#emma'a

[trwbaspick]

Changer les choses

Emma'a released her new project last month

R&B from across the diaspora

2024

[aroaceswagcompetition]

16 and 26 for the spotify wrapped ask!

16 is dream a little dream of me by Louis Armstrong

26 is rappelle-moi by emma'a

[tea-with-evan-and-me]

I guess that was it with the hate. It was fun while it lasted! But I hoped there would be a domino effect and others would start exposing her too. Or at lleast more articles detailing Emma'a behavior. Secretly hoping that this wasn't everything for Ms Roberts. I am so sure everyone who's ever worked with her has something to say. I hope more will come to the surface and more ppl have the courage to speak up!

I mean look, Emma isn't relevant enough for people to talk about it for weeks. If it was some A List celebrity or someone popular at the moment, it would be a much bigger controversy. if you search Emma's name on twitter, besides some delulu brazilians (no offense if there's some brazilians here, you know who im talking about ❤️) there are people still talking about how sick Emma is. It just calmed down since the news came out because it's been like 4 days. And there are still articles coming out! They're just from less relevant magazines so you see them less, because the biggest ones covered it on the first day. But don't you worry, people didn't forget about what she did, next time she ends up trending again, people will bring it up.

exactly, i know emma’s fans liked to get on twitter and pretend she’s a huge star, but she isn’t. this is the most press she’s gotten in many years. it’s not like if someone got on twitter and said margot robbie misgendered them, no one gives a shit about emma outside of stan twitter. not my opinion, that’s reality seeing as she’s not bringing views to any acting projects.

no one is going to write think pieces about emma being canceled because there isn’t actually hordes of people who will care, because they have to pull her out of large productions, brand deals, etc. she doesn’t actually have a legion of fans who were going to watch her next romcom but will now be conflicted. so please manage your expectations, folks. 💀

[looybi]

Emma'a, Encré

ICYMI: https://looybi.com/videos/videos-emma-a-encr-looybi-samedi-30-avril-1651363110158?utm_source=dlvr.it&utm_medium=tumblr

[roosterbruiser]

I can't help but think maybe the news of Emma'a pregnancy would've gone down better if Jake had just been honest with Filly straight off the bat (not great just better).... him keeping it a secret is gonna make things a whole lot worse

ohhhh you're 10000% right!!

if he hadn't fucked up as bad, I think Filly would be upset but way more understand about the entire situation. I think she would've even helped out!

but then Jake had to go an mess it up

[bymarahh]

"Je t'aime trop ça devient illicite

Sans trop d'effort tu m'as fait vaciller yé yé

Et ça devient difficile

Oh d'envisager un lendemain sans toi

Je perds le nord quand j'suis pas dans tes bras

Si c'était à refaire j'te choisirais encore"

[fantasyrockopera]

aurora deserves more love, her music is so beautiful! this is from my favorite song of hers!

[ID: a messy traditional sketch of the singer Aurora, done with pencil and ink on lined paper. Beside her is the lyric "Don't forget who you are even though you're in need/Like a bird in the night, your emotions deserves to be free" from her song "The River". end ID]

[yearns-in-lesbian]

So like I'm watching the prom like I'm at the end, and Emma'a suit.

[tanikawrites]

Kiss with a Fist Indeed

The Promised Neverland Episode 6 Review 

Na na naa na na naaaa - so there was a bit of a fight. Tensions ran particularly high this episode when our golden trio finally decided to lay all their cards on the table with Don and Gilda, and it is fair to say that the results were rather explosive. It is a relief that they were, however, for whilst it is true that the previous episode was intriguing in terms of being tactically and manipulatively correct, there was a concern that the anime may have been losing its mojo. What we can appreciate now is that the previous episode was an effective calm before a storm that Juno would be proud of - an effective means to maintain the suspense of the anime with renewed vigour and pristine pathos.

So as addressed, the first major and most outstanding element of the episode was how Don and Gilda have now become fully imbibed into this ring of fire - the Golden Trio now upgrading to become the Famous Five, per se, except that the initiation was so overwhelming for the poor newcomers that it earned Ray, Norman, and nearly Emma, some very dynamic swats to the face. In slow motion and everything. What is notable about this whole interaction, and how you could tell that the anime had artfully plotted the narrative to allow it to become far more stimulating, is the fact that this moment was actually more intense and disturbing than even the revelation with Norman and Emma in Episode 1. Which, if we care to remember, involved not only seeing the ghoulish, slithering monsters themselves, but additionally the horrific ragdoll of a corpse that had been one of their dear pseudo-family members only a short while before. Indeed, we might actually say that the first revelation then was designed to flair with jump-and-scare; to embellish how we are meant to have felt as chilled to our core as they did.

The effect here was different.

True, Don throwing the sudden punch at unsuspecting Norman does create a rather whiplash effect, but the result is rather more emotive: as if you were watching your own beloved children go at each other with tooth and nail rather than a bratty spat. The animation here was particularly fantastic as you could sense the rage reverberating from Don even before he was let loose, the use of levels as looms over and seems to elongate out over Norman and Ray being powerfully intimidating. Of course, the pinnacle of the panache is instilled in the eyes, the being paramount as Don practically hisses his demand to be told the truth about whether Conny is dead or alive from a particularly bereft Emma. In fact, you might even say that a fair bit of the fear that she felt in Episode 1 is replicated here, except now she fears the rage of her own family member rather than the literal beasts themselves. What is additionally interesting is actually how the eyes between the two in this interaction are actually rather similarly depicted - both vast white spaces with minute pupils. However, it is the contorted, Commedia-like contrasts of fear and furor which makes for highly invigorating staging.

Don then is arguably the main focus of this episode as his character becomes more fleshed out - Emma'a athleticism being matched by his macho libre; this being perhaps why they make the most compelling dynamic on screen as she was the only one of the three for whom Don had to hold back his punch. He comes across as being a particularly triggered spin on the White Knight motif, especially given, for all his rashness, you cannot help but empathise with the fact that this is all fuelled by the grief of losing Conny. It is unfortunately disappointing how the narrative decides to justify Don’s behaviour with the traditional excuse of wanting to be ‘relied upon,’ 'trusted with the information because they’re friends/ family’ etc. - this being a  typical schtick to the point of the derivative in shounen anime and manga, if we’re going to be honest. However, the genuity of Don’s reaction and the stream of tears later on takes the edge off the possible annoyance, this being probably due to how we aware of what initially tipped off both he and Gilda to Conny’s death before he even had a chance to talk to Emma and Co.

This is due to what Don and Gilda found in the pursuit of Mom’s hidden room connected to her office, under the assumption that the worst at play here was merely human trafficking and the false hope of Conny still being worth saving. We then are not only indulged with seeing where the communication device she uses in Episode 3 is hidden then but what is even more paralysing is the room that Don and Gilda come across in the dim torchlight even before that. It is a room full of toys. Momentos, if you will, of the orphanage’s previous occupants. Before they were, you know - devoured. The realisation of what these toys mean comes to its fully horrific realisation when the light falls upon Conny’s stuffed rabbit, which only becomes all the more disturbing to look at each time it keeps popping back up. The effect is almost as if they had walked down into a mausoleum or a tomb, especially as the room in question is downstairs in a small cellar; the bodies of each toy being as if they were the body of each child. This necrophilic ekphrasis then is a brutal reminder of the mutation that is Mom’s sense of morality - as if we really needed this prompt of her keeping these stuffed skeletons organised as if they were trophies under her bed. This is epitomised further in the episode as we are hit with yet another revelation - she telling her triple (or is it quadruple by now?) agent Ray that the next shipping date has been advanced to happily coincide with his twelfth birthday. Paradoxically, it is the lack of eyes in this instance that actually instils more fear here, or rather how Mom is depicted as blocking the light as she stands over Ray and 'beams’ down at him instead, the effect of this being quite alarming as it is as if she could adopt the guise of Medusa and turn us to stone even with her eyes closed. It is a poignant reminder therein that if we and the kids really think that she can be outwitted even by Ray, then to quote a popular meme - they got a big storm coming.

Of course, no episode is complete by now without a dazzling (and frankly crippling) cameo from dear Sister Krone - her ability to make you feel as if you had wet yourself (or at least choke on your breakfast as I *might* have done) highlighting that she is such a crucial part of the narrative now that it can barely afford to be without her. Indeed, her absence in the previous episode may be an ample explanation for why the action felt so comparatively dry. What is certain is that she ploughs back with unrelenting force this episode, and considering how she occupies the screen for no more than thirty seconds at most, this is a real credit both to the eccentricity of her character and ingenuity of the animators in turn. The direction here is inspired - the screen slowing down so suddenly and deliberately as Sister Krone cuts into view from where she was hiding behind a tree; eavesdropping on the most recent developments in the children’s bid for freedom. It is almost as if the drop in our heart rates may have been scripted in turn, but the biggest twist is that she has chosen to approach the kids not with scare tactics (though not for want of trying), but an ultimatum. Indeed, she offers a team up - as to what exactly or why we cannot say for sure until the next episode, but it seems clear what Sister Krone’s intentions have been for a while now. Indeed, I refer to her ambitions to overthrow Isabella from the nest and take over as the stuffed duck, so it will be interesting to see what kind of rhetoric she seeks to weave that will be successful in towing the children over the line. Of course, what is also deliciously enticing is whether or not she even plans to keep her word, as she like Isabella is privy to the crimes of rearing children as livestock as well. Feeling trust towards her then understandably wears a wee bit thin, but no doubt still provides a thick layer to the narrative as we wait to see whether oil really has a chance of mixing with such stagnant water.

Tanika Lane

[wellhellotragic]

@winterbythesea zoom in. It's above Emma'a left shoulder. It's the hook and the wrist cuff

i was recently making a compilation for a friend of ouat scenes and i found the scene where they are at baelfire’s cave in neverland and the DRAWINGS ON THE WALLS PEOPLE !!!!

they focused on the counting thingys but baelfire, even after his argument with hook, what does he draw ?

first of all, right there in bold, the port and starboard thing killian carves, he’s not even on a ship and he left it there for prosperity, plus what i think its the view from the front of the jolly roger on top of that !

and my absolute favourite, he drew the hook !

i’m just, it made me so emotional when i noticed it and i wished, i fucking wished the writers had more balls to include that in the episode, maybe see killian get visibly emotional - we didn’t need much, just a prolonged, longing look at the drawings and then maybe not include the love triangle thing cause you know, it’s absolutely ridonkulous !

there you go, hookfire feelings

[justholdinghandsok]

is it only me following Gillian's and David's tags on all social media and looking for some sightings? God, they really disappeared. I always was skeptical about this pattern but now I see it live LOL And she still didn't respond to Emma'a tweets. And now we have also Bryan's tweet. Wonder when she turn her Internet on :D

Well... she said again recently she's not on the internet except for emails, so apparently, her team too is on vacation. There's only GAWS who are working. Everybody else is radio silent. I smell sea sex and sun.

[tea-with-evan-and-me]

I guess that was it with the hate. It was fun while it lasted! But I hoped there would be a domino effect and others would start exposing her too. Or at lleast more articles detailing Emma'a behavior. Secretly hoping that this wasn't everything for Ms Roberts. I am so sure everyone who's ever worked with her has something to say. I hope more will come to the surface and more ppl have the courage to speak up!

i also hope that more people will speak out against her, and honestly, i believe sooner or later someone will. there have been articles, and there will continue to be people rightfully hating her online. but to be blunt, emma roberts is just not that big of a deal. outside of fandom, she wasn’t a topic of conversation and that won’t change. the only time her name has been on peoples lips in recent times is when she’s gone viral, for a meme.. or more recently, being caught on camera being an asshole. if you spend time on twitter, you would think she is an a-list actress with leading roles in big budget productions. she’s not. she does romcoms nobody watches and sponsored posts on IG. the only difference now is that some of her biggest fans on twitter have unstanned, transphobic people are making her a martyr, and now when she scrunches her nose and sticks her tongue out in a video there will be people calling her a transphobe in the comments in addition to the 14 year olds saying “idc she’s still mother”.

[looybi]

Emma'a, Encré

https://looybi.com/videos/videos-emma-a-encr-looybi-samedi-30-avril-1651363110158?utm_source=dlvr.it&utm_medium=tumblr

[cynmoon]

I usually agree with 100% of your OUAT posts, but that's a huge generalization there. I'm mad at Emma'a actions yesterday AND Hook's the week before AND the dumbass twist that started this all the week before that. The blame here is on bad writing and the way Hook and Emma have been written as of late. But the writing IS the characters. And I've seen many many posts in agreement.

I’m not sure what it is you’re actually upset about?

Most of these posts I wrote super early this morning and queued just now, so I’m gonna need to refresh my own memory here.

Was it the “everybody who’s upset at Emma today seems to have conveniently forgotten that Killian had planned on leaving, and packed for it.” bit?

Because I stand by that, based on what I’ve seen. Maybe you’re following different people, and that’s cool, but I wasn’t seeing that. People in the fandom I’ve usually agreed with have been just pouring salty rain down on Emma for being upset, and follow it up with “she should know Killian would never leave her, I can’t believe the writers would make her say that!” when one: the writers make her say literally everything, that is the point of fiction, and two: it’s completely believable in the context in which we’re seeing, in that he did actually plan on leaving her so she’s not out of bounds for believing that’s what he did.

And this isn’t me being upset at Killian for it, because I honestly don’t believe he would have gone through with it. Like, this might be overshare, but I’ve packed a bag and left before, too. I ended up going back, and I realized it wasn’t super mature, but it was where my headspace was at the time. But my husband had no way of knowing what was going on in my head, so from his perspective it was: she packed, she left, she’s gone.

So yeah, I don’t get being mad at Emma, even a little bit. Like what was the worst she did? Cried? Sat at a bar while a bartender was like, “I know that feel, dude.” when he told her a story of being in love with somebody but that person not loving them back?

If it was something else I said, though, feel free to let me know, because I am obviously down to talk about it, I have very strong opinions on this subject.