#enstars analysis

[thefourofclubsinactive]

I saw a certain post on twitter that irritated me, so here's a rant

[songhunter]

trans allegory in mystic fragrance and forbidden rain

aka: the essay no one asked for

Content warnings for: Discussions of homophobia and transphobia, and brief mentions of suicide.

If you guys have any other comments on this topic (especially KnightsPs, I'm an UNDEADP so I'm less familiar with their lore) please comment or rb or drop an ask or anything! I love talking. It's also been a hot minute (3 or 4 years) since I last took an English class so my analysis is a little rusty.

Part 1: UNDEAD's "Monster" and Queerness

Every UNDEAD song (with one exception) has the same premise — the singers are the impure, immoral monsters who are singing to a pure, human audience. There are two genres of UNDEAD song:

“I’m a monster seducing you into the darkness, give into your desires because I know that secretly you want it too” — Immoral World, Savage Love Affair, etc.

“I’m a monster and I’m so badass” — Darkness 4, Nightless World, etc.

Darkness 4 lyrics, translation by Shirayukin on Fandom wiki.

The “monster” in UNDEAD’s music is shorthand for anyone that exists outside of a pure society. By joining the monsters, you become tainted and can't return to society, but that’s the only way you can possibly live as your authentic self. In this way, the "darkness" is a safe space that these monsters have created for themselves.

This is, of course, a reference to Rei and how he feels ostracized from society -- the whole reason why Koga began UNDEAD was as a message to Rei that if Rei felt like a monster, he shouldn't roll over and die, but live with them as an undead. However, the concept of the queer monster is incredibly applicable imo. Historically, lots of villains in horror media were queer-coded as a way of eliciting disgust or a fear response, as a way of making its villain seem strange and, well, queer. (Oh, no! Look at all these horrible people ruining life for the law-abiding families!) The link between queerness and horror has been analyzed to death.

But queer people also love the misunderstood monster who's shunned by "proper" society. The gothic novels that originated the horror genre in the 1800s, like Dracula or the Picture of Dorian Grey, were written by queer authors and/or contained scores of queer themes. Do I need to go into why werewolves, shapeshifters who had to go deep into the woods to hide their wolf form, can be read as queer? Do I need to go into why Frankenstein, someone abandoned by his own creator and shunned by society by the nature of his existence alone (something out of his control), can be read as queer? Do I really need to go into why the modern-day vampire is queer? Vampires? Of course queer people will love these monsters, because they see themselves in the monsters, more so than the victims. (Also, nothing more in line with the queer experience than seeing a monster and going “ngl they're kinda hot actually.”)

In summary: It's very easy to read UNDEAD songs and UNDEAD's conceptualization of the "monster" through a queer lens. The monster is queer, and the monster welcomes you into the darkness and invites you to also give into your desire to live freely.

Immoral World lyrics, translation by Mandy on Fandom wiki.

Also, shout out the love you tried to hide, huh? Show me your truth? Show me your pride?

Dude.

Dude.

Sidenote: The one exception to this “monster” theme is of course the elephant in the room, Sustain Memories. I think it plays well into UNDEAD’s image — at least in !-era, Rei, Adonis, and Koga have always been the monsters, while Kaoru is the human that joined them (see: their Halloween costumes in !-era). So Kaoru doesn’t sing of monsters, he sings of a human love. There's also something to be said about Kaoru being the one member of UNDEAD who tried so desperately to appear cishet and experience a "normal" love in !-era. But also, it's a wedding song because the anime boys look cute when they sing about weddings.

Part 2: What about Forbidden Rain?

Here's the thing about UNDEAD's other monster songs -- they're always proud of being monsters. They're not ashamed, and they want the audience to join them in their freedom.

Forbidden Rain lyrics, translation by @/snaketaper on Twitter.

On the other hand, the singer in Forbidden Rain sees themselves as a "beast" who can never be forgiven, someone who's slowly poisoning their pure lover. They love them so much that they apparently have to let go of them, for their own sake. It's the first song that actually contains references to genuine love (usually UNDEAD is just horny).

The song remains sort of ambiguous about the nature of the relationship between the singer and the audience. It's clear that the audience does actually care for the singer, since they do reach out a "gentle hand" that the singer can't take. But the singer says, "Let's end this thing that never even began" -- are they even together in the first place? Maybe it never began because they were scared of the "beast." Or maybe it never truly began because the relationship was built on a lie. They sing about a beast inside them that they have to hide, and says that their current self -- the one they show to the audience -- is a fake. And this is something that cannot be forgiven.

It's not hard to read this in the context of queerness. Maybe it's about a gay singer who doesn't want to reveal their feelings and tarnish a platonic relationship. Or maybe it's a trans singer who's wracked with guilt at keeping their identity under wraps and hasn't come out to their heterosexual lover, so they want to break off things before they come out and taint their previous relationship.

In Love & Beast, the "source material" behind Forbidden Rain, Inogari (Adonis' character) is soft-spoken, protective, and kind. He saves the main police character in the very first scene. He's an ambassador and a respected enough member of society that he's part of the Sakurayama (Rei's character) social club. He uses "watashi," which is even more polite than Adonis' "ore." He literally faints at the sight of blood. He's the picture of innocence and goodness and all that society approves of. But in a Jekyll and Hyde-like twist, he ends up secretly being the killer Beast. In the end, the Beast is finally caught when Inogari realizes the truth and chains himself to a wall so he can be caught by the police in an act of sacrifice.

Inogari is the picture of propriety, but he keeps the Beast repressed, and eventually this Beast destroys him. Even if you try your best to act as part of proper society, you'll never really fit in.

Silent Oath lyrics, translation by royalquintet on Fandom wiki.

Another note: Forbidden Rain has a lot of the same themes of self-sacrifice, repression, and pure, romantic love that Knights songs do. Knights, in game, is a much more traditional idol unit than UNDEAD is. Forbidden Rain thus attempts to align itself more closely with the socially acceptable Knights, but it's still an UNDEAD song at its core. The monster is inescapable.

Part 3: Mystic Fragrance and Trans Allegory

This thread by @/pretty5P on twitter (https://x.com/pretty5p/status/1625958198623539200?s=46&t=lm_x5Uw5f8pKXHUoLzYksw) is a really cool analysis on the perfume symbolism in the song and how it relates to Arashi's gender identity (go read it!!), but if you don’t want to give Elon Musk ad revenue, the gist of it is this: Odette is her "masculine" initial impression, the impression others have of her, and the impression that fades most quickly. Odile is her lasting "feminine" self and the true self that remains when the top notes fade away.

Over the course of the song, the singer (Odette/Odile) grows more and more tainted, going from a pure white dress to a multicolored rainbow dress to a pitch black dress. The final perfume note is desire, the desire to live as themselves, the desire to be with the person they love.

Mystic Fragrance lyrics, translation by KYM2020 on Fandom wiki.

While the song does focus on a pure romantic love, just like Knight's songs, the symbolism of wanting to be Odile is far more similar to UNDEAD's monster. The idea of a "hidden desire" lying in wait beneath pure feelings is explored in almost every song, as is the symbolism of a dress that gets tainted by desire:

Savage Love Affair lyrics, translation by Nina on Fandom wiki.

And just like UNDEAD songs, the "tainting" of the pure is never presented as a bad thing. Note the references to the moon in both -- it's only in the dead of night, in a midnight ballroom, that one can "spread their wings" and reveal their true self. The darkness, the space of monsters, is a safe space, and in the light of the truth-seeking moon the singer of Mystic Fragrance says that their audience is beautiful.

In the original Swan Lake ballet, Odette is a beautiful woman who falls in love with Prince Siegfried. She's cursed to transform into a swan in the daytime, a curse that can only be broken if someone who has never sworn their love to anyone swears their love to her (in other words, someone untainted). Unfortunately, the evil sorcerer who cursed her turns his daughter into Odile, the black swan who looks identical to Odette, and Siegfried mistakenly confesses his love to her. Knowing that the curse can never be broken, Odette throws herself into the lake rather than live the rest of her life as a swan, and Siegfried joins her.

Mystic Fragrance isn't tragic, however.

Part 4: Living your truth

The endings of Forbidden Rain and Mystic Fragrance are where they differ. Both of their source endings are tragic — Inogari is unable to control the Beast and shackles himself to a wall, waiting to be arrested. Odette and Siegfried leap into a lake and drown themselves, because the only way they can be together is in death. Forbidden Rain ends with the singer holding their loved one close to them one last time in the rain before they leave.

But Arashi rejects her source material because she chooses to embrace the monster. She becomes Odile. She decides to live her truth, and as the top notes and heart notes fade away, all that lingers is her true self. That's why Mystic Fragrance has a happy ending.

There's a lot of symbolism in the Mystic Fragrance music video with respect to the person who loved Arashi during the war era and who killed themselves. She spreads her arms like the wings of an angel and sings in front of a setpiece that looks like the cenotaph. Her outfit contains anemones, symbols of a lost love and grief (and, coincidentally, the flower that Adonis in greek myth turned into when he died). Her greatest regret was that that person couldn't love themselves the way Arashi now tries to love herself. In this way, Mystic Fragrance is like a message to that person -- live your truth.

[raelyn-dreams]

Mika/Ritsu Dorm Thoughts (Part 1?)

Listen, I know we all love the Goth Dorm™, but it was actually probably REALLY good for Mika and Ritsu from a physical, mental, and social standpoint.

Mika who now has to eat more properly because he needs to cook for Ritsu, and Ritsu who now skips less meals due to sleep because Mika always has something waiting for him.

Mika who is dragged to bed from his late work under the pretense of "cuddles" by Ritsu, and Ritsu who is woken up by Mika because they can't be late to meet Naru for breakfast.

Mika and Ritsu who can fill their dorm with all the dark horror things that don't fit their idol "image", who can have as many pillows and stuffies as they want because they know the other won't make fun of them for it.

Mika and Ritsu who never see each other as just "Rei's brother" or "Nazuna's replacement", Ritsu who sees Mika as an artist instead of a doll, and Mika who sees Ritsu as a knight instead of a damsel, even before they themselves could look past those labels.

Mika and Ritsu who were so hurt by the war, who felt like nobody else in their grade could understand the feeling of being tossed aside and looked down upon, only to meet someone else just as haunted, who stayed in the back of the class, who felt there was something indescribably wrong with them.

Mika and Ritsu who don't push or pry, but will bring each other their favorite snack or put on the most poorly-made B-rate horror movie, just to see a small smile on the other's face.

Mika who finds Ritsu sleeping in the library and tries to bring him home so he doesn't catch a cold. Mika who was so afraid he'd accidentally killed Ritsu (who was pranking him) by shaking him too hard that he attempts to bury him in the dark even though he's night-blind because he's an absolute FOOL. Ritsu who isn't upset at all and nonchalantly says they can be buried together under a cherry tree if they die.

Mika who finds Ritsu's vampiric claims to be cool instead of weird and is one of the first people Ritsu becomes comfortable with, who attempts to translate an entire book Ritsu gave him to understand him, who notices his ripped Knights uniform and fixes it immediately for him despite his mediocre sewing skills at this point. Ritsu who mistook Rei for Mika and immediately went to hug him, who covers him up and makes sure he's eaten enough when he falls asleep on his call to Shu, who encourages him to rely on others more.

Just....Mika and Ritsu and their amazingly chill relationship.

[mirrortouchedsea]

Okay but like... the way in Night Club when Hinata starts opening up to Rinne and Rinne sees who he used to be so so clearly in Hinata. Feeling like the world believes your entire existence is wrong, nothing is going right, you just want to give up but you can't. Hinata comments that it's easy to open up to Rinne and I think part of that is just that Rinne intimately understands what Hinata is going through, trying to find himself in a world that he feels like an alien in. And while Rinne obviously doesn't like to be so upfront about his feelings, you can tell he's watching out for Hinata and encouraging him to act up and act out, to be loud because someone is proud of him and is glad that he's there (and now Rinne is in Hinata's corner and he's less alone than he was before).

[pseudowriter69]

i think tatsumi being the event scout for kanata's climax event is actually so interesting. they're both dudes who were worshipped in a cult (literally for kanata, more figurative for tatsumi), nearly destroyed themselves in the process of helping others (kanata granting people's wishes and tatsumi taking on a LOT of work in reimei), and found a family in their unit that helps them be themselves (though basically every character in this game did this). not to mention that tatsumi's last name, kazehaya, possibly connected to the kazahaya shrine, which is closely related to the yao bikuni, a folkloric mermaid that kanata's backstory is a direct reference to (see tatsumi's etymology part of his wiki page and meteor impact).

can you tell that i like characters with complex relationships with religion or do i need to go on

[agried]

Alkakurei Large-Scaled Event Speculation

i don’t really enstars post publicly, but i was thinking about the upcoming large-scaled event for alkakurei recently, and i had some speculations about some of the overarching themes involved. these speculations mostly draw on things brought up in !!era main story and ss arc, though some other stories do come up. 

admittedly, i haven’t been able to read ss finals or the majority of main story 1.5, but i’ve read all the alkakurei song event stories save both their climaxes (which i only read livetweets of) and nearly all the unit/tour event stories that are in engstars music, so i at least have an idea of the overall situation in es. if there’s something i got wrong though (main story is a tiny bit hazy to me, i’m trying to reread it for a deeper analysis of hiiro’s character development but it’s So Long), please let me know!

first off, it’s important to realize both alkaloid’s and crazy:b’s general positions in es as a whole. i think i saw a post a while back where someone was disappointed by alkaloid being less ‘protagonist-like’ than trickstar, as they didn’t really rebel in any major way against their situation or the capitalistic framework they were built on. however, they weren’t written to be that way. the group that resembles trickstar more, in terms of ideals, would actually be crazy:b.

this is mostly because of alkaloid’s position as the prototype for es’ mass produced idols. because of this status, alongside their newness, they rely very heavily on es’ benefits to succeed in the industry. es is happy to give that help, though, because their success is proof that idol mass-production is feasible and profitable. 

but if alkaloid chooses to not follow their rules, and are seen to be dissenting against es (this is brought up in graduation) or fall out of favor with es’ higher-ups (as seen in playing cards), they’re in danger of being disbanded or punished in some way. (though phantom airship mentions that they’re one of the up-and-coming new units of es, compared to units from !era who have experience outside the system and have more established fanbases, they’re still in a more tenuous position.)

in contrast, crazy:b has always been a lot more rebellious. while they were also forced into making a unit and ‘attacking’ existing es units in order to deepen those units’ bonds and help bring their problems to light so they could fix them, rinne notably turned the tables on es and also pushed his own goal of showing the problems and effects of es’ system to the public so that they’d be more aware of the darker side of the idol industry. though they were branded as troublemakers by es and were set to be dismissed once they were done with their attacks, rinne’s criticism of the industry made him and crazy:b champions of those who had been destroyed by or otherwise pushed out of it, leading the public to show their support for them, and ryuseitai, knights, undead, and alkaloid’s help also let them stay as a unit, validating their existence to es. 

how they were branded during the summer did affect their job opportunities and experience as well. because of their ‘troublemaker’ status, they weren’t sought out as much for jobs and instead had to look for ones (honey bee) or make ones (hot limit) that would accept them, making them generally more self-sufficient than alkaloid. this status allowed them to interact with more people outside of es’ influence, and get more in touch with those who shared their opinions on the industry, like beehive (night club). while i would say that cospro does support them, they aren’t as beholden to the company’s pressures as alkaloid is, since they don’t rely on it as much.

related to this, alkaloid and crazy:b’s members also have different personalities and different opinions on society and the idol industry. that’s a pretty obvious thing to say, but overall, while all of alkakurei are othered from society in some way (i could go on about this in a whole other analysis actually), alkaloid has been written to be more optimistic about society and the industry, and none of them are the type to rebel against either of those systems. aira even asked rinne “why do you have to go against the system? what’s so bad about it?”. as befitting their theme as ‘soldiers’, alkaloid is the obedient unit that follows orders. while they do sometimes twist what’s asked of them to their own benefit (they participated in mdm as asked by es, but also used their stage to keep crazy:b together despite es’ plans to discard them), in the end, they still follow the orders given to them.

crazy:b, however, are all a bit more disillusioned by society and the idol industry. rinne in main story mentions that he’s been called ‘wrong’ by society all his life, himeru is intensely aware of the stigma against his and kaname’s last name (from obbligato. also in night club, he expresses anger at society suppressing members of minority groups), similar to niki, who still is worried about joining the culinary world due to the rumors associated with his last name (hot limit), and finally, kohaku knows the darker side of society and the idol industry through his upbringing and through double face. they’re less idealistic, and more willing to defy what is considered ‘acceptable’ and speak out against it. (also, can i just say it’s delicious that the amagis are still following the footsteps of their past selves, with hiiro taking orders and rinne breaking them? ough, i have so many feelings.)

so why am i bringing this up? well, there’s been a lot of stories recently criticizing es and their monopoly on the idol industry. like the ss arc— the first story that came to mind was submarine, where the local idols begged ryuseitai to help them against the other es units who had systematically crushed them, as their fans had been poached to go to other areas where ss was taking place, and they were unused to the battle format that was instituted in okinawa (i’ve made jokes about the fact that there are so many stories that refer to es as “the big wave”, or as “an uncaring monster” that crushes everything in its path without remorse or malice. i feel like i run into them like every two big stories and i’m like “ah, it’s this again” lol). 

notably in the main story, the fact that alkaloid is the prototype for mass-produced idols isn’t actually addressed that strongly. i recall that alkaloid learned of it, felt bad about it, but then had to push it away in order to help crazy:b since they couldn’t really do anything about it. similarly, while crazy:b’s rebellion against the system revealed some of the problems with es, es still has been moving forward in such a way that many units have begun to disagree with, but that they seemingly cannot change.

this leads me to my speculation that in the alkakurei large-scale event, alkaloid and crazy:b will be set against each other in the midst of es’ industrialization and mass-production of new idols, with crazy:b rebelling against this development while alkaloid supports it as they don’t have the power to go against it. 

while this might sound extremely similar to the graduation event, i’m still leaning toward the idea of the two teams being set against each other, notably because for all other large-scale stories, all the characters who are 5 star cards in it are somehow against each other in some ways. graduation had subaru, supporting es, on one side and hokuto, against es, on the other, the ss finals cards were the members of the teams leading the red team and the white team, and altered/origin had eichi and rei, a member of ex-fine and a member of the five eccentrics. i don’t believe it will be like certain regular tours, where they aren’t actually in conflict. 

frankly, if the large-scale event isn't actually related to some of the units disagreeing with es, i have no idea what it'll be about. because even anzu is becoming more independent from es, which is a bad sign since she’s important to all the units to at least some degree, and she's been the eye of the storm for great change.

of course, akira could always be silly goofy and make everything i just speculated wrong, but there are definitely some interesting plot threads still somewhat loose for alkaloid and crazy:b, so i’m really hoping that they’re picked up in this upcoming event. i just feel like one of these days, there will have to be a story confronting es and somehow changing their direction, even just a little bit, because a lot of units have expressed disagreement with the way es is moving.

admittedly, i cannot say who will be the 5 stars for this event— out of all of the characters, i’ve heard that tatsumi and niki both haven’t had as much of their childhood backstories/their reasons to be an idol explored quite as deeply as some of the other members of alkakurei, but i personally expect the 5 stars to be hiiro and rinne since they’re the leaders of their units. also, i really like the idea that they’ve come full circle from mdm, with rinne now helping hiiro figure out a new way to move forward and achieve a dream that hiiro chose, for once. 

but who knows! we’ll have to wait for april to see. needless to say, i’m excited for what’s coming next, even if it turns out to be different from what i expect.

[distortedmoondisc]

Dia's analysis masterpost

Here are all the analyses I've written, linked in a single place! (Organized in chronological order, because I think you can see a certain development in the thoughts and themes I explore in my analyses that can be best appreciated if read in order, if you're interested)

· Enstars

1. "In an autonomous life, there is meaning you'll never grasp. With the suit of your soul, persist in your belief" Lyric analysis and what it says about Hiiro's character.

2. "I think we as a fandom don't talk enough about Aira being Hiiro's fan—y'know, as an idol."

3. "An unnecessarily long post talking about what I'd like to see for the upcoming Alkaloid's solos!"

4. "Do you ever think about the parallels between Rinne and Aira"

[mamadarama]

698 - anzu has calmed down a lot since engirls era but i like to think shes still just as nuts as she always was and seems calmer because shes better at containing herself now that shes older. also just realized i used the looking disrespectfully post literally just the other day. adhd: 1 me: 0

[yume-fanfare]

top 1 idols i need to lock in a closet

[tenshi-agerasia]

idk if anyone's pointed this out yet but the highlight in till's eyes change from red when he's seeing luka as ivan—

—to pink when he spots mizi in the crowd

and then of course we have luka going "wtf man i thought you were gay 🙄 anyways"

[esanalysis]

HiMERU ESY2 Center - Ephemeral Festival Story Summary & Analysis

We've all see the live posts in regards to the new HiMERU center event. Everyone's been talking about it and I want to as well because boy do I have a LOT to talk about in regards to what we know about HiMERU, what we learnt about HiMERU, and all the misinformation that managed to spread around in some places. This one will be pretty long, however I hope this will clear misinformation up and make the story easier to consume.

Posted - September 6th, 2024

Edited - October 25th, 2024

Analysis Word Count - 3,508

Disclaimers and CW for this post are as follows;

- This is both a summary and an analysis of the story. I will somewhat briefly summarize what is happening and will add in my larger breakdowns of specifically HiMERU's actions and feelings here (as well as others if applicable/needed). - Later parts of this analysis will vaguely reference Obbligato and be talked about under the assumption there is at least a vague understanding of what happened during the event's story. If you have not read Obbligato, I highly recommend doing so. You can read the story here. - This will contain discussions and mentions of RPF and adult/minor relationships however in no regards will I be defending this. On top of this, I do not like Himekoha/Kohahime for reasons I do not think I need to get into. - Take some information with a grain of salt. At the time of writing this I am currently going off of live translations & other sources of information as no translations exist at the moment for this story. This may be edited in the future due to this. - Screenshots have been sourced from various live translations and put through Google Translate for clarity reasons and to show what I am talking about being in game. Take the direct translations with some salt because of this. - Usual disclaimers apply - see my pinned post for those. - If you would like to discuss or debate things I have come to the conclusion of, you can submit an ask!

With that in mind. Let's get started.

The opening starts out, put simply with us learning exactly what the "Pastel Bee Brothers" - shortened to "PBB" - is. PBB, in short, is a nickname for Kohaku and HiMERU due to growing popularity in the idol world separate from Rinne and Niki as well as Crazy:B as a whole. Despite this growth, the growth does not stem from anything good. It unfortunately stems from a piece of Real Person Fiction - "RPF" for short - that involves the romantic and sexual pairing of HiMERU and Kohaku that goes by the same name.

Despite this fact, we need to acknowledge two big things when it comes to the existence of RPF here. The first being, this is a real thing to happen. Ensemble Stars is not new to the concept of criticizing things that happen in both idol culture and the industry itself, albeit to varying levels of success. We can very clearly tell that this is what is happening here when we see HiMERU try to shield Kohaku from what it truly is. Kohaku does not understand what exactly the PBB fad stems from, aside from the fact it exists after HiMERU told him about it as seen by the fact that he's shocked by being prompted to prove he's over the age of 18 when looking it up for himself.

Afterwards, HiMERU does not seem to refer to what the PBB truly is despite seemingly knowing and continues to dance around this fact when Kohaku shows his confusion to the explanation HiMERU is reading off of the internet. This implies him trying to attempt to protect Kohaku from what he can in an attempt to be a more responsible adult for him.

We can see this in the few screenshots below.

*Sakuragawa is referring to Kohaku here, its a machine error

The story is not in favor of this existing, as RPF is a real thing that exists and while it is uncomfortable, especially in regards to the fact that this involves a coupling of an adult with a minor, I think it was the best play here. Kohaku and HiMERU have a very complicated relationship with one another although not a bad one. So fans seeing it, not knowing HiMERU's real age that we do as the reader, and everything else *would* realistically result in something like this.

Its something you should be uncomfortable with, and something that is good to be uncomfortable with. But despite this, we need to keep in mind that showing support for this thing is NOT what the goal is here.

From here, we can figure out that the popularity from the PBB has boosted the rest of the Bees' popularity, despite most of the work they're currently getting being related to HiMERU and Kohaku. Rinne only pushes the work the that the Bees get onto HiMERU and Kohaku, continuing to mess around with the other two's source of popularity (in this case, buying a Doujinshi to poke fun at them and also to learn exactly what the PBB is too due to having his socials frozen and being unable to see for himself). This results in the two taking a job where they work with a smaller company to create a show where the two live a simple and domestic life together to keep in line with why PBB is popular and continue to ride the monkey's paw of a trend.

HiMERU does note before production though, that Kohaku reminds him of Kaname. If you ask me, I think this is partially why HiMERU, the one that chose the job the two do, went with this. It doesn't seem very "HiMERU like" to do, but it could be how he himself feels not how the idol persona feels. We know how much HiMERU cares for Kaname, and how highly of a pedestal he places his little brother on so wanting something calm and to be able to properly care for his brother in the hospital doesn't seem like much of a surprise when you think about it and has the decision make sense.

This is only emphasized by his thought after about how he asks himself if this was what he wanted with Kaname, the ability to raise him better and be a better older brother after the Reimei incident during Obbligato.

After a while of the small show airing and gaining popularity, Kohaku doesn't understand the popularity still. Possibly even less due to how simple the show is when its something he simply doesn't like. On top of this fact, HiMERU has been acting slightly weird in Kohaku's eyes, possibly due to HiMERU's reasoning for doing the show. Niki does sympathize with Kohaku's criticisms with the show but despite this, he can't really find himself arguing with success.

Niki ends up criticizing things a bit more though despite this, making comparisons to what he knows better. He compares the show and fans to chefs and their customers, talking about how doing the same thing can be boring and stifling even if its what the people want. HiMERU seems to be ignoring this or not quite taking it to heart like he should. Possibly due to him not realizing he's projecting his own wants onto Kohaku? Though, that's just a guess and nothing else.

At the same time, Rinne turns out to have uploaded a video himself of his plans to sabotage the show that end up failing due to Rinne getting stuck in a box in a storage room under heavy furniture. The other three end up having to get him out of the box in the storage room after they find the video. However, I want to focus on Rinne's plans to sabotage the show.

Of course this could be chalked up the Rinne wanting to sabotage the popularity not focused on him, after all it's what he claims to be doing. Yet, I can't help but feel like his intentions are different. We know that Rinne cares a lot about the people in his life, even if he refuses to properly show it when not through his persona (though, this is an analysis for another day). Rinne bought the Doujinshi at the start of the story as a means to figure out what exactly the PBB was and why it was so popular. Combining the two facts, he was probably able to piece two and two together and want to sabotage what the PBB are doing and, in turn, their popularity. Likely for the safety of Kohaku much like HiMERU trying to shield him from what exactly PBB is. A lot of who Rinne is, is something you have to read between the lines for or else you also become someone fooled by Rinne's persona much like the other people of ES - however that isn't the focus right now.

After getting Rinne out of the box in storage, we timeskip a few weeks to one of Rinne's plans to sabotage the show. Its a roughly put together show created after annoying Ibara enough. The short of this being a search for something called the "Nagigon" which is a large creature of some sort that just so happens to be played by Nagisa himself.

It's important to note that Kohaku does have more fun with this compared to the more formal show he's working on with HiMERU. Filming for the show doesn't go very far however, due to the location of the shooting being leaked and getting swarmed with fans protesting that this place isn't safe for them to record at. This whole thing only manages to back up Rinne's worries for Kohaku and HiMERU, with them giving into the demands of the fans above everything else including their safety. This only backs up my thoughts on why Rinne is trying to sabotage the show, but I digress.

After this, HiMERU and Kohaku go back to filming the domestic show they were before. Kohaku's complaints only get worse from here, not only about the show's production but also being and idol as a whole. Despite this fact, HiMERU also does not like where the PBB has led them and the rest of Crazy:B telling Kohaku to accept it like he has.

Kohaku, once again, points out that this behavior is weird. HiMERU does try to listen to the fans more compared to the rest of the Bees, especially Rinne. Likely due to the fact that he doesn't 100% know what Kaname himself would do and also due to how HiMERU created the idol persona in the past. But at the same time, this is also likely due to nothing but popularity. HiMERU's goal as we know it is to keep the name "HiMERU" in the spotlight for when Kaname is healthy again and able to take the name back for himself. The sheer popularity that the PBB has is only helping his end goal, which is likely why HiMERU is acting weird. Normally, the popularity of himself follows the rest of Crazy:B but now its surged outside of the fact in a way he himself can control. It falls back on the concept of how this popularity is nothing but a monkey's paw. It's something neither of them truly like, more than likely due to the cause of it all on top of where it ended up getting them.

HiMERU is handling the pressure and stress of the popularity better than Kohaku though, as it ends up with him passing out and going to the hospital. Consequently the same one that Kaname is staying at.

At the hospital, Rinne and Niki end up staying with Kohaku as he wakes up while HiMERU is off with Kaname.

From this point on, things are going to get more wordy as the later half of the story contains more of what I want to talk about.

HiMERU notes that there's more merch around Kaname since the last time he was here, as well as the reveal that Kaname is more awake than before. He hasn't perfectly healed, and will likely be bedridden for a long time to come but he has been having a lot of improvement. The biggest of which being, that he is awake at times and seems to be requesting merch of his brother.

The full card cg shows pieces of merch in his room, the ones we can clearly make out being the Feature Scout 1 outfit poster, a poster of the Trip Album cover, and a plush of HiMERU in his Crazy:B uniform.

Kaname is far from healed, with this merch not of "HiMERU" but of his brother, being comfort for him and his bouts of incoherency. Kaname and HiMERU have both relied on each other in a way. Their relationship being nothing but complicated due to how they met, discovering each other's existence and everything that happened during the events of Obbligato.

Due to all of this, Kaname seemingly being fine with HiMERU doing what he's doing while also being unable to vocalize it properly due to his current state makes sense. We don't know the specifics of Kaname's condition, leaving us to unfortunately have to fill in the gaps so most of this is a mix between speculation and an understanding of both Tojou's character.

The name HiMERU was something that felt stifling to Kaname, it was a fact he mentioned to Tatsumi. This was something HiMERU didn't know himself until the events of ESY1. HiMERU was operating under the assumptions he himself had made and still cannot back down from. If anything, this fact proves that the brothers truly don't know each other that well. They never grew up together, for one reason or another (I'll get into that later), and as such have put each other up higher than they should be. They have never seen each other's faults properly.

This is being reflected in the merch that now surrounds Kaname. Despite the name never being his, and probably understanding that it will never be his. He's okay with this. A lot of people have been under the assumption that he wouldn't like what HiMERU is doing, but that's just wrong. If anything it could be freeing for Kaname, especially after the incident. We don't know much about him now after everything, because people can change and be affected by trauma like this in different ways. But it's probably safe to assume not much has changed by his actions.

He wants the comfort of his brother, and seeing him surrounded by not only HiMERU merchandise, but also PBB items likely brings him some of that comfort when he's awake and his brother isn't there.

And at the same time, when HiMERU is visiting Kaname, he seeks out the comfort of his younger brother. We truly see how conflicted he feels during this part, asking Kaname if this is what he truly would've wanted for the idol name he now has. He asks both Kaname, and mostly himself, if this is what Kaname wants and if he is truly crafting a place for him to be when he recovers. Only backing up the idea that the two don't truly know each other but only want the best for each other.

Although, this scene can't stay for too long. HiMERU unfortunately cannot entirely vanish to stay with Kaname as much as he'd like to do so. Rinne ends up catching him in the lounge leading the two to have an interesting talk. Rinne quizzes HiMERU on where he was and why his face looks sad, eventually revealing he knows about HiMERU's secret. It's something that could've been inferred from various other stories if you ask me, but seeing it properly spelt out is interesting. On top of this, Rinne also points out HiMERU is currently a year older than his persona, comparing his age to Niki which would currently make him 19. HiMERU doesn't shoot this down or acknowledge it being correct, giving nothing but a vague response about how faking your age by a year or so is more common than one would expect. While true - it is important to note that Rinne may be right due to HiMERU's avoidance of the topic.

*translation is a little broken - however it still shows Rinne saying "one year older" in reference to HiMERU

I'd argue this makes perfect sense. During the events of Obbligato, he would be about 17 or so, meaning he's still essentially a kid during this. In a way, it can make his actions make more sense when looking at it from this angle. However, I plan to dedicate an analysis to HiMERU's age sometime soon as I would like to talk about it separately and go more in depth about Obbligato and how this doesn't retcon what we know already but that isn't the focus currently.

Regardless, HiMERU ends up getting defensive and speaking in first person. Another something I deem important of note. After Rinne coming forward with the fact he knows his secret, even calling Kaname "Kannamecchi" as a nickname, HiMERU has nothing to hide. He speaks in third person to preserve his secret and be what HiMERU is supposed to be, not who HiMERU truly is. Without that secret, he's allowed to be himself. He's speaking for himself here, how he claims to not trust Rinne himself and threatens to harm him should he hurt Kaname or drag him into any sort of mess. Rinne however, takes this moment to try to drill into HiMERU that the PBB isn't good and how him being "HiMERU" isn't good either and making him act strange.

Another moment that shows how much Rinne cares so much about those around him despite his persona. Another thing I plan on talking about at some point.

HiMERU ends up calming down and asking about how Kohaku is doing, Rinne ends up turning this around on him and continues to push the idea that "HiMERU" is causing problems here and brings up how Kohaku was wrapped up in "HiMERU's" mess. This manages to be enough to get HiMERU to reflect a bit more, realizing that this all started from Kaname. The popularity was not only good for the idol name, but also seemed to be making Kaname happy with the growing merch in his hospital room. HiMERU was always skeptical about the trend, knowing about it in full and how odd it was in multiply ways. During this reflection, Kohaku walks up to the two of them. Both Kohaku and Niki were called to the lounge by Rinne, allowing them to hear at least part of the conversation the two were having including parts of HiMERU's self reflection and bits about Kaname.

This prompts the two of them to properly talk out everything going on. Neither of them are happy and only one was willing to admit it previously - HiMERU even taking a moment to remind himself and truly realize that Kohaku wasn't happy. Its a moment of selfishness we rarely see from HiMERU and one he doesn't seem to realize exists because he kept pushing the show "for the fans" when really he was also being a tad selfish with his own wants by imagining Kohaku as Kaname. Kohaku continues to talk about how he wants to show himself off more, be his own idol, instead of just listening to what the fans want like HiMERU seemingly wants to do. Niki only backs up Kohaku, expressing himself freely in the process to emphasize that people need to mix up what they're doing while also taking others into consideration. This also manages to click something in place for HiMERU, with him realizing that Kaname probably cared less about seeing the PBB and more about seeing his brother in any capacity.

This realization allows him to act more like himself again, or at least how people see him. Kohaku even feeling better after talking for a few. The two end up agreeing to put an end to the show going on and resume activity as Crazy:B as they always have, turning down Rinne's plans to go out with a bang as he normally would.

Despite this though, when Kohaku and HiMERU plan to do a live together at a festival and announce the end of doing things as a duo and go back to doing things with the rest of their unit, Rinne still manages to crash the party. Rinne, dragging Niki into his mess as usual, ends up turning it into a Crazy:B live since he didn't want just HiMERU and Kohaku enjoying the festival. Many fans end up speculating from this that Rinne forced Kohaku and HiMERU to halt PBB activity but they try to ignore that. Kohaku admits he enjoys Crazy:B for what it is, despite how hectic it can be with Rinne as a leader. HiMERU himself even recognizing that deep down this is what he was expecting, and in turn enjoying it.

After everything, Kohaku and HiMERU end up going back to finish shooting the little show with Nagisa and Rinne, enjoying that more than they did recording things as the PBB. Nagisa was even enjoying it himself. HiMERU truly came out from behind the persona he built up for Kaname more by the end of this story, as he continues to do so bit by bit with each story we see him in. The others even recognize this, Kohaku especially with calling out how HiMERU did see him as a little brother.

To summarize my thoughts and add a few notes that I couldn't add in elsewhere, I think the story is very good and a solid enough commentary on how popularity as an idol can come from varying places both good and bad (comparative to other ES stories at least) and how popularity itself is a powerful thing for better or for worse. Its not perfect by any means, much like any other Ensemble Stars story, but its a lot better than I think people give it credit for. We learnt more about HiMERU than we knew previously and a handful of assumptions I've seen some people have were confirmed - myself included. It's also interesting to see HiMERU be more selfish with his wants, even if he doesn't entirely realize it.

I hope we one day see HiMERU shine through more past his few moments of speaking in first person. I would like to see his real personality outshine the idol he portrays himself as. The bits we do see in the story feel powerful to me since his emotions get too strong in regards to Kaname that he lets his guard down, especially when people know his secret. Things likely won't be changing anytime soon, but improvement is still improvement and I want to see more of that.

Regardless, thank you for making to the end of this lengthy analysis. I hope you enjoyed reading it and I hope this story can now be understood better.

a/n

- I plan on making edits to this in the future when I have written the analysis on both HiMERU's age and how Rinne shows how much he cares about people, attaching the analysis to the points needed so people can further see me prove the points I would like to as the focus is on this story specifically and I would like some place separate to talk about these specific things rather than the story as a whole. - If anything needs clarification, I messed up information or you would like me to talk about something in more detail, do not hesitate to send an ask so I can talk about it or make fixes to the post as needed. I would like for this to be accurate as possible.

Edit Log

October 25th, 2024 - Edited a mistake where "Pastel Bee Brothers" was put as "Pastel Bee Boys"

[scotts-takes]

"Black Out See Saw" is the Climax Alkaloid Deserved

Top Songs from Enstars 2023 Number 1

I was blown away when the album art for Alkaloid was released a few months ago...

This art is such a sharp contrast from their first album art, that shows how they have grown. The basic military style unit outfits have been replaced with regal commander-style ones. The basic emotions that are shown in the original are now much more refined- in particular, Aira has evolved from someone simply happy to be on a stage to someone who is confident in his place on it, Mayoi is putting himself more in center, and Hiiro's confident smirk has become more stoic, as he now has the experience to go with his skills.

All of this went away, however, when we actually got the Alkaloid Climax song...

Sigh...it was the seasonal Halloween event for the year. Yes, the idea of incorporating hospital/illness and Tatsumi's relationship with it is an interesting story to tell...but Alkaloid deserved so much more, especially as the "Protagonists" for the !! era of Enstars. I was frustrated that the end of this era of Enstars for Alkaloid was wasted on a seasonal event, but was at least able to take solice in that Alkaloid gets 200 chapters of the main story dedicated to them, and we still had solo songs for each character to come from the album. December rolls around, and the album releases. After jumping through hoops to buy it, I throw my headphones on to give the album a listen. The first track, "DiZZineSS" is a weird 30 second preamble with no singing, not something I was expecting. However, it rolls directly into the first new song on the album

Bam

Black Out Sea Saw is a violent wall of sound, unlike anything else that has been done for Enstars before, and I can understand fans not liking it. The reason it sounds so different is because it was produced by TK of Ling Tosite Sigure, a 20+ year going Prog Rock group. I listened to the song 3 times before moving on, and waited for the MV release to come, as is usual with the "B" side track from Albums. And what we got was one of the most well constructed videos for Alkaloid fans, and the climax that I was looking for that wasn't provided by the Halloween song.

The video opens...strangly, especially if you haven't heard the song before. The opening is intentionally choppy and rough, almost like it was an unfinished song that still needed production. There is a weird reverb effect happening- which you can especially hear when Mayoi hits the high note, that led to a friend saying "it sounds like they recorded this in a bathroom or something". The other thing that really jumps out is how robotic and synchronized the movements of all 4 members are. This is a BIG deal. In just about every Alkaloid video, you can find little inconsistencies at various points- Aira is sometimes a bit slow to do something, Hiiro is sometimes a bit too fast, Tatsumi's movements are less athletic, etc. The robotic movements are all in perfect unison, especially at points where characters do things together, like make hand bridges. It's a sign of Alkaloid's growth as a unit- they started as a collection of rejects, and now they haver come together and become a great unit together.

As we go to the first chorus, the intensity of the song ramps up- it becomes FAST, yet every member is in perfect harmony. The dancing becomes more intense- and everyone stays perfect. And then we get to the final line "It's Error-Error", and things start to change- we start to see more finger movement, the motions become more flowing and less robotic (the robots are malfunctioning! error! error!), and more personality is shown by each member.

We then get a wonderful effect of feathers raining from the sky, before, and then we get to see everyone smile, including Hiiro with this soft and expressive look. (that I wish I was able to time slightly better when I took my screenshot!)

Why is this important? Lets take a look at the first Introduction of Hiiro, in his first close-up in Kiss of Life

It's a look of focus, of determination, and NOT one of joy. Hiiro NEVER smiles at any point in Kiss of Life except during the SPP- he maintains a focused look the entire time. Additionally, you can look at just about any Alkaloid video, and Hiiro rarely smiles- if anything, he just physically assaults the camera in every one of them! The final chapter of the main story is titled "Smile", which is a discussion between Hiiro and Rinne on what it means to be an idol, and Rinne telling Hiiro "Whenever I see you smile, it makes me smile too", with Hiiro responding that he will do whatever it takes to make people smile

Hiiro wasn't able to smile in Kiss of Life, as his focus was on putting smiles on the faces of others. It's weird, because when he isn't preforming, a smile is basically plastered on his face permanently. He has a very loud and infectious laugh, and he's just happy to be doing anything at any time. On stage, for him, its different. And Black Out Sea Saw is the first time that Hiiro is able to not just smile, but show kindness in it, as opposed to simple joy or excitement. It's a MASSIVE step forward for him- the kind of thing that, you know, you might build a Climax story around?

And then, we come to the end, where the intensity of the song does not let up, before it all crashes to an end as the lights go dark and Alkaloid go still

To me, this is the Alkaloid Climax, the song that I will remember. They have gone from a group thrown together to a cohesive unit with a sound unlike anyone else in the franchise, and all of whom have had character growth. It's the one that they deserve going into the new era that is upcoming, and even has a level of finality to it, seeing as how it was released right at the end of the year.

Alkaloid deserved better than Undying Holy Love, and boy, did they get it...

[b3lz33bub]

[warning: Enstars brainrot is back after a whole year, I still ramble like a nerd, spoilers for Raison d'être event story]

Valkyrie - Le temps des fleurs

*:･ﾟ✧ Lyrics, video and story analysis :*✧･ﾟ

(even if it's so obviously gay)

I have resurrected my enstars obsession and I found myself fated to dissect Valkyrie's intriguing songs once again, as it seems their relationship has progressed much since last time I had checked on them. This is one going to be elaborate since the song is heavily tied to the event story Raison d'être and to the stage performance which is filled with plenty of symbolism.

˖⁺‧₊˚♡˚ Relevant links ˖⁺‧₊˚♡˚

Lyrics translation by ForeverAsia

Raison d'être translation by Mika Enstars

Official MV

*:･ﾟ✧*:･ Title *:･ﾟ✧*:･

The title of the song, Le temps des fleurs, which translates to "The time of the flowers", could be a reference to the infamous french song from the late 60s with the same title. The original song sung by Dalida directly derives from a russian romance song and depicts the tale of a woman who misses her lover and commemorates the time when they were together, young and carefree.

This is important to note once we provide context from the event story.

*:･ﾟ✧* Raison d'être *:･ﾟ✧*

In the event Raison d'être, which translates to "reason for being", a common french expression, we discover Shu's grandfather wishes to hold a live funeral and turns its preparation into a competition between the other family members. He creates a rather elaborate scenario in order for Shu to uncover the truth about his youthful days in France. Shu's succesful deduction, with Mika's help, enables him to prepare an opera for the funeral.

But Valkyrie had decided to partially cover the truth from the rest of the family in the narration of the opera. Thus, the story birthed actually ends up as an allegory for the relationship Mika and Shu have. (That is why, I will refer to the characters in the story by whom they represent)

Shu, a foreign student in France, passed by a mansion covered in roses and sighted through the window Mademoiselle, whom he fell in love with. Each time he had seen her, he fell deeper and deeper, ending up entering the mansion, unable to contain his feelings.

To his dismay, the beautiful woman he had fallen in love with turned out to be just a life-sized doll.

But the story isn't simply just that. In the mansion was also, of course, a dollmaker, Mika, who had modelled Mademoiselle after his appearance in women's clothes. Deeply moved by Shu's devotion, who had been sending love letters and had been whispering his love in the night, Mika had fallen in love with him, only having been accustomed with the solitude of his own mansion up until then.

But since the discovery of Mademoiselle's true nature, Shu had fallen depressed. Mika decided to dress up in women's clothing and warmly recognise the man's feelings.

「 Je t'aime 」

"I love you"

Mika thought it would end up as a heartfelt, passing moment and their lives would fall back into monotony. But Shu's wishes had just become true — the woman he loved had loved him back.

Since then, he had visited the mansion time and time again. Everytime there was a knock at the door, Mika would hurringly put his women's clothes and makeup on.

This concludes the first act, a comedic tale about the tumultuous existance of a same-sex relationship in a time that wasn't very accepting of it. (As stated by Shu himself)

The second act is an epilogue of the events. Shu had gone back to Japan to fulfill the duties of his family, but promised himself he'd reunite with Mademoiselle. Years later, upon his return, the mansion of roses had decayed, the flowers withering. The only thing left was an inscription on the walls, written in red as if it were fresh blood:

「 Je t'aime 」

"I love you"

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Instictually, you'd think that the roles of the story should be reversed. Since Mademoiselle is an extension of Shu, and Mika is a devout follower of Shu as an artist, wouldn't it make more sense for Shu to be the dollmaker and for Mika to be the foreign student?

That is clarified by the diverse use of the pronoun "I" in japanese throughout the retelling of the story by Shu and Mika. When talking about the foreign student, they use "boku", the pronoun version Shu usually uses. The dollmaker, instead, uses "ore", the pronoun version Mika uses. With that in mind and a little thought put into it, you'd see the pieces falling into place.

The first act depicts the relationship Mika and Shu had up until that point. Shu had fallen in love with Mika, the marionette, but the events of Valkyrie made him realise Mika being a mere marionette in his eyes was inhumane — it wasn't real love, but a devout admiration. Mika, though, had proven himself, slow and steady, to be a real human with free-will, wishes and ambitions, in front of the person he loved — an equal. Thus, Shu could truly love the person he only dreamed of loving previously because love can only really bloom between two equals.

The second act depicts Shu's fears about their future. At the beginning of the event story, he reveals he had already prepared a room for Mika to live in Paris so they will continue their lives together. When Mika told him about wanting to remain in Japan after graduation to maintain Valkyrie , Shu spirals out of control, betrayed and fearful. In his eyes, Mika refused maintaining, or even strenghtening, their relationship. In the opera, that is what Shu imagines would happen if they remain separated; one day, Shu would not find Mika waiting for him, having dissapeared from his life, their love withering.

Unlike the opera, we will discover the song, Le temps des fleurs, "ties the knot" of their thread of troubles and feelings.

*:･ﾟ✧* Lyrics & MV *:･ﾟ✧*

[Shu] - pink

[Mika] - green

[Shu and Mika] - blue

In the stage background is depicted the Eiffel Tower to represent where the story takes place, in Paris. This coincides with the city where Mika and Shu sort out their feeling about their future.

Mistakably compared to a marionette, those blue eyes seem vacant

As this foreign romance spun with a stranger begins to close

Wayfaring through an illusion, traversing on streets of stone

Wandering, endlessly, like melting wax dripping in diurnal rhythms

The two commemorate the circumstances of their early relationship, Shu mistaking Mika, a masterful artist, for a mere marionette, leading to a temporary love that couldn't truly exist this way, that melts with each passing day under the sun rays.

The night burns into the dawn, and the heart that yearns without reward

Has long since overlapped

Even if it’s the same as the breeze, that blows through in its flurry of gales

Even if Shu finds out the truth, that love for a doll can't be truly love, he still holds onto it despite all the misfortunes that have come his way, mainly the rough days of Valkyrie. His love for Mika was a "breeze", a gentle wind, in the midst the despair reminiscent of a "flurry of gales", a circular mass of strong winds that entrapped him.

In the MV, during this part, Shu and Mika hold hands and sway together as they sing. It is a crucial moment since (from my knowledge so correct me if I'm wrong) Mika and Shu haven't made such heartfelt gestures on stage before. It highlights how the songs have gradually become more concentrated on themselves, rather than Valkyrie talking to the audience like in the past.

O city of flowers, this love too can bloom, even on the wayside.

It shall remain as a single song

Sear that gorgeous splendor onto each other’s hearts

As this beloved shadowed silhouette[1]

Turns this into a phantasm tale

From the story of the opera written by the two, we can conclude that flowers represent love. Paris, the city of flowers in this case, is also the city of romance.

Even if their feelings seemed impossible of becoming reality because of the rather troubled beginning of their relationship, their strenght had led the two to believe it is possible to achieve, "even on the wayside". They would even accept it even if it were just a passing moment, "a single song", as long as it was real and satiatied their desires by "searing that gorgeous splendor on each other's hearts". When the moment of love would cease to exist, if it ever does, they believe it will be immortalized in their memory as a "phantasm tale", thus having no regret ever experiencing it.

During this moment, the MV background switches to the Temple of Love on the grounds of the Palace of Versailles. The choreography in front of this place dedicated to the women "loved" by the french royalty[2] is also very suggestive of the ignition of romantic feelings. Mika and Shu reach out their arms to each other's hearts as the camera focuses on their shared gazes during the moment. Not long after, the camera focuses on their hands as they join together in front of the Temple of Love, signifying their romantic union.

[1] The original translation on the fan wiki says "silhouettier", which is a word I couldn't find on any online dictionaries. I will assume they meant "silhouette", like other translations.

[2] The factuality of that statement could be debatable, but I am no expert in the matter, nor is it the focus of my point.

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[The following segment isn't in the MV so it will be delimited with red.]

Even if we cling onto such ridiculous prayers

The feeling of hopelessness will never disappear, will it?

In that case, let’s leave the meaning of our encounter behind

As we change the regalia belonging to coincidence and fate

In this verse, they seem to be voicing each other's perception of their new relationship.

Shu is still on the edge about their future, as seen especially at the beginning of the event story. Despite both of them having shared such devotion for each other, he cannot help but feel hopeless that it would all end at any step.

Mika recognizes this and keeps looking forward, wanting Shu to adopt the same way of thinking. He has also been the first push that had led to the rehabilitation of Valkyrie, with the help of his faith in his mentor and the love he harbors for him. In this verse, it is also suggested that Shu isn't quite over their relationship during the ex-Valkyrie, thus the source of his hopelessness. It is also evident in the event story when he keeps mentioning Mika had become a human, probably fearful they would regress to their past dynamic.

Some things are unforgivable

Rather than grieving over those sins

Shall we dance the night away instead?

As I reach out my hand to you

And for you to look back at me

They seem to accept their irredeamable past that had led them to the present moment. If it meant reaching that point where they could share their love, "dance the night away", reach out their hands and look back at each other, it was worth it.

Is it possible to worry about the destination of an endless dream?

Even if it’s something that is not finite in nature

Let’s keep it forever, the shine that lasts only in this world

As we are sought and lured by each other

While having our souls turn into a phantasm tale

Unlike the love for a marionette that would melt with each passing day, this love, the love of an equal, is an "endless dream" and "not finite in nature". This current love that they share is more important that their "destination", meaning that they shouldn't worry about the future, which they did at the beginning of the event story, since their love would triumph even against time. This act of being "lured by each other" is compassionate enough to not just dissapear, get immortalized in their memory as in the first chorus, but instead the devotion for each other would be the one to immortalize them as lovers of a "phantasm tale".

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Before the bridge commences, the background of the MV becomes pure white, turning Mika and Shu into mere silhouettes. The atmosphere is heavy. When they try to reach out for each other, they miss each other's embrace, unable to look back at one another. This could represent the moments when they feel lost during their relationship, an example being the opening scene of the event story.

Even if it’s worn and arenaceous

If you lift its casing, its contents will overflow

So even if time is bound, the shades and chromes will still remain

Painting the future in a blinding iridescence

Each verse of the first three is split in half between the two, representing a separation, but proving that, despite the circustances, they share the same feelings about their relationship.

Even if their love is "worn and arenaceous", almost on the brink of dying, "if you lift its casing", its coffin's lid , it will prove to be as strong as ever, "overflowing". Even if their love will die out, its impact will leave an imprint on their lives.

In the final verse, their voices join and their gazes meet. The conclusion is that, no matter the outcome, their love would brighten their future with "a blinding iridescence". Stripping themselves of the worries about both past and future, by embracing the present moment of their love, they have freed themselves.

In the background, the Arch of Triumph is revealed and the stage is filled with blooming flowers, a symbol of their love as established earlier. Then, the second[1] chorus begins.

[1] It is the third chorus if we talk about the entire song. But since this chorus mirrors the first one, it would be more suggestive to call it the second one, like it is in the MV.

O city of flowers, the entire town itself is wrapped in your love

Even the days that passes on by has bloomed and scattered

Let this continue to reverberate forevermore inside each other’s hearts

As this beloved shadowed silhouette

Manifests for this very reason to make you dance

Alongside this song of love, this song of love

The choreography is the same as the one in front of the Temple of Love. If the first time it was about the reciprocity of their feelings that had no clear duration, this time it is the confidence that they are eternal. Mika and Shu are victorious in their love's battle against time and, once again, can reach out for their hearts, look back at each other and join hands.

The final statement is made as their love is finally triumphant over all the hardships Valkyrie had to endure. Their love is so radient, "the entire town itself is wrapped" in it. Even if these moments of love, which have bloomed, would "scatter" in the past, they believe their feelings would keep "reverberating forevermore inside each other's hearts". The song ends with the acknowledgement of its true nature, it being a "song of love".

The MV ends with Mika and Shu looking into each other's eyes, arms ready to reach one another, but far enough to not yet be touching each other — for it is only the first step in their true relationship. The camera pans to Shu's face who, usually, doesn't allow for his affectionate side to surface easily, lovingly looking at Mika.

On a final note, it is really important to mention the outfits. There could be many interpretations for the split appearance of them: funeral and marriage, shadow and light, masculinity and femininity. Either way it may be, the outfits themselves represent union. If in the past, for example in "Eternal Weaving", Mika and Shu were distinguished by a certain symbol, like shadow and light, through their love, they have attained balance. It is both a funeral and a celebration of love. The clothes are the recognition that the lovers are both composed of light and shadow and that they complete one another. They are a symbol about appearance and essence, where one half is seen by the world (Shu in a tuxedo, strong and independent; Mika in a dress, soft and innocent) and the other only by the lovers (Shu in a dress beause he is quite emotional and compassionate; Mika in a tuxedo because he is strong-willed and would do anything for their hapiness together).

In the silence that follows, we can only have faith their love would prevail over anything in their way of looking into each other's longing eyes.

*:･ﾟ✧*:･ﾟ✧*:･ﾟ✧*:･ﾟ✧*:･ﾟ

Thank you for bearing with me! I am so crazed by their love story I had to go all out. I don't think straight romance has achieved this kind of depth yet, I am afraid. (Don't try to prove me wrong, I am right).

[chameleonwritess]

It’s Wataru’s birthday so I’m forcing everyone to look at some of my fave Wataru screenshots. It was hard to narrow down to 10 because I have a LOT and I could talk about him for ever and ever and ever

Anyway happy birthday Wataru I love youuuuuuu

[mirrortouchedsea]

Hinata asking Rinne about how to be a better big brother when Rinne feels like a pretty awful big brother sure is... a thing I think about often. Like Rinne feels so guilty about leaving Hiiro alone in their village but at the same time he just couldn't stand to be there anymore. It takes a lot to make a kid want to run away from home so the situation must have been worse than what we've seen even from his "I've always been told I'm wrong" speech at the end of the Main Story.

So when Hinata, this kid who looks up to him and has a lot of the same problems he did at that age (the identity issues, the big brother issues, the parent issues and the dead mom issues... you get it) and asks him how he's such a good big brother... he's genuinely not sure how to react. He covers it up pretty quickly and Hinata just brushes it off as not expecting the question which is partially true, but it really makes Rinne reflect on his own relationship with Hiiro. Maybe that's what pushed him to pretend to be drunk and tell Hiiro how proud he is of him and his work. And maybe he can be a big brother (and a big brother figure) he would be proud of.

[lumi-istortured-byengstars]

why you must have faith in KoHii/HiiKoha

gonna go on a little ramble, my mind can't stop thinking about this duo specifically (all the time, but this time, i have the power to gush on people about it)

So a little bit of spoiler warning before you go on ahead :3

If you want to add more onto this, don't be shy, I'd love to discuss this with someone

This will be very long i think, so yeah.. ;3

Gonna put a basic symbol line-break everytime i change topics in this post so...

Table of contents on this post's analysis:

Amagi Hiiro

Oukawa Kohaku

In-context HiiKoha/KoHii

Shameless fic promotion

.............♤❀.............

Both of them are seen as pure and precious (by their closest family members, at the very least) who were born and raised in the most fucked up scenario

Hiiro was seen and raised as nothing but an aide (for his brother, the future monarch) in his hometown, so much so that he wasn't even taught common sense or self-worth. He was raised to specifically only act on instinct and to do as instructed, aka he wasn't treated humanly, which he thought was normal. It still shook me when Hiiro said something that basically implied "if I weren't apart of the Amagi family, I might have died when I was little" i forgot which episode it's in but i specifically remember Hiiro saying that fondly after Aira asking him how he can be this annoying without dropping dead (chapter 1).

Maybe that's why Mayoi specifically said something along the lines of "he has a scent similar to mine, how interesting" when alkaloid was made. They have that similarity in which the both of them were treated as less of a human, so they believed it. They just reacted and lower themselves differently. Mayoi trying to avoid people so they don't have to be burdened by him to the point of believing he's nothing but filth and Hiiro, who, as I said, thought it was normal and think of it as basic etiquette to be treated like a stepping stone. (I shall stop myself here before this post digresses to a HiiMayo post lol)

He was even taught on to be a shield for his brother and he definitely knows how to kill someone using his bare hands with that martial art he always trained for. His pure, innocent, and kind mind never saw any of those as wrong. He thought it was right since everyone (the adults specifically) around him acts like it's normal. To put it simply: he was brainwashed since he was little and he's trying his best to think for himself ever since he got out of his homwtown.

.............♤❀.............

The other one, Kohaku, grew up in a family branch specifically treated as a beating stick to the main family tree. A disposable bloody stick, tainting a glorious garden to be precise. A garden called the Suou family. Hell, he wasn't even supposed to be alive. His humanity was denied of him so much so that his family had to hid him for years to keep him alive. His only friend being his cousin Tsukasa and his SNS buddy "Love." He grew up fairly "normal", he worked his dream job for COS PRO, a rising idol agency and even have a place in the Reimei dormitory, a school affiliated to COS PRO.

Maybe he was trained to and have assassinated some people and know the most painful way to effectively torture someone. But he's still most definitely an adolescent. Yknow, the kind to have sweet tooth, getting scared of zombies, and being a sassy teen who roasts people without fail.

.............♤❀.............

These two barely have interactions which is so so painful because of how well their dynamic is between every rare interaction they have. And Kohaku's newest idol story with Hiiro have shed the brightest light of a possibility that they'll add on some more story with them <-me being hopeful.

Now i shall enlighten you with how these two see each other in the story.

Hiiro sees Kohaku as Aira's friend and his brother's unitmate. Despite being older than him, he always tries to be polite with him (as he does to almost everyone) and refers to him by his family name and even put an honorific on it (which would no doubt make him sound a little distant). They barely talked or interact with one another, but it was Hiiro's friendliness that made them to be good enough acquaintances. Being the low-SQ guy he is, of course he doesn't see that as awkward. He simply thought of Kohaku as a friend since he's also Aira's friend. (Please HappyEle i need more Hiiro's POV of their relationship :"v)

Kohaku is pretty much in a similar situation as Hiiro but he thought of it through more (as much as he could at least). He refers to Hiiro like how the rest of crazy: b call him: "Otouto-han" / "Rinne's little brother." He started calling him "Hiiro-Han" after a couple of meet-ups which I can only assume is a result of hearing Aira's stories about him and how he isn't used to be treated with the kind of respect Hiiro gives out to people (Hiiro keeps finding ways to feel inferior to people in a logical way that icks him but Kohaku can't really tell what it is that he feels bad about, do you understand what I'm saying).

To put it simply, he thought that Hiiro was the total opposite of Rinne: way too innocent and naive for his own good. He considered Hiiro as a simple acquaintance until he began to realise that Hiiro seems to be friendlier than other acquaintances he knew (dude the crumbs HappyEle give on Kohaku's POV makes me go insane)

This made Kohaku became more confused about their relationship status (lol) especially after the events in Matrix (will talk about soon) where Kohaku sees for the first time how the Amagi(s) aren't so different from one another in terms of their stubbornness. He saw with his own eyes how Hiiro would go all out to do what he believes to be right, so much so that it scares him how Hiiro can still look so innocent despite of his capabilities. That fear got him thinking "are we friends or not?" Because of how Hiiro seems to be even friendlier after that event. And eventually the two losers (affectionately) finally start to be actually friends and not a mere acquaintance.

(I need more of them please)

.............♤❀.............

P.s. if you haven't caught onto it yet, both of them are idiots (in their own way) and i believe they'll both be perfect for each other once the two actually opens up about how fucked up their upbringing is.

Can you just imagine how Hiiro would casually talk about what happened to him in his childhood and Kohaku just looked at him with mixed feelings between pity and judgement and surprise? I can and shall use it to the best of my ability :3

Coming soon to AO3 (as soon as my account got approved) it'll focus more on the slices of life for these two + aira because aihiiko is perfection. I shall anounce and post the fic there as immediately as I can. If you're interested, I'm planning to name it as "Estranged Youths" so.. :3