#emma wall

[loveandthings11]

The way he’s always smiling at her in front of photographers 😍

[balimode]

This is so incredibly doofy, but kind of endearing.

[mrs-stans]

JEREMY STRONG & EMMA WALL At 'The Apprentice' Premiere in New York City.

[disarmluna]

[stylestream]

Emma Wall & Jeremy Strong | Loro Piana ensembles | Met Gala: Sleeping Beauties: Reawakening Fashion | 2024

[kendallville]

Jeremy Strong and Emma Wall at Succession Season 4 New York premiere ❤️

[stewyhosseini-bf]

[from-the-clouds]

MY BABYGIRLS!!!

pedro pascal went to jeremy strong's met gala afterparty i literally cannot lose

[isitdonproof]

TMNT 2003 | Cousin Sid

bonus:

[overtake]

Following Lance eating his car's ass | China 2024

+ watching the video

[averagecygnet-blog]

one thing I absolutely adore about tgwdlm is how completely and irrevocably a stage musical it is. it HAS to be a stage musical - the medium is so deeply baked into the story that it truly would not translate to another medium.

some reasons why:

the musical style is old-fashioned in a way that screams classic broadway. you can't get away from it, especially in songs like "lah dee dah dah day" and "show stoppin number". and it's not just the music, it's the dancing too - have you ever seen a kickline in a movie musical, once, ever? or jazz hands? gimme a break

along similar lines - all the broadway references! hamilton of course, but also wicked and mamma mia and jekyll & hyde

all the attention deliberately brought to the lighting and set! the performers in "la dee dah dah day" loudly saying "lights down!" when it's over; ted, paul, and emma striking the stage after "show stoppin number"; the lighting panels used as sirens, TVs, showcasing hudgins' alexa, and more; ted wheeling the big meteor prop off the stage after "let it out". they don't let you forget that we're in a theater.

all the hokey ass miming and special effects???? charlotte and hudgins having their guts ripped out is flashy and fun onstage because of the intestine props. emma and ted having blood capsules in their mouths. paul, emma, and zoey violently shaking when pantomiming being in a helicopter. ted running in place, moving forward or back to suggest movement across the road. it's all so fun and consistently reminds you that this is a stage

double-casting as intentional obstruction of the truth. we're used to seeing one actor play several roles in a musical, so when a familiar face shows up in a new costume we assume it's a new character. but it was zoey flying the helicopter to clivesdale, and I think it was zoey in the hospital at the end as well. you couldn't pull that shit in a movie because movies don't double-cast.

the role of the audience, the laughter and gasps and reactions and applause, especially the applause at the end when emma is begging the audience members to let her use their phone and demanding to know why they're clapping; sure movies have audiences too but the presence of the audience as part of the story makes a point about societal ideals as something we all have a part in that a movie just couldn't make in the same way

on a related note - emma's sudden awareness of the stage and the audience as the horror trope where the person realizes they're trapped and will imminently die. she knows she can't escape because it's just a fuckin loop. she knows no one will save her because they're all clapping. you couldn't do that in a movie because in a movie there is a fourth wall, whereas on a stage there's nowhere for the characters to run away. on a stage the characters can look you, the audience, directly in the eye, with no camera or screen between you

I will literally never shut up about that curtain call

god damn what I wouldn't give to watch this show performed live

[loveandthings11]

Unique suit as always at the Clooney Foundation for Justice event in NYC ❤️

📸: Cindy Ord

[the-home]

[technikki]

i'll show you something cool so shut up and follow etc etc

[rockrosethistle]

I wonder what the drive there was like

[carpediemma]

Responsible purchasing decisions were made.