuki being trans is a very interesting concept, though, especially when you pair it with the many, many avenues of angst (and, of course, the remedies for that angst) surrounding her. When I think of the trans experience, I think of all of the logistical realities surrounding transition (one of the oldest hyperfixations i have is medicine & human anatomy/physiology so it's hard to ignore lol), and I think of the nature of identity. Natsuki has a hard time being honest with herself, and with others. She struggles to create a view for herself which doesn't revolve around all of the insecurities she has, and has a sharp outer shell as a defense mechanism to keep people from getting too close. I could see why trans people in particular might identify with that kind of struggle.

And of course I think of her support network, helping her every step of the way. I think regardless of who's what, the Literature Club would absolutely be a trans-friendly space. Monika would probably stop a club meeting dead to kick a transphobe out of the club. Sayori, despite not necessarily getting the idea off the bat, would absolutely do her best to respect your identity, whatever it is. Yuri would be very intrigued by the idea and find the different ways people express their gender identity to be liberating for her, because social expectation weighs heavy on the mind of an autistic teenage girl. Natsuki would kill transphobes with hammers. (Do you think this would be enough for Mr. [BIG SHOT] Tumblr CEO to ban me?)

Alright, maybe that was a little corny there at the end, but I feel like for as unfortunate as the beginnings of the idea of trans Natsuki are (I remember when the game first came out, and I mostly used Twitter and Reddit as opposed to here. Dark times...), the fandom has really taken charge on terms of making some really nice things out of it. That feels sort of...odd coming out of my mouth, given my gender identity, but it's my honest opinion.

I've made comments before about trans MC, and I really do think that is a neat idea to more thoroughly flesh out a character for them that isn't just a thick-headed redditor. I actually do have a good few thoughts for a direction to take that idea, but...the Coil calls I'm afraid.

I might post misc thoughts on it at some point though.

[shizucheese]

We have a tiny little bit of housekeeping to do before we get to tonight's main event. First, we've got the Heavensward ALC and BTN quests to do, as well as the RDM level 50-60 quests, since I decided last minute to do SB on RDM instead of BRD (don't worry, we'll still be leveling up BRD, along with DRK and SCH/SMN, and doing the quests for those jobs as we work our way through MSQ, just like we did with HW). Then we'll be doing this year's Make It Rain quest, followed by a little break where I make sure I feed myself and my cats. Then, the wait will finally be over! It'll finally be time for me to be liberated from difficult-to-pronounce (for me) Ishgardian names, just like we'll be liberating Ala Mhigo and Doma, with their much, much easier to pronounce (for me) Ala Mhigan and Doman names. (For context: besides having been an anime fan for like 2/3rds of my life at this point, I also studied Japanese in college and while my language skills might be rusty, my pronunciation skills most certainly are not!)

As we enter into Stormblood, I'm only going to say this once here on Tumblr, once when we start Stormblood MSQ tonight, and then if I see it in my chat I'll give that person one (1) warning before putting them in timeout: We do not Lyse-bash in this house. I know some people have...opinions about her, but as someone who has has been playing this game for a very long time, and used to be very active in the XIV subreddit, I have a very low tolerance for people holding things against Lyse that they don't hold against other (especially male) characters; or claiming that she "took credit for the WoL's actions" but then either refusing to cite exactly when Lyse supposedly did so (because she didn't), or pointing towards the final scene of base Stormblood, because apparently they want the WoL to take on the role of "white savior" instead of letting the people native to the land we just liberated have their moment and take the lead; or just in general making shit up.

Just wanted to get that out there now before it becomes an issue. I'm a veteran player of FFXIV who's been playing since ARR, and we're working through the whole game on a fresh character at minim item level (and, where applicable, no item level)! If you want to join in on the fun, keep an eye out for Shizune Dazkar on Aether's Party Finder! If you wanna watch the action, catch me on Twitch every Sunday starting at 4:30 Central, and every Tuesday and Wednesday starting at 7:30 Central! I'm actually trying to make affiliate, so any views you guys can give me would be super appreciated!

[lawyeryuri]

The heart thing but im not gonna describe how to kill you cause youre a cool mutual however i wanna hear what makes naruto a good anime and also what makes it bad also i wanna hear your favourite headcanons of the guy on your pfp and sakura if you have any

I wanna hear you absolutely infodumps me into oblivion. Obliterate me with your naruto facts, headcanon and whatever in betweens. Take your time to answer this i will be waiting, until that here take this cat with ya ฅ⁠^⁠•⁠ﻌ⁠•⁠^⁠ฅ

(giggles and kicks my feet) thank you so much for this ask!!! ^_^

ok so what makes Naruto a good anime in my opinion are the characters, their emotions and how they relate to one another. (also it's like really gay) Naruto has a pretty big cast and a ton of filler episodes, so a lot of the time, it's used to get into different character combinations, specifically at the end of the original series, with the 80 episode stretch of filler, (honestly a bit excessive) that's basically just naruto hanging out with the other teams. filler is truly a double-edged blade, because if its not good, it is a SLOG... i didn't skip any episodes until like ep 450, where it breaks from the war (exiting, fun, plot-relevant) to cut to a parallel universe retelling of THE ENTIRE SERIES UP TO THAT POINT. it lasts like 20 episodes, and sasuke's a cop (old, dumb, acab)

another gripe i have with Naruto (the show) is best summarized by that post that's like "i miss when naruto ran around and bit people. now he's just a liberal" cause he kind of stops growing as a person at age 16. "as soon as you question your ideals, it's all over" ok buddy. how about you learn and grow with your experiences. other than that that though love the show, though I do think it's an interesting choice to redeem/offer justification for every single (canon) villain in the whole series.

OK my favorite head cannons for rock lee (pfp guy) and sakura... I think that rock lee speaks without contractions because he wants to give every sentence his all, and not take the easy way out. in a filler episode, rock lee builds a training dojo, and I think that's super in character for him, and I bet tenten helped him fix it up, and she's got a tool closet in there or something. I also hc that bor🤢 boruto Era 🤮 lee is like a taijutsu teacher and works with shino. as for sakura, I think she and Lee spar together all the time so she can improve her speed. I also hc her as an aro lesbian because I can #relate to.. the whole sasuke deal. I also feel like she would take up art, once she takes a break from work.

I actually also have a theory about naruto (the boy) I've never talked about, I actually think naruto can sense chakra signatures. this is because he sensed zabuza during the land of waves arc. it would also make sense that his sensing ability is just enhanced by sage mode instead of pulled out of nowhere. not to mention that the most powerful and precise sensor introduced is an Uzumaki as well. (shout out to my girl Karin) probably the reason it never comes up is because he doesn't know what a sensor is 💛

uh wow that got long. starting this I was worried I didn't know enough about naruto to infodump, for some reason (I've literally been obsessed since February why would I think that) anyways THANK YOU SO MUCH for sending this ask, it literally made my week :D💛💛💛 I know for a fact you are also a very cool mutual (I have no lame mutuals) and have a great week!

[thedeadhandofseldon]

The Anti-Mercer Effect

On the Accessibility of D&D, Why Unprepared Casters is so Fun, and Why Haley Whipjack is possibly the greatest DM of our generation.

(Apologies to my mutuals who aren’t in this fandom for the length of this, but as you all know I have never in my life shut up about anything so… we’ll call it even for the number of posts about Destiel I see every day.

To fellow UC fans - I haven’t listened to arc 4 yet, I started drafting this in early August, and I promise I will write a nice post about how great Gus the Bard is once I get the chance to listen to more of his DMing).

Structure - Or, “This is not the finale, there will be more podding cast”

So, first of all, let’s just talk about how Unprepared Casters works. Because it’s kind of unusual! Most of the other big-name D&D podcasts favor this long, grand arcs; UC has about 10 hours of podcast per each arc. And that’s a major strength in a lot of ways: it makes it really accessible to new listeners, because you can just start with the current arc and understand what’s going on!

And by starting new arcs every six or seven episodes, they can explore lots of ways to play D&D! Classic dungeon delve arc! Heist arc! Epic heroes save the world arc! Sportsball arc! They can touch on all sorts of things!

And while I’m talking about that: Dragons in Dungeons, the first arc, makes it incredibly accessible as a show - because it lets the unfamiliar listener get a sense of what D&D actually is. (It’s about telling stories and making your friends feel heroic and laugh and cry, for the record). If I had to pick a way to introduce someone to the game without actually playing it with them, that arc would definitely be it.

And I’d be remise not to note one very important thing: Haley Whipjack and Gus the Bard are just very funny, very charismatic people. Look. Episode 0s tend to be about 50%(?) those two just talking to each other about their own podcast. It shouldn’t work. And yet it DOES, its one of my favorite parts, because Haley and Gus are just cool.

And a side note that doesn’t fit anywhere else: I throw my soul at him! I throw a scone at him - that’s it, that’s the vibe. The whole podcast alternates between laughing with your friends and brooding alone in a dark tavern corner - but the laughs never forced and the dark corner is never too dark for too long.

Whipjack the Great - Or, the DM is Also a Player!

I think Haley Whipjack is one of the greatest Dungeon Masters alive. The plots and characters! The mechanical shenanigans! The descriptions!

Actually, let’s start there: with the descriptions. (Both Haley and Gus do this really fucking well). As we know, Episode 0 of each arc sees the DM reading a description - of a small town, or the Up North, or the recent history of a great party. And Haley always strikes this tricky balance - one I think a lot of us who DM struggle with - between giving too much description and  worldbuilding, and not telling us anything at all. She describes people and events in just enough detail to imagine them, but never so much they seem static and unreal - just clear enough to envision, but with enough vagueness left to let your imagination begin to run wild.

While I’m thinking about arc 3’s party, let’s talk about a really bold move she made in that arc: letting the players have ongoing control of their history. Loser Lars! She didn’t try to spell out every detail of this high-level party’s history, or restrict their past to only what she decided to allow - she gave them the broad outlines, and let them embellish it. And that made for a much more alive story than any attempt to create it by herself would have - but I think it takes a lot of courage to let your players have that agency. Most Dungeon Masters (myself included) tend to struggle with being control freaks.

And the plots! Yeah, arc one is built of classic tropes - but she actually uses them, she doesn’t get caught up in subverting everything or laughing at the cliches. And it’s fun! In arc 3, there really isn’t a straight line for the players to follow, either - which makes the game much more interesting and much trickier to run. And her NPCs are fantastic and I will talk about them in the next section.

Above all, though, I think what is really impressive is how Haley balances mechanics, and rules as written, with the narrative and rule of cool - and puts both rules and story in the service of playing a fun game. And the secret to that? She’s the DM, but the DM is a player, and the DM is clearly having fun. Hope Lovejoy mechanically shouldn’t get that spellslot back, but she does, and it’s fun. The changeling merchant in Thymore doesn’t really make some Grand Artistic Narrative better, but wow is it fun. And she never tries to force it one way or the other - the story might be more dramatic if Annie didn’t manage to banish the demon from the vault, but it’s a lot cooler and a lot more fun for the players if Annie gets to be a badass instead - and the rules and the dice say that Annie managed it.

Settings feel like places, NPCs feel like people, and the narrative plot feels like a real villainous plot.

Anyway. I could go on about the various ways in which Whipjack is awesome for quite a while - she’s right, first place in D&D is when your friends laugh and super first place is when they cry - but I’m going to stop here and just. Make another post about it some other time. For now, for the record I hold her opinions about the game in higher esteem than I do several official sourcebooks; that is all.

Characters - Or, Bombyx Mori Is Not an Asshole, And That Matters

Okay, I said I would talk about characters! And I will!

Just a general place to start: the party! All of the first three parties are interesting to me, because they all care about each other. Not even necessarily in a Found Family Trope sort of way, though often that too. But they generally aren’t assholes to each other. The players create characters that actually work together, that are interesting; even when there’s internal divisions like SK-73 v. Sir Mr. Person, they aren’t just unpleasant and antagonistic all the time. Listening to the podcast, we’re “with” these people for a couple hours - and it isn’t unpleasant. That matters a lot. (To take a counter-example: I love Critical Role, but the episode when Vox Machina pranked Scanlan after he died and was resurrected wasn’t fun to listen to, it was just uncomfortable and angering and vaguely cruel).

All of the PCs are amazing, and the players in each arc did a great job. If you disagree with me about that, well, you have the right to be incorrect and I am sorry for your loss. Annie Wintersummer, for one example: tragic and sad and I want to give her a hug, but also Fuck Yeah Wintersummer, and also her familiar Charles the Owl is the cutest and funniest and I love him. And we understand what’s going on with Annie, she isn’t some infinite pool of hidden depths because this arc is 7 episodes and we don’t have time for that, but she also has enough complexity to be interesting. Same with Fey Moss: yeah, a lot of her is a silly pun about fame that carries into how she behaves, but a lot of how she behaves is also down to some good classic half-elven angst about parenthood and wanting to be known and seen and important. (Side note: if your half-elf character doesn’t have angst, well, that’s impressive and also I don’t think I believe you).

There are multiple lesbian cat-people in a 4-person party and they both have requited romantic interests who aren’t each other. This is the future liberals want and I am glad for it.

Sir Mister Person, the human fighter! Thavius, the edge lord! Even when a character is “simple,” they’re interesting, because of how they’re played as people and not action-figures. And that matters a lot.

In the same way: the NPCs. There really aren’t a lot of them! And some of them come from Patreon submissions, so uh good work gang, you’re part of the awesomeness and I’m proud of you! The point being, the NPCs work because enough of them are interesting to matter. It’s not just a servant who opens Count Michael’s door, it’s a character with a name (Oleandra!) and a personality and history. They’re interesting. Penny Lovejoy didn’t need to be interesting, the merchant outside the Laughing Mausoleum didn’t need to be interesting, but they ARE! And Haley and Gus EXCEL at making the NPCs matter, not just to the story but to us as viewers. I agree with Sir Mister Person, actually, I would die for the princesses of the kingdom. I actually care about Gem Lovejoy of all people - that wouldn’t happen in an ordinary campaign! That’s the thing that makes Unprepared Casters spectacular - and, frankly, it’s especially impressive because D&D does not tend to be good at making a lot of interesting compared to a lot of other sorts of stories.

And, just as an exemplar of all this: Bombyx Mori. Immortal, reincarnating(?), and described as the incarnation of the player’s ADHD. I expected to hate Bombyx, because as the mom friend both in and out of my friend-group’s campaigns, the chaos-causer is always exhausting to me. And yeah, Bombyx causes problems on purpose! But! She is not an asshole.

And that’s important. Bombyx goes and sits with the queen and comforts her. Bombyx gives Annie emotional support. Bombyx isn’t just a vehicle to jerk around the DM and other players; Bombyx really is a character we can care about. To compare with another case - in the first couple episodes of The Adventure Zone, the PCs are just dicks. Funny, but dicks. Bombyx holds out an arm “covered in larva” to shake with a count, and robs him of magical items, but she also cares about her friends and other people! She uses a powerful magical gem to save her fertilizer guy from death! Yeah, Bombyx is ridiculous, but she’s not just an asshole the party has to keep around for plot reasons; you can see why her party would keep her around. And one layer of meta up, she’s the perfect example of how to make a chaotic character like that while still being fun for everyone you’re playing with, which is often not the case. And I love her.

The Anti-Mercer Effect - Or, “I think we proved it can be fun, you can have a good time with your friends. And it doesn’t have to be scary, you can just work with what you know”

The Mercer Effect basically constitutes this: Matthew Mercer, Dungeon Master of Critical Role, is incredible (as are all of his players). They’re all professional story-tellers in a way, remember, and so Critical Role treats D&D like a narrative art-form, and it’s inspiring. Seeing that on Critical Role sets impossible standards - and people go into their own home games imagining that their campaigns will be like Critical Role, and the burden of that expectation tends to fall disproportionately on the DM. And the end result, I think, of the Mercer Effect is that we get discouraged or intimidated, because our game isn’t “as good as” theirs. (And I should note - Matt certainly doesn’t want that to be our reaction).

So the Anti-Mercer Effect is two things: it’s D&D treated like a game, and it’s inspiring but not intimidating. And Unprepared Casters manages both of those really freaking well. Because they play it like a game! A UC arc looks just like a good campaign in anyone’s home game. They have the vibes of 20-somethings and college students playing D&D for fun because that’s who they are (as a 20-something college student who plays a lot of D&D, watching it felt like watching my friends play an especially good campaign). They’re trying to tell a good story, sure, and they always do. But first and foremost, they’re trying to have fun, and it shows, and I love the UC cast for it.

And that’s the other half of it: it’s inspiring! It’s approachable; you can see that Haley and Gus put plenty of work into preparing the game but it also doesn’t make you feel like you need hundreds of pages of worldbuilding to run a game. Sometimes a cleric makes Haley cry and she gives them back a spell-slot from their deity! That’s fantastic! It’s just inspiring - listening to this over the summer, when my last campaign had fallen apart under the strain of graduation, is why I decided to plan and run my new one!

That quote from Haley Whipjack that I used as the title for this section? That’s the whole core of this idea, and really, I think, the core of the podcast.

The Mercer Effect is when you go “that’s really cool, I could never do that.” But Unprepared Casters makes you look at D&D and go “wow, that looks really fun. I bet I can do that!” And I love the show for it.

And I bet a lot of you do too.

[coal15]

On the one hand, the initial target audience for 911 was people in the 'middle aged' range. But on the other hand, even if they didn't intend it to be the case, the show has drawn a huuuuuuuuuuge audience of people under the age of 30. Which, if I'm running a show, puts me in a bit of a quandary as to what audience I'm writing for and what they do/don't wanna see. Like, what's gonna keep me on the air for another season?

So. Online fandoms. There's no written rule stating that only fans under the age of thirty are allowed on ig/twt/tumblr, and only fans over the age of 45 are allowed on fb. It's also not true that all viewers over the age of 45 will be homophobic conservatives and those under thirty will all be liberal queer allies. (sidebar, the most vocal straight advocate for queer rights I've ever met is a church-going 82 year old. She even took the time to educate her pastor in the 90s and he's been marching for our rights alongside her ever since, okay back to the subject)

Still, if we're looking at the overall picture ig/twt/tumblr skews younger and more liberal, while fb skews older and more conservative. Which puts 911 in kind of a weird spot. At the end of the day ALL network execs are concerned first and foremost with ratings and profit. Whatever audience they need to cater to, they'll do it. Conservative homophobic fans online could howl to the moon all they want about something they don't like--but if a larger percentage of the audience is queer-ally liberals, their degree of influence will be minimal at best. The same holds true for us tho. If 90% of actual viewers are more conservative and homophobic, then whether we like it or not the show will be written with them and their preferences in mind.

Which brings us to the question: who has majority influence w/in the 911 fandom? If we only look at ig/twt/tumblr the answer would be obvious: it's us and buddie is happening in the next three seconds. So fb would be the polar opposite by default, right? They'd aaaaaalllllll be in love with bt/Taylor, bt forever yaaaaaay!

Well, for the last few years I've checked in on fb now and then to check the temperature outside our Fandom Bubble. And at first I saw quite a few "THEY'RE NOT GAY, YOU'RE WEIRD/GROSS/SEEING THINGS!" replies to every (very rare) pro-buddie post. But funnily enough, I'm seeing far fewer of those. Not that the opinion doesn't still exist, just that there seems to be a less viscerally hostile reaction to the suggestion. And while pro-buddie comments are still rare, they're less rare than they were 2 years ago, and they tend to have more likes than before, and fewer hostile replies too.

Now let's step outside of buddie on fb and jump over to bt/bucktaylor on fb. The comments/replies under a clip of the "Taylor and Buck at the bus stop" scene were . . . interesting. A only a tiny handful of outright pro-buddie posts, sure--but I saw a whole lot of disinterest in bt. Things like "they're weird/boring/mismatched," and the response to Taylor is also more negative than positive. Don't get me wrong, there are A LOT more bt/Taylor fans on fb than anywhere else online, but still fewer than I was expecting. I was expecting to see almost nothing but Standing Ovations for that scene and them as a couple. A waterfall of comments like "My fave couple!" "Most romantic scene ever!" "Buck has found loooooove!" blahblahblah. But even though fb audience shows more support for bt than anywhere else online, um . . . that is a super low bar to clear. My point is that even on fb, the most conservative side of the fandom, even there, it looks like HUGE bt shippers are outnumbered by viewers whose response is somewhere between "meh" and "I don't like them together!" As well as more anti-Taylor posts than I was expecting.

Does this mean the fb would suddenly transform into an ocean of buddie shippers if we got 100% maintext Eddie Pining in 5x10 or early in 5b? Hell no. But based on what I've seen, if the writers spelled out over the course of several episodes Eddie's internalized homophobia and coming out arc, while also revealing Buck's bisexuality in maintext before buddie is even addressed . . .

I'm pretty sure most of even the fb fandom would either get on board and go with it, or at least not dislike it enough to stop watching--and like I said at the end of the day all a network exec cares about is whether or not people keep watching the show. I would still expect to see far more "I quit! I'm done! Why are there so many GAYS?!?" type responses on fb than anywhere else, but I don't think that such hostility would be in the majority. Whereas a few years ago, I think on fb it would've been the majority by a lot.

Which leaves Tim and Fox with the question of whether the online forum(s) most representative of their average viewer is fb? Or . . . literally anywhere else on the internet. When the show started the answer absolutely would've been fb regardless of what noise was happening elsewhere. The show was created to cater to an older audience, so they were the ones watching. The ones to please. But now . . . ? Fox/Tim have to wonder if ig/twt/tumblr (and even a small percentage of fb) and our preferences now represent significantly more of actual viewers than we did in the beginning.

I'm pretty sure there's enough of us now that the network can't afford to piss us off--or at the very least they can't keep bt/Taylor till the end 'cause if even the reception on fb is lukewarm? Wow, that's a bad sign. So they'll either start building toward buddie in 5b, or . . . we'll just get crumbs and hints enough to keep us watching so they can play to both demographics and not lose viewers.

So unless 5x10 makes it blatantly obvious that they do intend for Buck to actually be in love and make bt endgame, I'll tune in for the first few eps of 5b--but if I don't see meaningful progress toward Eddie coming out or going maintext with Buck's bisexuality? I'm not gonna latch onto crumbs that only exist to string us along till the end.

Cautiously optimistic. That's where I am. And how things unfold will be an interesting study in who most represents majority viewership. us or fb.

[yellowocaballero]

I know next to nothing abt utena but I. I kinda am extremely curious abt the utena vs mcu comparative analysis? if you feel like sharing lmao absolutely no worries if not

I love all of you because I will post obviously bait and someone will always indulge me in asking about it. NO I don’t want to unprompted just start rambling about my opinions, YES I will share them though. I will make this as short as possible because I can talk about Utena all day. I will add a disclaimer that I don’t super like the MCU so I’m very sorry to any MCU fans, Winter Soldier was good. Slight, vague spoilers for Utena ahead. 

TL;DR: MCU is constantly selling feminism in the form of palatable #bossbabes and Strong Female Characters, while Utena’s form of feminism is a more systematic and nuanced interview of how the patriarchy limits, exploits, and controls women. It posits that a woman CANNOT be a #bossbabe while she’s within that system, and only by leaving it can she find independence and identity. MCU is sponsored by the Air Force.

So for the uninitiated, Utena is a magical girl anime that I’ve been jokingly calling Evangelion: For Her. It deconstructs magical girl anime and fairy tales, and critically examines Japanese society, the patriarchy, heteronormative culture, and IN MY OPINION boarding schools. It deals with themes of trauma, toxic relationships, toxic masculinity, gender non-conformity, queerness, abuse, maturity, coming of age, gender roles, memory, and narrative. 

I’ve joked recently that Tumblr would find Utena problematic if it actually talked about the show beyond the killer aesthetic and sword lesbians. Every female character in it is obsessed with men. Most of them are in abusive, or at least toxic, relationships. It has several gender nonconforming, queer women, who view gender nonconformity as adopting the role of a man in society and thereby idealizing/controlling/abusing women, as men do. Every character is a hugely complicated person who hurts others. Men control women and women are either subservient and controlled by men, or they use their position of assumed subservience to manipulate men, or they attempt to regain power by taking the role of men. 

On the flip side. Utena demonstrates how every character is turned into this through the rigid and restrictive nature of (it’s Japanese, so Japanese, although it’s broadly applicable) society. Women who do not fit into these pre-set molds are punished and ostracized. Young boys are groomed by older men in order to fit these abusive molds, and otherwise well meaning men hurt women because they are not taught how to interact with women in healthy ways. The show is basically about how society takes the genuine need for love, intimacy, and human connection among children and beats them into societally accepted molds that keep power in the hands of powerful men. The patriarchy is ultimately a tool of powerful men that abuses and controls both men and women. Ever hear of no ethical consumption under capitalism? Try no ethical love under the patriarchy! 

So, no, Utena doesn’t really have a lot of ‘strong female characters’. But that’s really kind of the point - how can a woman be strong in this system? When a woman tries to gain strength, does she just try to imitate masculine values that we’re brainwashed into perceiving as strength? Is masculinity healthy? Can Utena really be gnc, or will a gnc woman never be accepted as a man by a society that profits off the victimization of women?

I’m not asking the MCU to analyze all of this, because they’re blockbuster movies and I don’t want or need them to get #deep. However, superhero movies will never look at the systematic and societal structures that build heroes and villains so long as the nature of superheroes inherently hinges upon the ‘Great Man’ system (basically an obsession with heroes and salvation through singular men instead of communities and movements). The MCU Spider-Man movies were so frustrating about this: it goes through the effort of saying that capitalism and injustice created the Vulture, but all that does is make a sympathetic villain - it never goes so far as to say that Peter is being fed into this system (by Tony Stark) like meat into a meat grinder that continues to prioritize the special over the collective. I don’t even need to get into Far From Home. The MCU constantly acknowledges these injustices (the way it acknowledges that the Air Force in Captain Marvel is sexist and racist) but it twists around that acknowledgement into assertion that superheroes and good guys CAN exist in this unjust system, and that they can utilize the power of this unjust system in order to provide salvation. Utena has Japanese Buddhist roots over this Christian ideal of the saviour/messiah: it encourages saving ourselves, and says that we cannot be saved by others, only aided and guided in that journey. 

Captain Marvel cannot be a ‘feminist’ film, no matter how much it celebrates Carol for embracing her individuality and autonomy in a discriminatory system, so long as Carol remains within that system. In contrast, the only way that Utena was able to live in gay happiness with Anthy was by rejecting the patriarchy, structure, and society completely. Carol is a shining, premier, ‘ideal’ example of a woman in the Air Force - tough and independent yet obedient and responsible to her system. Utena is also masc and gnc, but it actually explores how performing that masculinity isn’t a repudiation of the system, it’s just striving to attain status as the oppressor instead of the oppressed (absolutely crucial note that Utena doesn’t strive to be a man, she strives for masculinity). The #girlbosses in Black Panther are characterized by their complete and total loyalty and lack of ambition to authoritarian male figures and autocratic systems (Black Panther is really good and I like it a lot, this isn’t a criticism). Judi in Utena is also completely obedient and loyal to the male-dominated structure of the Student Council, but it’s shown as preventing her from accepting her lesbianism and pursing her desires. Black Widow, #girlboss extraordinaire, is devalued as a woman through her infertility and this is completely played straight and uncritically in a move that’s stunningly 1970s. Nanami in Utena (metaphorically) is confronted with her perceived lack of suitability for maternal life - and how the reason why she’s desperate for this is because it’s the promised unconditional love she never received. This isn’t even getting into the men - Tony Stark using tools of war to end war, which is an oxymoron. Peter Parker’s divorce from his working class roots into mindless imitation of authoritarian paternal figures and him literally being handed the cutsey drone strikes. Women in the MCU are ‘cool’, women in Utena are complex, flawed, and nuanced. 

We know the MCU isn’t woke. I don’t want it to be woke. But it keeps on pretending to try and it’s frustrating me. It continually just gets enough there to make me think about it and give the shiny sheen of that feminism while refusing to engage meaningfully with what they’re doing. I’d rather they didn’t try at all, because they consistently raise the question (hey it’s fucked up that the working class is getting screwed over and the Vulture’s doing what he’s doing for a reason!) and then refuse to answer it authentically or genuinely (but he’s evil so we don’t gotta touch that). I’m not gonna use the word pandering, but...that #girlboss shot in Endgame, come on...

Utena meaningfully treats the women as women who Live In A Society, and how that fucks them up, and how the only way they can be free is if they realize there’s no wizard behind the curtain, recognize the injustices, and repudiate the game. MCU says that a woman can be liberated and strong if she achieves specialness and strength within the system - if she ‘wins’ the game. But women don’t win this game. That’s the point of the game. Because when women win, men perceive themselves as losing, and that’s unacceptable. Captain Marvel and the MCU is a consolation prize for what women are consistently denied: complex and flawed characterizations. 

I’m normally uninterested by #feminism but Utena gets it. Thanks for the ask! 

[junewongapologia]

This is actually super interesting!

(Apologies in advance, I go on way too long here)

Nobody knowing what tf he does to get all that money suggests smuggling to me, or maybe speculation, but I don't know if either fit his vibe entirely.

And I do like the way characters can be blinded by their ignorance, I should have cottoned on to that from how the, like, main theme of the book is misunderstanding and appearances being deceiving.

As for her writing, I think it's definitely the case of the fact that the world is pretty inconsistent generally, and so even if its not intentional, her inconsistencies reflect reality in a way that altogether reads as nuanced.

And what I really find,, telling, ig? about her characters, is that her former revolutionaries who are good people are generally those who recoil in horror at the revolution's excesses. But historically, imo at least, a not insignificant element of revolutionary excess was down to pretty wide eyed idealists getting in over their heads and then harding as a response to our pressure, broad urban public opinion, and the protracted pace of doing any politics at the national level.

Her guiding principle is that there are good and bad in every class - in this egalitarianism, she has more in common with Actual (early) Robespierre than a lot of the nobility she sympathises with. The inconsistency/nuance comes when this ethos (which I do believe is how she saw things) meets the "purpose" of the book, which is, not to sound too derisive, kind of a class solidarity power fantasy for the aristocracies of Europe.

Irl aristocracies of different European nations generally hate each other they have, like, legacy resentments going back to medieval wars. King George V didn't even manage any class solidarity with Czar Nicholas and they were cousins who had been fighting a war together for years. Emigre aristocrats had to make (bribe, usually) their own way, and Emma Orczy having been one of these aristocratic refugees is seemingly The formative event of her life.

Generally I think her whole world view can be summarised by Noblesse Oblige. I think that's how Percy, the character, sees it too, tho he's usually saving Vicomtes, and doesn't usually bother himself with most of the victims of The Terror, who were lower class and probably unlikely to have and connections in England.

Ultimately, I think she sees the aristocrats as a class of people as a check on populism and the rule of the mob. Both The Aristos and The Mob have good and bad elements, but she, I think, trusts that gradual change to a more democratic society can be shepherded by liberal minded aristocrats. YMMV on how Real this is, tho historically these sorts of ppl tend to be both outliers and also have to work against the entire structure of the society that was formed around them to get even an inch, especially in France, which in the 1780s was In A State. And she obviously likes the Vibe of the aristocrats more than the revolutionaries.

I always took Chauvelin being dressed in black constantly as being a reference to the Third Estate being mandated to wear black at the Estates General, which is why it read as one of the many, many retcons/continuity errors of the series to have him described as "a high born gentleman" in Sir Percy Hits Back to me.

That or the minute he displays any kind of positive character trait, the author decided he must be blue blooded which tbh checks for the whole vibe of Baroness Orczy.

[whitehotharlots]

The point is control

Whenever we think or talk about censorship, we usually conceptualize it as certain types of speech being somehow disallowed: maybe (rarely) it's made formally illegal by the government, maybe it's banned in certain venues, maybe the FCC will fine you if you broadcast it, maybe your boss will fire you if she learns of it, maybe your friends will stop talking to you if they see what you've written, etc. etc. 

This understanding engenders a lot of mostly worthless discussion precisely because it's so broad. Pedants--usually arguing in favor of banning a certain work or idea--will often argue that speech protections only apply to direct, government bans. These bans, when they exist, are fairly narrow and apply only to those rare speech acts in which other people are put in danger by speech (yelling the N-word in a crowded theater, for example). This pedantry isn't correct even within its own terms, however, because plenty of people get in trouble for making threats. The FBI has an entire entrapment program dedicated to getting mentally ill muslims and rednecks to post stuff like "Death 2 the Super bowl!!" on twitter, arresting them, and the doing a press conference about how they heroically saved the world from terrorism. 

Another, more recent pedant's trend is claiming that, actually, you do have freedom of speech; you just don't have freedom from the consequences of speech. This logic is eerily dictatorial and ignores the entire purpose of speech protections. Like, even in the history's most repressive regimes, people still technically had freedom of speech but not from consequences. Those leftist kids who the nazis beheaded for speaking out against the war were, by this logic, merely being held accountable. 

The two conceptualizations of censorship I described above are, 99% of the time, deployed by people who are arguing in favor of a certain act of censorship but trying to exempt themselves from the moral implications of doing so. Censorship is rad when they get to do it, but they realize such a solipsism seems kinda icky so they need to explain how, actually, they're not censoring anybody, what they're doing is an act of righteous silencing that's a totally different matter. Maybe they associate censorship with groups they don't like, such as nazis or religious zealots. Maybe they have a vague dedication toward Enlightenment principles and don't want to be regarded as incurious dullards. Most typically, they're just afraid of the axe slicing both ways, and they want to make sure that the precedent they're establishing for others will not be applied to themselves.

Anyone who engages with this honestly for more than a few minutes will realize that censorship is much more complicated, especially in regards to its informal and social dimensions. We can all agree that society simply would not function if everyone said whatever they wanted, whenever they wanted. You might think your boss is a moron or your wife's dress doesn't look flattering, but you realize that such tidbits are probably best kept to yourself. 

Again, this is a two-way proposition that everyone is seeking to balance. Do you really want people to verbalize every time they dislike or disagree with you? I sure as hell don't. And so, as part of a social compact, we learn to self-censor. Sometimes this is to the detriment of ourselves and our communities. Most often, however, it's just a price we have to pay in order to keep things from collapsing. 

But as systems, large and small, grow increasingly more insane and untenable, so do the comportment standards of speech. The disconnect between America's reality and the image Americans have of themselves has never been more plainly obvious, and so striving for situational equanimity is no longer good enough. We can't just pretend cops aren't racist and the economy isn't run by venal retards or that the government places any value on the life of its citizens. There's too much evidence that contradicts all that, and the evidence is too omnipresent. There's too many damn internet videos, and only so many of them can be cast as Russian disinformation. So, sadly, we must abandon our old ways of communicating and embrace instead systems that are even more unstable, repressive, and insane than the ones that were previously in place.

Until very, very recently, nuance and big-picture, balanced thinking were considered signs of seriousness, if not intelligence. Such considerations were always exploited by shitheads to obfuscate things that otherwise would have seemed much less ambiguous, yes, but this fact alone does not mitigate the potential value of such an approach to understanding the world--especially since the stuff that's been offered up to replace it is, by every worthwhile metric, even worse.

So let's not pretend I'm Malcolm Gladwell or some similarly slimy asshole seeking to "both sides" a clearcut moral issue. Let's pretend I am me. Flash back to about a year ago, when there was real, widespread, and sustained support for police reform. Remember that? Seems like forever ago, man, but it was just last year... anyhow, now, remember what happened? Direct, issues-focused attempts to reform policing were knocked down. Blotted out. Instead, we were told two things: 1) we had to repeat the slogan ABOLISH THE POLICE, and 2) we had to say it was actually very good and beautiful and nonviolent and valid when rioters burned down poor neighborhoods.

Now, in a relatively healthy discourse, it might have been possible for someone to say something like "while I agree that American policing is heavily violent and racist and requires substantial reforms, I worry that taking such an absolutist point of demanding abolition and cheering on the destruction of city blocks will be a political non-starter." This statement would have been, in retrospect, 100000000% correct. But could you have said it, in any worthwhile manner? If you had said something along those lines, what would the fallout had been? Would you have lost friends? Your job? Would you have suffered something more minor, like getting yelled at, told your opinion did not matter? Would your acquaintances still now--a year later, after their political project has failed beyond all dispute--would they still defame you in "whisper networks," never quite articulating your verbal sins but nonetheless informing others that you are a dangerous and bad person because one time you tried to tell them how utterly fucking self-destructive they were being? It is undeniably clear that last year's most-elevated voices were demanding not reform but catharsis. I hope they really had fun watching those immigrant-owned bodegas burn down, because that’s it, that will forever be remembered as the most palpable and consequential aspect of their shitty, selfish movement. We ain't reforming shit. Instead, we gave everyone who's already in power a blank check to fortify that power to a degree you and I cannot fully fathom.

But, oh, these people knew what they were doing. They were good little boys and girls. They have been rewarded with near-total control of the national discourse, and they are all either too guilt-ridden or too stupid to realize how badly they played into the hands of the structures they were supposedly trying to upend.

And so left-liberalism is now controlled by people whose worldview is equal parts superficial and incoherent. This was the only possible outcome that would have let the system continue to sustain itself in light of such immense evidence of its unsustainability without resulting in reform, so that's what has happened.

But... okay, let's take a step back. Let's focus on what I wanted to talk about when I started this.

I came across a post today from a young man who claimed that his high school English department head had been removed from his position and had his tenure revoked for refusing to remove three books from classrooms. This was, of course, fallout from the ongoing debate about Critical Race Theory. Two of those books were Marjane Satropi's Persepolis and, oh boy, The Diary of Anne Frank. Fuck. Jesus christ, fuck.

Now, here's the thing... When Persepolis was named, I assumed the bannors were anti-CRT. The graphic novel does not deal with racism all that much, at least not as its discussed contemporarily, but it centers an Iranian girl protagonist and maybe that upset Republican types. But Anne Frank? I'm sorry, but the most likely censors there are liberal identiarians who believe that teaching her diary amounts to centering the suffering of a white woman instead of talking about the One Real Racism, which must always be understood in an American context. The super woke cult group Black Hammer made waves recently with their #FuckAnneFrank campaign... you'd be hard pressed to find anyone associated with the GOP taking a firm stance against the diary since, oh, about 1975 or so.

So which side was it? That doesn't matter. What matters is, I cannot find out.

Now, pro-CRT people always accuse anti-CRT people of not knowing what CRT is, and then after making such accusations they always define CRT in a way that absolutely is not what CRT is. Pro-CRTers default to "they don't want  students to read about slavery or racism." This is absolutely not true, and absolutely not what actual CRT concerns itself with. Slavery and racism have been mainstays of American history curriucla since before I was born. Even people who barely paid attention in school would admit this, if there were any more desire for honesty in our discourse. 

My high school history teacher was a southern "lost causer" who took the south's side in the Civil War but nonetheless provided us with the most descriptive and unapologetic understandings of slavery's brutalities I had heard up until that point. He also unambiguously referred to the nuclear attacks on Hiroshmia and Nagasaki as "genocidal." Why? Because most people's politics are idiosyncratic, and because you cannot genuinely infer a person to believe one thing based on their opinion of another, tangentially related thing. The totality of human understanding used to be something open-minded people prided themselves on being aware of, believe it or not...

This is the problem with CRT. This is is the motivation behind the majority of people who wish to ban it. It’s not because they are necessarily racist themselves. It’s because they recognize, correctly, that the now-ascendant frames for understanding social issues boils everything down to a superficial patina that denies not only the realities of the systems they seek to upend but the very humanity of the people who exist within them. There is no humanity without depth and nuance and complexities and contradictions. When you argue otherwise, people will get mad and fight back. 

And this is the most bitter irony of this idiotic debate: it was never about not wanting to teach the sinful or embarrassing parts of our history. That was a different debate, one that was settled and won long ago. It is instead an immense, embarrassing overreach on behalf of people who have bullied their way to complete dominance of their spheres of influence within media and academe assuming they could do the same to everyone else. Some of its purveyors may have convinced themselves that getting students to admit complicity in privilege will prevent police shootings, sure. But I know these people. I’ve spoken to them at length. I’ve read their work. The vast, vast majority of them aren’t that stupid. The point is to exert control. The point is to make sure they stay in charge and that nothing changes. The point is failure. 

[bloodbenderz]

Can I ask what your season 1 Lok reboot looks like?

this is about 3k words i checked lmfao dont say i didnt warn u

a key part of the whole thing is that korra gets way more perspectives and more experiences representative of like, normal people in republic city bc i think something that really defined what a good avatar aang was was how many people he met and got to know and how he didnt exclusively or even mostly associate w cops and bureaucrats and leaders. so mako and bolin. well first of all their backstories are a little more fleshed out and we get a less black and white view of the “triads” (lol) and mako and bolin’s experiences w them. cuz the show very much does the whole thing of like Criminals Bad but dont worry even tho mako and bolin did commit crimes theyre not Criminals!! so just a little more nuance on the alleged gang problem and the poverty in the city

korra does start out very naive w very black and white ideas (ex. “you guys are CRIMINALS?”) i think a really good way of developing her away from her sheltered naive worldview is putting her in whats clearly an incredibly complicated city w an absolute cesspool of political conflicts, ethnic tensions, the lasting effects of colonization, etc and having her try and understand the needs of “the people” in a more complicated way than “i have to save the good guys from the bad guys” ykwim? and i think the absolute WORST way to do that is what they did. bc we get mako and bolin who could contribute genuinely compelling thematic elements to the story: one parent who was indigenous and one who was from a colonizer background in the decades directly following the end of the war, kids who grew up in poverty apparently without any familial support, and who now are trying to be “respectable” members of society (especially mako). and then most of that is pretty much tossed aside bc asami swoops in w her capitalist dad and her piles of money and the class issue is just never talked about again.

so the way i’d fix all that is like. introducing more, like, normal people. some nonbenders, more workers, more immigrants, etc, to show what daily life is actually like for people. because. we dont know! we dont have any context about whether the nonbender oppression thing is actually an issue bc we dont KNOW any nonbenders with normal lives! and spoiler: the nonbender oppression thing is not an issue. bc it doesnt make historical sense. lok is set 7 decades after the end of the war. that is not by ANY stretch of the imagination long enough to heal from the scars of imperialism, ESPECIALLY not when lok is also set in a settler colonial state. like that fact should have featured PROMINENTLY in the political and social setting! realistically, nonbenders arent an oppressed class, earth and water nation people are, regardless of bending status! as in all settler colonial states, the colonizers and their descendants (in this case fire nation people) retain most of the financial and political capital, leaving the colonized and racialized immigrants (in this case earth kingdom and water tribe people respectively) generally impoverished and politically suppressed. like aside from the fact that theres no way toph would have become a cop, it’s so ridiculous to think that an established privileged class of fire nation colonizers would EVER accept being policed by earthbenders!

imagine how much more nuanced and interesting it would be to set republic city as a remnant of a colonial past still fraught w the violence and tension that colonialism and the associated ideology imposed?? instead of some vague ideas of criminal who wear 1920s outfits and harass shopkeepers think about why extralegal and violent groups like that might form! earth kingdom people trying to push for the reclamation of their land? ethnic groups protecting themselves against corrupt cops? ESPECIALLY w the history that the fire nation has of SPECIFICALLY jailing and killing earthbenders and waterbenders BECAUSE of the potential they have to resist against fire nation imperialism like it just makes no sense at all that earthbenders would be privileged on land that, 70 years ago, they would have been imprisoned on! like these various paramilitary groups falling along these different ideological or ethnic lines, fire nation or earth kingdom or water tribe, pro colonization or anti colonization, pro cop or anti cop, pro immigrant or anti immigrant, and then you juxtapose that w depictions of a govt thats failing to keep this all under control w tenzin trying desperately to keep it together despite the fact that it’s becoming increasingly obvious that the state has no interest in taking the conflicts seriously and would rather just point vague fingers at criminals and gangs? and THEN you bring in korra, who has no idea about any of this and thinks that all its gonna take is kicking some ass every couple days, meeting normal people who offer all kinds of different opinions abt the efficacy of the state and the different violent or nonviolent groups and ideologies clashing in the city and the way all this shit is affecting people’s lives and livelihoods and relationships w other citizens??

theres so much good shit there so many incredible things u could do w that like Where do we go after colonial atrocities? is it possible for a settler colonial state to take revolutionary or indigenous ideas seriously? is liberal reform enough in a state like this? and then all the growth that korra could do going from a simple black and white life about mastering the elements to this messy complicated sociopolitical knot of a city? and all the different kinds of characters u could introduce in this city? like why would u EVER think that the most interesting characters that this story has to offer is a police chief a congressman and a billionaire????

but anyways. that’s what the Setting of my idealized version of lok is. as for the actual plot, it is as follows

it starts out similarly as the show. republic city is MUCH more fraught w political tension and violence and korra knows this but assumes that it’s just a matter of throwing a few gang leaders and corrupt officials in jail. tenzin manages to come see them in the south pole and intends give korra real lessons while he’s there but they receive news of a terrorist attack in republic city only a few days after he gets there so his family has to pack up and leave again.

korra stows away to republic city (katara catches her leaving and gives her blessing im a SUCKER for that moment). she does have a hard time adjusting but she doesn’t do what she did in the show lol the first person she meets in the city is this older woman who works on the docks, directs her to a place where she can eat and gives her a roof to sleep under for the first night. so korra’s first exposure to republic city is just about forming connections w ordinary people like ship workers and a family owned restaurant and people practicing their bending in the park. and by the time she reaches air temple island a day or so later her head is spinning w all this new information and the way that nothing is really what she expected it to be. tenzin gives her his own perspective on everything and pema gives her her own perspective on everything and even those two seem wildly different from all the people she’s already met. and so korra starts to get a kind of outline of the conflicts plaguing the city as extremely complex and a lot more influenced by older ideas of fire nation imperialism and earth kingdom land reclamation than she had any idea about.

mako and bolin are still pro benders but not like. super famous like they are in the show. korra’s picked up a couple friends by now and one of them takes her to a gym where a lot of amateur pro bending (is that an oxymoron? lol) matches happen and thats how she meets mako and bolin and joins their pro bending team. Unfortunately for korra, this gym is run by lin beifong, and also has the distinction of being one of the most notoriously anti settler state organizations in the country. lin beifong is NOT a cop but she runs this gym (and the pro bending league) as a way to offer support to local earth kingdom/water tribe youth, teach self defense skills, a center of community organizing, and sometimes to act as a front to hide revolutionary/combat organizing against the pro fire nation paramilitaries/police force. tenzin is DISTRAUGHT that korra does this and this is where the friction btwn them comes from bc (from tenzin’s perspective) she does things like this without thinking or even fully understanding the context behind them and tenzin will have to deal w the political fallout of the avatar openly aligning herself w a very divisive figure in the community and (from korra’s perspective) tenzin is too unwilling to take sides in a conflict that’s claiming lives and when the state is clearly not taking sufficient steps to protect people well then why the hell shouldnt she align herself w lin beifong, who IS taking steps to protect and support people?

as korra more fully integrates herself into the city and learns more abt how different people think abt everything going on this is where the real exposition abt the equalists begins. they’re a paramilitary group w an ideology thats gaining increasing support among middle/upper class fire nation people, esp nonbenders. on the face theyre abt putting checks on “bender oppression” but really it’s an excuse to persecute and surveil earthbenders waterbenders and airbenders, bc fire nation people have all this leftover fear about benders who arent fire nation Rising Up Against them and these people who r using their Savage Excuse for Bending to terrorize good innocent (fire nation) people. theres all too frequent terrorist attacks that the equalists claim credit for mostly against monuments to earth/water/air nation people and earth/water nation community centers (one like it was the event that forced tenzin back to republic city) but also like the govt doesnt take a lot of these seriously or if they do only a couple people are charged without doing damage to the entire organization

this is also around the time that they meet asami and she becomes part of their friend group. asami likes pro bending but her dad HATES it so she sneaks out to watch matches at lin beifong’s gym (korra says ironically like don’t u know how ~divisive~ that is and asami answers that the only reason its Not divisive is that gyms like beifongs are the only place where nobody recognizes her). and asami alongside korra is also kind of developing a more nuanced perspective on the city that she lives in cuz obviously the only worldview she’s ever been exposed to is her father’s right? and she keeps pushing it off making excuses not to bring mako and bolin and korra around to her house or even not to be seen w them in certain neighborhoods until they call her on it and she’s like Well honestly my dad might do something awful to u! and i dont wanna risk it!

and as time goes on we see more abt asami’s home life like her father’s hyper conservative politics and asami keeps these secrets abt her hobbies and her friends from him but she’s still clearly under his influence and mako bolin and korra r getting increasingly worried abt it cuz like...asami seems to tend to make excuses for him so that she wont have to be drawn into conflict and originally they think its just her being privileged and thats def part of it but the more they find out abt it the more they realize what a tight fucking grip he has on her and the way that like. asami sneaking out once or twice a week is the Only thing she does for herself. and it really starts freaking them out how influential this billionaire is and all the information theyre getting from asami abt what a piece of shit he clearly is. and so that whole plot thing comes about and shows us how deeply embedded these “equalist” ideas are in conservative republic city politics and how much influence theyre actually having in policy making and law enforcement.

asami suffers in the aftermath of this like being forced to truly confront the harm her father is doing both to the city and to herself. and she ends up leaving home when this discovery really breaks. but bc of the deep corruption in govt and police sato isn’t really....dealt with? like this big story breaks and everyones like Oh, My God! Hiroshi Sato Is Funding An Illegal Paramilitary Group! and theres all kinds of inane political discourse about it and he��s arrested but he bails himself out immediately and his finances are examined but he maintains control over them and after a few weeks the gang (bc they Have become close among all this w much less interpersonal drama lol) has to admit that this news story hasnt done what they thought it was going to it hasn’t dealt the equalists a real hit its just given them a very high profile ally

and this is when things really start to ramp up in terms of action like up until now korra’s daily activities are mostly like hanging around in the city w her friends  (which in part entails doing little avatar stuff that people dont feel comfortable going to police with, like Can you help me my ex husband wont pay child support or Please help i got robbed and i really needed that money for rent next month or Help my son keeps skipping school can you talk to him cuz im worried abt him being safe and doing well in school) and pro bending and airbending lessons (which i know ive neglected this part of the story in terms of her whole spiritual/physical conflict but it’s more of a subtle thing like it’s one of tenzin and korra’s more frequent arguments like tenzin says she needs to focus on spirituality and korra asks why she even needs to bc republic city is a sociopolitical problem not a spiritual one) but now the equalist threat seems to really be looming on every level of society like the storyline of equalists preventing pro bending matches happens here and everyones just at a total loss of what to do next. plus increasing and scary rhetoric about tenzin and his family that destroying the last airbenders is necessary to preserving the integrity of the united republic

and so theres the equalist takeover of the city. the people who are mostly resisting this are lin and ragtag group of people who have been resisting colonial rule for a long time (including suyin, who is part of a communist anti colonial community outside the city, because i said so and i think it would be fun), people who have been visiting her gym for years, members of her amateur pro bending league, plus asami and korra and tenzin. korra and tenzin have a sweet moment (bc they do genuinely care abt each other a lot even if their relationship has been marked w a lot of tension and arguing) where tenzin says like you know i think that ive lost focus on the kind of spirituality that might actually help you. korra says what do you mean? and tenzin kind of gestures to where theyre sitting with people buzzing around organizing to take care of innocents and civilians and to fight the equalists and he says this is a kind of spiritual too, isnt it?

and something something plot plot blah blah i havent decided on the details of the plot climax yet but that’s the climax of korra’s character development and what helps her connect w her spiritual side in order to protect the city: the realization that community is its own kind of spirituality. and it kind of represents the real development that i want her to have going from somebody who thinks that the world is divided into criminals and victims and she has to save the victims Into the kind of avatar who understands the people that she’s bound to serve. she becomes an avatar of the people!

and then happy ending lol korra and asami get together lin and tenzin reconcile after years of being at odds the show ends on a hopeful note that the inhabitants of republic city and the united republic as a whole Can move on from the scars of colonialism by reckoning w the remnants of fire nation colonial ideology and reparations to the earth kingdom people whose land this is and destruction of colonial systems that have maintained and enforced colonial violence all these years

[theggning]

I'd you've discussed it before, I missed it. So no pressure if you don't want to rehash, but ... Can I get your general thoughts on Elder Maxson? Your opinion of him/headcanons you might have?

He's such a complex character imo, and lately he's been living rent free in my head.

Yeah, absolutely! I’ve previously given him a lot of shit and I make fun of him often (we all know What He Did) but he is actually a really complex and fascinating character. 

I actually feel really sorry for Arthur Maxson. The poor kid never had a chance to be well-adjusted or have a normal life. Arthur is the last living descendant of the man who founded the Brotherhood of Steel, and he comes along at a time when the Brotherhood is heavily struggling for relevance. In the west, they’re strictly and dogmatically isolationist, and you end up with groups like the Mojave chapter fading into obscurity in a bunker. In the east, you’ve got Owyn Lyons, who makes a stand for what he believes in (altruism), gets his entire chapter disowned, and loses half of his soldiers because they disagree (the Outcasts from FO3.) 

Meanwhile, Arthur carries the blood and the name of the one person EVERYONE in the Brotherhood believes in. When we meet him in FO3, Squire Arthur Maxson is a smart, shy, gentle 10-year-old boy who’s been sent eastward away from his parents both to protect him and to “make him stronger” (his parents die while he’s away.) He had no friends his own age and no friends at all, actually (except for Liberty Prime-- a journal entry mentions a scribe chasing Arthur out of the lab and scolding him for trying to befriend a machine.) He hero-worships Sentinel Sarah Lyons, but he’s too young and clumsy to follow her out into the field. Everybody treats him like a small soldier or a messiah, no matter how he tries to downplay his lineage and claim to be a normal boy. This literal child spends his entire life being told he’s special and mighty with a “soul forged from eternal steel.”

The pressure and the expectations eventually start to push him into embracing his “destiny.” By 12, he’s improved his combat skills enough to kill two raiders on patrol. By 13, he single-handedly kills a deathclaw (and earns his face scar.) By 15 he’s taking out important super mutant leaders. And by 16, he’s so hardcore that the West Coast BoS gets back in touch with the East and names Arthur Elder. At the age normal teenage boys are socializing with peers or having friends or letting their brains finish developing, Arthur Maxson is the goddamn supreme commander of a military force. And the East Coast BoS actually thrives under him, becoming more powerful and relevant than they’ve ever been. And this is how we go from the shy, quiet squire to the charismatic, highly-beloved (MOTHERFUCKING 20-YEARS-OLD) Elder Arthur Maxson in FO4. 

I wouldn’t say that FO4!Arthur buys into his own hype. Despite how he’s been treated his whole life, he doesn’t believe that he is a god or a messiah. But he does believe literally every single word of the BoS codex. He does believe that they are saving humanity and doing what’s best for the future. He has been living as the legend people expected of him for years now, and is determined to continue down that path. 

I think in his own twisted way, Arthur actually does care about the people of the Commonwealth, as he claims to. But it’s in the same way that a king cares about his subjects. He knows what’s best for them and doesn’t really care to seek their input before doing what he likes. Though he genuinely does believe the Institute is evil and he genuinely wants to protect the world from their menace, he also comes to the Commonwealth because he wants to lead his own glorious war of liberation, the way Owyn Lyons did in the Capital. 

Also, for all people claim the BoS were “ruined” by Arthur in FO4, keep in mind that  

A. Lyons’ BoS and their charity and altruism were actually outliers- most of the BoS are a bunch of isolationist asswipes (see: the entire West Coast branch) B. The BoS hating non-human races is the norm, not the exception C. Arthur has actually fairly smoothly integrated BoS traditions with Lyons’ more fair and altruistic beliefs (which he grew up with.) He clearly maintains a lot of respect for the Lyons family (even if the current BoS party line is to denigrate them in favor of praising Arthur.) 

Here are some things that Arthur has commanded of his BoS that make them the kinder, gentler version of the faction, and also just some general nice things he’s done as Elder: 

Civilians are ordered to be treated fairly. BoS soldiers are not permitted to harm them (except in self defense) and any and all tech they possess is to be traded for fairly with food and medicine. If they refuse to trade, they are left alone. 

BoS soldiers are to defend civilians and initiate proactive strikes on super mutants, feral ghouls, Institute synths, and other threats. BoS vertibird crews are to protect caravans from above. 

BoS soldiers are to be monitored for mental health concerns as well as physical. Arthur explicitly orders Cade to treat all mental conditions the same way he would treat an injury. 

He shows deep personal concern for his staff and crew. This is notable in the terminal entries re: Ingram, where Arthur is apologetic for denying her field duty-- and when she disobeys him and goes to Mass Fusion anyway, all he does for punishment is to write her a sternly worded letter. 

Arthur Maxson is a cold, brutal, unflinching military dictator with a god complex. He is a lonely, frightened child carrying the weight of the world and desperately trying to prove himself. He’s a compassionate, charismatic leader. He’s a terrifying enemy. He’s an idealistic liberator who wants to protect humanity. He’s a dogmatic bigot who thinks evolving his views is showing weakness. He’s all of these at the same time. He could only get the wide and varied fandom reception he does by having this many facets of his personality, and by being one of the most complicated characters in the game. 

And okay, I’ll say it: his beard and his jacket are pretty sexy. 

[deltaengineering]

Spring Anime 2021: Embarrassment of Riches

So this current anime season absolutely stinks, which just makes the last one look even more impressive. Well, maybe not all of it...

Zombieland Saga Revenge

First off, you don't need to tell me that the following is a severe outlier opinion. We good? Ok. ZLSR is, in a word, subpar. I liked S1 back in the day, but it was already in the process of getting lazy towards the end. S2 continues this trend and is basically just another idol show. And as someone who actually does watch other idol shows I have to say that it's not a particularly good one of those either. The zombie gimmick has mostly stopped mattering and we're just doing what every idol show does, only with the odd occasional sight gag. The alleged subversive qualities mostly amount to a flashback for Yuugiri, which is admittedly the best part of the show but feels like it barely has anything to do with anything. Apart from that, it's a bunch of generic idol plots, rehashed character beats, shoddy attempts at twists (while not connecting to any setups from S1), and the obligatory "idols give us hope" ending, which is terribly hackneyed and flat out bad. Tae gets further memed into the ground, because of course she does. And there's stuff that was simply never good to begin with, like Kotarou and his comedy schtick, which gets truly insufferable now that there's no qualities to distract from it. It really makes me think that S1 wasn't even all that good to begin with and seems like an attempt to turn this surprise success into an easy money longrunner with no edge and no ambitions. "The idol show for people who don't watch idol shows" indeed, but not the way you mean it. 4/10

Bakuten

But not to dwell on the failures, with the second show we're already above the cut — barely. This one got my attention with its really impressive performance scenes early on and it totally sticks to that, which is even more impressive. But besides that? Well, this is by far the most predictable show in a season where I watched an unambitious Kiraralike and put ZLS on blast for having no ideas. The characters are a mixed bag, some are cool (Shida, Asawo), some are very annoying (Mashiro), but those are the supports. The main cast is extremely one-dimensional, which is fine until they try to heap a ton of pathos on their lead, which doesn't go well. But I guess execution matters, and Bakuten is slick enough to get by. Writing this down in stark daylight I feel like I overrated this show somewhat (I actually put it over the next one originally, which definitely doesn't hold up when thinking about it), but I was indeed mostly entertained. 6/10

Yakunara Mug Cup mo

Yeah. Of course Mug Cup definitely doesn't invent or subvert anything either, but it's a pretty good Kiraralike that's always entertaining to watch. Explaining the qualities of such a nothing genre is as difficult as ever, but it mostly comes down to me liking the characters and it having nothing to annoy me. It's shorter than normal, which is a plus for slim shows like this. And yeah, you can make an excessive amount of dick jokes with the clay fondling. That helps too. Looks are just fine, pleasant but nothing out of the ordinary. Comfy low-effort anime. 6/10

Vivy: Fluorite Eye's Song

This one is decent, but sadly still a major letdown. Because the first few episodes of Vivy were excellent and kicked ass, but then it became increasingly clear that the writing can't cash the checks the ideas wrote while the action starts running into severely diminishing returns. Vivy just keeps slowly getting worse and worse as it goes on, not by a huge amount each episode but by the end there's a pretty sizeable gulf between potential and result. Going into detail would probably be a little much for this venue because there's a lot, but from the top level view the issue is that while Vivy has good fundamental ideas and steals at the right places, it just isn't a smart show — it's schlock, and by the end, poorly thought out schlock that tries to smooth out every problem with liberal application of the big feels hammer and le epic twist at that. Yeah, couldn't tell that the Re:Zero dude was aboard here, for sure. That said, it still works pretty well as entertaining schlock that is not to be taken too seriously, and the characters are generally just very fun to watch even when they're doing stupid things. Still, I can't in good conscience rate this higher than Beatless, a show that looks like butt but properly executes on its ideas. 6/10

Super Cub

So this is 100% a Honda commercial, and I got really mad a Yuru Camp last season for being a blatant shill. Yet I'm feeling this, what gives? I think the main difference is that Super Cub is specifically a commercial for one product (and a very iconic product at that), while Yuru Camp is so all over the place that it ends up mostly a commercial for consumerism in general. And when Super Cub goes too hard on the product (which it does), it's at least pretty entertaining. That's something about Super Cub in general: It goes hard. Your regular Kiraralike this is not, because it's uncommonly slow, focused and moody - yes, it almost measures up to Yuru Camp at its best and demolishes it at its worst. Also, it's just extremely amusing to see sadblob Koguma grow a huge grizzly biker beard and become a badass outlaw dad to her goofy wife and cute daughter, all thanks to the power of afforable personal transportation. Needless to say, that can get unintentionally silly, but Super Cub has so much charm that it doesn't matter — it's great when it's good and still funny when it's not. 7/10

Shadows House

Shadows House turned up with a lot of potential, and I have to say it at least delivered on most of it. It has some problems; notably I'm not a fan of how the entire middle turned out to be a tournament arc of sorts that seems curiously inspired by Resident Evil memes, crest-shaped intentations and boulder punching included. I also think that this is a show that would be perfectly fine without explaining much, but I guess it is a shounen manga after all so we got dumped on eventually anyway. At least that came late - close relative Promised Neverland didn't show that much restraint. Shadows House is generally well written though, with great characters, interesting interactions and a great hook. But what really makes it memorable is that it's exceptionally good at the cute/creepy contrast, something that is often tried but rarely works as well as here, with great character designs and very appropriate production. I hope this gets a sequel, because it seems like it's just getting started. 7/10

SSSS.Dynazenon

Coming in with a fondness for Gridman, Dynazenon didn't have to do much to convince me. The surprise though is that it's not a rehash even if it's basically the same show, a character drama where occasionally huge and goofy fights break out. Dynazenon is Gridman done better, and the interesting part is how it accomplishes this - mainly by being far more conventional. I do appreciate that Gridman went for something weird and almost experimental, but that only really paid off towards the end while most of the show was a distraction/holding pattern. It just didn't feel like there was enough material for a full series there, more like a movie maybe, if even that. Dynazenon fixes this by just being a TV show, with an actual cast of characters that each have their own arc. And by spreading the material this way, Dynazenon ends up having a lot more nuance than its intensely focused predecessor, while having the same themes and not actually being any deeper. In a way, Gridman ends up looking like the spinoff in retrospect, while Dynazenon is the full package. 8/10

Thunderbolt Fantasy S3

So how good was this season? So good that Thunderbolt Fantasy doesn't end up at the top, that's how. And all the elements that made Tbolt such a sure thing are still there, big hammy puppets doing stunts and scheming never gets old. However, I do have to note that at this point, the writing appears to have gotten too comfortable. I don't expect it to ever top the amazing S1 ending, but at this point it's like Tbolt has stopped trying to deliver on endings at all and seems in the process of retooling itself into a longrunner instead. Barely anything gets resolved in S3 (the climax is that the climax of S2 is resolved again, for good this time... maybe), and everything else is just setting up plotpoints for the next season. Tbolt is truly lucky that it doesn't actually need to resolve anything to be a great time, but at this point I have to say that I'd appreciate it if they wrapped it up with S4. 8/10

Nomad: Megalobox 2

Speaking of sequels to shows I liked, Nomad doesn't so much improve upon its predecessor but steamrolls right over it. This is a tall order, since Megalobox was surprisingly good for a sports shounen and had a real nice, heartwarming ending that Nomad instantly negates for purposes of drama and everyone being extremely miserable. That sounds like a pretty terrible idea - and it would be, if Nomad wasn't as excellent as it is. To call it not the same show would be an understatement, because it's a true sequel, not just the same characters doing their thing some more, or new characters doing the same thing as the old ones did. Indeed my biggest problem with Megalobox was that it still closely adhered to its genre template and was very predictable; Nomad fixes this issue thoroughly. Nomad is about questioning what being a hotblooded shounen protagonist eventually leads you to, and how to fix everything you screwed up by being one. You could call it a deconstruction, but that term has been so abused for cynical, edgy "thing you like actually sucks" takes that I feel like it doesn't really fit here. Nomad isn't cynical at all, it's just a character drama about some boxers past their prime, and it being a sequel to a show that is indeed rather formulaic just enhances the experience. My biggest issue with it was that I really like what they did with Joe in this story, so the big focus on Mac's backstory felt like a distraction for a long time. But in the end that turned out to be absolutely necessary to make the ending work. The ending's just great, by the way, and I shall say not more about it. 9/10

Odd Taxi

Yeah boy, here's the show that has apparently become somewhat of a "greatest show you didn't watch" meme, which I can feel smug about because I don't need YouTubers to tell me what's good and followed this from day one. Anyway, Odd Taxi is indeed great, the greatest show in a few years even. What starts out as seemingly a relaxed hangout show in the vein of Midnight Diners quickly turns into a psychological murder mystery while never losing its quirky humor. The character writing is outstanding, with even small bit players being on a level that the average anime wishes it could have for leads. And the rollout of the mystery is exemplary, with answers given and new questions raised every episode with a satisfying and logical payoff in the end. This is also the rare anime that has rock solid production from the first to the last second; it's never really flashy but excellently done and highly consistent nonetheless. And the music just owns. I have a few complaints, mainly that there's a few logical weaknesses in the story (which wouldn't even register in a lesser show, but sticks out here since the rest is so immaculately constructed) and that the ending overextends on the emotions when the rest of the show is so reserved and dry in comparison. But those are only the reasons why I didn't give it perfect marks, and I almost did that anyway. 9/10