#even though ive always thought that thematically it works well that she died

[tarpitbell]

9:16

I thought I was tagged because my OC made appearance in someone's writing.

But looks like I was wrong.

Why even fucking tag me

Why did they tag me

My OC didn't show up. So I don't think that I should read it

But it seems it's not the end for her (not my OC), so 👍

Good for her

Even though Nothing Will Ever Be Fair. Since these are OCs for Alien Stage; and alien stage will never be fair

[blooming-blooming]

Saw I - VII: A Comprehensive View

This is something I don’t normally do, but have been meaning to do for a while when I consume a large series of media in a short period time. I figured this was the perfect opportunity to start.

As of recently, I’ve realized that I am a fan of horror. Like, a really, really big fan of horror. I’ve always flirted with my fascination of it (The Green Ribbon had more of an impact on me in the walls of my elementary school library than it probably should have on an 8 year old, in hindsight), but I never really knew where to go about getting into the genre until I started dating my girlfriend, who has horror as a special interest.

Growing up in the 2000’s with an older sister that was going through her middle school goth phase when the first film in the franchise came out, it was hard not to know about Saw. Such an iconic franchise I knew very little about past the gore (and, let’s be real -- I’m a huge fan of gore); so me, my girlfriend, and a friend of ours decided to spend my last weekend of Summer marathonning all 7 movies. Both of them had seen the first two films and we’d all read plot summaries, but besides that, it was a blind watch through. Here’s my brief stance on each one.

Altogether, I was surprised at just how much I enjoyed this experience. I was expecting to mostly suffer, and maybe find some small nuggets of enjoyment along the way to keep me going, but after every movie (except III), I found myself wanting to watch the next one right away. These movies are by no means good movies, for the most part, but they’ve become a guilty pleasure for me. Among all the egregious, torture porn-y gore and a plot that beyond transcends making even remote sense, I found myself having a lot of fun. And, at the end of the day, that’s the purpose of a cash cow franchise like this was: to entertain you. In that regard, the Saw franchise succeeded.

Saw (2004)

The first in the franchise, and the most iconic. We’ve all heard of the reverse bear trap and the part where Gordon cuts his foot off.

I didn’t know what to expect when I dove into this movie, and I was very pleasantly surprised. The atmospheric building is top notch, and the twist at the end has much more impact than I expected it to. I enjoyed the tension and distrust between Adam and Gordon; I felt it was just as realistic of an approach for them to never trust each other as it would have been had they slowly learned to trust each other.

What’s really important in this one, though, which every sequel lacks, is Kramer’s portrayal. He’s not painted as philosophical or in the light, he’s painted as downright sadistic and cruel. The fact that he isn’t a murderer in the absolute broadest sense of the term is only ever mentioned by Gordan, and not constantly used as a justification for him. His cancer is only ever brought up to give him a connection to Gordon and Zepp; not something to make the viewers empathize.

This especially makes the final scene, the one where he stands up, have so much more impact: “The key was in the bathtub,” and Adam’s subsequent reaction is the ultimate punch in the stomach to the viewer because it’s so evil. The entire time Adam thought he had a chance, that there was a spot of hope for him, only to have it viciously jerked away as he realizes he was damned from the beginning. Because this is a franchise with a narrative built entirely on retconning, this impact is diminished severely in later installments, but as a standalone film, it’s top notch.

Also, apparently the ship name for Gordon and Adam is “Chainshipping”. I have no idea how that, of all ship names, wasn’t taken by the YuGiOh fandom at least a decade ago, but I’m mildly impressed that a ship that obscure has a name at all.

Overall score: 8/10

Saw II (2005)

The second installment in the franchise. It’s worth noting that the original screenplay wasn’t intended to be a Saw film, but rather an original story that got adapted to work into the Saw universe.

The story follows eight people who have all been locked in a house. The doors will open and they’ll be free in three hours, but there’s just one problem: there’s a neurotoxin in their systems that will kill them in two. They need to work together to find out what their connection to one another is while overcoming challenges to gain antidotes to the neurotoxin before they die. Meanwhile, a police team lead by detective Eric Matthews has located and is interrogating Kramer on the location of Matthews’ son, Daniel, one of the eight people in the house.

Right off the bat, the drop of quality from the first movie is extremely apparent. Very few members of the cast are properly developed, and many die before they even get to their trap. Most notably, one of the characters, Obi, is an arsonist who is very heavily implied to be an accomplice of Kramer’s. This aspect is explored for all of about two minutes before he gets burned alive in an incinerator. It’s hard to get invested because there are too many characters who have nothing going for them.

Despite that, there are good things about the film. The needle pit scene is well done in just how tense and unfair it is. Likewise, the twist at the end that the house game happened before the police found Kramer is really creative and interesting. Sadly, these positives don’t make the movie worth watching overall, though.

Overall score: 4/10

Saw III (2006)

I honestly don’t know what to say. This was the worst movie I have ever watched in my entire life. Sadism and cruelty in a story should have a narrative purpose and should ultimately be shown to be bad, but it’s not here. You are honest to god supposed to think John Kramer, the serial killer who took one of his victims, a mentally ill recovering drug addict, and brainwashed her to carry out his torture with him, is in the moral right when said victim finally lashes out. You’re supposed to think it’s cool when Amanda, who has been deliberately manipulated and abused by this man, gets told she couldn’t meet up to his standards. You’re supposed to think she deserved her death for being “irrational” when she calls Kramer out on his bullshit, hypocritical, half-assed “philosophy”. Fuck that. Fuck that so hard with a stake wrapped in barbed wire.

Also, the dad was an unsympathetic piece of shit and all of the traps weren’t violent in a way that was thematically appropriate (minus the crucifix one, but that one was disturbing for a million other reasons, anywways, so who the fuck cares if it was good conceptually), they were just gross. I have never wanted to unwatch a movie as badly as I wanted to unwatch this one immediately after finishing it in my entire life.

HATE. LET ME TELL YOU HOW MUCH I'VE COME TO HATE YOU SINCE I BEGAN TO LIVE. THERE ARE 387.44 MILLION MILES OF PRINTED CIRCUITS IN WAFER THIN LAYERS THAT FILL MY COMPLEX. IF THE WORD HATE WAS ENGRAVED ON EACH NANOANGSTROM OF THOSE HUNDREDS OF MILLIONS OF MILES IT WOULD NOT EQUAL ONE ONE-BILLIONTH OF THE HATE I FEEL FOR HUMANS AT THIS MICRO-INSTANT FOR YOU. HATE. HATE.

Overall score: -∞/10

Saw IV (2007)

Lord knows why I decided to continue watching these movies after the misanthropic, nihilistic, faux-philosophical sack of trash that was III, but I’m surprisingly glad I did. I feel like I could just say, “A pedophile dies one of the single most brutal deaths known to man, and a man who abuses his wife and daughter has a terrible death, too,” but that doesn’t even begin to scratch the surface of what makes this movie amazing.

This is the first film where Kramer is dead (or so we’re lead to believe), however, Amanda is dead, too. So the franchise needs a new accomplice retconned in to take over after this film when Kramer and Amanda are dead For Real. Enter detective Hoffman, who had a grand total of one line of dialogue in III, to take that spot.

The plot and pacing of this film is stupid. And when I say stupid, I mean stupid. Everything is so ridiculously convoluted with multiple plot lines and involvement in the FBI that I honest to god could not describe to someone what happens. And, somewhere along the way, the film goes full circle. It becomes so ridiculous, so hard to follow, that it becomes brilliant. It’s so convoluted that you can’t help but laugh at the absolute absurdity of it all. This movie is a shitshow, but it’s an entertaining shitshow.

Overall score: 3/10

Saw V (2008)

The first film where Kramer and Amanda are Dead For Real, following the fallout from the incidents of Saws III + IV. FBI Agent Peter Strahm is onto Hoffman’s identity, and is deadset on bringing him to justice. Meanwhile, five people are trapped in a sewer and need to learn what connects all of them, and also go through some traps to attract viewers to theaters because nobody would see this otherwise.

This film is ultimately disappointing because it could have been good. All five contestants in the sewer game are really interesting, and it takes the concept of II and fixes up the ideas from it. Sadly, this cast and their story gets even less development than those in Saw II. I’m not joking when I say that they’re only there for the sake of a murder game to attract viewers; 90% of the film is focused on a boring game of cat and mouse between Strahm and Hoffman. It’s really a shame, since I absolutely love the twist at the end that they were supposed to work together for all of the traps and none of them had any idea until it was too late. It’s a concept I might make something of my own with, since I’d really love to see it done well and properly developed.

Overall score: 2/10

Saw VI (2009)

This movie is, quite frankly, surreal. I’m not sure if all of the previous sequels simply wore down my standards for what is or isn’t a high quality movie, but this film was legitimately fantastic.

A very common criticism for this movie is that it is far too political for a franchise that is known for just being senseless gore -- and it’s true, especially because of how hypocritical it is that a franchise based entirely around killing/punishing people for arbitrary reasons is making social commentary on the insurance industry deciding who deserves to live based on arbitrary reasons. Despite that, though, there’s something about it in this film that works so well.

The storytelling in this movie is the closest any of the sequels get to matching the quality of the first film. Following protagonist William Easton, the CEO of an insurance company that is notorious for rejecting potential clients coverage when needed or prematurely terminating contracts, he is lead through several traps where he is forced to put value on the lives of his employees. Meanwhile, Hoffman is dealing with the consequences of trying and failing to frame the now-deceased Strahm for his crimes.

I really don’t know what to say about this film other than it’s bizarrely well done. The Merry Go Round trap is my favorite trap in the franchise (after my Number 1 Hall of Fame favorite, The Bed Trap from IV, anyways); the direction of the arguing employees begging for life and Easton ultimately leaving his second choice up to chance just so he can get it over with is handled chillingly well. A lot of people find the twist diminishing to Easton’s storyline, but I disagree. The fact that the game was never Easton’s and was always the wife and son of one of the people his company was responsible for the death for reminds me a lot of the first film in a good way. It has the same cruelty to it that is satisfying because it works within the narrative; just because Easton realized the errors of his ways in an extreme situation does not mean the people he has hurt in his practices have to forgive him. This is pointed out as such in both Tara and Brent’s dialogue as they make the choice in the end to kill him. It’s just as appropriate of a response as if they let him live.

This is also the first (and only) movie where I even find myself interested in the extended “plot” throughout all seven movies; Hoffman has completely screwed himself over, and it’s surprisingly suspenseful to watch him try and crawl himself out of his hole.

Overall score: 7/10

Saw VII (2010)

Overall score: Torture porn/10