#ergo phizmiz

[douglassoundgallery]

‘Copia’ - an album by People Like Us in collaboration w. Douglas Benford (on melodica), Matmos, Ergo Phizmiz, John Leidecker & many others

[zaphmann]

IMOJP Whole Extra Bit 220914 Podcast & Playlist

IMOJP Whole Extra Bit 220914 Podcast & Playlist

 A loyal subject… September’s Whole Extra Bit show starts with a requiem and throws down the gauntlet… >> the best new music, independent of the industry system – back this show on patreon Paypal to zaph@zaphmann.com heard in over 90 countries via independent stations (RSS)Pod-Subscribe for free here or Embed/listen at podomatic – itunes Apple, Audacity, Google Podcasts, Gaana, Boomplay, Amazon…

[lezet]

V.A.-"The Dimbola Mikado" is out!

V.A.-"The Dimbola Mikado" is out!

Remixes of The Dimbola Mikado Fun Pack by la creme de la creme internacionale., Ergo Phizmiz's lockdown art music theatre spectacular, premieres on emc23.com on August 15th 2020 thedimbolamikadodotorg

Featuring work by {AN} Eel, Black Pigeon, Pete Murphy, Lezet, Salamandir, The Red Hot Funster, Tyrone Slothrop, The Superfools, and Krys O

https://composterofmusic.bandcamp.com/album/the-dimbola-mikado-remixed

[wrflmusic]

From the Archives: Ergo Phizmiz & Irene Moon

Ergo Phizmiz & Irene Moon - Pangolin Variations (2004)

Irene Moon is the stage name of WRFL/UK alumna Katja Seltmann, who is also an entomologist. On Pangolin Variations she talks about pesticides, and Phizmiz and Moon sing songs with surreal lyrics about nests and manatees, and sample BBC clips on a type of anteater called the pangolin. This is all over weird, tinny electronic beats. It’s not online anywhere, so if you want to listen, find it in the library! It’s great.

Recommended Tracks: 3, 4, 5

[hypatiamoser]

Song of the day.

[baophamart]

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Summer peonies 🌿🌺🌿. Working on a few little blooms to grease the wheels for bigger blooms! 🌸 - Shop update coming very soon! Thank you for your patience 💖 - 🎶 Roland avengers by Ergo Phizmiz & Margita Zalite - Materials ⬇️ #watercolor #duochrome #danielsmith #worksonpaper #archeswatercolorpaper #princetonselectbrushes #workinprogress #wip #smallworks #traditionalart #traditionalpainting #daydreams #daydreamer #originalart #ooak #flowers #forgetmenot #look #baotpham #baophamart #artistsoninstagram #baopham #painting #paintanyway #inbloom #cluster #timelapse #timelapsevideo #timelapsepainting #summer #peonies

[disradioshow]

DIS 019

DIS 019

Tracklisting

Santigold - Fall First 

Daine - Stay Close

Victoria Canal - Swan Song

Ruth Lyon - Clown 

Graingerboy - ColdTown

Elizabeth J Birch - Fracture

Elle Chante - Hazy  

Chiptunes 4 Autism (feat. Duzzled) - A Spooky Nightmare at 3AM

Portugal The Man - What, Me Worry?

Amadou & Mariam - Lalahayla

Proper - Red, White & Blue

R Dyer - Modern Life 

Gaelynn Lea - The Last Three Feet

Supermann On Da Beat - Pain (feat Miles Better & Lil Deep)

Santigold - Ain't Ready

Victoria Canal - Driving Your Car

Patrick Samuel - Distant Star

Jonetta (Daylight Studio) - Dreams Come True

Eliza Hull - Caught

John Kelly - I Thought I Had No Voice

Chiptune 4 Autism (feat. LazyNerd204) - Neurodiverse Discotheque

Lucy Leave - Permission To Protest

Sylken Somers - Yellowbelly  

Elizabeth J Birch - Villian

(Is) - Above and beyond the Arachnean, we find ourselves among crystals

Pete Murphy & Ergo Phizmiz - Tea Thug

David Cronenberg’s Wife - Hannity Comes Home

James Holt - Mystery Girl

Orange Juice - Falling and Laughing 

[martinmelogno]

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🐗 #characterdesign #illustration #childrensillustration #funnyillustration #childrenbook #ilustracioninfantil #ilustracion #cartoon #photoshop #digitalart #wacom #madewithwacom 🎵: 'Jungle Bulls' by Ergo Phizmiz https://www.instagram.com/p/CQUtVygAa-Z/?utm_medium=tumblr

[secludedbrontemusic]

AUTUMN NEWS

In the summer we embarked on a short tour of the West Country and wrote and recorded material for two new albums (details to follow). Right now, we're editing those albums and completing work for our debut in Germany.

On October 3rd 2019 we perform in Hamburg at the Pariripar Festival. The festival's artistic directors - Nika Son, Florian Bräunlich and Felix Kubin - have constructed a great line up, with a real variety of artists. We take the stage at 9pm CET on Friday. Here's the festival blurb about us in German (and an English language quote from Ergo Phizmiz), it's quite witty:

"Die pataphysische Performance-Sekte Secluded Bronte, deren Name u.a. auf eine unheimliche Schriftstellerfamilie aus dem 19. Jahrhundert zurückgeht, operiert mit offenen Herzen, Tischen, Stühlen und anderen Gebrauchsgegenständen. Zu ihren Einflüssen zählt die Gruppe Harry Partch, Laurie Johnson, die Gruppo di Improvvisazione Nuova Consonanza, The Residents, Tristram S. Cary und „Hans Weissgartens Zeitgenossen der neo-immortalistischen Kompositionsschule”. Seit den späten 70er Jahren sind Adam und Jonathan Bohman (die „Bohman Brothers”) in zahllosen Projekten im UK-Underground aktiv. 2001 gründeten sie mit dem Autor, Schauspieler und Komponisten Richard Thomas (u.a. Squarepusher, Stereolab) Secluded Bronte. Gemeinsam rührt das Trio mit Händen und Füßen durch ein Meer an Utensilien und köchelt eine polyphone Musique concrète, die mit bizarren Sprachexperimenten eingedickt wird.

‘So punk rock and so fucking opera you will lose your shit completely. And, blimey, those guys dress so beautifully.” (Ergo Phizmiz)’”

On October 5th we perform in Bremen at the REM Festival -Instabil: Musik mit feedback. The remit is self-evident. Again, it's a great line-up. We take the stage circa 930pm CET. We are going to perform a 30 minute piece that is a suite of direct and obtuse engagements with feedback as material and as a concept. Here's what the festival program says about it:

"For the REM Festival Secluded Bronte are developing a suite of pieces that take a panoramic approach to the concept of feedback. They explore feedback as a spatial phenomena; as a socio-eco-nomic and commercial phenomena; as a scientific phenomena, and the history of feedbacks’ use in music, alongside a plethora of other permutational, poetic and perhaps cryptic digressions on the nature, cultural-material history and »meaning« of feedback."

And here is the forward to the festival program:

"Das dritte Festival »REM – Rapid Ear Movement« der »projektgruppe neue musik Bremen« (pgnm) präsentiert Musik, Film und Performance mit Schwingkreisen, Rückkopplungen und Eigenbluttransfusionen. Stets gefürchtet, sind Feedbacks zugleich nach wie vor hochproduktive Inspi-rationsquelle und Klanggeneratoren, die noch immer voller Überraschungen stecken. INSTABIL in sich kreisend, sich selber fütternd und oft nur begrenztvorhersehbar, machen sie Aufführungen zu unwiederholbaren Ereignissen.REM/pgnm präsentiert an drei Tagen eine Auswahl der großen internationalen Szene. Performative Vorträge reflektieren die musikalischen Verfahren und die aktuelle Bedeutung in sich kreisender Produktivität."

At the top of the newsletter two new albums were mentioned. Forthcoming on Bear Town Records is an album called Magnetic Crochet. This album is a sui generis collage of instrumental miniatures, live recordings, songs, studio experiments, rock jams, field recordings and poems. Also imminent is a live album on Otoroku. 15/07/19 & 10/08/19 is an edited meld of two gigs performed at Cafe Oto earlier this year. It's packed to the gills with new material and again it finds us experimenting with song form. Finally in December we head to the Republic of Ireland and Northern Ireland for a short tour. We round off the year on December 8th with a concert at Cafe Oto. Details on these latter two items and the new albums will be with you soon.

Happy Autumn, from the Secluded Bronte Editorial Department.

[telavivcity-blog]

Tel-Aviv Museum of Art, Israel

https://telavivcity.co.il/?p=4738&utm_source=SocialAutoPoster&utm_medium=Social&utm_campaign=Tumblr The City that never sleeps Tel-Aviv Museum of Art, Israel https://telavivcity.co.il/?p=4738&utm_source=SocialAutoPoster&utm_medium=Social&utm_campaign=Tumblr Herta and Paul Amir building, the expansion of the Tel-Aviv Museum of Art, Israel. Designed by Preston Scott Cohen. 2011. This is a new film, produced from footage commissioned for domus magazine / domusweb. Edifício Herta e Paul Amir, a expansão do Museu de Arte de Tel-Aviv, Israel. Projeto de Preston Scott Cohen. 2011. Este é um novo filme produzido a partir de um trabalho comissionado pela revista domus / domusweb. Film: Pedro Kok / pedrokok.com.br Music: "Sad Story" by Ergo Phizmiz / ergophizmiz.net Originaly featured on: Domus Magazine / www.domusweb.it/en/video2/mediterranean-vortex/ Likes: 91 Viewed: 6447 source #Art #Israel #Museum #telavivbeach #telavivmap #telavivmuseum #telavivweather #tel-aviv #telaviv TEL AVIV - THE CITY THAT NEVER SLEEPS #museum #Uncategorized

[editionsvanloo]

Ergo Phizmiz : Pie Hateaux (2008) - Full Album

[zaphmann]

In Memory of John Peel Show 220902 Podcast & Playlist

In Memory of John Peel Show 220902 Podcast & Playlist

Doris-Dennison 1956 “It’s just another great show, we’ve become used to it being so good, but I rarely find anything that comes close on other podcasts” >> the best new music, independent of the industry system – back this show on patreon Paypal to zaph@zaphmann.com heard in over 90 countries via independent stations (RSS)Pod-Subscribe for free here or Embed/listen at podomatic – itunes Apple,…

[lezet]

V.A.-"Mighty Giant Pinky: Tribute to Satanicpornocultshop" out on Avanthardcollective (UK)!!!!!!

A collection of music in memory of Ugh Yoing, the collage-composition and electronic music genius behind Satanicpornocultshop.

Free digital download from Free Music Archive & Bandcamp.

Ltd Ed cassette coming shortly.

With music from

Lezet * Koppen & COU * Orrironz * Okapi * Jon Panther * QST * Ergo Phizmiz-Mittelhammer * Gekkering * Benjamin Inbar * Peter Wullen * Anthony Donovan * {An} Eel * Krystyna O * Vernon Lenoir * Elvis Herod * Prawnshocker * Durt * Walt Thisney * Thee Alex

Curated by Ergo Phizmiz-Mittelhammer

Released on Avanthardcollective

* * *

In memory of our old good friend, Ugh Yoing a.k.a. Takuya Karusawa (Satanicpornocultshop), “The Mighty Giant Pinky” begins with a motif from one of his recent work “Gundensan e.p (2017)” which is coproduced with us, ORRORINZ. We played instruments along some favorite phrases from his works in mid to late 2000s including sample of voices of Ugh’s daughters. A motif from “Gundensan e.p” appears again in the end of the track with expectations on rest of Satanicpornocultshop members, the beautiful guys. Good news, they are keeping on playing and producing music as Satanicpornocultshop after Ugh’s wishes.

Another track “BIIB” is based on an idea of Comzo, the bassist of ORRORINZ. Comzo featured unforgettable riffs for him from a very early day’s almost unknown CD-R which was given by Ugh in late 90s.

Ugh used to say to me “Life is short, so you’ve gotta rush” . But his life was taken suddenly by cancer at age of 50, his life was too short. He didn’t drink nor smoke, so nobody could imagine that. We are still in feeling of huge loss, sadness and emptiness. But we will keep on going.

Ugh, you used to work so hard. Just take a rest in peace.

Taiki “Fiftystorm” Igarashi (ORRORINZ a.k.a orionza)

* * *

Back in the golden days of the internet, when people used to do things like share information, exciting things used to happen. One of these exciting things was an international, loosely woven scene of musical adventurers. Across the high seas of cyberspace they would wantonly flout copyright law and the limits of genre, making indefinable music with computers that didn't fit into any comfortable bracket and operated in a place that had nothing to do with the music industry. Fun times.

During these heady days I happily rode along on this wave of invention. Going on the internet was exciting because, who knows, you might have gone online and found a piece of music that was not directly comparable to anything you had listened to before.

This, with bells on, went to everything Satanicpornocultshop put out. The level of invention, and the radical use of and interaction with technology to create musical shapes in their work repeatedly exploded my young, impressionable little mind.

Anytime a new Satapo release came out, it made me think "I must try harder".

This release is an attempt to say the old adage "Thanks for the music" and to demonstrate the profound effect Ugh Yoing's work had on a generation of composers in the naughty underbelly of electronic music.

I am, as ever, your humble servant,

Ergo Phizmiz-Mittelhammer

bandcamp:

https://composterofmusic.bandcamp.com/album/mighty-giant-pinky-tribute-to-satanicpornocultshop

https://composterofmusic.bandcamp.com/album/mighty-giant-pinky-tribute-to-satanicpornocultshop

released February 28, 2019 license

all rights reserved

[thegardencharts]

September

Ergo Phizmiz (PLC): The Death of Copyright

The Twelve Hour Foundation : Tree Little Milk Egg Book...

ID Spectral Various : IDS001

Testbild! : Stad

Spiritualized : And Nothing Hurt...

GULP : All Good Wishes

Oh Sees : Smote Reverser

Secret Circuit : Out Of Body Interiors

James Murray : Falling Backwards

Klaus Johann Grobe : Du bist so symmetrisch

[lopehernanchacon]

Lope Hernan Chacón: Current gripes and current joys – Tête à Tête: The Opera Festival returns

Tête à Tête: The Opera Festival returns in 2018 to present another lively programme of opera from the cutting edge, reflecting current affairs, current gripes, and current joys. The festival runs from 26 July to 18 August 2018 in a variety of locations in the King’s Cross area, from outdoors in Lewis Cubitt Square to RADA Studios, Kings Place and the Wellcome Collection.

Returning alumni of the festival include Errollyn Wallen, Juice Vocal Ensemble, Edward Lambert, and Tom Randle, and there are new collaborations with the Wellcome Collection and Mid Wales Music Trust with Sinfonia Cymru. The festival is welcoming its first artist in residence, with Li-E Chen’s Proposition for a Silent Opera at an Invisible Museum – I am a museum that encompasses an art exhibition in the foyer of The Place from 16 to 18 August, plus performances throughout the week.

Free opera is served in the Cubitt Sessions in Lewis Cubitt Square, with work by BISHI, Errollyn Wallen, Juice Vocal Ensemble, and Aubergine from Muziektheater Transparent, and Tête à Tête’s very own operatic disaster, TOSCATASTROPHE.

McCaldin Arts are bringing Martin Bussey’s Mary’s Hand about Queen Mary I, Ergo Phizmiz returns with NIBIRU!, the Music Troupe bring Edward Lambert’s The Cloak and Dagger Affair based on Lorca, Metta Theatre explore what it is to be aged two with Oliver Brignall’s I Do Need Me, and Tom Randle’s Love Me To Death features Gillian Keith as Ruth Ellis.

Early Bird tickets are on-sale until 10 July. Full details from the festival website.

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