#erica scourti

[her-moth]

london / april 20th / come

[the-internet-is-underwater]

Library find #14 Hamster Hipster Handy - Bilder Geschichten zum Mobiltelefon Hrsg.: Eleni Blechinger, Katja Gunkel, Jelena Jazo, Birgit Richard, Alexander Tilgner, Harry Wolff Kerber Verlag

[helennias]

Head to Somerset House before 23 February 2020 and catch 24/7 - A wake up call for our non-stop world.

As someone who values a good night’s sleep and switching off, I really enjoyed the variety of artwork exploring how the pull to stay busy and always be available is not exactly conducive to sanity.

Alan Warburton’s Sprites I-IV are a series of lenticular prints depicting several 3D scanned self-portraits depicting the artist sleeping in an office space. He was inspired by his experience working for a VFX studio in Beijing where the team would take naps during lunch as they worked such long hours. 

Erica Scourti created wall-sized Difficult to Find the Lost Things on her phone, a mix of fragmented memories that create “a stream of consciousness that echoes the challenges of staying sane within never-ending demands on our attention.”

Hasan Elahi’s Scorpion W2 is a collection of images taken automatically of his whereabouts during the last 15 years. He sends these to the FBI as he was mistakenly added to a no-fly list after 9/11.

And not pictured, A Sense of Time by Ted Hunt is a visually pleasing set of watches, each with an alternative face to offer “a new perspective on how we perceive, inhabit and value time.”  

Tatsuo Miyajima had an installation Life Palace (tea room) full of little digital numbers that I enjoyed, especially after his exhibition at the MCA in Sydney a couple of years ago. “This meditative isolation chamber offers the chance to drink time rather than tea.”

There were heaps of other interesting concepts, too many to include here - so make time to head along to the exhibition.

[juliacalver]

On Care

New writing, Three Troughs, published in On Care.

Care is an imperative, and acting with care approaches the world beyond selfhood.

Contributors: Tom Allen, Uma Breakdown, Alice Butler, Oisín Byrne, Julia Calver, Jamie Crewe, Juliette Desorgues, Rachel Genn, Laura Godfrey-Isaacs, Laura González, Holly Graham, Helen Hester, Justin Hogg, Juliet Jacques, Mati Jhurry & Rebecca Jagoe, Juliet Johnson, Sophie Jung, Daisy Lafarge, Elisabeth Lebovici, Rebecca Lennon, Rona Lorimer, Katharina Ludwig, Mira Mattar, Martina Mullaney, Cinzia Mutigli, Carolina Ongaro, Molly Palmer, Roy Claire Potter, Nat Raha, Helena Reckitt, Ruiz Stephinson, Erica Scourti, Victoria Sin, Himali Singh Soin & Tyler Rai, Miguel Soto Karlovic,  Isabella Streffen, Jamie Sutcliffe, Maija Timonen, Lynn Turner, Rosa-Johan Uddoh, Daniella Valz Gen, Nina Wakeford, Alberta Whittle

MA BIBLIOTHÈQUE

[a---z]

TRANSMISSIONS

www.transmissions.tv

TRANSMISSIONS returns for Season 2 comprising eight episodes with contributions from BBZ TV, Juliet Jacques, Ignota Books, Lawrence Abu Hamdan, Kat Anderson, Plastique Fantastique, and many others!

All forms of community are now more important than ever, and it is vital that we find mechanisms to support each other through this precarious time. In the landscape that we have found ourselves in, many artists, writers and thinkers have had exhibitions, opportunities and subsequent fees postponed or cancelled. In response to this, we have established TRANSMISSIONS an online platform that commissions artists to share their work within a classic DIY TV show format. Episode 1 | 9 September | 9PM GMT REPLAY | 11 September | 9AM GMT Kat Anderson: Bad Man Nuh Flee Episode 2 | 16 September | 9PM GMT REPLAY | 18 September | 9AM GMT Plastique Fantastique Communiqué: Beware Mars with Earth in Ascendance W/ Plastique Fantastique / Arianne Churchman & Benedict Drew / Christopher Kirubi /   Gentle Stranger Episode 3 | 23 September | 9PM GMT REPLAY | 25 September | 9AM GMT Juliet Jacques: Spectres of Socialism W/ Bill Morrison / Colin Newman / Deimantas Narkevičius / The Duvet Brothers /   Erica Scourti  / Igor & Gleb Aleinikov  / Jasmina Cibic / John Smith  / Kerry Tribe / Octavio Cortázar / Oleksiy Radynski  / R W Paul / Santiago Álvarez Episode 4 | 30 September | 9PM GMT REPLAY |  2 October May | 9AM GMT Lawrence Abu Hamdan W/ Maryam Jafri / Maan Abu Taleb & Others Episode 5 | 7 October | 9PM GMT REPLAY |  9 October | 9AM GMT BBZ TV: Past, Present and Future Episode 6 | 14 October | 9PM GMT REPLAY |  16 October | 9AM GMT Ignota Books: Deep Deep Dream Episode 7 | 21 October | 9PM GMT REPLAY |  23 October | 9AM GMT Curated by Anne Duffau, Hana Noorali and Tai Shani W/ Adam Christensen / Carolyn Lazard  / Hardeep Pandhal / Imran Perretta / Jordan Lord / Sung Tieu / Tabita Rezaire / Lloyd Corporation / Rehana Zaman & Others Episode 8 | 28 October | 9PM GMT REPLAY |  30 October | 9AM GMT w/ TBC

Season 2 of TRANSMISSIONS will run as eight weekly episodes screening every Wednesday at 9 pm BST and repeated on Friday at 9 am BST on Twitch. The 1st episode will air on 9th of September 2020. Each artist included in TRANSMISSIONS is paid a fee in return for their contribution. In some instances, artists have waived their fees in order to donate the money to a charity of their choice. With a sense of community, all the money used to pay artists in season 2 has been kindly donated by established art institutions and commercially stable artists.

Season 2 is funded and supported by BALTIC Centre for Contemporary Art, Chisenhale Gallery, DACS, Grazer Kunstverein, Matt's Gallery, Studio Oscar Murillo, Netwerk Aalst, Somerset House Studios and Wysing Arts Centre.    

Episode 1 | 9 September | 9PM GMT REPLAY | 11 September | 9AM GMT Kat Anderson: Bad Man Nuh Flee

Kat Anderson will show a collection of audio/visual notes on oppression, Black liberation and the white imagination.

Kat Anderson is a visual artist and filmmaker, working under an artistic and research framework called ‘Episodes of Horror’, which uses the genre of horror to discuss representations of mental illness and trauma as experienced by or projected upon Black bodies in media.

Episode 2 | 16 September | 9PM GMT REPLAY | 18 September | 9AM GMT Plastique Fantastique Communiqué: Beware Mars with Earth in Ascendance W/ Plastique Fantastique / Arianne Churchman & Benedict Drew / Christopher Kirubi / Gentle Stranger 

On 30 May 2020, at 3:52 pm EDT, Plastique Fantastique watched the Spacex Falcon 9 rocket carry NASA personal (for a fee) to the International Space Station and thought, as below, so above (next stop the moon, then Mars)… there is much today, down here, that needs our urgent attention… and there is much in the future, up there, to worry about too (including one million people living on Mars by 2050 as the first stage of planetary colonisation)… Earth views Mars as a planetary symbol for the cocksure warrior, and for violence, passion, assertion, and the weaponization of skill and sex… above all, Mars is the sign of competition (and Mars is a goal for commerce)… Mars is not this Mars though... That land is not that land… We know a different Mars (we have been there)… It is the hominids of Earth that have projected this image (of themselves) onto Mars… all other animals know this… Mars as ruling planet is not to be feared… it is Earth as ruling planet (Earth in Mars and the Mars in Earth) that we need to worry about… For episode two of the second series of Transmission2020, Plastique Fantastique offer moving images, stories and songs about planetary problems, below and above, with help from our friends Gentle Stranger, Christopher Kirubi and the collaboration of Arianne Churchman & Benedict Drew. The broadcast will feature clips from a film by Plastique Fantastique commissioned by Southwark Park Galleries. Plastique Fantastique is a collaboration between David Burrows, Simon O’Sullivan, Alex Marzeta and Vanessa Page and others, including Mark Jackson, Motsonian, Benedict Drew, Frankie Roberts, Harriet Skully, Ana Benlloch, Stuart Tait, Tom Clark, Simon Davenport, Joe Murray, Lawrence Leaman, Samudradaka and Aryapala. The collaboration is a performance fiction produced through comics, performances, text, music, film and assemblages, and investigates the relation of aesthetics and politics and sacred, popular and mass cultures. Recent exhibitions include Shonky: Aesthetics of Awkwardness, Hayward Touring Show 2017-18, and Mars Year Zero at Southwark Park Galleries 2019.

Episode 3 | 23 September | 9PM GMT REPLAY | 25 September | 9AM GMT Juliet Jacques: Spectres of Socialism W/ Bill Morrison / Colin Newman / Deimantas Narkevičius / The Duvet Brothers / Erica Scourti  / Igor & Gleb Aleinikov / Jasmina Cibic / John Smith / Kerry Tribe / Octavio Cortázar / Oleksiy Radynski  / R W Paul / Santiago Álvarez

Less than a year after the UK's traumatic General Election, after a pandemic that would surely have been far better handled if the principles of communality and solidarity had been at the heart of government, Juliet Jacques presents a selection of films that mostly look back at socialist politics and culture. Starting with comrade John Smith's film made in response to the Covid-19 crisis, and the government's chaotic communications, these films - by Jasmina Cibic, Octavia Cortázar, the Duvet Brothers, Deimantas Narkevičius, Oleksiy Radynski, Kerry Tribe and others - engage creatively with ideology and art in Yugoslavia, the USSR, Cuba, the UK and beyond.

Juliet Jacques (b. 1981) is a writer and filmmaker, based in London. She has published two books, most recently Trans: A Memoir (Verso, 2015). Her short fiction, journalism and essays have appeared in numerous publications including The Guardian, Granta, Frieze, Sight & Sound, Wire, New York Times, 3:AM, The New Inquiry, Arts of the Working Class, London Review of Books and elsewhere. Her short films have screened in galleries and festivals worldwide. She has taught art and creative writing at the Royal College of Art and other institutions, and hosts the political arts podcast Suite (212).

Episode 4 | 30 September | 9PM GMT REPLAY |  2 October May | 9AM GMT Lawrence Abu Hamdan W/ Maryam Jafri / Maan Abu Taleb & Others

Lawrence Abu Hamdan is a “Private Ear”. His interest with sound and its intersection with politics originate from his background as a touring musician and facilitator of DIY music. The artists audio investigations has been used as evidence at the UK Asylum and Immigration Tribunal and as advocacy for organisations such as Amnesty International and Defence for Children International together with fellow researchers from Forensic Architecture.

Abu Hamdan completed his PhD in 2017 from Goldmsiths College University of London and is currently a fellow at the Gray Centre for Arts and Inquiry at the University of Chicago

Abu Hamdan has exhibited his work at the 58th Venice Biennale, the 11th Gwanju Biennale, the 22nd Sydney Biennial and the 13th and 14th Sharjah Biennial, Witte De With, Rotterdam, Tate Modern Tanks,  Chisenhale Gallery,  Hammer Museum L.A, Portikus Frankfurt, The Showroom, London and Casco, Utrecht. His works are part of collections at MoMA, Guggenheim, Van AbbeMuseum, Centre Pompidou and Tate Modern. Abu Hamdan’s work has been awarded the 2019  Edvard Munch Art Award, the 2016 Nam June Paik Award for new media and in 2017 his film Rubber Coated Steel won the Tiger short film award at the Rotterdam International Film festival.  For the 2019 Turner Prize Abu Hamdan, together with nominated artists Helen Cammock, Oscar Murillo and Tai Shani, formed a temporary collective in order to be jointly granted the award.

Episode 5 | 7 October | 9PM GMT REPLAY |  9 October | 9AM GMT BBZ TV: Past, Present and Future

BBZ present a snapshot into queer Black British archives, memes that shaped us and a re- imagined queertopia. BBZ is a Black Queer Art & DJ collective raised in London with roots in nightlife and clubbing culture, working to challenge institutionalised and post colonial behaviours. We prioritise the experiences of Black queer womxn, femmes, trans folk and non binary people in all aspects of our work, providing physical and online spaces for this specific community.

Episode 6 | 14 October | 9PM GMT REPLAY |  16 October | 9AM GMT Ignota Books: Deep Deep Dream

Deep Deep Dream is a journey through the techniques of awakening taking the hallucinogenic form of a palindrome. Unfolding through a series of experimental rituals, this encounter is an invitation to touch the dreamworld — a place where no matter how far you walk, you arrive back at your point of departure — and a meditation on these questions: What kind of world do you want to live in? What is a world? 

Ignota Books is an invitation to awaken, and at the same time, dream. Founded in the last days of 2017 in the Peruvian mountains by Sarah Shin and Ben Vickers, Ignota publishes at the intersection of technology, myth-making and magic. Deriving our name from Hildegard of Bingen’s mystical Lingua Ignota, we seek to develop a language that makes possible the reimagining and reenchantment of the world around us.

Episode 7 | 21 October | 9PM GMT REPLAY |  23 October | 9AM GMT Curated by Anne Duffau, Hana Noorali and Tai Shani W/ Adam Christensen / Carolyn Lazard  / Hardeep Pandhal / Imran Perretta / Jordan Lord / Sung Tieu / Tabita Rezaire / Lloyd Corporation / Rehana Zaman & Others

Episode 8

| 28 October | 9PM GMTREPLAY |  30 October | 9AM GMT

w/ TBC

Thank you to:

All contributing artists, writers, composers and thinkers; Adam Sinclair; Donald Smith; Hen Page; Lori E. Allen; Maxwell Sterling;  Mika Lapid;  

BALTIC Centre for Contemporary Art

Chisenhale Gallery

DACS

Grazer Kunstverein

Matt's Gallery 

Studio Oscar Murillo

Netwerk Aalst

Somerset House Studios

Wysing Arts Centre

www.transmissions.tv

@transmissions2020

TRANSMISSIONS collective is composed of:

Anne Duffau

is a cultural producer, researcher, and founder of A---Z, an exploratory/nomadic curatorial platform exploring artistic practices and knowledge exchange through collaborations, presentations, soundscapes, screenings and discussions. She has collaborated with a range of projects and organisations including ArtLicks, Southwark Park Galleries, Mimosa House and Danielle Arnaud Gallery, London Please Stand By, or-bits .com, PAF Olomouc Czech Republic & Tenderflix. Anne has previously run the StudioRCA Riverlight, London programme (2016-2018) and is currently the interim curator at Wysing Arts Center, a Tutor at the School of Arts and Humanities, and is the acting Lead in Critical Practice, within the Royal College of Art’s Contemporary Art Practice Programme. She has performed live music under Alpha through a number of projects and collaborations.

Hana Noorali

is an independent curator and writer based in London. In 2019 she was selected (together with Lynton Talbot) to realise an exhibition at The David Roberts Foundation as part of their annual curator’s series. She curated Lisson Presents at Lisson Gallery, London from 2017-2018 and from 2017 -2019, produced and presented the podcast series Lisson ON AIR. In 2018 Hana edited a monograph on the work of artist and Benedictine Monk, Dom Sylvester Houédard. Its release coincided with an exhibition of his work at Lisson Gallery, New York that she co-curated with Matt O’Dell. In 2007, she co-founded a non-profit project space and curatorial collective called RUN active until 2011. In 2020 Hana and her curatorial partner Lynton Talbot will be publishing an anthology that examines the intersection of poetry and film with (p) (prototype).

Tai Shani

is an artist living and working in London. She is the joint 2019 Turner Prize winner together with Lawrence Abu Hamdan, Helen Cammock and Oscar Murillo. In 2019 Tai was a Max Mara prize nominee. Her work has been shown at Turner Contemporary, UK (2019); Grazer Kunst Verein, Austria (2019); Fondazione Sandretto Re Rebaudengo, Italy (2019); Glasgow International, UK (2018); Wysing Arts Centre, UK (2017); Serpentine Galleries, London (2016); Tate, London (2016); Yvonne Lambert Gallery, Berlin (2016) and Irish Museum of Modern Art, Dublin (2016).

[tories-out-propaganda-unit]

It’s been six months since the U.K. general election. We started this anthology as a way of thinking through what came out of that election, why we had bothered campaigning so hard for Labour when we were hardly great believers in parliamentary democracy in the first place, and what it meant to come to terms with the reality of another 5 years of Conservative governing in the already existing racist shithole that is ‘Great’ Britain. Seems pretty small fry now as we live in the contradictions of a global pandemic disproportionately killing Black and Brown people while mass protests against the murder of Black people in police custody actually bring forth a reality of the once seemingly impossible abolition of the police. 

So this anthology is maybe more than a bit out of date. But it’s still a document of what the fuck was going on back then, and perhaps in some way reflective on how we find ourselves now.  

With contributions from: Tom Allen, Toby Bull, Sophie Carapetian, Miri Davidson, Gloria Dawson, Peter Ely, Alva Gotby, Aurelia Guo, Danny Hayward, Sam Keogh, Vlada Maria, Mira Mattar, Jessa Mockridge, Daniel Neofetou, Ben Polhill, Julian Pritchard, Ralph Pritchard, Ash Reid, Hannah Schling, Erica Scourti, Ben Seymour, Chris Timms, Ishbel Tunnadine, Laurel Uziell

How To Win (PDF)

How To Win (PDF - Alternative Link)

[syn-site]

"Cutting down, crossing out and piling up a selection of notes collected over the past few years. Half-forgotten thoughts speak again, a show of noisy saying, not saying." Say Not, Erica Scourti, 2014 (via Dazed)

[charlieseddonsketchbook-blog]

[adezer]

Erica Scourti

https://garage.vice.com/en_us/article/wj4y3z/please-dont-steal-this-artists-identity-however-easy-shes-made-it

[eva4fmp]

Sleek Article ‘ Why Ritual art in a gallery space is doomed to fail’

KEY POINTS

- the most successful pieces of ritual art are exhibited outside of a gallery space

- attempts to put a gallery audience in and altered state fail to conjure emotion

- performative ritual art often unintentionally presents colonialism and tokenism and through this is unsuccessful

Erica Scourti ‘Bot with Feelings’ 

- Scourti made a piece that replied to tweets with custom made cards to offer an empathetic reaction

- the cards were inspired by many examples of cards used in ritual e.g tarot

- explores the potential role of technology in mental health and caring

[haab-blog]

Computer Grrrls

EXHIBITION

COMPUTER GRRRLS 26 October 2018 – 24 February 2019 HMKV at Dortmunder U, Germany

The exhibition Cmptr Grrrlz brings together more than 20 international artistic positions that negotiate the complex relationship between gender and technology in past and present. Computer Grlz deals with the link between women and technology from the first human computers to the current revival of technofeminist movements. An illustrated timeline with over 200 entries covers these developments from the 18th century to the present. Invited are artists, hackers, makers and researchers who are working on how to think differently about technology: by questioning the gender bias in big data and Artificial Intelligence, promoting an open and diversified Internet, and designing utopian technologies.

Computer Grrrls is an exhibition by HMKV (Hartware MedienKunstVerein), Dortmund (DE), in coproduction with La Gaîté Lyrique, Paris (FR).

With works by: Morehshin Allahyari, Manetta Berends, Zach Blas & Jemima Wyman, Nadja Buttendorf, Elisabeth Caravella, Jennifer Chan, Aleksandra Domanovic, Louise Drulhe, Darsha Hewitt, Lauren Huret, Hyphen-Labs, Dasha Ilina, Mary Maggic, Caroline Martel, Lauren Moffatt, Simone C. Niquille, Jenny Odell, Elisa Giardina Papa, Tabita Rezaire, Erica Scourti, Suzanne Treister, Lu Yang

Exhibition dates and venues: HMKV, Dortmund, DE (27 Oct 2018 – 24 Feb 2019) La Gaîté Lyrique, Paris, FR (13 March – 14 July 2019) MU, Eindhoven, NL (August – September 2019)

Curators: Inke Arns (HMKV), Marie Lechner (La Gaîté Lyrique)

Further information, detailed dates and programme: http://www.hmkv.de

Funded by the German Federal Cultural Foundation the Ministry of Culture and Science of the State of North Rhine-Westphalia

Funder HMKV Dortmunder U – Centre for Art and Creativity

Partner MU Eindhoven (NL)

Videoproduction by David Figura Music: “FAST AND FURIOUS” Likes: 1 Viewed:

The post Computer Grrrls appeared first on Good Info.

[utrechtcentral]

Truth that Lies in Utrecht

Always looking for something new and innovative, the next  IMPAKT exhibition will be entitled Truth That Lies. An exhibition with panel discussion about misinformation in the age of information will be held with Keren Cytter, Omer Fast, Harun Farocki, Sharon Hayes, Hrvoje Hiršl & Luis Rodil Fernández, Martine Neddam, Erica Scourti, Mladen Stilinović and The Yes Men. It will start on Friday 8 February at 15:00 with a Panel Event, War on Facts. followed at 17:00 till 20:00  with a free exhibition opening which will then continue from 9 February till 17 March, Wednesdays to Sundays 12:00-17:00 t the IMPAKT Center for Media Culture, Lange Nieuwstraat 4, Utrecht .

a Truth that Lies Social media sites and search engines are the key ingredients of the change from the manipulative form of propaganda of the past to the prevalence of the Post-truth paradigm of the present. How are words and ideas used to obscure and manipulate? The exhibition and panel discussion of Truth That Lies look at the different political and cultural strategies that have been used in our Post-truth reality and in our recent history. The programme researches the development of Post-truth, how it was used in the past, how it affects personal identity, and what the future would look like if things proceed from here. Inspired by George Orwell’s prescient novel 1984, the events take the shape of the two agencies in The Ministry of Truth, the propaganda agency of 1984’s dystopian government: the Fiction and the Records Department. The Fiction Department is represented by Truth That Lies, an exhibition exploring a use of language through gesture, manipulation, hate speech, algorithm, propaganda, make-believe or tautology. The Records Department is mirrored in a panel called War on Facts. This panel will be organized on 8 February, prior to the opening of the exhibition, and it will address misinformation, alternative facts, fake news and information manipulation. In this way Truth That Lies uses Orwellian “doublespeak” (a language that obscures) as a metaphor for our times, where misinformation is everywhere and its spread is amplified through technology. The programme researches the development of Post-truth, how it was used in the past, how it affects personal identity, and what the future would look like if things proceed from here. Do you know when you're being lied to? Learn about methods of misinformation in the age of information. With the works: -The Woman with Fifteen Legs (2015) - Keren Cytter -CNN Concatenated (2002) - Omer Fast -The Expression of Hands (1997) - Harun Farocki -My Fellow Americans (1981-1988) - Sharon Hayes -Algoresearch.systems (2015) - Hrvoje Hiršl & Luis Rodil Fernández -Mouchette.org (1996) - Martine Neddam -The Outage (2018) - Erica Scourti -My Sweet Little Lamb (1993), Potatoes, Potatoes (2001) and The Praise of Laziness (1993) - Mladen Stilinović -New York Post Tells The Truth (2009) - The Yes Men My Sweet Little Lamb (1993) - Mladen Stilinović War on Facts A panel discussion about misinformation, alternative facts, fake news and information manipulation organised in relation to the themes of the exhibition Truth That Lies. Speakers in the panel: Emillie V. de Keulenaar, Sven Lütticken, Florian Cramer and Tomislav Medak (moderator) What: Panel discussion organised in conjunction with Truth That Lies exhibition When: 8 February 15:00 Where: Studio T, Kromme Nieuwegracht 20, Utrecht Coming up: From now until 3 February - IMPAKT Exhibition: A World Without Us 17-19 January - IMPAKT Event: Future Life Conference Tuesday 22 January - IMPAKT Event: Nieuwjaarsborrel Thursday 24 January - IMPAKT Event: Artist Talk Maarten Vanden Eynde 9 February - 17 March - IMPAKT Exhibition: Truth That Lies 21-23 March - IMPAKT Event: Affected Words Read the full article

[kojiliu]

Net Art and its Prehistories in Code Art:

Nowadays, most industries are gradually moving towards the direction of game marketing. More and more online art is full of fun and game, which not only attracts more people's attention, but also increases the interesting of the works. Art goes beyond time and space. Video art in the information age will bring people into a free world of games on the other side and on the other side. Gradually, many websites have begun to design and produce with the theme of gaming which attracts more users.

1.    Mezangelle Language:

Mezangelle's works aim to play a role or build meaning by combining semantic triggers with the subjective meaning framework of individuals. There's no way to explain Mezangelle: Many people only parse the poetic foundation, while some in the code loop happily explore absorbing programming elements or symbols similar to ASCII.

The seemingly irregular language is closely related. Since it is used to monitor user data system, it can also be used to protect users'hidden rights and interests.

http://rhizome.org/editorial/2016/dec/15/mezangelle-an-online-language-for-codework-and-poetry/

2.       A Net Art Anthology https://anthology.rhizome.org/ 

net art This website tries to talk about a website where a series of works of art are recorded on the website. His display method like bulletin board highlights the theme of this website. Each work will have the corresponding theme color when the mouse touches it. Such web design can be applied to the video module of pressure website. In this way, each video can have its own independent jewelry style.

3.       Erica Scourti http://www.ericascourti.com/

This site has a unique style. The background is like graffiti on glass with water mist. Some buttons are also designed in the form of usage. Users will feel unexpected when they click. Graffiti design appeals to me.

[erica-scourti]

THINK YOU KNOW ME (2015) EXCERPT from Erica Scourti on Vimeo.

[worldfoodbooks]

NEW IN THE BOOKSHOP: across & beyond (2017) Edited by Ryan Bishop, Kristoffer Gansing, Jussi Parikka, Elvia Wilk Contributions by Morehshin Allahyari and Daniel Rourke, Jamie Allen and David Gauthier, Clemens Apprich and Ned Rossiter, Tatiana Bazzichelli, Benjamin Bratton, Florian Cramer, Dieter Daniels, Geoffroy de Lagasnerie, Daphne Dragona, Keller Easterling, Olga Goriunova, Louis Henderson, Geraldine Juarez, Olia Lialina, Alessandro Ludovico, Rosa Menkman, Julian Oliver and Danja Vasiliev, Erica Scourti, Cornelia Sollfrank, Telekommunisten (Baruch Gottlieb and Dmytri Kleiner), Tiziana Terranova, YoHa (Graham Harwood and Matsuko Yokokoji) This collection of art and theory analyzes today’s post-digital conditions for critical media practices—across and beyond the analog and the digital, the human and the nonhuman. The contributions also look across and beyond the field of media art, staking out new paths for understanding and working in the transversal territories between theory, technology, and art. The concept of the post-digital is a way to critically take account of, contextualize, and shift the coordinates of new technologies as part of contemporary culture. The post-digital condition is not merely a theoretical issue but also a situation that affects conceptual and practice-based work. The program of the transmediale festival in Berlin, celebrating its thirtieth year in 2017, has reflected these changes, and this book gathers new contributions from leading international theorists and artists of media and art who have taken part in the festival program over its past five editions. Divided into the thematic sections “Imaginaries,” “Interventions,” and “Ecologies,” this book is not a document of the festival itself, it is rather a stand-alone exploration of the ongoing themes of transmediale in a book format. Published by Sternberg Press and available in our bookshop tomorrow and via our website now. #worldfoodbooks #sternbergpress (at WORLD FOOD BOOKS)

[syn-site]

Erica Scourti, Residuals (hand-embroidered screen wipe microfibre cloths, 2016) (via Erica Scourti)