#even if our characters haven't interacted that much

[marronje]

Now having gotten somewhat used to the void in my chest I can finally drag all my thoughts about the epilogue into one pile

I know it may be getting old for some of you guys already, but I haven't seen some things being discussed anywhere

My problem with the ending is actually with the audience, I literally have almost no issues with how the epilogue is written, all the minor ones I have don't come from the epilogue but the previous plot building which wasn't perfect by all means.

1. People forget that this chapter isn't the Epilogue but the Epilogue pt. 2

TWO PARTS YOU KNOW

Please reread 430. You did? Now let's compare.

a) Can you see what the chapter is focused on? 430 is a lot more shallow, it focuses on facts and tries to contain all the changes at once and looks VERY rushed. Hori didn't have much time with his schedule, so of course he tried to fit all at once and nothing at all. This chapter is more about the system and facts, trying to answer the more crucial questions fans may have.

Chapter 430 has ~20 pages

431 has almost 40 (!)

b) 431 finally has time to look at the characters up close. Why there is so much about Uraraka? Well, because in the pt. 1 she's got one panel and a couple of words. That's why half the chapter is about her now, because she and Izuku are the male and female leads of the manga.

c) Why didn't we have more of Katsuki? Well, this character isn't very known for huge inner monologues and all this sappy stuff. We can get enough from character interaction and subtle cues, as always. Despite being a big asshole and a major loudmouth (I say this with all my love and adoration guys), Katsuki is a really stoic character. And this kind of character doesn't need a whole 5 pages writing down their motivation and inner thought process. I like this. This man remains the most conscious person here and has the greatest development in the series (and Shoto, sure, these two are on the whole other level compared to others in terms of writing)

Izuku and Ochako are more open to us, and it shows in the chapter's way of storytelling

And Shoto is still the most relatable dude here, me too, Shoto, me too...

2. Izuku is NOT shutting Katsuki out of his life. He basically invited him to TEACH TOGETHER just like Katsuki invited him to BE HEROES TOGETHER.

To me it shows clearly that these two just found their two paths that don't align fully. Izuku has been teaching for years after his quirk was gone. Sure, he still adores hero job, but he already has stability and purpose and it's IMPORTANT to him. He's only been back to heroics for a month after all. Izuku has matured significantly, and I respect that about his character even if it's not perfectly written.

"Izuku wouldn't ever decline the offer". Do I need to remind you that it's whole 8 years after their school days?

Imagine yourself 16, dreaming to start a rock band with your best friend. You're both so passionate about it, you think music is the most beautiful thing in your life and you'll never be over it.

But you get your fingers injured severely, and you can't play your guitar anymore. You're devastated, but your knowledge is valuable and you get a whole teaching degree and go to work in a musical college. It feels very fulfilling to you. But your friend is very talented, he continues and pushes forward and actually becomes a worldwide known rock star! You're so glad for him!

But the time passes, and your friend, now famous and loaded, states – you're getting most expensive treatment and surgery, and we – I and our old band bros – pay for this.

And your fingers, they work properly again. You had a whole life of 8 years, and now there are so many possibilities open. You know your friend wants you to join his band and travel and rock the stage together, he offers it to you without expecting much, because he knows you have your life settled already, you can't change that with a flick of a wrist. He's an understanding friend, even if his passion for your old shared dream burns brighter still. You can join his band for a concert or two once in a while, it's a good reprieve from your everyday life. But as much as you love music, your priorities shifted significantly since your youth – and now teaching is as important and precious to you.

You even invite your friend to give a lesson of two in the college where you work. It's a way for you two still remain in each other's lives even if your paths are a bit different now. Your connection is built on compromise and genuine support from both sides, and it's fantastic!

I know the analogy isn't perfect, but it works I suppose.

3. About Himiko and Ochako. It's a painful one, but

No, Himiko wasn't haunting Ochako for the whole 8 years, it's probably a time to time occasion. It's not because Ochako is tired, it's because she can't let go of her guilt and at particularly taxing times it manifests in these visions.

Dreams are still a big mystery for science, but what we know is that they're almost always NOT about what you see, but about the hidden layers of meaning.

And of course we know this is not REAL Himiko, it's just Ochako's mind.

So I don't understand all the weeping around Himiko now being DEAD FOR REAL OH. This is Ochako's mind, not a literal Toga's spirit no matter how much Horikoshi wants his symbolisms to be literal in this story. It's still open to interpretation if Toga is dead or notnot (she's coping).

Tsuyu is so Tsuyu 😭😭😭

Right, my girl, this dummy really thought there's something wrong with her health while she just needed to see a psychologist...

I remind you that psychotherapy is severely underdeveloped in Japan. There's still a lot of stigma around mental health there, so please keep this mentality in your mind while reading manga. "They could just go and see a therapist." No, they couldn't. Their culture doesn't work like this, and societal norms aren't a joke in Japan, they're literally overwhelming.

And about how this chapter "ruined" Himiko. To me, it didn't.

"Himiko was written for Ochako". Exactly. Ochako's main negative character trait was inability to open up about her true feelings, putting up a cheerful front and all that.

Himiko was created to get her to understand what suppressing emotions does to people. Unfortunately, it seems she didn't catch this message fully until Himiko told her with plain words and freaking pushed her forward.

And isn't it a torture for Himiko seeing Ochako beating herself over her death, putting up a brave front to avoid her inner struggle which is COMPLETELY OPPOSITE to what Himiko tried to convey?

And Himiko loved both Izuku and Ochako, so of course she wants them to be special for each other and open up to each other too.

Because Himiko LOVES love in any form (pun intended), and wishes happiness for her special people, and sees how they have been holding back from living how they wanted.

Do you really think Himiko would prefer a depressed Ochako having hallucinations of her over an Ochako who's opening up and rebuilding connections with the man she yearned to reach out to for so long?

And of course I'm not about the ship. This manga was never about the ships. We've got a clue that Izuku barely had any contact with his former classmates since graduation in 430. This chapter is created to gives us hope that it'll change, starting with Uraraka because Uraraka was the one to reach out to him first in the beginning, and now it's his turn.

I imagine that it's just a start of the reconnection arc. Izuku can do this with the rest of his classmates too later, and knowing his tendency to butt into others' business he certainly will.

(Yeah, it's an actually good idea for a new tome for you Hori, not Boruto 2.0, never Boruto 2.0 please...)

4(?). This one has gotten me confused...

They studied 3 years... so they must have become class 2-A, then 3-A.... I hope it's a bad translation.

Do you trust Jirou? She certainly did put a whole ton of wasabi in his food, look at her face

Katsuki not toasting because he's the sober friend for his whole bunch of idiots>>>>

(he really has come here for the food)

Katsuki, when did you undergo your Syndrome arc?

[shanghuuo]

i’m working on a history/actual biography page for longwei and i figured i might as well try and create an actual relationships page for him while i’m at it so hit that heart if you’d like your muse to be included 😎

[bramblebeau]

Alright I told myself I wouldn't interact with fandom when s2 came out, and I haven't and don't plan to except to say this about people deciding Caitlyn is the Worst or that the writing is OOC.

As someone who has had a family member violently killed, I cannot stress how much it shakes up everything you thought you were and stood for. My beliefs in proportionate compassionate justice and the rights of all human beings are some of the strongest I have (stronger now because of the way that experience affected me personally), but they were pushed to the absolute limit when it came to an individual who had killed my loved one, showed no remorse, and laughed in our faces outside court, among other things.

People generally like to believe it wouldn't be them or their peace-loving family members being talked down from seriously considering violent revenge, consequences be damned. People like to believe they wouldn't lash out at people closest to them under that pressure, that they wouldn't build walls around the kindest and most sensitive parts of themselves because those parts are the ones feeling pain you never thought possible, that they wouldn't stalk the killer, make notes on all their family and friends, and fuck up their hands punching walls in anger wishing so badly it was flesh and bone because they can't handle the fact that there's no way to turn back time to stop it all from happening. People like to think they're "better" than that. But the reality is messy and painful as hell.

With Caitlyn, she has the added guilt of having actually had the opportunity to stop Jinx before she fired the rocket, but she hesitated just long enough for it to result in the deaths of her mother and other councillors and in the cities being plunged into chaos. Not only that, but the person close to her she's lashing out at is the person who caused her to hesitate, and just so happens to be the sister of the killer.

Furthermore, her behaviour is entirely in character. We have seen her set up as someone who becomes obsessed with achieving a goal and will do pretty much anything she wants to get there. In S1, we agreed with her methods because her goal was exposing and taking down Silco, and because it led to Vi being released. In S2, she's doing a similar thing but it's fuelled by fear and a type of pain she doesn't know how to deal with, rather than being fuelled by a need to prove herself and solve a case, and it leads to her making morally questionable decisions and to hurting Vi. She admits herself, albeit privately to Vi, that she does not know what she's doing and doesn't know how to fill this hole in her chest (and the hole in the city leadership). She has been sheltered from the real world for almost all her life, and as a result she has no experience of functioning or making decisions under this kind of pressure. The real world blew up in her face in the worst way and she was given power and a loaded rifle, and then shoved into an even more elevated position by a very experienced warlord who is manipulating the shit out of the whole situation.

I'm not saying that you have free rein to hurt people when you're grieving and facing extreme stress. (If you think that's what I'm saying then idk I'm not sure there's much hope for you in terms of critical thinking skills). What I'm saying is that Caitlyn is exhibiting pretty normal human behaviour that most people would be susceptible to in those circumstances, not the behaviour of someone who is some kind of heartless abusive bastard.

TLDR: Caitlyn is being written in a way that completely makes sense and is also not OOC, and if someone told me there would be no chance of them reacting in similar ways I simply would not believe them.

[anghraine]

It's interesting (if often frustrating) to see the renewed Orc Discourse after the last few episodes of ROP. I've seen arguments that orcs have to be personifications of evil rather than people as such or else the ethics of our heroes' approach to them becomes much more fraught. Tolkien's work, as written, seems an odd choice to me for not wrangling with difficult questions, and of course, more diehard fans are going to immediately bring up Shagrat and Gorbag.

If you haven't read LOTR recently, Shagrat and Gorbag are two orcs who briefly have a conversation about how they're being screwed over by Sauron but have no other real options, about their opinions of mistakes that have been made, that they think Sauron himself has made one, but it's not safe to discuss because Sauron has spies in their own ranks. They reminisce about better times when they had more freedom and fantasize about a future when they can go elsewhere and set up a small-scale banditry operation rather than being involved in this huge-scale war. Eventually, however, they end up turning on each other.

Basically any time that someone brings up the "humanity" of this conversation, someone else will point out that they're still bad people. They're not at all guilty about what they're part of. They just resent the dangers to themselves, the pressure from above, failures of competence, the surveillance they're under, and their lack of realistic alternative options. The dream of another life mentioned in the conversation is still one of preying on innocent people, just on a much smaller and more immediate scale, etc.

I think this misses the reason it keeps getting brought up, though. The point is not that Shagrat and Gorbag are good people. The point is that they are people.

There's something very normal and recognizable about their resentment of their superiors, their fears of reprisal and betrayal that ultimately are realized, their dislike of this kind of industrial war machine that erases their individual work and contributions, the tinge of wistfulness in their hope of escape into a different kind of life. Their dialect is deliberately "common"—and there's a lot more to say about that and the fact that it's another commoner, Sam, who outwits them—but one of the main effects is to make them sound familiar and ordinary. And it's interesting that one of the points they specifically raise is that they're not going to get better treatment from "the good guys" so they can't defect, either.

This is self-interested, yes, but it's not the self-interest of some mystical being or spirit or whatnot, but of people.

Tolkien's later remarks tend to back this up. He said that female orcs do exist, but are rarely seen in the story because the characters only interact with the all-male warrior class of orcs. Whatever female orcs "do," it isn't going to war. Maybe they do a lot of the agricultural work that is apparently happening in distant parts of Mordor, maybe they are chiefly responsible for young orcs, maybe both and/or something else, we don't know. But we know they're out there and we know that they reproduce sexually and we know that they're not part of the orcish warrior class.

Regardless of all the problems with this, the idea that orcs have a gender-restricted warrior class at all and we're just not seeing any of their other classes because of where the story is set doesn't sound like automatons of evil. It sounds like an actual culture of people that we only see along the fringes.

And this whole matter of "but if they're people, we have to think about ethics, so they can't be people" is a weird circular argument that cannot account for what's in LOTR or for much of what Tolkien said afterwards. Yes, he struggled with The Problem of Orcs and how to reconcile it with his world building and his ethical system, but "maybe they're not people" is ultimately not a workable solution as far as LOTR goes and can't even account for much of the later evolution of his ideas, including explicit statements in his letters.

And in the end, the real response that comes to mind to that circular argument is "maybe you should think about ethics more."

[madlori]

Ok my fam, I think we all need a lil Come to Jesus moment. So let's talk about it.

"I'm disappointed Tommy wasn't in 8x02 and 8x03." That's ok! We'd all like to see him, and see our boys together. Going by precedent, we can probably expect to see him in 6-8 episodes this season (it could be more - Taylor had 13 episodes in season 5 - but we shouldn't count on it) and we've already burned one. I'd prefer not to have half of them during the opening disaster when SO MUCH ELSE is going on. I'd rather him appear in episodes when he's got a storyline with Buck, or even on his own, and especially at the midseason break or the end of the season when Relationship Events are more likely to happen.

"But the 217 engine!" I know. But as we sometimes like to say to other fans - we kind of baited ourselves with that. It was suggestive, sure. But the fact that production has MADE a 217 engine is also suggestive that we may see it again later, and they just put it in the hangar scene because they already had it and they had to fill up that hangar with as many vehicles as possible.

"An airplane disaster without using the pilot??" As others have pointed out, Tommy's not a jet pilot. And don't let anybody make you think you were nuts for thinking it was possible. It was definitely a reasonable theory, with supporting evidence, that he might be involved, but in the end, the big opening disaster is always going to be about our mains. As it should be. And honestly? It was great.

"But the whole point of bringing him back was to integrate him with the 118 more!" I'm sure that's still a goal they have, but it's probably easier said than done. Not just from a writing standpoint, but a contractual one, in that there's a limit to how often they can use him, so they have to pick and choose where.

"It's like they don't care about this relationship as much as we do." You're right. NOBODY will care about it as much as we do. They care about the main characters, about the show's actual premise (i.e. first responders encountering wild situations, secondarily the characters' personal lives). There is no universe in which ANY relationship in the show will be prioritized as much as we, the fandom, would like it to be. That's just life in the big city. But they do care, oh boy, they do. Enough to use BT scenes in off-season promo. Enough to write Tommy into a scene in the opening episode where, frankly, he didn't NEED to be. Also, consider this - to shoot that scene, Lou was probably on set a grand total of one day, MAYBE two. And they made sure to include him in the jokey "bee pickup lines" reel. You know what other relationship we haven't seen much? Buddie. They have not appeared together outside of work (and honestly, barely AT work either) except in the birthday party scene, and hey, did you notice that they do not interact at ALL in that scene? Buck spends that entire scene interacting only with Tommy. And that's a friendship featuring two mains that we know they value. That's not indicative of anything except the sheer scarcity of screentime.

"They should be promoting the queer relationship!" Should they? They've never really done that before, with the several pre-existing queer relationships. I have always sort of appreciated that they have not hung a neon sign on Buck and Tommy saying LOOK AT OUR NEW QUEER PAIRING. It's never gotten the Very Special Episode treatment - Buck never had gay panic, or much coming-out drama - and I like that. I like treating it no differently than other romantic pairings on the show. And they did actually promote it quite a bit when it happened. Now it would just feel kinda performative to me.

"Will he be in [whatever episode]?" Imma gently suggest we not do this every week. He'll be there or he won't. There'll be some we know he's in (I think 8x06 is a lock), some we won't know and will be pleasantly surprised, or unpleasantly surprised. I'd say odds for 8x04 are...20%, rising to at least 50% with 8x05 and 100% for 8x06.

And if you ever feel sad about it - go look at a still of Buck from any episode so far this season, and say to yourself, "This man is having heaps of amazing sex with his hot pilot boyfriend on the regular. Canonically."

I know a lot of us have encountered some pretty irritating gloating from people who hate this relationship (in a frankly weirdly obsessive way) about him being not there. Just remember - that's all they have to gloat about. The only "victory" they can claim is the absence of a character? Lame. And it's not even a victory, it's just the cost of doing business when your ship involves a recurring character. Sit back and enjoy your canon relationship between two men who've actually kissed on screen and ignore it. We can be generous about it.

So let's not talk ourselves off the deep end, shall we? I'd like to keep being a reasonable fandom.

[mirrorcatcreditcard]

Take I haven't seen in the fandom yet:

Luka doesn't want to be freed.

"Now, MirrorCatCreditcard," you may say, "that's nonsense. Any human would want freedom from that system."

If you're thinking I'm gonna convince you that Luka doesn't know he wants freedom yet, you're wrong. I'm here to talk about indoctrination/conditioning, grooming/emotional manipulation, my own experience with those topics, and how all of the above connects with Luka as a character. If a deep dive like this is too much for you, please tap out for your own sake.

Luka's life was planned before he even existed. There has never ever been an alternative option. There is no life for Luka as anything but what Herperu chose. Everything in his life has been planned to have him be the perfect pet human idol. That is what he must be.

Fandom, I don't think most of you actually understand this and have dissected what this means (shout-out to the Luka stans who are getting there/have guessed similar things). These words we know have alternatives and are not set in stone are Luka's "gravity makes rain fall to the earth" and "water makes things wet." They are facts so deeply ingrained within him that even if shown the contrary he remarks that the person showing them is just disillusioned.

Take his commentary on Mizi and Hyun-A in the art book. He looks down on Mizi for not being able to control any of her emotions. How does he talk about Hyun-A? He has her at 70% affection yet shows a patronizing attitude—she's the one in denial at reality.

Now, how did we get here? How is a human so "delusional" and set in the control?

He's been conditioned.

Some of you don't know what I mean by this from experience and/or research, and count yourself fortunate that you don't. I pray you never experience such things firsthand. Don't worry about ignorance. Familiar or not, I will explain.

When you are surrounded by only one truth and reality, that is the way you interpret life. If a parent tells a child "the moon goes to sleep during the day," until the child learns otherwise, that's what they believe. Now take that child-like belief and add some toxic environments to the mix. With time, any other kid would learn that the earth rotates from their peers or adults around them. But if the creatures around them all say and believe the same thing "the moon goes to sleep during the day," then that is what the child continues to believe. Years of that same thing being the only truth make that false knowledge into a fact in the person's head, and everything that supports that fact is taken as truth or on the right path to truth.

"This is kinda silly though," you guys are no doubt murmuring, "All of this is a hypothetical. Give us something that makes sense or that someone could actually see happen in our society."

I'll give you my own experience then. My parents taught me that God is real. My parents taught me that I will be damned I do not follow the commandments of the scriptures. I didn't need to worry though. As long as I was obedient to the God who loved me and wanted what was best, I would be saved despite being born an awful sinful human. I was homeschooled, only interacted with people of similar beliefs, and taught that people too different from me in ideology or with radical beliefs against my own were trying to harm me and my family. I believed the people who raised me because why would people who love me lie to me? My task was simple. I needed to obey God and love everyone, especially them. Love meant giving up my entire being and living only as servant and sacrifice. After all, being selfless to the utmost was the greatest form of love.

Let's go back to Luka. His guardian, Herperu, when questioned about any surprises while training Luka, stated not only that he was the one who endured the "tough moments" but also that "(Luka) owes his success to me, and naturally, he should be grateful." This sentiment is echoed by Luka in his interview (shown on Patreon). My god, it's giving parents with disabled kids who brag on social media about how much trouble their kid is and how much they do for them. Sickening. This shows exactly what environment Luka has lived in though.

When you are manipulated into having something as your reality, everything else is fiction and delusion.

Let's review what exactly is Luka's reality.

Heperu is the one suffering if Luka has any difficulties being obedient.

Gratitude is what Herperu is owed because he goes through so much trouble to make Luka a star.

Love/care is shown by owning another's autonomy.

Emotions and bodily reactions exist, sure, but someone should be able to control them; and if they can't, someone should control those reactions for them.

Segyein are superior and the good ones for dealing with humans. Humans must be disciplined and shaped to how an segyein wants it to act to be considered deserving of this goodness.

(Luka)'s perfection is defined by his guardian.

Luka's life is directly connected to being the perfect performer. His guardian praises his abilities with the statement that no other pet human will ever be as perfect as him yet leaves an underlying threat saying that it will be no good if a pet is not trained properly. This has probably been mentally (if not physically) beaten into Luka's mind: his greatness doesn't stop him from being able to be disposed of. The human instinct to want to live has been explained to him as Heperu's wish for him to live and that has been further distorted as a duty to live for the stage he has been placed on.

Luka believes fully that there is a debt in play here. In his interview, he mentions repaying love. He thinks the relationship between fan and idol is completely normal, encouraged, and healthy. Performance is the most important thing. Being where he is is a privilege.

There's a chain here:

Heperu indoctrinated Luka into believing what he says is all true.

The guardian manipulated him easily to do what he wanted with his body and mind.

The years have been spent constantly conditioning Luka to be the god who encapsulated fantasies for the audience.

He is continually being groomed to exist for the entertainment and enjoyment of segyein.

Circle back to my first point of this post. Luka does not want to be freed. He doesn't know what freedom actually is. He sees freedom as either foolish denials of reality (and doesn't consider that actual freedom) or as controlling the song and stage when he performs (something he learned from Hyuna). He cannot want something he cannot understand. He cannot want freedom in the sense the fandom keeps speaking about.

It's funny. From the moment Luka was revealed to be hated by the fandom, I wanted to know why. Instead of digging and finding horrific deeds, I instead found a character who portrayed my own traumas and experiences. I instantly attached and delved deeply into learning about this thirty year old singer. Why does he express himself in a certain way? Where do we first see mention of him? Who does he have emotions towards? How was he trained? What makes Luka himself? I have past essays/replies to other's theories if you're interested, but in this one I got personal and didn't sugarcoat the facts. If the fandom can't handle deep thought, we shouldn't be discussing this incredibly profound and depth-filled web series.

As always, thank you for your time, and I hope my thoughts allowed you to open your mind to new things. Mostly, I hope you enjoyed them 🫶

[p3sephone]

My baby. (Dark! Ex! Wanda Maximoff x reader)

Prologue

Summary: you are Wanda's ex and you broke up with her a long time ago. Then Wanda decides it's a good idea to become your neighbor and take her baby back, one way or another.

Warnings: this is a dark! Serie about Wanda Maximoff that will contain dark themes such as violence, breaking in, non-con and similar stuff in the future chapters. Every chapter will have its own warnings to be safe. This is pure fiction and this character does not belong to me. Minors are NOT allowed, only +18. Any kind of interactions such as reblogs, comments or likes are much welcome and appreciated. 🤎

Prologue warnings: breaking inside, little use of magic.

"I'm home!" you exclaimed with a smile on your face, closing the door behind you. You were happy to be back, you had a wonderful surprise for your roommate. You were sure that she hadn't suspected anything, after all you hadn't mentioned anything in these weeks and you knew how difficult it was. You had lost count of how many gifts and surprises you had ruined because you often spoke before thinking out of excitement.

But this time you didn't think, as you walked briskly towards the living room. The lights were on, she was surely sitting there on the couch watching some movie. You were already anticipating the scene. Your smile quickly dropped as the gift bag slipped from your hand and fell to the floor. The personalized mug inside had surely broken into a thousand pieces, but that was now the least of your problems.

Your roommate was lying there, apparently asleep, but you knew that wasn't the case. Not when Wanda was sitting on the other side of the couch with her arms crossed, then looking straight into your eyes. She had a small smile on her face, sly and arrogant you would say, but you could see all the hatred hidden behind her eyes. You were together, as teenagers, a long time ago. Wanda had lost everything, you too: you had regained everything and left Wanda behind, and Wanda had lost what was left of her, left with total nothingness. Considering that you had left her too. Or at least, that was what Wanda thought; in reality, your version would have been very different from hers, but you weren't really sure she wanted to hear it and even less that she was interested. "What are you doing in my house?" your own cold tone surprised you. It was as if someone else was talking to you and you didn't know how your knees could still hold up. But Wanda wasn't stupid, she could feel how your heart was beating like crazy, this still allowed her to act arrogant. She stood up from your couch and walked over to your boyfriend’s sleeping form, approaching you and freely ignoring your question.

“Is this your house? Our apartment was better.” It was a suggestion, obviously. It wasn’t the first time Wanda had tried to make you change your mind and tell you that the two of you were meant to be together, and at first you believed it. The first, the second and even the third time. Then you finally realized that she would tell you anything and lie shamelessly just to have you back by her side and reduce you to an object again.

You had loved that woman, but it was over. And she had to understand that.

“No, this house is better, with my roommate who I sincerely hope will wake up soon.” You made a suggestion and she immediately took it, laughing in your face.

“She’ll be fine, I just put her to sleep... I wanted to be alone with you, I missed you.” she said playing with your hair, and you could almost see the sincerity in her now slightly sad face. But you couldn't fall for it again and you had certainly been through too much because of her.

"But I haven't missed you, Wanda. Get out of my house."

You had caught her attention now, her fingers slowly stopped playing with your hair finally letting it go. Now you saw the real Wanda. Her hateful gaze with a red aura was intensely scrutinizing you and you swore they could see much more than your eyes or your face. Her eyes immediately became clear again and Wanda gave you a sweet smile, waving her right hand and using her magic. You remembered what that magic had done to you, you still had the scars.

"I can also go out, after all we will see each other every day. It's a pleasure to meet you again, neighbor!" she teased you giggling, then walking out of your door without you even accompanying her. You stood there in shock, standing numb in the doorway to the living room, watching the front door close and then the couch, where your roommate was now starting to wake up.

The nightmare had begun again.

[technically-a-kiwi]

And so the cosmic AU story continues, this time focusing on the characters

So like I said on previous post, Peppino and The Noise are one of the many cosmic duos of the cosmic realm and have the immense responsability of watching over several universes, of course thankfully watching over universes isn't a full time job and both have a part time job in the cosmic realm.

Peppino continues his job as a pizzamaker, this time being completly free of debt and only doing it out of passion.

Technically, cosmic entities don't fuel from food so eating is not nececary .But they don't care, they love Peppino's pizzas and Peppino loves making pizzas so everybody wins

As for The Noise, he remains being a TV host, exept due to now being a cosmic entity, his chanel is now only broadcasted in the cosmic realm, on top of not being able to broadcast outside the cosmic realm, he isn't allowed to diverge into any other type of media like movies, comic series etc, to make sure his image doesn't slip pass the cosmic realm. And so by being a TV host that exclusively broadcasts in the cosmic realm, The Noise is litteraly the only source of entertainment you could possibly find in the entire realm.

If you dare say outloud that you dislike his show, The Noise will make sure you'll have an "actual reason" for you to dislike his show, if you know what I mean

Got nothin much to say now... Hum... Oh ! Yeah ! I haven't quite developed on our cosmic duo nor how they are as a cosmic entity have I ? Well better late then never right x) ?

For starters, Peppino.

As a cosmic entity, Peppino is (surprisingly) quite peaceful and mostly stays in his pizzeria in the cosmic realm, only interacting with his clients and occasionaly with Gustavo.

When first turning into a cosmic entity, it screwed him up quite a lot, not only did he have to process his actual death, he also had to process being in a whole new body with immense powers and brand new responsibilities he never asked for. This gave him a whole existencial crisis making him loose most of his sanity and making him into an even bigger lunatic then usual, thankfully overtime he reached to other cosmic entities who then helped him overcome his dread, slowly getting better control over his stress and bipolarity allowing to partially regain a sense of control and stability (yeah I know it's a little edgy but hey the whole AU itself is far-fetched so who cares at this point). Now he enjoys just taking things slow and appreciate the little things, such as making pizzas for others, taking naps in some deserted pastures and stargazing on top of his roof. He still has a long way to go to fully regain his sanity and stability, but the cosmic court considers his state is good enough to be handled the fate of several universes.

During his shift as a cosmic duo. Peppino is quite efficient, miraculously despite his stress and instability he always gets the job done, he does make mistakes here and there such as not being able to keep a low-profile at all or purposly exposing himself to others which is something cosmic entities must avoid at all cost.

Now bring The Noise

As a cosmic entity, The Noise is a freaking menace, fully embracing his new title of cosmic entity to mess up with people around the multiverse, using his new powers to satisfy his urge of being the ultimate prankster, one might say he his the Loki of the cosmic realm. He mostly gets away with anything he does due to the cosmic court being a huge fan of his show (much to every other cosmic entities displeasure).

When first turning into a cosmic entity, The Noise was confused on why he respawn with such a different look. As soon as he learned he had the powers of a cosmic entity, The Noise started pranking people around the multiverse, he seaked the title of ultimate prankster and for that neaded notoriety, thus The Noise's Nebula Show was born ! As time went on his channel became less of a prank channel and more of an entertaining channel. The Noise started doing other stuff on the side out of curiosity which he found quite pleasant and directly incorporated those things in his channel,slowly becoming more diversed and interesting, using his maniac and cocky nature to become the most charismatic, lively (and only) TV host the cosmic realm has ever seen. Due to The Noise originating from the same universe as cosmic Peppino, they got paired up to become a cosmic duo, much to The Noise's displeasure, it was hard enough to bear the existance of that potato looking head when he was in the same room as him, and now he has to WORK WITH HIM ? He knew such pairing would ultimatly lead to disaster, but he did it anyway, after all he's not gonna say no to having the front sit at seing Peppino's misery and struggles.

During his shift as a cosmic duo. The Noise barely does anything, he usualy stays in the back while smoking a cigar and lets Peppino do the job, he's not going to do any kind of rescuing, that would deteriorate his status of ultimate prankster! In the rare cases where his presence is absolutly needed, he solve the problem in the most ridiculous or incovinente way possible, usualy rushing it, he doesn't really care about others safety, as long as he get's the job done that's all that matters to him.

And here it is y'all ! Truly sorry if my sentences makes no sense whatsoever, I did this post very late at night like an idiot and I'm running out of water and motivation x)

Like the last post if you have any kind of question don't hesitate to ask me I'll be glad to answer all of them.

Now I'll give u some art I didn't know where to put in the post, enjoy

[yuujispinkhair]

Champagne & Sunshine

You're on vacation with Yuuji, sipping champagne and bathing in the sun. But the drink isn't the only thing you get drunk on. -> This is part of my Blog Anniversary Event (closed). @bleach-your-panties requested the song "Champagne & Sunshine" by PLVTINUM feat. Tarro.

Pairing: Yuuji x Reader (female) Genre: smut + fluff Word Count: 1.4k Warnings: 18+, alcohol, smut, dirty talk, oral, praise, creampie. All characters are of age. This story is 18+. Minors don't interact.

"That champagne tastes really good. I could get drunk on this!"

You smile at Yuuji over the rim of the champagne glass you are holding while lounging on the sun terrace of your beach resort. It's your first holiday with Yuuji, and both of you wanted something fancy.

Yuuji's eyes meet yours, sparkling golden, just like the champagne in your glass. A cheeky grin lifts his lips, and you already know he will say something dirty when he leans closer to you.

"Or you could get drunk on my cock, cutie. That drink makes me horny as fuck."

You know it's not just the white wine he is sipping. Yuuji and you have been all over each other since you arrived here. Far away from all the stress of everyday life and from all the people who disturb your alone time. Here in this fancy hotel, you just have to put a "do not disturb" sign on your door, and you can fuck the whole day. A fact that you make good use of.

Even now, here on the sun terrace, you can't keep your fingers off each other. Your hand lazily traces Yuuji's defined abs while drooling over how sexy he looks with all his muscles and tan skin on display. And his large hand keeps straying to your bikini-clad ass, squeezing it and leaning closer to whisper dirty things in your ear, how he wants you bouncing on his cock while he gives you creampie after creampie.

"Let's go to our room, princess. Maybe we'll find a place where we haven't fucked yet."

You have to run a bit to keep up with Yuuji's large steps as he pulls you along in his excitement to get you alone, his large hand wrapped tightly around your smaller one, his red swim trunks already tented with his growing erection, only barely covered by the baseball cap he holds before it.

You chuckle softly as you stumble after your sexy boyfriend, already creaming up at the thought of Yuuji's gorgeous fat cock for you to play with as much as you like.

The moment you enter your hotel room, Yuuji pushes you up against the wall, moaning loudly in your mouth as his lips capture yours in a hungry kiss while he presses his tall, buff body against you, his large hands grabbing your ass and lifting you up so easily as if you weigh nothing.

But you are just as hungry for him, wrapping your legs eagerly around his hips, gasping in delight when you feel Yuuji's hot, hard cock rub against your core through the thin layers of the swimming clothes. His abs and pecs press against your skin, hot and firm, making you want him so bad that you feel dizzy.

Yuuji's kisses taste like white wine and bubblegum, just like himself, sweet but with an underlying naughtiness that drives you insane in the best way. He licks deeply into your mouth, so sweet, so sexy.

You can feel his smile against your mouth when your hands wander over his broad muscular back and down to his firm ass to grab it and squeeze it while you press your body against him, caressing his tongue with yours, rubbing your horny pussy against him as if you are in heat, letting him feel how much you already soaked your bikini panties because of him.

And he moans, his hips bucking against you, always so honest about his attraction to you.

"Fuck, cutie, I can feel how wet you are! Need to see that pretty pussy and kiss it and fuck it and make it all sticky with my cum."

God, you love how shameless he is, how he just says whatever is on his mind, no matter how dirty it is. So in love with you and so horny for you.

"Damn, Yuuji... carry me to the bed, please hurry up, baby! Need your pretty mouth and your pretty cock!"

He answers you with a low moan as he tightens his strong arms around you and carries you towards the bed while you make out with open-mouthed French kisses.

But you never make it to the bed.

Yuuji stumbles over a pair of sneakers lying in the middle of the room, making both of you tumble to the ground, landing on the plush carpet right in front of the large bed.

You scream and laugh breathlessly at getting pressed down by Yuuji's heavy body, looking up at his boyish grin and the sparkle in his golden eyes when he asks,

"You ok, cutie?"

You nod,

"Yeah... you too, baby?"

He doesn't have to answer. His large hands tearing down your bikini top to free your tits is answer enough. His lips wrap around one nipple, sucking on it, making you moan and arch your back.

More kisses land on your tits. Yuuji's hot, velvety tongue laps at your erect nipples while golden eyes look up at you, driving you crazy. When he pulls away, there's a thin thread of spit still connecting his lips and your swollen nipple.

"Fuck, princess, I can't wait anymore. Need to fuck you right here on the floor, baby."

He moans and smiles at the same time as he pushes his red swim trunks down, freeing that wonderful, fat cock, so hard for you that he's leaking pearly pre-cum all over himself.

You barely have time to salivate over the sight in front of you, Yuuji's broad figure, his buff pecs, his flexed abs, and his gorgeous fat cock, before he grabs your bikini bottoms and pulls them down.

His warm lips follow your panties on their way down, kissing down your thighs and your calves, trailing his hot tongue over your skin before he throws the panties to the side and grabs your ass, pulling you towards him with one firm move, making you moan his name at how strong he is.

You sob loudly, tugging on his soft, pink hair, when Yuuji's pretty face presses between your spread legs, kissing and licking your hot wet pussy just like he said he would.

You taste yourself on his tongue when he kisses you again a moment later, deep and passionate, as he pushes his fat cock into you with one needy thrust and a loud moan.

Both of you can't hold back, unable to go slow here on the bedroom floor. It's a rough fuck, needy and dirty, both of you meeting each other's thrusts eagerly, moaning unashamedly in between hot kisses. Yuuji snaps his hips almost desperately, fucking you so good and so deep that you see stars anytime his fat cockhead rubs against your sweet spot.

Your fingers dig into the buff muscle of his broad back, your legs wrapped tightly around his hips as if needing him even closer when he is already balls-deep in you, pounding your pussy with his hard, needy thrusts. You can already feel your high approaching, getting fucked out of you by your eager, horny boyfriend, who always knows how to use his cock to make you fall apart.

"Fuck, baby! Yeah, yeah, like that, my sweet girl! Pussy getting so tight, ah ah fuck! Yeah, milk my cock, baby! Wanna give you all my cum!"

You don't know if it's his dirty talk or his fat cockhead pounding your sweet spot, but you cum so hard on Yuuji's gorgeous cock that you scream his name and shake under his muscular body, your pussy milking him so wildly that he cusses and cries out your name just as loud as you did with his.

You still pulse and clench around him as he fills you with his thick, hot cum, pumping you full of it, thread after sticky thread, giving you the creampie he promised you.

His heavy balls slap against your wet pussy, while you tug on his soft pink hair, moaning his name and thanking him for how good he fucked you.

Your lips move slower against each now, the heated kisses turning into a slow makeout session with whispered love confessions while Yuuji is still deep inside you, not caring that his cum is slowly seeping out around his fat cock, making a mess on the hotel carpet. He can clean that later.

"Hmm, that was fucking amazing, cutie. You wanna go back to the sun terrace now?"

You shake your head, tightening your legs around Yuuji's hips, trapping him right there on top of your body, biting your lip cheekily as you look up at your boyfriend.

"No, I don't want to go back yet. Let's take a shower together first, ok baby? Will you give me more, please, Yuu? I'm not drunk enough on your cock yet."

And Yuuji grins at you, pupils dilated and his strong cock already twitching again,

"Fuck... you're so damn fine, baby! Well, in that case, let me make sure you get so much of my cock you will have a hangover tomorrow."

WRITING THIS MADE ME FERAL!! Thank you so much for requesting this song!! Anytime I hear it, I think of dirty scenarios with Yuuji bae, so this was SO much fun to write!! I hope you enjoyed it too!!

Comments and reblogs would be sweet!!

[kamaluhkhan]

ours are the moments i play in the dark

pairing: conrad fisher x fem!reader

summary: you come back to cousins beach after a few years away. conrad is not particularly happy that you're back - and you aren't particularly thrilled, either. too bad there's a history (chemistry?) neither of you can deny.

warnings: ANGST (im so sorry in advance...); flashback is from conrad's POV and the rest is from reader's perspective; mentions of sex + losing virginities (nothing too detailed/graphic); reader has an ex who's referred to with gender neutral pronouns; reader and other characters drink alcohol (pomegranate margaritas ;) ); hints of alcoholism (reader's mother); jealous reader who's trying her best; pining conrad who's a bit of a jerk; reader and conrad fight A Lot (they will make up eventually i promise!!)

tags: @stargirlsirius-recs, @ifilwtmfc, @qwertyb2577, @allnrsnz, @baconeggndcheez, @peanutbelley, @imogen-skye, @geekinthefuschiahair, @tvije, @drikawinchester, @maybankslover, @junnniiieee07, @elcpsstuff, @fangirl-kimora, @redbierd, @starkeylover

a/n: thank you so much for all the love on my conrad series so far! i love these characters and writing their stories, and it means so much that others are enjoying reading my work. there is one more part left and i promise it will be happier so stay tuned :)) i haven't watched the last two episodes of season 2, but i'm planning on writing a bit for that, too!! thank you x infinity ♡

part one | part two

i lost a friend / like keys in a sofa / like a wallet in the backseat / like ice in the summer heat (finneas, "i lost a friend")

now — summer, age 18

“you know, you guys aren’t fooling anyone.”

“and what exactly do you mean by that, steven?” you challenge, taking another sip of your soda. 

it’s the fourth of july and susannah invited you over for her annual celebration. susannah always hosted fun parties, so you were more than happy to accept because it meant eating some good food, listening to an upbeat playlist, watching some fireworks, and just relaxing. essentially, susannah always delivered the best of summer, rolled into a carefully planned event. 

the sun was shining, and everyone was having a good time, including you — at least, until you saw conrad and nicole in the pool, engaging in some serious PDA. you immediately got out of the pool and went to sulk near the drink table, where you were happily alone until steven came over to join you.

“i’m just saying, man. you and con are definitely going out of your way to prove that you’re mad at each other,” steven explains. “but we all know how much you care about each other.”

steven is right about the first part: you and conrad had done your best to avoid each other since the incident at nicole’s party and its fallout. if you and jeremiah had planned to go surfing and he invited conrad, you would always back out at the last minute. if you were over at the fishers helping belly pick out an outfit for a date with cam, conrad would conveniently stay in his room. not to mention, any time the two of you did cross paths — which was rare, but jeremiah and belly were persistent in requesting that all five of you spend time together, like the old days, they would say — it resulted in meaningless, petty arguments. the two of you had always been competitive and very comfortable teasing each other, but the difference was that now, your interactions were no longer good-natured.

you thought steven, belly, and jeremiah hadn’t noticed, but you should have given them more credit. to anyone who knew you, it was pretty obvious that something was up between you and conrad, even if they didn’t know what exactly it was.

“there’s a thin line between love and hate. and right now you guys are that line.”

“thank you for your insight,” you say sarcastically. “be sure to include that in your college essay — i’m sure princeton would love to have you.”

steven rolls his eyes at you, just as nicole arrives at the drink table.

“hey guys,” she greets. she reaches over to grab two cans of peach iced tea before you stop her. 

“conrad’s allergic to peaches,” you say. “so you might wanna get him something else.”

nicole looks at you for a second before nodding and reaching for a can of sprite instead. 

“thanks,” she says as she walks away. 

once she’s gone, steven gives you a pointed look.

“what?” you scoff. 

steven just shakes his head. “love and hate,” he muses, leaving you to join his parents and shayla near the pool. 

you then decide to go inside briefly, where you find belly and jeremiah, pouring vodka into a blender.

“we’re making pomegranate margaritas!” belly exclaims, practically giddy. 

“well, you gotta use the good blender for that.” conrad seems to appear out of nowhere from behind you, instantly reaching for the aforementioned good blender and placing it on the counter.

you were already in a sour mood from seeing him with nicole earlier, but belly looks at you with hopeful eyes, and you remember what steven said earlier, so you mentally promise that you would play nice with conrad. you owe belly and the others that much after being absent for so long: a carefree summer, just like the ones you used to know. 

you imagine that jeremiah sent conrad a similar pleading look because, miraculously, you and conrad don’t argue with each other as you help mix pomegranate margaritas for everyone. you actually engage in playful banter and laugh at the other’s jokes. you even feel sorry for him when his father, who wasn’t supposed to be here, walks in. you can feel the good mood slipping, so you suggest heading to the beach for a change of scenery.

belly had invited cam and a few more girls who are doing the debutante thing with her, and with steven bringing shayla and conrad bringing nicole (which, you are totally fine with, of course, especially after a pomegranate margarita), you had a pretty solid party forming on the beach, away from the adults. 

of all people, belly suggests some drinking games. it’s all a blur of sand, laughter, and vodka spiked fruit juice. once you were all the perfect amount of tired and tipsy, the group settles down, and gigi suggests a different game.

“we should play truth or dare.”

“oh my gosh we should!” belly smiles, tapping your leg enthusiastically. “remember? we used to play it all the time!”

you smile back. “of course i do.” 

when you were kids, you, belly, steven, jeremiah, and conrad would play truth or dare any chance you got. it was never very serious, mostly goofy pranks and harmless questions. you had all grown up since then, and somewhere along the way, truth or dare had become less innocent than it used to be.

“y/n,” one of the debs — dara, if you remembered correctly — turns to you. it was the first time your name had been called, and in all honesty, you were perfectly happy just sitting back in the sun and sipping the rest of your drink. “truth or dare?” 

you choose truth, mostly to avoid having to get up from your very comfortable seat on the sand.

“are you a virgin?”

your mouth suddenly feels dry. you’re not ashamed of your answer, but it doesn’t help that you can see conrad glaring at you from the corner of your eye. you take another sip of your drink before answering. 

“um, not really.” 

“it’s yes or no question,” nicole says. 

“then my answer’s no,” you declare.

“what?” belly screeches. she sits up straighter to turn towards you, and in the process spills some pomegranate margarita on her dress. “i can’t believe you had sex and didn’t tell me? when? with who? what was it like?” her cheeks are slightly flushed. a sober belly would have likely asked you in private, or at the very least, not in front of people you barely knew. in that moment, you almost regret the pomegranate margaritas.

almost. because maybe it’s the silence and everyone’s expectant stares, or the adrenaline you feel from winning most of the drinking games, or the effects of the drinks themselves, but you convince yourself that it’s as good a time as any to tell the story. a sober you would have known to tread more carefully given the context; that would have been about three pomegranate margaritas ago, though. 

“it’s kind of a cliche story, honestly,” you start. “it happened last summer. it was raining that night, so we were hanging out in the back of my teammate’s van, just talking, and one thing led to another….we didn’t plan to do anything, but we got caught in the heat of the moment.” you choose your words carefully, deliberately avoiding eye contact with conrad.

“how was it though?” belly asks, leaning in closer.

you shrug. “a little awkward, i guess? neither of us had sex before then, and we were both figuring stuff out. like, he couldn’t open the condom wrapper because he was so flustered, so i had to help him. it was nice, though,” you admit. “when the rain cleared, we went out to stargaze and fell asleep on the beach.”

belly sighs. “so romantic.”

“you’re right about it being cliche,” steven laughs. he has an arm thrown around shayla, and uses the other to gesture towards conrad. “conrad, man, that sounds almost exactly like your first time.”

you feel your entire body heat up, and it's not because of the sun shining down on you. conrad’s gaze finally meets yours — for a split second only, but it’s enough for steven to notice. 

“holy shit! it all makes sense now!” steven exclaims, suddenly standing up.

jeremiah frowns, looking between you, conrad, and steven. “what makes sense?”

“i’ve been trying to figure out why y/n and conrad have been so weird around each other this summer, but it’s obvious now: they lost their virginities to each other. they had sex!”

nicole stiffens and narrows her eyes at conrad. “you told me you never hooked up with y/n.”

“well, that’s definitely not true.”

“belly,” you warn, looking over to conrad once more. his cheeks are turning red, and you imagine a storm brewing beneath his dark blue eyes. 

“i don’t know about last summer,” belly continues, completely oblivious to the tension building. “but i do know that they kissed at your party.”

“i knew it,” nicole scoffs, pushing away from conrad. “i knew it.” with one last poisonous glare towards conrad, she storms off.

conrad sends you an equally poisonous look before chasing after her. the party dissolves shortly after.

feeling defeated, you lie back in the sand, close your eyes, and let the sun shine down on you once more, taking deep breaths to slow down your heart rate.

call it karma or a cruel twist of fate or just a really shitty coincidence, but you’re finally the one left alone on the beach.

then — summer, age 17

conrad was more than a little surprised to see your name appear on his phone. it wasn't like you were completely off the grid — you texted, though infrequently, and followed each other on socials. he scrolled through his instagram feed and saw the occasional picture of you wearing a costume at a halloween party or sipping hot chocolate on a snowy day. photos that never quite fit the image he had of you in his mind: in cutoff denim shorts and a swimsuit and layers of sunscreen, with sand in your hair and popsicle stains on your lips.

“hey,” he answered after only three rings. 

"hey fisher, any friday night plans?"

he told you he was working on his college essay.

“homework on a friday night in the middle of summer,” you tsked. “i never realized how much of a nerd you are.”

conrad laughed. “i mean, that’s on you for just realizing that.”

 “fair enough,” you hummed, and conrad could practically hear your smile through the phone. “if you’re in the mood for something more fun, look out your window.”

conrad wasn’t quite sure what to expect, but you standing in the driveway of his summer house was pretty low on the list. you waved at him frantically, telling him to hurry up and open his window.

he was still in awe as you climbed through. conrad tried to memorize the image of you then and there, standing in front of him in his bedroom: wearing dolphin shorts and a light jacket, with chipped turquoise nail polish and a bright smile.

"you drove all the way here?" 

"well, they haven't cracked the science behind teleportation yet," you say playfully. "so i didn't have many options."

"i can't believe you're here," conrad smiled, and that’s when you finally hugged him. he held on tightly, afraid you would leave at any moment if he let go. you smelled the same, like chlorine and vanilla sugar.

once you broke away from the hug, you pointed towards something behind him, pinned to his bulletin board. conrad followed your gaze and felt his cheeks heat up.

“i missed you, too, connie,” you teased, eyes lingering on the newspaper clipping of your swim team making it to nationals thanks to your record time. 

“mom showed it to me,” he explained, the smile on your face making his heart beat out of his chest. “she’s so proud of her little mermaid.”

your smile fell, just a bit, but enough for conrad to notice a shift in your mood. you always did a good job at hiding the weight of the world on your shoulders, at least around the others. not so much around him.

you sighed and sat down on his bed. “you know, after that swim meet, my dad lectured me about not being fast enough,” you explained. “winning by only a millisecond apparently wasn’t enough to impress college scouts, at least according to him.”

“your dad’s a jerk,” conrad said instantly. he sat down next to you. “and an idiot, if he can’t see how amazing you are.”

“thanks, connie,” you whispered. it looked like you were going to say more; instead, you picked up his laptop. “wow, you weren’t kidding when you said you were working on your college essay. you really are a nerd.”

“shut up,” conrad laughed, nudging you with his shoulder and trying to grab the laptop from you.

you nudged him back. “it’s a compliment! schools go crazy for trust fund nerds.”

“yeah, yeah.” conrad waved you off. “so, you’re in cousins for the summer?”

all you did was smile softly and close the laptop, finally handing it back to him.

conrad’s heart burst with joy. because not only were you there — finally there, after all that time away — but you were staying. his mom would always muse about summers in cousins being magical, but conrad didn’t quite believe her until you were gone and he felt that magic fade away. 

“do you wanna go downstairs? belly’s watching it happened one night with my mom and laurel.”

“as much as i love susannah’s favourite movie,” you started, and conrad’s heart soared again at you remembering his mom’s favourite movie. “i thought maybe it could just be the two of us tonight? maybe we could go for a drive.”

that’s how the two of you ended up at mermaid grove — a secluded stretch of beach about an hour away from your houses. it was near the mall your mothers sometimes went to, and during one of those excursions when you were young, all the kids wandered off and found it. the only time you’d been there was during the day and with jeremiah, belly, steven, and your siblings, so it felt different then, at night with just the two of you.

it started raining on the drive over — which only took 45 minutes without traffic — so you were hanging out in the back of your van. the van actually belonged to one of your teammate’s cousin who was somewhat of a hippie, you said, which explained the smell of weed and bohemian decor — battery powered rainbow fairy lights, colourful pillows, an elaborately patterned tapestry. the space was definitely intimate, or maybe it felt that way because you and conrad were sitting as close as possible to each other, shoulders touching and one of your legs tangled with his. he was scrolling through the pictures on your phone of your last swim meet in california, where you'd gotten the chance to visit stanford, while you were peeling an orange. 

"you would love it there, connie,” you gushed. you dug your fingers into the orange peel, and the smell of citrus started to fill the air. “the beaches are beautiful and the waves are amazing. it’s like, always summer.” 

conrad sometimes felt like summer was the only season of the year that he was truly awake, truly living. everything else felt like a dream, one that he would always describe to you in mundane detail; conrad even kept a small journal throughout the year, writing things down that he needed to tell you once you reunited every june. but one journal had turned to two, almost three, and conrad was trying really hard to not resent you for that.

“anyways, i think i’m going to apply in the fall.”

conrad stopped scrolling through your phone, pausing at a picture you had taken of a lemon tree. “doesn’t your dad have princeton lined up?”

“you make it sound like he bought my way in, when it was actually hours and hours and hours of training to get that scholarship. on the national best swim team.” you mimicked your father’s patronising tone for that last part; conrad hadn’t seen him in years, and he could still recognize it. 

“you’re right, though. my dad would flip his shit. even if i got in with a scholarship, it’s so far away and i have the twins to look after, but a girl can dream, right?”

“i feel that,” conrad assured. you gave him a sad smile, knowing that his dad was as intense about football as yours was about swimming. the worst part was that you both loved your respective sports, until they became a burden. you both had other burdens to deal with, too, when it came to your families. 

“in an ideal world, the two of us wouldn’t have to worry about anything else. we’d live in a place by the beach, surf every day, and hang out in the sun while sipping ice-cold, fresh lemonade.” just like we used to, conrad added in his head.

“in an ideal world,” you agreed. “we’d also adopt four dogs, each named after one of the beatles. you can teach them how to play the guitar.”

conrad laughed. “if i couldn’t teach you, there is no way i can teach one dog, let alone four.”

“well, they wouldn’t get distracted by your dreamy blue eyes like i did.” you winked at conrad, and handed him the freshly peeled orange before he even had time to blush.

“take it,” he protested. “you drove all this way — you should eat something.”

you shook your head and placed the orange in his hand before you pulled out another fruit from your bag. “i picked some of these up on the way here — best peaches on the east coast.” you took a big bite. “remember the summer we found out that you had a mild peach allergy?” you asked, juice dripping down your chin. you wiped it with the sleeve of the varsity jacket you wore.

conrad laughed at the memory. belly and steven had brought back candy from their trip to toronto. conrad practically inhaled an entire bag of fuzzy peaches, and didn’t realize that they weren’t supposed to make your mouth itchy — the “fuzzy” part wasn’t literal. that felt like so long ago, but there you and conrad were, settling back into each other like no time had passed.

as the night grew darker, you and conrad shifted closer to each other. conrad ate orange slice after orange slice as you devoured your peach, all while looking through the photos on your phone. you’d occasionally interject with a short story or comment, and there were still raindrops falling on the roof, but for the most part, there was nothing but a comfortable silence between you. 

you moved to wrap the orange peel and peach pit in a napkin, just as conrad swiped onto a photo of someone kissing your cheek.

“who’s that?”

you leaned over to check. “oh. that’s sam.”

“are you dating?” conrad asked, trying to seem casual about it. just a friend asking another friend about their romantic situation. as a friend. 

“we were,” you explained, sitting back next to him. “they broke up with me a few months ago.”

conrad sighed in relief, which he hoped you didn’t notice. “sorry.”

you shrugged. “it’s fine. apparently i’m emotionally distant.”

that wasn’t much of a surprise to conrad. sam might have been an idiot for breaking up with you, but they were spot on with the emotionally distant part. out of all the time you’d known each other, conrad had only seen you cry once, maybe twice. you were usually the one wiping away tears and putting on a brave face, inadvertently, or maybe purposefully, hiding your own vulnerability. 

still, that wasn’t something conrad was about to stir up.

“what? you?” he joked instead.

“shut up,” you said, rolling your eyes, but the wry smile on your face gave you away. “how about you? broke any hearts this past year?”

conrad thought for a moment. there was aubrey, who his football teammate said had a major crush on him. they had been texting for a while now, and were on the edge of maybe becoming something. but then, there you were, stirring up feelings conrad had long buried — or, at least, tried to. if part of his head was always in summer, then part of his heart always belonged to you. 

“no.”

“got your heart broken?”

he thought back to a few weeks ago, when he ran into your mom at the grocery store, and she said you wouldn’t be coming to cousins again that summer. you hadn’t spoken at all to each other for a month or two before that.

“no,” he lied.

you hummed, and took your phone away from him. 

“wanna hear something trippy?” you asked suddenly. you always had a knack for changing the course of a conversation to where you wanted it to go.

“what?”

“well, since it takes a while for light from space to reach us, when we stargaze, we’re actually looking back in time. like, the star that’s closest to earth — other than the sun — is four light years away. or is it five?” you paused. “anyways, if the sky was clear and we could see that star, it would mean we’d actually be looking at that star from summer, five years ago.”

“very trippy,” conrad agreed. “it’s like a cosmic time machine.”

you hummed. “do you ever wonder what our past selves back then, at like 12 or 13, would think of us now? i think about those summers and how magical they felt.” 

magical. you turned to smile at him softly, and conrad couldn't help but agree.

“i always thought you’d be my first kiss,” you whispered. 

that threw conrad off guard, and it took him a few seconds to regain balance. the van suddenly felt too small and the lingering scent of fruit shared between you two, mixed with the familiar smell of chlorine and vanilla from how close you were sitting to him, became overwhelming. his heart was beating out of his chest — not because he didn’t feel the same way, but because he did.

conrad knew what his 13 year old self would think of him now: he’d be up in arms over his awkward pause, screaming to finally tell you how he felt then, and how those feelings hadn’t really left. how you made him feel safe, excited, confused and angry. how there was a space in his heart just for you, and it was painfully empty when you left, but now that you’re there again —

“sorry,” you said, cutting through the silence. you subtly shifted away from conrad. “i didn’t mean to make things weird.”

“you didn’t,” conrad answered instantly. he registered how you were now slightly hunched over and brought your knees to your chest, how you bit your lip and avoided eye contact — a few hints that you felt uncomfortable, deflated even at his lack of response. 

so, he moved closer to you and gently placed a hand on your knee. 

“you didn’t make things weird,” conrad assured once more. you were brave, he decided: for a lot of things you did, but right then for being so honest, so vulnerable. it inspired him to do the same. “i mean, this might make things weird, but i always thought you’d be my first…you know. at least, ever since i knew what sex even was.”

you finally turned towards him, your lips slightly parted. 

“yeah,” you breathed. “me too.”

conrad’s eyes flicked to your lips, then back to your eyes. 

“do you still want to —”

“yes. i - i mean, no pressure, but if you still want to —”

“i do.”

you smiled then and conrad felt himself do the same. 

when you kissed for the first time, it was like rainclouds parted and the stars came out, shining bright in infinite darkness. the two of you became tangled up in each other: you sat in his lap, legs on either side of his waist, your chests pressed together and your fingers tangled in his hair, which drove him crazy. conrad let his hands explore your body, gently grazing the skin under your shirt. his lips tingled from the remnants of peach juice on yours, but he kept kissing you. 

it was awkward and exhilarating at the same time. you asked each other if what you were doing felt good and right and were slightly embarrassed if the answer was no, but still adjusted if needed. at one point, conrad was fumbling with the condom wrapper and you had to open it with your teeth; he jokingly pointed out how you used to do the same with packs of sour patch kids and you giggled before kissing him again.

the two of you lay down on the floor once you were done. your head rested on conrad’s chest and he had his arm around you, idly tracing shapes on your skin with his fingertips. he craned his neck down to look at you.

even in the dim lighting and after years apart, you looked the same. even if you’d never been that close before, at least not in the same way you had just been, you felt familiar. 

you tilted you head towards him and smiled. 

“what?” 

there was something about the way you looked at him that still made him blush, and conrad hoped that with the lack of bright light, you wouldn’t notice. 

“sounds like the rain stopped,” he said. “wanna go stargazing?”

it was slightly chilly, so you let conrad borrow your varsity jacket, even if it didn’t fit perfectly. the sky was clear and full of stars. you spent the rest of the night there together, on the beach. 

in the morning, conrad woke up before you. he watched as you took slow, deep breaths with your eyes still closed. you looked so peaceful — until the sound of your alarm prompted you to wake up.

“shit,” you exhaled, your eyes wide once you noticed the sun had risen. “what time is it?” 

you searched frantically for your phone, only to find it right next to you.

“shit,” you repeated once you checked the time. you stood up right away, sand kicking from underneath your feet. “this is bad.”

“what —”

conrad didn’t have time to even ask you what was wrong because you bolted to the van. he followed you.

“what’s wrong?”

you looked at conrad, brows furrowed. “i have to go. i don’t want to leave you, but i have to go.”

“it’s okay,” conrad reassured. he stepped closer to you and placed a hand on your cheek. “i’ll be here when you get back.”

“i’m…” you step away from him. “i’m not coming back.”

“what do you mean?” he tried to steady his voice, but a dangerous mix of hurt and anger threatened to wash over him. conrad’s heart dropped, knowing all too well what was likely coming next, but he hoped, wished, that it wouldn’t be like before.

“i’ve got a swim meet in boston,” you exhaled. “but i can drive you home on my way there.”

“you’ll come back to cousins after,” conrad declared, as if saying it out could change what would happen next. “you said you’d be here for the summer.” 

you shrugged, stumbling over your words. “technically, i didn’t say that. you just assumed and — ”

“and you wanted me to believe it, right?”

you closed your eyes and took a deep breath. “just — let me drive you home, connie.”

the use of his childhood nickname — the one he secretly despised, except when it came from you — was what made him snap.

“i should have known,” he snarled. “god, i should have known. you don’t care about me, about us. swimming over everything, right?”

“that’s not true.” your eyes opened, but you still wouldn’t meet his gaze. “i do care, but you know the pressure i’m under —”

“fine. you want to talk about pressure?” conrad laughed, bitterly, all his frustration bleeding out and pooling at your feet. “my mom had cancer, and you couldn’t even be there for me. texts and phone calls only do so much when you’re watching the woman who raised you wither away to nothing.”

your eyes softened slightly, finally looking at him. you took a step forward, but conrad took another two back. 

“conrad —”

 “no. don’t,” he snapped, making you stop. “why did you even come here?”

“i was close by and…” you paused. “i guess i just needed to come back, even just for a bit.” 

"figures," conrad scoffed. “you only care when it’s convenient.” 

“that’s not true,” you repeated. 

conrad waited a second for you say something more, but you didn’t. 

“well, i’m really glad you got what you needed,” he mocked. “tell me, does nostalgia and sex help you swim faster? impress college scouts? make daddy proud of you?” 

you stiffened slightly. “don’t be an asshole.”

“no, no. congratulations!” he clapped to emphasize his point. “i’m so glad i could help you! guess you just needed a quick fuck before your big competition for some good luck. hope it works out in your favour.”

there was so much venom laced in his words, and he could tell you noticed. you looked at him like he was a stranger. 

“fuck you,” you finally said. your voice was shaking slightly and it looked like tears were forming in your eyes. “you can walk home, for all i care.” 

without another word, you got into the car and drove away. conrad watched your car become smaller in the distance as he stood alone at the beach, wearing your jacket and replaying every word he said.

now 

it’s hours after susannah’s fourth of july celebration. the adrenaline and alcohol from early wore off, and you’re sitting on your front porch, sipping tea from your favourite mug. you were hoping to relax, but the sight of conrad fisher storming up to you threatens that.

“where do you get off, saying what you did earlier?” 

even under the low light of the porch, you can see that his face is red with anger. he came here to argue, but you’re too tired to really care.

“well, shit, conrad,” you sigh. “don’t blame me. blame — blame truth or dare and pomegranate margaritas and steven for being so goddamn perceptive.” 

“you lied,” he accuses, crossing his arms. “you said you didn’t tell belly about us kissing at nicole’s party.”

“at least i didn’t lie to my girlfriend,” you point out, your voice dull from exhaustion. conrad is momentarily at a loss for words, furrowing his brow even further, so you decide to steer the conversation in another direction — away. “look, i just had to pick up my drunk mother from the bar, so i’m really not in the mood for this conversation.”

you move to leave, but conrad grabs your left wrist before you reach the door. the sudden action startles you, and you release the mug you were holding in your right hand. it falls to the ground, the break clean, and the rest of your tea spills onto the porch. you exhale sharply, turning back to face conrad.

“i don’t care,” he snaps. “you fucked up earlier today. you never should have mentioned that night. talking about it like it actually meant something to you.”

“you know what, conrad? maybe it’s hard for you to believe, but that night actually meant something to me.” you laugh bitterly, feeling more awake than before. “and, yeah, now i’ve spent so much time regretting it. because maybe i hoped that we’d start dating, but even if that didn’t happen, i never expected to lose my best friend.”

conrad rolls his eyes. “i don’t know how you can stand there and call me your best friend. best friends don’t leave each other —”

“fine, i did leave,” you interrupt. your voice is slightly raised, and you can’t help but feel a new rush of adrenaline flowing through your veins. the fact that conrad is standing in front of you, suggesting that you were the one to blame for the hostility between you — that made you frustrated, angry, even. 

“i had other shit going on,” you continue. “and maybe i didn’t handle the situation well at first — that’s on me, sure. but i wasn’t the one who ignored texts and sent calls straight to voicemails. i’m not the one who’s spending the summer avoiding everyone who knows them because they’re too scared of others finding out the truth. i don’t know who you are this summer, but i know the real you, conrad.”

“no, you don’t.”

by now, you’ve walked closer, standing only a few inches in front of him. if you reached out, you’d be able to brush the bangs away from his forehead, but you don’t. 

“i do know you,” you assert. “in fact, i hate how much i know you. i know that “yesterday” by the beatles is your favourite song, and the first one you learned on the guitar. i know that you’re crazy good at chess, but let jeremiah win sometimes when your dad is watching. i know that you love playing football, but hate that you’re expected to play it. i know that i hurt you last year, so you had to ignore me because that was easier than admitting how you really feel because — because you’re scared.” 

“you’re wrong.” conrad stares at you, his gaze heavy on yours. 

you shake your head. “i know that you didn’t tell anyone about what happened between us because it meant something to you. and that really scares you, too.” 

“you’re…you’re wrong.” conrad’s voice wavers a bit, his eyes soften ever so slightly, and you know you’ve struck a chord. 

“i’m not,” you say. “and, honestly? i’m so fucking tired of waiting for you to realize that. i don’t care anymore. whatever was between us during all those summers, it's obviously not here anymore."

“you’re wrong,” he’s like a broken record, stuck on the same lyric. 

"stop blaming me for fucking this up," you continue. "it's your mess, too, conrad. and i’m so fucking tired."

it’s late, and it’s dark, and you can’t bring yourself to stay here anymore. without saying anything else, you step over the broken porcelain of your favourite mug and into your house, leaving conrad alone on your poorly lit porch.

when the sun rises and you go outside in the morning, the pieces are gone. 

[befuddledcinnamonroll]

So with some of the takes I've been seeing in the Wandee Goodday tag, I wanted to share my perspective.

Just to note - I firmly believe art is subjective and what we see can vary a great deal based on our own perspectives and lived experiences. I'm not calling anyone wrong, I'm just saying this is my personal take on things. (I feel like this should be obvious, but nuance is so often lost online).

And my main goal with watching QL is fun and escapism. I'm here to have a good time. I tend to go with the flow, I like imperfect characters (I even like the fucked-up ones), and I trust the characterization and plot elements to be doing what they need to do until a problem shows within the narrative itself.

Ok, disclaimers done - here's my take on Dee & Yak's interactions around the fake dating idea.

I think all of their interactions are deeply affected by the degree to which they have already developed genuine feelings for each other, but are not yet in a place to admit it, even to themselves.

Do I think Yak has real concerns about being out as a boxer trying to hit a career high? Absolutely. But I think his quick jump to a "let's end this" reaction was mostly a kneejerk attempt to protect himself for what he felt when Dee, the man he is already emotionally connected to, and desperately wants to be able to kiss, dropped a request for fake dating over a real deepening of their relationship.

We don't yet know the level of societal homophobia this show is aiming for, BL land can go many different ways with this, but considering his brother's openness in the gym that he owns, training boxers, there is a tone being set. Yak literally holds hands with Dee in the middle of the street. He doesn't panic when people recognize him at the hospital. This may change, but I'm going to trust the signposts that his career concerns are valid, yes, but are not the dominant issue between them.

Similarly, is Dee competitive and overly focused on winning? Clearly. It's set up in his earlier conversation with Yak for a reason. But at the same time, his insistence that it has to be Yak is not just about his need to win - again, this is about genuine feeling. He wants Yak. This is a way to get Yak, and to frame it to himself in a way that feels less scary and vulnerable, especially after being hurt by Ter.

I know a lot of people saw Dee as being pushy. I do agree with that, and yes it is going to cause more issues for them in the future. But I wish more people also saw Yak holding firm to his boundaries and refusing to give in to the immature behavior from Dee, showing why he's such a good partner for Dee.

And sure, we haven't seen Dee support Yak as much so far, but the scene with the mother and child wasn't there just for kicks. Dee is empathetic and caring, and that will be important in his relationship with Yak as well. He is there for people when things are at their worst.

Some people see Dee on the bridge as being manipulative.

I saw Dee as finally cutting out the toddler shit and being emotionally real about why he's taking the scholarship too seriously, how sensitive he is to what people think of him, why Yak is someone he trusts implicitly, and how he knows it's not Yak's problem and it isn't fair to expect him to fix it.

Some people see Yak as finally agreeing to fake date as showing he is weak to emotional manipulation.

I see a man who has more agency than that. I see a man who is affected by seeing genuine vulnerability both because of how caring he is as an individual, and because of how much he wants a real emotional connection to Dee. And eyes-open, he makes a choice.

These are two characters who have never just been friends with benefits from the beginning. And the narrative has never been about what they are saying. It's about what they are feeling.

[zionworkzs]

Alright, let's talk about this scene in S1 Ep3:

Let's take this line by line, shall we? I added in some stage directions so we can see the acting choices alongside the dialogue (because this scene!!! this scene!! there is so much unsaid and communicated via body language).

*Crowley gets into his car and Aziraphale miracles inside*

C: *surprised*

C: What are you doing here?

A: I needed a word with you.

C: What?

A: I work in Soho. I hear things. I hear that you're setting up a...

A: *looks at Crowley*

A: caper. To rob a church.

C: *looks away from Aziraphale*

A: *concerned* Crowley, it's too dangerous. Holy Water won't just kill your body, it will destroy you completely.

C: *annoyed* You told me what you think. 105 years ago.

A: And I haven't changed my mind. But I can't have you risking your life. Not even for something dangerous. So... *pulls out thermos* you can call off the robbery.

C: *looking at Aziraphale, clearly surprised*

A: Don't go unscrewing the cap.

A: *not looking at Crowley anymore*

C: *looking between the thermos and Aziraphale* It's the real thing?

A: The holiest.

C: *attention fully on Aziraphale now* After everything you said?

A: *nods, still not looking at Crowley*

C: Should I say thank you?

C: *still looking at Aziraphale*

A: *pointedly NOT looking at Crowley*

A: Better not.

C: Well, can I drop you anywhere?

A: No. Thank you.

A: *briefly glancing at Crowley*

A: Don't look so disappointed.

A: *looking away again*

A: Perhaps one day we could, I don't know. Go for a picnic.

A: *looking at Crowley now*

A: Dine at the Ritz.

C: I'll give you a lift. Anywhere you want to go.

*silence, and the longest amount of time Aziraphale looks at Crowley this whole scene*

A: You go too fast for me, Crowley.

*both looking at each other for a beat before Aziraphale exits*

OKAY SO HOLY HECK

I feel like this scene gets boiled down to THAT line we all remember (and we'll get there), but I feel like the whole scene and the context is so so important if we want to understand THAT line.

So the background info:

1862 AD - London, St James Park: Crowley asks for holy water.

1941 AD - London: Aziraphale meets with Nazi agents inside a church. Crowley swoops in to save the day (and the books). We have the magic show and the lovely candelit dinner afterwards.

This scene takes place in 1967 in Soho, London presumably.

So, since 1862 when Crowley first asks, Aziraphale has been thinking about this request of his. Aziraphale presumes in 1862 that Crowley wants the Holy Water as a "suicide pill," and Crowley never corrects this assumption.

So, Aziraphale is under the impression that in 1967 he is giving Crowley a tool to use for his own destruction, if it comes to that.

He goes against Heaven and, from our understanding, steals Holy Water so he can give it to Crowley.

The implications of this are DEEP and COMPLEX. Because this is the FIRST time we see Aziraphale directly go against Heaven without any kind of moral out. He isn't saving Job's children. He's literally defying Heaven to protect Crowley from doing something stupid.

It's a purely selfish action that directly goes against Heaven.

This is HUGE for his character. And as I've talked about a bit in this post, I think by this point, Aziraphale was fully aware he was in love with Crowley.

This, THIS, is proof of his devotion to Crowley. Going against Heaven overtly to supply him with something he believes Crowley will use to end himself.

You can see Aziraphale's guilt and concern in this scene simply through how he choses when to look at Crowley and when to not (michael sheen, I'm in ur walls).

He looks at Crowley concerned when he talks about the church heist. He says as such. That he thinks it's too dangerous. He pointedly DOESN'T look at Crowley once he hands over the Holy Water. Like he can't bring himself to come to terms with what he's done. (Looking out for the person he loves by giving them a means of their own destruction.)

And this little interaction:

C: Should I say thank you? C: *looking at Aziraphale* A: *pointedly NOT looking at Crowley* A: Better not.

He doesn't want Crowley to thank him for what he perceives to be a sin. For giving him the ability to end himself. It hurts Aziraphale to think about. I think, even being in the car near Crowley hurts Aziraphale then.

Then we get the exchange at the end.

Crowley offering to drop Aziraphale off, which the angel denies.

Aziraphale clearly reading Crowley's disappointment and offering a fantasy of the future he doesn't believe they have in an attempt to cheer the demon up.

A: Perhaps one day we could, I don't know. Go for a picnic. A: *looking at Crowley now* A: Dine at the Ritz.

He looks at Crowley for the briefest of moments when he says "dine at the Ritz."

These things that Aziraphale is offering are normal, human pastimes. Nothing grand or overtly romantic. Just, a picnic. Dinner. It goes to show us how deeply Aziraphale loves humanity and recognizes that same love in Crowley (even if their love presents itself in different ways).

He's saying: one day, when I'm not me, and you're not you, we can do the things humans do. We can be simple.

And then, of course:

C: I'll give you a lift. Anywhere you want to go.

Crowley says this line almost desperately. He wants to stay in this moment. He wants to draw it out. This moment where this angel he's befriended cares for him so deeply that he'd risk everything.

I haven't talked much about Crowley in this scene because at this point in their relationship, and I know this is controversial, I don't think Crowley is in love with Aziraphale here.

I talked about it in the aforementioned post, but it's my interpretation of Crowley's character to be naturally distrusting of others. Which makes sense given his history.

I don't think he's in love with Aziraphale in 1967.

But I think he recognizes Aziraphale's love for him, even if only for the briefest moment. He sees Aziraphale's willingness to save Crowley from himself and knows that there is something there.

But he is SCARED. Big scared. And he doesn't know how to deal with the influx of information being presented to him.

And I think he reads between the lines of Aziraphale's words. He hears Aziraphale say: one day, when I'm not me, and you're not you...

I'll give you a lift. Anywhere you want to go. Is Crowley saying: You're saying we have to be different people, but we don't. I can take you right now to a picnic, to the Ritz. Nothing has to change. We can be us.

And Aziraphale says:

A: You go too fast for me, Crowley.

You go too fast for me, you treat life like a speedrun to get to the good parts. Hell, Crowley slept through the 19th century because he wanted time to move forward. Aziraphale recognizes this. He's in love with this demon who won't slow down and appreciate the mundane, human things that Aziraphale treasures. He goes too fast. He never settles down.

And I think this is a gross misunderstanding of Crowley's character on Aziraphale's part. He thinks Crowley is too fast and never settles down. Changes his hair, his clothes, his accent. But the clothes and the hair are all set dressings to Crowley. They are distractions from how set in his ways he truly is.

Crowley is s l o w to everything.

So slow that it scares the shit out of him and he overcompensates by re-inventing his image every chance he gets. He wants to blend in with his surroundings so he can be just like everybody else.

It's a deep self-hatred most likely instilled in him since before his Fall. He was not good enough for Heaven. He isn't bad enough for Hell. He can't even pass as a human because of his eyes. He doesn't fit anywhere.

So he could never fit with Aziraphale.

He doesn't even see it as an option.

Not yet, anyway.

Aziraphale misunderstands this as Crowley being unable to take time and care and put work into things that truly matter. Aziraphale thinks that they can't be together because they are too different. No matter how much he loves Crowley, Crowley is, and will always be, just a few steps ahead of him. He will always be just out of reach.

This scene is Aziraphale's confession and subsequent realization that they can never work.

This scene is Crowley understanding Aziraphale's feelings and his inability to process his own.

This scene is devastating. Because it's another miscommunication. It's a clear example of how these two understand each other, and, even after 6000 years, don't understand each other.

[merchantziro]

DP x DC: Superboy Prime

You know, I'm surprised I haven't found even a good few fics/prompts that involve a certain character. Cause in a DP X DC setting he has untapped potential for interactions depending on how you wanna handle him.

Namely the one and only, Superboy Prime

Like his entire deal is that he's meant to be from Earth Prime, our world (or a world extremely similar to our world where DC is fictional and such). There is so much people could do with that element of his character alone.

I've seen some prompts touch upon Danny Phantom being a fictional in DC and vice versa, but the shenanigans of Danny Phantom as a show on Earth Prime? Here's some examples of what one can do...

Superboy Prime sees Danny and the characters from that show as some type of anomaly or something that exists in DC for unknown reasons and tries to eliminate Danny.

Superboy is aware of Danny Phantom and may be a fan of the show, and further may or may be a part of the Phandom.

If you wanna play Danny being from a different universe than DC, Superboy can realize the greater scope of the multiverse beyond DC and have so many other worlds to do whatever with.

There's a future version of Superboy who was apparently one of the identities of Time Trapper so you could do something with him and Dan.

Superboy Prime did become redeemed after sacrificing himself against The Darkest Knight, maybe instead of him waking up back on Earth Prime where nobody is aware of his exploits unlike before when he was last sent home... He awakens in the Ghost Zone instead.

Alternatively you can do something with Redeemed Prime and Redeemed Dan with them bonding over trying to make up for all the destruction they've caused in their lives.

I get he doesn't have the greatest reputation and is at worst just a needlessly overpowered but somewhat shallow representation of an angry comic book fanboy, but I still like him for his concept regardless of execution and think he could be interesting to play around with in a DPxDC setting. Especially Post-Redemption as of Death Metal there is so much people can do with him and Earth Prime in general.

[coffee-with-mint-syrup]

The case of live-action atla zutara.

First of all, the scarf scene. I won't be repeating myself, here are some main points - there was absolutely no reason for Zuko to act the way he did and for the scene to be shot this dramatically. Even if they did the shipbaiting in this scene - it means there's a ship which is much more than live-action kataang has at this point. Also I don't really think these guys are shipbaiting type but that's just the impression I got.

Then - the second obvious one - Oma and Shu's visuals. We have star-crossed lovers from two towns at war, basically the local equivalent of Romeo and Juliet (as in legendary lovers who are known above all for their love) wearing coincidentally colors that are primarily associated with two of our characters (who shared this dramatically shot scene in the previous episode).

And I know, it may seem so insignificant - but but but but! - you have to think about this. Of course there are creators, writers and showrunners that are unaware of some non-canon ships or don't care about them. But it's not the case for atla. No, creators of atla were so aware of zutara - they wrote a parody scene in a in-world trashy play to mock this fan pairing and it still proved absolutely nothing and just gave zutara more content. The creators and writers of this adaptation clearly had the discussion "what we should do with kataang" - because there is no trace of kataang in the 1st season. So it was a conscious decision to omit that - but where would the romantic subplot go? Well, I don't know, but they are showrunners, they most certainly discussed options. They are clearly very, very, very much aware of zutara. And they still do this? They still show us Oma and Shu wearing red and blue? All they had to do is to give at least one of them any different color. Any. But they didn't. (for fuck sake, it is the Earth Kingdom - yellow and green would do it)

There were zero, no, nada Kataang interactions, implications or those scenes that are filmed just a little bit too dramatically like the scarf one. I don't know, there's still a chance that they will wait for season 3 to make Aang's crush on Katara happen. I'm also not so sure what will happen to Aang failing to open seventh chakra, I mean - his love for Katara has a huge purpose in series, so it still doesn't look very good. But you can't even imagine how glad I am that they didn't do this secret tunnel thing. It was very uncomfortable.

So it was the more fact-based part of my case, let's get to the irrational, almost delusional part, tin foil hat probably needed.

Almost all the scenes Zuko and Katara shared in the first season kept reminding me of another famous enemies-to-lovers ship that actually became canon in the infamous final episode - Reylo, the way it was filmed in The Force Awakens. I mean - the first fight in the woods where she looses, the intensity of him staring at her, the final fight in snowy location where she kicks his ass and shows her mastering this superpower, him trying to talk to her during this fight and mentioning her learning/having to learn...Zuko calling Katara a peasant reminded me of this "Rey is no one" discourse. I don't know man, I haven't thought about The Force Awakens reylo for a very long time and it just kept popping in my head.

All of this - it's like a blueprint for enemies to lovers.

Also I actually think that the look they shared in the 2nd episode was also shot kinda weirdly and dramatically. It's not to the extent of the scarf scene but I do remember thinking that "why did they film it they way? it's too intense".

In the conclusion I'd like to say that as much as I like all the season 1 zutara stuff they left out in the adaptation - necklace subplot and implications, pirates and the famous "You rise with the moon, I rise with the sun" - I think I actually prefer the scarf scene. Yes, it would be so great to see those things in adaptation but in the end of the day they would still be just the things they kept from the original and probably noting more. Like the cabbages or the secret tunnel song or anything else, just things from the source material that implicate nothing. While the scarf scene, the Oma and Shu's clothes - it means they made a conscious decision to make it that way. It means they put some thought into that and some meaning. And this gives me hope there's a chance for Zutara in this adaptation.

P.S. I told about this my sister who hasn't watch the series yet and she said "I think people who made this show are just shipping zutara in secret". I do not necessarily imply she might be right - but creators of animated series (the very same people that made kataang canon, not zutara) DID leave because of some creative differences and because they couldn't control creative decision. Might as well be THAT kind of decision.

[campbyler]

our chapters average at 27,000 words, the total fic length is already 3x the average novel length, and we lost one of the authors working on this fic. it must be so nice to only have to endure the wait for a chapter to be uploaded so that you can interact with it rather than being the one to actually write it.

im going to be cruel (no pun intended) to be kind: this is such an intense externalisation of blame. you are the ones in control of the fic length; the chapters could handle some heavy editing and it wouldnt make them any less wonderful (such as regarding the descriptions of mike and will's internal thoughts, not the action between the characters themselves). fic is free and its a gift to be able to read works that inspire our hearts and minds while we wait for the show, but then again, when at the stern of a juggernaut work such as this, one that will inevitably have many followers chomping at the bit on tumblr as well as ao3 (as you designed it to have!), you surely must be aware of something that only usually exists in professional marketing spaces involving customers + brand IP: the relationship between consumer and creator, and what they can give each other.

not 'owe each other' - nothing is owed, except perhaps basic human kindness. fans want your work, and its free, so we should be grateful; likewise, you want readers, feedback and clicks, and that should be free, too. but in order for this to work smoothly, there has to be fair give and take. i mean, if you wanted to monetize the fic i'm sure many people would pay to read it, but thats beside the point here.

what fans of this fic simply want is the same honesty and self-awareness from you that they might expect from any artist who has embarked on such am ambitious project. and this doesnt just mean transparency about potential uploading dates (which is already much appreciated by the majority!), or notifications about how hard it is to balance work and life (something most people on the planet struggle with). it means total honesty and hard answers. people like to know where they stand. plenty of writers (both professional and fan alike) abandon works for months, years at a time, and if the work is THAT good, people will always be thrilled to see a return. it's the mucking people about that is what destroys relationships - no matter how good your reasons are.

your fic is wonderful and very, very memorable. you could take a big, undefined hiatus and people would, im sure, return, including me. seeing you admit that you have been prioritizing this fic over your mental health does not inspire confidence either, or even comfort - do i want to read something that has caused the creator such harm?

i think everything about this process would be happier for everyone if you set boundaries that work for you and didn't place blame elsewhere. after all, as you said, it's just a fanfic. it doesnt matter if you don't finish it. it doesnt matter if it takes all the way to s5 for 10.2 to release. everyone would, though, appreciate you taking a stance and being consistent (and therefore fair) to both yourselves and the readers.

please feel free to not post this publicly or do as you wish with it.

hello! thank you for your feedback and for sharing it in a way that is both kind and respectful. you make many valid points that i agree with -- we are in control of the word counts and could stand to edit down more, and we do recognize where being transparent about the reasons behind the chapter delays might not inspire confidence or comfort. i do, however, think that isolating one response/chain of responses to a particular ask is a little unfair, so i'd like to provide additional context.

i do not think that it's fair to say that we haven't been honest, self-aware, or fair, because we have been incredibly transparent throughout the entire run of the fic (over a year) about our writing process. just last month suni said she hadn't been working on 10.2 at all because abby had been visiting her house, and readily took ownership of that fact. there was a 4-month wait between chapters 9.1 and 9.2, and i was very open about the fact that i simply needed a break for at least the first of those months because i didn't want to write it. we have continued to maintain several times that we are not abandoning the fic, even if it takes longer between chapters, and have tried to stay as active as possible on the blog because we know that seeing us interact with asks Does inspire confidence. if you just scroll down and see how we have answered other asks inquiring about the upload, we responded kindly and respectfully.

what you interpreted as externalization of blame in that one (1!) ask response was me trying to provide perspective to someone who clearly lacked it. we understand that people will be frustrated about chapter delays, especially if we keep pushing them back, and this is also something that we have received feedback about before and tried to implement; however, it is also a double-edged sword where if we don't give an estimated upload, people get upset, or we give an estimated upload that we think is completely reasonable for us to achieve and then hurdles get in the way, whether it's writer's block or work or time with friends. i absolutely get the frustration on the receiving end, but something i have learned from being in this fandom for two years is that a pretty big majority of those who are interacting with fanworks are not creating it themselves, hence why my response -- while snippy and annoyed, because i was matching the energy, and will not apologize for that -- was contextualizing the whys behind the chapter delay: the chapters are long, the fic is long, we are down one entire body from where we started. the intention was not to shuck blame off of ourselves, but i get that intentions don't always translate into effect, so it's understandable that it was received differently.

we don't always respond to things perfectly. when we have a million and one asks inquiring about the next upload, one stray one that comes off the wrong way is likely going to set us off, because we are people, and this is not a job. we have set a boundary by disabling anon, and again, i cannot stress enough how much i appreciate that you've come to us with this feedback off-anon and with respect and decency. i get where you are coming from and again, agree with a lot of your points.

the only other thing i want to make clear is that this fic, no matter how much attention its garnered, should not be treated as a creator/consumer relationship that mirrors anything where the exchange of money is involved. not only is it unfair to apply this standard to fanworks, where it is illegal to monetize such content, but the entire purpose of fanworks is to celebrate what you are a fan of together. when you apply expectations on either end -- i am a fan of this work, therefore, people should create timely content for it; i am creating this fanwork, therefore, people should interact with it -- defeats the entire nature of fan-created work as a whole. while we have continued to be vocally grateful for the love and support our fic has been shown, we both maintain that we would continue writing and continue uploading even if we were getting less than half of the amount of interaction that we do. it's nice to have interaction, but not necessary, because we what write and post is done because we love it, and it's shared so that we can look back on it, so our friends can enjoy it, and anyone else who might want to. we are, of course, excited to share that world with anyone who cares -- we created the blog and the promo because we wanted to share it -- but that does not mean that the relationship between us and our readers should have expectations. we are all creating and enjoying this work for free for the sake of love for the characters, as the star trek obsessed housewives of the 60s (and the law) have intended.

i feel like this response is a bit jumbled so i apologize if anything isn't clear or hard to understand. thank you again for your time!

[fortpeat]

Thoughts on EPISODE 9

In a way I am glad that this episode ended on a slightly good note I am sure there's more angst coming our way with next episode but it looks like the kind of angst that I very much like 🤭🫣

Also can I say how grateful I am that they didn't make Jak into this big villain and ended his storyline in the most pathetic weak way ! I am sure a lot of us can relate to manipulative parents so I am happy that they didn't have Jak psychologically torture Rak even more than ever just for the sake of having a better storyline. Also thank you for giving us Mahasamut kicking Jak's ass to the ground.

This just shows that all Jak is capable of is using mind tricks and scare the people in his life to give him money. The man is tall and looks strong but one punch and he's on the ground actually shows how weak he is and why he always resorted to mental manipulations scaring Rak and his family into giving him money.

I am also glad that we didnt get Rak and his family suddenly being strong enough to fight back against Jak, sure in a fictional plotwise it would have looked good but I don't think it works like that in real life. You don't suddenly get the courage to fight back against someone that tormented you just like that especially after years and years of mental torture. It would have been too unbelievable also I feel like it would have sent a message like - "if you want to fight back you can, you just choose not to" when it's never that easy especially where a parent is concerned!

Sure maybe some time later Rak would be able to face Jak and not be so scared and terrified of his mere presence but that's not today and that's okay you know. But I know that Rak will get there and that's all I need. The fact that he officially cut off Jak and told him to go to hell is more than enough coz we have seen how haunted Rak is of Jak so this itself is a big step in my opinion.

Sometimes you need a outside person to help us see that the monster that's been threatening us is nothing but weak and for Rak that was Mahasamut! And if that reduced Mahasamut into just Rak's knight in shining armor that's okay you know. Coz Mahasamut didn't just help Rak but he also saved Rak's niece and sister into realising that they hold the power. Mahasamut is the kidn of person who has lots of love to give and just wants to protect the people he care about and in his life thats Rak and everyone Rak cares about and Rak's family has officially adopted Mahasamut as well and for Mahasamut who was thrown away and didn't have anyone this is everything! Unknowingly Rak gave Mahasamut a family and even though we haven't seen much interactions we know that they all adore Mahasamut I mean how can they not !

Maybe I am biased coz this is my babies series and they have given so so much to bring this to life and I love them so very much and yes there could be somethings that can be improved especially the pacing of the show coz I am sure the next episode is gonna be jam-packed! But with how much hard work Fortpeat have give into this series and how talented they are and how much life they give to these characters I can't be disappointed coz at the end of each episode I am so happy and I am gonna be so so sad after this series is over 😭😭😭 coz this was everything and more 😭😭