#eric fellner

[milliondollarbaby87]

Bridget Jones: Mad About the Boy (2025)

Starring:Renée Zellweger, Hugh Grant, Emma Thompson, Chiwetel Ejiofor, Leo Woodall Directed by: Michael Morris Produced by: Tim Bevan, Eric Fellner, Jo Wallett Two-time Academy Award® winner Renée Zellweger returns to the role that established a romantic-comedy heroine for the ages, a woman whose inimitable approach to life and love redefined an entire film genre.  Bridget Jones first blasted…

[babyjujubee]

Director Joel Coen, Alden Ehrenreich, Josh Brolin, Channing Tatum, Dieter Kosslick, Tilda Swinton, director Ethan Coen, George Clooney and Eric Fellner attend the "Hail, Caesar!" premiere during the 66th Berlinale International Film Festival at Bernale Palace in Berlin, Germany on February 11, 2016.

[denimbex1986]

'The film centres on the crucial hours leading up to the Normandy landings.

Filming begins today, 9 September on Pressure, a new WWII drama starring Andrew Scott.

Adapted from David Haig’s stage play, the feature centres on the crucial decision-making behind the D-Day landings, as Britain’s chief meteorological officer James Stagg (Scott) must deliver the most portentous forecast in history, ensuring the success – or not – of the planned seaborne invasion.

Stagg enters a tense standoff with the Allied leadership, whereupon the final decision rests with Supreme Allied Commander Dwight D. Eisenhower, played by Brendan Fraser.

Anthony Maras is in the director’s chair, calling the shots from a screenplay he wrote with Haig. Eric Fellner and Tim Bevan produce for Working Title Films; it is a co-production with StudioCanal.

Working Title is busy as ever with a slate including Johnny English 4, due to shoot in the UK and Malta, and CC: Emily, a feature now filming in Manchester directed by Alicia MacDonald.

Scott is coming off filming his role in Wake Up Dead Man – the third Knives Out film – that recently completed a UK shoot, starring Daniel Craig.'

[eddieredmayneargentinablog]

Les Miserables (2012) - Behind the scenes.

🎥 Video posted by Cinema Scope on YouTube

Les Misérables is a 2012 epic period musical film directed by Tom Hooper from a screenplay by William Nicholson, Alain Boublil, Claude-Michel Schönberg, and Herbert Kretzmer, based on the stage musical of the same name by Schönberg, Boublil, and Jean-Marc Natel, which in turn is based on the 1862 novel Les Misérables by Victor Hugo. The film stars an ensemble cast led by Hugh Jackman, Russell Crowe, Anne Hathaway, Eddie Redmayne, Amanda Seyfried, Helena Bonham Carter, and Sacha Baron Cohen.

Set in France during the early nineteenth century, the film tells the story of Jean Valjean who, while being hunted for decades by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The story reaches a resolution against the background of the June Rebellion of 1832.

Following the release of the stage musical, a film adaptation was mired in development hell for over ten years, as the rights were passed on to several major studios, and various directors and actors were considered. In 2011, producer Cameron Mackintosh sold the film rights to Eric Fellner, who financed the film with Tim Bevan through their production company Working Title Films. In June 2011, production of the film officially began, with Hooper hired as director. The main characters were cast later that year. Principal photography began in March 2012 and ended in June. Filming took place on locations in Greenwich, London, Chatham, Winchester, Bath, and Portsmouth, England; in Gourdon, France; and on soundstages in Pinewood Studios.

Les Misérables premiered at the Odeon Luxe Leicester Square in London on 5 December 2012 and was released on 25 December in the United States and on 11 January 2013 in the United Kingdom, by Universal Pictures. The film received generally positive reviews from critics, with many praising the direction, production values, musical numbers, and ensemble cast, with Jackman, Hathaway, Redmayne, Seyfried, Aaron Tveit, and Samantha Barks being the most often singled out for praise. However, Crowe's performance as Javert and singing were met with criticism. It grossed over $442 million worldwide against a production budget of $61 million. The film was nominated for eight categories at the 85th Academy Awards, winning three, and received numerous other accolades. Since its release, it has been considered by many to be one of the most famous adaptations of the novel and one of the best musical films of the 2010s and the 21st century.

#my screenshots

[dgct2]

In a whopping deal, Amazon and Netflix are battling ferociously for Crime 101, a package based on a novella by Don Winslow that has Chris Hemsworth and Pedro Pascal attached to star. American Animals helmer Bart Layton is attached to direct. The deal has been going on for months, and started before the strike. It came down to Amazon and Netflix, sources said.

Working Title’s Eric Fellner and Tim Bevan, and Shane Salerno’s Story Factory are the production companies that put the package together along with CAA. It’s a great crime story in the vein of Heat. High level jewel thieves are taking place up and down the Pacific Coast and police have linked the thefts to the Colombian cartels. Detective Lou Lubesnick has other ideas, and he zeroes in on one perp, a thief looking for a final score. HarperCollins published the story as part of the Winslow collection Broken in 2020.

[diptanshukashyapofficial]

B-13 : Oscars 2025 Predictions - A Film Fan’s Take

The 97th Academy Awards, also known as The Oscars®, will take place on March 3rd at 4:30 AM IST, as the excitement of the awards season is reaching its peak.

2024 has been a rather disappointing year for cinema—at least since I’ve been seriously following it. Many highly anticipated films failed to leave a lasting impact, making this year feel underwhelming. Hopefully, 2025 will bring a stronger slate of films, delivering multiple hits and unforgettable cinematic moments. I’d also like to mention that most of my predictions are likely to go wrong—this year’s race just hasn���t been that exciting.

2024 was also a year of sequels, with long-awaited follow-ups to classics like Dune: Part Two, Beetlejuice Beetlejuice, Joker: Folie à Deux, and Gladiator II hitting the big screen.

Now, with less than 24 hours until the ceremony, let’s dive into the major categories and my predictions for the winners. These are based on industry trends, results from other major awards (like the Golden Globes, BAFTAs, Critics’ Choice, and Guild awards), and, of course, my personal take.

So sit back and stay with me till the end!

P.S. SPOILER ALERT!!!!

Best Picture

Nominees:

Anora – Alex Coco, Samantha Quan, and Sean Baker, producers

The Brutalist – Nick Gordon, Brian Young, Andrew Morrison, D.J. Gugenheim, and Brady Corbet, producers

A Complete Unknown – Fred Berger, James Mangold, and Alex Heineman, producers

Conclave – Tessa Ross, Juliette Howell, and Michael A. Jackman, producers

Dune: Part Two – Mary Parent, Cale Boyter, Tanya Lapointe, and Denis Villeneuve, producers

Emilia Pérez – Pascal Caucheteux and Jacques Audiard, producers

I'm Still Here – Maria Carlota Bruno and Rodrigo Teixeira, producers

Nickel Boys – Dede Gardner, Jeremy Kleiner, and Joslyn Barnes, producers

The Substance – Coralie Fargeat, Tim Bevan, and Eric Fellner, producers

Wicked – Marc Platt, producer

Prediction(s): Anora / The Brutalist / Conclave

The Academy might favor The Brutalist, a film about accomplishing the American dream. However, Conclave, a political film involving the church, and Anora, a Cinderella story about a New York stripper and Palme d’Or winner, are strong contenders too.

Best Director

Nominees:

Sean Baker – Anora

Brady Corbet – The Brutalist

James Mangold – A Complete Unknown

Jacques Audiard – Emilia Pérez

Coralie Fargeat – The Substance

Prediction(s): Sean Baker / Brady Corbet

Palme d’Or winner Sean Baker faces strong competition from Corbet, who has received multiple wins at award ceremonies this year.

Best Actor

Nominees:

Adrien Brody – The Brutalist as László Tóth

Timothée Chalamet – A Complete Unknown as Bob Dylan

Colman Domingo – Sing Sing as John "Divine G" Whitfield

Ralph Fiennes – Conclave as Cardinal Thomas Lawrence

Sebastian Stan – The Apprentice as Donald Trump

Prediction(s): Adrien Brody / Timothée Chalamet

Brody, a Golden Globe winner, plays a man chasing the American dream, while SAG winner Chalamet portrays the poetic genius Bob Dylan. While Brody is the frontrunner, Chalamet cannot be ruled out.

Best Actress

Nominees:

Cynthia Erivo – Wicked as Elphaba Thropp

Karla Sofía Gascón – Emilia Pérez as Emilia Pérez / Juan "Manitas" Del Monte

Mikey Madison – Anora as Anora "Ani" Mikheeva

Demi Moore – The Substance as Elisabeth Sparkle

Fernanda Torres – I'm Still Here as Eunice Paiva

Prediction(s): Demi Moore / Fernanda Torres

Both actresses, who won Golden Globes this year, have delivered career-defining performances. However, Moore appears to have the edge.

Best Supporting Actor

Nominees:

Yura Borisov – Anora as Igor

Kieran Culkin – A Real Pain as Benji Kaplan

Edward Norton – A Complete Unknown as Pete Seeger

Guy Pearce – The Brutalist as Harrison Lee Van Buren Sr.

Jeremy Strong – The Apprentice as Roy Cohn

Prediction: Kieran Culkin

Culkin, brother of Home Alone’s Macaulay Culkin, delivers a standout performance as a free-spirited man unafraid to express himself.

Best Supporting Actress

Nominees:

Monica Barbaro – A Complete Unknown as Joan Baez

Ariana Grande – Wicked as Galinda "Glinda" Upland

Felicity Jones – The Brutalist as Erzsébet Tóth

Isabella Rossellini – Conclave as Sister Agnes

Zoe Saldaña – Emilia Pérez as Rita Mora Castro

Prediction: Zoe Saldaña

While I didn’t enjoy Emilia Pérez as much as others, Saldaña was the highlight. Having swept key awards, she is the undeniable favorite.

Best Original Screenplay

Nominees:

Anora – Sean Baker

The Brutalist – Brady Corbet and Mona Fastvold

A Real Pain – Jesse Eisenberg

September 5 – Moritz Binder and Tim Fehlbaum; co-written by Alex David

The Substance – Coralie Fargeat

Prediction(s): Anora/A Real Pain

While the former is this year's Palme d'Or winner, the latter has won numerous accolades. The competition seems tough in this category.

Best Adapted Screenplay

Nominees:

A Complete Unknown – James Mangold and Jay Cocks; based on the book Dylan Goes Electric! by Elijah Wald

Conclave – Peter Straughan; based on the novel by Robert Harris

Emilia Pérez – Jacques Audiard; in collaboration with Thomas Bidegain, Léa Mysius, and Nicolas Livecchi; based on the opera libretto Emilia Pérez by Jacques Audiard and the novel Écoute by Boris Razon

Nickel Boys – RaMell Ross and Joslyn Barnes; based on the novel The Nickel Boys by Colson Whitehead

Sing Sing – Screenplay by Greg Kwedar and Clint Bentley; story by Greg Kwedar, Clint Bentley, Clarence Maclin, and John "Divine G" Whitfield; based on the book The Sing Sing Follies by John H. Richardson and the play Breakin' the Mummy's Code by Brent Buell

Prediction: Conclave

There’s been a history of political movies winning in this category – and Conclave shall continue to practice this tradition.

Best Animated Feature

Nominees:

Flow – Gints Zilbalodis, Matīss Kaža, Ron Dyens, and Gregory Zalcman

Inside Out 2 – Kelsey Mann and Mark Nielsen

Memoir of a Snail – Adam Elliot and Liz Kearney

Wallace & Gromit: Vengeance Most Fowl – Nick Park, Merlin Crossingham, and Richard Beek

The Wild Robot – Chris Sanders and Jeff Hermann

Prediction(s): The Wild Robot/Inside Out 2

The former is a beautiful film with a sweet and strong message, this film was a craze across the world. However, the latter’s prequel won an Oscar – hence, a strong contender.

Best International Feature Film

Nominees:

Emilia Pérez (France) in Spanish – directed by Jacques Audiard

Flow (Latvia) – directed by Gints Zilbalodis

The Girl with the Needle (Denmark) in Danish – directed by Magnus von Horn

I'm Still Here (Brazil) in Portuguese – directed by Walter Salles

The Seed of the Sacred Fig (Germany) in Persian – directed by Mohammad Rasoulof

Prediction(s): Emilia Perez/I’m Still Here

The former has separated the favorable critics from the not-so-merciful audience. The critics’ choice win the awards. I personally hope that the latter win.

Best Documentary Feature Film

Nominees:

Black Box Diaries – Shiori Itō, Eric Nyari, and Hanna Aqvilin

No Other Land – Basel Adra, Rachel Szor, Hamdan Ballal, and Yuval Abraham

Porcelain War – Brendan Bellomo, Slava Leontyev, Aniela Sidorska, and Paula DuPré Pesmen

Soundtrack to a Coup d'Etat – Johan Grimonprez, Daan Milius, and Rémi Grellety

Sugarcane –Julian Brave NoiseCat, Emily Kassie, and Kellen Quinn

Prediction(s): No Other Land/Porcelain War

While the former is a work of Palestinian-Israeli collective of four activists amidst the ongoing conflict in the region, the latter is a tale of artists amid the Russian-Ukrainian conflict. The Academy favors war documentaries.

Best Documentary Short Film

Nominees:

Death by Numbers – Kim A. Snyder and Janique L. Robillard

I Am Ready, Warden – Smriti Mundhra and Maya Gnyp

Incident – Bill Morrison and Jamie Kalven

Instruments of a Beating Heart – Ema Ryan Yamazaki and Eric Nyari

The Only Girl in the Orchestra – Molly O'Brien and Lisa Remington

Prediction(s): Incident/Instruments of a Beating Heart/The Only Girl in the Orchestra

The first choice is about police brutality and racism – which a multicultural Academy might favor. However, the other options can follow trend of rewarding documentaries about music – like last year’s The Last Repair Shop.

Best Live Action Short Film

Nominees:

A Lien – Sam Cutler-Kreutz and David Cutler-Kreutz

Anuja – Adam J. Graves and Suchitra Mattai

I'm Not a Robot – Victoria Warmerdam and Trent

The Last Ranger – Cindy Lee and Darwin Shaw

The Man Who Could Not Remain Silent – Nebojša Slijepčević and Danijel Pek

Prediction(s): A Lien/The Man Who Could Not Remain Silent

It’s a tough choice between a tale about a family facing the challenges of achieving the American Dream amidst an immigration interview – and the latter being about a man who stands against the ethnic “cleansing” of innocent civilians in Bosnia and Herzegovina in 1993.

Best Animated Short Film

Nominees:

Beautiful Men – Nicolas Keppens and Brecht Van Elslande

In the Shadow of the Cypress – Shirin Sohani and Hossein Molayemi

Magic Candies – Daisuke Nishio and Takashi Washio

Wander to Wonder – Nina Gantz and Stienette Bosklopper

Yuck! – Loïc Espuche and Juliette Marquet

Prediction(s): Yuck!/Magic Candies

While the former contender is about pre-adolescence innocence and the feelings kids have, the latter is a Japanese flick about a young boy coming across loneliness, connection, and self-awareness.

Best Original Score

Nominees:

The Brutalist – Daniel Blumberg

Conclave – Volker Bertelmann

Emilia Pérez – Clément Ducol and Camille

Wicked – John Powell and Stephen Schwartz

The Wild Robot – Kris Bowers

Prediction: The Brutalist

The music of The Brutalist is likely to continue the trend of epic scores winning the trophy – after Dune, All Quiet on the Western Front, and Oppenheimer.

Best Original Song

Nominees:

"El Mal" from Emilia Pérez – Music by Clément Ducol and Camille; lyrics by Clément Ducol, Camille, and Jacques Audiard

"The Journey" from The Six Triple Eight – Music and lyrics by Diane Warren

"Like a Bird" from Sing Sing – Music and lyrics by Abraham Alexander and Adrian Quesada

"Mi Camino" from Emilia Pérez – Music and lyrics by Camille and Clément Ducol

"Never Too Late" from Elton John: Never Too Late – Music and lyrics by Elton John, Brandi Carlile, Andrew Watt, and Bernie Taupin

Prediction: El Mal/Never Too Late

This year’s Golden Globe winner was a Spanish song – hence a possibility. However, the latter comes from the two-time Oscar winner Elton John. The latter might make him a three-time winner.

Best Sound

Nominees:

A Complete Unknown – Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey, and David Giammarco

Dune: Part Two – Gareth John, Richard King, Ron Bartlett, and Doug Hemphill

Emilia Pérez – Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz, and Niels Barletta

Wicked – Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson, and John Marquis

The Wild Robot – Randy Thom, Brian Chumney, Gary A. Rizzo, and Leff Lefferts

Prediction(s): A Complete Unknown/Dune: Part Two

Sci-fi adventure films are like to win in this category. However, the sound design of the Bob Dylan biopic was also magnificent. It’s a win-win for Timothee Chalamet either way.

Best Production Design

Nominees:

The Brutalist – Production Design: Judy Becker; Set Decoration: Patricia Cuccia

Conclave – Production Design: Suzie Davies; Set Decoration: Cynthia Sleiter

Dune: Part Two – Production Design: Patrice Vermette; Set Decoration: Shane Vieau

Nosferatu – Production Design: Craig Lathrop; Set Decoration: Beatrice Brentnerová

Wicked – Production Design: Nathan Crowley; Set Decoration: Lee Sandales

Prediction(s): Wicked/The Brutalist

Wicked is the film I’m least interested about. However, the Wizard of Oz prequel can win in this category. I’m rooting for The Brutalist due to its architectural theme.

Best Cinematography

Nominees:

The Brutalist – Lol Crawley

Dune: Part Two – Greig Fraser

Emilia Pérez – Paul Guilhaume

Maria – Edward Lachman

Nosferatu – Jarin Blaschke

Prediction(s): The Brutalist

Although I think that Dune: Part Two might win this year, The Brutalist would be the one – due to its stunning framing, composition, and color.

Best Makeup and Hairstyling

Nominees:

A Different Man – Mike Marino, David Presto, and Crystal Jurado

Emilia Pérez – Julia Floch Carbonel, Emmanuel Janvier, and Jean-Christophe Spadaccini

Nosferatu – David White, Traci Loader, and Suzanne Stokes-Munton

The Substance – Pierre-Oliver Persin, Stéphanie Guillon, and Marilyne Scarselli

Wicked – Frances Hannon, Laura Blount, and Sarah Nuth

Prediction(s): The Substance/Wicked

Theformer is definitely going to win for make up – as we saw one of the most horrifying looks in recent movies. The latterstands achance – but theodds are not its favor. 

Best Costume Designing

Nominees:

A Complete Unknown – Arianne Phillips

Conclave – Lisy Christl

Gladiator II – Janty Yates and Dave Crossman

Nosferatu – Linda Muir

Wicked – Paul Tazewell

Prediction: Wicked

This can be another win for the fantasy tale.

Best Film Editing

Nominees:

Anora – Sean Baker

The Brutalist – Dávid Jancsó

Conclave – Nick Emerson

Emilia Pérez – Juliette Welfling

Wicked – Myron Kerstein

Prediction: Anora

The film editing of Anora was marvelously rapid in certain scenes – to make up for the pace of the film. This might make Baker the first man to win four awards in a ceremony.

Best Visual Effects

Nominees:

Alien: Romulus – Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin, and Shane Mahan

Better Man – Luke Millar, David Clayton, Keith Herft, and Peter Stubbs

Dune: Part Two – Paul Lambert, Stephen James, Rhys Salcombe, and Gerd Nefzer

Kingdom of the Planet of the Apes – Erik Winquist, Stephen Unterfranz, Paul Story, and Rodney Burke

Wicked – Pablo Helman, Jonathan Fawkner, David Shirk, and Paul Corbould

Prediction: Dune: Part Two

And finally, Dune will follow the trend of sequels winning the Visual Effects award – with past cases like Avatar and Star Wars.

That's all for now. Let's see who wins what this year. See you at the Oscars.

[cyarskj1899]

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A post shared by The Academy (@theacademy)

The Oscars are tomorrow night

Who do you think will win the coveted best picture award?

Here’s the nominees:

Anora – Alex Coco, Samantha Quan, and Sean Baker, producers

The Brutalist – Nick Gordon, Brian Young, Andrew Morrison, D.J. Gugenheim, and Brady Corbet, producers

A Complete Unknown – Fred Berger, James Mangold, and Alex Heineman, producers

Conclave – Tessa Ross, Juliette Howell, and Michael A. Jackman, producers

Dune: Part Two – Mary Parent, Cale Boyter, Tanya Lapointe, and Denis Villeneuve, producers

Emilia Pérez – Pascal Caucheteux and Jacques Audiard, producers

I'm Still Here – Maria Carlota Bruno and Rodrigo Teixeira, producers

Nickel Boys – Dede Gardner, Jeremy Kleiner, and Joslyn Barnes, producers

The Substance – Coralie Fargeat, Tim Bevan, and Eric Fellner, producers

Wicked – Marc Platt, producer

See movies and actors being celebrated on Sunday night on ABC

[babyjujubee]

Director Joel Coen, Alden Ehrenreich, Josh Brolin, Channing Tatum, Dieter Kosslick, Tilda Swinton, Eric Fellner, George Clooney and director Ethan Coen attend the "Hail, Caesar!" premiere during the 66th Berlinale International Film Festival at Bernale Palace in Berlin, Germany on February 11, 2016.

[roteiroserabiscos]

Review: A substância

A constante luta pela eterna juventude.

Direção: Coralie Fargeat Produção: Eric Fellner, Coralie Fargeat, Tim Bevan Estúdios: Working Title Films, Blacksmith, Working Title Films

Nota: ★★★★☆

Alerta de spoiler!

Fiquei pensando em como começar essa Review e sinceramente ainda não faço ideia. Esse com certeza foi um dos filmes que mais me atingiu ano passado, eu saí do cinema extremamente triste e até quase totalmente devastada. É um filme bem bizarro, o body horror é muito bom e as atrizes foram fenomenais em seus papéis. Eu realmente consegui entrar de cabeça nessa experiência!

O início do filme me causou muito desconforto (é a ideia mesmo). A atmosfera se estabeleceu muito bem fazendo críticas desde o primeiro minuto do filme sobre como as mulheres são vistas como mercadorias, crescendo com a doutrinação de que existe um relógio contra si devido à sua "data de validade". Cada close, cada nudez -de forma excessiva- foram uma forma de nos mostrar quanto desconforto e quanta cobrança a personagem principal começa a ter consigo mesma, mostrando o medo de ser descartada e substituída por um mundo extremamente capitalista e machista não ser mais jovem. Sua confiança é drenada rapidamente ao longo do filme.

"Have you ever dreamt of a better version of yourself? Younger, more beautiful, more perfect.... This is simply a better version of yourself."

Elisabeth

Pessoalmente adoro as histórias que mostram como as pessoas ficam destruídas ao procurar constantemente a perfeição, e mesmo quando você tenta 500 vezes, nada nunca vai estar bom. Ver a Elisabeth sendo maltratada pela sua versão mais jovem quase acabou comigo, tive que me segurar algumas vezes para não chorar. Foi uma ótima forma de mostrar quanto ódio ela absorveu sobre sua pessoa, a cena em que ela está se arrumando para sair com o Fred é muito pesada, a constante comparação que sempre fazemos com quem achamos superior a nós faz com que a gente perca nossa vida inteira, nos tornando meros expectadores no mundo. Quando ela começou a colocar cada vez mais camada de roupa eu simplesmente já estava me sentindo destruída, ainda mais por ser a Demi Moore que até hoje é um espetáculo de beleza e uma atriz realmente incrível, as cenas em que se automutilava me davam muito nervoso.

"You. Are. One. You can't escape from yourself."

Sue

A Sue foi escrita e atuada muito bem, a ansiedade e o estado de desespero que ela sempre se encontra foram uma crítica tão direta e escancarada e bem feita que eu mal pisquei durante o filme. Ela tem raiva da Elisabeth, tem raiva de precisar dividir sua vida com ela e tem raiva de tudo que ela representa: o velho, ultrapassado e imperfeito. A personagem acredita ser melhor e constantemente recebe essa confirmação do mundo, então como esperar que ela atue de forma diferente? Elogios nos alimentam, a perfeição é vendida como toda a fonte do seu merecimento, qualquer passo em falso te tira do holofote. Sue tem um grande alvo em cima dela e isso traz à personagem aquele fundo de entendimento que nos lembra que o mundo não é preto no branco. Ela odeia a Elisabeth, mas também odeia a si mesma. As duas são uma só.

Elisasue

A parte final, embora um pouco cômica em algumas cenas (tinha gente gargalhando no cinema enquanto eu me segurava pra não morrer de chorar) é devastadora. Ver o "monstro" que foi criado nessa busca incessante da Elisabeth de ser sua melhor versão foi muito triste. A cena onde ela começa a se arrumar em frente ao espelho, colocando brinco e maquiagem é de partir seu coração em pedaços. O rosto da Elisabeth preso nas costas e tentando gritar ou falar passa uma sensação de sufoco enorme. Quando o monstro vai se apresentar e começa a ser vaiado e a sofrer ataques das pessoas eu verdadeiramente quase chorei de profunda tristeza. Ver alguém que se anula e mutila tanto pra ser amada recebendo aquele tratamento acabou comigo.

Enfim, eu levei o filme muito a sério e me conectei profundamente com ele, sentindo cada cena ao máximo. É um filme ótimo pra quem gosta de ver a busca da perfeição, coisas bizarras e histórias tristes. Merece todo o hype que recebeu!

[recentlyheardcom]

Working Title Co-Chairs on 'The Substance' and 'Cultural Britishness'

Working Title Films co-chair Eric Fellner has admitted he didn’t understand just how “full-on” body horror The Substance was going to be. The industry giant spoke with fellow chair Tim Bevan at a BFI London Film Festival event on Tuesday, where they were probed on the highlights and failures of their careers, as well as the vast success of “cultural Britishness” with films like Bridget Jones,…

[iamguilhermet]

A Substância (Coralie Fargeat, 2024)

Foram poucas as vezes que eu realmente me lembro de ter saído da sala de cinema sem ter o que falar. Fiquei atônito. E ainda me encontro assim enquanto tento encontrar palavras para descrever a experiência que foi assistir A substância. O filme é longo, são 2h20m que te prendem de maneiras muito diferentes: hora é repulsa, em outra agonia, por muitas vezes nojo e aflição, mas também muita vergonha alheia e incredulidade. E Fargeat quer que você sinta todo tipo de desconforto possível. Seja nas angulações da câmera, ao macro em detalhes incômodos, na trilha que de deixa sempre em alerta ou mesmo no roteiro minuciosamente pensado para escancarar a misoginia que está enraizada na sociedade. A diretora e roteirista não manda recado, ela chega com os dois pés na porta sem dó de quem se encontra do outro lado. Um destaque especial para a atuação de Demi Moore, que entrega uma atuação visceral aqui. O elenco todo, na verdade, é excelente, mas Moore brilha como nunca fez. Agora, se for para destacar um defeito seriam os 20 minutos finais, quando Fargeat pesa um pouco a mão no terror corporal e trash. O minutos não são ruins, muito pelo contrário, apenas não fazem jus à maestria das excelentes duas primeiras horas.

Nota: ⭑⭑⭑⭑½

THE SUBSTANCE. DIRIGIDO POR Coralie Fargeat. PRODUZIDO POR Coralie Fargeat, Tim Bevan e Eric Fellner. ROTEIRO DE Coralie Fargeat. COM Demi Moore, Margaret Qualley, Dennis Quaid et al. 2024. 141 minutos.

[tonus-yo]

UPCOMING 2025 Hélène Yamba-Guimbi Cruel Optimism PAST Paris Internationale 2024 Jacent, Hélène Yamba-Guimbi October 18-22, 2017 Radio Montmartre Show 1: Tonus 10 years of activity Broadcast live from Tonus on Duuu Radio Presented by Antonio Contador With Fabienne Audéoud, Jacent, Benoît Lamy de La Chapelle, Théo Robine-Langlois, Fiona Vilmer, Mix by Louise Sortar October 17, 2024 Clémentine Bruno Educational Complex September 8-22, 2024 Antoine Trapp unreal : sex : entanglement Organised by Cocotte June 8–23, 2024

Jakob Forster Someday I’ll love Jakob Forster curated by nièce May 4–19, 2024

Book launch If with Insistence on the Tension Gravity as Intercessor a Future Interject by Roger van Voorhees Published by Bauer Verlag May 11, 2024

Slackers Fabienne Audéoud, Julie Beaufils, Barbara Bloom, Charlie Boisson, Camille Brée, Marcel Devillers, Sarah Holveck, François Lancien-Guilberteau, Phung-Tien Phan, Ludovic Sauvage, Julie Vayssière, Ana Vega, Xe Xe Curated by Fiona Vilmer October 7-22, 2023

Clémentine Adou Daddy long legs’ hands September 9-24, 2023

Salon d’été Hanna Rochereau July 22-23, 2023

Basel Social Club Fabienne Audéoud, Jacent June 12-18, 2023

Clémence de la Tour du Pin Topological-Ease May 13-28, 2023

Théo Robine-Langlois Ton cœurps change 1-16 April, 2023

Gina Folly Simplify Complexity November 26–December 11, 2022

Mamoune with Agnès Racine, Louise Sartor, Jacent, Zhiliang Jin Invited by Sans titre at Pina, Vienna November 18–December 18, 2022

Only One Step From Heaven Marilou Bal, Eva Barto, Arnaud Eubelen, Matthias Groebel, Barbara Kasten, Marlie Mul, Yoël Pytowski, Eric Tabuchi & Nelly Monnier, Niklas Taleb, Tobias Zielony Curated by Reine Aliénor at La SIRA, in collaboration with Shivers Only October 21–November 18, 2022

Book launch ‘oberih’ by Understructures October 20, 2022

Elephant’s Leg Chino Amobi, Juliette Bonneviot, Charlotte Houette October 18–November 6, 2022

PRK-1U Anna-Sophie Berger, Louisa Boeszoermeny, Nicolas Ceccaldi, Hélène Fauquet, Gina Folly, Sébastien Maloberti, Dan Mitchell, Patrik Pion, Aurilian, Heji Shin, Richard Sides, Gil Zinck Curated by Reine Aliénor October 18-24, 2021

Matthieu Palud Recent paintings at Liste Showtime Online September 18-30, 2021

Paul Bonnet, Kim Farkas, Charlotte Houette, François Lancien-Guilberteau, Matthieu Palud, Christophe de Rohan-Chabot, Louise Sartor, Jacent Group show October 11–November 3, 2019

Fabienne Audéoud A Retrospective, 1:15 scale October 11–November 3, 2019

Matthieu Palud Peintures récentes February 16–March 10, 2019

Renaud Perriches Dominus October 26–November 11, 2018

Natsuko Uchino September 28–October 14, 2018

Gaëlle Leenhardt La fosse aux lions February 25–March 11, 2018

Heike-Karin Föll Ma line Curated by Maurin Dietrich & Cathrin Mayer October 16–November 5, 2017

Paris Internationale 2017 Hugo Avigo, Burkhard Beschow, Paul Bonnet, Anne Fellner, Heike-Karin Föll, Jacent, Steinar Haga Kristensen, Gaëlle Leenhardt, Agnès Racine, Louise Sartor, Camilla Wills October 18-22, 2017

Hugo Avigo European Painter Tour September 8-22, 2017

Anne Fellner & Burkhard Beschow Castle of Insolence 24 June–10 July, 2017

Jacent (Jade Fourès-Varnier & Vincent de Hoÿm) Chez Jacent May 21–June 10, 2017

Camilla Wills March 30–April 16, 2017

Paul Bonnet, Julien Laugier & Guillaume Maraud, Matthieu Palud, Louise Sartor Reopening group show January 27–February 15, 2017

Louise Sartor, Signe Rose Sometimes my way is more important than the truth, Parfois mon avis est plus important que la vérité December 5-20, 2015

Steinar Haga Kristensen, Kristian Ø. Dahl Entourage du prophète malade Curated by Benoît Lamy de La Chapelle October 25–November 15, 2015

Yann Gerstberger, Julien Goniche Gravillon May 16-31, 2015

Paul Bonnet Evildoers at Passerby / Galerie Alain Gutharc May 8-28, 2015

Luca Francesconi Nightmare carbohydrates April 17–May 3, 2015

Julien Laugier, Guillaume Maraud At L’Âge d'Or September 20–October 12, 2014

Jacent (Jade Fourès-Varnier & Vincent de Hoÿm) 3rd mind myth June 15–July 16, 2014

Matthieu Palud Paintingzzz March 14–30, 2014

Michelle Naismith, Timothy Davies Grand opening! Curated by The Ister (BE) February 7–March 1st, 2014

[moviesandmania]

THE SUBSTANCE Demi Moore, Dennis Quaid acclaimed horror - now with full trailer

The Substance is a 2024 horror drama film about a fading celebrity who uses a black-market drug to create a younger version of herself. Written, directed and co-produced by Coralie Fargeat (Revenge, 2017) wrote and directed The Substance. Co-produced by Tim Bevan and Eric Fellner. The Blacksmith Pictures-Universal Pictures-Working Title Films co-production stars Demi Moore, Margaret Qualley,…

[ulkaralakbarova]

Sixteen-year-old Poppy has everything her unlimited credit cards can buy, and a spoiled attitude to match. After a final thoughtless prank, her exasperated father ships her off to boarding school in England. There, Poppy meets her match in a stern headmistress and a class full of girls who will not tolerate her selfishness. Credits: TheMovieDb. Film Cast: Poppy Moore: Emma Roberts Freddie Kingsley: Alex Pettyfer Mrs. Kingsley: Natasha Richardson Kate: Kimberley Nixon Jennifer ‘Drippy’ Logan: Juno Temple Roddy: Johnny Pacar Josie: Linzey Cocker Gerry Moore: Aidan Quinn Harriet Bentley: Georgia King Kiki: Sophie Wu Molly Moore: Lexi Ainsworth Ruby: Shelby Young Matron: Shirley Henderson Mr. Kingsley: Nick Frost Mrs. Loughton: Selina Cadell Miss Rees-Withers: Daisy Donovan Jane: Ruby Thomas Mr. Nellist: Jason Watkins Charlotte: Eleanor Turner-Moss ‘Wow’ Girl: Maisie Preston Jake: Tommy Kijas Lola: Sonia Rockwell Skye: Kelsey Sanders Twin #1: Katelyn Pacitto Twin #2: Kara Pacitto Rosemary: Vanessa Branch Ruthie: Hallie Eisenberg Film Crew: Producer: Tim Bevan Producer: Eric Fellner Director: Nick Moore Production Design: Eve Stewart Casting: Fiona Weir Music Producer: Steven Price Director of Photography: Chris Seager Producer: Diana Phillips Production Design: Marc Fisichella Casting: Joanna Colbert Foley Mixer: Peter Gleaves ADR Recordist: Rick Gould Editor: Simon Cozens Line Producer: Alexandra Ferguson Original Music Composer: Michael Price Music Supervisor: Nick Angel Set Decoration: Robert Wischhusen-Hayes ADR Recordist: Philip Rogers Writer: Lucy Dahl Sound Re-Recording Mixer: Doug Cooper Sound Mixer: John Midgley Sound Re-Recording Mixer: Sven Taits Makeup & Hair: Charlotte Hayward Hairstylist: Amy Byrne ADR Recordist: Rachael Tate ADR Mixer: Nick Kray Costume Design: Julia Caston ADR Mixer: Jeff Gomillion Makeup Designer: Fae Hammond Hairstylist: Liz Phillips Foley Editor: Robin Knapp Stunt Double: Karine Mauffrey Music Consultant: Kirsten Lane Foley Recordist: Tim Atkins Makeup Artist: Andrea Whitten Movie Reviews: