#eva papamargariti

[mjaomjaomjao]

Eva Papamargariti

[evapapamargariti]

Documentation images from my installation at Future Bodies group show happening now at Upstream Gallery, Amsterdam.

https://www.upstreamgallery.nl/exhibitions/221/future-bodies

Image credit: Gert Jan van Rooij, Courtesy of Upstream Gallery.

[popsixsquishcicerolipschitz]

EVA PAPAMARGARITI

evapapamargariti.com

[foxyou-too]

Databend – 1 Giugno 2011 – Eva Papamargariti

[fckyeahnetart]

EVA PAPAMARGARITI

UH EVERYTHING LOOKS SO FRESH – OH EVERYTHING IS SO ROTTEN!

nicoletticontemporary.com/digital/

[agnesdelmotte]

“i built machines to understand you better” eva papamargariti, precarious inhabitants transfer gallery, brooklyn

[mk-dos-blog]

ëDesire by @evapapamargariti​

We’re Having a Great Time :) @ ROCKELMANN &

July 29th - September 3rd, 2016

[evapapamargariti]

Documentation of my four-channel video installation ‘Among Us, Among Others’, as part of Plásmata: Bodies, Dreams, and Data exhibition by Onassis Foundation, Athens, 2022.

The work was commissioned by Onassis Foundation

[touch-look-touch]

memo655

A new digital dazzling kingdom of objects keeps rising. Everything can fit to the neverending fragmented landscape as long as it is reflective, refractive and shiny. The most complex texture activates the perception of a twisted materiality in which the organic element is re-embeded to the artificial language while the overwhelming production of these objects creates an instant immersion to a new 'virtuality', composed from distorted abstract morphological schemes. Attention: no sense of scale is necessary at this uncanny n-dimensional field.

https://vimeo.com/104172004

ひとつのあたらしいデジタルのきらびやか王国でオブジェクトが現れ続ける．すべてのものはそれが反射していて，屈折していて，輝いている限り決して終わることがない断片化した風景に適合する．最も複雑なテクスチャは，人工的な言語に再び埋め込まれた有機的な要素をもつ捻れた物質性の知覚を活性化しているあいだ，これらのオブジェクトの膨大な量の生産が，ゆがんだ抽象的な形態学システムから構成されるあたらしい「仮想性」への即席の没入感をつくっている．注意：不気味なn次元領域ではスケールの感覚は必要ではない．

[fckyeahnetart]

Installation view, Precarious Inhabitants from Eva Papamargariti at TRANSFER, May 2017. Kelani Nichole on pioneering a new type of gallery : https://thecreativeindependent.com/people/kelani-nichole-on-pioneering-a-new-type-of-gallery/

[americanzen]

Eva Papamargariti - New Nosthetics 

[agnesdelmotte]

eva papamargariti, precarious inhabitants transfer gallery, brooklyn

[pigepigepige]

New Nosthetics — Eva Papamargariti @Channel Normal 

AnimalNewYork | 

[mk-dos-blog]

ëDesire by @evapapamargariti and CAPITOLO FINALE! by @simonemonsi  We’re Having a Great time :) @ ROCKELMANN & 

July 29th - September 3rd, 2016

[touch-look-touch]

memo654

Explains Papamargariti, "Everything can fit to the never ending fragmented landscape as long as it is reflective, refractive and shiny. The most complex texture activates the perception of a twisted materiality in which the organic element is re-embedded to the artificial language while the overwhelming production of these objects creates an instant immersion to a new 'virtuality', composed from distorted abstract morphological schemes." Although she claims, "no sense of scale is necessary at this uncanny n-dimensional field," New Nosthetics exists within the kind of anything-goes parallel plane that makes us want to leave a trail of digital breadcrumbs just to find our way out.

http://thecreatorsproject.vice.com/blog/no-sense-of-scale-is-necessary-in-morphological-film-new-nosthetics?utm_source=tcpfbus

Papamargaritiは次のように説明する．「すべてのものはそれが反射していて，屈折していて，輝いている限り決して終わることがない断片化した風景に適合する．最も複雑なテクスチャは，人工的な言語に再び埋め込まれた有機的な要素をもつ捻れた物質性の知覚を活性化しているあいだ，これらのオブジェクトの膨大な量の生産が，ゆがんだ抽象的な形態学システムから構成されるあたらしい「仮想性」への即席の没入感をつくっている」．彼女は「不気味なn次元領域ではスケールの感覚は必要ない」と主張するが，私たちがたどってきた足跡を辿るためのデジタルなパンくずを残そうとさせる何でもありのパラレル平面のなかにNew Nostheticsは存在���ている．