#even if she didn't

[aurorasandsad-prose]

I'm aware this has been talked about before but I sometimes feel like international fans(especially native English speakers) don't understand that not being able to fluently speak a language but understanding most (or everything) of what's been said/written is very common for bilingual people.

Also, your native tongue influences how you speak a new language a lot. All languages have their differences in terms of sounds, tones, grammar and that reflects in whatever your accent is like. Of course people can work on their accents if they want but I believe it should always be a personal choice. Like you literally cannot correctly pronounce my name in English without having to borrow a sound from another language. And that's on languages and being bilingual. Thank you for coming to my Ted talk.

And, if you're someone who judges/comments on someone's secondary language skills while yourself only knowing a single language, there's the door 🚪. Bye!

[mollysunder]

What I liked best about Jinx and Sevika's first post-Silco talk was how well it implies why their grief is so pronounced. Every complaint the two lodged at Silco was an admission at how dependent Silco had become on them, how much he LET himself be dependent. Silco didn't NEED to let Jinx give him his eye medicine, he was perfectly capable of doing so in season one's first act. The same could be said about Sevika, because while it wasn't nearly as extreme as with Jinx, he didn't need to give her so much responsibility. Frankly it's dangerous for a kingpin to give their righthand so much power (it's supposed to be spread around), and everyone noticed, even idiots like Finn.

That's why their loss is so pronounced, in all the years they dedicated to Silco, he gave up just as much of himself to them. Silco weakened himself and trusted Sevika and Jinx to make up for it. They filled eachother out, they needed eachother, and without him there's just a hole what they all used to give eachother.

[consang]

whenever you collar your puppy, don't forget to pull it in for a kiss immediately

[i-eat-mass-blog]

people are mad at chappell roan because she pointed that the "lesser than too evils" party and still in fact very evil and we shouldn't let them continue to be evil just because of the other party is more evil

[inkskinned]

probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.

we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."

at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.

the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.

the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.

what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.

here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.

[a-scary-lack-of-common-sense]

My Great Grandma who loved her babies very much

Reference that I used for the face!

[ambrosiagourmet]

I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.

This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.

But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.

Or this little bit from one of the flashbacks:

This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.

And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.

Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.

Like him needing to leave. And leaving her behind.

He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.

She was 9 when he left for school, and he was 11.

Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.

Both of these kids deserved so much better from the world.

[mumblesplash]

(teaching my art class)

me: and what’s the number one rule when designing characters with wings? …well?

a handful of students, sighing reluctantly: no good fa-

me (interrupting them): NO good-faith attempts at realism, EVER. you want all the bird dweebs and physicists jumping ship as EARLY AS POSSIBLE so they’re not around to cinemasins your ass when you get to the cool parts of your story, and…ugh, what now, gerald

gerald (my least favorite student): why not just do some minimal research instead of-

me: listen you little shit i can and will singlehandedly tank your 4.0 gpa

[notbrucewayne48]

"aphobia doesn't exist"

bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it

[essayofthoughts]

Genuinely, I think one of the most fun and crunchy things about any character is

How far they will go for things they want

What they will do to get things they want

Things they won't do, no matter how much they want what they'd get in exchange

Because these things tell you some very important things about the character, namely their limits, their price, and their absolute No's. (And it lets you create some really REALLY crunchy conflict)

[vvanillavveins]

Is she Lucy Westenra, or is she just a vessel for the writer's barely disguised fantasy of a women being punished for her promiscuity? Is she really"Bram Stoker's" Lucy Westenra: a naive, innocent 19 year old, with a cheery personality and a bright future ahead of her? Or has the writer instead just slapped her name on an OC that behaves nothing like her, and- with none of the grace or decorum that Lucy's tragically short story deserves- sexualized her slow and agonising death as much as possible, whilst very unsubtly doing their best to blame her for being murdered, so that we won't object to her being killed again later in an even more gruesome and sexual manner?

[bet-on-me-13]

Danny commits to the Bit a bit too hard...

So! For the first few weeks after his accident, whenever Danny would try to help the people of Amity Park, he would be treated as a Villain.

No matter if he had just defeated the Big Bad of the Week or saved a Cat from a tree, everybody in town only saw him as a Monster or Villain to he feared and hunted down. Danny was really getting sick of trying to get them on his side, until Sam made a suggestion.

"Why not just...play into it?" She said, barely looking up from painting her nails.

It was just an offhand suggestion, but it stuck with Danny. Why shouldn't he lean into it? The people of Amity Park already saw Ghosts as Evil, and they already assumed he was in cahoots with the Ghosts attacking the town. Why shouldn't he just...play into it?

So he does just that.

From that day on, whenever Phantom was spotted he would dramatically monologue about his Evil Plans, or claim that another Rogues attack on the City was his own act of terror.

Box Ghost destroys the towns Warehouses? It was on his orders.

Ember mind controls masses of Teenagers? All part of his Plans somehow.

Every Adult in Town is kidnapped by Young Blood? Danny gave them over to a friend as a Gift.

He crafts an identity for himself as the most Vile and Horrible Ghost that has ever attacked the City, using his own infamy to cement his legend even more firmly. The town only sees a Monsterous Villain, who has eveded capture near effortlessly for months on end, who constantly attacks their City and gets away with it.

Of course he still needs an excuse for how his plans keep getting stopped, and he gets it when his girlfriend Valerie becomes the Red Huntress. Before that, he just claimed infighting or the Fentons getting lucky, but Valerie becoming the Town's Hero meant he had a plausible excuse for how he kept getting "Foiled".

Val was suspicious, because she was not as involved as Phantom painted her to be, but in the end she had no proof of him faking his defeats. And she couldn't come up with any explanations for why he would do that in the first place. I mean, who would fake being a Supervillain? It had to he something else.

This did come back to bite him a while later, when the Justice League decided that enough was enough, and dispatched Justice League Dark to recruit Red Huntress and help Deal with him.

Coincidentally, that was the same day Pariah Dark attacked the Mortal Realm and sucked Amity Park into the Ghost Zone.

And honestly? Danny had spent over a Year proclaiming himself as a Villain who commanded Ghosts to attack the Human Realm, and he had heard about the Right of Conquest being Absolute in the Ghost Zone, so why not make it official? Why not overthrow the Ghost King, become the Ghost King, and cement his identity as a Villain while also forbidding Ghosts from entering the Human Realm without his permission?

He may have gotten a bit carried away and forgotten that the Villain thing was a disguise...but hey! He was still preventing Ghost Attacks! ...mostly. That's got to count for something right?

He may have let the Bit run a bit too far...

...

Check the tags for more context!

[pikechris]

yeah the doctor hasn't kissed a man since 2005 but they also haven't kissed anyone on screen since missy in 2014. ten actual years. do you understand the significance of this

[moghedien]

you noticed how Glinda doesn't really let go of Elphaba basically from the Ozdust scene on and she's basically always holding Elphaba's hand or hanging onto her arm, even when its physically awkward to be doing so. and even during Defying Gravity after its clear that Glinda isn't going with Elphaba, they're still holding hands right up until the point where Glinda is grabbed by a guard and forcible pulled away from Elphaba

[dirtytransmasc]

I'm just imagining Sevika charging into battle not knowing where her girls are. she hears whispers from the battlefield that Isha is dead and that Jinx is gone. taken. captured. surrendered. she doesn't want to accept either. she almost refuses. and it's in the back of her mind that she has to live so she can find her girls, and at the very least, remember them.

and she almost dies. she thinks that there might not be anyone to remember them. to find them.

and then she doesn't. she doesn't die. and one thing leads to another, and she's on the council. and....

she still doesn't know what happened to them.

and then Vi, the girl who, justifiably, hates her guts, comes back. and the look on her face all She needs to know Jinx is gone. but she can't accept it. she can't.

she demands to know what happened, in a clipped, gruff manner, not displaying much care, but her eyes are teary and her gut is churning.... and Vi just says they're gone.

and all Sevika can do is whisper "... both?"

and she doesn't wait for an answer. the face is enough. "how?".

the answer kills her.

she walks away. murmurs an apology over her shoulder.

she doesn't know what to do with the feeling in her chest. her fingers trace over the carving in her arm.

[mayasaura]

Was thinking about this line because Harrow what the actual fuck are you talking about, and I realised something.

Not only does Harrow really for real not know that Gideon loves her—in the bullshit context of their lives, this is a reasonable misunderstanding for her to have.

What has Harrow known Gideon's life goals to be since they were children? Hint: There are at least two Harrow is fully aware of.

The first is to be wanted. As much as Gideon hates and wants to escape the Ninth, she also paradoxically craves their acceptance. They're the only community she's ever known. Harrow plays on that desire from the very beginning, mostly by kind of .... well, okay, by negging her about it. Ironically appealing to her sense of loyalty and duty to her house when they both know Gideon never even had that bridge to burn. That kind of thing.

Whether or not she's right, Harrow sincerely believes that acceptance to still be important to Gideon. First flower of my house, the greatest cavalier we have ever produced. You are our triumph. The best of all of us. When Harrow has only seconds left to make amends, she not only banks hard into praising Gideon, she frames it to unambiguously offer Gideon the acceptance she's always been conspicuously denied. Assuring her of her value not just as a person or as a cavalier, but as one of their house, one of their people.

The second thing Harrow knows is that Gideon wants to join the Cohort. Easy, everybody knows that. She's only been telling everyone with ears (and then some) since she was eight years old. It's the bait Harrow dangled to entice her into this mess. She wants to be a hero, to do great deeds like in the comic books. She wants to be a soldier.

Against the backdrop of all that context, Gideon's dying declaration "for the Ninth" starts to sound a hell of a lot more like "for Queen and country." Especially when you remember that Harrow is still the sovereign ruler of the Ninth. From Harrow's vantage point, Gideon could easily be playing the heroic underdog in a war movie. The soldier no one believed in until she threw herself on a grenade to save her squad. The knight errant who proved her chivalry by giving her life in service to her king.

From that perspective, Harrow's line to Ortus makes sense. She's following through on her promise of acceptance, defending Gideon's loyalty to the first Ninth face she sees. She's playing out Gideon's war hero fantasy, where Gideon's act of heroism proved them all wrong about her. In which case Ortus's response, "You are the most worthy heroes the Ninth House could muster. I truly believe that," flows very naturally as a reply. He understands what Harrow is trying to say, and affirms it.

It's not a hero's burial in the Anastasian, but it's the closest thing Harrow has the power to give her. And it's a fucking reasonable interpretation of Gideon's actions that doesn't touch on her feelings for Harrow at all. Fuck me.