#essentials hoodie uk

[essentialsclothing35]

Fear of God Essentials 3M Logo Pullover Hoodie Grey

[essentialshoodie]

Pair a mens essentials hoodie with a basic logo tee for a relaxed yet stylish look. The symbolic logo on every piece symbolises contemporary street culture. Comfort and style are perfectly balanced in each. The fusion of fashion and art in these is unparalleled. As streetwear continues to evolve, these consistently set new trends.

[fearofgodessentialshoodie]

This exclusivity, combined with the aesthetic and fog essentials hoodie high-quality products.

[tortellini-tankini-art]

1717. The Golden Age of Piracy. Wealthy UnderRealm Grifter William (Montague) Widemouth set out to find adventure and renown on the high seas. Things did not go as planned... Our Flag Means Pasta: An OFMD x Pastamonsters/Creepypasta Crossover AU

v Characters and Lore Below v

Or, check out everything I have stored on this AU in the Miro Board I've created for it! I update it with time as I create more artwork, characters, and add to the storyline, and even make episode timelines!

Characters in this AU:

The 'Retribution' Crew

Mr. Widemouth (William Montague Widemouth) as Stede Bonnet / Ben Drowned (Benjamin Lawman) as Lucius Spriggs / Jeff the Killer (Jeffrey Sepulveda-Ramirez) as Black Pete / Homicidal Liu (Liu Sepulveda-Ramirez) as Jim Jimenez / Eyeless Jack as Oluwande Boodhari / Ticci Toby (Tobias 'Toby' Eren Rogers) as Frenchie / Seedeater (Eedie) as Wee John / Kagekao as the Swede / Dr. Smiley as Roach / The Rake as Buttons

The 'Queen Lucia' Crew

Grinny (Oscar Delgado-Reyes)* as Edward Teach / Shadowlurker as Izzy Hands / Masky** as Fang / Hoodie* as Ivan

*Grinny is an OC of @oakmovies , however, for this AU, he is essentially a nearly different character, as his lore and background are vastly different.

**Masky and Hoodie in this AU are NOT the same people as their versions in Marble Hornets, and are instead entirely different people with different backstories.

Other Characters

Smile Dog (Smilin' Sam Dogham) as Calico Jack / Nurse Ann as Spanish Jackie / Splendorman as Nigel Badminton / Slenderman as Chauncey Badminton / Ms. (Priscilla) Pencilneck (another OC of @oakmovies) as Mary Allamby / Nina the Killer (Nina Rodriguez-Hopkins) as Archie / Jane the Killer as Mary Read (Jane Tod Richardson) / Clockwork (Natalie Ouellette) as Anne Bonney / Pinkamena (Bi Qi/碧琪) as Zheng Yi Sao

Character Backgrounds:

In this AU, and in this given time frame, the UnderRealm aristocracy is made up entirely of either monsters or spirits who were born and raised in the UnderRealm. Anyone who comes to the UnderRealm from the Surface world (killers, cursed, undead, etc.) is considered other, an outsider, and of lesser status, and this gap created upholds the aristocratic monster class. People who are born half-human are also considered lesser, and unless they were born to a monster of already aristocratic standing, they have very limited options in life in the UR.

UnderRealm: Widemouth, Ben (see also Spirit), Seedeater, The Rake, Shadowlurker, Slenderman, Splendorman

Spirits: Ben (Human from UK, died, then UR as corporeal spirit), Kagekao (Demon; Japan)

Half-Human:

Grinny (Mother - Mixed Taino/Spanish / Father - (Lower-class) Monster)

Smile (Father - UK / Mother - Cave Hound)

Ms. P (Father - UK / Mother - (Upper-class) Monster)

'Killer' Humans: Jeff, Liu, Toby, Dr. Smiley, Masky, Hoodie, Nina, Jane, Clockwork

Cursed/Possessed/Undead/Cannibal 'Humans': EJ (possessed/cursed/cannibal), Nurse Ann (Undead), Pinkamena (Cursed/Cannibal)

Lore (What's Different from PM/OFMD?)

Grinny/Oscar - The child of a feline-monster from the UnderRealm, and a half Taino woman from Puerto Rico. His mother was dragged to the UnderRealm by his father when she was a young lady, and lived in an abusive situation with him, until Oscar kills his father when he's 12. He runs away from home after this, and joins the crew of Captain Doyle (Hornigold for this AU - I have yet to draw another version of him for this AU, so here's @oakmovies rendition of him on IG). There, he meets Sam and Shadowlurker, and after they mutiny Doyle, he goes on to make a reputation for himself as the feared monster pirate Captain Grinny.

Jeff and Liu - Since Black Pete and Jim Jimenez in OFMD are not at all blood siblings the way Jeff and Liu are, but I was already set on them being these characters, I've created this backstory for them:

Jeff and Liu grow up with their family on a blood orange farm in St. Augustine, when one Christmas night, a gang known as the Siete Búhos attacks and kills their entire family. Instead of killing the siblings as well, they mutilate them, and set Jeff, and the rest of the farm, on fire.The two siblings manage to run away from the burning farm, and are taken in by a Satanic Nun.

The Nun raises them to master the art of killing, but only for the purpose of revenge. Jeff, however, has a different idea, and uses his new skills to rob and kill people for money. The nun acts to kick Jeff out of the convent, but Liu refuses to be separated from their brother, and leaves with him. Eventually, they meet Eyeless Jack, who gets them a job with Spanish Ann.

However, they find out that one of her husbands is the leader of the Siete Búhos, so one night, they get him drunk enough to restrain, torture, and kill him. After Ann finds out about this, she puts a price on Liu's head, and Jack has to escape with the two siblings, where they then join Widemouth's crew among The Retribution.

[babyppsthoughs]

Lacey Cat (2024) #2

It was the first time I’m setting up for shooting in this place. I had to buy a new bed sheet for it because now I own a double bed. I spent some time testing placement of the camera (phone) the day before. It’s quite a bit more spacious than my old room in HK, but I’m still trying to show as little furniture or background as possible.

The ceiling light is very bright so I wasn’t sure if I needed the ring light. In fact I later put tissue paper over it to soften it, but then in the end I set up the ring light anyway and went without the ceiling light. I thought I got enough light from that and wanted to keep my room as dark as possible to avoid drawing attention in the middle of the night.

I also checked my outfit the day before shooting. It was bought over a year ago, and it was my only purchase after moving to the UK. I bought it partially to test how buying on Amazon and picking up from the post office works. It’s nothing fancy and it's pretty cheap, so of course the quality is nothing to write home about. Functionable, I would say, like most of my CD outfits have been.

What I didn’t think through though, was that it is a fluffy outfit. It comes with a pair of shorts yes, but the top is long sleeved and it's a hoodie. It’s August, and thanks to good insulation, I’m getting 24 degrees in my room at night. I was heating up quickly wearing almost nothing underneath and before doing anything!

I had to open up the windows, with curtains still drawn closed, when I was taking pics before the video. I was so glad that it helped. But I had to keep them closed to minimize the noise from the traffic during the video. Can’t believe I’m still struggling with noise from passing vehicles even when I’m in the UK (house close to main road =/).

That is one reason why I took the shorts then the top off midway through the vid, despite them being the main theme. I didn’t want to become a sweaty mess, and my makeup was bad enough without it melting.

Oh yer before we get ahead of ourselves and into the action, I need to talk about the makeup first.

Continue to Part 3:

[military1st]

Viper Storm Hoodie

The Viper Storm Hoodie has you covered in all outdoor environments.

Made from Ribtech bonded fleece and lined with brushed fleece, it offers exceptional durability and warmth.

An adjustable, water-resistant hood, an elasticated waistband, and cuffs with thumbholes ensure you stay dry and warm, while zipped front pockets provide secure storage for your essentials.

Designed for ultimate comfort and performance in any weather, the Viper Storm Hoodie is ideal for hiking, camping, or casual strolls.

Find out more at Military 1st online store.

https://mil1.st/VSHCUK

Enjoy free UK delivery and returns! Swift delivery to Ireland, the US, Australia, and across Europe.

[entombedmerch]

Entombed Merch

Entombed is a Swedish death metal band formed in 1987 under the name of Nihilist. Entombed began their career as an early pioneer of Scandinavian death metal which initially differed from its American counterpart by its distinct "buzzsaw" guitar tone. Discover the best Entombed merchandise for fans of the legendary Swedish death metal band. From iconic T-shirts and vinyl records to posters and artwork, explore a variety of high-quality products that celebrate Entombed's music and legacy. Perfect for both long-time followers and new enthusiasts, these merch items are essential for showcasing your support and appreciation for the band. Buy Entombed Merch Here! #entombedmerch #entombedmerchandise

Entombed Merchandise Entombed Band Merch Entombed Official Merch Entombed Ad Merch Entombed Merch Uk Entombed Merch Eu Entombed Merch Us Official Entombed Merch Store New Entombed Merch Shop Entombed Merch 2024 Entombed Merch Long Sleeve Entombed Merch Women's Tee Entombed Merch Hoodie Entombed Merch T Shirt Entombed Merch Shirt

[yayavoo]

Made in Italy Womens Knitwear is a must have for autumn and winter wardrobe being an essential and durable layering staple. Yayavoo UK stocks the premium quality knits for women that keeps you warm and stylish with great comfort. Offering a wide collection of knitted clothes in various designs, cuts and sizes, their online store houses the best of Italian jumpers, cardigans, hoodies, coats, jackets, capes, ponchos, scarves and much more.

[ijustwantedtobeoneofthestrokesuk]

Back On The Road

2022 was the year of recovery, after being locked up for what felt like years it was time for artists to recoup what they missed out on and tour relentlessly. Which, for one, wasn’t as easy as it was before as there was more artists hitting the road at the same time, ever. This meant that scheduling tours wasn’t so simple, trying to make it as efficient and cost-effective was a minefield, trying to shift tickets when so many tours was a struggle and trying to get hold of essentials such as tour buses and crew proved to be a challenge when demand outweighed supply. Then there was the limitations from Brexit, cheers guys.

These challenges made touring less lucrative than it once was, which put pressure on other avenues to make money, for survival. There was a 10-month wait for vinyl so the opportunity for a spontaneous release was unlikely if they wanted to shift some physical copies so they had to look to merch, merch has become bigger than ever, and it isn’t unusual to pay £100+ for a tour hoodie…  

Many artists these days are locked into 360 record deals where the label take a cut from merch sales however, in April 2022 The Guardian reported that artists were missing out even more. AGM (one of the biggest venue owners in the UK) take 25% from merch sales at gigs at their venues and Universal Music Group get a portion of that 25%, even if the artist isn’t on the label. It’s like the system has been built to kill creativity!

Since lockdowns ended artists have barely stopped touring, and ticket prices are on the up. When we are talking about artists, we are talking about the established ones, who can sell at least a few thousand tickets in each city they stop in, and the major stars who can sell out stadiums a few times in each city they stop it. On average, attendees who went to see Taylor Swift’s Eras Tour spent £800 on one show (ticket, travel, accommodation, food, drink, outfits, merch, oh, and never forget about the friendship bracelets). When we are living in the ‘cost of living’ crisis era, is there any money left over to support new artists? In the 2000’s the small bands might have lost money on music piracy but they could go on tour, play in front of a few hundred people each night and sell a few t-shirts (tickets for a tenner, t-shirts for a tenner, pints for three quid, what a time). 

Even if small artists can sell a few hundred tickets, where can they play when venues are disappearing?

In London there was 430 music venues in 2007 but 2015 there was just 245, more are continuing to close faster than new ones opening. Unfortunately, it hasn’t just been London losing its nightlife, the trend was visible throughout the country. How many venues from the 2000’s still exist? Without small independent venues there’s nowhere for the ‘next big thing’ to develop. 

In the 2000’s there were loads of small venues in every town and city, regularly putting on gigs that not only supports the current music scene but also the future. Kids need to be able to see there is a realistic opportunity to be on a stage, to be inspired to form a band. 

As there were so many bands around who would tour the UK a few times a year they couldn’t just do the big cities so they would be stopping off in every town from Hull to Inverness, Southampton and Norwich and unlike the big cities, these towns were full of kids with a thirst for something to do and often became the best crowds of the tour, loyal fanbases, communities were formed because of these gigs. 

Music venues generally exist in city centres, where the ground they are built on is a valuable asset, business people see £££ over art and creativity. There are also more restrictions in place such as the volume of noise (housing developers aren’t soundproofing homes properly), making it more difficult to put on gigs while business rates make it less cost-effective. Government funding across the arts has always been questionable, particularly in the north of England.

James O’Hara “Putting on live music is prohibitively expensive, a sure-fire way to lose a lot of money, it's thankless and selling tickets in Sheffield is like pulling teeth. I hugely admire people who do it but it's not something for me anymore that's for sure. The highs are the gigs themselves, seeing people reacting to music, happiness, tears, dancing, singing. The lows? pretty much everything else hahah. 

Small, independent venues are hugely important, they take all the risk, they find and source all the new artists and then get very little in return.” 

Gemma Clarke “I think there is still a thirst for live music, just a smaller thirst than it was before. People can access music online so they will only go to see bands they know. It makes it harder for smaller bands to be seen and heard but everything changes and bands are using social media now to be seen and heard. I remain old school in that I just want to play, and I want to see bands play. I love social media and Spotify etc but I will always go support the smaller bands first.” 

In 2014 the Music Venue Trust, an independent charity was formed by Mark Davyd, starting as a small concept that has grown over the years. Its fundamental goal is to protect, secure and improve Grassroots Music Venues.   

Mark, a co-owner of The Forum in Tunbridge Wells, a live music venue that has been converted from a public toilet. The venue wasn’t really making much money so it would be hard for the 4 owners to sell on when they are ready to retire, and for it to continue as a music venue. In 2015 the value of The Forum as a music venue was £375,000, if it had been knocked down and turned into flats it would have a huge price tag of £1.2 million.  

The Music Venue Trust was created to safeguard the future of grassroots spaces after iconic venues had been lost to redevelopment or a change of purpose for profit. Independently run, grassroots music venues are a breeding ground for creativity, it’s where new bands form and learn to perform to an audience, not only that but it’s an affordable opportunity to watch live music and a space that inspires others to pick up an instrument. If Milburn hadn’t played The Boardwalk (closed since 2010) in Sheffied, their mates wouldn’t have seen them and thought “We can do that”, and formed the Arctic Monkeys.  

MVT do more than just showcase the venues and support their future, they also seek to improve the experience for both the artists and audiences who attend these spaces (let’s be honest, it’s great to be punk and DIY but it’s also nice for toilets that have a door…). Many grassroots venue owners are only leaseholders which means that they don’t own the land, the future of the building lays in the hand of the freeholder who could be easily swayed by money to sell it on. A long-term goal for the MVT is to acquire the freeholds of as many of the venues as possible.  

A year after the Music Venue Alliance was created, over 900 grassroots music venues were represented by the Music Venue Trust, supporting them in various capacities, from advice to campaigns. 

James O’Hara “The Music Venue Trust do great work but I think something hugely fundamental needs to change, perhaps venues being given protected status, maybe a tax on the big venues like The 02, something that trickles back down. Venues that are ostensibly businesses still being allowed to apply for arts council funding etc...” 

NEXT CHAPTER

[essentialsclothing35]

Fear of God Essentials Logo Shorts White https://essentialshoodie.biz/fear-of-god-essentials-logo-shorts-white/

[essentialshoodie]

Our bold graphics make a statement, incorporating vibrant patterns. Unique cuts, asymmetrical details, and innovative textures further enhance the design. The beauty of essentials ss22 hoodies lies in their ability to blend comfort. This clothing item allows wearers to express their individuality through fashionable clothing.

[fearofgodessentialshoodie]

Fashion enthusiasts have been seeing wearing the blue essentials hoodie trend.

[chaquetatrapstar]

The Rise of the Trapstar Hoodie: A Cultural and Fashion Icon

In later a long time, streetwear has made its way from the underground to the standard, and the Trapstar hoodie is a prime case of this marvel. Known for its strong plans, defiant soul, and social reverberation, Trapstar has gotten to be a major player in the streetwear world, grasped by celebrities and fans alike. But the Trapstar hoodie is more than fair a smart piece of clothing; it’s a image of strength, solidarity, and resistance. This article digs into the Trapstar hoodie, investigating its beginnings, social affect, and the components that contribute to its persevering popularity.

1. The Beginnings of Trapstar: Where It All Began

Trapstar was established in London in 2005 by three friends—Mike, Lee, and Will—who needed to make a brand that reflected their encounters and environment. They saw their clothing as a shape of expression, a way to communicate the abrasive however dynamic vitality of London’s urban environment. Trapstar risen at a time when British streetwear was still in its earliest stages, and it rapidly recognized itself through its one of a kind approach to plan and informing. The originators were propelled by music, craftsmanship, and the roads, and they channeled these impacts into each piece, particularly the notorious Trapstar hoodie.

2. The Signature Tasteful: What Makes the Trapstar Hoodie Stand Out

One of the characterizing characteristics of the Trapstar hoodie is its striking, frequently secretive stylish. The brand's logo—a star crossed by two bars—represents the defiant soul of Trapstar, which opposes tradition and denies to be characterized by standard measures. The hoodies ordinarily highlight expansive illustrations, strong textual styles, and striking color plans, which donate them a effective, eye-catching nearness. The repeating subjects in Trapstar plans, such as "It's A Mystery," bring out a sense of secret that draws individuals in, making them feel portion of an select group.

The hoodies are created from high-quality materials that prioritize both consolation and strength, making them idealize for ordinary wear. Trapstar’s commitment to quality guarantees that their items aren’t fair smart but too built to final, which is a major request for those who need their dress to make a explanation and withstand the test of time.

3. The Impact of Hip-Hop and Grime Culture

Trapstar’s rise can generally be credited to its deep-rooted association with hip-hop and grime music. Craftsmen and influencers, counting popular rappers and artists, have grasped the Trapstar hoodie, regularly wearing it in music recordings and on social media. In the UK, grime specialists like Skepta and Stormzy played a essential part in popularizing Trapstar among their fans, as the brand’s streetwise tasteful flawlessly adjusted with the ethos of grime—a class born from the boulevards of London.

Internationally, American craftsmen like A$AP Rough and Rihanna have too contributed to Trapstar's worldwide offer. When celebrities wear a brand, it picks up an included layer of attractive quality. The Trapstar hoodie rapidly got to be a must-have for fans of these craftsmen, serving as a identification of realness and a way to interface with their symbols. Through its affiliation with hip-hop and grime culture,

4. Image of Resistance and Identity

The Chaqueta Trapstar is more than fair a mold explanation; it’s a image of resistance. For numerous, wearing a Trapstar hoodie is a way to express resistance against societal standards and desires. It’s around grasping independence and standing out from the swarm. The brand’s tagline, “It’s A Secret,” assist powers this sense of secret and restrictiveness, as if the wearer is portion of an underground development that untouchables cannot completely comprehend.

This air of disobedience reverberates with youthful individuals who feel disappointed or misjudged. In an period when congruity is regularly anticipated, the Trapstar hoodie permits people to attest their claim character. It’s no ponder that the brand has developed a steadfast taking after among urban youth who are drawn to its unapologetically striking plans and insubordinate messaging.

5. The Extravagance Streetwear Appeal

Over the past decade, streetwear has consolidated with tall design, and Trapstar has been at the cutting edge of this advancement. The Trapstar hoodie has ended up a staple not as it were on the boulevards but moreover in extravagance settings. Limited-edition drops and collaborations with high-profile brands have lifted the Trapstar hoodie from a streetwear staple to a pined for thing among design devotees and collectors. This approach has made a difference Trapstar keep up a sense of restrictiveness, with numerous of its pieces offering out inside minutes of release.

The restricted accessibility of Trapstar hoodies has as it were fueled request, making a sense of direness among shoppers who fear lost out on the most recent drop. By embracing this “hype” show, Trapstar has cemented its status as a extravagance streetwear brand. The brand’s capacity to adjust availability with restrictiveness has been a key figure in its victory, permitting it to request to a wide run of customers, from ordinary fans to high-end collectors.

6. The Trapstar Community: A Worldwide Movement

Through social media, occasions, and collaborations, the brand has built a arrange of steadfast adherents who recognize with its message and stylish. The Trapstar hoodie has gotten to be a binding together image for this community, interfacing individuals over diverse foundations and cultures.

[leathersvogue]

Biker Leather Vest: The Ultimate Blend of Style and Function for Riders

When it comes to iconic biker fashion, the Biker Leather Vest is a staple that has stood the test of time. Whether you're hitting the open road on your Harley or simply looking to add a rugged edge to your everyday style, a leather vest offers the perfect combination of form, function, and fashion. Its versatile design and durable material make it an essential piece for bikers and fashion enthusiasts alike. In this blog, we’ll explore what makes the Biker Leather Vest a must-have and how it enhances both your ride and your wardrobe.

Why the Biker Leather Vest is a Rider’s Best Friend

The Biker Leather Vest is more than just a piece of outerwear—it’s a reflection of the biker lifestyle. With its sleeveless design, it provides mobility and comfort while still offering the protection and durability that leather is known for. Here’s why every biker should consider adding one to their gear collection:

Freedom of Movement: One of the greatest advantages of a Biker Leather Vest is the unrestricted movement it offers. While leather jackets provide full coverage, the sleeveless design of a vest allows for maximum flexibility, especially when you're riding. This makes it ideal for warm-weather rides or for layering over other clothing without feeling bulky.

Durability and Protection: Just like leather jackets, Biker Leather Vests are made from high-quality leather, which means they’re built to withstand the rigors of the road. The leather material provides protection from the elements and minor abrasions, making it a practical choice for both safety and style.

Versatility: Whether you’re riding or simply enjoying a night out, a Biker Leather Vest can be styled in multiple ways. Pair it with a long-sleeve shirt or hoodie during colder months, or throw it over a t-shirt for a classic biker look in the summer. Its adaptability makes it a versatile addition to any wardrobe.

Personalization Options: Many bikers love to customize their leather vests with patches, pins, and embroidery, making them a canvas for self-expression. From club affiliations to personal symbols, a Biker Leather Vest allows you to showcase your identity on the road. Ready to ride in style? Explore collection of Biker Leather Vests and find your perfect fit today! Source: