#ender's game

[penultimate-step]

Lately, I've been thinking about the effect of real-world time on perception of media. Or, wait, let me start from the beginning.

When I was 11, I read the book Ender's Game for some school assignment or another. I don't remember ever considering Ender a relatable character, but certainly my understanding of the events was shaped by being of an age to see the protagonist not so much as a young child but as someone of my peer group, someone who could have been slotted amongst my classmates without anybody batting an eye.

Over a decade later, I read the sequel, Speaker for the Dead; it takes place many years later, when Ender is in his thirties, and my feelings about the in-universe time skip were undeniably shaped by the real life time gap between my reading of the novels. Reading the first book back then and then the second book now created a feeling where it's almost like, I'm browsing the facebook page of someone I had known in middle school but lost contact with, checking up on how they're doing today. The real-time factor caused me to perceive it less like a timeskip, and more like a reunion - the feelings were closer to "oh wow, that's my boy! I haven't seen him in years! Wonder what he's up to?" Which in turn gave me a better position to appreciate the parts of the narrative about him struggling to find a place in his adulthood than I would have been had I perceived it more strictly as a quick skip from 11 to 20 to 36.

While musing about this, I considered a VN I played a few years back, which took place over three in-game days - except at the end of one in-game day, the game would lock you out from progressing for 24 hours real time. So that as the in-game investigator protagonist was ruminating on the information that had been discovered that day, the player would be forced to do the same. In this example, by forcing the player to experience the same timeframe as the in-game characters, the sense of it being an in-depth and extensive investigation increases, even though without the forced pauses the game would be short enough to blow through in a handful of hours real-time.

Which brings to mind how time effects things in long-running serial works. It's well known that an audience which watches an episode or reads a chapter week by week has a very different experience than one binging through whole seasons or volumes at a time, but I wonder if the real time relative to the in-universe time makes that effect stand out more? Fight scenes, for instance, have been known to take up several chapters in certain manga or webnovels. What does it do to the reader's perception, if from their point a view a fight takes a whole month, while for the characters they read about it's only been a couple hours? Readers might feel that the situation is more stressful, since the pressure of the fight has been ongoing for a long time for them, while in-universe it was a rough afternoon but no more than that. Contrastingly, when a series skips ahead or otherwise has long periods of time for characters that feel short for readers, it can feel like no time has passed and everything is still the same, unless the author really stresses the differences in world-state that occurred offscreen. Because the reader hasn't changed at all.

No conclusion here exactly, I just think it's interesting how often an audience's response to a work, the emotions felt, are more closely tied to their real-life timescale, something almost completely out of the author's control, as opposed to in-universe time, which can be intentionally shifted or played with for the sake of the narrative.

[alphamecha-mkii]

Ender's Game by Julie Bell

[knightotoc]

I picked 1-2 things from all the authors/directors I could think of, but let me know if I've forgotten something interesting. I was thinking about this topic because this year's bestseller Fourth Wing was apparently written by an ex-Mormon who now loves coffee and smut, which I think is pretty funny.

[charactersmashorpass-2]

"bug hot 😳😳😳"

[therealslimshady]

why is ender wiggin named that. worst name ever. there's literally no winning for him. except for. you know

[fortunaegloria]

Appreciation post of Harrison Ford's smile (part 6) 🥰💕

[transrevolutions]

"ender wiggin is ontologically evil and the real villain of ender's game" ender is like. eleven years old. neurodivergent and a minor in the most literal sense of the term.

[f-arelos]

god, i never felt young

percy jackson and the olympians (2023) / first love/late spring - mitski / jackie and wilson - hozier / daria (1997) ender's game - orson scott card / daisy jones & the six (2023) / caesar on a tv screen - the last dinner party / stranger things (2016) / arsonist's lullaby - hozier / the picture of dorian gray - oscar wilde / omori

[podplease]

Valentine Wiggin: They're not going to make you hegemon bro Peter Wiggin: They will. They will if I post good.

[theotherpacman]

orson scott card: there is no tragedy greater than the violence we teach to our children before they can understand it - violence against those who, despite how completely and irrevocably different from ourselves they may seem to us, deep down, are people and that's what matters

orson scott card: homosexuals shouldn't be allowed to be members of society <3 and I also hate black people

[radiobatter]

hegemongg!!!!!!!! hedge!!!!!!

been art blocked ☹️

[bengiyo]

Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Sorry if you've answered this question before.....Thanks....

10 Favorite Characters

You asked a broad question, so I hope you’re okay with answers outside of my daily posting. I post a lot about BL on here, but this list is a mild reminder that I am Black. As I’m putting this list together, I’m recognizing a common thread of ruthlessness in these characters that I will have to unpack at some point.

Omar Little (The Wire)

Omar is one of my favorite characters of all time because he was the first sympathetic gay character I ever watched on TV with my dad. As I got older, my dad decided I was old enough and wanted me to watch what he considered to be one of the greatest shows ever made (NOTE: He is correct). I was obsessed with Omar because of his strict code and how gentle and loving he was with his boyfriends. It was amazing to me that we had this powerful gay character in the middle of a modern Greek tragedy and he is one of the most compelling characters ever created in American television.  

Ender Wiggin (Ender’s Game)

One of the sad thing about growing up queer is the people who wrote a lot of your formative works hate queer people. Orson Scott Card was my first major disappointment in this regard. In the 7th grade, I discovered this book in our school library and ended up reading it and the related books multiple times throughout my adolescence.  I was a weird kid who was too smart for my own good. In middle school I struggled with feeling out of place because I was relatively new compared to most of these kids, and my family had me on a specific life track that meant that I had to perform at a high level constantly. I connected with Ender’s isolation and his brilliance. I also connected to his ruthlessness.

Marco (Animorphs)

Animorphs is a pretty dark series for a bunch of elementary school kids to read, but that was K. A. Applegate’s point. War is horrible, and should be avoided. Reading this series is a reading the perspective of child soldiers. There was something about the way Marco always masked with jokes, but was quietly the most ruthless member of their group that means he’s always the one I remember first. There were also the ways he commented on Ax and Jake that just didn’t read straight, and I’ve been relieved that Applegate and the ghost writers have acknowledged the fan read on Marco’s bisexuality. I just love how from appearances at the end of the series Marco is actually okay after all the war, but he absolutely is not.

Benjamin Sisko (Star Trek: Deep Space Nine)

He was our first Black captain in Star Trek and I will love him forever. He’s also from New Orleans and cooks our food. He’s a devoted father, which was something Avery Brooks requested for the role to make sure we had a positive depiction of Black fatherhood on TV in the 90s. He has an understated spirituality to him. He has grit from facing the ugly side of maintaining a utopia and has an incredible temper that he holds most of the time. He’s a nerd about baseball. He cares about his people and holds firm as their commander. This isn’t a committee for him. He can be so brutal. I love him.

Ghost Dog (Ghost Dog)

Ghost Dog (1999) is one of my favorite movies of all time, and I’ve always loved the version of masculinity Forest Whitaker put into this character. He has a sense of style and flair, and also follows a strict code of conduct. His adherence to his way earned him the respect of everyone in his community, and gangsters in his neighborhood show him admiration and respect. I loved his friendship with Raymond, in which neither knows what the other is saying and yet they are actually on the same page constantly.

Raymond Holt (Brooklyn Nine-Nine)

Yes, this show is copaganda, but I love Raymond Holt so much. I love that Andre Braugher played the Straight Man role in a comedy as a politically out gay man who has such a serious exterior. Holt was so gay in so many ways and I am obsessed with him. He is so deep into his niche interests (like me) and yet he was actually such a great mentor figure to everyone under him. I loved that he and his husband were so devoted to each other but were never depicted as the perfect couple. I love that he has a petty beef with another colleague. He’s just an incredible character.

Kiram Kir-zaki (Lord of the White Hell)

Kiram is the first time I ever realized how deep the programming in speculative fiction to read the protagonist as a white man with brown hair and brown eyes. Kiram is a dark-skinned Haldiim youth with curly gold hair and light eyes. It took me three readings of this book to perceive Kiram properly, and it’s something that has shaken me for a long time. Kiram is brilliant, snarky, and too gay for his own good. He’s also not stupid. I love reading a smart gay character who generally cannot hide who he is doing the work to blend in to a homophobic setting. Ginn Hale also writes gay sex better than some gay male authors.

Kakei Shiro (What Did You Eat Yesterday?)

Honestly, when am I ever not thinking about this man? I love how, even if he can’t immediately give Kenji everything he might want, he gives Kenji all that he can. He couldn’t say he loved Kenji for a long time, but you could feel the love in his cooking. I’m so happy to have this man and his partner back on my screen again. It is just so hard to be gay. I am so relieved that many of the folks reading my posts didn’t suffer The Knowing, because I know that Shiro and I will never be able to get away from what it did to us.

Chiron (Moonlight)

The terrible intersection of poverty, race, and sexuality has never been better exemplified for me than in this film that has no white people in it. There are just so many fewer choices for us, especially if you can’t hide who you are. I love Chiron so much because we see so much of what he was forced to be pushed onto him. There’s something heartbreaking and beautiful that as an adult he resembles Juan, and that he never got over Kevin.  I find it hard to explain why Chiron means so much to me, but I’m black and gay so I don’t always feel like I have to.

Max (Black Sails)

I love Max because she consistently chose to not be cruel when so many others would have. She is not accumulating power for her own ego or to punish those who wronged her. She holds power as a facilitator. History doesn’t remember the facilitators who keep the lights on and make sure the bread gets made every day, but you notice their absence within two days when they’re gone. Max is also funny to me because she and Flint almost never encounter each other, but have caused the other so much grief.

Thank you for the ask!

[dogstomp]

Dogstomp #2970 - February 17th

Patreon / Discord Server / Itaku / Bluesky

[minus-hyphen]

I can't believe the b-plot of Ender's Game is just Rose Lalonde and Dirk Strider using AOL online chatrooms to manipulate the world government

[espionn]

hey does anyone remember the ender's game series. like. the rest of the books after the first one. absolute fever dream of a series.

i will say, from what i remember, i actually do quite like speaker for the dead, the second book - it's super interesting in its own right, but it's still /weird/. the type of weird i'd tentatively say i like, but definitely bizarre.

but then the next book, xenocide, is just the most insane book ever. there's cloning, there's a supercomputer who's in love with a protagonist, there's government-infused OCD, theres some really uh interesting implications about a group of aliens who decided not to be devout colonized catholics, theres a whole lot of stuff.

i stopped at children of the mind because i just got tired of keeping up with it lol. ender and his wife became nuns, some other shit happened idk

not suprised to find out the author sucks, there are definitely some problematic elements in his books, but i can't really hate them because they're too much of an acid trip. you'd really have to read them to get what i mean, xenocide in particular.

but i was just curious to see if anyone else has read these books and has opinions on them, i'd love to hear a discussion about it

[kenonade]

he would never do such a thing 🥺