#entertainment news of 2018

[notsobravetoaster]

To disprovement of my wallet

[awstenlookbook]

Backstage during Vans Warped Tour 2018, Awsten wears a New Balance vintage 90s neon windbreaker jacket (no longer available).

📸Jawn Rocha via Waterparks' Twitter

EDIT: Sunglasses

[acsuttles]

4K – God of War – A New Destination – Take Mirmir’s Head to the Witch

#Kratos #Atreus #GodofWar #ANewDestination #TakeMirmirsHeadtotheWitch #Sony #SonyInteractiveEntertainment #April2018 #BloodandGore #IntenseViolence #StrongLanguage #RatedMforMature

[amazingworldd]

Akani Simbine

Akani Simbine is a South African sprinter who specializes in the 100-meter and 200-meter events. He was born on September 21, 1993, in Kempton Park, South Africa. Simbine burst onto the international athletics scene in 2015 when he won the gold medal in the 100 meters at the World University Games.

Simbine continued to make his mark in the 100 meters, earning several podium finishes in major competitions. In the 2016 Rio Olympics, he reached the finals and finished fifth with a time of 9.94 seconds, becoming the first South African to run the 100 meters in under 10 seconds at the Olympic Games.

Over the years, Simbine has consistently been one of the top sprinters in the world. He won the gold medal in the 100 meters at the Commonwealth Games in 2018, setting a new Games record with a time of 10.03 seconds. Simbine has also been a regular competitor in the Diamond League, where he has achieved notable victories and podium finishes.

In terms of his personal bests, as of my knowledge cutoff in September 2021, Simbine has a personal best of 9.89 seconds in the 100 meters, which he achieved in 2016. In the 200 meters, his personal best is 19.95 seconds, set in 2018.

Please note that my information might not be up to date since my knowledge cutoff is in September 2021, and there may have been new developments or achievements in Akani Simbine's career since then.

[starlight--writings]

Oops - Part Two

Max Verstappen x Female!Vettel!Reader

Summary: Max and Y/N had their relationship outed online and Y/N has been facing some serious backlash. However, Y/N is mainly unphased and proudly posts pictures of her boyfriends while trying to keep her protective father and boyfriend clam. She also gives Lando the green light to post all of the pictures he has of them together. Part One

Warnings: Swearing, people being rude.

A/N: Y/N is adopted, set in 2019/2020, no covid au bc ew no. Face claim is Sabrina Carpenter and the side/back of Kelly Piquet’s head.

DISCLAIMER: I do not know any if the people in this work of fiction. This is purely created for entertainment purposes only!

F1_news

Liked by 3.1 million people

BREAKING! New released picture confirms the rumours about a relationship between Max Verstappen and Y/N Vettel.

Comments

Fanaccount1 Great another spoiled stay at home girlfriend 🙄

Fan_account2 Does she even have a job???

Fanaccount_3xo Good for her!!

Fanaccount4 He's 3 years older than her, how is even this allowed?

Fanaccount_55 Gold digger!!

Y/N_vettel5 posted to their story

Y/N_vettel5

📍Oxford University, Oxford

Liked by 12,575 people

The study life stops for nothing ☕

Comments for this post are turned off

Maxverstappen33

Liked by 45,723 people

Since our relationship is public information I thought I would share these pictures of my girlfriend. Y/N is by far the kindest and sweetest person on the planet and I love her. She laughs at all of my jokes and does the most to make me happy. I am proud to call her my girlfriend.

The things that people are saying about her and our relationship is honesty disgusting. Just because I am well known due to my job does not mean that you can publicly talk about my relationship. Anymore horrid comments will not be tolerated.

Comments for this post are turned off

Y/N_vettel5

📍Oxford University, Oxford

Liked by 34.794 people

I have known Max for a few years now after spending my school breaks with my papa at the races. We hit is off quite well after spending a lot of 2017/2018 running from the Drive To Survive filming. Since then we grew very close.

He is absolutely the love of my life and the greatest person I know. He has supported me through everything and he is my absolute best friend. He visits me at uni during breaks and always makes an effort for me. And now I can finally share some of my favourite pictures of him.

Ps: Yes, I am definitely the most insufferable person in my uni hall. On the upside, I'm always invited to the Sunday race lunches with the guys 😂😂

Comments for this post are turned off

Landonorris

Liked by 37,362 people

Despite everything that has been said surrounding their relationship, Y/N has told me that I could make a post. I'm so glad I can finally share these. Be hold, Mad Max being a softie for his girlfriend! I'm so happy for you guys and I'm glad you don't have to sneak around anymore.

Ps: Rude/mean comments will not be tolerated. Their relationship is nothing to do with anyone but them.

Comments

Y/N_vettel5 I can't believe 2/3 of these pics are of me and Max kissing!

Maxverstappen33 At least we aren't drunk in these ones

Landonorris I forgot about those photos 😈

Y/N _vettel5 Oh sweet Jesus

Danielricardo Ah so the rumours are true! So glad you got a girl Max.

Maxverstappen33 Thanks mate!

Sebastianvettel These are lovely pictures landonorris

Fanaccount At least Lando isn't afraid to have his comments on unlike the 'happy couple'

Fan_account_6 This is PR relationships at their finest!!!!

Charles_leclerc Now Y/N has someone else to steal hats and jackets from now.

Sebastianvettel I still feel like I won't be getting some things back.

Y/N_vettel I have no idea what you are talking about😁

Lewishamilton So happy for you guys!

[mostlysignssomeportents]

The majority of censorship is self-censorship

I'm on tour with my new novel The Bezzle! Catch me TONIGHT in SAN DIEGO (Feb 22, Mysterious Galaxy). After that, it's LA (Saturday night, with Adam Conover), Seattle (Monday, with Neal Stephenson), then Portland, Phoenix and more!

I know a lot of polymaths, but Ada Palmer takes the cake: brilliant science fiction writer, brilliant historian, brilliant librettist, brilliant singer, and then some:

https://pluralistic.net/2022/02/10/monopoly-begets-monopoly/#terra-ignota

Palmer is a friend and a colleague. In 2018, she, Adrian Johns and I collaborated on "Censorship, Information Control, & Information Revolutions from Printing Press to Internet," a series of grad seminars at the U Chicago History department (where Ada is a tenured prof, specializing in the Inquisition and Renaissance forbidden knowledge):

https://ifk.uchicago.edu/research/faculty-fellow-projects/censorship-information-control-information-revolutions-from-printing-press/

The project had its origins in a party game that Ada and I used to play at SF conventions: Ada would describe a way that the Inquisitions' censors attacked the printing press, and I'd find an extremely parallel maneuver from governments, the entertainment industry or other entities from the much more recent history of internet censorship battles.

With the seminars, we took it to the next level. Each 3h long session featured a roster of speakers from many disciplines, explaining everything from how encryption works to how white nationalists who were radicalized in Vietnam formed an armored-car robbery gang to finance modems and Apple ][+s to link up neo-Nazis across the USA.

We borrowed the structure of these sessions from science fiction conventions, home to a very specific kind of panel that doesn't always work, but when it does, it's fantastic. It was a natural choice: after all, Ada and I know each other through science fiction.

Even if you're not an sf person, you've probably heard of the Hugo Awards, the most prestigious awards in the field, voted on each year by attendees of the annual World Science Fiction Convention (Worldcon). And even if you're not an sf fan, you might have heard about a scandal involving the Hugo Awards, which were held last year in China, a first:

https://www.nbcnews.com/news/world/science-fiction-authors-excluded-hugo-awards-china-rcna139134

A little background: each year's Worldcon is run by a committee of volunteers. These volunteers put together bids to host the Worldcon, and canvass Worldcon attendees to vote in favor of their bid. For many years, a group of Chinese fans attempted to field a successful bid to host a Worldcon, and, eventually, they won.

At the time, there were many concerns: about traveling to a country with a poor human rights record and a reputation for censorship, and about the logistics of customary Worldcon attendees getting visas. During this debate, many international fans pointed to the poor human rights record in the USA (which has hosted the vast majority of Worldcons since their inception), and the absolute ghastly rigmarole the US government subjects many foreign visitors to when they seek visas to come to the US for conventions.

Whatever side of this debate you came down on, it couldn't be denied that the Chinese Worldcon rang a lot of alarm-bells. Communications were spotty, and then the con was unceremoniously rescheduled for months after the original scheduled date, without any good explanation. Rumors swirled of Chinese petty officials muscling their way into the con's administration.

But the real alarm bells started clanging after the Hugo Award ceremony. Normally, after the Hugos are given out, attendees are given paper handouts tallying the nominations and votes, and those numbers are also simultaneously published online. Technically, the Hugo committee has a grace period of some weeks before this data must be published, but at every Worldcon I've attended over the past 30+ years, I left the Hugos with a data-sheet in my hand.

Then, in early December, at the very last moment, the Hugo committee released its data – and all hell broke loose. Numerous, acclaimed works had been unilaterally "disqualified" from the ballot. Many of these were written by writers from the Chinese diaspora, but some works – like an episode of Neil Gaiman's Sandman – were seemingly unconnected to any national considerations.

Readers and writers erupted in outrage, demanding to know what had happened. The Hugo administrators – Americans and Canadians who'd volunteered in those roles for many years and were widely viewed as being members in good standing of the community – were either silent or responded with rude and insulting remarks. One thing they didn't do was explain themselves.

The absence of facts left a void that rumors and speculation rushed in to fill. Stories of Chinese official censorship swirled online, and along with them, a kind of I-told-you-so: China should never have been home to a Worldcon, the country's authoritarian national politics are fundamentally incompatible with a literary festival.

As the outrage mounted and the scandal breached from the confines of science fiction fans and writers to the wider world, more details kept emerging. A damning set of internal leaks revealed that it was those long-serving American and Canadian volunteers who decided to censor the ballot. They did so out of a vague sense that the Chinese state would visit some unspecified sanction on the con if politically unpalatable works appeared on the Hugo ballot. Incredibly, they even compiled clumsy dossiers on nominees, disqualifying one nominee out of a mistaken belief that he had once visited Tibet (it was actually Nepal).

There's no evidence that the Chinese state asked these people to do this. Likewise, it wasn't pressure from the Chinese state that caused them to throw out hundreds of ballots cast by Chinese fans, whom they believed were voting for a "slate" of works (it's not clear if this is the case, but slate voting is permitted under Hugo rules).

All this has raised many questions about the future of the Hugo Awards, and the status of the awards that were given in China. There's widespread concern that Chinese fans involved with the con may face state retaliation due to the negative press that these shenanigans stirred up.

But there's also a lot of questions about censorship, and the nature of both state and private censorship, and the relationship between the two. These are questions that Ada is extremely well-poised to answer; indeed, they're the subject of her book-in-progress, entitled Why We Censor: from the Inquisition to the Internet.

In a magisterial essay for Reactor, Palmer stakes out her central thesis: "The majority of censorship is self-censorship, but the majority of self-censorship is intentionally cultivated by an outside power":

https://reactormag.com/tools-for-thinking-about-censorship/

States – even very powerful states – that wish to censor lack the resources to accomplish totalizing censorship of the sort depicted in Nineteen Eighty-Four. They can't go from house to house, searching every nook and cranny for copies of forbidden literature. The only way to kill an idea is to stop people from expressing it in the first place. Convincing people to censor themselves is, "dollar for dollar and man-hour for man-hour, much cheaper and more impactful than anything else a censorious regime can do."

Ada invokes examples modern and ancient, including from her own area of specialty, the Inquisition and its treatment of Gailileo. The Inquistions didn't set out to silence Galileo. If that had been its objective, it could have just assassinated him. This was cheap, easy and reliable! Instead, the Inquisition persecuted Galileo, in a very high-profile manner, making him and his ideas far more famous.

But this isn't some early example of Inquisitorial Streisand Effect. The point of persecuting Galileo was to convince Descartes to self-censor, which he did. He took his manuscript back from the publisher and cut the sections the Inquisition was likely to find offensive. It wasn't just Descartes: "thousands of other major thinkers of the time wrote differently, spoke differently, chose different projects, and passed different ideas on to the next century because they self-censored after the Galileo trial."

This is direct self-censorship, where people are frightened into silencing themselves. But there's another form of censorship, which Ada calls "middlemen censorship." That's when someone other than the government censors a work because they fear what the government would do if they didn't. Think of Scholastic's cowardly decision to pull inclusive, LGBTQ books out of its book fair selections even though no one had ordered them to do so:

https://www.nytimes.com/2023/05/06/books/scholastic-book-racism-maggie-tokuda-hall.html

This is a form of censorship outsourcing, and it "multiplies the manpower of a censorship system by the number of individuals within its power." The censoring body doesn't need to hire people to search everyone's houses for offensive books – it can frighten editors, publishers, distributors, booksellers and librarians into suppressing the books in the first place.

This outsourcing blurs the line between state and private surveillance. Think about comics. After a series of high-profile Congressional hearings about the supposed danger of comics to impressionable young minds, the comics industry undertook a regime of self-censorship, through which the private Comics Code Authority would vet comings for "dangerous" content before allowing its seal of approval to appear on the comics' covers. Distributors and retailers refused to carry books without a CCA stamp, so publishers refused to publish books unless they could get a CCA stamp.

The CCA was unaccountable, capricious – and racist. By the 60s and 70s, it became clear that comic about Black characters were subjected to much tighter scrutiny than comics featuring white heroes. The CCA would reject "a drop of sweat on the forehead of a Black astronaut as 'too graphic' since it 'could be mistaken for blood.'" Every comic that got sent back by the CCA meant long, brutal reworkings by writers and illustrators to get them past the censors.

The US government never censored heroes like Black Panther, but the chain of events that created the CCA "middleman censors" made sure that Black Panther appeared in far fewer comics starring Marvel's most prominent Black character. An analysis of censorship that tries to draw a line between private and public censorship would say that the government played no role in Black Panther's banishment to obscurity – but without Congressional action, Black Panther would never have faced censorship.

This is why attempts to cleanly divide public and private censorship always break down. Many people will tell you that when Twitter or Facebook blocks content they disagree with, that's not censorship, since censorship is government action, and these are private actors. What they mean is that Twitter and Facebook censorship doesn't violate the First Amendment, but it's perfectly possible to infringe on free speech without violating the US Constitution. What's more, if the government fails to prevent monopolization of our speech forums – like social media – and also declines to offer its own public speech forums that are bound to respect the First Amendment, we can end up with government choices that produce an environment in which some ideas are suppressed wherever they might find an audience – all without violating the Constitution:

https://locusmag.com/2020/01/cory-doctorow-inaction-is-a-form-of-action/

The great censorious regimes of the past – the USSR, the Inquisition – left behind vast troves of bureaucratic records, and these records are full of complaints about the censors' lack of resources. They didn't have the manpower, the office space, the money or the power to erase the ideas they were ordered to suppress. As Ada notes, "In the period that Spain’s Inquisition was wildly out of Rome’s control, the Roman Inquisition even printed manuals to guide its Inquisitors on how to bluff their way through pretending they were on top of what Spain was doing!"

Censors have always done – and still do – their work not by wielding power, but by projecting it. Even the most powerful state actors are not powerful enough to truly censor, in the sense of confiscating every work expressing an idea and punishing everyone who creates such a work. Instead, when they rely on self-censorship, both by individuals and by intermediaries. When censors act to block one work and not another, or when they punish one transgressor while another is free to speak, it's tempting to think that they are following some arcane ruleset that defines when enforcement is strict and when it's weak. But the truth is, they censor erratically because they are too weak to censor comprehensively.

Spectacular acts of censorship and punishment are a performance, "to change the way people act and think." Censors "seek out actions that can cause the maximum number of people to notice and feel their presence, with a minimum of expense and manpower."

The censor can only succeed by convincing us to do their work for them. That's why drawing a line between state censorship and private censorship is such a misleading exercise. Censorship is, and always has been, a public-private partnership.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/22/self-censorship/#hugos

[fans4wga]

Writers Guild West Official: Era of Hollywood Mergers Hastened the Strike

August 10, 2023

Laura Blum-Smith, the Writers Guild of America West’s director of research and public policy, considers the strike a result of a tsunami of Hollywood mergers that has handed studios and streamers the power to its exploit workers.

“Harmful mergers and attempts to monopolize markets are a recurring theme in the history of media and entertainment, and they are a key part of what led 11,500 writers to go on strike more than 100 days ago against their employers,” Blum-Smith said on Thursday at an event with the Federal Trade Commission and Department of Justice over new merger guidelines unveiled in July.

She pointed to Disney, Amazon and Netflix as companies that “gained power through anticompetitive consolidation and vertical integration,” allowing them to impose “more and more precarious working conditions, increasingly short term employment and lower pay for writers and other workers across the industry.” But she sees revisions to the merger guidelines that address labor concerns a key part of the solution to prevent further mergers in the entertainment industry moving forward.

“The FTC and DOJ’s new draft merger guidelines are part of a deeply necessary effort to revive antitrust enforcement,” she added. “Compared with earlier guidelines, the new ones are much more skeptical of the idea that mergers are the natural way for companies to grow. And they focus more on the various ways mergers hurt competition, including how mergers impact workers.”

In July, the FTC and DOJ jointly released a new road map for regulatory review of mergers. They require companies to consider the impact of proposed transactions on labor, signaling that the agencies intend to review whether mergers could negatively impact wages and working conditions. FTC commissioner Alvaro Bedoya, who was joined by agency chair Lina Khan, said in a statement about the guidelines that “a merger that may substantially lessen competition for workers will not be immunized by a prediction that predicted savings from a merger will be passed on to consumers.” Historically, transactions have been considered mostly through the lens of benefits to consumers.

The guidelines lack the force of law but influence the way in which judges consider lawsuits to block proposed transactions. They also tell the public how competition enforcers will assess the potential for a merger’s harm to competition.

Antitrust enforcers have steadily been taking notice of negative impacts to labor as a result of industry consolidation. “We’ve heard concerns that a handful of companies may now again be controlling the bulk of the entertainment supply chain from content creation to distribution,” Khan said last year during a listening forum over revisions to the guidelines, in a nod to anticompetitive conduct by studios that led to the Paramount Decrees. “We’ve heard concerns that this type of consolidation and integration can enable firms to exert market power over creators and workers alike.”

Adam Conover, writer and WGA board member, said in that April 2022 forum that his show Adam Ruins Everything was killed by AT&T’s acquisition of Time Warner in 2018 when TruTV’s parent company forced the network to cut costs. He stressed that a handful of companies “now control the production and distribution of almost all entertainment content available to the American public,” allowing them to “more easily hold down our wages and set onerous terms for our employment.” It’s not just writers that are impacted by an overly consolidated Hollywood either, he explained. After Disney acquired 21st Century Fox in 2019, he said that the studios pushed the industry into ending backend participation and trapping actors in exclusive contracts preventing them from pursuing other work.

Blum-Smith said that aggressive competition enforcement is necessary as “Wall Street continues to push for more consolidation among our employers despite the industry’s history of mergers that failed to deliver any of the consumer benefits they’ve claimed that left writers and audiences worse off with less diversity of content and fewer choices.”

“More mergers will leave writers with even fewer places to sell their work and tell their stories and the remaining companies will have even more power to lower pay and worsen working conditions,” she warned. “Strong enforcement against mergers is essential to protect workers in media and workers across the country and these guidelines are an important step in the right direction.”

[voxina]

JADE has recalled her stint on The X Factor, saying she didn’t know anyone who came away from the show without “some sort of mental health issue”.

The singer-songwriter featured on the talent search programme in 2011 and joined girl group Little Mix when she was 18 years old, an experience she has reflected on in a new interview with The Independent.

The ‘Angel Of My Dreams’ singer admitted that being on The X Factor involved adjusting to “pretty fucked up” things, namely sharing bunk beds with other female contestants, regardless of age.

“Even at 18, I knew there were people who weren’t mentally well in there, keeping everyone up at night,” she said. “I don’t know if there was even security outside the house. It’s scary to think about now, but I was too young to realise that at the time.”

Her comments come after many entertainment world figures have demanded more protections be put in place for young artists following the death of One Direction star Liam Payne, who auditioned for The X Factor during the same series as Thirlwall.

Although she didn’t address Payne’s passing directly, she did mention thinking the series “had to end” after its 2018 conclusion.

“I don’t think that kind of show can exist any more. We’re in a different place now,” she added. “We wouldn’t put someone that’s mentally unwell on a TV screen and laugh at them while they sing terribly. The concept of a joke act on a show is just cruel.”

She said the concept was “all very Roman empire” while joking that it was the “best training ever” for her to enter the music industry. On a more sombre note, she continued: “I don’t know anyone that’s come off that show and not had some sort of mental health issue on the back of it.”

Thirwall also admitted to feeling “conflicted” about criticising the show. “It changed my life,” she explained. “I was from a very normal working-class family up north, I had tried sending demos in to labels, I’d gigged all over, I was doing everything I could to make it, and I needed a show like that to give me a chance.”

She continued to say that she’d guess “five per cent of the people that went on there have come out of it not unscathed, but having survived; the other 95 per cent have suffered in silence.”

Reflecting on how people readjust to normal life after participating in something like The X Factor, she said: “How do you go from being on that show to back to your nine-to-five? How do you get signed to the label, think you’ve made it, and then once your song doesn’t hit the Top 10, you’re just dropped? It’s so savage, this machine that we’re a part of. Even back then, we knew how lucky we were every day that we were still signed.”

[Full article]

[henrykathman]

The Miraculous Horror of Stop Motion

From the same artform that brought you Coraline and Rudolph the Red-Nosed Reindeer, comes three stories that evoke the existential fear of art.

Original Music by Molly Noise

Bibliography below

Atrocity Guide. “The Animators Who’ve Spent 40 Years on a Single Film.” YouTube, 9 Oct. 2021, www.youtube.com/watch?v=73hip3pz0Xs&pp=ygUMdGhlIG92ZXJjb2F0. Accessed 19 June 2024.

Brubaker, Charles. “The Japanese Studios of Rankin/Bass.” Cartoon Research, Jerry Beck, 14 Apr. 2014, cartoonresearch.com/index.php/the-japanese-studios-of-rankinbass/.

Bute, Paris. “Introduction to “a Rankin/Bass Retrospective from a New Perspective.”” Citizen Jane, Stephens College, 19 Nov. 2021, www.citizenjane.org/home/cwwicd2ucb2fvs64kgfaocfykjhaum. Accessed 19 June 2024.

Crome, Althea. “Coraline.” Althea Crome | Micro Knitter, 2012, www.altheacrome.com/coraline. Accessed 19 June 2024.

Harold Halibut. Directed by Onat Hekimoğlu, Slow Bros., 16 Apr. 2024.

Hekimoglu, Onat, and Gabriel Schmitz. “Unite Berlin 2018 - Harold Halibut and Making a Stop Motion Game.” Unity, YouTube, 6 Aug. 2018, youtu.be/9usssSQc0wQ. Accessed 6 May 2023.

Jon "Sikamikanico" Clarke. “The Making of Harold Halibut.” XboxEra, YouTube, 21 Mar. 2024, youtu.be/WMyxM9t3o7A. Accessed 19 June 2024.

LAIKA Studios. “Sweater and Gloves: Knitting Coraline by Hand.” YouTube, 11 July 2017, youtu.be/zUvkfcGR-7U. Accessed 19 June 2024.

Mad God Productions. “Phil Tippett’s “Mad God.”” Kickstarter, 17 May 2012, www.kickstarter.com/projects/madgod/phil-tippetts-mad-god/posts.

Olson, Mathew. “Report: Michel Ancel Accused of Abusive, Disruptive Practices on beyond Good & Evil 2.” VG247, 25 Sept. 2020, www.vg247.com/report-michel-ancel-accused-of-abusive-disruptive-practices-on-beyond-good-evil-2. Accessed 19 June 2024.

Ono, Kosei. “Tadahito Mochinaga: The Japanese Animator Who Lived in Two Worlds.” Animation World Network, AWN, Inc, 1 Dec. 1999, www.awn.com/animationworld/tadahito-mochinaga-japanese-animator-who-lived-two-worlds.

Orland, Kyle. “Claptrap Voice Actor Accuses Gearbox CEO of Assault, Underpayment.” Ars Technica, 7 May 2019, arstechnica.com/gaming/2019/05/claptrap-voice-actor-accuses-gearbox-ceo-of-assault-underpayment/. Accessed 19 June 2024.

Pilling, Jayne. A Reader In Animation Studies. Indiana University Press, 1998. Project MUSE muse.jhu.edu/book/40033.

Prehistoric Beast. Directed by Phil Tippett, Tippett Studios, 1984. https://www.youtube.com/watch?v=hlaXIRTjNfo

Randles, Jonathan. “VFX Studio with Star Wars, Jurassic Park Credits Goes Bankrupt.” Bloomberg Law, 1 May 2024, news.bloomberglaw.com/bankruptcy-law/vfx-studio-with-star-wars-jurassic-park-credits-goes-bankrupt. Accessed 19 June 2024.

Shanley, Patrick. “Gearbox Software CEO Accused of Contempt in Latest Filing.” The Hollywood Reporter, 27 Aug. 2019, www.hollywoodreporter.com/business/digital/gearbox-software-ceo-accused-contempt-latest-filing-1235064/. Accessed 19 June 2024.

The Making of “Jurassic Park.” Directed by John Schultz, Amblin Entertainment, 1995. https://youtu.be/8r01mk6F_Pk

The Making of Mad God. Directed by Maya Tippett, Shudder, 2021. https://youtu.be/sfUOHh0xmwc

The Tale of the Fox. Directed by Irene Starewicz and Ladislas Starevich, UFA GmbH, 10 Apr. 1941. https://youtu.be/Us_Pn6Q1dBQ

Wikipedia contributors. "List of films with longest production time." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 12 Jun. 2024. Web. 19 Jun. 2024.

Wikipedia contributors. "List of media notable for being in development hell." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 19 Jun. 2024. Web. 19 Jun. 2024.

Wikipedia contributors. "List of Rankin/Bass Productions films." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 9 Jun. 2024. Web. 19 Jun. 2024.

Wikipedia contributors. "Tadahito Mochinaga." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 28 Nov. 2023. Web. 19 Jun. 2024.

Wilson, Josh. “Phil Tippett: 24 Frames per Second < the Fabulist Words & Art.” The Fabulist Words & Art, 5 Nov. 2021, fabulistmagazine.com/24-frames-per-second-the-phil-tippett-interview/.

Worse than the Demon. Directed by Maya Tippett, Shudder, 2013. https://youtu.be/ghKqvDNRe4c

[imaginespazzi]

Part 7: Home

Masterlist - Part 1 - Part 2 - Part 3 - Part 4 - Part 5 - Part 6

These hands had to let it go free and this love came back to (us)

(In which with bittersweet feelings, a nostalgic writer, finally writes the end of the story)

Pairing: Paige Bueckers X Azzi Fudd

Themes: Angst and Fluff

Words: 7.1K

TW: Swearing, Alludes to Sexual Content

A/N: Hello my loves! I can't believe we've actually reached the end, who would have thought huh? I'm not sure if there will be an epilogue, mainly cause I don't know what I'd write but never say never. I don't really know how I feel about this chapter and if I've done the end I pictured justice but I really hope y'all like it anyways. There's a fair amount of creative liberty taken with WNBA logistics but please just accept it for the plot. Per usual, did I edit? Yes. Are there grammar mistakes and typos anyways? Yes. As always, let me know what you liked and disliked. And finally, to all my lovelies who have liked, reblogged, commented, sent in an ask, dm-ed me or simply just silently read this fic, I just wanna say thank you guys so, so, much, y'all have made writing every word worth it and I hope you enjoyed reading this as much I enjoyed writing it <3

August 2018

Paige swears, tonight, there are stars in the Minnesota night sky she’s never seen before in her life. The summer sky has darkened with nightfall, yet the shine of the moon and its companions make it still seem ever so bright. Or maybe, it’s just the girl lying next to Paige that makes tonight feel luminescent, sparkling with the promises of something not quite like friendship that Paige has never felt before. She’d spent the whole day with Azzi at the Minnesota State fair, trying to suppress these new butterflies in her stomach that seemed to have taken birth over their time in Latvia. Or well, maybe they’d been there from the start, but they’d really only started this dance of theirs, the one that makes Paige feel all tingly when Azzi smiles, over the course of this summer. 

“Paige it’s cold, stop hogging the blanket,” Azzi chastises, breaking Paige from a trance, as she tugs on the pink and purple blanket covering the two of them, “I knew we should have brought two of them.”

“It’s barely on me” Paige argues for the sake of arguing but she shifts anyway to allow the younger girl to pull the blanket, so clearly meant for one person, a little more towards her, “besides, it’s about sharing body heat.”

“You’re not even warm enough to share body heat,” Azzi mocks as she makes a show of tracing a finger down Paige’s arm and everything in the blonde feels like it’s been lit on fire at the touch. And she wonders if Azzi feels it too, the electricity, the sparks of this could ruin me that scatter through her veins before finding themselves setting her heart ablaze. It’s too much and Paige shakes Azzi’s hand off with a little more force than she means too. 

When Azzi sends her questioning look, she splutters through an excuse, “your hands are cold too. Can we just do the boring shit we’re here to do.”

"Stargazing is not boring,” Azzi says indignantly, opening the little stargazing booklet she’d brought with her, flicking through the pages looking for something specific. 

To be honest, sitting still in an open field and squinting at the sky trying to figure out a distant constellation isn’t really Paige’s brand of entertainment. She’s a fidgety person by nature, constantly embroiled in the urge to be moving. But Azzi had brought it up the other day, with pleading eyes and a hopeful grin and well, sometimes it felt sinful to deny Azzi of anything she wants. And that’s how they’d ended up at a campsite, not too far from the State fair, lying on the grass, heads tilted towards each other, with a single blanket shielding them from the summer breeze. 

“Okay,” Azzi says after a while, using her fingers to point out a pattern in the sky, “I think that one’s Cassiopeia.”

“If you say so,” Paige nods, not really sure what she’s supposed to be looking at. 

“Paaaaige,” Azzi whines, “focus.”

“Dude I can barely see anything, the fuck am I supposed to focus o-”

Before Paige can finish her sentence, she feels herself being pulled by the younger girl, the side of her body fitting into the crook’s of Azzi’s like a perfect puzzle piece. She looks over at the brunette, and the protest dies on the tip of her tongue, as she realises just how close Azzi is to her now, all semblance of air leaving her lungs. Paige gulps, eyes tracing every inch of her best friend’s face, stopping of their own accord at Azzi’s lips, before guiltily flashing back to meet the younger girl’s eyes which are just as focused on Paige. And it feels like there’s no force in this world right now that could make either of them look away. Except maybe the force of friends don’t do this. 

“Just focus,” Azzi breaks contact first, turning her face back at the stars, before gently grabbing hold of Paige’s hand so she can guide it in the pattern of the constellation. And Paige still doesn’t really see it, doesn’t even particularly care about seeing it, but if it gets Azzi to hold her hand, soft skin putting light pressure against her palm, she thinks she’ll try to see some random lines in the sky forever. 

“It’s pretty.”

“You don’t see it do you?”

“Nope,” Paige’s grin widens when Azzi chuckles, shaking her head fondly. Something in her blooms, delighted at being the reason for that. And she’s always prided herself in being funny, she thinks of herself as a little bit of a comedian really, but she’s never wanted to make anyone laugh quite as much as she wants to make Azzi laugh. 

“Well that’s enough stargazing for us then,” Azzi rolls her eyes, closing her little booklet and making a move to sit up but Paige is quicker, pulling the younger girl back down and interlocking their fingers. Her own overeagerness causes a tinge of embarrassment to race up her cheeks, and she hopes it’s dark enough that Azzi won’t see the pale pink blush taking over her face. 

“It’s peaceful out here,” she says quietly, sounding shy even to her own ears and she can’t help but wonder when the hell that happened, “you wanna stay a little longer?”

“Yeah okay let’s stay longer,,” Azzi agrees  and sometimes when Azzi speaks like that, her voice lyrically soft with a secret smile hidden in it, Paige wonders if maybe it would be okay to hope for, to feel something more because maybe, just maybe, Azzi feels it too. 

“You know you should come to the state championship,” Paige says after a second of silence, trying to keep her voice nonchalant but she can hear the wishfulness bleeding into it anyways. 

Azzi raises an eyebrow, “isn’t that in March? That’s like months and months away.”

“Yeah but- well-” Paige shrugs, cheeks burning just a little bit, “you probably wanna book in advance cause like tickets and stuff you know?”

“You don’t even know if you’ll be in the state championship. There’s still a whole season to go.”

“Oh I know. I know we’re definitely gonna be there.” Paige smirks, cockiness back in full-fledged form. 

“Then I’ll be there,” Azzi says, as if it’s the simplest thing in the world, “you better win though Bueckers.”

“Watch me,” and she’s jutting her chest out in arrogance sure, but really everything inside her is swelling with something else, a feeling she’s starting to understand a little too well, a feeling that terrifies her, a feeling she doesn’t think she’s quite ready to let herself feel yet, “it would be nice you know, to win a championship together at some point.”

“I don’t think my parents would be on board with moving to Minnesota.”

“I’m sure I could convince them,” Paige feels a little giddy at the thought, “but I meant more like college, like UConn.”

It’s a topic they’ve stumbled upon a couple of times, with each other, and with the other girls at Team USA. And as much as Paige would love for her other teammates to follow her to her dream school, she’s practical enough to know they might have other priorities. But the thing is that with the rest of the girls, it’s just something she’d like to happen but with Azzi, now that Paige has said it out loud, she’s beginning to realise how desperately she wants that, her and Azzi, on the same team, fighting the same battles and winning the same wars, together. 

“Don’t think you can win a national championship without me Bueckers?” Azzi smirks, twisting her head towards Paige, eyebrows cocked in arrogance. 

“Of course I can,” Paige’s face softens, the vulnerability that only ever seems to come out around her best friend seeping on to her features, “but I think it would be fun to win one with you. Someday.”

“Someday, “ Azzi whispers back, giving Paige’s hand a light squeeze, and then her eyes widen at the sky, “holy shit is that a shooting star? Oh my god Paige look up, quick, it’s beautiful.”

In the dark of the night, a rare flicker of gold shoots across the obsidian Minnesota sky. Paige has never seen one before but it seems fitting really, that she’d see one tonight. 

“We have to make a wish,” she whispers and Azzi, never one to really believe, rolls her eyes but she follows Paige’s lead, closing her eyes. And the thing is Paige could wish for a lot of things really, but she finds herself thinking of only one word that sums up all she could ever want: someday.

***

August 2026 

They’ve been playing against each other for years now and yet the thrill of the face-off still hasn’t quite worn off. Back in the handful of games in high school, it had been quickfire friendly trash talk, two best friends going at it like the competitors they were. College had been drastically different, each game, each play, underlined with the tension of two people who still hadn’t quite figured it out. But Paige thinks her favourite version of them as opponents is definitely this one, the one where they might be on different teams in the WNBA, but off the court, they both know they’re on the same side, together. 

Their relationship isn’t quite a secret; it would have been impossible to hide if after the kiss at the 2025 national championship. But they’d kept as quiet about it as possible, skillfully dodging media questions, wanting to shelter it from the prying eyes of the public. It makes playing each other on national television, just that little bit more entertaining, trying to keep things as cordial as possible. If Paige’s hands end up just a little too close to Azzi’s waist, lingering a little longer than necessary against the patch of skin she’d marked with a hickey earlier this morning, and it makes the younger girl shiver, then that’s just a tactic to win. And if Azzi breathes seductive thoughts of what she’d like to do after the game when guarding Paige, and it makes the blonde want to turn around and kiss the smirk off of her girlfriend’s lips, well that’s just another innovative defensive strategy. 

“Be a good girl for me and move,” Paige whispers, the double entendre in her voice apparent, as she tries to dribble the ball past Azzi. There’s only a minute or so left in the last meeting of the regular season between Paige’s Lynx and Azzi’s Mystics -funny how that had worked out-  and the score is painfully close, with the Mystics closing in on the Lynx’s two point-lead. 

“Always a good girl for you P,” Azzi smirks, her voice the quietest it could possibly be, but Paige hears her next words like they’re on a loudspeaker in the area,  “it’s why I’m wearing your favourite purple panties.”

It takes a second, a second where Paige’s eyes gloss over with lust, as her mind rushes back to the last time she’d seen, the last time she’d touched the silky undergarment, for the ball to be stolen from her hands. She’s a step too slow to recover and by that time Azzi’s already scored the easy lay-up to tie up the game, a mischievous grin adorning her normally stoic game face. 

On the other end of the court, Napheesa draws a foul and Paige and Azzi end up next to each for free throws. Paige is seething, unsure if the heat curling up her spine is from the game or the girl standing next to her. 

“Sorry baby, all’s fair in love and war right?” Azzi teases, pinky brushing against the blonde’s, “I’ll make it up to you later if you want.”

“You’re such a fucking menace,” Paige practically growls. She does want, in fact she’d like it right now if it was possible. Two years they’ve been together, longer if you count the inbetween, and still, every time Azzi lights a match, Paige feels herself burn just as brightly as the first time she’d felt that magnetic pull. 

“Learnt from the best,” Azzi hums with a grin as Napheesa hits both free throws. 

The rest of the game passes in a blur of frenzied shots and hurried fouls but the Lynx pull out an eventual, much-needed win, to better their chances of clinching a higher seed in the playoffs. After missing the playoffs in 2024, the Lynx, despite having relatively low odds, had secured the no.1 pick and there had never really been a doubt that they would pick Paige. She’d helped the team get back to the playoffs last season but they hadn’t made it out of the first round. A championship doesn’t seem quite possible yet, but Paige has her fingers crossed that they’d at least make it to a semi-final this time. 

“The two of you are terrible at this,” Aaliyah’s the first person to hug Paige during the handshake line, “I thought you’d jump each other’s bones in the middle of the game today.”

“We’re not that bad,” Paige rolls her eyes at her former teammate. She high-fives a few more of the Mystics team until she gets to Azzi, who’s already smiling, despite the loss. The cameras are quick to crowd them, clearly wanting a more sensational picture than the one they’re likely to get. Still, despite the unwanted attention, Paige lets herself nestle into the crook of Azzi’s neck. 

“You owe me twice tonight,” she whispers into the younger girl’s ear, “one for the win and one for that bullshit you pulled on the court tonight.”

Azzi’s voice is breathless when she replies, “I can give you way more than two.”

“Is that a challenge?”

“It’s a promise.”

***

“With the new rules, after this season you’ll be a free agent, have you given any thought to that?”

Waiting for the Lynx’s turn in the media room, Paige hadn’t been paying much attention to the questions being asked to the Mystics players, her focus solely on how hot her girlfriend always looked post games. But the words ‘free agent’ pique her interest. The W had changed the rookie contract rules for first round draftees to two years and that meant both Paige and Azzi would be free agents after this year. But while it hadn’t reached the media quite yet, the Lynx were likely to use their core designation on Paige. Which meant the only one of them making any decision about next season would be Azzi. It was a subject the two of them were cautiously tip-toeing around, using the shield of distance to avoid talking about what it could mean for them. 

“I’m focused on the season, this team and the rest of our games. I’m not really thinking about the future,” Azzi answers diplomatically. 

“You’ve obviously got very strong ties to the DC area but you also went to UCLA, if the Sparks or maybe even the Valkyries, considering your connection to Steph Curry, were interested, and there have been rumours that they are, would you consider it?” the same reporter prods. 

“Again, I’m not currently thinking about any of that,” to anyone else Azzi probably sounds neutral but Paige has studied the sheet music of Azzi’s voice to the point where she knows what’s hidden behind every note, behind every little indent. The tinge of irritation is masked by a smile, but the line of questioning is clearly unappreciated. 

“And what about the Lynx?” the persistently oblivious reporter continues and this time Paige sucks in a breath, “you have some ties to that team don't you? Have you given some thought to maybe going there?”

Azzi’s eye twitches ever so slightly, “the Lynx just beat my team. The only thoughts I have right now are about how to beat them next time.”

That elicits a laugh from the media and finally the rather obtuse reporters seem to understand that he’s not going to be able to pry anything newsworthy from Azzi’s mouth. But even if he hasn’t achieved his desired effect, he’s succeeded in making Paige’s mind start running in circles. She hadn’t let herself think about it yet, the potential of Azzi joining the Lynx, the potential of playing with Azzi, the potential of finally just being with Azzi. Because facing the potential for all of that, facing all the things she wants means also facing the potential that maybe Azzi doesn’t want any of that. 

***

The air in Paige’s living room is thick with a suffocating tension as she and Azzi sit on opposite ends of the couch. It reminds Paige a little bit of the before, a dreaded version of them she’d foolishly thought they grown out of, until something reminiscent of their past problems had reared its ugly head, and suddenly it feels a bit like she’s playing a losing game. 

“Will you please stop that,” she bites out, referring to where Azzi’s foot is incessantly tapping on the wooden floors, “it’s giving me a headache.”

Azzi’s eyes narrow, flashing with irritation, “is it my tapping or the alcohol giving you a headache Paige?”

“I didn’t even drink that much,” Paige says through gritted teeth and Azzi scoffs. 

It’s a lie. After both teams were done with post game pressers, she, Azzi and a couple of the other girls had ended up at a local bar as they often did when the other team didn’t have to fly out til the next day. Paige had been tense the whole evening and trying to pretend not to be, especially when Azzi could see right through her façade, had only made the whole thing worse. She wasn’t one to drink too much, always happy just being sufficiently tipsy but then she’d gotten in her head too much. And when the first shot didn’t quite hit the way she needed it to, she’d kept on going, receiving worried looks from all the girls, until Azzi had finally stepped in. The ride back from the bar had been a sobering experience, one look at Azzi’s stoic face, giving away her irritation. 

“That’s why you still reek of tequila?” 

“How the fuck would you know? You haven’t come near me all night.” 

“Don’t you dare try and turn this on me Paige. I tried to talk to you all night til you decided you wanted to act like freshman frat boy,” Azzi spits out, hurt and anger colliding in her voice, “we barely get to spend time together during the season and the one night in forever that we do, you pull this shit?”

They haven’t had an argument like this since they’ve been officially together, the kind of argument that has them balancing on a delicate tight rope, too afraid to take a step backwards in their relationship, and too prideful to take a step forward towards each other. 

“I didn’t think you cared about spending time together during the season,” Paige accuses and there’s a sensible part of her, one that’s currently being held captive by the dangers of liquor, that knows it’s a ridiculous allegation. 

Azzi stares at her, lips opening and closing in disbelief, “excuse me?”

“It’s pretty simple really Azzi. If you wanna spend the whole season together, the option is right fucking there, but I- I can’t even tell if you’re interested in taking it,” Paige is pacing now, teeth gnawing at her lips like they always do when she’s nervous. 

“What- what are you even talking about?” Azzi asks, clearly confused. 

“Free fucking agency. They asked you about it and you said you hadn’t thought about it at all. That’s really great to hear Az, really great to know you haven’t thought about how that could literally change our whole fucking life,” and even as the words waterfall out of her mouth, Paige knows she’s being unreasonable, but the mix of stress and alcohol churning in her stomach is just enough to keep her from taking the words back. 

“I didn’t- that’s not even what I said. Jesus fucking christ Paige,” Azzi rubs her face, looking defeated.

“So you have thought about it then?”

“Of course I’ve thought about it, “ Azzi throws her hands up, “but I wasn’t gonna tell the media about all of that. But you- you seriously think I haven’t thought about what this means for us? You don’t- do you really think I’m not thinking about you- about us- while trying to make this decision?”

“Well you definitely didn’t think of me- of us- when you chose UCLA,” Paige’s eyes widen at her own words, knowing immediately that of all things she could have said, those were the worst ones, “I- I didn’t mean it like that.”

In front of her, Azzi has gone deathly still, face completely devoid of emotion, until the first tear drops and all of Paige’s anger dissipates, the guilt clawing back with full force. 

“I thought we were over that,” Azzi whispers, voice trembling, as she looks down at her hands, “but maybe we’ll never be over that.”

“We are,” Paige sinks to her knees in front of the younger girl, tugging Azzi’s hands into her own, “we are over it. I just- it just slipped out.”

Azzi’s quiet for a moment before she pulls her hands out of the blonde’s grip, sidestepping her as she stands up and Paige feels empty and cold and just a little bit broken. 

“Are you leaving?” she whispers, peering up at Azzi through tear soaked eyelashes. 

“I think I should, before anything else just slips out,” Paige flinches and Azzi’s expression softens, “I know- I know you didn’t mean it like that but I just- I need some space.”

Panic filters into Paige’s lungs, wrapping its dirty hands and squeezing so tight that she can barely breathe. She’s not sure when she’ll see Azzi again, now that there’s no more Lynx-Mystics games left in the regular season and it’s unlikely with their expected seedings that they’d meet at some point in the playoffs. It’s not like distance is new to them, but in the last two years, they’ve only ever said goodbye with an i love you attached to the end. 

“Are you-,” Paige gasps for air, “are you leaving me?”

And it must be written all over Paige's face, just how petrified she is of this moment, because that's all it takes for Azzi to rush back into Paige’s space, hands cupping her cheeks, “oh baby of course not. I just- you’re still drunk and I’m upset and I don’t want us to say anything we don’t mean. And I- need time to think about free agency and I think you- you need time to think about why that slipped out.”

Paige sighs, melting into Azzi’s touch as the knots in her stomach begin to untangle themselves, “you’re so logical.”

“Someone has to be,” a half-smile flitters across the younger girl’s face as she wipes at Paige’s tears, “we’ll figure this out okay? Just- just give me a little bit of time.”

Give me time. It’s a familiar line, so similar to what Azzi had asked for when she was making a decision about college and Paige would be lying if she said there isn’t a part of her that’s terrified fate is going to make them repeat the same mistakes. But part of growing up, Paige surmises, is letting time test you with the same trials and tribulations, and the next time, coming out of the other end on the right side. 

And so she squeezes Azzi’s hand, matching the younger girl's half smile, with a soothing one of her own, “okay.”

***

November 2027 

Paige doesn't know when she ended up in a love triangle with Azzi and the state of California but she wishes she was competing against an actual person. At least then she could throw a punch at the other guy. The W season is barely over and it seems like every front office has thrown themselves headfirst into convincing free agents to join their team. There’s a couple of teams interested in Azzi, but no one seems to be trying harder than the Los Angeles Sparks. Paige thinks whoever gave that city a name meaning “the angels” could not have been more wrong because really it’s a city full of devils constantly trying to steal her girl and no she’s not being dramatic. 

They’re supposed to be leaving for thanksgiving dinner when Azzi’s phone rings and Paige can’t help but roll her eyes when Cameron Brink’s name flashes on the CallerID. The Sparks seemed to have put her as head of their recruiting Azzi campaign and Cam had been diligently doing her part. 

“Azzi, Cam’s calling again,” Paige yells out to her girlfriend who’s still not quite finished getting ready.

“Can you pick it up?”

“Do I have to?”

“Paige,” Azzi whines and Paige sighs, hitting the green answering button. 

“The amount of times you’ve called my girlfriend this week, Brink, should I be concerned?”

“Jealous I’m replacing you as her favourite blonde?” Cam’s voice always sounds like she’s smiling and Paige can’t help her own smile. Goddamn Cameron Brink for always being the sweetest soul on this planet. 

“As if,” Paige scoffs, “it’s a holiday Cam, give the recruiting a rest.”

“Hey, I’m just calling to wish her a happy thanksgiving,” Cam defends. 

“Mmmhmm where’s my thanksgiving wish?”

“Oh please, the two of you are basically a unit. Wishing her is wishing you,” Cam is quiet for a second before speaking again, “the Sparks would be a good fit for her Paige.”

Paige sucks in a sharp breath, “I’m not the one you’re gonna have to convince.”

“I know but you know your opinion means a lot to her. I know you want her in Minnesota and she'd be good there too and I- I know it isn’t my place to say any of this but just- just don’t discourage her from doing what’s best for her,” there’s not a hint of malice in Cam’s words, there never is, but they pierce at Paige’s skin anyways. 

“Okay I’m ready, hand me the phone,” she’s saved from having to answer by Azzi waltzing into the living room and prying the phone from her hands. 

Paige watches silently as Azzi talks animatedly with Cam, noticing the way her girlfriend’s smile widens while talking about certain spots in L.A. They’d subconsciously decided not to breach the subject of free agency after that night. Paige hadn’t interfered in any of the Lynx’s conversations with Azzi, deciding that this time, she’d stay out of it. It hadn’t been easy, every little bit of her itching to pitch why the Lynx were the perfect fit, why Paige was the perfect fit, but she was determined to give Azzi the space -the time- she’d wanted. This time she’d leave the choice solely up to Azzi and whatever she decided, Paige would find her happiness in that. 

“Paige you ready to go,” Azzi waves a hand in front of Paige’s face, eyebrows raised in question when the older girl doesn’t make a move to get off the sofa, “hey, you good?”

“Cam says the Sparks would be a good fit,” Azzi stiffens at Paige’s words. 

“Paige-”

“She’s right,” Paige concedes, fingers fidgeting as she averts Azzi’s gaze. 

The younger girl blinks at her, clearly not having expected that, “she is?”

“Yeah. They need a shooting guard and you,” Paige smiles, reaching out to pull Azzi onto the couch with her, “you’re the best there is.”

“I wouldn’t go that far-”

“You are to me and it’s why I want you on the Lynx,” they both let out a breath with that. It’s not a secret of course but Paige hasn’t said it out loud before. 

“Paige-”

“But it’s okay if you don't wanna be on the Lynx, if you wanna be on the Sparks or stay here with the Mystics or on any other team, if you think it’s the right move for you and for your career then that’s fine. It’s okay and you don’t- you don’t need my permission or anything of course but I just- whatever you decide, I’ll support it okay? What I said that night about UCLA-  it wasn't- it wasn’t about you. I thought about it like you asked me to and it’s me. I was scared that I would fuck it up again and I’d lose you again-”

“You won’t,” Azzi grabs Paige’s hand, giving it a gentle squeeze,  “I won’t let you.”

“I know. I know now that whatever happens, we’ll be okay. And so you can choose whatever team you want and it won’t- it won’t affect us, I promise. It won’t be like last time I swear. When you make your decision- I just- I don’t want you to make it for me or for us, cause you and me? Baby we’ll be just fine no matter what. Wherever you go and wherever I am, we’ll make it work, just as we have for the last two years,” Paige smirks, “besides I kinda enjoy kicking your ass.”

Azzi lets out a snort as she climbs onto Paige’s lap, thighs straddling her hips, “you really had to ruin it with that last part huh?”

“Was getting a little too sappy for me,” Paige mumbles and when she looks up, the emotions floating in Azzi’s eyes make Paige’s heart stutter. Because no one else gets this Azzi. This Azzi, who wears her heart on her sleeve, who lets her walls down, only for Paige’s eyes to see, only for Paige’s mind to memorise, only for Paige’s heart to keep. 

“You mean it?” Azzi whispers, brushing a strand of hair out of Paige’s face, touching lingering, “you’d be okay with anything?”

“Yeah, yeah I do,” Paige cups Azzi’s cheeks, brushing her lips against the younger girl’s, “whatever you choose, we’ll be fine. No matter what, I believe in us.”

***

January 2028

Paige groans when her phone rings at 2 a.m., fumbling around in the dark trying to answer it. 

“I swear you better be dying if you’re calling me this late,” she grumbles into the phone, voice scratchy with sleep. 

“Not quite,” Azzi says, and Paige’s eyebrows furrow at the amount of background noise she can hear behind her girlfriend. 

“Dude where the hell are you at 3 in the morning?” she asks, now a little more awake as she sits up. 

“I uh- I had a bit of a revelation,” and Paige can practically picture Azzi, wherever she might be, fidgeting with her fingers and biting her lips. 

“That doesn’t explain anything.”

“I know. I know. Shit, I was supposed to do this in person. I had a whole plan but apparently being with you has made me impatient,” Azzi rambles. 

“You’re still not making any sense,” but Paige’s heart is starting to beat erratically fast in anticipation. 

“I had this realisation while I was in the gym today, it was really quiet and peaceful and I was fine you know- all day I was fine- just doing daily routines and then I just- I missed you. I miss you all the time do you know that?”

Paige does know, knows it far too well. Sometimes she thinks missing Azzi comes as naturally as breathing, an innate part of her day to day, a constant ache that she’s felt since she was 15. 

“I miss you too,” she whispers. 

“And I’ve learned to survive with that feeling, with missing you constantly. I mean it’s been more than 10 years at this point, how could I not? But what I realised today is that just because I can- just because I can live missing you- doesn’t mean I want to.”

“What are you saying Azzi?”

“DC is my childhood. My family is close to there, it’s part of where I grew up. It’ll always be my first home. And LA is where I found myself, my identity, and for a while it felt like home too.”

“Azzi,” Paige breathes out, hands gripping the phone as tight as possible, wrapping that one syllable in emblems of give me forever. 

“But my forever home isn’t in DC or LA and it’s not really in any other place either because-  Jesus this might be the clichést thing I’ve ever said but-,” Azzi lets out a chuckle, “my home is wherever you are Paige. Wherever we’re together, that’s home.”

It feels a little bit like the end of a drought, the wetness on Paige’s cheeks like the rain that comes after. In the pitch black of her room, phone clutched closely to her ear with Azzi’s words floating through it like a swan song, Paige swears she’s never felt the world glow quite like this before. 

“Are you saying what I think you’re saying?”

“Beating your ass has been fun as hell but I think we’d make a pretty good team Bueckers.”

And it’s a good thing Paige’s walls are soundproof because the delighted whoop she lets out practically vibrates around the room, all previous wisps of tiredness completely gone from her body. Azzi lets out a tearful laugh and Paige wishes they were together right now so she could tattoo this happiness onto both of their skins. 

“The greatest team ever,” Paige affirms, “When are you com-”

“Attention passengers Delta Airlines Flight 1248 to Minneapolis will be boarding soon, please have your passport and ticket ready to check at the gate.”

“About that,” Azzi says shyly as Paige’s mouth drops open at the announcement, “I uh- I had a moment of spontaneity.”

“Who the hell are you and what have you done with my overthinking girlfriend?” Paige demands and Azzi giggles on the other end of line.

“I know it’s last minute, like really last minute and it was meant to be a surprise actually but I just- I really wanna see you. Is that okay?”

“Is that okay? Fuck Azzi, it’s all I want. Baby,” Paige breathes out softly, “come home.”

*** 

Time isn’t going nearly fast enough Paige thinks as she checks the arrivals board for the nth time. She’d tried for about four seconds to fall back asleep after hanging up the phone but her entire body had been buzzing with excitement. And so she’d gotten to the airport far earlier than necessary, and had maybe one too many cups of coffee if the jittery shake in her left hand is anything to go by.

She swears she feels her before she sees her. The air is electric as if the whole city, the whole state is waiting for Azzi too, for them to get their elusive forever. This moment feels like years in the making, and Paige is ready, ready to grasp it and make it hers. And then there’s Azzi, a clearly chosen-at-last minute wrinkled t-shirt, eyes drooping from the tiredness from not having slept all night, baby hairs in a frenzy across her forehead. To Paige, she’s still the prettiest girl in the entire universe. 

Azzi’s eyes scan through the airport until they land on Paige, a dazzling smile illuminating her exhausted features. It’s the exact same smile that Paige had first elicited from her on the flight back from Argentina when she’d told Azzi she had a feeling they'd make great friends. It’s her Paige smile. The world is still for a second, everything melting away except them and the whispers of the journey it had taken them to get to this point. Every delicately placed step towards each other feels like an ode to every year they’d spent apart. And then Paige is running, not caring about everyone else around her. She jumps into Azzi’s arm, all 6 feet of her, tangling her legs around the younger girl's waist while her arms fasten around the neck. It forces Azzi to let go of her small carry-on, not caring that it falls to the floor with a thud, as her hands wrap around Paige’s back, steadying her girlfriend’s weight on top of her. 

“You’re here,” Paige whispers, still a little in disbelief, “you’re really here.”

“I’ve been in Minny plenty of times before,” Azzi quips, adjusting her balance to properly hold the girl clinging to her like a koala. 

“Shut up you know what I mean. You’re here forever this time.”

“Well I don’t know about forever- OW,” Azzi shrieks, as Paige pinches her arm, “do you want me to drop you woman?”

“You’re never allowed to leave.”

“That sounds vaguely threatening.”

“Good because it definitely is a threat,” Paige says before pulling Azzi into a searing kiss, “welcome home baby.”

***

October 2028 

There are moments in life you remember forever. Sometimes you know they’re going to happen, sometimes they take you off guard and sometimes, it’s a combination of both. The Minnesota Lynx’s journey to the WNBA finals this season had always felt inevitable but the journey there, for a team that had unexpectedly fallen to the 4-seed despite pre-season clamour of them being number one, had been filled with bitter losses and moments of pure uncertainty. In a way, it perfectly mirrors Paige and Azzi’s relationship. 

There’s 11 seconds separating the Lynx from their 5th championship trophy as they lead the Sky by two points. The crowd is up on their feet, ready for their cheering to turn into roars the minute the final buzzer rings. Paige has the ball in her hands on the inbound, Coach Reeves yelling at her from the bench what to do, as she makes eye contact with Azzi. There are no words, not even a gesture that the other team might be able to interpret, but they know exactly what play they’re about to run.

Truth be told it hadn’t been the seamless transition the two of them had expected when Azzi joined the Lynx. They’d been naive to think years of not playing together wouldn’t have affected the backcourt chemistry they’d had almost instantly once upon a time. The first few games, there had been an embarrassing disconnect between the two of them that had resulted in a nasty berating from Coach Reeves and a subsequent argument between the two of them that had lasted into the next morning. It had taken several more practices, and a couple more games of flailing around, for them to finally become the duo Paige had always known they would. 

The game buzzer beeps and Paige throws the ball to Azzi who immediately returns it back to her, and then she’s running off screen after screen to get herself open on the wing, her sweet spot. Paige dribble penetrates into the paint, dragging an extra defender with her as they try to prevent her from getting a layup, the other defender blocks her from stepping back into a pull-up. Azzi’s defender has a momentary lapse in judgement, falling for the age-old trick of thinking she should help on defence, and that’s all it takes. A second for Paige to see Azzi open on the corner and pass it to her. A second for Azzi to shoot it. 

The three-pointer falls through the next with a perfect swish. Dagger shot. 

A small smile flits across Azzi’s face, the only emotion she’s shown all game and Paige can’t help the much larger grin that starts to flash on her own face. She can almost taste victory on the tip of her tongue, the two seconds left in the game are the only thing separating her from finally getting her version of the things we live for. Behind her she can hear Coach Reeves yelling at them to not foul, the 5-point lead enough of a cushion for them to withstand a last minute shot. But the Sky barely make it over midcourt and when Marina Mabrey heaves up a last second prayer, Paige doesn’t bother to see if it goes in as the buzzer sounds throughout Target Arena. The Minnesota crowd explodes in noise and colour as confetti falls from the sky. 

Despite the chaos of everything, Paige has never seen Azzi clearer than in this moment. Since she’d met the girl, in all of Paige’s prayers about winning a championship, one thing had always been constant, that when they’d come true, they’d come true with Azzi by her side. And she had been. The high school state champion, the college national championship, Azzi had been there for both but on the bleachers, as a spectator and as Paige’s biggest fan. But this, winning a championship with Azzi as her teammate, as her ally, as her partner, means something more. This win is theirs. 

“Do you remember when we saw that shooting star?” Azzi says softly, as they find their way into each other’s arms, not caring that there’s a thousand cameras capturing their every move. Paige pulls Azzi closer to her, every inch of her body pressing into the other girls until she’s not sure where she begins and where Azzi ends. 

“That was years ago,” Paige remarks but she can see it clearly, two young girls underneath the stars, unaware of what their future would be but sure that the other would be in it. Those girls would probably laugh at how long it had taken Paige and Azzi to figure out what had seemed so simple back then. 

“Yeah, yeah it was. Do you remember what you wished for?” Azzi asks, smiling when Paige nods, “do you wanna know what I wished for?”

“What did you wish for Az?”

“Before we saw the star you- you said it’d be nice to win a championship together someday. And so I-,” Azzi looks down shyly, “so I wished for someday. I wished for today.”

Paige stares at Azzi, drinking in the sincerity on the shooting guard’s face, silently letting herself absorb the meaning of Azzi’s words. And then she lets out a laugh because of course of course. 

“I didn’t realise I’d said anything funny for you to be laughing at me,” Azzi scrunches her nose, looking slightly offended. 

“God baby no,” Paige cups Azzi’s face, and she thinks this smile on her face will last forever as long as this is her reality, “I’m not laughing at you. I just- do you know what I wished for?” 

Azzi shakes her head. 

“This. The same exact thing you did. For someday.”

It’s not quite the shade of blue Paige had imagined them in, the Lynx blue its own shade, something inbetween UConn’s navy one and UCLA’s sky one. But it’s perfect nonetheless. And when Azzi crashes her lips against Paige’s, someday feels a lot like forever and always.

[dnpbeats]

Why I Don’t Think the Secret Project™ Is a Tour—This Time With Facts!

Let me start out by saying I do think they’ve brought up another tour enough that it will happen at some point, I just don’t think it will be this soon! (Also keep in mind Dan did imply there are two things coming up in his Tweet.) That being said, obviously I could be totally wrong. But hey, if they do announce a tour in a couple of weeks, there has to be someone that gets clowned by the announcement, and I’m happy to take the fall <3 Post under cut as it's long (1.3k words 💀)

The main reason I don’t think they’re announcing a tour is timing, but I do also have something to say about the hints they’ve been dropping and why I also don’t think it necessarily points towards a tour. So, to start, let’s look at how long they spent planning TATINOF and II. In “The Making of TABINOF,” Phil says they are releasing the book (on October 8th 2015) after working on it for a year and a half, which would be April 2014. Presumably, this is around the time they started working on TATINOF as well because they were supposed to be companions. TABINOF and TATINOF were announced together on March 26th 2015, so almost exactly a year after they started planning them. Even if you want to guess that TATINOF planning started a few months after TABINOF planning, keep in mind that they originally only planned the UK leg and planned the US tour after that. The UK leg ended November 15 2015 and they announced the US leg February 26 2016. So that’s a little over two months of them planning the US leg alone, when they already had the show itself all sorted.

With II, we know they were actively planning it for about a year. Phil follows that up to say they planned it for “the majority of this year [2018],” so let’s just call it 10-11 months. More so than that, Dan said that they realized they wanted to do a second tour “halfway through” TATINOF, which in my best guess places that decision around summer 2016. This means they seriously considered doing a second tour for ~6 months before they even started planning it. 

Now, if the new project coming up is a tour, they’ve only been working on it for 6 months max. They only brought back the gaming channel 7 months ago, and we know from the end of Dan’s bday live stream that they didn’t start working on this project until they realized how many people still liked their content: “We were so shocked about how much people care about this light entertainment, sat-in-this-chair-ass content. [...] It took us by such surprise, and now we’re like, where is this going. [...] It was supposed to be a ‘let’s just do this for a bit and see what happens.’ [...] So now we find ourselves going, well okay, this channel, this content, the people, the future of it. What else are we gonna do? 'Cause it seems like there's a thing here.” 

So it’s up to you to decide when they realized that, but I think it was probably sometime in November at the absolute earliest, and then they still needed time after that to decide what they’re going to do, and then actually plan it. (And honestly, I doubt they started actively planning anything in December during gamingmas, but you never know!! Also like I said in my original post about this, Dan was still doing WAD stuff up until February and then some book promo stuff after that, so he was busy with that as well.)

So, that’s all to say, I really don’t think they’ve had time to plan an entire tour. At the very least, not a world tour, but I don’t know if they’d announce a UK-only leg and plan the worldwide tour later based on what they said about choosing to plan II all at once, rather than the split up way they did with TATINOF (also keep in mind that Dan announced WAD all at once, like d&p did with II). Idk I just don’t think they’d announce a tour without having it all planned!

Okay, so, besides the random hints that they’re busy planning something, we also have Phil’s comment about saving money in his Cactus Club post. He wrote “I also just wanted to make your cactus a lil more affordable as Dan and I get busy on what is …. next… ??” Now while this seems to imply saving up for something (hence why the membership needs to be affordable), he doesn’t outright say that. Then in his Q&A vid, he answers a question about what he’s cooking that specifically asks, “Should I save my money?” And interestingly, Phil doesn’t address the money part of the question. Now maybe he just couldn’t say anything about saving money, maybe it would've been too on-the-nose. But I’m also sure plenty of other people asked that question without asking about saving, which means he chose to specifically ignore that part. To me, it seems kinda weird to outright exclude that if the project is something people will have to pay a lot of money upfront for (i.e. tour tickets), but again that’s just my opinion.

(Also just a secondary note on Phil’s answer—he actually says, “Look, I can neither confirm nor deny something might happen in the next month.” I find the phrasing he chose really interesting. He didn’t say an announcement was coming, he said something was going to happen. Dan also never explicitly said to look forward to an “announcement,” he just said they’ve been cooking and to give it a couple of weeks. Obviously this could all mean nothing and maybe it is an announcement (whether it be for a tour or something else), but I actually think whatever the project is might be getting released not just announced. But idk!)

A moment of me speculating based on vibes (that also negates the note I just made about this potentially being a release rather than an announcement): part of me thinks this project might be something/similar to something they tried to get off the ground before but then never came to fruition! This gifset by @reunitedinterlude got me thinking about projects that they didn’t get to do for various reasons (namely COVID lol). I think one of these (either one of Phil’s ideas that he’s now brought Dan onto, or something they were trying to do together from the get go) would actually make a lot of sense for what’s getting announced. It would be something that they had already started work on, so it doesn’t take as much planning as something brand new, meaning it could be announced sooner. Additionally, I just feel like they’ve been so vague about what’s coming up, but they’ve also been super excited! They seem really proud about whatever they’ve been cooking. While I obviously think they’d be excited to do another world tour, part of me just feels like they might be this excited because it’s something new that they’ve never done before. Also, if it’s some kind of game show type thing, it would make sense that Dan said the project is a “celebration” of the gaming channel. But again this is just based on vibes lol.

In conclusion, I do think we’ll get a third Dan and Phil tour, I just don’t think it’s what’s getting announced(/released?) in the coming weeks. But I wouldn’t be surprised if it’s the next thing they announce after whatever this upcoming thing is! If you think I’m dead wrong and actually other people have planned world tours in <6 months please let me know, I’m happy to be proven wrong bc I would love another tour :)

[acsuttles]

4K – God of War – A New Destination – Speak to the World Serpent

#Kratos #Atreus #GodofWar #ANewDestination #SpeaktotheWorldSerpent #Sony #SonyInteractiveEntertainment #April2018 #BloodandGore #IntenseViolence #StrongLanguage #RatedMforMature

[cleolinda]

I’ve read a few of the umpteen thousand upset comments about the paid Watcher service, and I’ve read comments angry about the upset comments. There’s one thing I want to point out, and it’s that this isn’t, or shouldn’t be, “You��re saying people don’t deserve to earn money for their work.”

The Watcher guys do deserve to earn money. I already give them money. I give them $5 a month on Patreon, not because I think they do or don’t give me $5 worth of media, but because I want to support them. I canceled Netflix for pissing me off with its price hike/ad tier, but I give Watcher Entertainment money.

They’re saying now that the Patreon will be solely about the podcasts, and they understand if people leave. I’m perfectly happy to switch the support I can afford to the streaming service. With the early adopter 30% discount, I’d actually save money. In fact, I tried to subscribe, but the site didn’t work.

Watcher wanting to profit from their shows isn’t the problem. It’s that they’re now discovering that their fanbase is young and broke in a terrible economy, judging by tens of thousands of comments on multiple platforms. I can throw them $5/month, so I do. But the Patreon only has (checks notes) 5874 paying followers, and there’s a reason for that. $60/year upfront would not be “accessible.” Patreon is literally patronage from the people who can afford it.

If the guys had said up front, “ONLY new shows and episodes will be exclusive to the service,” I think we’d be having a different conversation right now. But at first they did say, “We’re pulling all our content from YouTube,” to the point where Variety had to issue an update. Like, that’s in print and I’m pretty sure it was on video. Now they’ve backtracked to ONLY new etc.—but most people haven’t heard, and they feel crushed. And the trust is probably gone regardless.

So now four years of back catalogue will stay public. And now, you’re paying $6.99 a month for one episode, maybe two, of something a week, and now, not an exclusive back catalogue. I would pay for Watcher shows before I’d pay for anyone else, but I just don’t think the company is big enough yet for a SVOD at that price. They’re not Dropout size. They needed to build more programming and get a higher follower count first, or at the very least, charge less.

The international price/exchange rate situation is a nightmare and I don’t know what it is they’re not doing to make it… not… be like that.

I don’t know what they should have done instead of a full streaming service, but surely there were alternatives? I’ve seen comments from people suggesting they GET a Patreon. Lean on that more! Do the shows exclusive for a month and then let them roll onto YouTube! I don’t know! Anything but One More Fucking Streaming Service, which enraged me, and I was willing to move my support to it!

And I shouldn’t say this, but I will. In the “Goodbye YouTube” video the guys posted, they say that setting up the streaming service has allowed Steven to do a remake of Worth It where he and his cohosts travel the world and eat expensive food. This is the first new show they announce. Not “We have always been committed to diversity and we’re now able to bring on new creator(s) to expand our programming.” No, a redo of an old show that by definition has got to be expensive. Commenters are saying they can’t pay for the streaming service because they can’t make ends meet in this economy. The optics are terrible. I genuinely question what the thought process even was here.

I love the guys and I still watch their shows. I want to see Watcher succeed. I started watching Buzzfeed Unsolved in 2018 while recovering from surgery—as with a lot of people, their shows got me through a tough time. I’m as attached as anyone. If I can continue to afford monthly support—this is not a certainty—I’ll give it to them. I’m not a ~hater who doesn’t want Watcher to make money. But I am absolutely BAFFLED by every single decision here. I want them to figure out how to turn this around and go in a better direction, because right now, this ain’t it.

[capitalisticveins]

Lots of Headcanons #1

Due to recent events I'm writing lots of mini headcanons to liven the mood, starting with my very BESTEST FRIEND @cyc-chilla

Avior

Avior has a drawing tablet he uses whenever he gets stressed, which is a lot.

He specializes in backgrounds, landscapes, and designs/patterns.

He prefers digital art rather than traditional art since it’s more forgiving, but he still dabbles in watercolors a lot.

Avior doesn’t often eat human food since it’s not necessary but when Starlight speaks about their favorite foods, or cooks anything, he usually tries the food, whether it looks appetizing or not.

He played tic-tac-toe almost 100 times to entertain himself in “hell”, and he lost to himself more than half of that amount.

Sam

As a kid, Sam would usually hang out in the nearest park, away from home, and try bringing home critters from there. Whether it was a squirrel, bugs, rabbits, stray cats, didn’t matter. He liked picking them up and trying to take them home. It worked a few times but someone would always find the animal and toss it back out.

Sam was a cowboy for Halloween from the ages of 7-12, and he regrets telling Darlin’ about it every passing day.

He hasn’t bought a new iPhone since 2018.

The only holiday his family spent together was Christmas, and he missed it greatly when he moved to Dahlia. He didn’t celebrate with the House for a number of reasons, so the first one he spent with other people since moving was when he started dating Darlin’ and he felt emotional during the entire day.

Butter Pecan is not his favorite ice cream flavor, he just says it is to make people mad. He still likes it, though

He spent an entire summer when he was 11 selling lemonade and water in his local park to raise money to buy a SNES. He never did have enough to buy one but he had a shit ton of money for an 11 year old.

Him going to Six Flags in Cali was the first and only time he’s ever been to an amusement park.

Porter

When she was alive, Porter got his mother a bouquet of flowers every year for mothers day, with differing handwritten notes. Even after his presumed death, she’d get flowers sent to her home every mothers day, and to this day a bundle of flowers and notes are put on her grave.

He uses a flip phone when calling people he doesn’t like so he can hang up on them by slamming it shut.

He finger guns himself in the mirror

Porter cried when the Queen died

His love-language is gift-giving, so Treasure just has a bunch of real expensive jewelry in one of their drawers because Porter gives them so much of it.

Although he prefers physical touch, and Treasure always delivers it.

Porter wears eyeliner.

Caelum

Cannot color inside the lines of a coloring book

Caelum does not like feeling constricted, so whenever he’s on Elegy he makes his form wear flowy and loose clothes to give himself space

Whenever he drinks kool-aid he rushes to the nearest mirror to look at his tongue changing color

When using a coloring book, he usually draws with a single color crayon, no two colors unless he’s drawing it for his siblings, Freelancer, or Gavin.

He finds bunk beds adorable until it’s time for him to sleep on one

Caelum cannot sleep on a normal day. He can try, and he can pretend, but if he’s not doing it to help someone else, he can’t just “go to sleep”, he’s too excited for anything and everything.

Due to accelerated energy, Caelum (and most Empathy Daemons) flies faster and for longer than other demons.

He gave his physical form braces once, took them off almost immediately.

[joshiji-darlingyuyuno]

ㅤ 🪸͟ ָ֢ ’’ 𐙚˙⋆.˚ 𝓶𝓮𝓮𝓽 𝓴𝔀𝓸𝓷 𝓼𝓾𝓲𝓷 ๋࣭ ⭑⚝

kwon suin masterlist

ᯓᡣ𐭩 ࣪. basics ୭ ˚. ᵎ

birth name: kwon suin 권수인

birth date: 1995..14..02

birthplace: goyang, gyeonggi province, south korea

residence: nonhyeon-dong, gangnam-gu, seoul

occupation: celebrity, artist, singer, dancer, producer, founder&director of Darling Entertainment

nationality: korean - greek (dual- nationality)

ethnicity: korean

languages: english, korean, french, greek, italian, japanese, chinese

height: 170cm

weight: 45kg

blood type: O+

partner: doh kyungsoo (exo's D.O)

status: married

mbti: infj

debut: 2007

ᯓᡣ𐭩 ࣪. career ୭ ˚. ᵎ

history:

2007 - duo group 'darling (달링)' with shin ryeonha (신련하)

2012 - debuts as a soloist

2015 - debuts with seventeen

2016 - debuts as an actress in descendants of the sun

position in seventeen: co-leader, main vocalist, producer, lead dancer, visual,

suin's/ 'darling's fandom: dearest (디어에스트)

her emojis: 🐋🪼🪸🪷🍡🌊🪐���🧸🫧🖇🩰

social media: @sususuinkw.n

weverse: @sususuinnova

brand ambassador: graff,, patek philippe,, dior,, alexandar mcqueen,, hermès,, van cleef& arpels,, brunello cucinelli,, bottega veneta

ᯓᡣ𐭩 ࣪. trivia ୭ ˚. ᵎ

she is seventeen's co-leader, meaning she shares the leader position with s.coups. this was because she was elected as leader by all the members and the company, but suin felt that s.coups would make a great leader, so they comprimised by having themn both leaders

she is the oldest member in seventeen and is their senior as she debuted in 'darling' in 2007

some of her nicknames include; original visual,, blueprint,, the trend,,original ace,, nation's center,, nation's daughter,, miss korea, korea's voice,,

she is a-list celebrity in hollywood, not just in korea

she was under a company called 'whipser' when she was active in 'darling' and for her solo career, then pledis was bought into her company. but in 2019, suin left whisper and started her own company named 'darling entertainment' after her group.

meaning she is the founder and director of the company

she is the creator of aespa

seventeen, ateez, aespa, btob, day6, and taemin are now under Darling Entertainment

she produces 80% of seventeen's songs alongside woozi, but she produces 100% of her own songs

she is the most credited artist, and the youngest artist to be awarded that title. she has credit for 600+ of her own songs, not included songs she produced for others.

she is the most known and recognized name in the korean industry

"if you don't know kwon suin in korea, you are a spy"

she is the hidden ace of going seventeen, she rivals jeonghan

she bought a multi-million penthouse in korea and she has another penthouse and vacation house in greece

she created the trends in kpop (not including her fashion influence); photocards, lightsticks, fansite, fansigns, fansign calls, fancams, idol content, tiktok challenges, singing osts, random dance, having lore, ending fairy, dance breaks, highlight medley, brand ambassador, dance practice, behind the scene videos, encore, personalised in-ears and mic, western collabs,

she popularized idols appearing in variety shows by appearing on "running man" and boosting their ratings

she was the first idol to have 'pre-releases' and an intro and outro track

she has an emotional support spoon

she was an ivf baby

she was the first idol to be a "new years couple" (when dispatch reveals couples on new years ykyk)

her ears go red when shes shy

she made the name 'carats' for the fandom

she concerts usually lasts for 4-6hrs, but once she had a 9hr concert and still didnt finish her entire discography

locals: "i don't know kpop, but i know suin and bts"

she is unfortunately the female idol that has been in the most danger

her newest nickname is "idol with the most aura"

and yes, suin and kyungsoo are married, they married in 2019, kyungsoo proposed in 2018, and they announced their relationship and engagement in the mv for "only" which even included their proposal video

ㅤㅤ kwon suin masterlist

comment for requests!

[wangmiao]

An Incomplete History of Zhang Luyi & Chen Minghao's Friendship

Do you like Pangxie's chemistry in Tibetan Sea Flower? Do you feel that they are really old friends? Besides the fact that Zhang Luyi and Chen Minghao are very good actors, they are indeed old friends, and the earliest record that I can find of them working together dates back to 2006. However, CMH was in the 1996 class of acting at the The Central Academy of Drama, while ZLY was in the 1999 class of directing at the same university, so I figured they definitely got to know each other before 2006. So more or less, on Chinese social media, people usually assume that they've been friends for almost 20 years.

Before I dig into the history, I want to mention that some Pangxie scenes are actually improvised by ZLY and CMH on set. CHM has played Pangzi several times, and is insanely good at it, so he knows about Pangzi and the character dynamics inside out. While ZLY is new to the DMBJ universe, he did read all the DMBJ novels before the filming of Tibetan Sea Flower, so he has very insightful understanding of the characters and relationship dynamics as well.

For example, according to an interview of the director, this iconic & funny "拜年/new year's greeting" scene in episode 6 was improvised, and the director just decided to keep it in the final cut. In a BTS footage, Pangxie putting peanuts on Feng's very wrinkled test paper in episode 9 was also shown to be something that ZLY and CMH came up with during rehearsing.

The History

In the first paragraph, I mentioned that they went to the same undergraduate university. Another thing that connects them even more is that they went to the same graduate school - Peking University's School of Arts, and both have the master's degree in arts. ZLY fans sometimes just endearingly call CMH “师哥/shige" because of all of this.

In 2006, ZLY and CMH were in the stage play 琥珀/Amber. Here are some rare photos of 26-year old ZLY and 31 year old CMH LOL:

Both of them continued to do a lot of theatre works, some tv/film roles, and also attended grad school in the coming years. ZLY got his breakthrough leading role in 2014, and started to lead in shows/films.

In 2016, ZLY and South Korean actor Jang Hyuk starred in the drama 新海/New Sea, and CMH was seen sharing the following scene with ZLY. Unfortunately, due to China's ban on South Korean entertainment content in the same year, this drama will probably never see the light of day.

Then, I think some of you already know this, in late 2016, CMH directed the stage play Big D, and ZLY was his lead actor in this play. According to different news articles, the tickets of this play were sold out in either 5, 7, or 8 minutes (LOL no idea why there were such discrepancies, but they were sold out within 10 minutes for sure).

In 2018, they appeared in The Sound which is a very good variety show about dubbing. Celebrities were asked to dub domestic and international shows/films (sometimes in both Chinese and English) to show case their voice acting skills and language skills. What's really funny is that ZLY is one of the typical introverts who can be a clown when he's surrounded by people he's familiar with, but once you put him in an unfamiliar environment, he gets nervous and shy. So after he and CMH entered the room together, he just naturally and subconsciously stood right beside CMH, the one he was most comfortable with, even though he was supposed to team up with another actress (who was off screen). He got really confused for a minute when all the other guests and hosts were questioning why he didn't stand beside his teammate LOL.

Both ZLY and CMH are really very low key actors in c-ent, so you don't see them in public events a lot. The last time that they were spotted chatting in public was during the premiere of the movie Under the Light last September.

Anyways, thanks for reading! I hope this can bring some insight into their friendship. You can tell they are just so comfortable with each other, and shooting Tibetan Sea Flower seemed to be such a fun experience for them. I hope they get to work together again soon in the future!

Edit: if you noticed my tags and saw the reply of someone requesting to know why ZLY was picked as Wu Xie: I made a long post here.