#embroidery clothing catalogue

[ilookattextile]

I got a job at a Ukrainian museum.

On the first day someone asks me if I have any Ukrainian heritage. I say I had ancestors from Odesa, but they were Jewish, so they weren’t considered Ukrainian, and they wouldn’t have considered themselves Ukrainian. My job is every day I go through boxes of Ukrainian textiles and I write a physical description, take measurements, take photographs, and upload everything into the database. I look up “Jewish” in the database and there is no result. 

Some objects have no context at all, some come with handwritten notes or related documents. I look at thick hand-spun, hand-woven linen heavy with embroidery. Embroidery they say can take a year or more. I think of someone dressed for a wedding in their best clothes they made with their own hands. Some shirts were donated with photographs of the original owners dressed in them, for a dance at the Ukrainian Labour Temple, in 1935. I handle the pieces carefully, looking at how they fit the men in the photos, and how they look almost a hundred years later packed in acid-free tissue. One of the men died a few years later, in the war. He was younger than I am now. The military archive has more photographs of him with his mother, his father, his fiancé. I take care in writing the catalogue entry, breathing in the history, getting tearful. 

I imagine people dressed in their best shirts at Easter, going around town in their best shirts burning the houses of Jews, in their best shirts, killing Jews. A shirt with dense embroidery all over the sleeves and chest has a note that says it is from Husiatyn. I look it up and find that it was largely a Jewish town, and Ukrainians lived in the outskirts. There is a fortress synagogue from the Renaissance period, now abandoned. 

When my partner Aaron visits I take him to an event at the museum where a man shows his collection of over fifty musical instruments from Ukraine, and he plays each one. Children are seated on the floor at the front. We’re standing in a corner, the room full of Ukrainians, very aware that we look like Jews, but not sure if anyone recognizes what that looks like anymore. Aaron gets emotional over a song played on the bandura. 

A note with a dress says it came from the Buchach region. I find a story of Jewish life in Buchach in the early twentieth century, preparing to flee as the Nazis take over. I cry over this.

I’m cataloguing a set of commemorative ribbons that were placed on the grave of a Ukrainian Nationalist leader, Yevhen Konovalets, after he was assassinated. The ribbons were collected and stored by another Nationalist, Andriy Melnyk, who took over leadership after Konovalets’ death. The ribbons are painted or embroidered with messages honouring the dead politician. I start to recognize the word for “leader”, the Cyrillic letters which make up the name of the colonel, the letters “OYH” which stand for Organization of Ukrainian Nationalists (OUN in English). The OUN played a big part in the Lviv pogroms in 1941, I learn. The Wikipedia article has a black and white image of a woman in her underwear, running in terror from a man and a young boy carrying a stick of wood. The woman’s face is dark, her nose may be bleeding. Her underwear is torn, her breast exposed. I’m measuring, photographing, recording the stains and loose threads in the banners that honour men who would have done this to me. 

Every day I can’t stop looking at my phone, looking up the news from Gaza, tapping through Instagram stories that show what the news won’t. Half my family won’t talk to the other half, after I share an article by a scholar of Holocaust and genocide studies, who says Israel is committing a genocide. My dad makes a comment that compares Gaza to the Warsaw Ghetto. This gets him in trouble. My aunt says I must have learned this antisemitism at university, but there is no excuse for my dad. 

This morning I see images from Israeli attacks in the West Bank, where they are not at war. There are naked bodies on the dusty ground. I’m not sure if they are alive. This is what I think of when I see the image from the Lviv pogrom. If what it means for Jews to be safe from oppression is to become the oppressor, I don’t want safety. I don’t want to speak about Jews as if we are one People, because I have so little in common with those in green uniforms and tanks. I am called a self-hating Jew but I think I am a self-reflecting Jew.

I don’t know how to articulate how it feels to be handling objects which remind me of Jewish traumas I inherited only from history classes and books. Textiles hold evidence of the bodies that made them and used them. I measure the waist of a skirt and notice that it is the same as my waist size. I think of clothing and textiles that were looted from Jewish homes during pogroms. I think of clothing and textiles that were looted from Palestinian homes during the ongoing Nakba. Clothes hold the shape of the body that once dressed in them. Sometimes there are tears, mends, stains. I am rummaging through personal belongings in my nitrile gloves. 

I am hands-on learning about the violence caused by Ukrainian Nationalism while more than nine thousand Palestinians have been killed by the State of Israel in three weeks, not to mention all those who have been killed in the last seventy-five years of occupation, in the name of the Jewish Nation, the Jewish People — me? If we (and I am hesitant to say “we”) learned anything from the centuries of being killed, it was how to kill. This should not have been the lesson learned. Zionism wants us to feel constantly like the victims, like we need to defend ourself, like violence is necessary, inevitable. I need community that believes in freedom for all, not just our own People. I need the half of my family who believes in this necessary “self-defence” to remember our history, and not just the one that ends happily ever after with the creation of the State of Israel. Genocide should not be this controversial. We should not be okay with this. 

Tomorrow I will go to work and keep cataloguing banners that honour the leader of an organization which led pogroms. I will keep checking the news, crying into my phone, coordinating with organizers about our next actions, grappling with how we can be a tiny part in ending this genocide that the world won’t acknowledge, out of guilt over the ones it ignored long ago. 

[priyadigi22]

Amazing offers are available online for bulk wholesale purchases of the Embroidered Sarees Catalog. Click here to buy and get cashback on every order. We Have A Massive Collection With Fantastic Deals! Explore Our Lavish Collection Of Gorgeous Designer Suits, Sarees, And Designer Kurtis At Unbelievable Prices And Of The Highest Quality.

[phrynefishersfrocks]

The eighth and final costume of "Unnatural Habits" (Season 2, Episode 12) is the triumphant return of Phryne's remarkable rooster kimono.

While it's impossible to tell which of her pajama sets Miss Fisher is wearing underneath, her rooster kimono serves as an elegant yet minimal outfit for her vulnerable talk with Jack late at night. The dressing gown itself is made of a black satin that serves as a backdrop to the intricate embroidery that adorn the shoulders and cover the back. A wide variety of threads paint a picture of a flowering tree branch going up from the hem of the kimono and reaching up to her shoulders, while two roosters battle it out in the air.

Essie Davis mentions the dressing gown specifically as her favorite item of clothing in both a video interview with Acorn TV as well as a written interview with NPR:

"I do have a favorite," she acknowledges. "Because I love the simplicity and the extraordinary detail of this beautiful black satin dressing gown that is in chinois embroidery, and on the back of it, are these two embroidered fighting cocks. And I think it is the most perfectly tongue-in-cheek piece of costume, and I love putting it on, 'cause I love the idea that there are fighting cocks." And then she cackles.

This is another item from costume designer Marion Boyce’s personal collection, and according to the Costume Exhibition Catalogue was “one of the last pieces that came out of China before they closed their trading borders in the 1920s”.

“I bought this years and years ago from a retro store, Gollyester in Los Angeles when I was doing Crocodile Dundee 3… it was the most beautiful thing I had seen. I’ve got a passion for Chinoiserie.” - Marion Boyce in the Series One Costume Exhibition Catalogue.

One of several robes designed for nightwear, this is certainly one of her most memorable ones, appearing in the very first episode, 1x01, and then showing up in 1x04, 1x06, 1x10, 2x08, before being bookended at the end of season two here.

Season 2, Episode 12 - "Unnatural Habits"

Screencaps from here, promotional photos from various sources (x, x, x, x), costume exhibition photos from Dayna's Blog and Bobbin & Baste.

[chere-indolente]

Hi!! How did you learn to make maxis match clothes? I would like to start doing it uwu

Hi ! So to be fair I don't remember exactly how I went about starting making CC at the very beginning except from reading tutorials and downloading Sims4Studio but here are the steps I more or less followed in my CC making journey.

First off I was already quite used to some picture editing softwares (namely Gimp and Photoshop) which definitely helped so I would recommend familiarising yourself with one of these.

Then comes the gateway drug to CC creation that are ✨recolors✨. For those you just need S4S and a picture editing software of your choice. Recolors can be quite simple : maybe you just want to change an item's color or add patterns to it. But with a little more editing/drawing skills you can also remove/add some details to the diffuse texture.

Here is a link to a short tutorial for a simple recolor using gimp by @smubuh

To keep the maxis match aesthetic the easiest way to go is to be a 🙌scavenger🙌 : you want to add buttons / belts / lace / embroidery / whatever to your texture ? Steal it from an other Sims 4 item ! Just look at your CAS and BB in game as a catalogue of all the details and textures you could frankenstein onto your project.

Maybe you'll be content with making recolors forever but if like me you start wanting to make something with a shape that doesn't already exist in game or in the CC world out there, you will have to deal with mesh. (the mesh is the 3D shape of the item as opposed to the 2D texture that is applied onto it) Meshing has a steeper learning curve than recoloring for sure so arm yourself with as much calm and patience as you can muster. First you'll need to download Blender, I recommend downloading the same Blender version as the one used in the tutorial you choose to follow because if you're anything like me you'll get lost otherwise. Also use a mouse, the scroll wheel makes moving around in blender so much easier than using a laptop touch pad like I did at the start 🤡.

And now that you have blender and a mouse time to mess around with meshes and for that like everyone I started (and honestly I mostly still stick to it nowadays) by frankenmeshing. Sticking to the frankenstein/scavenger theme from earlier, this is quite similar to what I described with scavenging textures, except this time we're combining meshes aka shapes : see a collar you like on that blouse, a sleeve you like on that dress ? Bam put them together !

For example here is a handydandy frankenmesh tutorial by @deetron-sims

Outside of frankenmeshing other ways to tranform meshes are to inflate and stretch parts of it (want a bigger skirt ? a shorter jacket ? the O key is your friend). And if you want to go beyond what I have you can also learn how to create meshes from scratch.

That being said dealing with meshes is full of surprises (mostly bad ones unfortunately), since you may have to deal with distorted weights, UV1 and whatever else, so it involved a lot of trouble shooting and trial & error. Being part of the S4S forum or the Creator Musing discord can be very helpful when you're at a loss (but always google and search for yourself before going around asking people).

Finally it's important to keep in mind that it takes time to learn how to make CC so don't be too hard on yourself and take breaks when it gets too frustrating. Personally it took me many months to graduate from recolors to frankesmeshing, I had to give up and try again many times before I finally got what I wanted.

Here are some more tutorials and resources :

@myshunosun made this great post about Maxis matched CC : Tips: components of creating Maxis Match objects for The Sims 4

@powluna has great video tutorials for beginners, especially this well rounded one that goes in details throught all of CAS CC creation (from the use of S4S all the way to blender) with neat little chapters so you can watch only the parts that you're focusing on at a time

S4S forum in addition to the S4S software itself this forum provides plenty of tutorials and a CC creator community

The Creator Musing discord is also full of links to various tutorials and resources (and once again a community of peers)

Specifically for Blender :

@ravasheencc's Resources Archive, I remember especially her Blender Basics Video being quite helpful when I was starting out

@surely-sims's Edutainment Lives which you can find on her twitch, mainly focused on Build&Buy CC

PS : I didn't mention the normal/bump map and the specular map because they are very much optional. I honestly didn't use these until a few months ago and even now I don't bother with them most times

[celestialmazer]

Camille Lemoine

Gemma Dagger

Rachel Lamb

Wendy McMurdo

Izzy Leach

Margaret Mitchell

https://diormagazine.dior.com/dior-magazine-en/dior-magazine-48/fashion/from-dior-to-scotland

Christian Dior - Cruise 2025

Highlands, Tantallon Castle, Edinburgh

Catwalk at Drummond castle, Scotland, June 3rd 2024

Pietro Ruffo's blue Toile de Jouy Scotland motif

Yilan Hua wears Dior for Vogue Czech December 2024 - https://anneofcarversville.com/fashion/2024/12/16/7yilan-hua-vogue-czechoslovakia

https://www.dior.com/en_gb/fashion/womens-fashion/ready-to-wear-shows/cruise-2025-show

For Maria Grazia Chiuri, the presentation of the cruise collection is an opportunity to follow the steps of Christian Dior around the world.

Visual journeys that each time invoke new experiences. In 1955, Monsieur Dior presented his work in Perthshire, Scotland, in the ballroom of the Gleneagles Hotel. For the Creative Director of Dior Women’s Collections, this country has become the narrative framework of the Dior cruise 2025 collection – unveiled in the gardens of Drummond Castle – where memories, inspirations and suggestions fuse to generate shapes and embroideries.

The unicorn and the thistle, both symbols of Scotland, provide an unprecedented variation of the Millefleurs motif, and are transposed into heraldic embroidery, recalling the savoir-faire of this exceptional technique, a language in itself, a form of resilience. An emblem of Mary Stuart that can be found in Clare Hunter’s book Embroidering Her Truth: Mary, Queen of Scots and the Language of Power1.

A map of Scotland adorns some of the models in this cruise line, sketching a cartography of collaborations and cultural encounters deployed specially for this défilé, such as the tribute to tartan: “It’s probably the only fancy fabric that resists fashions,” Christian Dior wrote in The Little Dictionary of Fashion2. Blending various colors and the cut of a kilt, this historic cloth, intrinsically characteristic of the region, continues to cross fashions past and present, from romanticism to punk.

Photographs from the spring-summer 1955 presentation are transformed into prints or employed as appliques on the edges of kilts or pea coats, in a kind of cinematic montage. They constitute objects of memory punctuating this Dior cruise 2025 collection.

The looks merge contrasting elements, including the diverging textures of velvet and lace dressing the contemporary equestrian. Certain silhouettes feature exaggeratedly wide sleeves which, on white shirts, appear under little dresses with gathered skirts and bustiers resplendent with embroidery. The latter can be found on several dark, iridescent pieces that are sometimes adorned with pearls. Lace collars, in their turn, brighten up the black.

Also used in very light materials, tartan is the common thread running through this veritable celebration of the kilt, whether made directly in Scotland or reinterpreted. Not to forget dresses conceived in diverse lengths, as well as coats and capes with large hoods. Rain boots come and go. Small jackets adopt the gray of menswear fabrics, and the iconic Bar jacket sports black velvet Brandenburg buttons.

This same velvet magnifies an evening gown, the fitted bust of which emphasizes the oversized skirt. Feathery woven fishnet metamorphoses into long, lightweight dresses, embracing the mauve hue of nostalgia.

This inventive choreography is made up of interconnected affinities. Like an testimony revisiting stories of earlier times, it offers a journey where the different stages become the subjects of creativity.

1 Embroidering Her Truth: Mary, Queen of Scots and the Language of Power, Clare Hunter, Sceptre, 2022.

2 The Little Dictionary of Fashion, Christian Dior, Cassell & Company Ltd, London, 1954, translated into French in 2007 as an appendix to the catalogue Dior 60 Years of Style.

Odes To Mary Stuart

Inspired by Scottish craft traditions and the iconic figure of Mary Stuart, the silhouettes reinvent the look of the visionary sovereign, from romance to punk, tartan to corset-armor, dresses with accentuated shoulders to tweed sets and prodigious couture embroidery, echoing that of Holyrood Palace*. Between celebration and transgression(s), the iconic Argyle motif is unveiled in a fine open-work version; emblematic Fair Isle lace is modernized with a subtle interplay of material and transparency; crinolines are boldly revisited, punctuated by elements borrowed from counter-cultures. All these reinterpreted textile symbols marvelously revive the founding ties between France and Scotland.

* Primary residence of the kings and queens of Scotland

Punk Attitude

Poetic and all-conquering, the silhouettes designed by Maria Grazia Chiuri for the Dior cruise 2025 show are enhanced by accessories that convey a powerful, impetuous femininity. Worn with high socks, leather riding boots are adorned with zips and multiple straps, promising a confident, determined gait. Inspired by traditional sporran, kilts are worn with saddlebags emblazoned with the initials “CD”. A tribute to the customs that make Scotland so rich, the bags' shoulder straps are decorated with heraldic symbols that combine the House's emblems with those of this fascinating country. Wonderful finishing touches include necklaces with delicate black ribbons and pendants featuring marine motifs, a poetic evocation of the seas that shape the beauty of coastal landscapes.

Dior in Scotland: The making of the collection

Full show:

[maneaterwithtail]

Commission/Image ideas of Maximilian Roivas on Jumpchain

Outline of the character

Name

Maximilian Roivas

Gender

Male

Age

Late 40s, Early 50s

Physical

Appearance

Large, rotund, portly white gentlemen with dark goatee, eyebrows and eyes, in a powdered wig wearing a three-piece suit that includes: a black silk damask coat with metallic thread embroidery and brass buttons, a single-breasted plain silk waistcoat, and black silk breeches; A lace cravat; ribbed stockings, dark-colored buckled shoes with a curved French sabre.

Strong limbs, he’s more active and firm than ever. Remarkably manicured.

Scene

Pose

Saber out, looming in his finest outfit, open doctor bag in other hand the Tome of Eternal Space levitating out next and away to his shoulder

Facial Expression

Peering dark eyes with a toothy grin..

Background

N/A, may allude to cadaver or taxonomy research space

Facial Features

Eye color

Dark brown, if not black.

Hairstyle and color

His powdered two roller curls aside wig

or

Natural low bristle cut head. Maybe with signs of sewn scars.

Facial Hair

Low, dark, full bristly beard

Shape of the face.

Oblong just a little too block but broad. His nose is a little ruddy, his eyelids darker than his off-white skin

Clothing and style (KEEP IT SIMPLE)

Base

May choose outfit/look you like; I would be open to a series or collage of multiple different ones.

His iconic Georgian era three-piece suit that includes:

a black silk damask coat with metallic thread embroidery and brass buttons

a single-breasted plain silk waistcoat

black silk breeches

a white linen shirt underneath

Alternate Costumes

A more catsuit like take of the above with exaggerated color with appropriate hat or hood, to give him a vaguely rodent-like impression

A more blended in contemporary outfit, that can’t help but look out of date with a buzzcut, gauged ears, plus elements of Silent Bob as well.

Pale simple full body greyish white or biege clothes, perhaps with surgeons apron, or howie coat, green gel like gloves (alludes to asylum outfit)

Accessories and Jewelry

A lace cravat

Ribbed stockings

Black buckled shoes

Weapons

Curved sabre

Woodstock pistol with lever, looks like a flintlock but has been modified, closer to a dragoon pistol. 

Physical

Appearance

5’ 11” 350 lbs, full short dark beard.  Natural hard is dark with some greying.  He keeps it short.  His complexion is off-white, not unhealthy but not the brightest with pink tint to his nose. His eyes and lids look darker. His limbs ar think.  He’s a bear or barrel of a man with strong eyebrows. He’s serious and intense always seeming just on the edge of madness

Background and personality

This is the part that is less likely the artist will read, because even with these restrictions, this is still an awful lot of information that will take more than one day for any artist to digest. We’re not dumb, it’s just that we have to actually do the words-to-images reasoning. Feel a bit freer here, since all the essential information should be already written.

Personality Traits

Meticulous and hardworking. He has recovered, been True American Rescued from the Asylum, and hit with the guilt of his excesses as a result of ptsd and disbelief. He is at uncanny peace with the bloody and taxonomic, but has a sense of propriety from his time

Background History

Once a physician in pre Revolution America his estate at Rhode Island was besieged by monsters in human flesh he was forced to fight and soon went on a rampage seeking them as also autopsied and catalogued them and the humans.  Committed to an asylum, he condemned society but was rescued in an odd jump by the Jumper and avenged by his descendant Alex.  Later, he was assured of her freedom from the Ancients and was taught how to embrace weirdness as not-madness and to have freedom from his woes while seeking to prevent such torment afflicting his kin and similar.

Loved ones

Widowed even before the events of his game his children had to see him committed. He is being cared for by Jumper, Brosus and, oddly, mentored by Ronaldo. He finds himself emotionally intimate with many companions and comfortable as bedmates even as frustrated by his lesser ability by comparison to his cohort.

Occupation

Physician, now more a taxonomist than surgeon but focused deeply on xeno-biology and medical treatment and concerns of nonstandard and especially nonhumanoid life or abominations, mutations, and those produced by those who haunted his family.

Interests and Hobbies

Very much his job, but taking an interest in fashion, cosmetics, and beauty skills plus still having home care, keep, or alterations in his blood.

Strategies for Giants/Kaiju/Large targets

If runes and enchanted blade proves insufficient he will summon a ship or cannons to fire. These are constructions of his mind and skill and practice though may have one in personal storage to draw out or operate at a distance. For him ships are a symbol of mankind conquering the wild vast unknown or primal to settle beyond what it abides and asserts his courage and charges his morale for those it fights for and challenges who would stand as above humanity and reason in contempt or indolence. He tends to call it the Venture Assurance.

[strawberryteabunny]

orchid, mahonia, sage & chamomile 🐻🩷

These got long so putting in a cut ૮ ෆ ´ ˕ ` ෆ ა

Orchid- already answered!

mahonia ⇢ what place, thing, activity inspires you most and how do you express yourself when it does?

I think I’m inspired most by fashion and fiber arts I see online. (Is ‘online’ a place?)

Besides lolita, my biggest hobbies are knitting, sewing, and embroidery. I have a ton of Pinterest boards with things I find inspiring- paintings and clothing from museums, knitting patterns, and things made by fiber artists and historical reenactors. When I’m starting a project I usually go through those, and my Ravelry (for knitting) or lolibrary (if I’m going to sew a lolita piece) as inspiration for what I want to make.

sage ⇢ what ‘medium’ of art (poetry, music, fiction, paintings, statues etc.) is the most touching to you? why do you think that is?

Music, paintings, and fashion. The first and last should be kinda self-explanatory since I think everyone finds music touching and my biggest hobby is fashion, but paintings are what I look at the most in an art museum- I really love Impressionism, the pre-Raphaelites, and 18th century rococo art, and a lot of other classical art in general. I also really love ukiyo-e prints from Japan.

I like paintings that feel like they express an emotion so strongly I can feel it myself; this is one of my favorite paintings from the Chicago Art Institute. I can feel the cool crisp morning air before sunrise, the bare earth under her feet, and the silence with just the sound of a bird singing. I’m a member at the art institute so I come in a lot to draw various paintings or just look around at stuff :)

I also love still-life paintings of fruits/flowers/food etc for a similar reason- it looks like I could really grab them off the canvas and eat them! I can taste those grapes just looking at them. And it feels like a connection to people from hundreds of years ago, to eat the same food.

chamomile ⇢ what kind of things do you like receiving as gifts?

I mean, ideally someone would gift me like, AP’s old Bunny-Chan set haha. But generally cute bunny-themed stuff does always make me happy :) I get a lot of books as gifts and I love that too! Christmas before last one of my friends got me a biography of Beatrix Potter which was awesome (I collect Beatrix Potter/Peter Rabbit things so those always make good gifts). I like tea (loose leaf), brooches (not enamel pins), perfume (my favorite company is Alkemia), and strawberry or rose-themed stuff a lot as well.

The best lolita fashion related gift I’ve ever gotten was my parasol! My mom was in San Francisco and I begged her to go to the AP store and get me the catalogue (was planning to pay her back), and instead she also got me the parasol and a pair of socks and made a gift of it :) She had to carry it on the plane since it didn’t even fit in her luggage! It meant so much to me to have that level of love and support, and I think the parasol is gorgeous too :D

[a-mole-of-iron]

Duchowiesen stories: Liftoff

Alright, so, update. Due to diminishing resources and abilities, I was unable to post anything for a while - and now, I’ll be starting to publish a series of very unpretentious short stories in the urban fantasy genre. And I don’t mean modern-day real-world with fantasy trappings; I mean a fantasy world with big cities and elaborate technology. There will be train journeys through magic forests, and visits to taverns with televisions and telephones placed therein; bureaucrats cataloguing ancient relics, and dragons doing aerial photography; elaborate underground cities lit by electric lanterns and overgrown by moss and mushrooms, and mystical deserts with towns raised on concrete pillars above the shifting dunes; welfare provisions for werebeasts and changelings, and vast industries supplying the people with affordable goods; and more besides, all in the setting that me and my friends have developed together.

Without further ado, I present to you: the fantasy world of Duchowiesen, and all of its many unusual and wonderful things, places, and people.

Story genre: comfy urban fantasy

Liftoff

At the Electric Lamplight Inn, it was an hour past lunchtime. The sun crept across the wooden tables covered with checkered tablecloth, with colorful mass-manufacture metal-and-cloth dining chairs around them and salt and pepper shakers with folded-up napkins close by on every table, along the bar and its selection of bottles of varying colors, shapes, and sizes that held alcohol as well as soft drinks, up the wooden beams that helped hold up the second floor, over the walls covered by vanilla-colored plaster and decorated with landscape photographs of meadows, mountains, boreal woods, and glaciers, and towards the clock and the nearby refrigerator with its curved outer surfaces and a glass door displaying cold foods and drinks. The barkeep was absent, and only a couple of people were there, eating their mid-day meal a little late. A big beast-folk guy with striped grey fur, wearing a jacket loaded up with carpentry tools and overalls that seemed sturdy as a cliff face, was treating himself to a good serving of meat and potatoes the inn sourced from the local farmer's market; two businesswomen in rumpled suits discussed trade as they helped themselves to fish with rice that they've systematically drowned in lots and lots of tartar sauce, and an occultist professional from the Southern Lands, with his hawk-like features alongside a fancy coat and pants covered in rune embroidery, was eating alone - or so it seemed if you didn't notice him having a one-sided conversation while looking into a mirror he had standing on his dinner table. The television standing next to one of the walls was set on mute, and even if it wasn't, at the moment it was displaying "The Wondrous World of Duchowiesen Dragons" - one of the most boring offerings among all the niche-subject documentary shows available on TV across the entire Federation, which was saying a lot. The time dragged out a little, flowing like a calm river - but then, another prospective patron walked through the door, a diminutive kobold engineer with their bright green scales and hemispheric sunglasses on their wide, gecko-like face, who was for some reason also wearing a labcoat far outside of any lab.

The kobold walked up to the bar, perched the sunglasses on their forehead, and said: "Excuse me, innkeeper? INNKEEPER?" in their high-pitched voice.

The innkeeper, a middle-aged woman wearing somewhat outdated and yet eternally cool clothing from the jazz era - a flapper look adapted for the everydays of the modern age - walked out to the bar to meet them. "Hello there. Would you like to order a full lunch, or book lodgings?" she asked.

"Neither, actually." the kobold answered. "I just want two deli sandwiches, a glass of mineral water, and a TV broadcast."

"Broadcast...?" the innkeeper asked, somewhat confused.

"Yes!" the kobold squeaked. "Could you tune your particle accelerator... sorry, TV set, to Science Channel One? Yours was the only place in town with a TV I could find on short notice!"

"Alright then." the innkeeper said.

She turned the dial on the wired TV controller, and the picture changed to show a sunlit desert, and in the midst of its sands, the Cosmodrome launch site with a rocket set up on the launch pad. The sound went back on, and the people eating dinner turned their heads to the TV, as they heard the ever so slightly portentous announcer read the text. The announcer went: "...seems that all of the pre-launch checks have been cleared, and the computers monitoring the site all read green. And now we're being told, the Cosmodrome is ready for launch, T-minus five minutes."

"Hey, what's with the broadcast? Is this live?" one of the businesswomen asked the kobold.

"Yes, it is live!" the kobold said. "They're putting the first-ever photo camera into orbit with this rocket! To think we're going to have all-encompassing pictures of the World at last!"

"Now I'm interested." the occultist said, still looking into the mirror on his table. "Sorry, my friend, we'll have to continue another time. What? Okay, that's good in my books. Bye." He folded the mirror's stand, closed up the small decorated shutters over it, and turned around to look at the television as well.

The voice behind the broadcast kept on talking. In the deadpan shared only by the most composed of Railway Commanders and emergency broadcasters, she said: "I am being informed the rocket's fuel pumps are completing their warm-up cycle, and the Skyguard shields with their EM plus Flux ward properties are ready to go. In a minute, we should have the hand-over of controls and telemetry to the radio channels..."

The people in the inn were interested but slightly flabbergasted; none of them really understood the technical terms involved, even as the announcer explained the rocket's systems in more detail. The kobold engineer was geeking out, however, their eyes transfixed by the picture on the screen. Minutes tensed like the strings of a violin as the launch approached, and finally, the announcer has proclaimed: "And now, we have the clearance for launch. T-minus ten... nine... eight... seven... main engines ignition... five... four... three... two... one!"

The broadcast picture showed plumes of steam, and then fire, blast from the lowest stage of the rocket, and just like that, it started ascending, leaving behind the launch tower with its cabling and pipes. "We have liftoff!" the announcer called, the broadcast switching to another camera that showed the rocket blast off into the sky, and disappear into the clear blue above the desert lands surrounding the Cosmodrome.

The kobold engineer looked at the broadcast as the announcer started describing the photography satellite the rocket was loaded with, then slammed their cutesy hands on the table and yelled: "That... WAS SO COOL!" Everyone else around them was in agreement, even though they weren't the same level of enthusiastic. The occultist looked at the screen with an unspoken wisdom, thinking about the sheer possibilities for new esoteric understanding that a view perch to see the entire world could open. The businesswomen wondered just how the world would change once the satellites get flying in earnest. The beast-folk carpenter was impressed by the engineering involved; many orders of complexity above what he did, but hey, he knew an impressive build when he saw one. Even the innkeeper was interested; the whole scene was dramatic and inspiring, and stirred emotions in all who were there to see it. Finally, the kobold picked up their deli sandwich and started chewing on it. One of the businesswomen asked them:

"Hey, you said you were looking for a TV. Are you just passing through like we are?"

"Yes, but I might become a regular commuter here, it seems!" the kobold replied. "I'm doing engineer consulting around the region."

"Odd! We're kind of in the same boat; our firm sells machinery parts all around the Four Cities area!" the other businesswoman said. "Mechanismus-Magiker GmbH, at your service."

"What about you, friend?" the kobold asked the beast-folk carpenter.

"Well, I'm on my way to the Inland Sea for the weekend." he said. "Funny you are from Mechanismus-Magiker." he said to the businesswomen. "I did renovations in one of your company's trade offices just a month ago."

"Oooh..." the occultist said, turning towards the others with an enigmatic smile. "Serendipity."

"Very much serendipity!" the kobold engineer noted with a goofy grin. "Who knows, maybe this is a sign that we should be here for the next rocket launch!"

"When is that?" the occultist asked, laying a pocketbook of solar and lunar calendars on the table.

"In 16 days, 8 PM for our current timezone." the kobold replied. "They're going to launch a radio amplifier satellite next!"

The occultist looked through the book, then smiled enigmatically again and said: "I have not found anything major, but... perhaps something interesting will happen if we join again at that day and hour. Who's with me to try and test this... small hypothesis?" There were a few seconds of indecisive silence, and then, one after the other, everyone else present responded with a variation of "I'm in!"

[globalworship]

Madonna & Child Icon for Embroidery Day, Ukraine

З Днем Вишиванки Україно! Happy Embroidery Day, Ukraine!

The holiday aims to preserve the Ukrainian folk traditions of creating and wearing ethnic embroidered clothes called vyshyvankas. https://en.wikipedia.org/wiki/Vyshyvanka_Day

Here is a recent icon by a Ukraine artist who features the art.

The icon is by ANNA MAKAĆ.

See her icons at https://www.facebook.com/profile.php?id=100063493509940

See 40+ of her icons at https://iconart-gallery.com/en/catalogue/#!/~/search/categories=54337090

[frogsandfries]

It only took me actually all freaking day

But I finally got merely most of this body of work organized across several documents.

Thousands. And. Thousands.

No. Literally. Thousands. Of (okay, admittedly horribly formatted) pages. Just for this one collection of work. Whhhyyyyyyyyyyyy

I somehow missed a chunk? Deleted it? I'm not really positive. So I do have to go back through and locate those items.

Anyway, so I get to have tomorrow off, and luckily my boss stopped in and reminded me that my schedule change came through or I would've missed work Sunday. They changed my schedule finally; it's fine. It'll honestly be nice to have Mondays and Tuesdays off. It can be hard to get shit done when I'm on the phones 9-5 M-F. Plus, there's this all-you-can-eat sushi place that I've been dying to give a second chance, and the best day to do that is Tuesday. Oddly enough, yes.

I get to chill out tomorrow, work Sunday, and then have my first Monday and Tuesday off. So......bleh. Could be worse. One time, in another job, long, long ago, on third shift, I had to work something like eight days in a row. That. Was awful. Awful, awful.

I'm absolutely dying of exhaustion. I actually want to go back through the chapters I haven't yet and get the tables of contents set up in each of the documents, just to be absolutely positive that I got everything saved. Blehhhh I should go back through the fics off AO3 and set up their tables of contentses, but.......it's honestly kind of a nightmare and I'd honestly rather save it for a) the really, really long fics, and b) later. Like, absolutely the last minute. Admittedly though, I do not know what I would do without the table of contents for Debt of Time. Probably split each of the books into their own, multiple documents so I don't have to spend ages and ages scrolling and scrolling and scrolling.

I wish I had something to do tomorrow, somewhere to go. I could go to the cafe up the hill. Or the other....is that one a cafe? Meh, I'll probably go to that one the next time I'm over at the post office. Now that I get Mondays and Tuesdays off, I could save the almost hour walk when I finally go over to take my sister's gift to ship, but....where's the fun in that? I could go over that way and check this place out that I think I've walked past several times. I want something more social, though, than just sitting at a cafe and prodding at fanfic.

Ugh, I guess I have enough paper presently to print some more textblocks, which I'll get to the first press and then neglect. Again, even if I bought one book cloth each paycheck, with the number of books that I have to cover at this point, it's going to take a long time to cover each of them, even if I don't do any kind of embroidery or embellishment (I keep thinking about a) 15/0 seed beads and b) that bead place in town). Even longer if the stack keeps growing. Oh, and don't forget that I haven't been able to squeeze more cover boards out of my budget, so there's a bit of a bottleneck there too.

What's the real hurry though? It's not like I have a bookshelf--still, yet.

But hey, I could and should be kinder to myself. I'm finally getting a vacuum, and also, I rather need my vices. Mine are not the most dangerous vices that were ever had by a socially isolated human. Also, I should finally be able to devote the necessary energy to trimming and punching the other half of my fic catalogue; that'll be......fun? Pleasant to fill up. I'm still struggling to think up an expandable enough spine. Maybe I should just not even worry about it and set up either a basic long-stitch or criss-cross spine. Well, actually, the long-stitch style spine might be a bit of a......poor match for what I have going on with the stab-type spine. An adapted criss-cross type spine could be good. If I break the initial volume into two parts and use two or three spines per volume, initially, that should give plenty of breathing room.

Honestly, now that I'm elbows deep into this random ramble, my mind keeps returning to a criss-cross binding as really the best option for a sturdy, expandable spine. Think about it: You could undo the spine, and either replace it, weave in another, or attach another spine and/or cover on the 'outside'. All you need is for the threads to pass through the signatures in some fashion.

Although, even a long-stitch isn't necessarily a bad idea. You'd have to set it up a little more like a travel journal, and even the only thing wrong with something like a travel journal is the poor way elastic ages. If it weren't for the matter of covering them, I think I'd be leaning more toward just weaving the booklets together by their spine stitching.

Maybe a softer, wrap-around style cover, to make up for any expansion? Maybe I'm too worried about expansion that I know will happen. I'm not just going to be like "well, section 'b' is full up; no more fics with titles that start with 'b'".

[interesting-collections]

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Red Saree - Rs. 1200 Beige Saree - Rs. 1200 Rust peach and Brown Mixed Saree - Rs. 1300 Check out our catalogue - https://wa.me/c/917904402529 Message us on Whatsapp - https://wa.me/message/JB6GH3LAEGGKP1 Call or Whatsapp  For Order 7904402529 #partywearsarees  #newfancysaree2023  #latestpartywearsarees Hello guys! This is from Interesting Collections! We hope you love the collections of sarees! Do let us know in the comments about anything specific that you would love to see in the upcoming videos! @interestingcollections Let's Connect!! Whatsapp - 7904402529 Instagram - https://www.instagram.com/interesting... Telegram - https://t.me/interestingcollections Description: 🌟 Welcome to a world of sheer elegance and timeless beauty with our collection of Georgette Fancy Sarees! In this video, we unveil the allure of these stunning sarees that effortlessly combine tradition with contemporary style. From the captivating Red saree adorned with intricate thread work and shimmering sequins to the ethereal cream saree that exudes sophistication, we've curated a range that's nothing short of mesmerizing. 🧵 Thread Work & Sequins: Dive into the world of exquisite craftsmanship as we explore the artistry of thread work and the dazzling allure of sequins. Discover how these intricate details transform a simple saree into a masterpiece of fashion. 👗 Attached Blouse: We've got your convenience in mind! These Georgette sarees come with attached blouses, ensuring a hassle-free and complete look that's both fashionable and functional. 🍂 Rust Peach & Brown Saree: Earthy tones take center stage in our collection. Learn how the rust peach and brown saree harmoniously blend color and culture, making it a must-have addition to your wardrobe. ✨ Embroidery Work: Explore the delicate art of embroidery, as we showcase sarees that boast intricate patterns and fine detailing, elevating your style quotient to the next level. 💫 Shimmering Material: These sarees are crafted from shimmering Georgette material, ensuring you shine with every step. Discover the magic of fabric that glistens like stars in the night sky. 🌞 Natural Light in Video: We've taken great care to film these sarees in the best light possible. Natural sunlight brings out the true colors and textures, allowing you to appreciate their beauty in all its glory. 💎 Swarovski Work: Get ready to be dazzled by the Swarovski work that adds a touch of opulence to these sarees. It's the perfect blend of luxury and tradition. 🔥 Pretty Saree Collection: Our Georgette fancy sarees are more than just clothing; they're expressions of grace and poise. Join us on this journey of sheer beauty! 📣 Don't forget to Like, Subscribe, and Share this video if you're as enchanted by these sarees as we are! Your support means the world to us. Additional Keywords: Georgette sarees, Fancy sarees, Red saree, Thread work, Sequins, Attached blouse, Cream saree, Rust peach saree, Brown saree, Embroidery work, Shimmering material, Swarovski work, Pretty saree, Natural light, Saree collection, bollywood bai,kajol,kajol at sonam kapoor wedding reception,kajol in sequin saree,katrina kaif pink saree,latest katrina kaif pink saree,sonam kapoor ki shadi, sonam kapoor marriage,sonam kapoor wedding,sarees,georgettesare,georgette saree,sequence saree,sequence work saree, sequence sarees,sequence, sequin,sequined,sequin saree,sequin saree review,sequin sarees,sequin sarees online, pinkpearlsfashion, bollywood replica sarees, bollywood replica sarees online, replica. Hashtags: #GeorgetteSarees #FancySarees #IndianFashion #SareeLove #SwarovskiWork #ThreadWork #SareeCollection #Fashionista #EthnicWear #StunningSarees #sequinsarees #sequencesarees #sareebollywood #sareesreplica #pinkpearlsfashion #sequencesaree #sequinsaree #fashion #ethnicwear #bollywoodreplica #bollywoodsarees #bollydesignerreplica #bollywoodfashion #bollywoodstyle #Saree #SilkSaree #Bollywood #sarees #sareelovers #sareesofinstagram #onlineshopping #sareeblouse #sareefashion #sareedraping #indianwear #handloom #india #ethnicwear #indianwedding #love #traditional #lehenga #sareeindia #silksaree #silk #wedding #indianfashion #kurti #sareelover #silksarees #style #sareeblousedesigns #sari

[impactcaps]

Embroidered Clothing in Corpus Christi: Impact Marketing's Excellence

In the heart of Corpus Christi, businesses are constantly striving for unique ways to stand out. At Impact Marketing, we offer an elegant solution: embroidered clothing. Not only does it provide a touch of class, but it's also a testament to enduring quality.

When one mentions embroidered clothing in Corpus Christi, it evokes a sense of professionalism. Embroidery, unlike simple prints, offers a tactile depth to logos and designs. This three-dimensional approach makes your brand pop, ensuring it captures attention.

Consider this. A cap isn't just a sun-shield; with your embroidered logo, it's an emblem of your brand's standard. An embroidered T-shirt worn by your staff or loyal customers showcases pride in association with your brand. The mug on the desk with an embroidered patch? It's a daily reminder of your brand's presence.

Embroidery is a craft that demands precision. At Impact Marketing, we ensure each stitch tells a story - your brand's story. We take pride in our attention to detail, ensuring every design is crisp, clean, and consistent.

But why choose us for embroidered clothing in Corpus Christi? Our intimate understanding of the local business environment means we can provide not just products, but products that resonate. We have a pulse on what works and what gets noticed in our vibrant community.

Our offerings span a wide array. Be it caps for corporate events, T-shirts for team outings, or mugs as corporate gifts – we cater to all your embroidered needs. By partnering with us, you're not just choosing embroidered clothing; you're investing in a legacy of quality and distinction. In conclusion, if you're looking to elevate your brand in Corpus Christi, embroidered clothing from Impact Marketing is the definitive choice. Reach out and let us help your brand weave its tale through every meticulous stitch. Browse our catalogue at: https://impactmarketingcc.com.

[priyadigi22]

On SM Creation, We Have A Large Selection Of The Most Recent And Beautiful Pure Cotton Dress Material At Low Costs. Buy And Wear Sustainable Clothing To Demonstrate Your Pride In Your Hometown. Anyone May Look And Feel Their Best By Wearing The Best Handloom Apparel. Make A Statement At Any Party Or Celebration By Buying A Cotton Suit Material Developed Specifically For You From The Greatest Indian Online Store.

[aksbynidhi]

Exploring the World of Wholesale Designer Sarees and Kurtis

When it comes to the vibrant world of Indian fashion, nothing quite rivals the elegance of designer sarees and kurtis. These timeless garments have an enduring charm, making them a popular choice for various occasions and celebrations. For those in the fashion industry, or even fashion enthusiasts, getting access to these exquisite pieces at competitive prices is a dream come true. That's where wholesale suppliers play a pivotal role.

In this blog, we're going to delve into the fascinating realm of designer sarees and kurtis, particularly focusing on wholesale options. Whether you're a business looking to stock up on inventory or an individual searching for unique fashion finds, this blog will provide valuable insights.

Designer Sarees Wholesale:

Designer sarees are the epitome of Indian elegance. These beautifully crafted pieces often feature intricate embroidery, stunning embellishments, and a wide range of fabrics and designs. For businesses seeking to offer these exquisite garments to their customers, partnering with designer sarees wholesale suppliers is a smart move. You can access a variety of designer sarees at competitive prices, allowing you to cater to diverse customer preferences.

Kurti Wholesale Suppliers:

Kurtis are a versatile and comfortable clothing option that has gained immense popularity in recent years. Wholesale kurti suppliers are the go-to source for those who want to stock up on these trendy garments. From traditional designs to contemporary styles, kurti wholesale suppliers offer an extensive range of options to choose from, making it easy to keep your collection fresh and exciting.

Wholesale Sarees in Surat:

Surat, often referred to as the 'Silk City of India,' is renowned for its textile industry. Wholesale sarees from Surat are highly sought after for their quality and variety. Many businesses prefer sourcing sarees from Surat due to the city's reputation for producing high-quality and stylish sarees. If you're in the market for wholesale sarees, exploring Surat's offerings is a must.

Wholesale Kurtis Online:

In the age of digitalization, the convenience of online shopping is undeniable. Many wholesale kurti suppliers have adapted to this trend by offering their collections online. This allows buyers to explore a vast array of kurtis and place orders with ease. The online wholesale kurti market is growing rapidly, providing a hassle-free shopping experience.

Kurti Catalogue Wholesale:

Kurti catalogues are a popular way to explore a range of kurti designs from a single supplier. Wholesale kurti catalogues make it convenient for businesses to view various styles, fabrics, and sizes in one place. This simplifies the process of selecting items for your store and ensures a diverse inventory.

In conclusion, the world of wholesale designer sarees and kurtis is a treasure trove for fashion enthusiasts and business owners alike. Whether you're seeking to stock up on inventory or expand your personal collection, wholesale suppliers offer a gateway to a wide array of options. The key to successful wholesale shopping lies in finding reputable suppliers who provide high-quality products and reliable services. As the fashion industry continues to evolve, these wholesale options enable us to stay on-trend while enjoying the timeless beauty of designer sarees and kurtis.

[maanfashion]

AL KHUSHBU - Adan Libas vol.2 Festival Ladies clothing wholesalers in Surat India

No of pieces: 5 Stitch Type: Unstitched Fabrics – Top : PURE CAMBRIC COTTON WITH HEAVY EMBROIDERY WITH MOTHI Bottom :PURE PC COTTON Dupatta : TUBBY SILK PRINTE Rate : 1181 with GST Full Set only Al Khushbu Salwar Suit Per PCS Maan Fashion latest catalogue 1125 Salwar Suit PIECES latest 5 Salwar Suit boutique Occasion latest Festival Salwar Suit boutique Payment Option amazone pay, Cash…

[fashidwholesale]

An insight into why people should consider buying Indian ethnic clothes from reputed wholesalers

As you explore Catalogue sarees online and plan to add more traditional, ethnic garments to your closet, it would be a prudent move to make your purchases from a company specializing in selling wholesale outfits.  There are many wholesalers in India that sell amazing ethnic outfits for women both online and in typical brick-and-mortar stores.

Ethnic Indian clothing like sarees, salwar suits, lehengas and even kurtis, do hold a special place in the heart of every Indian woman. These outfits are particularly considered to be perfect for weddings, festivals, and other traditional occasions. Items sold by top Kurti wholesaler Surat are also quite comfortable and hence can be worn to office or college as well.

Top wholesalers of Indian ethnic wear would allow you to explore a variety of designs, patterns, colors, and fabrics of distinctive types of clothing, and select the items you like the best. No matter whether you prefer traditional silk sarees with intricate hand-embroidery or contemporary salwar suits with contemporary prints, modern wholesalers can provide a diverse selection to suit different tastes and preferences. Such an extensive range ensures that you can find the perfect outfit for any occasion, be it a wedding, or religious ceremony. You would also find simple yet trendy outfits to wear to work or college through them.

Cost-effectiveness is another major factor due to which people should consider making their purchases from a reputed wholesaler of saree in Surat. In most cases, wholesalers sell outfits at discounted prices compared to retail stores. By buying in bulk directly from manufacturers or distributors, wholesalers are in a position to negotiate better deals and pass on the cost savings to customers. This allows you to acquire high-quality ethnic wear at more affordable prices. Many wholesalers also collaborate with skilled artisans, weavers, and designers to create outfits that perfectly showcase the rich heritage and craftsmanship of Indian textiles, and hence you are sure to love the garments sold by them. Details of such wholesalers can easily be found on the web.