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research4nterimajc-blog · 8 years

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SOME READING

Ascott, Roy, (1999) Reframing consciousness. Exeter, England: Intellect.

Bertol, Daniela, Designing Digital Space — An Architect’s Guide to Virtual Reality, John Wiley & Sons, Inc. (1997)

Bishop, Claire. (2005) Installation art. New York: Routledge.

Bishop, Claire. (ed.) (2008) Participation. Cambridge, MA: Whitechapel.

Bostrom, Nick. (2014) "Get ready for the dawn of superintelligence", New Scientist, 223(2976), pp. 26-27. doi: 10.1016/s0262-4079(14)61304-x.

Crowther, Paul A. (1993) Art and embodiment: From aesthetics to self-consciousness. 2nd edn. Oxford: Oxford University Press.

Davies, Char, (1999) Reframing consciousness. ‘Ephémère: Landscape,Earth, Body and Time in Immersive Virtual Space’ Exeter, England: Intellect. PP, 196-201

Davies.E (1996) ‘Wired, Magazine’ DATE OF PUBLICATION: 08.01.96 vol 4-08 https://www.wired.com/tag/magazine-4-08/

Descartes, Rene, Ouevres de Descartes, 11 vols., eds. Charles Adam and Paul Tannery, Paris: Vrin, 1974-1989.

Descartes, Rene, The Philosophical Writings of Descartes, 3 vols., trans. John Cottingham, Robert Stoothoff, Dugald Murdoch and Anthony Kenny, Cambridge: Cambridge University Press, 1984-1991

Dolinsky. Margaret, (1999) ‘Reframing consciousness’. Exeter, England: Intellect. ‘Virtual Environment ad Rebus’ PP: 201-205

Fukuyama, Francis. (2002) Our posthuman future. New York: Farrar, Straus and Giroux.

Grau, Oliver, Virtual Art — From Illusion to Immersion, The MIT Press (2003)

Holler, Carsten (2005) Interviewed by Vincent Honoré for Tate: http://www.tate.org.uk/whats-on/tate-modern/exhibition/unilever-series-carsten-holler-test-site/carsten-holler-interview

Johnson, Steven. (2016) Want to Know What Virtual Reality Might Become? Look to the Past, Nytimes.com. Available at: http://www.nytimes.com/2016/11/06/magazine/want-to-know-what-virtual-reality-might-become-look-to-the-past.html?smid=fb-share&_r=0 (Accessed: 4 November 2016).

Kabakov, Ilya & Emilia. (2005) An Alternative History Of Art. Edited by Emilia Kabakov. Bielefeld: Kerber.

Lyotard, Jean-Francois. (1991) The inhuman. Cambridge: Polity Press,

Massumi, Brian, From ‘Hypersurface Architecture’ edited by Stephen Perrella, Architectural Design (Profile no. 133), vol. 68, no. 5/6, May-June 1998, pp. 16-24

McCullough, Malcolm, Abstracting Craft — The Practiced Digital Hand, The MIT Press (1998)

McCullough, Malcolm, Digital Ground — Architecture, Pervasive Computing and Environmental Knowing, The MIT Press (2004)

McLuhan, M.y Parker, H. (1969). Through the Vanishing Point: Space in Poetry and Painting. New York: Harper & Row.

Morgan, Jessica, (2006) Parkett no. 77: Trisha Donnelly, Carsten holler, Rudolf Stingel. United States: Parkett Publishers. Narby, Jeremy. (1998) The cosmic serpent. New York: Jeremy P. Tarcher/Putnam

Planke, Max, Quoted in The Observer (25 Jan 1931). Cited in Joseph H. Fussell, 'Where is Science Going?: Review and Comment', Theosophical Path Magazine, January to December 1933 (2003), 199.

Rafman.John, (2014) interviewed by Gabriel H. Sanchez for ‘Art Forum-500 words’ https://www.artforum.com/words/id=47380

Rist.Pipilotti Southbank Centre (2011) Pipilotti Rist in conversation. Available at: https://www.youtube.com/watch?v=uKR-QhjOz-o (Accessed: 4 January 2017).

Robins, Kevin (2000) ‘Cyberspace and the world we live in’ in Bell, D & Kennedy, B (Eds) The Cybercultures Reader. London: Routledge. PP: 77-80.

Roman, Mathilde (2016) On stage: The theatrical dimension of video image. United Kingdom: Intellect Books.

Zindell, David. (1988) Neverness. New York: D.I. Fine.

Zhang, Gary Zhexi. (2016) Infinite Lives (Frieze). Available at: http://www.jonrafman.com/Frieze_Jan2016pp92-97.pdf (Accessed: 25 November 2016)

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