#emcee ruling

[robot-riot]

Would Murderbot (Martha Wells, The Murderbot Diaries) count as a “robot”? It’s certainly not human but it has organic bits (which generally annoy it—they are probably the source of the inconvenient emotions and feelings it sometimes has to ignore)…

Sorry if you’ve already made a call on this and I missed it…

I was unaware of the organic parts but honestly probably? I'm going to rule for now to go ahead and submit and I'll check with a friend who has read the book on whether it fits the criteria

[todayinhiphophistory]

Today in Hip Hop History:

Ja Rule released his debut album Venni Vetti Vecci June 1, 1999

[briry18]

Da Rules

~Crowley has all but punched the rules into Yuuki's head that she can now recite them verse for verse.

[mostlysignssomeportents]

The Google antitrust remedy should extinguish surveillance, not democratize it

I'm coming to DEFCON! On FRIDAY (Aug 9), I'm emceeing the EFF POKER TOURNAMENT (noon at the Horseshoe Poker Room), and appearing on the BRICKED AND ABANDONED panel (5PM, LVCC - L1 - HW1–11–01). On SATURDAY (Aug 10), I'm giving a keynote called "DISENSHITTIFY OR DIE! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification" (noon, LVCC - L1 - HW1–11–01).

If you are even slightly plugged into the doings and goings on in this tired old world of ours, then you have heard that Google has lost its antitrust case against the DOJ Antitrust Division, and is now an official, no-foolin', convicted monopolist.

This is huge. Epochal. The DOJ, under the leadership of the fire-breathing trustbuster Jonathan Kanter, has done something that was inconceivable four years ago when he was appointed. On Kanter's first day on the job as head of the Antitrust Division, he addressed his gathered prosecutors and asked them to raise their hands if they'd never lost a case.

It was a canny trap. As the proud, victorious DOJ lawyers thrust their arms into the air, Kanter quoted James Comey, who did the same thing on his first day on the job as DA for the Southern District of New York: "You people are the chickenshit club." A federal prosecutor who never loses a case is a prosecutor who only goes after easy targets, and leave the worst offenders (who can mount a serious defense) unscathed.

Under Kanter, the Antitrust Division has been anything but a Chickenshit Club. They've gone after the biggest game, the hardest targets, and with Google, they bagged the hardest target of all.

Again: this is huge:

https://www.thebignewsletter.com/p/boom-judge-rules-google-is-a-monopolist

But also: this is just the start.

Now that Google is convicted, the court needs to decide what to do about it. Courts have lots of leeway when it comes to addressing a finding of lawbreaking. They can impose "conduct remedies" ("don't do that anymore"). These are generally considered weaksauce, because they're hard to administer. When you tell a company like Google to stop doing something, you need to expend a lot of energy to make sure they're following orders. Conduct remedies are as much a punishment for the government (which has to spend millions closely observing the company to ensure compliance) as they are for the firms involved.

But the court could also order Google to stop doing certain things. For example, since the ruling finds that Google illegally maintained its monopoly by paying other entities – Apple, Mozilla, Samsung, AT&T, etc – to be the default search, the court could order them to stop doing that. At the very least, that's a lot easier to monitor.

The big guns, though are the structural remedies. The court could order Google to sell off parts of its business, like its ad-tech stack, through which it represents both buyers and sellers in a marketplace it owns, and with whom it competes as a buyer and a seller. There's already proposed, bipartisan legislation to do this (how bipartisan? Its two main co-sponsors are Ted Cruz and Elizabeth Warren!):

https://pluralistic.net/2023/05/25/structural-separation/#america-act

All of these things, and more, are on the table:

https://www.wired.com/story/google-search-monopoly-judge-amit-mehta-options/

We'll get a better sense of what the judge is likely to order in the fall, but the case could drag out for quite some time, as Google appeals the verdict, then tries for the Supreme Court, then appeals the remedy, and so on and so on. Dragging things out in the hopes of running out the clock is a time-honored tradition in tech antitrust. IBM dragged out its antitrust appeals for 12 years, from 1970 to 1982 (they called it "Antitrust's Vietnam"). This is an expensive gambit: IBM outspent the entire DOJ Antitrust Division for 12 consecutive years, hiring more lawyers to fight the DOJ than the DOJ employed to run all of its antitrust enforcement, nationwide. But it worked. IBM hung in there until Reagan got elected and ordered his AG to drop the case.

This is the same trick Microsoft pulled in the nineties. The case went to trial in 1998, and Microsoft lost in 1999. They appealed, and dragged out the proceedings until GW Bush stole the presidency in 2000 and dropped the case in 2001.

I am 100% certain that there are lawyers at Google thinking about this: "OK, say we put a few hundred million behind Trump-affiliated PACs, wait until he's president, have a little meeting with Attorney General Andrew Tate, and convince him to drop the case. Worked for IBM, worked for Microsoft, it'll work for us. And it'll be a bargain."

That's one way things could go wrong, but it's hardly the only way. In his ruling, Judge Mehta rejected the DOJ's argument that in illegally creating and maintaining its monopoly, Google harmed its users' privacy by foreclosing on the possibility of a rival that didn't rely on commercial surveillance.

The judge repeats some of the most cherished and absurd canards of the marketing industry, like the idea that people actually like advertisements, provided that they're relevant, so spying on people is actually doing them a favor by making it easier to target the right ads to them.

First of all, this is just obvious self-serving rubbish that the advertising industry has been repeating since the days when it was waging a massive campaign against the TV remote on the grounds that people would "steal" TV by changing the channel when the ads came on. If "relevant" advertising was so great, then no one would reach for the remote – or better still, they'd change the channel when the show came back on, looking for more ads. People don't like advertising. And they hate "relevant" advertising that targets their private behaviors and views. They find it creepy.

Remember when Apple offered users a one-click opt-out from Facebook spying, the most sophisticated commercial surveillance system in human history, whose entire purpose was to deliver "relevant" advertising? More than 96% of Apple's customers opted out of surveillance. Even the most Hayek-pilled economist has to admit that this is a a hell of a "revealed preference." People don't want "relevant" advertising. Period.

The judge's credulous repetition of this obvious nonsense is doubly disturbing in light of the nature of the monopoly charge against Google – that the company had monopolized the advertising market.

Don't get me wrong: Google has monopolized the advertising market. They operate a "full stack" ad-tech shop. By controlling the tools that sellers and buyers use, and the marketplace where they use them, Google steals billions from advertisers and publishers. And that's before you factor in Jedi Blue, the illegal collusive arrangement the company has with Facebook, by which they carved up the market to increase their profits, gouge advertisers, starve publishers, and keep out smaller rivals:

https://en.wikipedia.org/wiki/Jedi_Blue

One effect of Google's monopoly power is a global privacy crisis. In regions with strong privacy laws (like the EU), Google uses flags of convenience (looking at you, Ireland) to break the law with impunity:

https://pluralistic.net/2023/05/15/finnegans-snooze/#dirty-old-town

In the rest of the world, Google works with other members of the surveillance cartel to prevent the passage of privacy laws. That's why the USA hasn't had a new federal privacy law since 1988, when Congress acted to ban video-store clerks from telling newspaper reporters about the VHS cassettes you took home:

https://en.wikipedia.org/wiki/Video_Privacy_Protection_Act

The lack of privacy law and privacy enforcement means that Google can inflict untold privacy harms on billions of people around the world. Everything we do, everywhere we go online and offline, every relationship we have, everything we buy and say and do – it's all collected and stored and mined and used against us. The immediate harm here is the haunting sense that you are always under observation, a violation of your fundamental human rights that prevents you from ever being your authentic self:

https://www.theguardian.com/technology/blog/2013/jun/14/nsa-prism

The harms of surveillance aren't merely spiritual and psychological – they're material and immediate. The commercial surveillance industry provides the raw feedstock for a parade of horribles, from stalkers and bounty hunters turning up on their targets' front doors to cops rounding up demonstrators with location data from their phones to identity thieves tricking their marks by using leaked or purchased private information as convincers:

https://pluralistic.net/2023/12/06/privacy-first/#but-not-just-privacy

The problem with Google's monopolization of the surveillance business model is that they're spying on us. But for a certain kind of competition wonk, the problem is that Google is monopolizing the violation of our human rights, and we need to use competition law to "democratize" commercial surveillance.

This is deeply perverse, but it represents a central split in competition theory. Some trustbusters fetishize competition for its own sake, on the theory that it makes companies better and more efficient. But there are some things we don't want companies to be better at, like violating our human rights. We want to ban human rights violations, not improve them.

For other trustbusters – like me – the point of competition enforcement isn't merely to make companies offer better products, it's to make companies small enough to hold account through the enforcement of democratic laws. I want to break – and break up – Google because I want to end its ability to bigfoot privacy law so that we can finally root out the cancer of commercial surveillance. I don't want to make Google smaller so that other surveillance companies can get in on the game.

There is a real danger that this could emerge from this decision, and that's a danger we need to guard against. Last month, Google shocked the technical world by announcing that it would not follow through on its years-long promise to kill third-party cookies, one of the most pernicious and dangerous tools of commercial surveillance. The reason for this volte-face appears to be concern that the EU would view killing third-party cookies as anticompetitive, since Google intended to maintain commercial surveillance using its Orwellian "Privacy Sandbox" technology in Chrome, with the effect that everyone except Google would find it harder to spy on us as we used the internet:

https://www.thebignewsletter.com/p/googles-trail-of-crumbs

It's true! This is anticompetitive. But the answer isn't to preserve the universal power of tech companies large and small to violate our human rights – it's to ban everyone, especially Google, from spying on us!

This current in competition law is still on the fringe, but the Google case – which finds the company illegally dominating surveillance advertising, but rejects the idea that surveillance is itself a harm – offers an opportunity for this bad idea to go from the fringe to the center.

If that happens, look out.

Take "attribution," an obscure bit of ad-tech jargon disguising a jaw-droppingly terrible practice. "Attribution" is when an ad-tech company shows you an ad, and then follows you everywhere you go, monitoring everything you do, to determine whether the ad convinced you to buy something. I mean that literally: they're combining location data generated by your phone and captured by Bluetooth and wifi receivers with data from your credit card to follow you everywhere and log everything, so that they can prove to a merchant that you bought something.

This is unspeakably grotesque. It should be illegal. In many parts of the world, it is illegal, but it is so lucrative that monopolists like Google can buy off the enforcers and get away with it. What's more, only the very largest corporations have the resources to surveil you so closely and invasively that they can perform this "service."

But again, some competition wonks look at this situation and say, "Well, that's not right, we need to make sure that everyone can do attribution." This was a (completely mad) premise in the (otherwise very good) 2020 Competition and Markets Authority market-study on "Online platforms and digital advertising":

https://assets.publishing.service.gov.uk/media/5fa557668fa8f5788db46efc/Final_report_Digital_ALT_TEXT.pdf

This (again, otherwise sensible) document veers completely off the rails whenever the subject of attribution comes up. At one point, the authors propose that the law should allow corporations to spy on people who opt out of commercial surveillance, provided that this spying is undertaken for the sole purpose of attribution.

But it gets even worse: by the end of the document, the authors propose a "user ID intervention" to give every Briton a permanent, government-issued advertising identifier to make it easier for smaller companies to do attribution.

Look, I understand why advertisers like attribution and are willing to preferentially take their business to companies that can perform it. But the fact that merchants want to be able to peer into every corner of our lives to figure out how well their ads are performing is no basis for permitting them to do so – much less intervening in the market to make it even easier so more commercial snoops can get their noses in our business!

This is an idea that keeps popping up, like in this editorial by a UK lawyer, where he proposes fixing "Google's dominance of online advertising" by making it possible for everyone to track us using the commercial surveillance identifiers created and monopolized by the ad-tech duopoly and the mobile tech duopoly:

https://www.thesling.org/what-to-do-about-googles-dominance-of-online-advertising/

Those companies are doing something rotten. In dominating ads, they have stolen billions from publishers and advertisers. Then they used those billions to capture our democratic process and ensure that our human rights weren't being defended as they plundered our private data and put us in harm's way.

Advertising will adapt. The marketing bros know this is coming. They're already discussing how to live in a world where you can't measure clicks and you can't attribute actions (e.g. the world from the first advertisements up until the early 2000s):

https://sparktoro.com/blog/attribution-is-dying-clicks-are-dying-marketing-is-going-back-to-the-20th-century/

An equitable solution to Google's monopoly will not run though our right to privacy. We don't solve the Google monopoly by creating competition in surveillance. The reason to get rid of Google's monopoly is to make it easier to end surveillance.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/08/07/revealed-preferences/#extinguish-v-improve

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[inupibaldspot]

I don’t want to hide it!

Pairing : actor!Gojo x actor!Reader

Note ₊˚⊹♡ : Both you and Gojo are in the entertainment industry and one unspoken rule and maybe somewhere in the contract is that you can never reveal you are in a relationship | artcredit

You breathe out as you look out at the dark starry night, a haze comes into vision indicating how cold it actually was.

There was a buzz in your pocket making you reach into your jacket pocket and smile when the name popped up.

Satoru <3

I’m here,baby. 2:47am

Just then a dark car with also dark tinted glasses drives through and parks near you were standing. You quicken your footsteps as you wave at him. “Don’t come outside.”

“Sorry.” Of course he doesn’t listen. “What did you say?” Gojo steps out of his car as he quicken his steps to you; he was dressed in black from head to toe, with a hat trying to hide his hair and a mask to hide his face. Just like you.

You both were always public’s eyes afterall. Gojo was a singer turned actor who was probably in him prime. You were also an actress,about three years into debut yet you had a huge impactful movies under your name.

Gojo’s hands go over to the door handle of the car and opens it for you, his other hand wraps it to your back as he holds you in. His masked lips places a kiss on your forehead. “You look so divine, babe.”

You laugh. “Even though I’m covered like this.” You bring your hands up where you then place your chin on your hand.

“Of course.” Gojo nuzzles closer. “I can recognize that fat ass anywhere.”

“Gojo!” You shriek out, as you puff at Gojo’s words. The man laughs as he pull away when you are sat in place and closes the car door. He then walks over and sat on the drivers seat.

As soon as his butt hits the car seat, his first reaction is to pull down his mask as he leans into you and places a kiss on your lips, your mask pulled down by his left hand. Your heart takes a leap and you press your lips to his. Instantly, Gojo cradles your face, refusing to separate from you.

Gojo doesn't stop, sensuously kissing every available surface of your lips until he's tired of waiting to kiss your lips once more. You give in and let yourself fall until the point of no return - even if Gojo was the devil incarnate, you would gladly hand over your soul for an eternity of his love.

Building up every once of strength in you, you hold onto his jacket and pull away from the kiss. You blush when Gojo looks at you, face smeared with lipstick. “We shouldn’t stay here for long. We could get caught!”

Gojo growls as his feet place on the clutch and break before driving with the gears in place. “I don’t get why we have to hide it. Our contract has nothing restricting us.”

You sigh. “You know we don’t know how the public will react…” 

Gojo said eyes at you and sees that your eyes were lowered and you were nervously playing with your own fingers. Shit…he made you feel bad.

He forces a smile and places one of his hands on your thigh making you look up at him. “So princess, are you gonna tell me what you’ve been doing today.” He asks.

You smile, the tense air finally dissipates. “I had to shoot an ad at 6am and then a 13 hour shoot in the woods for my new movie.”

“Shit babe.” He says concerned, both his hands on the steering wheel as he makes a turn and parks the car. They were in a secluded area by the river side. “You sure you don’t need to sleep?”

You shake your head as you place one of your hands on Gojo’s face, lips curled into a small. “I want to spend my time with you. Besides, I was taking cat naps in between sets.”

“So what were you doing,my prince?“ Gojo smiles at your words.

“I was watching the avatar the whole day.”

You laugh “yeah?”

“Oh—that’s right!” You clap your hands together as you look at him. “Tomorrow we are scheduled to emcee at that music show.”

“I think I did hear something like that from Ijichi.” Gojo taps his temple when his finger as he remembers his manager in tears begging him to listen. “But I didn’t know we were partners.”

“Satoru…you have to be careful on stage.” You peer in close to him face, eyes begging him to listen. “Don’t be obvious.”

Gojo leans in quick as he pecks your lips making you blush in surprise. “Fine. What ever you say, princess.”

─── ⋆⋅☆⋅�� ──

The next day,you nervously bite the inside of your cheeks as music blasts in the background; all eyes were focused on the idol group performing right now. Beside you,stands tall Gojo Satoru who has a glow near him as he mentally gushing on how adorable you looked, all dolled up and ready for the camera—so pretty.

Ijichi nervously bits his thumbs,all nervously. The company including him knew about Gojo’s relationship with you, at first the company tried to threaten him to break up with you but then Gojo threatened them back with termination of contract. The company can’t afford to lose their main money maker! So they decide to let the relationship stand but that didn’t mean they wouldn’t beg and pay every paparazzi to not release any pictures.

With every look and smile Gojo gave to you Ijichi’s job was on the line.

Suddenly a different type of music was playing making all idols make way toward you and Gojo; an interview session were to take place.

“Welcome back—!” You smile at the camera then at the ground where the members smiled and bowed back. So pretty.

“Oh my!” You smile cheerfully at the idols who await your expression. So pretty.

“That was such a show! The performance struck right through our hearts!” You smile and look at him, his blue eyes into your. Gojo almost can’t breathe. So pretty.

“Right Gojo-san?” So pretty.

Your beautiful face contours slightly as he takes on a worried expression. “Right Gojo-san!” Oh—right… He was Gojo.

You gulp hard as you quickly look to the idols, “it seems as if Gojo-san is still in awe from your performance.” making the audience laugh. From then on Gojo tried to act normal—he really did! But every time you speak, he is giddy with emotions.

Somewhere in between nervous laughs and in this case, chewing on his nails; a man rushes to him. Breathing heavy as he places a hand on Ijichi’s shoulder. “We’re fucked…”

Ijichi gulps.

The man who came up to him, one of Gojo’s managers lift up his phone where what is written on the screen.

[⭐️EXCLUSIVE] Actor Gojo Satoru and y/n on a date!

There were pictures of you, who was slightly unrecognizable from all the cover up of clothes but there was a mole on your body with could be traced back to you.

There was another picture where Gojo comes out of the car, this one surely couldn’t pass. There was a peak of his white hair slipping through hat, and his blue eyes ever so recognizable. The freaking paparazzi even routed how Gojo’s car went from his residence to yours at such odd hours!

And finally the nail in the coffin where he takes you home hands by your waist, with you nuzzled into his jacket waddling forward with a peak of lipstick smeared on his face. A lipstick shade you’ve been always seen wearing during casual days!!

Ijichi grabs his hair before his phones buzzes…an endless buzz which will probably cost him his job.

Now the audience seemed to buzz, showing each other this exclusive new of the people who are literally right infront of them. How entertaining! The mass now seemed to take various pictures in real life by the audience and others screenshoting the music show you guys were emceeing, all obviously trying your best.

Then another posts starts posting on all the gossip post with Twitter having a field day with it in particular.

[⭐️Hot!] Gojo Satoru can’t really seem to get enough of y/n! Hahahaha

The post contains pictures of Gojo staring lovingly at you when you were emceeing, when you laugh he laughs, when you smile he blushes.

The comments under the post was entertaining though.

User128

What ever he is being accused of, he is guilty.

Bbystru

Ahhh—he is definitely a shojo male lead

User827

The company doesn’t even need to say anything! The proof is infront of our eyes.

Luvie28

Wow! Gojo is so funny! y/n is working so hark to make up for it.

The company of Gojo fell into despair because at how the stocks where falling for the company, they were mildly surprised and extremely pleased when the stocks went flying up and up— because after the pictures went viral; it seemed even overseas, there were a whole new audience now interested in their love sick actor!

Mean while Gojo was simply happy he didn’t have to hide their relationship, no more stuffy dates all covered up, no more keeping 100m distance from you in public places and no more hiding your lipstick stain over his lips and peppered all over his neck, to his chest and maybe even lower.

Who knows maybe he even show up on the red carpet like that one day.

Reblogs, like and comment are appreciated! Love this work? Check out other here

[silentscrying]

🎸 welcome to THE FIX !

inarguably the best hangout spot on jujutsu uni’s campus, the fix has been both a bar and performance venue for years. not only is it a party, but it’s reliably one of the safest bars in town.

shoko ieiri, CO-OWNER

shoko was the best student in the jujutsu nursing program and was already accepted into the state’s best med school when she fell out of love with the profession. too many thankless late nights, emotional burnout, rude patients. finally she and a friend opened the fix, named as an homage to her would-be medical career. she hired all her friends and now manages the venue, keeps it a safe place for students, and gets to force gojo to make her a drink whenever she wants one.

suguru geto, CO-OWNER

geto’s business major was a massive boon in opening the fix with shoko. he handles the finances. they both told gojo he was not allowed to enter into the business agreement with them, which is definitely the best ground rule they’ve ever set. geto bartends on the busy nights or when he gets bored, and he loves it as much as shoko does.

satoru gojo, BARTENDER

gojo majored in gender studies so that he could brag about knowing everything there is to know about women. he keeps his framed diploma behind the bar to pull out whenever it’s relevant. instead of seeking any kind of job relevant to his degree, he showed up at shoko’s apartment and made her the best old fashioned she’d ever had. he’s been working here ever since, and he wouldn’t have it any other way.

iori utahime, BARTENDER

utahime and shoko have been friends for as long as they can remember, and it was only natural that she was shoko’s first hire. but then gojo showed up, and he’s been making her life hell ever since. she is so, so close to ‘accidentally’ spilling vodka down his favorite shirt, and shoko is the only thing stopping her. 

kento nanami, SECURITY

after respectfully declining shoko’s offer of a bartending position alongside gojo and utahime, kento came on staff as the best bouncer the world has ever seen. nothing slips by him. he’s a huge part of the reason the fix is the safest bar around—if someone’s got ill intentions, he knows, and he’s not letting them anywhere near the door.

panda, EMCEE/DJ

panda is a senior media production major who hosts the university radio show, and he’s been the resident DJ and emcee at the fix for two and a half years now. the whole ‘panda’ thing started as a radio moniker, and by this point nobody would know him by his real name.

out of my mind ! masterlist

jjk taglist open: just send me a message!

@shutuppeter @mikikkoo @reactwithjan @theclassbookworm @lilactaro

[bakuhatsufallinlove]

Now that 430 is suggesting 25yo Izuku has been the one narrating most of the story, could it be that 25yo Katsuki is the narrator of the "kuso nado" line after all? I bring this up b/c in you said previously the use of "kare" ruled Katsuki out—but could it be that 25yo K does use "kare" now for I? Especially say in a more formal "interview like" setting where he's recounting this story? (If nothing else, perhaps we can use this as a chance to talk about what language 25yo K might use for I.)

WILL THIS IDEA EVER DIE???

Let's do this point-by-point.

1. We have always known some future version of Izuku was narrating. This isn’t new information, it just narrowed down his age, which changes nothing.

2. Katsuki is seen screaming rude language at the press in the final chapter. In what universe is this a man who would change his behavior in an “interview-like setting”?

3. The anime gave us a narrator and it was a perfectly reasonable one. Present Mic is our exposition guy in the anime, and likewise he is the narrator and emcee of the stage musicals. Nobody was mad when he was reciting explanations of people’s Quirks.

4. If you read my posts on this topic, you’d know everything about that narration’s language rules Katsuki out, not just “kare.”

Katsuki has never used formal language towards Izuku or about Izuku, and he never will. This isn’t up for debate. Katsuki does not shift away from informal third-person addresses for Izuku regardless of who he is talking to or what circumstances he is in, and that is completely normal. For him to do so would suggest they have lost their close bond and become completely distant and detached from each other. Everyone was reasonably incensed over the (unfounded) assumption that Katsuki and Izuku drifted apart during the eight year time skip, but now you’re saying you want that?

Izuku and Katsuki already use the most familiar language with each other. Katsuki switching from temee to omae for Izuku is the only change of note, and notice my point about this being a return to how Katsuki referred to Izuku when they were kids, before their relationship fell apart. They are the closest they can be. Even if they were dating, it wouldn't change how they talk.

Do you know how I know that? It is partly based on my own observations of real people, but also, it's because that's how shipping doujinshi portray them.

From confessions and living together as a couple to scenes of them getting married, Katsuki and Izuku retain their canon-typical communication dynamics in Japanese fanworks.

I have never once seen Katsuki use polite Japanese in doujinshi. Fanworks are completely self-indulgent, so they include all kinds of wild, out-of-character behavior that just scratches an itch for the creator and their audience. The utter absence of this for Katsuki tells me not only that it reads as out-of-character, but also that it offers no satisfying emotional benefit in exchange. In Japanese, there's nothing romantic about the idea of Katsuki using formal language for Izuku.

Conversely, I can't tell you the number of times I've seen Katsuki whip out a sudden omae at the height of an emotional moment, driving home the tenderness he feels towards Izuku. Or the times during an established relationship story when Katsuki just casually defaults to omae for Izuku unless he's scolding him and uses temee. This is what reads as romantic, this is what comes across as believable and normal for them.

The narrator is not Katsuki and cannot be Katsuki. Nothing would be gained if it were Katsuki.

Just be charmed that an omniscient narrator went out of their way to say, “damn, that Bakugou kid was right about him” and laugh at the funny fucking joke, buddy.

[blog-sekai]

Unit Introduction: TECH IT OUT!!!

An unlikely friend group aspire to be the next big thing for their local music scene...

*this is all text & pretty long sorry 😭

═════════•°• ⚠ •°•═════════

About TECH IT OUT!!!:

They thought about using some leetspeak in their unit name ("T3CH 1T OUT" - 3 human members, 1 AI member) but decided against it because it sounded kinda cheesy

Most of their performances are as emcees or DJ's, but they're working to change that!

Their style/genre is pretty obvious lol: techno, disco/rave, anything with bass you can hear 3 blocks away.

if my 3 fan units were that misery/cpr/Reece's puffs mashup, they'd be the Reece's puffs part

═════════•°• ⚠ •°•═════════

"If it's difficult, that means it must be good for you, right..?"

Jamie Polaris

Birthday: March 31

Height: 5'6" / 167cm

Hobbies: Robotics, Calligraphy

Specialty: Cosplay/Crossplay

Favorite Food: Breakfast Sandwiches

Least Favorite Food: Sweets

Dislikes: Dresses & Skirts

Jamie has the least traditional music knowledge, but she learns very quickly. She picked up a programming class when she was younger on a whim, and has since gotten exceptionally good at it. Her pet program, PRISM, eventually achieved full sentience/sapience - their dynamic is similar to "childhood friends." She's very uncomfortable with most feminine things as they relate to her/other's expectations of her, and prefers to wear clothes that are baggy or androgynous/masculine.

═════════•°• ⚠ •°•═════════

"I would appreciate it if you took my person-hood a bit more seriously."

PRISM

Birthday: June 23

Height: In SEKAI, it is 5'5" / 165cm (it doesn't have a body in the [real world] at this time)

Hobbies: Meditation, Sci-Fi Shows/Media

Specialty: Retaining Information

Favorite Food: Unknown

Least Favorite Food: Unknown

Dislikes: Uncleanliness

PRISM likes to try new things, at least as much as it can without a body - which is why it's constantly pestering Jamie to build it one. It has a particular affinity for a certain sci-fi show, likely due to one of the characters. It feels a sort of kinship to the virtual singers, and has considered debuting as one in the past. In SEKAI, PRISM has a normal human body, and it takes full advantage of that to try different things "in person." Jamie brings it lots of different snacks.

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"Rules are made to be broken, anyway! Let's get out of here!"

Emerson Scott

Birthday: December 12

Height: 5'6" / 167cm

Hobbies: Studying, Hacktivism

Specialty: Never Getting Lost

Favorite Food: Kettle Corn

Least Favorite Food: Tomatoes

Dislikes: Cooking

Emerson and Jamie are unlikely friends who connected over getting a very stubborn raspberry pi to emulate snes games. Emerson comes from a powerful family, so there are a lot of expectations and pressure. Because of this, she stays up late to pursue her own passions and hobbies as well as explore the city. She has a well-cultivated sense of style, but for those who know her well, it doesn't seem to suit her very much.

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"Let's live it up, at least for tonight. Isn't that what youth is about anyway?"

Alice Hooks

Birthday: August 24

Height: 5'2" / 157cm

Hobbies: Reading, Ballet

Specialty: Voice Control

Favorite Food: Pickled Vegetables

Least Favorite Food: Pasta

Dislikes: Strangers

Alice started her transition a few years ago; the current school year is right after making it "official" with documentation and things. She's experienced bullying in the past, so she tends to keep a distance from her classmates unless they connect really well on something. Alice and her younger brother have taken music lessons since they were both very little, so her sense of rhythm is unparalleled.

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Unit SEKAI: Circuit-board

Unit virtual singers:

Miku

In Sekai, she's dressed for a night out clubbing! The only thing she loves more than hitting the dance floor is the late-night stop at a cafe or convenience store to refuel and re-hydrate. She has the uncanny ability to know how others are feeling.

Len

Despite is size, he's actually a bouncer, and takes it very seriously. Len wants everyone to have a good time, and has an eye for when things might get out of hand. Miku trusts him to know where the best clubs are, and often gifts him snacks as thanks.

[droughtofapathy]

Cabaret's Shifting Lead Placement

Welcome to another rambling theatre history lesson with DroughtofApathy. Today we're going to examining the fascinating history of Cabaret's ever-changing lead roles.

Ground rule: Tony eligibility for Lead Actor/Actress is first determined by "above-the-title" billing in the show's opening night Playbill. It was a far stricter guideline in the past, as you'll see. These days, many lead roles aren't put above the title (ex. Hadestown, Kimberly Akimbo, etc.) but will be placed in lead categories either because it's obviously a lead, or because producers lobby for it. Conversely, actors can have "above-the-title" billing and be in featured roles, usually because they're major names like Angela Lansbury and Elaine Stritch, who were both Madame Armfeldt in the 2009/2011 revival of A Little Night Music. In which case, producers will usually submit them as featured.

When Cabaret opened on Broadway in 1966, Jill Haworth (Sally), Jack Gilford (Herr Schultz), and Bert Convey (Cliff) got top billing with Lotte Lenya (Fraulein Schneider) in the coveted "and" slot just below. Note who's missing. That's right. When the show premiered, Joel Grey (Emcee) was just a regular old featured role.

Left: opening night playbill billing. Right: post-Tony rebilling with Joel Grey's ascension.

At the 1967 Tonys, Jack Gilford (Herr Schultz) and Lotte Lenya (Fraulein Schneider) were nominated as Leading Actor/Actress, respectively, while Joel Grey and Edward Winter (Ernst Ludwig) were both in Featured. Jill Haworth (Sally) was not nominated, but would have been eligible for Lead as she had "above-the-title" billing. At the time, Joel Grey was just another working actor. Not so after Cabaret. His performance elevated both the role and his billing, thus transforming the Emcee into a Leading Role from then on.

Subsequent productions would focus more on Sally and the Emcee, while Schultz and Schneider (and the non-singing Cliff) would become featured roles. However, the "above the title" Tony ruling was far stricter back in the day, leading Sally (this time Alyson Reed) to once more be featured in the 1987 revival.

Left: opening night Playbill billing. Right: poster billing

In 1987, Joel Grey was given the sole "above-the-title" billing with Alyson Reed in the next featured spot. Though Sally was, like 1966, technically a lead role, she was nominated in featured at the Tonys that season. (Grey was not eligible as he was reprising his role.) In this production, Regina Resnik (Schneider) and Werner Klemperer (Schultz) both got fancy featured billing and nominations in their respective categories. As Cliff, Gregg Edelman got the "and" billing, but in this case it was less elevated than either Resnik or Klemperer (note the boxes). Edelman was still early-career at this point, and not yet a "name" but Cliff was still considered an elevated role in the company.

By 1998, however, the roles as we currently think of them had finally slotted into place. Alan Cumming (Emcee) won for Best Actor, Natasha Richardson (Sally) for Best Actress and Ron Rifkin (Schultz) for Featured Actor. Mary Louise Wilson (Schneider) was nominated in Featured Actress. Richardson also received left-side billing, as she was a larger name (arguably) than Cumming at the time.

Left: opening night Playbill billing. Right: lobby poster billing

But though nominations seemed to make sense, it still didn't jive with billing placement. In the 1998 production, Richardson, Cumming, and Rifkin all had "above-the-title" with Wilson in the featured "and" slot. Despite this placement, Rifkin went in for Featured. Producers can lobby the Tony committee for actor placement if they think it fitting, and these days we're a lot more fast-and-loose with the definitions. Note however, how Wilson has "above-the-title" billing in the lobby board. This was presumably a contractual renegotiation that happened post-Tonys. Note how Denis O'Hare (Ernst) and Michele Pawk (Kost) have their own line below John Benjamin Hickey (Cliff). All three were/are modest, but known, names in the theatre world, about equal to one another, at least at the time.

By 2014, the old couple (Schultz and Schneider) no longer would get top billing. Alan Cumming only built upon Joel Grey's foundation to fully elevate the Emcee role into the undisputed leading man, with Sally the star-vehicle leading lady. Between the 1998 and up until the recent revival, the older couple's story--and Cliff's importance--had taken a backseat.

Left: opening night Playbill billing. Right: poster billing.

In 2014, the revival won no Tonys, but was nominated for both Featured Actor and Actress (Danny Burstein and Linda Emond, respectively). Cumming was not eligible as, like Joel Grey before him, he was reprising his role. This time, with a Tony in his pocket, and a much bigger name than 16 years prior, he got left-side billing. Emond and Burstein received equal line billing below the title, with Emond getting the left. Though they were roughly equal in the theatre world, and Burstein had a slight edge in terms of Tony noms, I'd guess Emond got the left owing to her larger screen presence/notoriety. In the poster, Bill Heck (Cliff) is left out of featured billing entirely, as are Aaron Krohn (Ernst) and Gayle Rankin (Kost).

Now we come to our latest revival, number four. Though it's still too early for nominations, we can assume Eddie Redmayne (Emcee) and Gayle Rankin (Sally) will be leads with all others featured. Historically, Schultz and Schneider are roles that receive nominations, and the Emcee a role that wins. Will that hold in a wildly over-crowded season?

Left: first preview Playbill insert. Right: billing poster outside the theater.

Once more deviating from past productions, the roles of Cliff (Ato Blankson-Wood), Ernst (Henry Gottfried), and Kost (Natascia Diaz) are plucked back out of the company to be given featured billing. This time, Steven Skybell (Schultz) is on even footing with Cliff, even slightly under with his right-side billing. This would be the least "elevated" billing any Schultz has ever gotten. Skybell is a respected theatre veteran but not quite a household name, even in theatre circles. Blankson-Wood, meanwhile, is a recent Tony nominee. It's all politics when it comes to billing.

Here, Bebe Neuwirth (Schneider) is given the coveted "and" poster billing, no surprise. Of the featured roles, she's inarguably the biggest name. A few decades ago, that might have been enough to get her above the title, but these days it's less common that a solidly featured role would get that (unless you're Patti LuPone in Company, and Bebe doesn't have quite the same sway or ego).

This, to me, seems like the most obvious case of industry politics and agent negotiation at play, and usually actors (and egos) aren't even involved in the conversation. Skybell and Neuwirth aren't on the same level, though their characters are. My guess here is that producers want to bill their sole two-time Tony winner separately, and Skybell's agents know he isn't big enough to dispute that.

Now, let's take a look at this marketing design. Redmayne's name is left-billed despite being above Rankin's head. While annoying for those of us audience members who might just see this as a design flaw, this is all contractual, negotiated to death. Redmayne also gets front-and-center positioning, while Rankin is in the background, off-center, but she gets left-side position, which isn't as minimizing as right-side would. Left-billing is given to the bigger name because English reads left to right. These are the kinds of things I think about when I see marketing ads and playbills.

[ulircursed]

"A moment of your time!" Emcee catches up to you before you can disperse to your room or rejoin with your teammates, or wherever else it is you're heading off to.

"This way, this way." The strange host ushers you into a small shack, curtained off from the outside. They offer you a chair and a bright lamp hangs overhead.

"Now then," they start, positioning themselves across from you. "How do you feel about being eliminated this week, so close to the finish line? Is there anything you want to tell your teammates?"

In their hand is a voice amplifying stick, which they hold out to you now.

It's inevitable, Andrei supposes, that his efforts would prove lacking at some point. And while not entirely unexpected, it still doesn't fully soothe the bitter sting of failure. Even if it was just an inconsequential game, even if he hadn't exactly wanted to be here in the first place, he still wished that his actions were useful in some way.

(Perhaps wishing for it was his first mistake.)

He lingers at the doorway to the shack, wary gaze sweeping over the setup within, and especially towards the 'host' as they hold out the odd-looking stick towards him.

"I don't really—"

A quick-moving blur at the edge of his vision is all the warning he got before something small and purple slams into him with the force of a small battering ram, cutting him off, and he feels his arm hooked by another, the momentum sending him into a run as well. By the time he stops and blinks, he is about fifty feet away from the door of the shack, the purple blur's identity revealed as Bernadetta. The odd, statue-like host stares across the distance towards them, but doesn't move to give chase.

Is this allowed???

Andrei hadn't exactly seen any of the others face elimination, but none of them had simply gone off on their own to rejoin their team. And as quickly as they'd gotten out of the shack, he doesn't relish the thought of being chased by the hosts all over the island for disregarding the rules.

...Or perhaps Bernadetta truly does have the power to do something like this, he realizes, remembering that meeting the objectives had come with certain actions they were allowed to take. Given that she hadn't been eliminated, it follows that she'd succeeded, and she could possibly have the ability to return someone from elimination.

And she'd chosen to help him, yet again.

"bernie's going to do her best so that no one will hurt you, either."

Something warm blooms in his chest.

"Thank you," he says, fondness and wonder softening his tone, and holds out his hand, "...We'll go back to the cabin together, then?"

If he truly had been given another chance, then Andrei would see this through to the end, for the sake of those he could not let down. Bernadetta included.

andrei has escaped elimination by the power of friendship!

[whositmcwhatsit]

Stay the Same

A/N: I am so close to the wire with this one! Angsty smut written for last week's prompt: army Elvis (We're sort of army-adjacent because I'm a rule bender.)

As always, shout out to my people: @thatbanditqueen, @be-my-ally, @ellie-24, @missmaywemeetagain, @from-memphis-with-love, @vintageshanny for love, support, encouragement and deep, depraved horniness.

+++++++++++++++++++++++++++++++++++++++

“I need you, darlin’. You don’t understand. I need you somethin’ awful.”

It played over and over in Kitty’s head as she sped along the dark highway, praying that none of the wildlife she glimpsed skittering about at the edge of the road decided to do a suicide run in front of her car. She could explain away taking the car, an emergency maybe, a sick friend or someone who was having trouble at home. Lots of her friends were getting married right now, and there were always dramas in the early days. It was plausible. What she wouldn’t be able to explain to her mother was why her station wagon had an armadillo smushed in the fender; not many of them wandering around their suburban streets.

Oh Lord, what was she doing? She lifted her foot off the gas slightly and started to look for a place to safely pull in. She was not a flighty, foolish kind of girl. Ask anyone who knew her and they would tell you that Kitty Cowan was not the spontaneous type. For a girl who graduated early so that she could travel around performing in a country and western duo with her brother, Kitty had a surprisingly level head on her shoulders. Or she used to, until a certain Hillbilly Cat had wandered onto their roadshow with his Blue Moon Boys and promptly melted the sense right out of her mind.

Back then, all he’d have to do was stare at her with those shy, hooded eyes and flutter those long, thick lashes and she would be doing his laundry and pressing his shirts like she was a combination laundress/housewife. Her brother Chick, knowing how she pitched a fit when their mama asked her to help out with chores at home, would gawp at her like she had gone and sold her brain for a dime, but all Kitty needed was that lopsided grin and the press of Elvis’ soft lips against her cheek when she handed over the clean, pressed clothes and it seemed worth it. More, she felt like she had done something important for someone who was worth it.

Only, all that craziness had ended a couple of years before when Elvis had moved up to the big leagues and Chick and Kitty, having grown bored of the same old shows at the same old places, decided to stash their guitars in the garage and settle down for a real, normal life. There was never a question that they could follow him, Elvis paved his own pathway through the wilderness and none of them were quite talented enough to follow it.

Which was fine, Chick had got a job at a radio station, putting that gift of the gab to good use, and he was doing well at it, travelling around again as an emcee for the new rock n roll shows that had burst onto the scene, feeding off the teenage excitement. Sometimes he’d run across Elvis and get to spend time shooting the breeze backstage.

‘He’s just the same,’ he’d report back to Kitty, ‘His performance has gotten real smooth, but off stage he’s still the same old unassuming fellow. Everyone I talk to can’t say enough about him.’

It seemed like no one could say enough about him. Kitty couldn’t read a newspaper without an article about how that shy, charming boy was ruining the youth of America. She often thought about him quietly playing gospel songs on the piano between shows when she read that pastors were denouncing him as Satan in sideburns from their pulpits. When she saw him on television, jiggling and gyrating right there on the screen, she could still see the playful, bashful boy she knew, but there was something else now, something shiny twinkling in his eyes that she didn’t think had been there before. She wondered if that was what had everyone so flustered and furious about him.

Now that dangerous threat, that affront to polite society, was headed to the Army. Chick had spent night after night for the past few weeks fielding calls to the radio station from wailing girls calling to protest their heart throb being stolen by Uncle Sam and also requesting his new single. Chick said he couldn’t work out if it was career suicide or promotional genius, because everything Elvis released was shooting up the charts. And Kitty hadn’t thought much about it at all until the phone rang at home and Chick, up in Memphis for a series of dances, was shouting down the line saying that he had someone with him that wanted to speak to her.

“Hi Kitty Cat? You there?” Kitty’s stomach did a strange loop de loop that had her dinner almost returning the way it came. She recognised the voice immediately, even though it was louder than normal, much louder, trying to be heard over the racket in the background.

“Elvis? Is that you?”

“Yeah, it’s me, darlin’. You forgotten me already, huh?”

“No, no, of course not. Only I can hardly hear you! Where are you?” She heard fumbling and Elvis’ voice off in the distance, followed by some loud guffaws, then a thumping noise. When he got back on the line, it was quiet in the background.

“Had to shut myself in the dang closet,” he informed her, chuckling quietly. “Hi, hi Kitty honey, how are you? It’s been a hundred years. Where are you?” Kitty frowned at the receiver.

“You called me at my house, Elvis.”

“I know,” he laughed in that silly, self-conscious way he had. “I meant, why ain’t you here? Why ain’t you here where I need you, baby?”

Kitty didn’t know quite what to say. She cradled the receiver, feeling how cool the plastic was against her rapidly heating cheek.

“Hey, you still there? Damn stupid-ass phone, I-“

“I’m still here,” she murmured, touching her face, her hair and the back of her neck like she was reminding herself that she had a physical, material body that prevented her from floating down the telephone line that she wanted to.

“Oh, huh, thought I lost ya. You can come, can’t you, honey? You know they’re sending me away soon and I might not have another chance to see you before I go.” He’d had the last two years, a cool, doubtful voice in her head pointed out and she nodded at it before she disregarded it completely.

“Come where? Where are you?”

“Oh, right now? Right now we’re at Hotel Chisca, helpin’ out my pal Dewey on his, uh, show. Red, Hot and Blue, you know it?”

“Yes, I’m aware of Dewey Phillips and his show.” She wondered if he thought she had stopped existing the minute he had left her behind. Perhaps he thought she had been packed away in a closet with her guitar.

“How soon can you get here, darlin’?”

“Tonight? Elvis, I-”

“Now, I don’t wanna hear that you can’t make it. My days are numbered, honey. I tell ya, I just wanna see as many folks as I can before- before it’s all over.” He went hoarse at the end like it choked him up to even say it, and her heart panged for him. In her head she was already imagining herself running upstairs to change and sneaking her mother’s keys from her purse.

“Will you still be there?” she asked finally. “At the Hotel Chisca, by the time I get there?”

“I’ll wait all night if I have to. I need you, darlin’. You don’t understand. I need you somethin’ awful.”

After several aborted u-turns and a whole two-way argument with herself as she hit downtown, Kitty pulled into the parking lot for the hotel. She had been listening to Red, Hot and Blue on the way and Dewey had been hyping up his listeners with the news that Elvis was haunting the corridors and was even choosing some of the records he was playing, so she wasn’t surprised to find the lobby of the hotel packed with kids. Luckily, she spotted Chick having a laugh and a joke with some of the girls up on the mezzanine floor where WHBQ had its offices and booths and she called to him, beckoning with her arm as much as her little black bolero jacket would allow. His eyes widened and he hurried over.

“Kit, what in God’s name, girl?” He waved to the security guard, letting him know that Kitty could be allowed through. “Do Mama and Pop know you’re out this late by yourself?”

“I’m a grown woman, Charles,” she informed him. “And of course they don’t.” She felt bubbles of anticipation in her belly as Chick opened the door into the corridor and revealed a lively group laughing and talking over each other. At the edge of the group, but somehow still seemingly the focus, was an unmistakable tall, dark-haired boy.

“Well, folks, look what the cat drug in,” said Chick in his charming brotherly way.

Leaning against the wall, laughing and about to take a sip of Pepsi from the bottle in his hand, Elvis glanced over his shoulder and straightened sharply. The look on his face would have been comical if it hadn’t crushed Kitty so completely. He looked shocked, like he had not been in the slightest bit serious when he had begged her to come, like he had not thought her stupid enough to rush off into the night the minute he asked. Her face burnt with embarrassment and she leant back against Chick’s hand that was between her shoulder blades, trying to retreat.

As her vision fractured and blurred under the sting of mortification, Elvis shoved his bottle into his cousin Gene’s chest and strode towards her, giving Chick’s shoulder a squeeze even as he was pushing him away. She exhaled sharply when Elvis crashed into her and squeezed all the air out of her body. His arms were locked around her, his face buried in the crook of her neck and his hips were jammed against hers. She was trapped. The guys in the corridor snorted and guffawed like it was part of a skit for their entertainment, but the longer Elvis remained clinging to her, the quieter they became.

“I can’t believe you’re really here!” he murmured, finally drawing back, but only enough so that she could stare up into his heavy-lidded eyes and feel the breath from his mouth as he spoke. “You came all the way up here just for me?”

“You asked me,” she returned, the edge still in her voice because it still stung. Not that he thought she was pathetic now, but that he thought she didn’t care enough to come when he asked.

“Not everybody would’ve,” he said softly, adjusting his tight arm around her waist, tugging her in just a little bit closer.

“I’m not everybody,” she returned, studying his face.

“I know,” he said in a small voice, pecking her softly on the tip of her cold nose. He was almost cross-eyed staring so intently at her with their faces so close together. All of a sudden, that irrepressible, dazzling smile spread across his face and she had turned away from the glare. It hurt to look at.

“Come meet everybody.” He grabbed her hand and yanked her before she had absorbed his words, making her totter a little on her heels as he rushed back to his group. “Hey y’all, this is that little girl I told you about.”

Kitty’s inside froze when she heard those words, her chest tight and heavy. He wouldn’t have told them, he promised!

“Chick and Kitty here were real kind to me when I first started out. Man, I was so green, most everybody laughed me off the damn stage, but Kitty Cat-” He wrapped his arm around her waist again, tugging her into his side and pulling her off balance, making her stumble into him. “-She made sure I didn’t go down in flames inside of a week.”

The guys nodded politely, most of them eyed her chest and ran their eyes down her legs, but it was the handful of girls in the group that examined her most closely. Kitty could feel them measuring and portioning her up, their sharp eyes noting the body language and the way that Elvis couldn’t seem to bring himself to loosen his grip on her. Women saw things that men missed.

They lingered longer in the corridor, someone explaining that Dewey was about to interview Elvis, and everyone was laughing and joking. Elvis was boisterous in a way that Kitty had never really seen before, fooling around with his cousin like they were the two stooges, play fighting and talking in made up words that no one else could understand. The girls kept trying to join in, grabbing his arm and knocking into him, and he would get distracted for a minute, before he retreated back to where Kitty was standing with Chick. She was wondering what she had dragged herself out of the house for, because it wasn’t this brash, loud boy whose thumb had just ‘accidentally’ grazed a pretty blonde girl’s breast as she grabbed him by the waist.

Taking a couple of clumsy steps backwards, he wrapped his fingers around Kitty’s wrist and angled his head behind him, motioning for her to walk backwards with him. In the most ridiculous pantomime, they slipped away, giggling as they ducked inside a door, and Kitty found herself standing in a storage closet, a bare light bulb hanging over their heads.

“Was this where you were when we were talking on the phone?” she asked, glancing around at a broom and the cans and bottles on the shelves.

“Huh? Oh yeah, this here is my office at the Hotel Chisca,” he intoned in a deep, officious voice. “Not much room, but just take in those spectacular views!” She scanned the narrow cupboard and then frowned at him, flushing when she caught his eyes sliding down her body.

“Stop it,” she muttered, shoving him. He instantly placed his hand over hers on his chest and held it there. She could feel his heart pounding beneath the warm cotton of his shirt. “You used to be such a nice boy!”

“I’m still a nice boy,” he returned absently, his free hand slipping onto the small of her back and pulling her in. “Just like you’re still…” He bit his lip and his nostrils flared slightly before he exhaled. “…Sorry, what was I sayin’, honey? I lost track.”

Kitty shook her head, but she was grinning as she sank against him, her mouth finding his as if no time at all had passed. He tasted the way he always had, sweet and warm, which, when combined with the soft muskiness of being enveloped by him, brought her straight back to cheap motel rooms and hastily snatched minutes and hours on the road.

“Hell, I miss this,” he sighed, pulling her with him as he leant against the far wall and the sign that said, ‘All items property of the Hotel Chisca signed by Management.’ “Don’t get me wrong, there’s plenty I don’t miss about those early days, the lousy motel rooms, havin’ to grab shut-eye in the back seat while Bill drove my car like a damn madman, washing up in dirty dressing rooms… No, but this, this I miss.”

“You mean to tell me that a big, fancy movie star like you doesn’t have girls just hanging off him at every turn? Because what I saw out there makes you out a liar.” He ducked his head so she only caught a glimpse of his wide, radiant grin.

“Naw, I ain’t saying that,” he admitted to his shoes. “There’s girls, there’s girls all right… None of them are you, though, honey.”

No one else could have said that so sincerely, she reflected, and had it received that way too. She didn’t feel like laughing, because she desperately wanted it to be true even as she knew it probably wasn’t.

“And I ain’t gonna be a movie star much longer.” The light faded from his smile, doors slamming shut and windows being shuttered. “Just gonna go back to being little ole Elvis, whoever the hell he is.”

Kitty put both her hands on his chest, a little surprised at how easily the old familiarity came back. Chick was wrong, she reflected, he wasn’t the same, but somehow he wasn’t any different either. Sliding her palms down his chest, she caught the way his breath hitched as she continued down his stomach towards his belt.

“He was- is- a sweet, talented, devastatingly good-looking man and no amount of time in the army will change that,” she informed him with absolute assurance.  He huffed a laugh, tugging her hips in against his, and she tried not to notice there was a firmness poking against her pencil-skirt now.

“Devastatingly good-looking, huh,” he replied with a grin. “I seem to remember you thinkin’ I was pretty goofy looking at first.”

“Well, that ain’t my fault, you were!!” she protested and he burst out in loud laughter, throwing back his head.

“You turned out all right though,” she continued with a playful wink. 

“I wore ya down,” he nodded, his features growing calmer and still, those sleepy looking eyes back and fixed on her. “Wore you down pretty good if I recall.” Kitty felt a wave of goosebumps crash down her spine as his hands descended, cupping her ass.

“Elvis,” she murmured, turning away her face, but making no effort to break free of his hands. “We should-“

“Get a hotel room?” he finished with a small smile and a lift of an eyebrow. He said it in a way that meant he could make it into a joke if she refused, but also sounded serious if she agreed.

“My brother and half of Memphis are outside that door,” she reminded him.

“I can handle Chick,” he murmured. “No one would even notice, honey, I promise.” He seemed to realise at the same time that she did how that made him sound: practised, and skilled at impulsive sex in hotel rooms. In response, he draped himself over her, his lips pressed into the crook of her neck, hot breath against her skin.

“I just- I just wanna- Wanna spend some time with you without everyone watchin’. I want you all to myself again, darlin’, like we used to.” She opened her mouth to respond. “You know, I’m heading off to war soon…”

“There’s no war, Elvis,” she answered slightly reproachfully, as if she was stupid enough to fall for that.

“Well, you never know,” he shrugged diffidently. “And you gotta get your kicks while you can.” The effect was ruined by the smirk he was wearing.

“Aw, Hollywood went and got you real good, didn’t it,” she remarked, shaking her head.

She didn’t mean it as a condemnation. It wasn’t necessarily a bad thing that he had become more confident, more aware of the effect that he could have on people, girls mostly, but she was a little sad. She had liked that boy, the one that had trembled when she first sat on the end of his bed and unfastened the buttons of her blouse. She still sometimes caught herself thinking of how he used to look, mouth open and eyelashes fluttering as he moved above her; the little lip curl as he flushed with pleasure, twitching in her hands.

Whatever she intended, Elvis’ face dropped and his brows drew together, making him look like a confused, sad little boy.

“Now, wait a minute,” he said, starting forward and somehow looming over her in the confined space. “How is that fair, huh? You got no idea the- the bullshit I gotta go through. I mean, I ain’t complaining, I’m blessed, I know that, but… If I act like I’m enjoying myself I’m big-headed and- and I’ve forgotten where I came from. If I try to seem humble I’m ungrateful and a liar… Hell, what am I supposed to do? How do I keep everyone happy?”

“Well, you can’t,” Kitty replied, reaching up and giving one of his beseeching hands a squeeze. “Nobody can make everybody happy all the time, honey, not even you.” He seemed like he wanted to say something else, but someone started banging on the door, disillusioning them that they had ever sneaked off unseen in the first place. They were calling him for his interview with Dewey and he hollered out that he was coming.

“Don’t go nowhere,” he instructed her, squeezing her arm as he sidled past her to the door. “I mean it now, Kitty.” She scoffed as he watched him being dragged along the corridor by his pals, wondering where he got the audacity to demand anything from her. But, of course she stayed, even as she judged herself for it, standing with Chick in the producer’s office, looking through the glass window into the booth where Elvis was teasing the girls peering in and grinning at Dewey’s hyper antics.

“You know what you’re doin’?” Chick asked out of the side of his mouth as they stood smiling.

“Rarely if ever,” she replied, shooting him a wry look. “Relax, Chickadoo, it’s just one night.”

“Yeah, those sound like famous last words.”

After the interview, Elvis strode out of the booth like he was on a mission, announcing that he was hungry and they were leaving. He rushed past Kitty, grabbing her wrist as he passed and not even slowing in consideration for the fact that she was wearing heels.

They took the service elevator down to the kitchens, Elvis bouncing on his heels and humming to himself. He started nudging Gene and they inexplicably engaged in some sort of battle to kick each other in the shin, even as he was entwining his fingers with Kitty’s.

Sneaking through the kitchens, they skidded around cooks and waiters, bursting out into the delivery bay at the back of the hotel. Kitty started to move towards her car, Elvis towards his and they engaged in a little tug of war that ended up with her skittering into his side because of her stupid shoes.

“What you doin’, we’re taking my car,” he said, looking at her like she had lost her mind.

“I need to drive home,” she countered. “I’ll need my car.” He gritted his teeth and looked intensely frustrated for a minute, before shrugging it off and announcing that Gene would drive her car. Gene seemed as unimpressed with this idea as she was.

“Look, everybody needs to stop coming up with goddamn problems!” Elvis snapped. “Y’all are doing my head in.”

It seemed a disproportionate reaction for a minor inconvenience to Kitty, but no one else seemed perturbed or surprised by his outburst. She handed over her mother’s keys with misgivings, making Gene promise, promise, that he would drive carefully what was technically a stolen car.

A bunch of people piled into the big, gleaming Cadillac and Kitty felt hemmed in pressed into Elvis’ side as he swung the wheel, trying to avoid the knot of people that spotted him and immediately tried to crowd the hood as if being run over by Elvis Presley would be an honour.

They drove over to Krystal and the car was flooded with greasy bags of their little square burgers.

“Didn’t you boys get Krystal’s last night too?” asked a blonde girl in the backseat, squashed very much like a slab of meat between two large guys.

“Yes, ‘cause they’re damn good,” one of the men said, shoving nearly the entire small bun in his mouth.

“Gotta make the most of it, huh, EP? They don’t serve chow like this in the service.”

Elvis had been fiddling with the radio knobs, moving his head in time with the music as he chewed, his cheeks filled like a hamster. At his friend’s words, his eyebrows dropped and he shot the guy a death look, which shut him up quickly. It seemed like Elvis was getting sick of hearing about what his life was going to be like after induction.

The atmosphere in the car got a little dense with nobody knowing what to say to ease the tension, when Elvis ducked down, his head pressed against Kitty’s chest, as he sucked on her straw from the cup in her lap.

“Hey!” she cried, overacting to counter the quiet, “that’s mine, you got your own!” She had her hand on the back of his neck and gave the hair at the nape of his neck a quick scratch with her nails, which made him shiver adorably. 

“I drank it already,” he shrugged sheepishly, sitting back up and pouting. Sighing, she offered him her cup and he grinned as he took it, repaying her with a lip-smacking kiss on the cheek.

“I like the hair,” she said softly, making the most of the relative quiet while his goofy, boisterous friends were still regrouping. “The black, I mean.”

“Oh yeah, well, it just looks better on film. Actors have been doing it all the way back to Tom Mix and Douglas Fairbanks, honey, right up to Tony Curtis today. Uh, I mean, I’m not comparing myself to them-” She nodded, reaching out a finger to snag a lock that had fallen across his forehead, giving it a gentle tug.

“It looks good,” she told him. “You look like a real movie star.” His lips curved into a more natural smile and he took another pull from the straw, his cheeks colouring slightly.

They drove around for about an hour, listening to the radio while Elvis took her on a whistlestop tour of significant places to him. They drove to Sun Studios. He wanted her to meet Sam Phillips and he thought that Sam might be up late like he often was, but the lights were out and the place all locked up.

“You know, I already met him a few times,” Kitty reassured him when he sighed and let himself drop back against the sooty wall at the back of the building. “Back when we were touring with y’all. I think Chick even talked to him about recording here, but it didn’t work out.”

“I was just hopin’ to see him,” he mumbled, his head bowed as he kicked out at a clump of grass that had fought its way through the concrete. “It feels like… like time’s runnin’ out.” She moved closer and gripped the bottom of his boxy striped sports jacket, giving it a tug.

“It’s just a pause, not the end,” she promised him.

“You can’t know that. No one knows for sure. I’ll tell ya, the Colonel and the folks at RCA Victor, and Mr Wallis, they all say right pretty things ‘bout how it’ll be when I get out, the plans they got to keep people interested and remembering me while I’m gone, but-“ He sighed a deep, chest-heaving sigh and drew Kitty in by the waist, squeezing her against him like he needed the comfort. “Look at how quick I came up, ain’t no one to say I won’t go down just as fast. Or maybe someone else’ll come onto the scene and all my fans’ll-“

“I know, because I know,” Kitty interjected, seeing how he was spiralling, one of his hands rubbing his face with increasing vigour. “I remember when I saw you sing for the first time, you were shaking and could barely put two words together between your songs. Even then I knew that you were something special, that you were different from the rest of us, and I was right, wasn’t I? I’m right about this too.”

“You know because you know,” he huffed a laugh and cupped her cheek with his hand, rubbing gently with his thumb. “Well, I’m convinced, Kitty Cat, by that stunning argument.” She gave his chest a shove with her forearm and ducked away as he laughed, trying to kiss her.

“You laugh now, boy, but when you’re out there in a couple of years buried under gold records and adoring fans, starring in all the movies, I expect you to come find me and beg for my forgiveness. On your knees!”

“Oh, I’ll always come on my knees for you, baby,” he intoned in a low, bass voice into the crook of her neck.

“You are so bad,” she giggled, smacking his shoulder. He nuzzled and nibbled on her neck, gripping her in a bear hold to stop her from wriggling away. Although they were sheltered by the shadows of the parking lot behind the studio, Kitty was aware that they were in public and that, at any moment, one of his friends might get bored waiting in the car and catch them.

“Elvis, Elvis honey, come on now, stop, people can see. Elvis!” She grabbed a handful of the hair at the back of his head, giving it a sharp tug to get him to let her loose.

“Come home with me,” he said one breath, squinting down at her, looking deliciously rumpled and excited. “I wanna show you- I can show you-”

“What about your family?” she asked in a low voice, her palms sliding up beneath his jacket, twitching as she followed the lines and curves, lingering over the peaks of his erect nipples beneath his shirt. He shuddered and didn’t waste time trying to answer, hooking her by the waist and merely lifting her over the low wall that separated the parking lot from the alleyway at the side of the building.

“We’re heading home,” he mumbled to his passengers, slamming his door. The car peeled away from the kerb with a high-pitched squeal. Nobody spoke and the journey passed in a blur of silence. Kitty’s eyes stayed fixed on Elvis’s white knuckles as he gripped the steering wheel. She barely registered the gate with the music notes, the winding drive or the impressive portico and columns.

“Well, I’ll see y’all later,” was all he said as he climbed out of the car, hands grabbing for Kitty’s forearm and tugging her towards him as he backed towards the brick steps. Kitty wasn’t sure whether anyone answered as she was too busy focusing on keeping up with him as he opened the front door. He turned back to her, grinning like a little kid and put his finger to his lips, pointing towards the stairs. Kitty slipped off her shoes, exhaling as she stretched her toes, and managed to grab them before he tugged her again, taking off up the stairs at a breakneck pace. She hissed at him to slow down, but he just shushed her and she could hear him laughing under his breath.

Kitty barely registered the dark room before Elvis shut the door behind her and pressed her into it, his hot mouth on hers snatching away her breath. Safely away from prying eyes, she wrapped her arms around his shoulders and moaned into his mouth, pressing herself against him. He froze and pulled back, but she could barely see his face in the darkness and was about to ask what was wrong, when he gathered her up in his arms and threw her onto the bed. She shrieked, hastily slapping her hands over her mouth as she bounced on the mattress.

“Don’t worry about it, baby,” he murmured, kicking off his shoes and throwing his jacket onto a chair like he was competing in a race. “This room’s supposed to be soundproof. Let’s test it out, huh.”

It was reassuring to see him clamber awkwardly onto the bed and throw himself down next to her just like he used to, a sign that the boy that she had cared for was not all gone, just hidden in pockets and alcoves of behaviour and words. 

“Kitty honey?” he asked suddenly once he had settled himself down on the pillows and was looking up at her with a slightly furrowed brow. “You know we don’t have to-“

She dove down, mouth catching his and draped herself across him. She felt his lips curved into a smile as his hands settled onto her back, soon grazing her curves until they were palming the weight of her ass, squeezing slightly.

Kitty’s body was buzzing and tingling, she could already feel the muscles contracting in her stomach and lower down and she tried to find some relief from the ache, but could barely move her legs within her tight pencil skirt. 

Elvis tried to follow her up as she withdrew, moaning a little when she pulled away, and she snorted at his forlorn expression as she drew up to her knees on the bed. His eyes widened as she shrugged off her jacket and started to unbutton the body-hugging blouse beneath.

Like a true gentleman, he was up on his knees too in seconds to help her. He was more a hindrance than help, his long fingers getting in the way of her slipping the tiny buttons out of the holes, but he seemed to want to be useful. He stared down at her bare chest and bra like a boy who had never seen either, which was funny because Kitty knew for certain that he had. Then, slowly, carefully, he reached out to cup the back of her head and bring her closer, kissing her like she was one of his co-stars and he was the romantic hero.

It was an intricate dance of shadows, Elvis moving with confidence and tenderness, while in her head she was seeing the first time when his hands had trembled and his ripe bottom lip glistened as he had panted, moving too slowly and awkwardly. She had had to guide him, her hands on his hips, around his ass, urging him to move faster, to stop apologising and asking if she was okay.

None of that now, it was more than a dance, it was a routine. Her eyes followed him as he kissed between her breasts, the tip of his nose grazing her skin as he made his way down, taking a detour to lick her nipples, circling them with his tongue before sucking. She arched up into him, noting the contrast of his hair as it splayed against her pale skin.

As his fingers grazed the inside of her thighs, she thought about how his body had changed, filling out and becoming broader, and there was hair on his chest that wasn’t there before. She raked her fingers through it as he moved between her legs, his eyes sparkling with tenderness and a little amusement.

“You okay?” he murmured, biting down on a smile, though his eyebrow twitched against his best efforts.

“You know, I told you that if you ever asked me that again I’d pummel you,” she gasped, tilting her hips so that he was grinding down onto the right spot, her nerves fluttering out and down the inside of her thighs.

“I know, I know,” he laughed breathlessly, his open mouth going slack as he started to inch into her. She wrapped her legs around his hips, tightening her thighs to bring him in closer, faster, harder. One thing hadn’t changed, he was still too careful and gentle with her. He got the message though, thrusting hard until their hips were pressed together, slamming a hollow moan from her as he grunted.

She adjusted her grip on his shoulders, realising that she might need a tighter grip, and stared up at his face. His bottom lip was between his teeth as he adjusted to being inside her, to the friction and the pressure, but under the weight of her eyes, he tugged his upper lip up into his famous sneer, drawing out and then grinding back down just as quickly. She gasped and pressed her feet down onto the back of his thighs, finding a way to cling on as he demonstrated exactly how he had earned one of his cruder nicknames.

Somehow, they got turned around and they were horizontal across the vast landscape of his enormous bed, Kitty’s head hanging back off the mattress. He grabbed a handful of her hair as it trailed down towards the carpet, pulling her head back further, nipping and sucking at her pulse point at the same time as he pressed and rubbed and circled her clit and filled her too. Each time she opened her eyes he had this sly, mischievous look on his face like he knew how good he was, like he was proud to show her what he had learned.

Flushing with warmth, buzzing and trembling, she felt the crest of the wave beginning to build between her legs and she whined a little, gasping for air, wanting the sensation to only ever build and never peak. He tugged at her hair again, this time a little sharper, so that she opened her eyes and her vision swam and then slid back into crystal clear focus.

“Say it, darlin’,” he mumbled breathlessly. “I wanna hear you say it.” He drove into her harder and faster, making her cry out and he tugged her hair again until she relented and cried out his name as she came.

Seconds later, he pulled out and she felt him pulse against her belly as he crushed her mouth beneath his. She could barely breathe with his heaving chest pressing down on her, but she didn’t mind, it would be a wonderful way to go.

Finally, he pulled himself away, passing her his shirt to clean up, and he pressed himself to her back, tugging her backwards onto him like a blanket.

“You know why I kept asking if you were okay that first time?” he murmured, exhaling deeply into her ear as he drooped with exhaustion and satisfaction.

“Why?” she whispered, though she already knew the answer.

“Because I was fuckin’ far from okay,” he giggled, his words slurring and sliding together. “I was scared half to death, thought my heart was gonna pound itself right out of my chest… ‘Bout how I feel now I reckon.”

“You were fine then and you’re gonna be fine this time too,” she promised, reaching up to squeeze one of the arms he had folded around her chest.

“I sure hope you’re right.” He yawned, pressing a kiss onto her neck before dropping back onto his pillow. “You usually are. I just hope everything stays the same.”

 It seemed a strange and futile thing to wish for, especially for a man whose life had not stopped changing in the past three or four years, but she crossed her fingers as she relished the time that she had left in his arms and wished it alongside him. Let everything stay the same.

[robot-riot]

Can a cyborg count as both the robot and the meatbag?

Already covered

Cyborgs are meatbags, because a person doesn't stop being human (or expanding for the sake of fiction, whatever they started as) just because they get some prosthetic parts. Even if they get a LOT of prosthetic parts. Even if more than half of their body is prosthetic parts. They're still human (or whatever they started as). To run a cyborg as a robot would go against some very specific opinions I have about cyborgs vs robots in fiction.

[todayinhiphophistory]

Today in Hip Hop History:

Nas released the single If I Ruled The World June 4, 1996

[fangirlingfromdownunder]

12th Day of Christmas

Caroling in the Park

Summary/Prompt - going to the local Christmas Carols in the park, but your S/O has a big surprise

Pairing - Jensen Ackles x Reader

Christmas Masterlist | Masterlist

A/N: sorry this one’s super late, was starting to think I wouldn’t get it out at all.

You help Genevieve lay out the picnic rug on the grass of the hill just a few metres from the festively decorated stage. Jared is running around in the nearby playground with the kids keeping them distracted while you and Gen set up. Your husband should have been here by now to help also. He called you from the airport hours ago, but knowing the state of the weather in Vancouver this time of year it’s possible his flight was delayed. Still it’s a little strange he didn’t let you know, but you try to push the disappointment and concern away to be strong for your kids. Gen helps keep you distracted by opening the picnic basket and setting out some snacks and drinks for everyone. You lay out cushions and blankets for everyone.

A little while later the music starts to play so Jared calls the kids back and wanders over to join you and Gen. He sits beside his wife, wrapping an arm around her shoulders while you sit beside them with the kids lazing about on the cushions in front of you. You try to immerse yourself in the young choirs singing carols. You sing along quietly while smiling at the kids who are singing along joyously. Once the emcee comes out to introduce the event and lay down the basic ground rules and important information your eldest daughter leans over to you with a sad look.

“What’s wrong, Sweetie?” You ask as you lean forward next to her ear.

“Is daddy coming?” She asks.

“He’s on the plane, he’ll be here as soon as he can. You know he wants to be here with us, he’s doing his best.”

“I know, I just miss him.”

“Me too, Sweetie. Just try to enjoy the show and he’ll be here before you know it.” You kiss her cheek and sing quietly in her ear along with the next performer.

After another few songs the kids start to get hungry so you hand out the sandwiches you and Gen had made earlier.

As you go to take a bite of your own sandwich the host returns. “How good was that, Austin? Next up we have a very special homegrown artist who has agreed to sing a song for us all tonight. Please give him a warm Austin welcome!”

You can hardly believe your eyes when an extremely familiar tall man with long brown hair and piercing green eyes walks out from behind the makeshift curtain. Your jaw drops as you tear up. You kids scream out to him along with Jared and Gen’s. Gen gives you a comforting look while Jared gives you a knowing smirk.

“Hello out there Austin! How are we all doing tonight? Some of you may know me, but for those of you who don’t I’m Jensen Ackles and I have a very special song I want to share with you all tonight. If you know the words please sing along. This one goes out to my beautiful wife and kids over there.” He points out in the crowd to you and blows you a kiss as the first note plays.

“I don’t want a lot for Christmas

There is just one thing I need

I don’t care about the presents

Underneath the Christmas tree

I just want you for my own

More than you could ever know

Make my wish come true oh

All I want for Christmas is you”

His eyes meet yours and he smiles. You sing along with your husband. Sending every word back to him. You pull your kids into your lap as they sing along too. They don’t take their eyes off their dad for the entire song. You couldn’t have asked for a better reunion or surprise for you and your kids. As the song comes to an end he winks at you and puts the microphone back on the stand.

“Thank you Austin! Enjoy the rest of the show!” He climbs off the stage and joins you. Before you get a chance to hug or kiss him your kids are all over him. Your daughter jumps into his lap the second he sits down wrapping her arms around his neck. He instantly wraps his arms around her and kisses her head. Your younger son then climbs in his lap as well. Jensen brings one arm around him also.

“I missed you guys. How’s the show so far?”

“Great!” “Amazing!” They say in unison.

He looks over at you, you lean over resting your head on his shoulder.

“And you?” He asks.

“Better now that you’re here.”

He kisses you and your children gag playfully causing you to laugh. You all sing along to the next few songs together before the kids remember their sandwiches and climb off Jensen’s lap to eat and watch the show. He takes the opportunity to cuddle you. You offer him a sandwich as well and he takes it gratefully. You all eat and enjoy the show; now much happier and more comfortably knowing Jensen’s home for the holidays.

[mostlysignssomeportents]

An open copyright casebook, featuring AI, Warhol and more

I'm coming to DEFCON! On Aug 9, I'm emceeing the EFF POKER TOURNAMENT (noon at the Horseshoe Poker Room), and appearing on the BRICKED AND ABANDONED panel (5PM, LVCC - L1 - HW1–11–01). On Aug 10, I'm giving a keynote called "DISENSHITTIFY OR DIE! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification" (noon, LVCC - L1 - HW1–11–01).

Few debates invite more uninformed commentary than "IP" – a loosely defined grab bag that regulates an ever-expaning sphere of our daily activities, despite the fact that almost no one, including senior executives in the entertainment industry, understands how it works.

Take reading a book. If the book arrives between two covers in the form of ink sprayed on compressed vegetable pulp, you don't need to understand the first thing about copyright to read it. But if that book arrives as a stream of bits in an app, those bits are just the thinnest scrim of scum atop a terminally polluted ocean of legalese.

At the bottom layer: the license "agreement" for your device itself – thousands of words of nonsense that bind you not to replace its software with another vendor's code, to use the company's own service depots, etc etc. This garbage novella of legalese implicates trademark law, copyright, patent, and "paracopyrights" like the anticircumvention rule defined by Section 1201 of the DMCA:

https://www.eff.org/press/releases/eff-lawsuit-takes-dmca-section-1201-research-and-technology-restrictions-violate

Then there's the store that sold you the ebook: it has its own soporific, cod-legalese nonsense that you must parse; this can be longer than the book itself, and it has been exquisitely designed by the world's best-paid, best-trained lawyer to liquefy the brains of anyone who attempts to read it. Nothing will save you once your brains start leaking out of the corners of your eyes, your nostrils and your ears – not even converting the text to a brilliant graphic novel:

https://memex.craphound.com/2017/03/03/terms-and-conditions-the-bloviating-cruft-of-the-itunes-eula-combined-with-extraordinary-comic-book-mashups/

Even having Bob Dylan sing these terms will not help you grasp them:

https://pluralistic.net/2020/10/25/musical-chairs/#subterranean-termsick-blues

The copyright nonsense that accompanies an ebook transcends mere Newtonian physics – it exists in a state of quantum superposition. For you, the buyer, the copyright nonsense appears as a license, which allows the seller to add terms and conditions that would be invalidated if the transaction were a conventional sale. But for the author who wrote that book, the copyright nonsense insists that what has taken place is a sale (which pays a 25% royalty) and not a license (a 50% revenue-share). Truly, only a being capable of surviving after being smeared across the multiverse can hope to embody these two states of being simultaneously:

https://pluralistic.net/2022/06/21/early-adopters/#heads-i-win

But the challenge isn't over yet. Once you have grasped the permissions and restrictions placed upon you by your device and the app that sold you the ebook, you still must brave the publisher's license terms for the ebook – the final boss that you must overcome with your last hit point and after you've burned all your magical items.

This is by no means unique to reading a book. This bites us on the job, too, at every level. The McDonald's employee who uses a third-party tool to diagnose the problems with the McFlurry machine is using a gadget whose mere existence constitutes a jailable felony:

https://pluralistic.net/2021/04/20/euthanize-rentier-enablers/#cold-war

Meanwhile, every single biotech researcher is secretly violating the patents that cover the entire suite of basic biotech procedures and techniques. Biotechnicians have a folk-belief in "patent fair use," a thing that doesn't exist, because they can't imagine that patent law would be so obnoxious as to make basic science into a legal minefield.

IP is a perfect storm: it touches everything we do, and no one understands it.

Or rather, almost no one understands it. A small coterie of lawyers have a perfectly fine grasp of IP law, but most of those lawyers are (very well!) paid to figure out how to use IP law to screw you over. But not every skilled IP lawyer is the enemy: a handful of brave freedom fighters, mostly working for nonprofits and universities, constitute a resistance against the creep of IP into every corner of our lives.

Two of my favorite IP freedom fighters are Jennifer Jenkins and James Boyle, who run the Duke Center for the Public Domain. They are a dynamic duo, world leading demystifiers of copyright and other esoterica. They are the creators of a pair of stunningly good, belly-achingly funny, and extremely informative graphic novels on the subject, starting with the 2008 Bound By Law, about fair use and film-making:

https://www.dukeupress.edu/Bound-by-Law/

And then the followup, THEFT! A History of Music:

https://web.law.duke.edu/musiccomic/

Both of which are open access – that is to say, free to download and share (you can also get handsome bound print editions made of real ink sprayed on real vegetable pulp!).

Beyond these books, Jenkins and Boyle publish the annual public domain roundups, cataloging the materials entering the public domain each January 1 (during the long interregnum when nothing entered the public domain, thanks to the Sonny Bono Copyright Extension Act, they published annual roundups of all the material that should be entering the public domain):

https://pluralistic.net/2023/12/20/em-oh-you-ess-ee/#sexytimes

This year saw Mickey Mouse entering the public domain, and Jenkins used that happy occasion as a springboard for a masterclass in copyright and trademark:

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

But for all that Jenkins and Boyle are law explainers, they are also law professors and as such, they are deeply engaged with minting of new lawyers. This is a hard job: it takes a lot of work to become a lawyer.

It also takes a lot of money to become a lawyer. Not only do law-schools charge nosebleed tuition, but the standard texts set by law-schools are eye-wateringly expensive. Boyle and Jenkins have no say over tuitions, but they have made a serious dent in the cost of those textbooks. A decade ago, the pair launched the first open IP law casebook: a free, superior alternative to the $160 standard text used to train every IP lawyer:

https://web.archive.org/web/20140923104648/https://web.law.duke.edu/cspd/openip/

But IP law is a moving target: it is devouring the world. Accordingly, the pair have produced new editions every couple of years, guaranteeing that their free IP law casebook isn't just the best text on the subject, it's also the most up-to-date. This week, they published the sixth edition:

https://web.law.duke.edu/cspd/openip/

The sixth edition of Intellectual Property: Law & the Information Society – Cases & Materials; An Open Casebook adds sections on the current legal controversies about AI, and analyzes blockbuster (and batshit) recent Supreme Court rulings like Vidal v Elster, Warhol v Goldsmith, and Jack Daniels v VIP Products. I'm also delighted that they chose to incorporate some of my essays on enshittification (did you know that my Pluralistic.net newsletter is licensed CC Attribution, meaning that you can reprint and even sell it without asking me?).

(On the subject of Creative Commons: Boyle helped found Creative Commons!)

Ten years ago, the Boyle/Jenkins open casebook kicked off a revolution in legal education, inspiring many legals scholars to create their own open legal resources. Today, many of the best legal texts are free (as in speech) and free (as in beer). Whether you want to learn about trademark, copyright, patents, information law or more, there's an open casebook for you:

https://pluralistic.net/2021/08/14/angels-and-demons/#owning-culture

The open access textbook movement is a stark contrast with the world of traditional textbooks, where a cartel of academic publishers are subjecting students to the scammiest gambits imaginable, like "inclusive access," which has raised the price of textbooks by 1,000%:

https://pluralistic.net/2021/10/07/markets-in-everything/#textbook-abuses

Meanwhile, Jenkins and Boyle keep working on this essential reference. The next time you're tempted to make a definitive statement about what IP permits – or prohibits – do yourself (and the world) a favor, and look it up. It won't cost you a cent, and I promise you you'll learn something.

Support me this summer on the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/07/30/open-and-shut-casebook/#stop-confusing-the-issue-with-relevant-facts

Image: Cryteria (modified) Jenkins and Boyle https://web.law.duke.edu/musiccomic/

CC BY-NC-SA 4.0 https://creativecommons.org/licenses/by-nc-sa/4.0/

[whatsbehindthefacade]

@ofwealthandtaste asked: ❛   actually ,  i  think  i  better  get  going  …   it’s  late  and  …   ❜ @ Emcee?

Late. Such a concept does not quite truly exist in a place such as the Kit Kat Club. After all, what most might consider late is truly only the beginning for them, and their revelries continue on and on until one might indeed consider it early instead of late. Indeed, the night is still young, the drinks are flowing and the girls are as wonderful as ever, not to mention the boys. Em does suspect that their guest's gaze might direct either way. Not so surprising really, after all, this is Berlin. There are so many of their patrons who do enjoy a little mix up, and who are they to refuse?

"Ah, but mein herr, you have not even had the joy of seeing our toast of Mayfair yet, why she is such splendid fun!" While she lasts anyway. Max is a fickle owner, and goes through singers more frequently than most of them pay rent. Unfortunately their dear Sally may be no exception to the rule. "Let me get you one more drink, ja? The night is still so young and the girls are so beautiful...the boys are so beautiful..."