#even the experts have said kids need to learn to live with social media aka educate them
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Australia is planning on banning under 16s from using social media.
So so many reasons this is a stupid idea but the main one is actually, counter-intuitively, ppl's online safety.
Grown ups know how to cross the road safely because they are taught as children. They get to practice with parental supervision when they're kids.
You keep kids off social media then give them unlimited access at 16 and they'll have no frame of reference, no supervision, no working knowledge of how to fact check etc. If you actually want ppl to be safe online, make it part of education.
When discussing Animal Farm in English, talk about how to analyse ideas that sound good but actually result in inequality in practice and then pull up some questionable tweets.
When teaching kids how to research for their next essay, give them a fb rant and show them how to verify the info.
And then whoever is teaching them about personal responsibility should introduce them to tag blocking on tumblr. Show them how to curate their own experience.
Chat gtp should be its own module titled "ai can and will lie to you please for the love of god learn to think for yourself"
#social media#australian#australian politics#laws#legal stuff#knee jerk reactions from government causing problems for all of us#they're talking about age verification for social media#i can only assume that means they want platforms to gather your legal id#sounds like a great way to open yourself up to more risk#nevermind that ppl like to be anon on tumblr for a reason#if it became easy to link my rl to my online one I'd be out#and then what void would i have to rant to#also take responsibility for your kids learning how to use technology safely#it's not easy but it is necessary#a ban on them using it until a certain age isn't going to miraculously make them safe#i can't believe our elected officials can't think of all this for themselves#even the experts have said kids need to learn to live with social media aka educate them#online safety
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Hi! If you’re up for it, I want to hear your takes about season two Klaus. All your TUA takes have been amazing food for thought and I saw you said something about season two sucking (sorry tag stalking). I’m intrigued, have my own laundry list of problems with s. 2 and would love to compare notes if you’re interested. Thanks for putting Klaus gif sets on my dash again!
You read my mind, I was just batting around the idea of a rant! (Especially as I flunked a test yesterday, so I’m in the mood for distraction.) So thanks 💌 And share your own ideas away, please, I love discussion.
*cracks knuckles*
So, my issues with S2!Klaus (and how ultimately those issues were reflected by the writing etc. of all the characters)
* Lack of time - So, comparing, Klaus has approximately 2 hours of screentime in S1 (counting in scenes with the ensemble in which he may not be central, but is present) and approx. 1 hr 25 mins in S2. (I haven��t compared screentime for each sibling, although Ben’s would necessarily mesh with a lot of Klaus’. If anyone else does, shout, I’d be interested to see the numbers!) We also know from cast interviews/social media etc. that alternate material was cut/edited for a particular approach.
So, necessarily, you’re going to have less time to get across your arc for your character. Luckily, no one really has one here, with almost every advancement being reset in preparation for S3 and presumably yet another fresh start.
We learn little about Klaus that we didn’t already know (deals with conflict by substance abuse, motivated largely by love for Dave) and he’s not involved in much of the plot for whatever reason (the Swedes don’t pursue him, despite him being presumaby famous); so his main purpose here is comic relief. (And it turns out...Umbrella Academy is not super-hot on writing humour, if the 18305 fart jokes didn’t clue anyone in. I was not surprised to learn they retained none of the S1 writers, as there was an appreciably different approach this season that didn not work for me.)
-> Overarching issue: Huge chunks of the siblings character development was mainly offscreen or described in reams of exposition (which definitely happened in S1, but one would expect better writing by a second season.) I get that it’s necessary in a time travel plot in the style they chose to write (e.g. the siblings scattering across different years) but it’s pretty glaring. There’s also a quantity of filler for stuff that wasn’t really necessary (the Handler, the Swedes, Pogo/Reginald/Grace storyline) and is a shame when there was less interaction between all combinations of the siblings, and Ben was still undercharacterised.
* Lack of ghosts - If you take away the powers which brought the kids into Reginald’s sphere, and in Klaus’ case were presented in S1 as a power that’s uniquely awful and difficult to overcome (even drugs and alcohol only seemed to give him respite for a short time – we see he dreams about ghosts and starts to see them after only a few hours) without a reason (I’d give the latter half of S1 the benefit of the doubt and say with the impending apocalypse, we can assume all we need to about offscreen withdrawal etc. from what we saw in 1.6 and 1.7 and just chalk up no extra ghosts to distraction on Klaus’ behalf and the effort summoning Ben; but in S2, not so much.) you’ve basically just…halved your character.
It almost suggests that Reginald’s view is correct, Klaus can apparently control his power and overcome the ghosts (as well as easily master his addiction, also offscreen) and the only reason he struggles is because of his own cowardice/narcissism/selfishness (not wanting to save Vanya/starting a cult/not wanting to ‘share Ben’ as I believe Steve Blackman put it.) Which isn’t to say Klaus, like all the sibs isn’t massively flawed; it’s just the ways in which he’s flawed are either a departure from previous canon or else…well, I’ll go into that in the cult discussion.
-> Overarching issue: lack of powers. I was going to compare this to a sibling, like if you’d just started S2 where Five no longer time travels and just never mentioned it, ever; but actually, I think almost all the characters’ powers and the effect they bring to their lives was fairly underused.
Allison is about the only one who does anything interesting, in that she seems to fall off the wagon herself in terms of trying not to use her powers (and the promise they may deal with this eventually instead of pairing her up endlessly is one of the few reasons for me to tune in to S3.)
Vanya’s character development and her inability to control her emotions is essentially divorced from her S1 incarnation with the memory loss dominating most of the season.
Luther they backed and forthed about in S1 in terms of presenting him as damaged; actively benefitting and winning approval for his strength; and as comedic; which I think was doubled down on here (his yelling ‘Look what you did to me!’ to Reginald being accompanied by the reaction shots of the others eyerolling/spit-taking; jaunty musical cues; and ‘Check please!’ punch line.)
Five, like Luther and Diego, seemed significantly dumber in a way that really only made sense as a contrivance (aka, Five needed to never once have considered using his gift to move across smaller amounts of time so he’d Suddenly Realise in the finale; and he needed to not realise that meeting their father would…get this, affect what their father might do and therefore their own lives so that we can get the ‘Oh shit!’ ending.)
The beginning montage of S2.1 seemed pointless – like, I get that you introduce elements every season in preparation for the next, I’m not media illiterate; but I feel like it’s not too much to ask that when you present something in the very first episode of 10 that you refer back to why it was included.
Why did everyone have an expert handling on their powers here, and work together, and why was it more satisfying than the actual finale?
Why did only Diego and Vanya realise their own power potential at the end of the tenth episode, apropros of nothing?
Is it on purpose that Allison is always contrivedly damselled since she could actually have some impact on the plot?
Why not include Lila mirroring Klaus’ power, what with her being a killer with presumably a few ghosts around her?
Lack of addiction – Why was Klaus clean? We see him ready to revert to old habits in stressful moments close to the end of S1, and yet here he seems to have overcome his addiction as portrayed by…a half-second shot of him refusing a joint, and yet more exposition from poor Ben. (We can assume it’s easier for him to quit since he’s not avoiding constantly ghostly visitations, but since we also have no reason for that presented in-show, we’re sort of going in circles.)
Is he sober for Dave? We don’t really delve into his realisation that Dave’s death can be avoided, and he doesn’t show any indications of having considered the issue at all over the three years of being in the sixties. (I’ve seen the headcanon that he’s staying sober in case his siblings are dead, and I think it’s lovely, but also that it’s giving way too much credit to the writing this season. Remember we see the very concept that the whole family have died presented as comical in the first episode – ‘They’re all gone! Poof! Like a fart in the wind!’ complete with humourous whimpering expression.)
Neither does he maintain his sobriety even temporarily in order to communicate with Dave prior to realising/believing his actions have come to nothing.
All totally believable, the guy’s an addict (although I do feel the comedic approach does weaken the believability of this link to Dave somewhat – I feel like Klaus, like his brothers this season, is portrayed here as going beyond their previous incarnations as thoughtless/spacy/self-involved etc. into actively stupid, and stuff like him only thinking to approach Dave twice – with years to prepare! – and not even remembering Dave’s uncle’s name correctly qualifies more as the latter than the former.) but it does then just create more questions as to how easily he quit offscreen, and suggests a plot written backwards from what they wanted the end result to be, rather than what that arose organically.
(I also think that there’s very little difference in the writing for him from sobriety to addiction, in terms of set pieces, dialogue, acting etc and I’d be interested to hear about the direction of the scenes prior to that; because I’m never quite convinced with UA that they have much to say on addiction or substance abuse beyond ‘Spacy hippy = amusing.’)
-> Overarching issue: Events having a lack of impact on the story – What was the point of the cult plotline? We learn very little about Klaus (to the point where 90% of the whole thing is just regurgitated pop culture references) – apparently he’s narcissistic (we know this because like everything in this season, we’re told it, repeatedly, just like: ‘Luther is sensitive.’ ‘Diego has a hero complex and daddy issues.’) but then, include scenes of him enjoying the adulation!
Here they’re basically using the same template for Allison in S1, where she’s manufactured a life of celebrity for herself but grown tired of it before we even meet her.
Ben gets to deliver yet more unconvincing exposition about how they left Real Lives, it’s very much not backed up by the writing - we get no sense of the cult members as real people (beyond Life of Brian jokes about how sheeplike they are) or that we’re intended to see their interactions with the group as anything but comedy relief. This post touches on how if you take the plot in any way seriously, it doesn’t work.
Likewise, none of the siblings actions really made much of an impact on the story. Luther working for Jack Ruby went nowhere; Vanya and Allison’s families conveniently stayed behind in the sixties; the JFK obsession was a bust; the Swedes are pointless. Like, if you’re going to give each person an individual subplot rather than have characters interact and actually establish links between them that enable an audience to emotionally engage; then have it serve either individual development or the overarching story.
* Dave – Who is Dave? We’ve gone from informed attributes from Klaus and, what, 2 minutes of screentime in which he had maybe three lines to…he likes hamburgers! I get that he’s a character who will probably return, but I’m still not sure why we’re supposed to invest in him when the show has done almost no groundwork over two seasons in establishing who he is. Compare this to Sissy or Raymond, who were far more fleshed out in less time. (I’ll also throw S2 a bone and say Patch in S1 also fell victim to undercharacterisation that was then supposed to make a big impact on a lead.)
The younger version seemed contrived in order to string out storyline for longer without resolution, as it made no sense with previous casting, but I’d guess, gives Klaus a reason to do nothing until there’s like, a week before Dave signing up for ‘Nam (as presumably if Dave was the grown adult we saw a mere five years on, there’d be no barriers to them just…dating in the sixties. We need manufactured conflict!) although I still think, idk, get this! – you could link your plots here. (Got a cult spanning continents and with pull with local government, and not only does this not link into Allison’s subplot beyond Ben busting out Ray; but you’d think maybe the cult might, I don’t know…protest the war that’s going on? The one that’s going to kill Dave?)
-> Overarching issue: More importantly, who is Ben?
Instead of brothers bickering endlessly (and flatly – Justin Min is funny! So’s Robert Sheehan! Could they have some dialogue that doesn’t sound like irritating eleven year olds: ‘Idiot.’ ‘Really?’ ‘Have you showered?’ ‘I hate your face.’), wouldn’t it be awesome if we found out more about who Ben is, and his situation?
We know he can disappear– is that some kind of freedom for him from Klaus, or does he just go…nowhere? (Steve Blackman iirc said Ben is always with Klaus, but then stuff like him not knowing about Klaus sleeping with Jill, or Klaus saying he’s shy about Ben seeing him fully nude doesn’t mesh with that. We know they can separate to a certain extent, as we see him on the lower level of the cult’s bus while Klaus rides up top.) It seems probable he can interact with other ghosts, although we don’t really see much of this.
Is this is his first experience time travelling - we still don’t know if he was in Vietnam, and his S1 POV of Dave seemed like he’d personally met him, but in S2, he’s describing the whole thing far less emotively as a ‘fling’.)?
Is this an insight into how Ben, like his siblings, was damaged by his upbringing by Reginald into viewing emotions as something to personally exploit (aka when he wants Klaus to sober up, he’ll use Dave as a reason to, but when he believes Dave risks his brother’s peace of mind, he’ll dismiss the relationship?) Or is Ben the sole Good One?
Could we see a reaction from him at the concept of all his siblings being considered dead? Or some interaction with them? (Or some reaction to his death, because basically, Reginald coopts his funeral to rag on the siblings, who then tear each other apart; but what do we learn about Ben himself? Uh...died on a mission?) Wouldn’t having him vocalise this actually deepen him and his character and create sympathy as opposed to vomit gags and sex swings? Could the other siblings show some kind of normal curiosity for once, developing them also; considering Klaus literally says ‘I’m Ben’ and ‘(I’m) possessed’; and Five sees Ben in the alternate 1963?
I didn’t get the vibe Ben ever became a character independent of Klaus.
Steve Blackman seems to have a view of him that’s kind of flatly generic, where upon he’s the innately best one, with a moral wisdom the others lack; which irritates me not only because it’s not really consistent with what we see onscreen – like, in Vanya’s hallucination, we see Ben as the only one to speak up for her, but in S1 we see that Ben is as quick to exclude Vanya as any one else – but it also undercuts Reginald’s abuse by making Ben immune to his abuse in a way the others aren’t. Ben deserves to be complicated and flawed too, and while I think we see his flaws onscreen, they’re not acknowledged like the others are, so it’s hard to say if the writers were going for ‘Ben was treated like an object all his life so he treats others the same’ or ‘lulz, bodily autonomy and consent aren’t a thing.’
I feel like we already knew from S1 that Klaus felt guilt over Ben’s death but was also happy to use Ben as a mouthpiece while ignoring his actual opinions; and that Ben cared about Klaus but was bitter and envious Klaus was alive while he wasn’t.
The ‘light’ thing I think was introduced too late for something that retroactively alters their entire relationship. (Not to mention Klaus’ power) and makes them both far more manipulative and mutually abusive than I think the show intended.
My first thought as a comparison was ‘What Happened to Baby Jane?’, tbh, like if you analyse it on any kind of literal level, Klaus basically prevents Ben from going to heaven in order to be his constant companion, and despite the tacked on ‘Oh, I always thought that was my fault!’ acts as if the opposite were true throughout the rest of the show’s run. And Ben, equally, allows his brother to take on the burden of believing that while knowing for 17 years that it was his own decision not to go on.
* Interactions with Family - I missed Diego and Klaus interacting (I felt like they leaned way into the less interesting side of Diego – wannabe Batman with daddy issues; and further away from his more nurturing/feminine side that appeared most with Klaus and Grace. I don’t buy S1!Diego would be like ‘ah well, overdose on the floor, then’ or that the writers understand that lines like that reflect on his characterisation as much as the sibling in question’s.) Luther and he didn’t really have an individual exchange like in S1, and kind of wavered between nice moments like Luther using his size to protect Allison and Klaus; and ‘lololol, Luther’s dragging him by the foot.’ Five and Klaus interacted far less (I literally sat trying to think of any S2 moments. ‘Pukebag?’) It was good to see Vanya and Klaus exchange more words than S1, so there’s an upgrade. And about one of the sole things I did enjoy in S2 was the Klaus and Allison interactions.
-> Overarching issue: There was way less interaction between characters generally. Halfway through the season is ridiculously late to reunite your main cast. The cast talked about how the Diego/Allison interaction was adlibbed by Emmy, and while she’s a queen, your cast should absolutely not have to be adlibbing stuff like ‘two siblings acknowledge each other’s existence’.
(I noticed this seemed to be a trend, also, like all the actors talked about the consideration they’d put into their roles – Tom Hopper talking about how Luther was seeking an alternate father figure in Jack Ruby and working for the first time in his life; Emmy talking about how Allison’s privilege within the Umbrella Academy and then as a celebrity blinded her to racial prejudice; David Castaneda talking about how Patch’s death affected Diego in S2 – when it seemed like they’d made far more effort than the writers themselves.)
Characters barely looked for each other, and had little reaction to the mutual assumption they’d all died. No one told each other anything, even stuff that might be helpful (’Guys, there’s these Swedish assassins trying to murder me!’) All stuff that was in S1, it’s just weird to see comments saying ‘Aw, everyone bonded much more in this season!’ when if anything, it felt even more contrived. I didn’t get the impression anyone cared about anyone more than the writers cared about joke potential – one episode, Allison is grimacing maternally and covering her brother with a blanket; next her reaction to what she herself assumes is ‘a seizure’ is not to move from her chair. A bunch of the Five vs Five plotline other than gas is whether or not one of them can talk Luther into killing the other first. If one person reaches out to another, it’s almost verboten that other characters could do similiarly, so if Vanya’s reaching out to ask Diego if he’s okay; we know no one else will give a shit, etc.
I feel like the desire to present all the siblings as more entertaining-awful than actually damaged takes some of the complexity away. The removal of flashbacks of them as children compounded this, like it just seemed like the show was much more focused on mocking the characters for their issues/establishing Official Character Flaws that are generally softened in some way or else skipping over them entirely (could we put in the work into reestablishing Vanya into the fold when she and her siblings have damaged each other and spent years estranged, and she ended the season emotionally broken? Why, when we can introduce a hackneyed amnesia plot which completely erases any emotional impact?) and the predestination stuff with Reginald skated around almost excusing his abuse – what on earth was that scene in which Five apologises to him for how he behaved in childhood?!
Everyone fit more into boxes. Season 1 had conflicting attributes where sometimes Luther say is gentle, other times bullying and cruel. Klaus could be selfish and empathetic. Here it’s just throwing out scraps for stuff that seems memeable: lololol, Diego and Luther are himbo energy!1 Representation! Winks to the audience about incest! ‘I’m sexy trash!’ (It’s also bizarre when we see Klaus in S1 is suffering a far more immediate PTSD than three years on, and yet is swifter to intervene when his siblings are in need.) ‘It’s an awesome reference!’ (awful lines, ugh.)
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Episode 7: We’re Not Calling This Episode “Yas Queen”
Sources:
Catherine the Great
History Channel
Britannica
Further Reading: The Memoirs of Catherine the Great, Treasures of Catherine the Great
Queen Amina
BBC
Guardian
Encyclopedia (dot) com
WorldCat
DW
Further Reading: Black History Activity Book
Boudicca
Imperial War Memorials (no sense of irony)
Live Science
History Channel
Attributions: “Korobushka”, “Be Africa”, “Celtic Warrior”, Fanfare,
Click below for a full text transcript of today’s episode!
Haley: So this happened to me like sophomore year GW and I was in the Intro to Biological Anthropology lab sections so we were–
Alana: We were in that class together. We were in a lecture together, we didn’t have the same lab but we were in that lecture together.
Haley: Yes, yes that's correct. I was like you were definitely not in this lab. But I was sitting across from this girl… I hate the word ditsy, but that's literally what she used to describe herself. Like her friend and her were obviously taking this together and she's like– there were so many times that they were like “you're ditsy” and the girl was like “I know I am.” Well we were just talking about where we're from and I was like “oh I grew up in New York, like I'm from New York, Westchester.” So she goes “oh, so like Manhattan?” and I'm like “no I'm not from New York City” like trying to do that “ugh I have to describe what Westchester is.” But then the girl who called herself ditsy was like “oh I love Manhattan, but like everyone says New York City is so big and it's really not that big.” And I kind of looked at her and I was like “wait do you think Manhattan is like the whole city? You know there's five boroughs.” New York City's pretty big, like when we say like Westchester, New York; Westchester New York pretty much lines up with New York City because you hit the Bronx and that's like one of the five boroughs and if it's not I'm really embarrassed I live in San Francisco now so like don't come at me.
Lexi: No, the Bronx is definitely a borough of New York City.
Haley: I saw like Alana’s face and I was like I– I know Bronx is in it, I used to live in the Bronx but she was just like “what? Boroughs?” And I was like “yeah. Bronx, Manhattan, Brooklyn, Queens…” And she was like “no it's called Kings.” And I was like [laughing] what? I like– it’s bringing me back like– tears to my eyes and I go “no it's Queens.” And she was like “whoa. But the show's called King of Queens so like... it's called Kings.” And I was like “wait, what?”
Lexi: Wait. She so hard didn't get the joke, even though the joke was in the title?
Haley: Yeah.
Lexi: The name of the place was in the title.
Haley: Yeah so like I don't know where the translation was lost for her. I don't even remember where she was from but she couldn't understand that it was just called Queens. She thought it was like King of Queens or Kings. The “Kings” had to be included somewhere it couldn’t just be Queens and I was like “it's Queens I– like– ugh”
Alana: I’m never calling myself a dumbass again. I need a calculator to do eight plus five. I gotta double check that. I'm never calling myself a dumbass ever again.
Lexi: But have you been to Queens? Because Queens might be my favorite borough.
Alana: I've never been to Queens, no.
Haley: I like Brooklyn.
Lexi: Okay. That's valid.
[INTRO MUSIC]
Alana: Hello and welcome to Lady History: the good, the bad, and the ugly ladies you missed in history class. By the grace of Zoom I'm joined by Lexi. Lexi, if you had invented chess what would you have the queen do?
Lexi: Oh man. So see, I'm gonna be honest, I'm not familiar with chess, and I never played a game of chess. So if I invented chess it would be a completely different game because to me chess is so boring that even when my little brother who was adorable was like “please learn chess. Please play with me” I was like I don't want to play this, it’s boring. So I would have invented a game where the queen would have probably educated the poor and also taken care of art and culture in the community and opened a museum and taken care of all the animals and protected women... and that would be the game.
Alana: I want to play that game. I don't want to play chess ever again; I want to play that game. Chess is canceled, we're playing whatever game Lexi invented. And through the magic of wifi I am also here with Haley. Haley, what's your favorite Queen song?
Haley: I want to say “Bohemian Rhapsody” and I know that's like really basic–
Alana: You basic bitch.
Haley: I have a reason. I am horrible at remembering song lyrics and it's the only song except “My Humps” from the Black Eyed Peas that I know every single word to and I can like sing on command.
Alana: Oh my– I’m speechless. That’s incredible. And I'm Alana and my favorite drag queen is Miz Cracker.
Lexi: You should’ve asked me that question.
Alana: I thought about it but then I wanted to say that my favorite drag queen was Miz Cracker.
Lexi: I wouldn’t have said Miz Cracker I would’ve said Kim Chi.
Alana: You would have said Kim Chi, and I wanted to say mine, and we couldn't have had the same question.
Lexi: The only wrong answer is RuPaul.
Alana: That's true. [laughing] That’s true.
Lexi: It’s kind of like saying your favorite Queen song is “Bohemian Rhapsody.”
Alana: is “Bohemian Rhapsody”!
Haley: Yeah but I know all the words to it and I'm really proud of myself for it. It's basic, but that's just like my win in life.
Lexi: I know but that joke was just right there and I had to take it.
Alana: It was really good. Lexi please when you edit this, leave that joke in.
Lexi: This week we will be talking about, you guessed it, queens. The queen I will be talking about is not technically a queen I guess. Technically she is an empress and in later generations they referred to the role which she had as “czarina” but during her time, her lifetime, the term “czarina” was not used, so she would just be called an empress. I would like to give a disclaimer, which is the same disclaimer we seem to give all the time: I do not speak Chinese. Just kidding, that's not– that's not what I'm disclaimer-ing. I do not speak Russian. So I'm trying very hard here, but these pronunciations are going to be a little wonky because Russian is very far out of my wheelhouse in terms of language knowledge. So you guys have probably heard of Catherine the Great, but did you know that Catherine the Great wasn't even named Catherine and she wasn't even Russian?
Alana: I did know she wasn’t Russian and I knew she wasn't Russian because I watched The Great on Hulu.
Lexi: Yes! Yes! The Great on Hulu! We're going to get that. I promise we're going to get to that. I just got so excited. And that is the reason I picked Catherine the Great, is that show. But we'll get to that. On May 2, 1729, Catherine was born Sophie Friederike Auguste Princess von Anhalt-Zerbst-Dornburg. I think I got that right–
Alana: Zerbst!
Lexi: –but I also don't... I don't also... I also don't speak German–
Alana: Zerbst!
Lexi: –which is her native language.
Alana: Zerbst!
Lexi: Yeah it’s Zerbst.
Alana: I love that. Call me Zerbst! [Lexi laughing] I’m changing my name, I’m Zerbst. We have Haley, aka SprinkleBear McPuss-n-Boots… and Alana, aka, Zerbst.
Lexi: Yeah. That's good I accept that. So if you would like to contact Alana on the social media, please direct the messages to Zerbst. So yeah, Catherine– or, well, Sophie– Sophie was the daughter of a poor Prussian prince, and in Prussia there were many prince people who all had principalities, so he wasn't like the prince of Prussia.
Alana: Hey. Hey Lexi? Where’s Prussia?
Lexi: Prussia is what Germany used to be. So there were lots of princes in Prussia, and so she was the daughter of a poor one. And on her mother's side, she was related to the Holsteins who were rich Prussian royalty. They were like ruling elite in Prussia. And for most of her youth, her mother scolded her for being headstrong and rebellious and a bit outlandish for a girl and for not necessarily being ladylike. And in 1744, the young princess was hand selected by Empress Elizabeth, the unmarried ruler of Russia and the daughter of Peter the Great. And Peter the Great was very very popular. He was very well loved in Russia so this was a really big deal. And Elizabeth picked Catherine to marry her nephew and he was the heir because she did not have any children so she appointed her nephew heir. His name was Karl Ulrich and he was also of Holstein descent, so from the same German, but at the time Prussian, so… Prussian lineage, but we would call it German now. And Karl Ulrich was set to become the ruler of Russia after Elizabeth's death and his name when he became Russian ruler would be Grand Duke Peter III. Because apparently, in Russia, you don't keep your name when you become a ruler, you get like a new name… I don't fully understand that, maybe someone who's an expert in this could tell me more about it, but yeah, you get a new name. So he was going to become Peter III. And because the core religion of Russia was Orthodox Christianity, young Sophie had to be baptized into Russian Orthodox Christianity, into that church, in order to be the wife of the... Karl Ulrich guy. So as part of her baptism, she was given the name Grand Duchess Ekaterina Alekseyevna. Again, I don’t speak Russian, so I really tried, but, yeah. That translates to Catherine in English so I'm just gonna call her Catherine so that I don't make your ears bleed. On August 21, 1745 Karl and Sophie, who were likely also blood relatives, in true European royal heritage fashion were married. But their marriage was destined to be ill-fated. Peter III was eccentric, neurotic, rebellious, and an alcoholic. His contemporaries as well as modern scholars also suggest that Peter III was infertile and in turn incapable of producing an heir with his new bride. Catherine was the antithesis of Peter; she was level-headed and an avid reader. Though many members of the court were suspicious of her, she gained considerable knowledge about Russia through her studies and her early years as Grand Duchess. Catherine also took many lovers, records noting at least three men she had ongoing affairs with during her marriage. Scholars believe that none of her children, not even the heir to the Russian throne, her eldest son Paul, were Peter’s actual children. Catherine became fed up with Peter's bullshit. He was an incompetent ruler who was bringing down the nation, and she knew she would do better for the country she’d began to love. So Catherine made it her goal to eliminate Peter and take the throne someday. In late 1761, Empress Elizabeth died. At the time, Russia was embroiled in the Seven Years War aligned with Austria and France and opposing Prussia. Peter, whose Holstein lineage made him Prussian by blood, had always despised Russia despite being raised to rule it. Upon assuming his role as emperor, he canceled the alliance with France and Austria and pulled Russia from the Seven Years War. Peter also decided this was the perfect time to get rid of his wife who he despised. Catherine knew this was her chance to take the throne. She had the support of the army, due both to Peter's incompetence and her taking a lover in the St Petersburg regiment. Individuals from the enlightened aristocracy also supported her because they value her liberal opinions. In June, just six months after Peter had become emperor, Catherine rallied her troops in St Petersburg. She was proclaimed Empress by the people. Peter III abdicated the throne, but Catherine’s supporters decided that still wasn't enough so they assassinated him three days later. In September Catherine was officially crowned Empress Catherine II and began her reign as the ruler of Russia, a role which she would keep for thirty four years. Catherine's reign was turbulent and her attempts to enact most of the radical, liberal reforms and changes she believed in and her young years were largely failures. However she did achieve a lot as a ruler: vastly broadening Russia's borders and amassing a large art collection which she believed would better her nation by culturally educating people. I will not dive too much into her time as a ruler as we could seriously go on for hours talking about it and they're literally been so many books written about all her policies. So this is just a short short version of the story of Catherine the Great, and if you're curious to learn more about her there are lots of great books out there I will include some in our tumblr post this week if you're really looking to nerd out about Catherine the Great. In the end, Catherine died quietly; she suffered a stroke and died in 1796, passing at the age of 67 after ruling Russia for more than three decades. Before I end, I would also like to note that Catherine had a lasting legacy that far outlived her. Catherine is remembered as a ruthless, strong, female leader. She's been the subject of numerous documentaries, movies, TV shows, history lectures, and yes, even podcasts. And I would like to promote that Hulu put out a great series earlier this year called The Great which presents a largely fictionalized version of Catherine's rise to power. Catherine is portrayed by Elle Fanning, who is only 22 but is already proving herself to be an acting powerhouse.
Alana: So here's the thing about Elle Fanning. My friend Jill Young, hit her up, she made the gecko museum for those of you who know about the gecko museum. Her name is Jill Young, she was supposed to be signed or something like… basically Elle Fanning took her acting spot when we were in middle school.
Lexi: Oof.
Alana: So, I have a vendetta against Elle Fanning. Although I did talk to Jill like on Monday and was just like “are we still mad at her because I really enjoyed The Great I feel kind of bad about it” she was like “you know what, I’m a little bit mad but middle school Elle Fanning was way better equipped to handle being famous than middle school Jill.” So I'm allowed to enjoy it but I still am like wary of Elle Fanning. I'm just a little bit salty.
Lexi: I'm glad we're kind of allowed to like her even though it seems like there is some resentment still. Though The Great gets a lot of actual history wrong that's really not the point of the series. I would say it's akin to things like Hamilton, though far more comedic in nature than that. But The Great reappropriates a story from history through a fun modern lens and advocates for diversity. It is a hilarious, diverse, witty show that is worth a watch if you do have a Hulu account. So I would highly recommend it. That’s it on Catherine.
Alana: You're– you're done with Catherine? I have one more question: horse fucking, what's the vibe?
Lexi: What's the vibe on horse fucking?
Alana: Like did she– like did she do it or not.
Lexi: I don’t know. I feel like scholars can argue about that for days.
Alana: That's not an answer.
Lexi: Maybe? Is that an answer?
Alana: No, but I will accept it.
Haley: Excuse me, what? I’ve never heard of any of this.
Alana: Oh my god. You don’t know about this? This is just like– I don't even know if it is actually a thing or not, but like some propaganda, some like anti-Catherine propaganda was like “she made a device to fuck her horse.”
Haley: I’ve truly never heard of this and this is blowing my mind. You just straight coming out being like “bleep horses: the vibe?” and I was like are you asking Lexi this?
Lexi: Listen, if you’re interested in that part of Catherine's life, you can Google it.
Alana: We talked about this like in my AP Euro class like six years ago.
Lexi: That was covered in AP Euro for you? That was not covered in my AP Euro.
Alana: I had the most incredible AP Euro teacher. Shout out Spivack. She keeps liking my FaceBook posts about the pod. I'm not sure if she’s actually listening. So shout out Spivack, for talking about Catherine the Great and maybe did she fuck a horse I don’t know.
Lexi: Everything I learned about Catherine the Great I learned in my European history class I took at a college after I took AP euro.
Haley: So we're gonna hop from Europe all the way down to what is now Nigeria to tell you the story of 16th century Queen Amina, which means truthful and honest. My disclaimer, like Lexi’s, is I don't speak any of the regional languages in ancient or modern Africa, and for Nigeria the official language is English, so it’s a lot trying to research all the different names, words to try to find the root and stuff so I apologize in advance. Orienting ourselves on the globe, Nigeria is on the Gulf of Guinea, I’m pronouncing that horribly wrong I'm so sorry. So where Africa curves inward, and that's universally called West Africa. Queen Amina is known as one of the greatest African queens in history and will always be remembered for her great leadership, impressive military strategies, and just as a powerful woman and her overall spirit. And before we really deep dive into her story, I just want to make a quick note: most of what is known about our queen is because of an anonymous book “Amina, Sarauniya Zazzau,” Amina, Queen of Zazzau. This book quote “appeared” in 1954 and is a collection of traditions about Queen Amina and is noted to be written after her death. Even still today people are debating if she actually existed or the legendary queen was in fact, just a legend. I personally could not get a copy of this book because it seems to only be in print at universities that I could not visit during this pandemic life. So that means my story’s mainly coming from people who use this text and have used other oral traditions when conducting research. And I'll try to note where the history gets let's say twisty wisty, but also note that oral tradition is a valid way of telling a story, and telling a cultural perspective. So like if people are saying this is legend because of oral tradition, no. So that's where I'm more leaning on the side that yes this– this was a true human being rather than a legend. And oral tradition is valid. Thank you for coming to my TedTalk. Also I'm gonna jump around her life timeline because I group the story up into military, politics, and just being an overall queen. Born sometime around 1533, she was the eldest daughter of a government ruler named Bakwa Turunku, noted as queen, but also some people noted this person as a king. In the academic world there's even been disagreement on whether she was raised by more male rulers or a female, so I said screw it and let's not harp on the binaries. Gender is a social construct. Just–
Alana: Gender is a scam and I would like to unsubscribe. Thank you.
Haley: Hit that button. She had a traditional upbringing of being weaned and spending time with the mothers. However, she was unlike other Hausa girls because she would go to court with her grandfather. So I'm taking this as going to like government and political officials’ gatherings. Grandfather takes granddaughter to work day is everyday. And I would like to say she was inspired or destined for greatness at a young age. Queen Amina was very interested in learning about politics and getting involved for public affairs. Hey, she went like with her grandfather, so awesome. Just pick up a few of the family trade, if you will. She was taught not only by her mother, but her grandfather as I said, who was a ruler. And when she was 16 she was named Magajiya of Zazzau which means heir apparent. With this, she was now a member of the rulers cabinet which allowed her to put those political skills into action. Queen Amina fought in all said campaigns that were put before her. By her brother, by her grandfather. This is kind of where it got dicey, and I'll talk more about her military campaign. Along with her interest in public affairs and politics, Queen Amina was really interested in, like I said, warfare, and actually received a lot of military training; she overall had this reputation of being a fearless warrior and just as good as the other men. Because you know what? Women can just fight like a man. I don't know why we have to put that in there. I digress. After her mother's death, which was noted around 1566, her brother Karama took the throne. And remember she was the oldest, so the throne had to go to a male, that was kind of noted. But it was also noted that the mother was like kind of ruling in the sense that her brother was young, so he was kind of like the figurehead or like “Hey we still have a king in place” but really the– the mother…
Lexi: The mother was like the proxy, you might say?
Haley: Yeah. So that's where– like I said, twisty wisty– some of my notes overlapped. And the brother’s goal at least was to expand the Zazzau Empire and within two years he set up or organized four military campaigns, at least these were the four that are heavily noted, and like I said the four that she kind of involved herself when she was under the cabinet’s rule, one of those members. As part of the military campaigns, there was note that she was even the commander of 20,000 men during this time, and this could have been when she was queen because when she was queen, after her younger brother was chosen for the throne, she would continue to go into battle. She saw that she had strong power within her society to do good, but also recognized that she would probably have a better sense of control out on the battlefield. She was most comfortable just being in charge of the military force and power. So she obviously took the throne. And this lasted of her being just in the throne, in the sense that she was working and governing from wherever her home base was for three months, so timeline continues. And she was noted to be fighting or being ruler, queen until her death in 1610. So that means she was in a total reign of thirty four years. And her brother and previous ones were only up to ten years. And that also is like a twisty wisty noted but I think she was– it was noted that she ruled for a very very long time. And as her time as queen, she was able to expand the physical territory of Zazzau to the south and west; and yes, there was force, but much of her time spent in battle was also to negotiate with neighboring political rulers and like compelling them to pay tributes. But also to make sure that in like the vassal areas in the neighboring rules, they would have like a permit system so traders and travelers could pass throughout like the neighboring areas and her area with ease and not be in danger. Militarily, she also introduced metal armor like helmets, chainmail into her army as protection. It was noted that this was an era of talented metalworkers, so she saw that and she was like “Hey we're gonna incorporate this into how we work, how we fight, and this might work out,” which I believe it did because this was early on in her reign and she just truly continued this. And I just wanna say that like Lexi’s queen, Amina has been remembered to this day as a role model for feminism and in Nigeria different landmarks or institutions if you will have been dedicated to her. And it is said that the TV show “Xena: Warrior Princess” was inspired by Queen Amina, but that was my “it's midnight, I gotta finish notes and this is kind of cool but I don't have access to this TV show.” And to leave on an even more fun note, on Black History Activity Books you can buy a Queen Amina activity book and my wallet is currently yelling at me.
Alana: That's awesome I feel like we haven't talked about Africa that much, and I think that's kind of something we're gonna be working on and fixing, but…
Lexi: I think she's the first African person we've talked about.
Alana: Yeah. Good choice. Good– like, what a good first note. I mean we're like seven episodes and that's a little bit embarrassing…
Lexi: We’re a little late.
Alana: We're a little late but really good first one.
Haley: I also didn’t– I wanted to do someone that no one knew about. And like, we know in academia Africa gets left out unfortunately. So I specifically was like “I'm gonna pick someone from Africa” or I was looking at like Aztec, Mayan, South America. I saw that Queen Amina– oh my gosh, I believe it’s Ah-me-na. So sorry again, if I’m pronouncing any of these words incorrectly. Google Translate was not much help. Whoops. But she’s just still like very much ingrained in Nigeria's culture. I think they even had a museum or like one of those cultural centers named after her, definitely different landmarks. And also just… If you have an activity book about you and about your life you know you made it. Like I would love in like fifty years and, hell, a thousand years, just a Haley activity book.
Alana: More merch!
Haley: That would be so much fun.
Alana: Oh my god. Lady History merch, and it's coloring book pages of our Zoom meetings.
[Lexi and Alana laughing]
Alana: Just saying. That’s just my idea.
Lexi: You should link the activity book on our Twitter or something in case people want to buy it and support that site.
Haley: It is in my sources and I just shared my notes with Alana.
Lexi: So it will be on our Tumblr if you want to see it. And maybe we'll tweet it too. Maybe we'll get ambitious. I don't know.
ALANA’S STORY STARTS HERE - LEXI TYPING
Alana: I will be talking about Boudica the warrior queen of the Iceni, which they were a… They call it a tribe. I don't really like the word tribe; I think it's kind of loaded so I'm just gonna call them Iceni or the Iceni people, because I just like I don't like the word tribe. And they were in– its modern day Norfolk, so eastern England. And so Boudica was born in about 30 common era, not anything 30, just 30. Because ancient, like– that's just how math works. So at the age of about 18, she married the king of the Iceni. His name is Prasutagus or perhaps Prasutagus. I– I don't know. I don't... I don't know. So at this time Rome is king shit on high. They’re ruling the entire Mediterranean. They’re ruling a lot of northern Europe. They're just all all over everything. And in 43, nothing 43 just 43 CE, Emperor Claudius began his invasion of Britain. The Iceni, like a lot of other people in Britain, became client states of Rome. Which means as long as the current leaders were alive and submitted to Rome and helped Rome out when they needed help, y’all can pretty much do your own thing and not like to be attacked by Rome. So Prasutagus took that deal. But he died in 60, nothing 60 just 60 common era, thereabouts. And he didn't have a male heir so in his will, he left his kingdom to his two daughters who do not have names in the classical sources and Emperor Nero who had taken over in 54. Boudica is not in his will, which is really interesting, and makes scholars think that maybe she was always anti-Roman and he wanted to protect his people because he thought that maybe if Boudica were queen she would fight the Romans and that would just be bad for everybody, and spoiler alert it kind of was. After Prasutagus’s death - what if I just pronounced it differently every time I said it? That would be fun. So after-
Lexi: That’s acceptable.
Alana: Yeah that's what I'm gonna do. So after Prasutagus’s death, the Romans annexed Iceni lands by force and killed a bunch of people, publicly flogged Boudica, embarrassed her, and raped her daughters. The legend is that she put her daughters in a chariot and rode through her town and was proclaiming, “This is what the Romans will do to us. They suck so much, look what they did,” essentially. She did rebel against a bunch of Romans successfully. She defeated the 9th Legion which was approximately 70,000 Romans that she just totally destroyed. She did eventually- like she didn't succeed overall in forcing the Romans out of Britain entirely. Her warriors were eventually defeated and she and her daughters poisoned themselves rather than be taken prisoner, which is sad but sometimes what ya do. There's not a lot of information about Boudica because she was not Roman and so any Roman sources are gonna… The face Haley is making is just like, “Yeah this is how it is.” Romans don't really record their enemies accurately necessarily, and so the main contemporary in air quotes, the main contemporary sources are Tacitus and Cassius Dio. Tacitus wasn't even born until 56 common era, just 56. So at the time of these events he was like four years old so I don't think when my sources say “Tacitus recorded,” no he didn't. And then Cassius Dio was not born until 130 CE, almost sixty years later. . . actually I think it's seventy years later, I'm not good at math. I have to use my calculator to do eight plus five, so I'm not good at math. I'm sorry. And so nowadays Britain has like claimed her as an icon of like British power. And I think it's really interesting that she was so anti-empire and then Britain like did that. With no sense of irony Britain is like, “Yeah Boudica this anti-empire badass, that’s our icon, no irony.” There is a statue of her on the Westminster Bridge in London and the reason I wanted to do Boudica is because when I was in Westminster I saw the statue and I was like “I think that's Boudica” and then I looked it up and it was Boudica! And so I felt really like smug and hot. Because I got it right. The end.
Lexi: I wrote a paper on Boudica in undergrad.
Haley and Alana, basically in unison: For the Celts class?
Lexi: Yes! And the theme of the paper was I watched Boudica the made for TV British movie–
Alana: With Alex Kingston.
Lexi: Yes. And then I analyzed how it compared to the records.
Alana: I wrote about Druids in the game Dungeons and Dragons.
Haley: I love that.
Lexi: Love to see it. Great class.
Lexi: You can find this podcast on Twitter and Instagram at LadyHistoryPod. Our show notes and a transcript of this episode will be on lady history pod dot tumblr dot com. If you like the show, leave us a review or tell your friends, and if you don’t like the show keep it to yourself.
Alana: Our logo is by Alexia Ibarra, you can find her on Instagram and Twitter at LexiBDraws. Our theme music is by me, GarageBand, and Amelia Earhart. Lexi is doing the editing. You will not see us, and we will not see you, but you will hear us, next time on Lady History.
Haley: Next week on Lady History: wait, Great Scott! Is that a bird? Is that a plane? No! It’s a she-ro! Next week on Lady History, we're going to be discussing women who saved the day.
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NC Mermania 2017, part 3 - Social Events & Panels
From Jess (originally posted on rescuesirens.com, February 1st, 2017):
There was so much more to NC Mermania than just swimming at the Greensboro Aquatic Center! The convention's organizers also planned multiple social events, classes and workshops, and panels so attendees could have fun, make friends, and learn something, too.
Friday Night Mixer As soon as Chris and I checked in at the Sheraton and had a chance to freshen up after our cross-country flight and drive from Raleigh, we ventured downstairs to the first event of the weekend: the merfolk mixer! There, we were delighted to see people we'd only ever spoken to online, like Raina, as well as introduce ourselves to a host of friendly new faces. As vendors, we set up a table stocked with copies of "Rescue Sirens: The Search for the Atavist" and other "Rescue Sirens" goodies for sale, and we had an absolute blast meeting other attendees.
I'll write more about the mixer in my next post! For now, here's a photo, courtesy of Venessa Lewis:
The Sheraton's pool, which closed to other hotel guests at ten PM, was open to NC Mermania attendees from ten until midnight, tails allowed. Chris and I intended to go -- I hadn't been swimming in my tail in months, and I was so excited after the mixer! -- but I laid down "for just a minute" and was out like a light. Whoops!
Mers of Color Diversity Panel One of the highlights of NC Mermania, for me, was Saturday morning’s Mers of Color panel discussing diversity in the mermaid community… or, more accurately, the current lack thereof. It’s a topic that I was grateful to learn more about from the people who are directly affected. Well-known mermaids in popular culture have had a major influence on society’s idea of what a mermaid “should” look like, to the unfortunate detriment and exclusion of anyone who doesn’t fit that specific mold. The stories the four panelists told of being passed over for jobs because they didn’t have red hair or pale skin were sad and frustrating, as were anecdotes shared by people of color in the audience.
Raina took some photos during the panel:
I feel very passionately about the strength and necessity of diversity in the media we’re exposed to; I don’t think anyone, regardless of what they look like, should be told, “You can’t be a mermaid.” Especially in a world that can be, at times, negative, frightening, and uncertain, I think it’s important as people to find hope and a safe harbor in fantasy, in the stories we create and share, and it’s absolutely ridiculous that a child playing pretend in a pool or an adult working as a mermaid performer might be told that they’re the wrong skin color, hair color, gender, body shape, or anything else to be a mermaid -- these are mythical creatures, so imposing those kinds of limitations makes no sense to me. Why on earth would you restrict someone’s ability to dream?
That’s one of the reasons, when I first began developing “Rescue Sirens,” that I knew my characters would be different sizes, shapes, and races: I wanted all girls (and boys, once we introduce mermen in later books) to look at these characters and see something of themselves, to imagine that they, too, could be a Rescue Siren.
But I need help to do that. While Nim and Maris are Caucasian, like myself, Kelby is Latina, Pippa is African-American, and Echo has an Asian heritage. As a white woman writing characters of color, I want to do so responsibly and authentically. During the Mers of Color panel Q&A portion, I asked a question that’s always on my mind: how do I make sure that I’m doing this right? I added that when my husband and "Rescue Sirens" co-author, Chris Sanders, co-wrote and co-directed “Lilo & Stitch,” the crew consulted with the Hawaiian community to ensure that the film was respecting the people it portrayed.
One of the panelists, Whitney, responded that I’d actually answered my own question -- that consulting with people from the races and cultures that I’m depicting is always the right thing to do, that no one I approach is going to say, “You want to know more about me and my culture? No way; get outta here”… and if they do, she said with a smile, I probably don’t want to be basing my book on them.
Whitney reiterated that encouraging diversity and overcoming some of the obstacles that people face today begins by starting a conversation. All of the panelists agreed that they are always open to answering questions and to helping anyone who’s interested in writing or creating art that represents someone from a culture outside the artist’s own. That kind of representation is so crucial when it comes to making everyone feel seen, heard, and valued. We’re all in this together, after all.
Eric, Arielle, Whitney, and Kenn. Photo courtesy of Raina.
I want to thank Eric, Arielle, Whitney, and Kenn for taking the time to discuss race and diversity as it relates to the mermaid community, for being so open with their own life experiences, and for answering everyone’s questions with honesty and kindness. That took bravery. The Mers of Color panel was so thought-provoking and informative, and I’m really glad that the panelists, moderators Raina and Venessa, and the rest of the NC Mermania team put in the work to make it a part of the weekend’s schedule of events. For a convention revolving around fantasy, this was something very real, and very important.
Group Photo At around 3:30 PM on Saturday, everyone at the GAC found a spot on the edge of the pool for the group photo. Chris and I weren't at NC Mermania last year, but we've heard that 2016's attendees took up one side of the pool, while this year--well, see for yourself!
In the following video, Chris takes a walk around the three sides of the pool where merfolk perched for the photo, which just goes to show how many people showed up. That wasn't even everyone! Special thanks goes to Joey Kirkman Photography for the awesome overhead shots.
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(The video also includes a few photos from the Fathoms Below ball, plus a clip from the after-hours swim in the pool back at the hotel.)
This year, it was impossible to fit everyone into a ground-level shot! Attendance more than quadrupled from 2016. Holy mackerel!
Dinner and Fathoms Below Ball After a long day of swimming, what do you like to do? I like to eat. Man, there's no hunger like post-swimming hunger! Remember when you were a kid and you spent all day at the pool and you were starving when you got home? That's how I felt on Saturday after four hours in the water at the GAC. I was tired (and my feet were a mess after being in a monofin for that long), but I was really grateful that NC Mermania was providing dinner and dancing at the Fathoms Below ball.
The theme of the ball was the deep sea, so many people showed up in incredibly creative dresses and costumes evoking the bioluminescence of the creatures who call the darkest depths of the ocean "home." So much brilliance was on display! Blacklights made even the humblest outfit (like my ocean wave-themed dress) glow brightly, and lent the ball an appropriately otherworldly feel.
But first: dinner! Not only did we have an opportunity to talk to our fellow attendees during our delicious repast, but the staff had arranged for entertainment, too: Captain Jim would be providing music and doing magic tricks, while Mermaid Glimmer, AKA Fire Pixie, would put on a dazzling light show. It was mindblowing! Glimmer wrote a great blog about her experience that includes photos and videos, although you really have to see her in person to appreciate her art. So cool!
Chris and I were too busy dancing the night away to get many photos during the ball, but we took a few!
For an even better glimpse into those mysterious Fathoms Below, watch this terrific video from Mermaid Glimmer highlighting some of the crazy creative costumes spotted at the ball:
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After-Hours Swim As the ball wound down, people began heading to the hotel pool for another after-hours swim. I wore my tail (of course) and also, for the only time during the weekend, sported my gorgeous custom Merbella top.
Mermaid Kaitey of Kate Hall Photography took some great underwater shots, including this one!
Workshops, Story Time, and Kids' Swims Although I spent all my time at the GAC swimming in the dive well, there was a lot more to take advantage of, and, if I hadn't been having so much fun in the water, I would've been interested in doing it all.
There was an underwater posing class, workshops about water safety (yay!) and merwrangling (the term used to refer to the jobs done by a mermaid or merman performer's assistant), and events for kids, too. The kids' story times and swims were so popular that they sold out even after more slots were made available!
Expert Panel By the time Sunday afternoon rolled around, I was even more appreciative of the Mers of Color panelists’ participation when it came time to appear on a panel, myself. Eep! Chris has taken part in panels at comics conventions in the past, so this was nothing new to him, but this was my first time, and I was definitely a little anxious. I was surrounded by such a varied collection of professionals, and I wanted to do a good job!
The Expert Panel assembled an eclectic group of people with expertise relevant to the mermaid community: Joseph McGarry, an accountant (and author of “Operation Mermaid: The Project Kraken Incident”) who was there to answer financial questions related to running a mermaid business; Chris and myself, discussing the development, co-writing, and self-publishing of “Rescue Sirens: The Search for the Atavist”; Marla Spellenberg, a former mermaid performer at historic Weeki Wachee Springs, Florida's “City of Live Mermaids” that really popularized the practice of swimming in mermaid tails; Merman Christian, sharing his experience as a professional merman performer; Abby and Bryn Roberts, full-time tailmakers and twin owners of Finfolk Productions; Charles D. Moisant of Silver Phoenix Entertainment, a comic book writer and creative partner of the final expert rounding out the panel: Philo Barnhart, one of the animators from Disney’s animated classic “The Little Mermaid.”
Photo courtesy of Karsten Shein (Mountain Mermaid Photography).
Honestly, between the exhaustion and the nervousness (and, now, the passage of time), the whole thing is a bit of a blur, haha! Raina and Venessa took turns moderating questions from the audience, and I remember discussing what goes into character development and whether anyone has challenged the lore that I wrote for “Rescue Sirens” because it’s so different from “traditional” mermaid mythology (the answer, at least so far, is blessedly “no”!). Chris and I also talked a little bit about the process of collaborative writing as well as what’s in store for the future of “Rescue Sirens.”
I was really proud to be a part of the Expert Panel, and very pleased with the set-up. Even though I didn’t ask any questions of my own, I learned a great deal from the questions posed by the audience. I wish the panel had been twice as long -- I wanted to hear more stories from my fellow panelists! Given my fondness for the attractions of “Old Florida,” I was especially intrigued by Marla’s time as a mermaid for Weeki Wachee. Each and every panelist had something unique and valuable to offer, and my hat is off to the staff for assembling such a swell line-up.
Closing Ceremonies NC Mermania wrapped up with closing ceremonies that paid tribute to staff, guests, and attendees who helped make the event the smashing success it turned out to be. Chris and I were so honored to receive certificates of appreciation and a beautiful custom mermaid scale necklace for our part as special guests and panelists -- the pleasure was all ours, and we'd do it again in a heartbeat! We're so grateful to Raina, Sean, Venessa, Dan, and everyone else on the staff of volunteers who was so kind, hardworking, and dedicated to creating a magical weekend that none of us would forget.
On that note, my fourth and final blog entry in this series will highlight some of my favorite moments from NC Mermania!
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10 Healthy Coping Mechanisms to Make You Feel Better
Hiya Gorgeous!
There’s no doubt about it—what’s happening in the world is exponentially increasing our stress levels. We’re collectively facing fear, uncertainty, loneliness and grief as we witness and experience the pain happening around us.
And on top of that, we don’t have access to all of our usual comforts and coping mechanisms, like grabbing a bite with a friend or sweating it out at the gym. As a result, we may end up reaching for other, less healthy ways to cope.
For me, that looks like getting lax about my beloved morning routine because, right now, sleeping often seems easier than facing the day ahead. I’m also spending more time on my devices and the 24/7 news cycle is pulling at me like a bonafide addiction. And if I’m being totally honest, the occasional glass of red wine has NOT been occasional. Can you relate?
I know from experience that when I get to this place, it’s time to step outside of the emotional tornado and parent my scared inner kid. And to do that, I need to get back to routines and behaviors that lift my energy (and my immunity!) rather than deplete it.
So today, we’re exploring the difference between healthy and unhealthy coping mechanisms. You’ll learn how to identify the habits that aren’t serving you and replace them with positive, loving alternatives.
Before we dive in, I just want to make one thing very clear: This is not a call to scrutinize all of your behaviors or beat yourself up. There’s nothing right or wrong about the behaviors we’re about to discuss. We just want to explore whether they’re really serving you by helping you take genuine care of your sweet self. That’s what really matters.
Also, if you’re struggling with depression or anxiety, now may be the time to get professional help—which you can thankfully receive online. Check out this blog for mental health resources to reduce anxiety and boost happiness.
Are your coping practices comforting or numbing?
Healthy and unhealthy coping mechanisms can look very similar on the surface: a tasty meal, a glass of wine, an hour of Netflix. So it really comes down to the intention behind the action and how it ultimately makes you feel. Simply put: Are you using it to comfort or to numb?
Comforting fills up your spiritual tank and makes you feel relaxed and content. You come to the practice with the aim of feeling better and being good to yourself—and stop when you’re satisfied.
On the flip side, unhealthy coping leaves you numb. You might resort to the habit too frequently or without intentionality—and you’re left without any real relief or resolution.
See the difference? Same glass of wine, two totally different outcomes. Now let’s talk about some common habits that can become unhealthy coping mechanisms—and how to tell when you’ve drifted from comforting to numbing.
Comfort Foods That Don’t Actually Comfort
Numbing with food doesn’t make you feel good, and if you’re consistently eating to forget feelings in the first place, that’s a red flag. You might notice a feeling of disconnection or absence, and no matter what or how much you eat, you’re left empty or unsettled.
Conversely, when you truly comfort yourself with food, you feel deep-down nourished. You find peace and connection as you prep your meal. You savor while you eat. Whether it’s a cookie or a carrot, true comfort food connects you with yourself, a sweet memory or the people you’re eating with. It leaves you feeling satisfied and maybe even grateful.
Increased Alcohol Consumption
If you find yourself reaching for more drinks than usual (and more often than usual), that’s something to pay attention to. Especially if you’re sipping in response to a negative emotion. That could be a sign that you’re drinking to numb instead of for the pure enjoyment of it!
That being said, enjoying an occasional glass of wine or your favorite cocktail can be a healthy part of your routine. Just remember that when it comes to libations, less is better. One to three drinks per week is a good guideline for men and women. And take note of how you feel before, during and after that drink.
Burying Yourself in Work
Are you working more than usual? And I’m not just talking about what you do for a living—chores and housework are work, too. In times of stress, our boundaries can blur, so watch out for filling all of your “down” time with to-dos (I call this putter rest—watch a video about it here!).
On the other hand, work can be a fun, healthy way to occupy ourselves if we keep it in balance. If you want to tackle reorganizing your closet or scrub your windows for spring, go for it! Just don’t do it 24/7 or forget to take time to relax, too.
News and Social Media Binging
This one hits close to home for me! Staying tuned in can make us feel safer and more in control, but there’s an upper limit to what’s really healthy and helpful. Pay attention to how you feel when you’re scrolling. Are you using social media to escape your reality? Is the news adding to your fear, sadness or confusion during this crisis? If so, it might be time to set some boundaries.
On the flip side, if your online engagement makes you feel more informed, inspired or connected (particularly when we’re unable to connect in person), then more power to ya! Extra points if it makes you laugh or gives you the warm fuzzies, like this.
Meanwhile in #amsterdam! NO CORONA FOR ME!! #covid19 #coronavirus #quarantine #safehands #selfcare #fyp #foryou #thenetherlands #trash
Posted by JoAnne Lopes on Thursday, March 19, 2020
Again, all of these habits can have neutral outcomes. Munching, sipping, working and spending time on your phone can be great. Just be attentive to whether they’re making you feel comforted and happy, or numb and hollow. That’s the difference.
10 Healthy Coping Mechanisms to Try Instead
Now that we’ve covered some of the habits that can become unhealthy coping mechanisms, let’s talk about some positive alternatives based on my 5 Pillars of Wellness. (AKA optimizing what you’re eating, drinking and thinking, and how you’re resting and renewing. Get more background here!)
What You’re Eating
Create a cooking ritual. Cooking can be a chore—or it can be a meditative act of self-love. Don your apron, turn on some tunes and have fun with it! The recipes don’t have to be fancy—check out these healthy snack ideas or peruse my recipe library for inspiration.
Take yourself on a date. Doesn’t matter if you’re on your own or have company—treat yourself to a date night in. Light a candle, use your good dishes… maybe even get dressed up! You know yourself best, so do whatever you’ll most enjoy. This is an easy, fun way to break up your routine while we’re unable to dine out.
What You’re Drinking
Take a break from booze and make a mocktail instead. Mix up a yummy mocktail like this refreshing Herbal Elixir and serve it in a martini glass. Put some cucumbers on your eyes and suddenly you’ve got yourself a booze-free staycation!
If you’re looking for a way to wind down before bed, have a caffeine-free tea ceremony! Put on some calming music, light your favorite candle and indulge in a cup of herbal tea. (Take some deep breaths while you’re at it!)
What You’re Thinking
Fill your feed with positivity (and tune in intentionally). Seek out news and media that make you smile, teach you something new or inspire you. For example, I love following @bymariandrew and @positivelypresent (and may I recommend @crazysexykris?!). When you do tune in, do it with intention. For me, that means limiting my device time so I’m not endlessly scrolling.
Explore a new interest. Instead of trying to manage your mind all day long, turn it loose on a beautiful new outlet. Learn to play an instrument, become an expert on ancient civilizations, dust off your paints or colored pencils, or set up an obstacle course for your dog (or cat!)… whatever brings you some joy and healthy distraction.
How You’re Resting
Get plenty of high-quality sleep. Sleep strengthens your immunity and your ability to cope with stress, so hit the off switch on time and head to bed. (Find tips to help you sleep better here!) And don’t hesitate to take a nap if you need it—we’re dealing with a lot of change right now, so give your brain and body a chance to recuperate.
Rest your spirit, too. Remember what I said about putter rest? Make sure you’re giving yourself space to breathe and get grounded throughout the day. Meditating is a great way to do that, so I hope you’ll check out my free Instant Stress Reduction guided meditation!
How You’re Renewing
Move your body, even if exercise looks a little different these days. Many studios and gyms are offering online classes right now. I’m also a big fan of obé’s on-demand invigorating workouts and go to Yoga with Adriene when I’m in the mood for something gentler. Try to get some outdoor movement if you can (or just stand by your window for a few minutes if you can’t). Fresh air and sunlight are incredibly healing!
Pause to play. Don’t forget the renewing power of fun and friendship! Find some fun at home: Dance in your kitchen, build a fort with your kids or play chase with your pooch. And don’t let the distance disconnect you. Read your grandkids a story over FaceTime or have Sunday night dinner with your crew over Zoom. Play a boardgame with friends from afar using an app like Houseparty or catch up on your favorite show with Netflix Party!
It’s time to discover what works for you.
I hope these healthy coping mechanisms bring you some comfort and joy whenever you’re facing extra stress, especially right now. And remember what I said earlier, coping skills aren’t inherently good or bad. That’s way too much pressure to put on something we reach for when we’re struggling!
The difference between healthy and unhealthy coping mechanisms comes down to how they make you feel, both in the moment AND in the long term. So let’s set aside judgement and focus on what feels healing and comforting and GOOD. Because ya know what? You deserve to feel good, sweetheart.
Your turn: What’s the healthiest way you’ve been coping lately? Any unhealthy coping mechanisms you want to reconsider?
Peace & comfort,
The post 10 Healthy Coping Mechanisms to Make You Feel Better appeared first on KrisCarr.com.
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Regifting the Santa Claus Rally; Nio and Tesla Shockers
Regifting the Santa Claus Rally; Nio and Tesla Shockers:
Wall Street’s White Elephant Party
Santa Claus has been good to the market this year.
Well … at least until today. We’re on day four of the so-called Santa Claus rally — the five-day rally at the end of every year — and investors are “regifting.” By all measures, today is Wall Street’s white elephant party.
What in the world are you talking about, Mr. Great Stuff?
I’m talking about profit-taking. The S&P 500 Index is up a hefty 29% in 2019, putting it less than half a percentage point shy of its best year since 1997.
Records are all fine and dandy, but they mean little if you can’t take some of those profits to the bank. So, why not take some profit off the table?
What’s more, these holiday trading days historically have very low participation. In other words, low volume.
Why does low volume matter?
With fewer market participants, small market moves become exaggerated — both to the upside and to the downside. It’s one of the key drivers behind the Santa Claus rally, after all.
The Takeaway:
What we’re looking at today is a combination of profit-taking and portfolio repositioning. We’re closing out not only a year, but also a decade. Traders of all stripes are positioning themselves for the best possible returns and portfolio performance.
In short, don’t take today’s (or tomorrow’s) market activity too seriously. It’s not an indication of any broader market trend, nor does it give you any hints on where stocks will go in 2020.
What you want to do right now is what everyone else in the market is doing: Position your investments for next year.
Tomorrow, Great Stuff will give you what we believe are the four best stocks to own for 2020 (and beyond).
But for now, we’re going to steal a page out of the Bold Profits team’s playbook by identifying six mega trends that you should already be investing in:
The Internet of Things (IoT).
Blockchain.
Artificial intelligence (AI).
Precision medicine (aka biotechnology).
Millennials.
New energy technology.
These six mega trends are the way of the future … one where everything is digitally connected via the IoT, encrypted with blockchain and driven by AI.
These core technologies will push biotechnology to even greater heights and increase investment in new, more sustainable energy tech. And all of these opportunities ride on the investment dollars and the initiative of the biggest generation since the baby boomers: millennials.
Wall Street’s “white elephant party” today provides you with an excellent opportunity to load up on these mega trends.
Now, I know from your reader feedback that many Great Stuff readers are already on the fast track to investing in these six massive mega trends. Kudos to you!
However, if you’re not sure where to start learning about these trends, now’s your chance to get started with the excellent research that only Paul Mampilly and his Bold Profits team can provide.
Take your first steps into the coming decade’s six biggest mega trends with Paul Mampilly’s Profits Unlimited newsletter.
Click here to find out how to sign up now!
The Good: Shocking Results
Chinese electric vehicle (EV) maker Nio Inc. (NYSE: NIO) is surging today … providing another lesson in the realm of lowered expectations.
The EV maker and Tesla Inc. (Nasdaq: TSLA) rival reported a third-quarter loss of $352.8 million, or $2.38 per share. Despite the loss, revenue jumped 25% year over year to $1.84 billion, as EV deliveries spiked 35% to nearly 5,000 vehicles.
Nio blamed the losses on a soft second half of 2019 due to the removal of Chinese EV subsidies. At this point, that doesn’t matter much. The company only has a reported $274.3 million in cash on hand — well short of what Nio needs to continue operating through the year.
Nio addressed the issue with investors, stating that it’s working to obtain debt financing, but that these projects were “subject to certain uncertainties.”
Certain uncertainties? I’m pretty sure that’s the definition of an oxymoron right there … either that, or Nio is paraphrasing Rush: “He knows changes aren’t permanent, but change is.”
Regardless, Nio’s third-quarter earnings were nowhere near as bad as Wall Street expected. As a result, the stock is up a whopping 69% today.
Lose $352.8 million, rally 69%. How’s that for lowered expectations?
The Bad: Demand Saturation?
Speaking of Chinese EVs, the first Shanghai-built Tesla Model 3 just rolled off the assembly line — much earlier than expected.
Despite the herculean feat Tesla accomplished with its Chinese Gigafactory, Cowen Inc. (Nasdaq: COWN) analyst Jeffrey Osborne lowered his delivery estimates for Tesla this year.
Osborne now believes Tesla will only deliver 356,000 vehicles in 2019, below the company’s stated target of 360,000 to 400,000.
Alongside the lowered estimate, Osborne wrote this to clients:
Excluding the Netherlands and China, we expect Model 3 deliveries to be down 9% quarter over quarter and 7% year over year in the fourth quarter, which highlights the demand saturation we are seeing across most mature markets as we shift from pent-up demand to steady flow demand.
Wait … demand saturation? Isn’t high demand a good thing? What Osborne is essentially saying here is that there’s nothing new in the EV market to drive additional demand. Anyone who follows Tesla knows that this simply isn’t true. The company constantly updates new models and software features for existing models.
Honestly, it’s a weird statement from Cowen … especially since it raised its fourth-quarter delivery estimates in the same … exact … note to clients. If you’re bearish on Tesla, be bearish. There are plenty of reasons out there. But demand saturation isn’t one of them.
The Ugly: You Had 1 Job!
Up until December, you basically had two options for buying tickets to literally any event: Ticketmaster and Live Nation Entertainment Inc. (NYSE: LYV). However, the U.S. Department of Justice (DOJ) approved the merger between these two earlier this month. And now there’s just one source for tickets.
Oh sure, the DOJ is asking federal courts to keep harsh competition conditions in place for longer than they had originally agreed to. The rules are designed to keep Live Nation and Ticketmaster from punishing venues that use other ticket vendors.
But — and this is the good part — the DOJ is asking for the extension of these harsher conditions because Ticketmaster broke them in the past.
So, clearly, the rules worked, and a Ticketmaster/Live Nation tie-up will be a wholesome and not-at-all-exploitative company from which to buy event tickets.
And if you believe that … I’ve got some oceanfront property in Arizona to sell you.
This week, Live Nation CEO Michael Rapino and President Joe Berchtold said that concert tickets were an “incredible bargain” and a “huge opportunity for our bottom line.” In other words, those $100+ tickets you bought this year were a steal!
Prices are going up, and Live Nation will reap the benefits … not your favorite artist, and certainly not your wallet.
DOJ, you had one job. One. Job. And you failed.
Wait … I’m not done yet with this whole Live Nation BS.
I see a fair amount of concerts per year — probably more than the average. With my kids getting old enough to enjoy concerts now, my costs are going up anyway. There are few joys in this world better than watching my kids enjoy a concert — especially since their music tastes line up with mine so well.
In the absence of the Live Nation monopoly (let’s be honest and call it what it is), ticket prices for top-100 tour tickets in the U.S. have risen 250% since 1996. The chart below shows how prices have risen 20% in just the past five years:
“The vast majority of shows are very reasonably priced for fans,” Berchtold told MarketWatch. Mr. Berchtold reportedly makes more than $4 million per year in salary and bonuses.
I don’t think his version of “reasonably priced” is the same as my version of “reasonably priced.”
Great Stuff: Happy New Year!
Are you ready for all the “New year, new me!” posts on social media?
I see these posts every year, and they always come from the same people. Some things never change, do they?
This isn’t always a bad thing, though. Take the January Barometer, for instance.
The January Barometer is a market indicator that basically says: “As January goes, so does the year.”
According to Banyan Hill expert Chad Shoop, editor of Automatic Profits Alert: “It’s the catchy saying to remember the January Barometer. Its insight is simple. The direction that January takes predicts how the S&P 500 Index will do throughout the rest of the year.”
As with all market indicators, it’s not 100% accurate. If there were such a thing, we’d all be out of work, right?
But the January Barometer is on the mark often enough that it’s endured the test of time. In fact, since 1938, the indicator has a 70% accuracy rating.
So, 70% of the time, it works every time.
But enough from me on the topic. Chad has an excellent, full-blown write-up on the January Barometer: “The January Barometer — A Broken Instrument or Valuable Tool?”
And, if you find yourself jonesing for more of Chad’s excellent market insight, why not sign up for Automatic Profits Alert today?
Click here to find out how!
Finally, don’t forget to check out Great Stuff on social media. If you can’t get enough meme-y market goodness, follow me on Facebook, Twitter and Instagram!
Until next time, good trading!
Regards,
Joseph Hargett
Great Stuff Managing Editor, Banyan Hill Publishing
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Wall Street’s White Elephant Party
Santa Claus has been good to the market this year.
Well … at least until today. We’re on day four of the so-called Santa Claus rally — the five-day rally at the end of every year — and investors are “regifting.” By all measures, today is Wall Street’s white elephant party.
What in the world are you talking about, Mr. Great Stuff?
I’m talking about profit-taking. The S&P 500 Index is up a hefty 29% in 2019, putting it less than half a percentage point shy of its best year since 1997.
Records are all fine and dandy, but they mean little if you can’t take some of those profits to the bank. So, why not take some profit off the table?
What’s more, these holiday trading days historically have very low participation. In other words, low volume.
Why does low volume matter?
With fewer market participants, small market moves become exaggerated — both to the upside and to the downside. It’s one of the key drivers behind the Santa Claus rally, after all.
The Takeaway:
What we’re looking at today is a combination of profit-taking and portfolio repositioning. We’re closing out not only a year, but also a decade. Traders of all stripes are positioning themselves for the best possible returns and portfolio performance.
In short, don’t take today’s (or tomorrow’s) market activity too seriously. It’s not an indication of any broader market trend, nor does it give you any hints on where stocks will go in 2020.
What you want to do right now is what everyone else in the market is doing: Position your investments for next year.
Tomorrow, Great Stuff will give you what we believe are the four best stocks to own for 2020 (and beyond).
But for now, we’re going to steal a page out of the Bold Profits team’s playbook by identifying six mega trends that you should already be investing in:
The Internet of Things (IoT).
Blockchain.
Artificial intelligence (AI).
Precision medicine (aka biotechnology).
Millennials.
New energy technology.
These six mega trends are the way of the future … one where everything is digitally connected via the IoT, encrypted with blockchain and driven by AI.
These core technologies will push biotechnology to even greater heights and increase investment in new, more sustainable energy tech. And all of these opportunities ride on the investment dollars and the initiative of the biggest generation since the baby boomers: millennials.
Wall Street’s “white elephant party” today provides you with an excellent opportunity to load up on these mega trends.
Now, I know from your reader feedback that many Great Stuff readers are already on the fast track to investing in these six massive mega trends. Kudos to you!
However, if you’re not sure where to start learning about these trends, now’s your chance to get started with the excellent research that only Paul Mampilly and his Bold Profits team can provide.
Take your first steps into the coming decade’s six biggest mega trends with Paul Mampilly’s Profits Unlimited newsletter.
Click here to find out how to sign up now!
The Good: Shocking Results
Chinese electric vehicle (EV) maker Nio Inc. (NYSE: NIO) is surging today … providing another lesson in the realm of lowered expectations.
The EV maker and Tesla Inc. (Nasdaq: TSLA) rival reported a third-quarter loss of $352.8 million, or $2.38 per share. Despite the loss, revenue jumped 25% year over year to $1.84 billion, as EV deliveries spiked 35% to nearly 5,000 vehicles.
Nio blamed the losses on a soft second half of 2019 due to the removal of Chinese EV subsidies. At this point, that doesn’t matter much. The company only has a reported $274.3 million in cash on hand — well short of what Nio needs to continue operating through the year.
Nio addressed the issue with investors, stating that it’s working to obtain debt financing, but that these projects were “subject to certain uncertainties.”
Certain uncertainties? I’m pretty sure that’s the definition of an oxymoron right there … either that, or Nio is paraphrasing Rush: “He knows changes aren’t permanent, but change is.”
Regardless, Nio’s third-quarter earnings were nowhere near as bad as Wall Street expected. As a result, the stock is up a whopping 69% today.
Lose $352.8 million, rally 69%. How’s that for lowered expectations?
The Bad: Demand Saturation?
Speaking of Chinese EVs, the first Shanghai-built Tesla Model 3 just rolled off the assembly line — much earlier than expected.
Despite the herculean feat Tesla accomplished with its Chinese Gigafactory, Cowen Inc. (Nasdaq: COWN) analyst Jeffrey Osborne lowered his delivery estimates for Tesla this year.
Osborne now believes Tesla will only deliver 356,000 vehicles in 2019, below the company’s stated target of 360,000 to 400,000.
Alongside the lowered estimate, Osborne wrote this to clients:
Excluding the Netherlands and China, we expect Model 3 deliveries to be down 9% quarter over quarter and 7% year over year in the fourth quarter, which highlights the demand saturation we are seeing across most mature markets as we shift from pent-up demand to steady flow demand.
Wait … demand saturation? Isn’t high demand a good thing? What Osborne is essentially saying here is that there’s nothing new in the EV market to drive additional demand. Anyone who follows Tesla knows that this simply isn’t true. The company constantly updates new models and software features for existing models.
Honestly, it’s a weird statement from Cowen … especially since it raised its fourth-quarter delivery estimates in the same … exact … note to clients. If you’re bearish on Tesla, be bearish. There are plenty of reasons out there. But demand saturation isn’t one of them.
The Ugly: You Had 1 Job!
Up until December, you basically had two options for buying tickets to literally any event: Ticketmaster and Live Nation Entertainment Inc. (NYSE: LYV). However, the U.S. Department of Justice (DOJ) approved the merger between these two earlier this month. And now there’s just one source for tickets.
Oh sure, the DOJ is asking federal courts to keep harsh competition conditions in place for longer than they had originally agreed to. The rules are designed to keep Live Nation and Ticketmaster from punishing venues that use other ticket vendors.
But — and this is the good part — the DOJ is asking for the extension of these harsher conditions because Ticketmaster broke them in the past.
So, clearly, the rules worked, and a Ticketmaster/Live Nation tie-up will be a wholesome and not-at-all-exploitative company from which to buy event tickets.
And if you believe that … I’ve got some oceanfront property in Arizona to sell you.
This week, Live Nation CEO Michael Rapino and President Joe Berchtold said that concert tickets were an “incredible bargain” and a “huge opportunity for our bottom line.” In other words, those $100+ tickets you bought this year were a steal!
Prices are going up, and Live Nation will reap the benefits … not your favorite artist, and certainly not your wallet.
DOJ, you had one job. One. Job. And you failed.
Wait … I’m not done yet with this whole Live Nation BS.
I see a fair amount of concerts per year — probably more than the average. With my kids getting old enough to enjoy concerts now, my costs are going up anyway. There are few joys in this world better than watching my kids enjoy a concert — especially since their music tastes line up with mine so well.
In the absence of the Live Nation monopoly (let’s be honest and call it what it is), ticket prices for top-100 tour tickets in the U.S. have risen 250% since 1996. The chart below shows how prices have risen 20% in just the past five years:
“The vast majority of shows are very reasonably priced for fans,” Berchtold told MarketWatch. Mr. Berchtold reportedly makes more than $4 million per year in salary and bonuses.
I don’t think his version of “reasonably priced” is the same as my version of “reasonably priced.”
Great Stuff: Happy New Year!
Are you ready for all the “New year, new me!” posts on social media?
I see these posts every year, and they always come from the same people. Some things never change, do they?
This isn’t always a bad thing, though. Take the January Barometer, for instance.
The January Barometer is a market indicator that basically says: “As January goes, so does the year.”
According to Banyan Hill expert Chad Shoop, editor of Automatic Profits Alert: “It’s the catchy saying to remember the January Barometer. Its insight is simple. The direction that January takes predicts how the S&P 500 Index will do throughout the rest of the year.”
As with all market indicators, it’s not 100% accurate. If there were such a thing, we’d all be out of work, right?
But the January Barometer is on the mark often enough that it’s endured the test of time. In fact, since 1938, the indicator has a 70% accuracy rating.
So, 70% of the time, it works every time.
But enough from me on the topic. Chad has an excellent, full-blown write-up on the January Barometer: “The January Barometer — A Broken Instrument or Valuable Tool?”
And, if you find yourself jonesing for more of Chad’s excellent market insight, why not sign up for Automatic Profits Alert today?
Click here to find out how!
Finally, don’t forget to check out Great Stuff on social media. If you can’t get enough meme-y market goodness, follow me on Facebook, Twitter and Instagram!
Until next time, good trading!
Regards,
Joseph Hargett
Great Stuff Managing Editor, Banyan Hill Publishing
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Text
It’s time to pay serious attention to TikTok
If you haven’t been paying attention to TikTok, you haven’t been paying attention. The short-form video app hailing from Beijing’s ByteDance just had its biggest month ever with the addition of 75 million new users in December — a 275 percent increase from the 20 million it added in December 2017, according a recent report from Sensor Tower.
Despite its rapid rise, there are still plenty of people — often, older people — who aren’t quite sure what TikTok is.
TikTok is often referred to as a “lip-syncing” app, which makes it sound like it’s some online karaoke experience. But a closer comparison would be Vine, Twitter’s still sorely missed short-form video app whose content lives on as YouTube compilations.
While it’s true that TikTok is home to some standard lip-syncing, it’s actually better known for its act-out memes backed by music and other sound clips, which get endlessly reproduced and remixed among its young users.
youtube
Its tunes are varied — pop, rap, R&B, electro and DJ tracks serve as backing for its 15-second video clips. But the sounds may also be snagged from YouTube music videos (see: I Baked You A Pie above), SoundCloud or from pop culture — like weird soundbites from Peppa Pig or Riverdale — or just original creations.
These memes-as-videos reference things familiar to Gen Z, like gaming culture (see below). They come in the form of standalone videos, reactions, duets, mirrors/clones and more.
youtube
The app has been growing steadily since it acquired its U.S.-based rival Musical.ly in November 2017 for north of $800 million, then merged the two apps’ user bases last August.
This gave TikTok the means to grow in Western markets, where it has attracted the interest of U.S. celebrities like Jimmy Fallon and Tony Hawk, for example, along with YouTubers on the hunt for the next new thing.
But unlike Vine (RIP), YouTube or Instagram, TikTok doesn’t yet feel dominated by micro-celebs, though they certainly exist.
Instead, its main feed often surfaces everyday users — aka, amateurs — doing something cute, funny or clever, with a tacit acknowledgement that “yes, this is an internet joke” underlying much of the content.
youtube
Okay, okay.
Sometimes these videos are described as “cringey.”
But that’s because those of us trying to talk about TikTok are old(er) people who grew up on the big ol’ mean internet.
Cringey, frankly, is an unfair label, as it dismisses TikTok’s success in setting a tone for its community. Here, users will often post and share unapologetically wholesome content, and receive less mocking than elsewhere on the web — largely because everyone else on TikTok posts similar “cringey” content, too.
You might not know this, however, if your only exposure to TikTok comes from YouTube’s TikTok Cringe Compilations. But spend a day in the (oddly addictive) TikTok feed, and you’ll find a whole world of video that doesn’t exist anywhere else on the web — including on YouTube. Videos that are weird, sure — but also fun to watch.
youtube
It’s a stark comparison to the existing social media platforms.
Users today are engaged in the culture wars on Twitter (ban the Nazis! protect free speech!), while YouTubers are gaming the algorithm with hateful, exploitive, dangerous and otherwise questionable content that freaks out advertisers. And Facebook is, well, contributing to war crimes and the toppling of democracy.
Meanwhile, TikTok presents an alternative version of online sharing. Simple, goofy, irreverent — and frankly, it’s a much needed reset.
For example, some of the popular TikTok memes have included videos of kids proclaiming what a great mom they have, as they drag her into frame, or they remind people to pick up litter and conserve water. They might give themselves silly, but self-affirming makeovers where, afterwards, they cite themselves not as “cute” but rather “drop. dead. gorgeous.”
youtube
They might spend hours setting up gummy bears as Adele concert-goers, learning how to do a shuffle dance up a set of stairs or in a dance battle their dad. Or they may showcase some special talent — drawing, painting, gymnastics, dance or skateboarding, perhaps. They do science experiments, make jokes or use special effects for a little video magic.
They shout out “hit or miss!” in public places and wait to see who answers. (Look it up.)
Sometimes it’s dumb, Sometimes it’s clever. But it’s addictive.
youtube
Of course, it is still the internet. And TikTok isn’t perfect.
The app has also been the subject of troubling reports about its “dark” side, which is reportedly filled with child predators and teens bullying and harassing one another. It’s not clear, however, that TikTok’s affliction with these matters is any worse than any other large, social, public-by-default app of its size.
And unlike some apps, concerned parents — or the users themselves — can set a TikTok account to private, turn off commenting, hide the account from search, disable downloads, disallow reactions and duets and restrict an account from receiving messages.
It is concerning, however, that under-13 kids are setting up social media accounts without parental consent. (But, uh, have you seen Fortnite and Roblox? This is what kids do. At least the TikTok main feed isn’t worrisome, we’ve found.)
The bigger issue, though — and one that could ultimately prove damaging to TikTok — is whether it will be able to keep up with content filtering and takedown requests, or handle its security and privacy protection issues as it scales up.
Content and community aren’t the only things contributing to TikTok’s growth.
While Vine may have introduced the concept of short-form video, TikTok made video editing incredibly simple. You don’t need to be a video expert to put together clips with a range of effects. It’s the Instagram for the mobile video age — in a way that Instagram itself won’t be able to reproduce, having already aligned its community with influencers and advertisers.
TikTok’s sizable user base, meanwhile, is due not only to its growth in Western markets, but because of its traction in emerging markets like China and India.
This allowed TikTok to rank No. 4 worldwide across iOS and Android, combined, according to App Annie’s data on the most-downloaded apps of 2018. On iOS, TikTok was the No. 1 most-downloaded app of the year, mainly thanks to China.
At times last year, TikTok even ranked higher than Facebook, Instagram, Snapchat and YouTube.
Both App Annie and Sensor Tower agree that TikTok scored the No. 3 position for most installs among all apps worldwide in 2018.
Now, TikTok is growing in India, says Sensor Tower.
The country accounted for 27 percent of new installs between December 2017 and December 2018, and last month was the source for 32.3 million of TikTok’s 75 million total new downloads — a 25x increase from last year.
Some of this growth comes from ad spend, according to a report from Apptopia, which examined the app’s widened use of ad networks. (It’s also driving people bonkers with its YouTube ads).
The revenue is starting to arrive, as well.
Worldwide, users spent $6 million tipping their favorite live streamers, a 253 percent year-over-year jump from December 2017’s total of $1.7 million, Sensor Tower estimates. But live streaming is not the default activity on TikTok — it added the feature after shutting down Musical.ly’s live streaming app, Live.ly.
Above: full-screen ad in TikTok when app is first launched; spotted today
Think this is the first real ad campaign I’ve seen on @tiktok_us. @kerrymflynn pic.twitter.com/zt3JcSYCz0
— chris harihar (@chrisharihar) January 26, 2019
Above: an ad appearing earlier this month
TikTok is also starting to test in-app advertising, and is being eyed by agencies as a result. When you launch TikTok, you may see a full-page splash screen ad of some kind — though the company has not officially launched ad products.
But the brands are starting to take notice. This week, for example, TikTok collaborated with SportsManias, an officially licensed NFL Players Association partner, for the introduction of NFL-themed AR animated stickers in time for the Super Bowl. The move feels like a test for how well branded content will perform within the TikTok universe, but the company says it’s “not an ad deal.”
The company also declined to say how many are today using TikTok.
However, parent company ByteDance had publicly stated last year that it had 500 million monthly active users when it announced the app’s rebranding post-merger. It has yet to release new numbers for its global user base.
That said, ByteDance just shared updated stats for China only, on all versions of the TikTok app (including the non-Google Play Android version). It says that TikTok now has 500 million monthly active users in China alone.
Sensor Tower today estimates TikTok has grown to nearly 800 million lifetime installs, not counting Android in China.
Factoring in those Android in China installs, it’s fair to say this app has topped 1 billion downloads.
Here comes the new new internet, folks. It’s big, dominated by emerging markets, mobile, video, meme-ified, and goes viral both online and off.
So if you haven’t been paying attention to TikTok, you may want to get started.
from TechCrunch https://tcrn.ch/2CTfM9f via IFTTT from Blogger http://bit.ly/2DJNNKZ via IFTTT
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Text
It’s time to pay serious attention to TikTok
New Post has been published on http://www.readersforum.tk/its-time-to-pay-serious-attention-to-tiktok-2/
It’s time to pay serious attention to TikTok
If you haven’t been paying attention to TikTok, you haven’t been paying attention. The short-form video app hailing from Beijing’s ByteDance just had its biggest month ever with the addition of 75 million new users in December — a 275 percent increase from the 20 million it added in December 2017, according a recent report from Sensor Tower.
Despite its rapid rise, there are still plenty of people — often, older people — who aren’t quite sure what TikTok is.
TikTok is often referred to as a “lip-syncing” app, which makes it sound like it’s some online karaoke experience. But a closer comparison would be Vine, Twitter’s still sorely missed short-form video app whose content lives on as YouTube compilations.
While it’s true that TikTok is home to some standard lip-syncing, it’s actually better known for its act-out memes backed by music and other sound clips, which get endlessly reproduced and remixed among its young users.
youtube
Its tunes are varied — pop, rap, R&B, electro and DJ tracks serve as backing for its 15-second video clips. But the sounds may also be snagged from YouTube music videos (see: I Baked You A Pie above), SoundCloud or from pop culture — like weird soundbites from Peppa Pig or Riverdale — or just original creations.
These memes-as-videos reference things familiar to Gen Z, like gaming culture (see below). They come in the form of standalone videos, reactions, duets, mirrors/clones and more.
youtube
The app has been growing steadily since it acquired its U.S.-based rival Musical.ly in November 2017 for north of $800 million, then merged the two apps’ user bases last August.
This gave TikTok the means to grow in Western markets, where it has attracted the interest of U.S. celebrities like Jimmy Fallon and Tony Hawk, for example, along with YouTubers on the hunt for the next new thing.
But unlike Vine (RIP), YouTube or Instagram, TikTok doesn’t yet feel dominated by micro-celebs, though they certainly exist.
Instead, its main feed often surfaces everyday users — aka, amateurs — doing something cute, funny or clever, with a tacit acknowledgement that “yes, this is an internet joke” underlying much of the content.
youtube
Okay, okay.
Sometimes these videos are described as “cringey.”
But that’s because those of us trying to talk about TikTok are old(er) people who grew up on the big ol’ mean internet.
Cringey, frankly, is an unfair label, as it dismisses TikTok’s success in setting a tone for its community. Here, users will often post and share unapologetically wholesome content, and receive less mocking than elsewhere on the web — largely because everyone else on TikTok posts similar “cringey” content, too.
You might not know this, however, if your only exposure to TikTok comes from YouTube’s TikTok Cringe Compilations. But spend a day in the (oddly addictive) TikTok feed, and you’ll find a whole world of video that doesn’t exist anywhere else on the web — including on YouTube. Videos that are weird, sure — but also fun to watch.
youtube
It’s a stark comparison to the existing social media platforms.
Users today are engaged in the culture wars on Twitter (ban the Nazis! protect free speech!), while YouTubers are gaming the algorithm with hateful, exploitive, dangerous and otherwise questionable content that freaks out advertisers. And Facebook is, well, contributing to war crimes and the toppling of democracy.
Meanwhile, TikTok presents an alternative version of online sharing. Simple, goofy, irreverent — and frankly, it’s a much needed reset.
For example, some of the popular TikTok memes have included videos of kids proclaiming what a great mom they have, as they drag her into frame, or they remind people to pick up litter and conserve water. They might give themselves silly, but self-affirming makeovers where, afterwards, they cite themselves not as “cute” but rather “drop. dead. gorgeous.”
youtube
They might spend hours setting up gummy bears as Adele concert-goers, learning how to do a shuffle dance up a set of stairs or in a dance battle their dad. Or they may showcase some special talent — drawing, painting, gymnastics, dance or skateboarding, perhaps. They do science experiments, make jokes or use special effects for a little video magic.
They shout out “hit or miss!” in public places and wait to see who answers. (Look it up.)
Sometimes it’s dumb, Sometimes it’s clever. But it’s addictive.
youtube
Of course, it is still the internet. And TikTok isn’t perfect.
The app has also been the subject of troubling reports about its “dark” side, which is reportedly filled with child predators and teens bullying and harassing one another. It’s not clear, however, that TikTok’s affliction with these matters is any worse than any other large, social, public-by-default app of its size.
And unlike some apps, concerned parents — or the users themselves — can set a TikTok account to private, turn off commenting, hide the account from search, disable downloads, disallow reactions and duets and restrict an account from receiving messages.
It is concerning, however, that under-13 kids are setting up social media accounts without parental consent. (But, uh, have you seen Fortnite and Roblox? This is what kids do. At least the TikTok main feed isn’t worrisome, we’ve found.)
The bigger issue, though — and one that could ultimately prove damaging to TikTok — is whether it will be able to keep up with content filtering and takedown requests, or handle its security and privacy protection issues as it scales up.
Content and community aren’t the only things contributing to TikTok’s growth.
While Vine may have introduced the concept of short-form video, TikTok made video editing incredibly simple. You don’t need to be a video expert to put together clips with a range of effects. It’s the Instagram for the mobile video age — in a way that Instagram itself won’t be able to reproduce, having already aligned its community with influencers and advertisers.
TikTok’s sizable user base, meanwhile, is due not only to its growth in Western markets, but because of its traction in emerging markets like China and India.
This allowed TikTok to rank No. 4 worldwide across iOS and Android, combined, according to App Annie’s data on the most-downloaded apps of 2018. On iOS, TikTok was the No. 1 most-downloaded app of the year, mainly thanks to China.
At times last year, TikTok even ranked higher than Facebook, Instagram, Snapchat and YouTube.
Both App Annie and Sensor Tower agree that TikTok scored the No. 3 position for most installs among all apps worldwide in 2018.
Now, TikTok is growing in India, says Sensor Tower.
The country accounted for 27 percent of new installs between December 2017 and December 2018, and last month was the source for 32.3 million of TikTok’s 75 million total new downloads — a 25x increase from last year.
Some of this growth comes from ad spend, according to a report from Apptopia, which examined the app’s widened use of ad networks. (It’s also driving people bonkers with its YouTube ads).
The revenue is starting to arrive, as well.
Worldwide, users spent $6 million tipping their favorite live streamers, a 253 percent year-over-year jump from December 2017’s total of $1.7 million, Sensor Tower estimates. But live streaming is not the default activity on TikTok — it added the feature after shutting down Musical.ly’s live streaming app, Live.ly.
Above: full-screen ad in TikTok when app is first launched; spotted today
Think this is the first real ad campaign I’ve seen on @tiktok_us. @kerrymflynn pic.twitter.com/zt3JcSYCz0
— chris harihar (@chrisharihar) January 26, 2019
Above: an ad appearing earlier this month
TikTok is also starting to test in-app advertising, and is being eyed by agencies as a result. When you launch TikTok, you may see a full-page splash screen ad of some kind — though the company has not officially launched ad products.
But the brands are starting to take notice. This week, for example, TikTok collaborated with SportsManias, an officially licensed NFL Players Association partner, for the introduction of NFL-themed AR animated stickers in time for the Super Bowl. The move feels like a test for how well branded content will perform within the TikTok universe, but the company says it’s “not an ad deal.”
The company also declined to say how many are today using TikTok.
However, parent company ByteDance had publicly stated last year that it had 500 million monthly active users when it announced the app’s rebranding post-merger. It has yet to release new numbers for its global user base.
That said, ByteDance just shared updated stats for China only, on all versions of the TikTok app (including the non-Google Play Android version). It says that TikTok now has 500 million monthly active users in China alone.
Sensor Tower today estimates TikTok has grown to nearly 800 million lifetime installs, not counting Android in China.
Factoring in those Android in China installs, it’s fair to say this app has topped 1 billion downloads.
Here comes the new new internet, folks. It’s big, dominated by emerging markets, mobile, video, meme-ified, and goes viral both online and off.
So if you haven’t been paying attention to TikTok, you may want to get started.
0 notes
Link
If you haven’t been paying attention to TikTok, you haven’t been paying attention. The short-form video app hailing from Beijing’s ByteDance just had its biggest month ever with the addition of 75 million new users in December — a 275 percent increase from the 20 million it added in December 2017, according a recent report from Sensor Tower.
Despite its rapid rise, there are still plenty of people — often, older people — who aren’t quite sure what TikTok is.
TikTok is often referred to as a “lip-syncing” app, which makes it sound like it’s some online karaoke experience. But a closer comparison would be Vine, Twitter’s still sorely missed short-form video app whose content lives on as YouTube compilations.
While it’s true that TikTok is home to some standard lip-syncing, it’s actually better known for its act-out memes backed by music and other sound clips, which get endlessly reproduced and remixed among its young users.
Its tunes are varied — pop, rap, R&B, electro and DJ tracks serve as backing for its 15-second video clips. But the sounds may also be snagged from YouTube music videos (see: I Baked You A Pie above), SoundCloud or from pop culture — like weird soundbites from Peppa Pig or Riverdale — or just original creations.
These memes-as-videos reference things familiar to Gen Z, like gaming culture (see below). They come in the form of standalone videos, reactions, duets, mirrors/clones and more.
The app has been growing steadily since it acquired its U.S.-based rival Musical.ly in November 2017 for north of $800 million, then merged the two apps’ user bases last August.
This gave TikTok the means to grow in Western markets, where it has attracted the interest of U.S. celebrities like Jimmy Fallon and Tony Hawk, for example, along with YouTubers on the hunt for the next new thing.
But unlike Vine (RIP), YouTube or Instagram, TikTok doesn’t yet feel dominated by micro-celebs, though they certainly exist.
Instead, its main feed often surfaces everyday users — aka, amateurs — doing something cute, funny or clever, with a tacit acknowledgement that “yes, this is an internet joke” underlying much of the content.
Okay, okay.
Sometimes these videos are described as “cringey.”
But that’s because those of us trying to talk about TikTok are old(er) people who grew up on the big ol’ mean internet.
Cringey, frankly, is an unfair label, as it dismisses TikTok’s success in setting a tone for its community. Here, users are able to post and share unapologetically wholesome content, and receive far less mocking than elsewhere on the web — largely because everyone else on TikTok posts similar “cringey” content, too.
You might not know this, however, if your only exposure to TikTok comes from YouTube’s TikTok Cringe Compilations. But spend a day in the (oddly addictive) TikTok feed, and you’ll find a whole world of video that doesn’t exist anywhere else on the web — including on YouTube. Videos that are weird, sure — but also fun to watch.
It’s a stark comparison to the existing social media platforms.
Users today are engaged in the culture wars on Twitter (ban the Nazis! protect free speech!), while YouTubers are gaming the algorithm with hateful, exploitive, dangerous and otherwise questionable content that freaks out advertisers. And Facebook is, well, contributing to war crimes and the toppling of democracy.
Meanwhile, TikTok presents an alternative version of online sharing. Simple, goofy, irreverent — and frankly, it’s a much needed reset.
For example, some of the popular TikTok memes have included videos of kids proclaiming what a great mom they have, as they drag her into frame, or they remind people to pick up litter and conserve water. They might give themselves silly, but self-affirming makeovers where, afterwards, they cite themselves not as “cute” but rather “drop. dead. gorgeous.”
They might spend hours setting up gummy bears as Adele concert-goers, learning how to do a shuffle dance up a set of stairs or in a dance battle their dad. Or they may showcase some special talent — drawing, painting, gymnastics, dance or skateboarding, perhaps. They do science experiments, make jokes or use special effects for a little video magic.
They shout out “hit or miss!” in public places and wait to see who answers. (Look it up.)
Of course, it is still the internet. And TikTok isn’t perfect.
The app has also been the subject of troubling reports about its “dark” side, which is reportedly filled with child predators and teens bullying and harassing one another. It’s not clear, however, that TikTok’s affliction with these matters is any worse than any other large, social, public-by-default app of its size.
And unlike some apps, concerned parents — or the users themselves — can set a TikTok account to private, turn off commenting, hide the account from search, disable downloads, disallow reactions and duets and restrict an account from receiving messages.
It is concerning, however, that under-13 kids are setting up social media accounts without parental consent. (But, uh, have you seen Fortnite and Roblox? This is what kids do. At least the TikTok main feed isn’t worrisome, we’ve found.)
The bigger issue, though — and one that could ultimately prove damaging to TikTok — is whether it will be able to keep up with content filtering and takedown requests, or handle its security and privacy protection issues as it scales up.
Content and community aren’t the only things contributing to TikTok’s growth.
While Vine may have introduced the concept of short-form video, TikTok made video editing incredibly simple. You don’t need to be a video expert to put together clips with a range of effects. It’s the Instagram for the mobile video age — in a way that Instagram itself won’t be able to reproduce, having already aligned its community with influencers and advertisers.
TikTok’s sizable user base, meanwhile, is due not only to its growth in Western markets, but because of its traction in emerging markets like China and India.
This allowed TikTok to rank No. 4 worldwide across iOS and Android, combined, according to App Annie’s data on the most-downloaded apps of 2018. On iOS, TikTok was the No. 1 most-downloaded app of the year, mainly thanks to China.
At times last year, TikTok even ranked higher than Facebook, Instagram, Snapchat and YouTube.
Both App Annie and Sensor Tower agree that TikTok scored the No. 3 position for most installs among all apps worldwide in 2018.
Now, TikTok is growing in India, says Sensor Tower.
The country accounted for 27 percent of new installs between December 2017 and December 2018, and last month was the source for 32.3 million of TikTok’s 75 million total new downloads — a 25x increase from last year.
Some of this growth comes from ad spend, according to a report from Apptopia, which examined the app’s widened use of ad networks. (It’s also driving people bonkers with its YouTube ads).
The revenue is starting to arrive, as well.
Worldwide, users spent $6 million tipping their favorite live streamers, a 253 percent year-over-year jump from December 2017’s total of $1.7 million, Sensor Tower estimates. But live streaming is not the default activity on TikTok — it added the feature after shutting down Musical.ly’s live streaming app, Live.ly.
Above: full-screen ad in TikTok when app is first launched; spotted today
Think this is the first real ad campaign I’ve seen on @tiktok_us. @kerrymflynn pic.twitter.com/zt3JcSYCz0
— chris harihar (@chrisharihar) January 26, 2019
Above: an ad appearing earlier this month
TikTok is also starting to test in-app advertising, and is being eyed by agencies as a result. When you launch TikTok, you may see a full-page splash screen ad of some kind — though the company has not officially launched ad products.
But the brands are starting to take notice. This week, for example, TikTok collaborated with SportsManias, an officially licensed NFL Players Association partner, for the introduction of NFL-themed AR animated stickers in time for the Super Bowl. The move feels like a test for how well branded content will perform within the TikTok universe, but the company says it’s “not an ad deal.”
The company also declined to say how many are today using TikTok.
However, parent company ByteDance had publicly stated last year that it had 500 million monthly active users when it announced the app’s rebranding post-merger. It has yet to release new numbers for its global user base.
That said, ByteDance just shared updated stats for China only, on all versions of the TikTok app (including the non-Google Play Android version). It says that TikTok now has 500 million monthly active users in China alone.
Sensor Tower today estimates TikTok has grown to nearly 800 million lifetime installs, not counting Android in China.
Factoring in those Android in China installs, it’s fair to say this app has topped 1 billion downloads.
Here comes the new new internet, folks. It’s big, dominated by emerging markets, mobile, video, meme-ified, and goes viral both online and off.
So if you haven’t been paying attention to TikTok, you may want to get started.
from Social – TechCrunch https://tcrn.ch/2CTfM9f Original Content From: https://techcrunch.com
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Text
It’s time to pay serious attention to TikTok
If you haven’t been paying attention to TikTok, you haven’t been paying attention. The short-form video app hailing from Beijing’s ByteDance just had its biggest month ever with the addition of 75 million new users in December — a 275 percent increase from the 20 million it added in December 2017, according a recent report from Sensor Tower.
Despite its rapid rise, there are still plenty of people — often, older people — who aren’t quite sure what TikTok is.
TikTok is often referred to as a “lip-syncing” app, which makes it sound like it’s some online karaoke experience. But a closer comparison would be Vine, Twitter’s still sorely missed short-form video app whose content lives on as YouTube compilations.
While it’s true that TikTok is home to some standard lip-syncing, it’s actually better known for its act-out memes backed by music and other sound clips, which get endlessly reproduced and remixed among its young users.
youtube
Its tunes are varied — pop, rap, R&B, electro and DJ tracks serve as backing for its 15-second video clips. But the sounds may also be snagged from YouTube music videos (see: I Baked You A Pie above), SoundCloud or from pop culture — like weird soundbites from Peppa Pig or Riverdale — or just original creations.
These memes-as-videos reference things familiar to Gen Z, like gaming culture (see below). They come in the form of standalone videos, reactions, duets, mirrors/clones and more.
youtube
The app has been growing steadily since it acquired its U.S.-based rival Musical.ly in November 2017 for north of $800 million, then merged the two apps’ user bases last August.
This gave TikTok the means to grow in Western markets, where it has attracted the interest of U.S. celebrities like Jimmy Fallon and Tony Hawk, for example, along with YouTubers on the hunt for the next new thing.
But unlike Vine (RIP), YouTube or Instagram, TikTok doesn’t yet feel dominated by micro-celebs, though they certainly exist.
Instead, its main feed often surfaces everyday users — aka, amateurs — doing something cute, funny or clever, with a tacit acknowledgement that “yes, this is an internet joke” underlying much of the content.
youtube
Okay, okay.
Sometimes these videos are described as “cringey.”
But that’s because those of us trying to talk about TikTok are old(er) people who grew up on the big ol’ mean internet.
Cringey, frankly, is an unfair label, as it dismisses TikTok’s success in setting a tone for its community. Here, users are able to post and share unapologetically wholesome content, and receive far less mocking than elsewhere on the web — largely because everyone else on TikTok posts similar “cringey” content, too.
You might not know this, however, if your only exposure to TikTok comes from YouTube’s TikTok Cringe Compilations. But spend a day in the (oddly addictive) TikTok feed, and you’ll find a whole world of video that doesn’t exist anywhere else on the web — including on YouTube. Videos that are weird, sure — but also fun to watch.
youtube
It’s a stark comparison to the existing social media platforms.
Users today are engaged in the culture wars on Twitter (ban the Nazis! protect free speech!), while YouTubers are gaming the algorithm with hateful, exploitive, dangerous and otherwise questionable content that freaks out advertisers. And Facebook is, well, contributing to war crimes and the toppling of democracy.
Meanwhile, TikTok presents an alternative version of online sharing. Simple, goofy, irreverent — and frankly, it’s a much needed reset.
For example, some of the popular TikTok memes have included videos of kids proclaiming what a great mom they have, as they drag her into frame, or they remind people to pick up litter and conserve water. They might give themselves silly, but self-affirming makeovers where, afterwards, they cite themselves not as “cute” but rather “drop. dead. gorgeous.”
youtube
They might spend hours setting up gummy bears as Adele concert-goers, learning how to do a shuffle dance up a set of stairs or in a dance battle their dad. Or they may showcase some special talent — drawing, painting, gymnastics, dance or skateboarding, perhaps. They do science experiments, make jokes or use special effects for a little video magic.
They shout out “hit or miss!” in public places and wait to see who answers. (Look it up.)
youtube
Of course, it is still the internet. And TikTok isn’t perfect.
The app has also been the subject of troubling reports about its “dark” side, which is reportedly filled with child predators and teens bullying and harassing one another. It’s not clear, however, that TikTok’s affliction with these matters is any worse than any other large, social, public-by-default app of its size.
And unlike some apps, concerned parents — or the users themselves — can set a TikTok account to private, turn off commenting, hide the account from search, disable downloads, disallow reactions and duets and restrict an account from receiving messages.
It is concerning, however, that under-13 kids are setting up social media accounts without parental consent. (But, uh, have you seen Fortnite and Roblox? This is what kids do. At least the TikTok main feed isn’t worrisome, we’ve found.)
The bigger issue, though — and one that could ultimately prove damaging to TikTok — is whether it will be able to keep up with content filtering and takedown requests, or handle its security and privacy protection issues as it scales up.
Content and community aren’t the only things contributing to TikTok’s growth.
While Vine may have introduced the concept of short-form video, TikTok made video editing incredibly simple. You don’t need to be a video expert to put together clips with a range of effects. It’s the Instagram for the mobile video age — in a way that Instagram itself won’t be able to reproduce, having already aligned its community with influencers and advertisers.
TikTok’s sizable user base, meanwhile, is due not only to its growth in Western markets, but because of its traction in emerging markets like China and India.
This allowed TikTok to rank No. 4 worldwide across iOS and Android, combined, according to App Annie’s data on the most-downloaded apps of 2018. On iOS, TikTok was the No. 1 most-downloaded app of the year, mainly thanks to China.
At times last year, TikTok even ranked higher than Facebook, Instagram, Snapchat and YouTube.
Both App Annie and Sensor Tower agree that TikTok scored the No. 3 position for most installs among all apps worldwide in 2018.
Now, TikTok is growing in India, says Sensor Tower.
The country accounted for 27 percent of new installs between December 2017 and December 2018, and last month was the source for 32.3 million of TikTok’s 75 million total new downloads — a 25x increase from last year.
The revenue is starting to arrive, as well.
Worldwide, users spent $6 million tipping their favorite live streamers, a 253 percent year-over-year jump from December 2017’s total of $1.7 million, Sensor Tower estimates. But live streaming is not the default activity on TikTok — it added the feature after shutting down Musical.ly’s live streaming app, Live.ly.
Above: full-screen ad in TikTok when app is first launched
TikTok is also starting to test in-app advertising, and is being eyed by agencies as a result. When you launch TikTok, you may see a full-page splash screen ad of some kind — though the company has not officially launched ad products.
But the brands are starting to take notice. This week, for example, TikTok collaborated with SportsManias, an officially licensed NFL Players Association partner, for the introduction of NFL-themed AR animated stickers in time for the Super Bowl. The move feels like a test for how well branded content will perform within the TikTok universe, but the company says it’s “not an ad deal.”
The company also declined to say how many are today using TikTok.
However, parent company ByteDance had publicly stated last year that it had 500 million monthly active users when it announced the app’s rebranding post-merger. It has yet to release new numbers for its global user base.
That said, ByteDance just shared updated stats for China only, on all versions of the TikTok app (including the non-Google Play Android version). It says that TikTok now has 500 million monthly active users in China alone.
Sensor Tower today estimates TikTok has grown to nearly 800 million lifetime installs, not counting Android in China.
Factoring in those Android in China installs, it’s fair to say this app has topped 1 billion downloads.
Here comes the new new internet, folks. It’s big, dominated by emerging markets, mobile, video, meme-ified, and goes viral both online and off.
So if you haven’t been paying attention to TikTok, you may want to get started.
from iraidajzsmmwtv https://tcrn.ch/2CTfM9f via IFTTT
0 notes
Text
It’s time to pay serious attention to TikTok
If you haven’t been paying attention to TikTok, you haven’t been paying attention. The short-form video app hailing from Beijing’s ByteDance just had its biggest month ever with the addition of 75 million new users in December — a 275 percent increase from the 20 million it added in December 2017, according a recent report from Sensor Tower.
Despite its rapid rise, there are still plenty of people — often, older people — who aren’t quite sure what TikTok is.
TikTok is often referred to as a “lip-syncing” app, which makes it sound like it’s some online karaoke experience. But a closer comparison would be Vine, Twitter’s still sorely missed short-form video app whose content lives on as YouTube compilations.
While it’s true that TikTok is home to some standard lip-syncing, it’s actually better known for its act-out memes backed by music and other sound clips, which get endlessly reproduced and remixed among its young users.
youtube
Its tunes are varied — pop, rap, R&B, electro and DJ tracks serve as backing for its 15-second video clips. But the sounds may also be snagged from YouTube music videos (see: I Baked You A Pie above), SoundCloud or from pop culture — like weird soundbites from Peppa Pig or Riverdale — or just original creations.
These memes-as-videos reference things familiar to Gen Z, like gaming culture (see below). They come in the form of standalone videos, reactions, duets, mirrors/clones and more.
youtube
The app has been growing steadily since it acquired its U.S.-based rival Musical.ly in November 2017 for north of $800 million, then merged the two apps’ user bases last August.
This gave TikTok the means to grow in Western markets, where it has attracted the interest of U.S. celebrities like Jimmy Fallon and Tony Hawk, for example, along with YouTubers on the hunt for the next new thing.
But unlike Vine (RIP), YouTube or Instagram, TikTok doesn’t yet feel dominated by micro-celebs, though they certainly exist.
Instead, its main feed often surfaces everyday users — aka, amateurs — doing something cute, funny or clever, with a tacit acknowledgement that “yes, this is an internet joke” underlying much of the content.
youtube
Okay, okay.
Sometimes these videos are described as “cringey.”
But that’s because those of us trying to talk about TikTok are old(er) people who grew up on the big ol’ mean internet.
Cringey, frankly, is an unfair label, as it dismisses TikTok’s success in setting a tone for its community. Here, users are able to post and share unapologetically wholesome content, and receive far less mocking than elsewhere on the web — largely because everyone else on TikTok posts similar “cringey” content, too.
You might not know this, however, if your only exposure to TikTok comes from YouTube’s TikTok Cringe Compilations. But spend a day in the (oddly addictive) TikTok feed, and you’ll find a whole world of video that doesn’t exist anywhere else on the web — including on YouTube. Videos that are weird, sure — but also fun to watch.
youtube
It’s a stark comparison to the existing social media platforms.
Users today are engaged in the culture wars on Twitter (ban the Nazis! protect free speech!), while YouTubers are gaming the algorithm with hateful, exploitive, dangerous and otherwise questionable content that freaks out advertisers. And Facebook is, well, contributing to war crimes and the toppling of democracy.
Meanwhile, TikTok presents an alternative version of online sharing. Simple, goofy, irreverent — and frankly, it’s a much needed reset.
For example, some of the popular TikTok memes have included videos of kids proclaiming what a great mom they have, as they drag her into frame, or they remind people to pick up litter and conserve water. They might give themselves silly, but self-affirming makeovers where, afterwards, they cite themselves not as “cute” but rather “drop. dead. gorgeous.”
youtube
They might spend hours setting up gummy bears as Adele concert-goers, learning how to do a shuffle dance up a set of stairs or in a dance battle their dad. Or they may showcase some special talent — drawing, painting, gymnastics, dance or skateboarding, perhaps. They do science experiments, make jokes or use special effects for a little video magic.
They shout out “hit or miss!” in public places and wait to see who answers. (Look it up.)
youtube
Of course, it is still the internet. And TikTok isn’t perfect.
The app has also been the subject of troubling reports about its “dark” side, which is reportedly filled with child predators and teens bullying and harassing one another. It’s not clear, however, that TikTok’s affliction with these matters is any worse than any other large, social, public-by-default app of its size.
And unlike some apps, concerned parents — or the users themselves — can set a TikTok account to private, turn off commenting, hide the account from search, disable downloads, disallow reactions and duets and restrict an account from receiving messages.
It is concerning, however, that under-13 kids are setting up social media accounts without parental consent. (But, uh, have you seen Fortnite and Roblox? This is what kids do. At least the TikTok main feed isn’t worrisome, we’ve found.)
The bigger issue, though — and one that could ultimately prove damaging to TikTok — is whether it will be able to keep up with content filtering and takedown requests, or handle its security and privacy protection issues as it scales up.
Content and community aren’t the only things contributing to TikTok’s growth.
While Vine may have introduced the concept of short-form video, TikTok made video editing incredibly simple. You don’t need to be a video expert to put together clips with a range of effects. It’s the Instagram for the mobile video age — in a way that Instagram itself won’t be able to reproduce, having already aligned its community with influencers and advertisers.
TikTok’s sizable user base, meanwhile, is due not only to its growth in Western markets, but because of its traction in emerging markets like China and India.
This allowed TikTok to rank No. 4 worldwide across iOS and Android, combined, according to App Annie’s data on the most-downloaded apps of 2018. On iOS, TikTok was the No. 1 most-downloaded app of the year, mainly thanks to China.
At times last year, TikTok even ranked higher than Facebook, Instagram, Snapchat and YouTube.
Both App Annie and Sensor Tower agree that TikTok scored the No. 3 position for most installs among all apps worldwide in 2018.
Now, TikTok is growing in India, says Sensor Tower.
The country accounted for 27 percent of new installs between December 2017 and December 2018, and last month was the source for 32.3 million of TikTok’s 75 million total new downloads — a 25x increase from last year.
Some of this growth comes from ad spend, according to a report from Apptopia, which examined the app’s widened use of ad networks. (It’s also driving people bonkers with its YouTube ads).
The revenue is starting to arrive, as well.
Worldwide, users spent $6 million tipping their favorite live streamers, a 253 percent year-over-year jump from December 2017’s total of $1.7 million, Sensor Tower estimates. But live streaming is not the default activity on TikTok — it added the feature after shutting down Musical.ly’s live streaming app, Live.ly.
Above: full-screen ad in TikTok when app is first launched
TikTok is also starting to test in-app advertising, and is being eyed by agencies as a result. When you launch TikTok, you may see a full-page splash screen ad of some kind — though the company has not officially launched ad products.
But the brands are starting to take notice. This week, for example, TikTok collaborated with SportsManias, an officially licensed NFL Players Association partner, for the introduction of NFL-themed AR animated stickers in time for the Super Bowl. The move feels like a test for how well branded content will perform within the TikTok universe, but the company says it’s “not an ad deal.”
The company also declined to say how many are today using TikTok.
However, parent company ByteDance had publicly stated last year that it had 500 million monthly active users when it announced the app’s rebranding post-merger. It has yet to release new numbers for its global user base.
That said, ByteDance just shared updated stats for China only, on all versions of the TikTok app (including the non-Google Play Android version). It says that TikTok now has 500 million monthly active users in China alone.
Sensor Tower today estimates TikTok has grown to nearly 800 million lifetime installs, not counting Android in China.
Factoring in those Android in China installs, it’s fair to say this app has topped 1 billion downloads.
Here comes the new new internet, folks. It’s big, dominated by emerging markets, mobile, video, meme-ified, and goes viral both online and off.
So if you haven’t been paying attention to TikTok, you may want to get started.
source https://techcrunch.com/2019/01/29/its-time-to-pay-serious-attention-to-tiktok/
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It’s time to pay serious attention to TikTok
If you haven’t been paying attention to TikTok, you haven’t been paying attention. The short-form video app hailing from Beijing’s ByteDance just had its biggest month ever with the addition of 75 million new users in December — a 275 percent increase from the 20 million it added in December 2017, according a recent report from Sensor Tower.
Despite its rapid rise, there are still plenty of people — often, older people — who aren’t quite sure what TikTok is.
TikTok is often referred to as a “lip-syncing” app, which makes it sound like it’s some online karaoke experience. But a closer comparison would be Vine, Twitter’s still sorely missed short-form video app whose content lives on as YouTube compilations.
While it’s true that TikTok is home to some standard lip-syncing, it’s actually better known for its act-out memes backed by music and other sound clips, which get endlessly reproduced and remixed among its young users.
youtube
Its tunes are varied — pop, rap, R&B, electro and DJ tracks serve as backing for its 15-second video clips. But the sounds may also be snagged from YouTube music videos (see: I Baked You A Pie above), SoundCloud or from pop culture — like weird soundbites from Peppa Pig or Riverdale — or just original creations.
These memes-as-videos reference things familiar to Gen Z, like gaming culture (see below). They come in the form of standalone videos, reactions, duets, mirrors/clones and more.
youtube
The app has been growing steadily since it acquired its U.S.-based rival Musical.ly in November 2017 for north of $800 million, then merged the two apps’ user bases last August.
This gave TikTok the means to grow in Western markets, where it has attracted the interest of U.S. celebrities like Jimmy Fallon and Tony Hawk, for example, along with YouTubers on the hunt for the next new thing.
But unlike Vine (RIP), YouTube or Instagram, TikTok doesn’t yet feel dominated by micro-celebs, though they certainly exist.
Instead, its main feed often surfaces everyday users — aka, amateurs — doing something cute, funny or clever, with a tacit acknowledgement that “yes, this is an internet joke” underlying much of the content.
youtube
Okay, okay.
Sometimes these videos are described as “cringey.”
But that’s because those of us trying to talk about TikTok are old(er) people who grew up on the big ol’ mean internet.
Cringey, frankly, is an unfair label, as it dismisses TikTok’s success in setting a tone for its community. Here, users are able to post and share unapologetically wholesome content, and receive far less mocking than elsewhere on the web — largely because everyone else on TikTok posts similar “cringey” content, too.
You might not know this, however, if your only exposure to TikTok comes from YouTube’s TikTok Cringe Compilations. But spend a day in the (oddly addictive) TikTok feed, and you’ll find a whole world of video that doesn’t exist anywhere else on the web — including on YouTube. Videos that are weird, sure — but also fun to watch.
youtube
It’s a stark comparison to the existing social media platforms.
Users today are engaged in the culture wars on Twitter (ban the Nazis! protect free speech!), while YouTubers are gaming the algorithm with hateful, exploitive, dangerous and otherwise questionable content that freaks out advertisers. And Facebook is, well, contributing to war crimes and the toppling of democracy.
Meanwhile, TikTok presents an alternative version of online sharing. Simple, goofy, irreverent — and frankly, it’s a much needed reset.
For example, some of the popular TikTok memes have included videos of kids proclaiming what a great mom they have, as they drag her into frame, or they remind people to pick up litter and conserve water. They might give themselves silly, but self-affirming makeovers where, afterwards, they cite themselves not as “cute” but rather “drop. dead. gorgeous.”
youtube
They might spend hours setting up gummy bears as Adele concert-goers, learning how to do a shuffle dance up a set of stairs or in a dance battle their dad. Or they may showcase some special talent — drawing, painting, gymnastics, dance or skateboarding, perhaps. They do science experiments, make jokes or use special effects for a little video magic.
They shout out “hit or miss!” in public places and wait to see who answers. (Look it up.)
youtube
Of course, it is still the internet. And TikTok isn’t perfect.
The app has also been the subject of troubling reports about its “dark” side, which is reportedly filled with child predators and teens bullying and harassing one another. It’s not clear, however, that TikTok’s affliction with these matters is any worse than any other large, social, public-by-default app of its size.
And unlike some apps, concerned parents — or the users themselves — can set a TikTok account to private, turn off commenting, hide the account from search, disable downloads, disallow reactions and duets and restrict an account from receiving messages.
It is concerning, however, that under-13 kids are setting up social media accounts without parental consent. (But, uh, have you seen Fortnite and Roblox? This is what kids do. At least the TikTok main feed isn’t worrisome, we’ve found.)
The bigger issue, though — and one that could ultimately prove damaging to TikTok — is whether it will be able to keep up with content filtering and takedown requests, or handle its security and privacy protection issues as it scales up.
Content and community aren’t the only things contributing to TikTok’s growth.
While Vine may have introduced the concept of short-form video, TikTok made video editing incredibly simple. You don’t need to be a video expert to put together clips with a range of effects. It’s the Instagram for the mobile video age — in a way that Instagram itself won’t be able to reproduce, having already aligned its community with influencers and advertisers.
TikTok’s sizable user base, meanwhile, is due not only to its growth in Western markets, but because of its traction in emerging markets like China and India.
This allowed TikTok to rank No. 4 worldwide across iOS and Android, combined, according to App Annie’s data on the most-downloaded apps of 2018. On iOS, TikTok was the No. 1 most-downloaded app of the year, mainly thanks to China.
At times last year, TikTok even ranked higher than Facebook, Instagram, Snapchat and YouTube.
Both App Annie and Sensor Tower agree that TikTok scored the No. 3 position for most installs among all apps worldwide in 2018.
Now, TikTok is growing in India, says Sensor Tower.
The country accounted for 27 percent of new installs between December 2017 and December 2018, and last month was the source for 32.3 million of TikTok’s 75 million total new downloads — a 25x increase from last year.
The revenue is starting to arrive, as well.
Worldwide, users spent $6 million tipping their favorite live streamers, a 253 percent year-over-year jump from December 2017’s total of $1.7 million, Sensor Tower estimates. But live streaming is not the default activity on TikTok — it added the feature after shutting down Musical.ly’s live streaming app, Live.ly.
Above: full-screen ad in TikTok when app is first launched
TikTok is also starting to test in-app advertising, and is being eyed by agencies as a result. When you launch TikTok, you may see a full-page splash screen ad of some kind — though the company has not officially launched ad products.
But the brands are starting to take notice. This week, for example, TikTok collaborated with SportsManias, an officially licensed NFL Players Association partner, for the introduction of NFL-themed AR animated stickers in time for the Super Bowl. The move feels like a test for how well branded content will perform within the TikTok universe, but the company says it’s “not an ad deal.”
The company also declined to say how many are today using TikTok.
However, parent company ByteDance had publicly stated last year that it had 500 million monthly active users when it announced the app’s rebranding post-merger. It has yet to release new numbers for its global user base.
That said, ByteDance just shared updated stats for China only, on all versions of the TikTok app (including the non-Google Play Android version). It says that TikTok now has 500 million monthly active users in China alone.
Sensor Tower today estimates TikTok has grown to nearly 800 million lifetime installs, not counting Android in China.
Factoring in those Android in China installs, it’s fair to say this app has topped 1 billion downloads.
Here comes the new new internet, folks. It’s big, dominated by emerging markets, mobile, video, meme-ified, and goes viral both online and off.
So if you haven’t been paying attention to TikTok, you may want to get started.
Via Sarah Perez https://techcrunch.com
0 notes
Text
Expert: Indeed, the young are tethered to a slumber land of no ideas or ideals. Shackled to the beasts of debt and endless consumer-rent-mortgage-fee-levy-tax-fine-surcharge-hidden add on Capitalism. They amble to the nearest Starbucks and find the plastic putrid world and shitty coffee essence safe, conformist, the place to snuggle in with Twitter-Snapchat-Instagram-Facebook-Spotify. Add to that the general malaise of wanting nothing to do with politics, and everything to do with hipster joker-a-second crap they have downloading and meandering through their apps, and we have a country of no serious thinking. Tapped into the spine of the controllers, the brain centers micro-processing the emotions of the dictators. Not to say the oldsters in US of A aren’t the same – ambulating in the grand isles of Costco and Walmart, and, yes, juiced up on a triple-shot foamy caramel latte. The faces of red-white-and-blue are the hollowed-out skulls of the zombie culture of wanting-getting-having-buying-discarding-paying it down through the ka-chang of the ever-present ATM. I worked hard as a social worker-case manager-breeder of anarchy with old and young, now the young, kids in care, state custody, plied by the champions of bureaucracy, who have some shekels and grants here and there to help them get way past the eight ball they are behind. Shuffled from foster home to foster home, many intersecting with the juvenile injustice system, and many bouncing from school to school, no foundations, no biological link to a put-together family, whatever that is these days in the land of ballooning debts and general anxiety disorder over the simple disparity of why the gap of accumulation of wealth is getting bigger and bigger. With fewer haves than can be imaginable, and mostly haves not wondering how each and every public service had now been captured by the MBA Gestapo and elite SS forces of financial felonies. That is the anxiety of the rebellious like me. Youth having to make a choice of learning how to weld metal for a living, at the community college, then hunkering down three to a room, or five to a living room. Rents are criminal, and available places for kids coming out of state foster custody are about as rare as a wild living trotting wolf in Wyoming. Kids go from state custody to homelessness . . . or variations on a theme . . . sometimes back to the very mothers or fathers that state bureaucracy yanked them from in the first place for heinous crimes. We play charades with these youth, with their minds, their dreams, their futures, their lives. We de-link ourselves from screaming at the top of our lungs – “The systems are broken, gone, because we let the billionaires and millionaires set policy, hold sway over states, cities, regions, denude all agency for a public commons, public good, public health, public economy and public investment track.” We have tuition debts in the hundreds of thousands per graduate student (AKA mark, sucker born every nano second, PT Barnum, yeah!) after a few years past the undergraduate degree. We have a beleaguered youth who know nothing but the logo-brand game, know nothing but what they might want on top of their triple-decker quadruple-supreme, triple-dipped seven-scoop ice cream Sunday. Conversations are about things, about stupid shows, about video games, about the nothingness, zilch of the inhumane celebrity-actor-musician-athlete culture. And, is it their fault, these Gen Z kids, when we have ball-and-chained their barely burgeoning lives and decades of future absurd toil to the whims of the murderous marketers and money mongers? I have youth who can’t hitch a ride on public transportation because it’s buggered up, runs one bus to the hour, or never makes it out to rural or suburban locales, and then they have to throw down for Lyft or Uber just to make it to their shit jobs where they are cogs . . . . I was just talking to them about how screwed up Uber is . . . “I didn’t even think about getting workers’ compensation,” John said. “Uber wasn’t paying for anything.” John knew what many drivers know: that Uber fights tooth and nail in courts and in front of labor boards from New York to California to classify its drivers as independent contractors, in part to avoid having to pay for workers’ compensation payouts to its more than 300,000 drivers, a workforce comparable to major employers like Home Depot and Target. . . . . or how rotten Google et al are The Highlands Forum doesn’t need to produce consensus recommendations. Its purpose is to provide the Pentagon a shadow social networking mechanism to cement lasting relationships with corporate power, and to identify new talent, that can be used to fine-tune information warfare strategies in absolute secrecy. Total participants in the DoD’s Highlands Forum number over a thousand, although sessions largely consist of small closed workshop style gatherings of maximum 25–30 people, bringing together experts and officials depending on the subject. Delegates have included senior personnel from SAIC and Booz Allen Hamilton, RAND Corp., Cisco, Human Genome Sciences, eBay, PayPal, IBM, Google, Microsoft, AT&T, the BBC, Disney, General Electric, Enron, among innumerable others; Democrat and Republican members of Congress and the Senate; senior executives from the US energy industry such as Daniel Yergin of IHS Cambridge Energy Research Associates; and key people involved in both sides of presidential campaigns. Other participants have included senior media professionals: David Ignatius, associate editor of the Washington Post and at the time the executive editor of the International Herald Tribune; Thomas Friedman, long-time New York Times columnist; Arnaud de Borchgrave, an editor at Washington Times and United Press International; Steven Levy, a former Newsweek editor, senior writer for Wired and now chief tech editor at Medium; Lawrence Wright, staff writer at the New Yorker; Noah Shachtmann, executive editor at the Daily Beast; Rebecca McKinnon, co-founder of Global Voices Online; Nik Gowing of the BBC; and John Markoff of the New York Times. … or how felonious Amazon has always been, continues to be, and will forever be a curse to all humanity if we do not just stop using it, and taking the big guy to tax court, like the courts of Inquisition taking youth to court if they fudge on their housing subsidy, or the court of Scarlet Letter for daddies in arrears for child support . . . . Yep, I try and tell the Latte Lads and Lasses that Amazon is the criminal enterprise, maximum security vanguard of all bad things . . . . As Amazon spreads around the world selling everything and squeezing other businesses that use its platform, is Jeff Bezos laughing at humanity? His ultimate objective seems to preside over a mega-trillion dollar global juggernaut that is largely automated, except for that man at the top with the booming laugh who rules over the means by which we consume everything from goods, to media, to groceries. Crushing competitors, history shows, is leads to raising prices by monopolizers. Consumers, workers and retailers alike must be on higher alert and address this growing threat. You have nothing to lose except Bezos’s tightening algorithmic chains. To start the conversation, you can wait for Franklin Foer’s new book out this September, titled World Without a Mind: The Existential Threat of Big Tech. Until then, a good substitute is his 2014 article in The New Republic, ‘Amazon Must be Stopped.’ I tell my youth to look into it, how the billionaires’ club is made up of perverts – hating man and woman kind, hating the poor, the downtrodden, and certainly hating foster youth or recovering adults, and the homeless, and the working poor looking for a decent clinic to set a broken bone from working like slaves for these millionaires and billionaires. Our youth are prime victims of agnotolgy – the deliberate erasing of facts, truths, beliefs, but truly, history. The Jewish Nakba scrubbing. Holocaust deniers in Zion, and the new Zion, the American continent. How Canadians know nothing of their own terrible rape and murder of first nations peoples . . . their support of African despots . . . their terrible homegrown devils of international mining and arms sales . . . . Agnotology, the Two Minutes of Hate, a la Orwell, the fabricated Emmanuel Goldstein. Youth who know nothing of North Korea, of Vietnam, of any of the truths of their own womb . . . truths scrubbed by schools, by the controllers, facilitated by the Media and Publishing, and consumed by overworked, overwrought parents. Youth that hate government but love the big boys and girls running roughshod over our-their own survival: the business class. I find it interesting that Ralph Nader goes on an attack of Just Jeff Bezos (Amazon dot conned) without footnoting his piece that ALL the Fortune 1000 captains (Goose-stepping toward the vaults of shekels) of industry-finance-military-real estate-technology-media-energy are dirtier than the Mafioso, dirtier than any El Chapo, dirtier than any den of pimps and pornographers. Is there a clean, good one on the lists below? And think of the investments, the power these people wield to determine global financial-military-cultural future: Bill Gates: $86.0 billion, United States, Microsoft Warren Buffett: $75.6 billion, United States, Berkshire Hathaway Jeff Bezos: $72.8 billion, United States, Amazon.com Amancio Ortega: $71.3 billion, Spain, Inditex, Zara Mark Zuckerberg: $56.0 billion, United States, Facebook Carlos Slim: $54.5 billion, Mexico, América Móvil, Grupo Carso Larry Ellison: $52.2 billion, United States, Oracle Corporation Charles Koch: $48.3 billion, United States, Koch Industries David Koch: $48.3 billion,United States, Koch Industries Michael Bloomberg: $47.5 billion, United States, Bloomberg L.P. Or the entire DNA strains of the World’s Richest Families, they any better than Jeff Bezos and Monopoly Amazon? That’s the rub is it not, that the poverty my youth suffer, the poverty I suffer, all these shell games played with our social right: national health care; real social security; public schools and colleges; libraries for the people; banks of the states; water, air, land, food, press/journalism part of the public commons; the right to a roof over your head and a light bulb and plate of slop and a flicker of heat in the dead of winter; the vast collective right of nature to persist, excel, and evolve. This country is set ablaze by the entire Little Eichmann and Big Himmler and Ugly Zionist and Crusader logic of pain and theft. My small charges, 16 to 21, are caught in a web of psychological-physiological-economic-educational-medical-spiritual deception, and they have nothing to turn to than the ebbing and flowing corpuscles created by the generators of multi-syllabic, three dozen hyphenated things they consume, all nano-particled and sliced and diced with the magic of the chemical still. We have kids with ticks, kids with obesity-lethargy-lingering intelligence and cognition. We have children who are the essence of the Stanley Milgram experiment on obedience, except his was an experiment on authority, lab coats and Yale basement authority, whereas today, the Milgram experiment is fluid, directly wired into Facebook-Google-Anything Digital. Today, youth and the old are kettled to consumer and be all they can be based on a giant interstellar Madison Avenue-PsyOps experiment to lobotomize-confuse-disassociate-deny humans in this country. Imagine, no rebellion, no running through the streets, no daily Molotov’s thrown into the limos and onto the doorsteps of the millionaire and billionaire murderers. Milgram examined justifications for acts of genocide offered by those accused at the World War II, Nuremberg War Criminal trials. Their defense often was based on “obedience” – that they were just following orders from their superiors. The experiments began in July 1961, a year after the trial of Adolf Eichmann in Jerusalem. Milgram devised the experiment to answer the question: Could it be that Eichmann and his million accomplices in the Holocaust were just following orders? Could we call them all accomplices?” (Milgram, 1974). These finance-foisting, tax-robbing, war-creating, debt-inducing, human/child/ecosystem-sacrificing pigs are given more than a trillion get out of jail cards. They are running things, playing editor like Jeff Bezos, ruining everything like Mr. PayPal – My joke about Thiel’s “Brownshirt Combinator” isn’t as funny now, is it? ‘Transition Adviser Peter Thiel Could Directly Profit From Mass Deportations’: Palantir Technologies, the data-mining company co-founded by billionaire and Trump transition adviser Peter Thiel, will likely assist the Trump administration in its efforts to track and collect intelligence on immigrants, according to a review of public records by The Intercept. Since 2011, the Immigration and Customs Enforcement agency’s Office of Homeland Security Investigations has paid Palantir tens of millions of dollars to help construct and operate a complex intelligence system called FALCON, which allows ICE to store, search, and analyze troves of data that include family relationships, employment information, immigration history, criminal records, and home and work addresses. […] Working closely with a president-elect who has pledged to dramatically expand ICE, Thiel’s varied connections to the immigration agency place him in a position to potentially benefit financially from a deportation campaign that carries highly personal stakes for millions of Americans. […] In addition to containing information on family relationships and immigration history, the records FALCON collects can also include photographs of subjects, employment information, educational background, and “geospatial data.” […] Last month, it was reported that Trump and his advisers are drafting plans to launch a campaign of workplace raids across the country to find undocumented immigrants. With a mandate to enforce laws relating to unauthorized employment, HSI has been identified as the primary component within ICE that conducts such job-site raids. This past October, after a lengthy investigation, HSI agents raided several Mexican restaurants in Buffalo, New York, arresting more than a dozen workers, some of whom were charged with criminal counts of “illegal re-entry,” raising an outcry from immigrant advocates. In 2013, after an HSI raid on carwashes in Phoenix, more than two dozen immigrants were reportedly sent to Enforcement and Removal Operations officers for possible deportation. ICE can conduct such raids even in so-called sanctuary cities that have refused to allow local law enforcement to cooperate with ICE in finding and removing undocumented immigrants. […] Palantir, which is backed by the CIA’s venture capital arm, did not respond to a request for comment regarding its ICE contracts and concerns over potential conflicts of interest. Peter Thiel spokesperson Jeremiah Hall declined to comment on a list of emailed queries, including a question asking whether Thiel has yet signed the Trump transition ethics agreement. While Ralph Nader is huge in so many ways, and I worked for his campaigns and was lambasted by colleagues in journalism, education and the environmental movement, the real rub is how he at his wise age can even stomach ANYTHING the billionaire class says, does, and infers. His Utopian thing, Only the Super-Rich Can Save Us, was and is off the mark, big-time – In the cozy den of the large but modest house in Omaha where he has lived since he started on his first billion, Warren Buffett watched the horrors of Hurricane Katrina unfold on television in early September 2005. . . . On the fourth day, he beheld in disbelief the paralysis of local, state, and federal authorities unable to commence basic operations of rescue and sustenance, not just in New Orleans, but in towns and villages all along the Gulf Coast. . . He knew exactly what he had to do. . . So begins the vivid fictional account by political activist and bestselling author Ralph Nader that answers the question, “What if?” What if a cadre of super-rich individuals tried to become a driving force in America to organize and institutionalize the interests of the citizens of this troubled nation? What if some of America’s most powerful individuals decided it was time to fix our government and return the power to the people? What if they focused their power on unionizing Wal-Mart? What if a national political party were formed with the sole purpose of advancing clean elections? What if these seventeen superrich individuals decided to galvanize a movement for alternative forms of energy that will effectively clean up the environment? What if together they took on corporate Goliaths and Congress to provide the necessities of life and advance the solutions so long left on the shelf by an avaricious oligarchy? What could happen? America is a country of the dead. As is Israel, and note that not ONE cute-real-serious-well-acted-poorly- acted movie about the perfect Milgram subjects – Israelis – has ever been made, produced, shown on the Media, one clearly hoisted by Zionists – in some of their own words, as Gilad Atzmon lends some weight to this, In his recent address to the ultra-Zionist and war-mongering Stand With Us, Alan Dershowitz said, ‘People say Jews are too powerful, too strong, too rich, we control the media, we’ve too much this, too much that and we often apologetically deny our strength and our power. Don’t do that!’ Elder Zionist Dershowitz who acquired for himself the reputation of a “remarkable liar” (Chomsky) and a “serial plagiarist” (Finkelstein) probably decided, just before he meets his creator, to give truth one last try. In our world, no one can deny that Jews are “too powerful,” “too rich” or that they “control the media.” Yet no one can ignore that Jews themselves are rarely apologetic about their extensive and overblown power. In fact, as with Dershowitz, most Jews tend to boast about the various facets of Jewish domination and, while boasting, use every trick in the book to silence anyone else who points to that power. As I have been arguing for several years, Jewish power is the ability to suppress the discussion on Jewish power. Actually, Dershowitz’ approach here is rather refreshing. He admits that Jews are overwhelmingly powerful yet insists on presenting a rationale as to why Jews should never apologize about this overbearing and abusive power. ‘WE (the Jews, presumably) have earned the right to influence public debate, WE have earned the right to be heard, WE have contributed disproportionately to success of this country.’ One may wonder who is included in that ‘WE’ that has contributed so much to the ‘success’ of America. Is he referring to his client and close friend Jeffrey Epstein who pimped under-aged girls for the elites? Does Dershowitz’ ‘WE’ include Alan Greenspan who led the country to class genocide? Or perhaps his ‘WE’ denotes all those Wall Street Jewish bankers, like the Goldmans, the Sachs and the Soroses – those who, on a daily basis, gamble on the American future and the global economy. And almost certainly, Dershowitz’ ‘WE’ includes Haim Saban and Sheldon Adelson who have managed to reduce American politics into merely an internal Zionist affair. These are daunting times, the entire globe sucked of its telephone calls, its computer messages, all the uploads and downloads, every human individual defecation and urination and climax cataloged in these nuclear-powered cloud servers. Battened down, these surveillance hatches. Young people are now the cows, bred to follow the orders of Old Navy and any new shiny merchant of duncery and death; to pay for their cell phones, diligently, to pay-pay-pay for the poisons going into their brains and bellies. They are taught to not question or to not rebel, or to not just sit down and start a ruckus. Daily, the power of corrupted commercialization is like s drug resistant tuberculosis eating at our next and our next generation’s soul. Until there is no resistant antinode or antibiotic to stop the final solution drawn through the elaborate algorithms of controllers – massive forgetting, massive insanity. These demigods — the monopolies — supplying every microgram of humanity’s needs, now that we are sealed in this fate of capitalism – addicted to goods and services unnecessary, and willing to watch all good and common needs vanish with each new libertarian sucking the blood from us all like the vampires and nematodes of the capitalist elites. http://clubof.info/
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It’s time to pay serious attention to TikTok
New Post has been published on http://www.readersforum.tk/its-time-to-pay-serious-attention-to-tiktok/
It’s time to pay serious attention to TikTok
If you haven’t been paying attention to TikTok, you haven’t been paying attention. The short-form video app hailing from Beijing’s ByteDance just had its biggest month ever with the addition of 75 million new users in December — a 275 percent increase from the 20 million it added in December 2017, according a recent report from Sensor Tower.
Despite its rapid rise, there are still plenty of people — often, older people — who aren’t quite sure what TikTok is.
TikTok is often referred to as a “lip-syncing” app, which makes it sound like it’s some online karaoke experience. But a closer comparison would be Vine, Twitter’s still sorely missed short-form video app whose content lives on as YouTube compilations.
While it’s true that TikTok is home to some standard lip-syncing, it’s actually better known for its act-out memes backed by music and other sound clips, which get endlessly reproduced and remixed among its young users.
youtube
Its tunes are varied — pop, rap, R&B, electro and DJ tracks serve as backing for its 15-second video clips. But the sounds may also be snagged from YouTube music videos (see: I Baked You A Pie above), SoundCloud or from pop culture — like weird soundbites from Peppa Pig or Riverdale — or just original creations.
These memes-as-videos reference things familiar to Gen Z, like gaming culture (see below). They come in the form of standalone videos, reactions, duets, mirrors/clones and more.
youtube
The app has been growing steadily since it acquired its U.S.-based rival Musical.ly in November 2017 for north of $800 million, then merged the two apps’ user bases last August.
This gave TikTok the means to grow in Western markets, where it has attracted the interest of U.S. celebrities like Jimmy Fallon and Tony Hawk, for example, along with YouTubers on the hunt for the next new thing.
But unlike Vine (RIP), YouTube or Instagram, TikTok doesn’t yet feel dominated by micro-celebs, though they certainly exist.
Instead, its main feed often surfaces everyday users — aka, amateurs — doing something cute, funny or clever, with a tacit acknowledgement that “yes, this is an internet joke” underlying much of the content.
youtube
Okay, okay.
Sometimes these videos are described as “cringey.”
But that’s because those of us trying to talk about TikTok are old(er) people who grew up on the big ol’ mean internet.
Cringey, frankly, is an unfair label, as it dismisses TikTok’s success in setting a tone for its community. Here, users will often post and share unapologetically wholesome content, and receive less mocking than elsewhere on the web — largely because everyone else on TikTok posts similar “cringey” content, too.
You might not know this, however, if your only exposure to TikTok comes from YouTube’s TikTok Cringe Compilations. But spend a day in the (oddly addictive) TikTok feed, and you’ll find a whole world of video that doesn’t exist anywhere else on the web — including on YouTube. Videos that are weird, sure — but also fun to watch.
youtube
It’s a stark comparison to the existing social media platforms.
Users today are engaged in the culture wars on Twitter (ban the Nazis! protect free speech!), while YouTubers are gaming the algorithm with hateful, exploitive, dangerous and otherwise questionable content that freaks out advertisers. And Facebook is, well, contributing to war crimes and the toppling of democracy.
Meanwhile, TikTok presents an alternative version of online sharing. Simple, goofy, irreverent — and frankly, it’s a much needed reset.
For example, some of the popular TikTok memes have included videos of kids proclaiming what a great mom they have, as they drag her into frame, or they remind people to pick up litter and conserve water. They might give themselves silly, but self-affirming makeovers where, afterwards, they cite themselves not as “cute” but rather “drop. dead. gorgeous.”
youtube
They might spend hours setting up gummy bears as Adele concert-goers, learning how to do a shuffle dance up a set of stairs or in a dance battle their dad. Or they may showcase some special talent — drawing, painting, gymnastics, dance or skateboarding, perhaps. They do science experiments, make jokes or use special effects for a little video magic.
They shout out “hit or miss!” in public places and wait to see who answers. (Look it up.)
Sometimes it’s dumb, Sometimes it’s clever. But it’s addictive.
youtube
Of course, it is still the internet. And TikTok isn’t perfect.
The app has also been the subject of troubling reports about its “dark” side, which is reportedly filled with child predators and teens bullying and harassing one another. It’s not clear, however, that TikTok’s affliction with these matters is any worse than any other large, social, public-by-default app of its size.
And unlike some apps, concerned parents — or the users themselves — can set a TikTok account to private, turn off commenting, hide the account from search, disable downloads, disallow reactions and duets and restrict an account from receiving messages.
It is concerning, however, that under-13 kids are setting up social media accounts without parental consent. (But, uh, have you seen Fortnite and Roblox? This is what kids do. At least the TikTok main feed isn’t worrisome, we’ve found.)
The bigger issue, though — and one that could ultimately prove damaging to TikTok — is whether it will be able to keep up with content filtering and takedown requests, or handle its security and privacy protection issues as it scales up.
Content and community aren’t the only things contributing to TikTok’s growth.
While Vine may have introduced the concept of short-form video, TikTok made video editing incredibly simple. You don’t need to be a video expert to put together clips with a range of effects. It’s the Instagram for the mobile video age — in a way that Instagram itself won’t be able to reproduce, having already aligned its community with influencers and advertisers.
TikTok’s sizable user base, meanwhile, is due not only to its growth in Western markets, but because of its traction in emerging markets like China and India.
This allowed TikTok to rank No. 4 worldwide across iOS and Android, combined, according to App Annie’s data on the most-downloaded apps of 2018. On iOS, TikTok was the No. 1 most-downloaded app of the year, mainly thanks to China.
At times last year, TikTok even ranked higher than Facebook, Instagram, Snapchat and YouTube.
Both App Annie and Sensor Tower agree that TikTok scored the No. 3 position for most installs among all apps worldwide in 2018.
Now, TikTok is growing in India, says Sensor Tower.
The country accounted for 27 percent of new installs between December 2017 and December 2018, and last month was the source for 32.3 million of TikTok’s 75 million total new downloads — a 25x increase from last year.
Some of this growth comes from ad spend, according to a report from Apptopia, which examined the app’s widened use of ad networks. (It’s also driving people bonkers with its YouTube ads).
The revenue is starting to arrive, as well.
Worldwide, users spent $6 million tipping their favorite live streamers, a 253 percent year-over-year jump from December 2017’s total of $1.7 million, Sensor Tower estimates. But live streaming is not the default activity on TikTok — it added the feature after shutting down Musical.ly’s live streaming app, Live.ly.
Above: full-screen ad in TikTok when app is first launched; spotted today
Think this is the first real ad campaign I’ve seen on @tiktok_us. @kerrymflynn pic.twitter.com/zt3JcSYCz0
— chris harihar (@chrisharihar) January 26, 2019
Above: an ad appearing earlier this month
TikTok is also starting to test in-app advertising, and is being eyed by agencies as a result. When you launch TikTok, you may see a full-page splash screen ad of some kind — though the company has not officially launched ad products.
But the brands are starting to take notice. This week, for example, TikTok collaborated with SportsManias, an officially licensed NFL Players Association partner, for the introduction of NFL-themed AR animated stickers in time for the Super Bowl. The move feels like a test for how well branded content will perform within the TikTok universe, but the company says it’s “not an ad deal.”
The company also declined to say how many are today using TikTok.
However, parent company ByteDance had publicly stated last year that it had 500 million monthly active users when it announced the app’s rebranding post-merger. It has yet to release new numbers for its global user base.
That said, ByteDance just shared updated stats for China only, on all versions of the TikTok app (including the non-Google Play Android version). It says that TikTok now has 500 million monthly active users in China alone.
Sensor Tower today estimates TikTok has grown to nearly 800 million lifetime installs, not counting Android in China.
Factoring in those Android in China installs, it’s fair to say this app has topped 1 billion downloads.
Here comes the new new internet, folks. It’s big, dominated by emerging markets, mobile, video, meme-ified, and goes viral both online and off.
So if you haven’t been paying attention to TikTok, you may want to get started.
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If you haven’t been paying attention to TikTok, you haven’t been paying attention. The short-form video app hailing from Beijing’s ByteDance just had its biggest month ever with the addition of 75 million new users in December — a 275 percent increase from the 20 million it added in December 2017, according a recent report from Sensor Tower.
Despite its rapid rise, there are still plenty of people — often, older people — who aren’t quite sure what TikTok is.
TikTok is often referred to as a “lip-syncing” app, which makes it sound like it’s some online karaoke experience. But a closer comparison would be Vine, Twitter’s still sorely missed short-form video app whose content lives on as YouTube compilations.
While it’s true that TikTok is home to some standard lip-syncing, it’s actually better known for its act-out memes backed by music and other sound clips, which get endlessly reproduced and remixed among its young users.
Its tunes are varied — pop, rap, R&B, electro and DJ tracks serve as backing for its 15-second video clips. But the sounds may also be snagged from YouTube music videos (see: I Baked You A Pie above), SoundCloud or from pop culture — like weird soundbites from Peppa Pig or Riverdale — or just original creations.
These memes-as-videos reference things familiar to Gen Z, like gaming culture (see below). They come in the form of standalone videos, reactions, duets, mirrors/clones and more.
The app has been growing steadily since it acquired its U.S.-based rival Musical.ly in November 2017 for north of $800 million, then merged the two apps’ user bases last August.
This gave TikTok the means to grow in Western markets, where it has attracted the interest of U.S. celebrities like Jimmy Fallon and Tony Hawk, for example, along with YouTubers on the hunt for the next new thing.
But unlike Vine (RIP), YouTube or Instagram, TikTok doesn’t yet feel dominated by micro-celebs, though they certainly exist.
Instead, its main feed often surfaces everyday users — aka, amateurs — doing something cute, funny or clever, with a tacit acknowledgement that “yes, this is an internet joke” underlying much of the content.
Okay, okay.
Sometimes these videos are described as “cringey.”
But that’s because those of us trying to talk about TikTok are old(er) people who grew up on the big ol’ mean internet.
Cringey, frankly, is an unfair label, as it dismisses TikTok’s success in setting a tone for its community. Here, users are able to post and share unapologetically wholesome content, and receive far less mocking than elsewhere on the web — largely because everyone else on TikTok posts similar “cringey” content, too.
You might not know this, however, if your only exposure to TikTok comes from YouTube’s TikTok Cringe Compilations. But spend a day in the (oddly addictive) TikTok feed, and you’ll find a whole world of video that doesn’t exist anywhere else on the web — including on YouTube. Videos that are weird, sure — but also fun to watch.
It’s a stark comparison to the existing social media platforms.
Users today are engaged in the culture wars on Twitter (ban the Nazis! protect free speech!), while YouTubers are gaming the algorithm with hateful, exploitive, dangerous and otherwise questionable content that freaks out advertisers. And Facebook is, well, contributing to war crimes and the toppling of democracy.
Meanwhile, TikTok presents an alternative version of online sharing. Simple, goofy, irreverent — and frankly, it’s a much needed reset.
For example, some of the popular TikTok memes have included videos of kids proclaiming what a great mom they have, as they drag her into frame, or they remind people to pick up litter and conserve water. They might give themselves silly, but self-affirming makeovers where, afterwards, they cite themselves not as “cute” but rather “drop. dead. gorgeous.”
They might spend hours setting up gummy bears as Adele concert-goers, learning how to do a shuffle dance up a set of stairs or in a dance battle their dad. Or they may showcase some special talent — drawing, painting, gymnastics, dance or skateboarding, perhaps. They do science experiments, make jokes or use special effects for a little video magic.
They shout out “hit or miss!” in public places and wait to see who answers. (Look it up.)
Of course, it is still the internet. And TikTok isn’t perfect.
The app has also been the subject of troubling reports about its “dark” side, which is reportedly filled with child predators and teens bullying and harassing one another. It’s not clear, however, that TikTok’s affliction with these matters is any worse than any other large, social, public-by-default app of its size.
And unlike some apps, concerned parents — or the users themselves — can set a TikTok account to private, turn off commenting, hide the account from search, disable downloads, disallow reactions and duets and restrict an account from receiving messages.
It is concerning, however, that under-13 kids are setting up social media accounts without parental consent. (But, uh, have you seen Fortnite and Roblox? This is what kids do. At least the TikTok main feed isn’t worrisome, we’ve found.)
The bigger issue, though — and one that could ultimately prove damaging to TikTok — is whether it will be able to keep up with content filtering and takedown requests, or handle its security and privacy protection issues as it scales up.
Content and community aren’t the only things contributing to TikTok’s growth.
While Vine may have introduced the concept of short-form video, TikTok made video editing incredibly simple. You don’t need to be a video expert to put together clips with a range of effects. It’s the Instagram for the mobile video age — in a way that Instagram itself won’t be able to reproduce, having already aligned its community with influencers and advertisers.
TikTok’s sizable user base, meanwhile, is due not only to its growth in Western markets, but because of its traction in emerging markets like China and India.
This allowed TikTok to rank No. 4 worldwide across iOS and Android, combined, according to App Annie’s data on the most-downloaded apps of 2018. On iOS, TikTok was the No. 1 most-downloaded app of the year, mainly thanks to China.
At times last year, TikTok even ranked higher than Facebook, Instagram, Snapchat and YouTube.
Both App Annie and Sensor Tower agree that TikTok scored the No. 3 position for most installs among all apps worldwide in 2018.
Now, TikTok is growing in India, says Sensor Tower.
The country accounted for 27 percent of new installs between December 2017 and December 2018, and last month was the source for 32.3 million of TikTok’s 75 million total new downloads — a 25x increase from last year.
The revenue is starting to arrive, as well.
Worldwide, users spent $6 million tipping their favorite live streamers, a 253 percent year-over-year jump from December 2017’s total of $1.7 million, Sensor Tower estimates. But live streaming is not the default activity on TikTok — it added the feature after shutting down Musical.ly’s live streaming app, Live.ly.
Above: full-screen ad in TikTok when app is first launched
TikTok is also starting to test in-app advertising, and is being eyed by agencies as a result. When you launch TikTok, you may see a full-page splash screen ad of some kind — though the company has not officially launched ad products.
But the brands are starting to take notice. This week, for example, TikTok collaborated with SportsManias, an officially licensed NFL Players Association partner, for the introduction of NFL-themed AR animated stickers in time for the Super Bowl. The move feels like a test for how well branded content will perform within the TikTok universe, but the company says it’s “not an ad deal.”
The company also declined to say how many are today using TikTok.
However, parent company ByteDance had publicly stated last year that it had 500 million monthly active users when it announced the app’s rebranding post-merger. It has yet to release new numbers for its global user base.
That said, ByteDance just shared updated stats for China only, on all versions of the TikTok app (including the non-Google Play Android version). It says that TikTok now has 500 million monthly active users in China alone.
Sensor Tower today estimates TikTok has grown to nearly 800 million lifetime installs, not counting Android in China.
Factoring in those Android in China installs, it’s fair to say this app has topped 1 billion downloads.
Here comes the new new internet, folks. It’s big, dominated by emerging markets, mobile, video, meme-ified, and goes viral both online and off.
So if you haven’t been paying attention to TikTok, you may want to get started.
from Mobile – TechCrunch https://tcrn.ch/2CTfM9f ORIGINAL CONTENT FROM: https://techcrunch.com/
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