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#elles fics
ghostbsuter · 14 days
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"Elle—" Danny turns around, finally taking his eyes off of the paperwork he's been reading while they were floating through the castle.
Only that wasn't Ellie behind him.
Definitely a teenager, older than his sister, whistling while looking around.
"Who are you? Where is Ellie?"
Pausing as he noticed Danny's stare at him, Kon grins. "Superboy, Dani and are in the same Clone Club, she needed someone to cover for her."
"Ah."
"But damn she didn't tell me you were loaded."
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sincerelybubbles · 4 months
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it's a date || spencer reid x reader
part 2
warnings: cannon-typical violence/mentions of murder and kidnapping, slow burn, fluff!, early seasons spencer, not proof read
word count: 6.1k
You sigh and crack your knuckles, staring down at the pot simmering on the stove. You know that the sauce would be okay if you left it for a few minutes, did something else, but you remain standing, uselessly stirring it every few seconds. Truthfully, you’re bored. Your mind shifts from cooking to work tomorrow, itching to pull out your documents and scan through them one more time. But you know you shouldn’t, advise about work-life balance tugging at your attention. 
You’re debating if you should pick up a book and try to read, something light to take your mind off of the day, when a knock sounds from the front door. Your dog, Penny, a lovely golden retriever you rescued a few years ago, lets out a weak woof before slowly standing and trotting to the door. She’s old, more grey than golden, but she never fails to answer the door with you. 
You turn the stove off and move the pot off of the burner, wiping your hands as you walk, when another knock echoes through the hallway. It’s sharp, official, loud. The sound fills you with anxiety. You stand on your toes to look out of the peephole.
“Hello?” You ask through the door, not recognizing the men standing outside and seeing no package in sight. 
“Hello, Jason Gideon, FBI, could we have a word?” The older man says, voice stern but not unkind. 
You open the door without unlatching the chain, peering out through the crack. “FBI?”
Jason Gideon, the one who spoke, pulls out his badge first. The lankier man next to him follows in suit. Your eyes linger on him for a second longer than the other agent, taking in his toussled brown hair. You scan the badges for a second before shutting the door to undo the chain. 
“Sorry, you can’t be too careful, you know?”
“Oh, we know that all too well,” Gideon says good-naturedly, “it’s good to be cautious.”
He asks your name, you give it, and nods sharply, looking to his partner. “Well, like I said, I’m Jason Gideon with the Behavioral Analysis Unit, FBI, and this is my partner Doctor Spencer Reid.”
“Well, come on in, Agent Gideon and Dr. Reid,” you say, waving them both in and shutting the door. 
“Just Gideon is fine.”
Dr. Reid sends you a tight lipped smile as he walks in, adjusting his shirt and otherwise avoiding your gaze. He seems nervous. 
“Would you two like something to drink while you tell me why you’re here? Coffee, tea, water?” You ask, twisting the dishcloth between your hands as you lead them inside.
“I wouldn’t say no to some coffee,” Gideon says. You nod and turn to Dr. Reid, who is staring at you with his mouth slightly agape. 
“Oh, yeah, coffee for me too, please.”
“Of course, have a seat,” you say, waving them to the small table in your kitchen and moving to prepare their drinks. Neither of them sit.
“How well do you know your neighbors?” Gideon asks as you start the coffee. 
You shrug. “As well as anyone does these days, I guess. I wave when I drive past them, smile when they’re out front at the same time. Why, has something happened? I saw the police cars earlier, on my way home from work, but I haven’t heard anything else.”
“Yes ma’am,” Dr. Reid says, even though he looks your age, maybe even a few years older. “Your neighbor across the street was murdered last night, Mrs. Furgison, and her eight-year-old son is missing. Did you hear anything?”
You fall still, facing away from the two officers. Numb, you shake your head, “No, I didn’t. I wasn’t home last night. I was watching my niece for my sister.” You turn around to face them, leaning back against the counter. “But there are cameras outside, I’m assuming that’s why you’re here?” “Yes,” Gideon confirms with a nod. “Would you be okay if we took a look at the last few weeks of footage if you have it?”
“You want to see if he’s been visiting before last night,” you mumble, nodding. “Yes, of course.”
“Do you work in law enforcement?” Dr. Reid asks, the question erupting from him like he couldn’t hold it back. “You’re shockingly calm and seem to know what we’re going to ask before we get to it.”
“Oh, yeah,” you chuckle, waving a hand in the air and turning to pull the pot of coffee out. “BAU, of course, you’d see right through me. I’m a victim liaison. I read through this process hundreds of times a week. Sugar?”
“No, thanks,” Gideon answers as Dr. Reid blurts out, “Yes, please.”
You set the mugs on the kitchen counter along with a container of sugar.
“Help yourself, I’ll grab my laptop to get those files for you.”
When you come back, laptop in tow, Gideon and Dr. Reid are having a hushed conversation, both holding their mugs of coffee. You round the corner slowly but loudly, aware that sometimes agents can be jumpy. Gideon smiles at you while Dr. Reid looks over sharply. 
It fits, given their ages and presumably how long each have been in the field. You try to send him a reassuring smile. He reciprocates but still looks obviously awkward, fixing his hair and taking a sip of coffee.
“Would you like me to put the files on a USB? Email them somewhere? Or just,” you motion with the computer, offering it over. 
“I can take it,” Dr. Reid offers, “send the files to Garcia.”
You let him, passing him the computer easily. With your job, the government is already elbows deep in that laptop, anyway; you have nothing to hide. 
You watch as Dr. Reid begins typing away on your computer, leaning over the table and resting his forearms on the edge. 
Both of the agents are dressed professionally: button-down shirts, slacks, dress shoes. Guns ready at the hip.
“You like to cook?” Gideon asks, nodding toward your forgotten pasta on the stove. 
“Yes and no,” you admit, chuckling and turning your attention to him. “It always tastes better than takeout but it’s hard to get the motivation. Are you hungry? Can I offer you anything else?”
“Oh, that won’t be necessary, but thank you.”
“Of course. I know how overworked you lot can be.” You cross your arms and lean back against your counter. “What about you? Do you cook?”
“Not as often as I should,” he admits, smiling sadly. “Victim liaison, you said?”
“Yes, sir.”
“You seem a little young.” “Could say the same about him.” You nod at Dr. Reid who doesn’t hear you, too focused on his work. “But I guess drive and pretty much no social life can get you anywhere,” you admit with a laugh. 
“Garcia should have the files in a minute,” Dr. Reid interrupts, looking up from your laptop.
“I’ll give her a call.”
He steps out with a nod to you, walking back into the front hallway of your small home and leaving you alone with the doctor. 
He opens his mouth to say something before his eyes focus over your shoulder and his attention is stolen. “Sorry,” he says, moving past you and into your living room, toward your bookshelf. “Is that a Russian copy of Crime and Punishment?” He asks, brushing his finger over the spine of the book. 
“Oh, yeah, it is.” You follow him, staring up at your own bookshelf like you’ve never seen it before. It’s crammed full of books. There are more filling your bedroom down the hall as well. “It’s a slow read, I have to use a lexicon a lot of the time, but I sort of like the work. Translating’s a hobby of mine, I guess. When I have time. Sorry, that might be weird.”
“No, it’s not weird at all! Not to me, at least. Are you using a Dictionary-based lexicon? Can I see it? I have one that I love. I haven’t read much Russian but I have one for Greek. They’re rarely used anymore, falling out of popularity with the creation of the internet where everything is readily available to just search up, but I find them fascinating and I’ve never seen one for Russian before.”
He talks enthusiastically with his hands. His eyes shine, the interest lighting up his face. You think, before you remember the reason why he’s there, that he’s actually quite handsome. You become slightly breathless at the realization. You don’t really notice people like this often. But, towering above you, buttoned shirt pushed up to show his forearms and a self-concious smile stretching across his face, you’re a little flustered.
You take a breath, remembering that your neighbor is dead and a little boy is missing, sending Dr. Reid a small smile and motioning behind you.
“It’s in my office if you want to go look at it. I prefer it to just typing out the stuff I don’t know — mostly because I don’t have a Russian keyboard — and it’s easier to learn when you have to research it.”
“I would actually love –”
“Reid,” Gideon interrupts, ending his call, “Garcia got the files, we have to go.”
“Oh, yes, of course.”
“Thank you so much for your help,” Gideon says, walking toward you and offering his hand. “And for the coffee. So sorry to have interrupted your cooking.”
“Anytime detective,” you say, shaking his hand and smiling up at him, “always happy to help. I can give you my card if you need anything else?”
“That would be great, thank you.”
You rush to your bag to pull out one of your cards and hand it to Gideon before turning to offer Dr. Reid your hand. 
“It was nice to meet you, too, Dr. Reid.”
He takes your hand firmly. “Spencer’s fine,” he says, stumbling over his words slightly but still smiling. “Thank you for your help.”
“Anytime,” you repeat, letting them out and returning to your sad pasta. 
Your mind wonders, not to the murder or kidnapping, but to Spencer Reid. Wide brown eyes, tousled hair pushed out of his face, a sweet smile. Smart, too. Way too smart. 
You’re not exactly experienced when it comes to dating, you hadn’t lied to Gideon when you said you don’t make time for a social life, dating included, but you do know that an interest in a too-smart profiler might spell bad news. 
Still, as you portion out your meal, you can’t help but think that you’re feeling awfully motivated to return to working on Crime and Punishment. You don’t lie to yourself about the origins of this sudden spark of motivation, but you do rationalize it. What’s the harm in a fleeting crush, then? Especially if it gives you the push to finally finish one of the many projects hanging on your ever-growing list?
You suppose you might see them arround the office if they’re working in this jurisdiction, but then he’ll be gone and it’ll fade away. In the meantime, you make yourself a plate of food and settle down in your living room with the book and lexicon.
||||
“Well, that certainly poses an interesting problem,” you hear Cheif Saunders say as you walk into the police department the next morning, arms full of files ready for sorting. 
You round the corner to escape this attention but aren’t fast enough and he calls you over by name. Cringing, you turn on your heel and are faced, once again, with Gideon and Spencer. With them are two more men and two girls, all intimidating and confident. 
All FBI, if you had to wager a bet. 
“Morning,” you say, nodding to Gideon and Spencer respectively. “Nice to see you two again.”
“You’ve met?” The tall man next to Gideon asks, pointing the question to Spencer. He grins, white teeth overtaking his dark, handsome face. He reaches his hand out to shake yours, “Morgan, nice to meet you.”
You introduce yourself, explain your position, and receive introductions from JJ, Elle, and Hotchner as well. 
“Where did you meet our friends?” Chief Saunders asks, folding his hands in front of him and setting an accusatory glare on you. “Still preening for a new job?”
“No sir,” you say, uncomfortable. The chief is often cold with you, refusing to acknowledge your knowledge or work. When he found that you were looking to transfer stations to the one a district over, he’d still thrown a fit, though. You guess he can’t ignore how well your numbers reflect on him as easily as he deflects your accomplishments to your face. 
“We stopped by to get access to her cameras, she lives across the street from the Furgison’s,” Gideon explains, watchful eyes glancing between you and the chief. 
“They proved to be surprisingly useful,” Spencer interrupts. “We now know the make, model, and color of the unsubs car as well as his general height. Garcia is still trying to make out plates, but we are able to confirm at least pieces of our profile with the information.”
“You live across the street?” The chief asks, still staring at you. You shift your weight, holding the files closer to your chest. 
“Yes, sir. In a duplex.”
“Then, fellas, I’ve found the solution to our problem. You’ll set up with our little liaison, then.”
“Sorry?” You ask, startled. 
“We have reason to believe that the unsub is returning to the crime scenes after the police have left the area and allowed the family to return. But, if we know our guy, and we think we do,” Elle says, begrudingly, “he’s smart. He’s going to notice if we’re camped out in a car. And, in a residential street, it’s much harder to hide in a building.”
“So, you’ll have the opportunity to make yourself useful,” Chief Saunders chuckles, laying a heavy hand on your shoulder and shaking you.
“Only if you’re comfortable,” Gideon adds, glancing at you with a patient expression. 
“Yes, it would be a complete invasion of your privacy, agents would be there twenty-four-seven monitoring. We would only stay in the front areas of the house, of course, but you needn’t do anything you’re not comfortable with. There are always other ways.” Agent Hotchner fixes you with a level look, voice sincere. 
“Oh, she’s comfortable, aren’t ya?” The chief says, shaking you again with a wide smile. 
“Yes, of course,” you say, nodding at the others. You mean it, you’ll do whatever you can to help out, you just wish you could’ve made the choice yourself.
“This way, you don’t have to worry about confidentiality, either. Little Miss has full access to ongoing investigations, she’ll be there for all of the briefings and such.”
You nod, discretely moving a step back so his hand falls from your shoulder. 
“Yes, I’m meant to be kept up to date with all ongoing, violent investigations where and if possible to act as a bridge between law enforcement and victims and families of victims. Especially those with children involved — I should have mentioned we would cross paths again last night, I just wasn’t thinking.”
“Yes, we’ve worked with our fair share of liaisons,” Gideon chuckles, looking over his shoulder at JJ who gives him a small smile. 
“Then it’s all set. You boys let me know when you have your profile ready.” Elle watches him walk off with a hard stare, obviously just as rubbed wrong by him as you are. 
“Lovely man, isn’t he?” You joke, trying to make the situation lighthearted. 
“We’ve interacted before. Our headquarters isn’t actually far from here, just a twenty-minute drive, we’re up in Quantico. He doesn’t get any better with time, though.” Agent Hotchner shakes his head, turning to grab a file off of the desk behind him. 
“Well, he always forgets to offer his office space to visitors so I usually keep mine available. It’s quieter and there’s a whiteboard, follow me.”
||||
Since you started renting the small duplex by yourself, you’ve never felt awkward in your own home. Now, though, you feel odd taking up your own space. 
The majority of the Quantico team is set up in your front room with laptops, cameras, and microphones. 
“We don’t know exactly how long he usually takes to come back to scenes, only that it typically happens within the week,” Elle explains to you apologetically. 
“No problem — comes with the job, no?” You say, smiling and trying to brush it off. Elle laughs gently, nose wrinkling as she shakes her head. 
“No, not really. I wouldn’t be thrilled if these boys set up shop in my house, you’re taking this with much more grace than I would.”
You shrug, crossing your arms and tilting your head from side to side. “I won’t act like it’s normal, it is pretty weird having you guys here, but if it helps you catch this guy, why would I say no? Better me than some random civilian.” You hesitate, scrunching up your nose, “Better now than waiting for him to kill someone else.”
“Much more compassionate than I am,” Elle jokes, shaking her head and walking away as Gideon calls her name. 
The main problem, you think, is that the duplex isn’t very big. The part of the team that’ll be staying with you — Spencer, Gideon, Elle, and Morgan — have all settled in. They won’t come and go, their car is firmly parked in your garage, and they’ll keep a low profile to prevent the unsub from noticing their presence. You’re meant to come and go as normal to keep suspicion low in case he’s cased the entire neighborhood. But, with only two bedrooms, a baths, and a small office, you’re feeling slightly cramped. Whenever you turn, you feel like you’re coming toe-to-toe with someone. It’s awkward, considering you’re very used to living alone. 
Still, you’re determined to be a good host, so you set to preparing lunch for everyone. They’d insisted that you didn’t need to, but you really don’t know what else to do. You’d been given the day to help them all settle in and provide assistance wherever possible, but there isn’t much to do other than wait. 
You’re pulling out the things for sandwiches when Spencer walks in. 
“Hey, do you have an extra ethernet cable? Garcia thinks that a direct line would be better,” he asks. 
“Maybe, you’re free to check in the office if you want. If you need, you can always pull the one from my desktop,” you say, shutting the fridge and trying to balance everything in your arms in one trip.
“What’re you doing?” Spencer asks, reaching forward to grab the ham and mayo from the top of your stack. 
“Making sandwiches!”
“You really don’t have to. We can have food ordered, it’s okay.”
“I wanna make myself useful, I feel weird just standing around watching you guys work,” you say, dumping the materials on the counter. “I hope you guys like ham or turkey, it’s all I have.”
“You are being useful, though. You’ve let us set up in your home, how much more useful can you be?”
“I could provide food as well,” you say, sending him a smile. “Ham or turkey?”
Spencer looks exasperated, setting the ham and mayo down and shaking his head. Nervously, he uses both of his hands to push his hair back. “Either. Either is fine, thank you.”
You start to prepare the sandwiches, Spencer watching and still looking like he wants to say something. 
“Hey, Reid, I found one, we’re all set,” Morgan says, rounding the corner and waving the white chord in the air. “Oh, what’re you making?” He asks, stepping closer and leaning over your shoulder. 
“Sandwiches. I was asking Spence if you guys like ham and turkey but he wasn’t being helpful.”
“Well, Spence can be like that,” Morgan says, throwing Spencer a smirk over his shoulder. “But we’d appreciate anything.” “I was trying to tell her,” Spencer interrupts, “that it’s entirely unnecessary for her to make us lunch. She’s already done enough for us letting us set up here. The effort is appreciated, of course, obviously, you just shouldn’t have to. Because we’re already intruding.” He trails off as Morgan sends him a look, raising his eyebrow. 
“Well, I, for one, appreciate the offer,” Morgan says, leaning on the counter and smiling down at you. You laugh at him. 
“It’s not that I don’t appreciate it! I do,” he says, turning to you and holding one of his hands up in a placating way, “I just don’t think, it’s very kind of course, I just –”
You cut him off, taking pity, “He’s fucking with you. Relax.”
||||
“I just can’t believe that you’re actually processing any of what you’re reading at that speed!” You say, throwing your arms up. 
“I actually am. Speed reading, when done right, doesn’t take away from comprehension at all. Plus, with my eidetic memory, I can always think back and process later if I need to,” Spencer explains. 
“Fine, you’re understanding what you’re reading in a general sense, but where’s the enjoyment in it? How can you possibly understand all the intricacies of the writing, what the author is doing, and appreciate the characters and their growth if you don’t take your time with it?” “I tend to focus my reading moreso on informational writing, so that’s not often a problem. And when I do read something fictional or with more nuance, I’m never lacking in any way when it comes to my understanding of the content, even when speed reading.”
“So you’re not actually taking the time to have fun reading is what I’m hearing.”
“Reading is inherently fun when you’re learning something, though,” he says, lips quirked in a slight smirk and a line forming between his eyebrows as he looks down at you. The look is so disarming that you find yourself deflating a little. 
You’re in your living room, a few books scattered on the coffee table between you two, debating the merits of each one. 
“I dunno,” you say, argument leaving you as you become distracted. 
“Just say I’m right! You know I am,” Spencer says with a chuckle, shaking his head and leaning toward you slightly, hands spread. 
You thought he was cute when he was shy, bumbling in your house yesterday, but after a few hours to warm up to each other, you can’t deny you really like him. 
The only thing that completely blocks the disappointment that they’ll all soon be leaving is that their UnSub will be caught when they have to leave. Your community and neighborhood will be better off for it. 
“No, I still think you’re wrong. Sure, you understand what you’re reading but I just don’t buy that you could possibly enjoy it in the same way that I am!” You’re trying your damndest to regain your confidence, shaking your head side-to-side with a wide smile to erase the vision of his own smirk, his hands, his rolled up sleeves from your mind. “I mean, nothing beats curling up with a book and taking your time with it.” “Well,” Spencer interrupts, lifting a finger, “how can you say if you’ve never tried my way?”
“Speed reading? I’ve done it, actually.” You shrug at his hesitating look, suddenly feeling vulnerable under the weight of his eyes. 
“Really? What method? What was your fastest time? What —” Morgan cuts off his questioning by walking in and calling for him. 
“Gideon wants you to take a look at something.” “Ah. Breaks over.” Spencer stands from where he was sitting on your armchair, brushing his hands off on his pants. He points at you while he walks away, “We’re not finished, though!”
“Oh?” Morgan asks when he’s gone, raising his eyebrows at you. “Unfinished business?” You scoff, moving to pick up the books you pulled out to talk to Spencer about. 
You like Morgan. He’s an easy one to like and he feels like the bigger brother you don’t have with his easy smiles. The chaos in your house hasn’t been easy, you appreciate his consistent presence to lighten the atmosphere. 
You’ve actually come to like all of them. Elle with her stories, Gideon with his dry smiles, and Spencer. Really, you just like Spencer. You’re an adult, you’re not ashamed to admit it. Just, only to yourself, lest you mess something up and make him uncomfortable. 
“You know, I can’t really say I haven’t seen him this excited before because the kid gets excited about everything but,” Morgan shrugs, pushing himself off of the wall he’s been leaning on and coming to sit next to you, “you do seem to get along well.”
“Oh, yeah, Spencer’s nice,” you say, standing to put the books away. 
“Nice,” Morgan muses, leaning back on the couch and crossing his arms. 
“He is! You all are.” You laugh when Morgan raises his eyebrows again. “I’m being serious, I would kill to work on a team like yours. You all actually work together.”
“We have to.”
“It certainly works out better when you do.”
“Yeah, your boss is a real dick. He usually walk all over you like that?” You wrinkle your nose at him as you sit down, pulling your legs under you. “More or less I guess. My personal opinion is that he’d like more men on the team and … no women,” you joke, giving him a what can you do? look, smiling sadly. 
“And you tried to transfer?”
“Stop profiling me,” you say, eyes narrowing. Morgan smiles, all teeth.
“Not profiling, just remembering him saying something like that when we talked at the station.”
“Oh,” you say, slouching back. “That’s considerably less impressive.” “Ouch.”
“Yeah, yeah, I wound you. But I did look into transferring a while back. I’ve been trying to move up for a while and keep getting blocked. But, no surprise, I got blocked again.” You raise an imaginary glass, cheers-ing with the air, “Go government!”
“That’s fucked,” Morgan says, letting out a low whistle. “So you don’t want to stay a victims liasion?”
“No, I do. But it’s not my only job right now. It’s a little complicated, but our office is too small to have a head liaison. So I really just run around filling gaps wherever I can until I’m needed to do my actual job. I’d love to do just liaison work, I really like working with the public. Feels like I’m actually helping people, you know?”
“Yeah, I know.” “Hey,” you say suddenly, not wanting to keep the mood somber (or ignore the FBI agent in your house with your silly woes while a murder investigation is underway), “you want some tea? Coffee?”
“Sure doll, I’ll take some coffee,” Morgan says, a confused smile taking over his face, “if you’re offering.”
||||
“It’s actually pretty interesting,” Spencer is saying, flipping through files and leaning over to show Elle something. 
“Oh, I bet. Nothing better than vicious murder,” you say, dry, rolling a pen between your fingers. 
“I mean the process behind deciphering their reasoning,” Spencer says, shrugging. 
“I just don’t know how you look past it to see anything other than the violence,” you say, shuddering. 
He and Elle have taken the night shift and are giving you a rundown on profiling. You’ve worked with profilers before, but they’re small-town cops, more interested in closing cases than being scientific, or, at times, even correct. 
“How do you look past a crying mother after her daughter has been murdered to get the information you need?” Elle asks. “I’ve worked with hundreds of victims, I think I’m pretty good at it, but your records show that you’re one of the best.”
You heat at the praise, shrugging your shoulders. “I wouldn’t say I look past them. I actually try to get into their shoes to figure out what I can say to get through to them.”
“Often the victims families know more than they think. Every bit of information they can give us or the police about the victim only lead us closer to the unsub. We often rely on your job to get important information out of victims and families that we wouldn’t otherwise have. It requires tact, empathy, and extreme emotional control,” Spencer explains, setting the file down and brushing his hair back. 
“Well, thank you?”
“I think he’s trying to say what we do is similar,” Elle explains, “it’s just the opposite side of it.”
“I’m still not following — but I’m definitely not built to be a profiler, that’s for sure.”
“But you could be. You profile in your own way. We look at the bad guys, the killing patterns, stuff like that,” Spencer leans forward, enthusiastic. “You just profile less intense people. Gather information from them, figure out what they need. Get in their shoes, to use your words. You use their actions, small phrases, and what you can gather from their homes to approach them the best way, no?”
“Looking at their clothes and body language and stuff, sure.”
“We do exactly that with crime scenes. Recognize patterns. Just like you can’t imagine seeing past the violence, some of us can’t imaigne having to see past the emotion of someone dealing with fresh loss.” Elle smiles. “You’d probably make a really good profiler. You’re just a better victims advocate.”
You consider that, weighing their words. “Sure, maybe,” you admit. “I still think it’s kinda like magic, though. Your knowledge, your intuition, your teamwork. It’s cool.”
“Thank you,” Elle says kindly. 
Spencer jumps back into his explanation of the types of murder-kidnappers, musing with Elle again about their profile. Their ability to constantly return to the same evidence over and over without any hesitation is still amazing to you. Despite what Elle said, you’re sure you’d get bored. 
You’re even more sure that it would stick to you in a way that working with the victims never did. You visit crime scenes, sure, but you never do everything in your power to commit every bit of them to memory. 
As they talk, you move toward the window and move the curtains over slightly. It’s the middle of the night, the second the team has spent in your home, and you’re curious how much longer this unsub will take to be caught. 
You’ve done your best to keep to your usual schedule and luckily it’s not unusual for you to be up late. The movement behind the curtains won’t be suspicious, so you stand and peek out curiously at the home across the street. 
Penny sighs from her bed in the living room, snoring softly. She’s taken a liking to your guests who are always willing to give her attention and scraps of food. 
The Furgison house bigger than yours, a family home with a large backyard. It’s a faded blue, lightened by the sun, with a white door. Theres a dim porch light that’s been left on, throwing yellow shaddows across the street. 
You swear you see a curtain move in the window and your entire body freezes, breath stolen from your lungs. 
“Hey guys?” You say, dead quiet, as you see the curtains flutter again. Small, nearly inperceptable movement. Greys and blacks angainst more greys and blacks. 
“Yeah?” Elle asks, still reading over the file with Spencer. 
“You’re sure that nobodys gone in tonight?”
“Certain,” Elle says, moving quickly to stand next to you. “Why?”
“Curtains moved,” you say, nodding toward the house. 
“Maybe the AC was left on?” Elle suggests and you shake your head. 
“No, we would’ve noticed it before now. They have no animals, the house should be empty.”
Your heart is racing as Spencer joins you at the window. 
“You sure you saw it move?” He asks, moving to stand behind you, just out of sight at the window, a hand pressed to your back. Gentle pressure, just his fingertips, that makes you siffen even more. He moves his hand, whispering an apology. 
You wish he hadn’t. 
Your mind spins, distracted for a moment, shaking your head again. 
“Yes, I’m certain.”
“Go get Morgan and Gideon,” Spencer tells you, sharing a look with Elle. 
||||
You follow the team out, despite their insistence that you don’t have to, holding your own handgun out and following the light Morgan casts. 
You live in a relatively sleepy neighborhood. Shared duplexes and little houses line the streets, most with little flowerbeds out front. The Furgison house is no exception: it’s a little blue house with rose bushes out front. It backs the small patch of wood that runs along the length of the highway. 
Heart racing and head light from adrenaline, you stay out front to watch for any movement inside while Morgan and Hotch creep around one side of the house, Spencer and Elle take the other side. 
“Back here,” you faintly hear Morgan say through your earpiece. “The cellar door is open. It was deadlocked last time.”
You sitffen, readjusting your grip on your gun. 
“Wasn’t it cleared, though, when we were here last?” Elle asks. 
“Yeah, but he could’ve snuck in through the woods — there’s no telling.”
“Didn’t we position police cars on the highway?” Elle again. You can imagine them all standing behind the house, guns drawn. It’s intersting to hear them communicate so efficiently, voices low. 
“We’ll worry about it later. Morgan, you take the lead, I’ll take the rear, Elle stay out here.”
For a long few seconds, you hear Morgan, Spencer, and Hotch begin to clear the basement, until you’re jolted out of the repetitive “clear!”s by Hotch yelling, “FBI, put your hands up!”
The next few minutes turn into a whirlwind as police cars arrive and Morgan drags the UnSub out of the house by his handcuffed arms. 
The Furgison boy comes out next, disheveled and passed to the paramedics in the back of an ambulance. Once you see Hotch, Spencer, and Elle are okay as well, you jump into action, going to sit with the boy and comfort him. Morgan is there, too, crouched down to talk to the kid. 
“You’re all good now,” he’s saying, reaching forward to ruffle his hair. “And my friend here is going to make sure that you see your dad as soon as possible.” Morgan gestures to you and you nod at the little boy. 
The sight of him makes your chest ache: he’s scrawny with wide brown eyes and a mop of curls on the top of his head. 
“Agent Morgan is right, your dad is going to meet us at the hospital.”
The boy doesn’t say anything, shaking under his emergency blanket. 
“I’ll ride with you in the ambulance, too, and that’ll be fun, right?” You ask, jumping up to sit next to him. Slowly and sluggish the boy rests his head on your shoulder, still shivering. You wrap an arm around him before mouthing ‘I’ve got him’ to Morgan. He gives you a small sile, waves at the boy, and goes to join his team. 
After being checked over again by the paramedics, the boy falls asleep quickly in the hospital, holding his dads hand. You’re leaving the room, shutting the door with a soft click, when you see Spencer sitting in the hallway. 
“How is he?” Spencer asks, standing up at the sight of you. 
“He’s okay, some minor bruises and scrapes, dehydrated but on an IV. They’re just happy to be back together.”
“That’s good,” Spencer says, falling quiet and looking away. 
“And, hey, you guys caught the bad guy — now you all get to go home!”
“Yeah,” Spencer says, turning to look at you again, chuckling slightly without any heart behind it. 
“Are you not excited?” You ask, raising an eyebrow. 
“It’s always nice coming back home after a trip, even one as close to home as this one is. But it’s a little bittersweet.”
“How so?”
You practically see Spencer gathering his courage, straightening his shoulders and sending you a small but genuine smile. 
“Well, we have some unfinished business, remember? And you never showed me your lexicon.”
“Well,” you say, smiling, “you’ll just have to keep in touch, then. Maybe we can get dinner?”
“Yeah. Yes, of course. Dinner.” Spencer is fully grinning now, eyes squinting with the force of it. You can’t help but mirror him, laughing a little. “Well, I do have a car to catch. I just wanted to check on him and say goodbye.”
“Well, goodbye for now Dr. Reid.”
“Goodbye,” he says, smiling at you for a second longer before turning to walk to the exit. He makes it to the doors before he hesitates, one hand on the handle. He stands there, still, for a moment before turning around and asking, “Dinner, like a date, right?”
Giddy, your smile only widens as you nod. “I would really like that, if you’re asking, yeah.”
“I’m asking.”
“Okay, then it’s a date.”
i wanted more to happen here but then i got this far and still had so much more i could write about these two aahhh
lmk if u want a pt 2 bc i kind of have ideas :) tysm for reading!!
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mystellenia · 5 months
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sleepy late nights with ellie ୨ৎ
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summary: both you and ellie wake up in the middle of the night and cuddle your way back to sleep.
content: answer to this req!! nothing nsfw :] just fluffy and ellie being stupid
notes: sorry i havent posted in a while.. but yes finals are coming up so i’ll prob kms soon. but i have this class where i hate the teacher and after finals i'm done with him FINALLY YESSS
(wc 1.0k)
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a loud coughing fit came from over your shoulder where you slept in bed, making you open your eyes to see if it would stop. it did not, instead intensifying after you look over your shoulder to find a hunched over ellie sitting up with her legs swung over the edge of the bed. she notices that her coughing woke you up and she quickly palms her mouth, hoping to muffle the volume of the coughs. 
she tries—and fails—to get an apology out in between her coughs: "fuck- i didn't mean- didn't mean to wake you up." 
you simply watch with your eyes wide and brows drawn in naked concern. finally, she calms down and lowers her voice to a whisper. "sorry baby." 
rolling onto your back, you extend your hand out towards her and then stop it midair, shocked at how unconcerned she seems at her previous death hacks. 
"um, hello? are you okay?" you whisper-yell. 
she lifts the covers to get back into bed, trying to rub her eyes of the sleep that was so violently interrupted. "i woke up with the worst cotton mouth so i just drank whatever was on my nightstand. it was soda. squirt to be exact. i think i just asphyxiated." 
"stupid- why would you drink soda for thirst? drink water," you scold her. 
"it was right there- i just needed anything! i would've drank chocolate milk if it was right there!" 
"dummy," you huffed. the blinking led lights of the clock on ellie's nightstand catches your eye—it was just past two in the morning. yawning, you say, "just come back, let's sleep." 
she didn't resist—she looked exhausted. ellie was anything but a morning person, and she got cranky if she didn't get a full night's rest.  
scooting down to get under the blanket, she pulls it up to her chin and turns on her side to face you staring back at her. she moves with a shimmy to get closer to your body, pushing her legs in between yours and tangling them as she nearly presses her nose to yours. with a content sigh, she nuzzles into her pillow and closes her eyes. 
softly chuckling at her apparent routine to get resituated, you huff out a laugh, making her open her eyes. 
"what?" she murmurs, confused at what you were laughing at. 
"el, what do you mean what? i'm exhaling right into your nose and inhaling your breath." 
"just say you don't love me," she pouts, theatrically turning over to face her back to you and yanking the blanket. 
"you're so annoying," you say and roll your eyes while sitting up to litter her face in kisses. "please come back so we can share germs?" 
"that's more like it." she returns to her previous position with her legs tangled in yours and face a centimeter from yours. 
her head pushes forward for a second to drop a kiss on your lips—just a quick goodnight. "'night, baby." 
you laugh, "good night, ellie." 
you settle into your pillow and close your eyes to begin to drift off to sleep when you feel the weight of ellie's head lift off of her pillow. after a second or two, you open your eyes to a squint to see ellie looking at you in disbelief. 
"can you give me a kiss back or should i roll back over and social distance again?" 
"oh my god, ellie, can we sleep?!" she raises her eyebrows in expectation, giving you her cheek to kiss. "my stupid big baby."  
you plant your hands on either side of her jaw, speaking and punctuating every few words with a kiss. "yes, i love you,"--kiss--"yes, i wanna exchange microorganisms with you,"--kiss--"no, i don't want us to sleep six feet apart,"--kiss--"...but... drinking squirt three seconds after you open your eyes is actually insane, baby." 
you see in her eyes how badly she wants to throw something back at you, but her cheeks are barely containing her suppressed smile, so instead she just giggles and lays her head back on her pillow, the tip of her nose tickling yours. 
"good nighttt," ellie whispers in a sing-songy tone, kissing your lips once, twice, three times before settling back in her nose-to-nose position. 
"you're so cute," you blurt out, pulling the blanket up and tucking it under your chin. 
her words started to slur, her syllables beginning to blend together by exhaustion. "d'you wanna order food tomorrow morning for breakfast in bed?" 
"it is tomorrow—it's, like, 2:30 now." 
she kisses her teeth in irritation. "you fuckin' smartass," she murmurs, a long yawn following. "do you want to or no?" 
"duh i want to. i can't wait to get fat together." 
she takes so long to respond that you think she's dozed off until she mutters out, "perfect," a sleepy smile taking over her face. 
"can... can we get caprisuns in the cup for him, too?" she adds on nonsensically. 
"baby, what?" you question, unable to make any sense of her... request? her statement? she's too tired to be speaking. 
ellie's breaths slow down again, making you think she's actually fallen asleep until she hums to get your attention. you hum back at her to show you're listening, and she starts to speak. 
"can we get a liter of squirt tomorrow with breakfast?" 
"what the fuck. bedtime now. good night," you say, shutting down her meaningless rambling to go to sleep. right before your eyes shut, you notice her soft pout at you silencing her, but it fades off into a smile as you fall asleep. 
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@picklesarenice69
i dont have much to say!! gonna post now bc i have an appointment rn 😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊
click here!! oh and here too!! ˶ᵔᵕᵔ˶
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mrs-kmikaelson · 2 months
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What's in a Name?
Pairing: Aaron Hotchner x reader Summary: 5 times you and Agent Hotchner questionably cross paths over the years, just for him to watch you walk away (+1 time you don't). Warnings: long asf, murder, violence, addiction, unhealthy coping mechanisms, corruption in government, allusions to abuse, one made-up case, hotch is a lil ooc (not rlly), and reader has grey morals (lmk if there's more) Eps incl: S1E21 (secrets and lies), S3E20 (lo-fi), S4E1 (mayhem) Words: 24.4K
Masterlist | Bonus (no.6)
a/n: this is the longest fic i have ever written. guys, one section is literally 10k words long— and i didn't notice!! it's too long for one part (there's a 1k block limit on tumblr) so the bonus is linked above and at the bottom. it took me... a while. so i hope u enjoy! might do a part 2. also i'm only on s4 of cm rn (even tho i know too much alr) so pls don't spoil. ly guys!!
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1. The myth
Quantico, Virginia, 2004
The interrogation room was cold and your fingers felt frozen against the metal of the table, but you doubted it had anything to do with the fact that it was December. If anything, you'd bet good money that as soon as you stepped out of the room, the heat would return. You'd bet good money that a certain Agent Hotchner sitting across from you had fucked with the AC unit.
Nonetheless, you didn't show your discomfort, keeping a poker face.
Well, as much of a poker face that you could keep.
You had a smile on your face, a twinkle in your eye. While you preferred not to spend time in police stations, this really was turning out to be quite interesting.
Agent Hotchner didn't seem to hold the same opinion as you. The frown on his face was unmoving, his expression stone cold. High-strung, you thought, and then you wondered what crazy things he might've seen to make him that way.
You turn to the man sitting next to him (the boy really), and asked, "Does he ever smile?" You pointed to the man in question to emphasize your point, even though it was clear as day who you were referring to.
Spencer, as you'd learned his name was, looked somewhat flustered at your question, like he wasn't expecting you to speak to him, but he ignored you regardless. You took that as a no. "Ms. Y/L/N, you're known throughout the United States and many other European countries as 'The Angel of Death.'" Your smile widened at your nickname. "They say that, as soon as you contact someone, they're as good as dead."
"Oh? Is that what they say?" Your voice was sly and teasing.
Spencer ignored you yet again. Rude. "You send them a message through various online media, and then they mysteriously turn up deceased."
"Do they?" you drawled.
The stoic and silent Agent Hotchner took this as his cue to speak up. "As of late, your existence has been nothing more than a rumour, an urban legend amongst criminals and internet sleuths. A myth."
You hummed.
"But your recent attempt on Congressman Baylor has failed. You got sloppy," he deadpanned. "You went for a fish bigger than you could handle, and now the myth is likely headed for life without parole unless you tell me who you're working for."
You were silent for a moment as you held his stare, and he thought that finally, he was getting somewhere with you, but then you broke that silence with a giggle so bubbly it was almost hard to believe you were assassin.
"That's cute," you remarked.
He narrowed his eyes. "What's cute?"
You shrugged nonchalantly. "The fact that you think you can convict me."
It was Spencer this time that spoke up, his voice soft in comparison to the jagged edges of his partner's. Perhaps this job hadn't broken him yet, you thought. "Y/N, arrogance isn't gonna get you out of this."
You snorted. "No, trust me, this isn't arrogant. It's self-assured." You didn't give them a chance to get another thing in. "Tell me, what exactly has your technical analyst, Penelope Garcia, been able to dig up on me?" You saw slight alarm flare up in Agent Hotchner's eyes, surprise in Spencer's. "She's FBI, yeah, and you guys sure do like to play by the rules, but she isn't an agent like you, Hotchner. She must get impatient, bend the rules, perform some illegal activity that you don't question because it helps you with your case. That's why I'm a bit surprised that, even though she likely did run an illegal background on me, she didn't find my records. I mean, they're not that sealed. I bet I could unseal those bad boys right now."
He's lucky you didn't put money on that bet, because you would've won.
Aside from his eyes, no emotion other than irritation showed on his face. "What are you talking about?"
"Oh, you poor sweet things." Another chuckle left you. "Have you ever heard of this little thing called immunity?"
Hotch was quick to dispute. "No. You do not have immunity."
You contested, "Oh, yes, sweetheart, I do. And if you had checked my pockets for anything other than a pistol, then perhaps you'd have noticed this." Since they hadn't cuffed you, you reached into your back pocket easily and pulled out your badge, the words Central Intelligence Agency catching their eyes immediately. 
Hotchner scoffed, the most emotion you'd seen from him since you met. "You're CIA?"
You cocked your head. "Y'know, for some of America's supposed best minds, I'm a little unimpressed."
Reid leaned forward in his seat. "You're—"
"Yes, I am. So your girl back at HQ seemed to miss a few details about me, and you have missed more than a few details about this case— if a case is even what you could call it." You stood up and rested your hands on the table, getting bored of this game already. "What you have, SSA Hotchner and Dr. Reid, is not a serial killer. I hope your victimology analysis picked this up already, but the quote-unquote victims you have are all bad people, people who have broken the law in irreparable ways. And when I say irreparable, I don't just mean Bill Clintoning it up with minors, despite many of them having done that. I mean selling government secrets, espionage, treason. Things that threaten national security, things that my bosses do not like. I'm sure you catch my drift, don't you?"
Before Agent Hotchner could respond, the door to the interrogation room was opening, and a smirk automatically arose on your face. About damn time. 
A man who you instantly recognized as Jason Gideon stood in the doorway. You briefly met once, but you doubt he remembered you. His face was stern, too, and reluctance shined through his voice. "Hotch, the Secretary of Defense is here, and the DOD is demanding she be released."
You maintained Hotch's stare all the while Gideon spoke. The clench in his jaw was small, but you caught it. Something told you this man didn't like to be challenged—you'd keep that in mind.
Eventually, he nodded.
You grabbed your coat from behind your chair, stowed your badge away and flashed them your million-dollar smile. "Well, it was nice meeting you, boys. Let's do this again sometime, yeah?"
Then you were out the door, and Hotch thought that if he went forever without seeing you, it'd still be too soon.
And when Congressman Baylor was found dead a few hours later, he wasn't surprised.
2. Smile
Langley, Virginia, 2006
"I've got the personnel files all set up for you guys. Video, whatnot—it's all there in the conference room. Now if you have any questions, feel free to talk to my senior officers. This is Gina Sanchez, she's the Associate Director of Field Operations. And that guy up there is Kruger Spence, the Assistant Director of Operations. The lady with him is his second-in-command, Olivia Hopkins. And then there's, of course, my boss."
Gideon's brows went up. "Your boss?" he echoed. The rest of the team's confusion was just as palpable. When he was brought in by Bruno Hawks to assist the CIA in finding their mole, he assumed he was the one running point. As far as he was concerned, Hawks didn't even have a boss that'd be there.
"Yes, she's flown in from an assignment to help with this case." Right on cue, you walked out of an office, heels clicking on the floor and the same smile on your face that Hotch could remember from two years ago. "Meet Director Y/N Y/L/N; she's head of a CIA black ops initiative and envoy from the NSA."
Your voice was smug. "Oh, trust me, Bruno, we've met before." This time, Hotch couldn't conceal his scoff. He felt Elle glance at him in confusion—she's the only one who didn't know who you were. "Agent Gideon, it's a pleasure to meet you formally." He shook your hand, albeit unenthusiastically. "Agent Hotchner, I knew I'd be seeing you again." He rolled his eyes, making your smile widen, but out of his strong urge to be polite above all other things, he shook your hand, too, pulling away as fast as he could. "Dr. Reid." He nodded back to you, almost hesitant. You nodded to the rest of them individually. "You two I haven't met, but you must be Derek Morgan and Elle Greenaway. I wish we had more time for pleasantries, but lives are on the line, so I'd like to get moving ASAP."
With that, you swiftly turned and walked back to the office you'd made your own. You didn't often spend time at headquarters, but a mole in the Agency was enough to pull you away from the case you'd been working previously.
As you left, you heard Reid explain to Elle in a hushed tone, "That was The Angel of Death."
You stifled a chuckle. Let's see if Agent Hotchner's team was as good as they claimed to be.
You and Hotch stood on either side of Bruno on the platform as he spoke to the entire office, Gideon off standing alone, seemingly in thought. "Now, we all know why BAU and Ms. Y/L/N are here. They have their job and we have ours. And we're down to the wire on this. Aaliyah Nadir risked everything, and now she and her children deserve our fullest attention. Let's find her."
They all walked off after Bruno dismissed them, all but Gina Sanchez. You glanced at her from the corner of your eye as she went to talk to Agent Gideon. You didn't hear their conversation, but you saw the hostility painted all over her face. Interesting.
After she left, Gideon made his way over to where you were standing, speaking quietly. "We think the agent who's tipping off Hassan may have had some kind of extreme event in their life."
"Something that distorted or redefined their belief system," Hotch added.
Bruno was quick to get defensive. Why, you weren't sure. "No, every agent undergoes regular psych evals. You know that. They're trained to cope with extreme events"
"Well, whatever turned this agent must not've been something you can train for," you cut in. You didn't miss the way Hotch glanced at you.
Bruno gestured outward with his hands. "Well, you're welcome to everything I have. Every op undertaken by these guys is on file."
You snickered a bit under your breath. Your ops certainly weren't "on file."
"What about the ones that aren't on file, like the wiretaps of the Saudi Embassy?" Hotch questioned.
"Those don't even exist," Bruno said. You didn't confirm nor deny that statement.
"How long has your department been running operations in Riyadh?" Hotch turned to Bruno, back straight and eyes sharp.
"We have a declared presence in Riyadh, monitoring US interests there. You know that. Now if that's all, I have an informant to save." You hummed as Bruno walked off, finding his attitude quite intriguing.
"And you, Agent Y/L/N?" You turned to face Gideon. "What do you think?"
You tilted your head. "Aren't you and Bruno friends? Why not ask him?" Because he had the same feeling you have.
He responded without missing a beat. "You don't have a belief system—this job is all you believe in."
This caused you to chuckle. He wasn't wrong. "Good profiling, Agent Gideon. And yes, I have my suspicions, but until further information is gathered, I'm not at liberty to discuss them. For everyone's safety." You gave one last glance to Agent Hotchner. "I look forward to see what your team has brought together."
Not long after your talk with Hotch and Gideon, you stood with the latter and Agent Greenaway in a supply office where the body of Olivia Hopkins was lying dead.
Gideon turned to you expectantly. "It's your job to clean house. You do this?"
You scoffed. "If I wanted to kill a CIA senior officer, believe me, you wouldn't have thought it was a murder at all." You glanced around the room you were in. "And I certainly wouldn't have done it in a federal building."
He must've believed you because he ended his line of questioning there, turning back to Elle. "Have any other agents seen the body?" When she shook her head, he replied, "Good. We can use this to our advantage. Get the others."
You met up with the rest of the BAU in their designated conference room as Gideon quickly explained the situation. Your suspects filed into the room shortly after, each confused and annoyed. You analyzed their body language closely, standing next to Agent Hotchner.
"You're pulling us away from our assignments?" questioned Kruger. "There's a woman out there whose life depends on us."
Defensive. Self-centred. Rude. But not your guy.
Gina was the first to ask where Olivia was, which was either genuine or she was covering her ass.
Hotch was the one to answer. "Olivia Hopkins was murdered 10 minutes ago. Her neck was snapped."
"Just like John Summers," you drawled.
Kruger let out a scoff, but you kept your eyes on the other two as he spoke. "What are you talking about?" Gina looked spooked, but Bruno's expression was cold, even as he tried to imitate warmth. "You're lying. Where is she?"
"Right now, she's dead," you emphasized, not really caring to be sensitive.
Kruger looked at you like you'd just killed his dog. "Look, people don't just... get murdered inside the CIA."
Gina looked at him with betrayal in her eyes as if he were a traitor. Shifting blame.
Hawks spoke up. "I realize the enormity of this, but Hassan Nadir is still out there looking to kill his wife, and I need every agent on this." You tilted your head. Deflecting. He didn't even acknowledge that his own colleague, his responsibility, was dead.
Gina was the first to leave the room, deeply frazzled. Gideon followed after Hawks, but you didn't go with him. You stayed in the room with Hotch while the rest of his team filed out.
You weren't expecting him to talk to you, let alone ask for your opinion, but he did. "What are you thinking, Y/L/N?"
You hid your surprise, nodding to the door Gina and Kruger walked out of. "My money's not on her; it's not on Kruger, either."
He furrowed his brows, lowering his voice. "You think Bruno Hawks is the mole?"
You shrugged your shoulders. "Bruno's been leading this unit for all of, what, ten years? And he hasn't advanced at all? Someone like him must have higher ambitions, like leading the Agency one day, but that's not in his cards. Gina Sanchez and Kruger Spence have bright futures here; Hawks is already at the end of the line. So what's the next best thing in this city besides power?"
Realization dawned upon him. "Money."
"And by the looks of the old car he drives, that's something he's lacking, but something that he wants," you deduced, pausing. "But I'll let you continue your investigation."
He caught your hand just as you turned away, and you ignored the small spark that was sent through your body. His eyes were earnest and curious, but most of all you realized that they were beautiful. "Y/N, what's going to happen to the mole when we find them?"
You ignore the unfamiliar flutter you felt after he said your name for the first time, and it's then that you remember Hotch was a prosecutor. Before he was unit chief Agent Hotchner, he was just Aaron Hotchner, a man who valued balance and believed in justice. Even now, after climbing the ladder, he still didn't seem to understand that his own government was different.
In matters like these, the United States government didn't value justice.
They valued revenge.
But still, if not just to help him retain his faith in his country, you shrugged and told him, "The scales will be evened, Hotchner." 
Then you pulled your wrist out of his light grip and walked away, and he couldn't tell if he wanted to know what you meant.
Sanchez and Morgan were on their way to rescue Aaliyah and her children, and then you were made aware that Hassan was already there.
Bruno turned to Gideon. "Look, we can't arrest him. This is still a CIA matter. You do know that?" He then turned to you, like he was expecting to you to back him up.
You shook your head as Gideon said what you were thinking. "How are you going to explain this to the Saudi government?"
"Explain what?" he fired back. "This isn't happening."
You crossed your arms. "That's not how this works, Bruno. You don't just kill a Saudi diplomat and get away with it—that is how wars begin."
He scoffed at you. "Look who's talking. The Angel of Death, giving me a lecture on in-house cleaning."
You narrowed your eyes and stepped forward. "I don't know who the hell you think you're talking to right now, but you need to double back because, at the end of the day, what I. say. goes."
Bruno opened his mouth to argue, but Jason mediated, "Let's just get Aaliyah and her children back alive. We'll worry about Hassan's life after."
You gave Bruno one last hard stare before you turned back to the screen showing the Nadirs with Morgan and Gina outside. "Make the arrest, Morgan," Gideon called out. "It's FBI jurisdiction. You're in charge."
You listened to them over the comms. [FBI! Let the lady go and put the gun down. I said, put the gun down!]
The movement of heat on the screen told you that Hassan listened. [Diplomatic immunity, my friend], he said, and you chuckled.
[Uh-uh, you got it wrong, my friend. This container hasn't passed through customs. Officially, we're not on US soil. Summers was a smart man.]
Suddenly, you heard Gina's voice. [That he was.] Pause. [Drop the gun.]
The feed cut in and out as the figures moved out of the container. Confused, you called out, "Morgan, Sanchez, what's going on?"
Hawks turned to you and Gideon, and you wanted to wipe the smug look right off his face. "You two still certain that Gina isn't the mole?"
Gideon ignored him. "Morgan." No answer. "Morgan, what's going on?"
[Gideon, we got a situation here.]
You raised your voice. "Gina, don't do this. Do not do this."
"She doesn't take orders from you," Bruno snided. 
You took another step forward to him. "Listen here, asshole—"
Gina cut in, [Bruno, what do you want me to do?]
"Gina, you put down that gun. That is an order—"
[Bruno?]
This made you turn to Bruno, and if you were in an animation, smoke must've been coming out of your ears. "Hawks, I swear to god, if you don't stand down, you will be endangering the security of this country—"
Bruno only responded to Gina. "You know what to do."
[Say it!]
"This is not your call. It is not your fucking call, Bruno."
He finally turned to you. "This is strictly in-house and you know it."
"I don't give a damn. It is still not. your. call."
"Finish him."
"Gina, don't you dare do this."
[You're going to cut the visual feed, right, Bruno?]
"Of course. Cut it now. Cut it," he ordered, and the feed was off before you could even protest.
And then you heard four gunshots. 
You sighed, pinching the bridge of your nose. White hot anger rushed through your veins in contrast to your normal playful demeanour. Meanwhile, Bruno turned to Gideon, saying, "I want to thank you, Jason, for your help."
You stayed quiet as Gideon responded, too angry to speak. "Why?" He paused, genuine disbelief evident in his tone. "Why'd you turn against everything you believe in?"
"What are you talking about?"
"When someone asks you how you feel about... losing one of your colleagues, the only human answer is 'I feel guilty,' isn't it?"
Bruno nodded and mocked, "But as you so brilliantly deduced, Kruger Spence is the guilty one." Following that statement, you watched as Elle walked up to where you three stood, a tiny paper in hand that she gave to him. Based on the ignorant smile that graced his face upon reading it, you could guess what it said. "Ridiculous," he deflected, tucking the paper into his jacket pocket. "Absurd."
That's when you snapped out of your anger-induced stupor. "No, Bruno." You shook your head. "The only thing that's absurd is how arrogant you are to believe that you're getting away with this."
Bruno pursed his lips, flashing you a sarcastic smile. "Unfortunately, with Hassan now dead, you have no proof."
"Oh, you son of a—"
Dr. Reid cut you off, announcing to everyone, "Actually, Hassan is alive and well. He's en route—that's all the proof we'll need." At this, you let out a chuckle. You certainly didn't need that proof, but it was nice to prove Hawks wrong before he was sent to where he deserved to be.
He clenched his jaw, stepping closer to Gideon instead of you, likely because he knew he couldn't shake you. "You are a fool if you think they're going to put me in prison with all that I know." He glanced at you and your lips quirked upward, because this was true.
"Why'd you have to kill Olivia?" Elle interrogated. She was straight to the point; you liked her. 
"Economics," Gideon replied, staring straight at Bruno. "Olivia was looking into your financial records when you snapped her neck."
Elle scoffed under her breath. "So she knew your dirty little secret."
"Which one?" Bruno asked. "I have so many."
You stepped closer to the trio. "The one that involves you cashing out through Hassan, maybe buying a real Rolex instead of the fake you don so proudly."
You could see Bruno's façade cracking, his frustration leaking through. "Twenty-million from Hassan will go a very long way to help occupy my mind on a beach somewhere."
Gideon wasn't fazed. "The only beach you'll see is on a postcard I send you from my vacation. Let me have your gun."
Knowing there was no way out of this, Bruno did what he said willingly, but he still had to taunt. "You know, I think the consequences of what you're doing to me, my friend, are going to be a lot harder to live with than you think."
Jason stared at him without blinking, and he stared until Bruno walked out, escorted by agents left and right of him. You found it comical, that petty thieves were escorted to the back of police cars in chains, yet a man who nearly started a war could walk out freely.
Well, you supposed Bruno Hawks wouldn't be free for much longer.
And it was your job to see to that.
You were packing up your things in your office when a knock sounded. You turned to see a raven-haired man in a suit standing there, a hand in his pocket. A grin came to your face. "Agent Hotchner," you greeted. "Congrats on solving the case."
He let out a chuckle that surprised you. Aaron Hotchner didn't look like a man who laughed often. "Yeah, well, thank you, but I have a feeling you knew from the beginning."
Your grin widened. "Ah, I just needed proof." You continued to pack your things. "And besides, I wanted to see what your team was capable of."
He hummed, and you thought he'd leave after that, but he stayed, looking around the room with a careful interest. "No pictures," he noted. "No personal artifacts. It's extremely clean in here—untouched, almost. How much time do you spend here?"
You fully turned to him after that, giving him your full attention. With comments like those, that must've been what he was after. You crossed your arms, but the smile never left your face. "Perceptive, Hotchner," you remarked. "Profiling me now?"
He shook his head. "Not profiling, just observing."
Now it was your turn to hum, looking him up and down. You found that you liked what you saw, visually, but the implications to what you saw weren't very fond. "Well, what I observe, is an accomplished man in a nice suit, but you don't wear that suit because you're unit chief, you wear it because you got used to it as a prosecutor and now it makes you feel on top of things... professional. You're stiff and stoic, but that's because you like to separate your work life from your home life. At home, with your wife and kid, you're lively and relaxed, but that's also to compensate for the fact that this job takes a lot out of you; you're not home often, and that puts a strain on your marriage, which is why you haven't called your wife once today." Your voice was soft as you delivered that final blow. Hotch looked both uncomfortable and, surprisingly, impressed. But thus far, nothing about Aaron Hotchner was what you were used to. "Tell me, Agent Hotchner, was I correct?"
Hotch lightly snorted, but he didn't answer. Instead, he took to staring right back at you. You'd been stared at by bad men, murderers, rapists, terrorists and the like, but for some reason, his stare bothered you. You turned back around and packed one last thing into your bag. Then you walked toward the door, stopping just before you made your exit like an invisible barrier was holding you back. 
You patted his shoulder, telling him, "You should smile more, Hotchner. It'd suit you."
And then Aaron watched you leave for the second time in his life, except this time—for reasons he couldn't begin to fathom—he hoped he'd see you again.
3. The games we play
Washington, D.C., 2007
The air in Washington was always crisp. There was something different about it—like you could smell the power in the air, like you feel it. When you were home, in your apartment, it was suffocating. There was enough politics in this city that you could drown in it, politics you didn't care for. You saw enough of it as is.
Nevertheless, you weren't home often, so it wasn't too troublesome. Today, however, you were home, except you weren't here to rest.
You stepped out of your Mercedes as soon as you parked, locking the car and walking straight into the alleyway. Men in blue stood in your path, hands out. "Ma'am, this is a crime scene—"
You wordlessly held up your badge, effectively shutting him up. With red climbing up his neck, he nodded and lifted up the yellow tape for you.
When you made it past them, there was a woman in a red dress there. She'd be beautiful, you thought, if she weren't sprawled out dead on the ground. Her dress was so dark you almost couldn't see the blood stain. 
But the blood pooled around her was a telltale.
Next to her body was a card with typed-out letters and numbers that appeared random. 
But you knew better than that.
There was a woman taking photographs of the scene and a detective analyzing it. He was just as confused as those officers when you showed up. "Excuse me, who are you?"
You gave him a short smile. "Detective Walker, I wish we could've met under better circumstances. I'm Y/N Y/L/N." You held one hand out and simultaneously held up the other with your badge. "I've been instructed to take over this case."
He furrowed his brows. "I'm sorry, Ms. Y/L/N, but I've already alerted—"
"Detective Walker."
At that, you screwed your eyes shut and cursed under your breath. You recognized that voice—hell, you recognized the sound of his footsteps. And he was exactly what you didn't need.
Composing yourself, you spun around with your signature smile. "SSA Hotchner."
Hotch looked momentarily stunned at your being there, but that was quickly wiped away. "Y/N. What are you doing here?"
"Well, if you mean in the city, I live here. And if you mean at this scene, then that's because it's mine." You paused, letting that soak in. "This is my case."
Confusion was visible on his face. For a second, you thought it was cute. "No, this is a BAU case. Series of murders, victimizing high-level escorts—forgive me, but I don't see why this would require a CIA presence."
Of course, you don't, you thought, but for once, you didn't say what you were thinking. Instead, you explained, "I understand that 4 women have died in the past week, but believe me, Agent Hotchner, that is not the case I'm here to solve." When his brows knitted together, you elaborated, "These women are not the targets of these attacks."
"What do you mean?" 
You sighed, pointing over to the woman's body. "See that card over there?"
"Yeah, it's the unsub's signature."
"No, it's more than that. It's not a way for him to get off; it's not something he does compulsively. It is a taunt," you stressed. "Those letters aren't random. They're part of a code."
"A code to what?"
"A code to an NSA file recording every single undercover operation the United States has in foreign countries." Like your words were a vacuum, they sucked anything lighthearted out of the atmosphere—if there was any to begin with—and left tension in their wake. "6 high-level analysts have parts of that code. I'm guessing that 4 of them are already dead." You glanced back at the dead body before looking back at Hotch. "The unsub isn't a serial killer, Agent Hotchner. He's a traitor with a mission to annihilate everything in his wake."
After looking at the scene, you sent Detective Walker away, telling him it wasn't personal but this case was too sensitive to be worked by local police. They didn't have the clearance nor did they have the means to help. You asked him to send you all of his evidence, and he complied easily, but someone wasn't so easily persuaded.
"You're going to need help."
You snorted. "Thank you, but I think I'll do just fine without it." Just as you reached your car, Hotch grabbed your wrist. 
You turned around, but before you could say anything, he spoke. "You could use my team, and you know it."
Your eyes ever so slightly narrowed. "All due respect, Agent Hotchner, but this is above your pay grade."
He held your stare for a few seconds until you saw his jaw tense. He glanced to the side before he exasperatedly muttered, "Please, Y/N." He looked up at you. "I want to help with this case."
Unknowingly, you straightened your back. Aaron Hotchner surprised you more and more each time you saw him. The corners of your lips curved upward, but something about your smile was more sincere. "You're not a man who says please much, are you?"
He rolled his eyes and neglected to answer. "Does that mean you'll accept our help?"
You paused. Was that what you meant? Your mouth didn't correspond with your brain as you replied, "I'm running point on this." Hotch's shoulders imperceptibly relaxed and he nodded. "I'll tell Detective Walker to send his stuff over to the BAU. I'll meet you there to brief your team." You turned away before you could see him nod a second time.
You don't know why you said yes, but you did. On the drive over, you told yourself it was because he was right, you could use some extra hands, and it helped that the BAU were good at what they did.
Yes, that's why I didn't send him away. 
You didn't explore any other option.
Hotch got to the BAU before you but waited for you to arrive before walking into the building. To make sure you got to the right place, you reasoned. 
You went through the typical security procedure: removed your guns, walked through the metal detector, and showed your ID. In the elevator, you cracked a couple jokes that he didn't laugh at, asshole, but you nearly caught him slipping at one.
"This city's so damn power-hungry that even the serial killers would prefer a fucking computer code over sex. What a nerd. Hey, how often does that happen in your line of work, Hotchner?" You turned your head for his response when you saw his lips twitching.
You let out a dramatic gasp. "Agent. Hotchner. Are you..." you lowered your voice, a devious smile crawling to your lips. "smiling?"
His efforts to suppress his little smile failed after that. "Let's focus on the case, Y/L/N."
"Sureeee," you drawled. The elevator dinged and opened. "Better be careful, Agent. I might just start thinking you have a soul."
He shook his head at you and walked out of the elevator ahead of you so that you couldn't see him as a full smile graced his face. However, once you got to the conference, Hotch erased any sign of that smile and walked in full-stride.
You gave the room a cursory glance, duly noting that they must've spent a lot of time in here. You noticed immediately afterward that some faces were missing, and on the other hand, some new ones had appeared.
You followed Hotch to the front of the room in front of their TV. 
"Everyone, this is Director Y/N Y/L/N from the CIA. She'll be leading this case—and as some of you may recall, she's already worked with us on an investigation about a year ago," he announced, subsequently gesturing around the table. "Y/N, this is SSA Emily Prentiss, SSA David Rossi, our communications liaison Jennifer Jareau, and our technical analyst Penelope Garcia."
You nodded, smiling at them. "It's nice to meet you all—"
"You're— you're her."
You turned to the blonde with pink highlights that'd cut you off, Penelope, and furrowed your brows. "I'm sorry?"
"Oh my god, you're her," she whispered, her eyes wide and her face awestruck. "You're The Angel of Death."
You held back a laugh. "That is what people to tend to call me, yes."
She opened and closed her mouth repeatedly before eventually blurting, "I— you're an icon. I've read some of your code before in snippets, and it's beautiful. And, I mean, when you can code like that and then do what you do, it's no wonder that the government would want you all to themselv—"
"Garcia." At Hotch's command, Penelope's mouth snapped shut and snickers were heard around the table. "We are here to work," he told her, trying to be serious, but you could hear the amusement hiding behind his tone.
"Yes— yes, Sir. Work. Working," she said, but her eyes remained trained on you even as she spoke.
Morgan laughed, swivelling his chair toward you. "Sorry, angel. She gets a little..." he twirled his finger next to his head, "Comicon-y whenever things involve computers."
This snapped her out of her trance and made her whip around to point her finger at him. "You better shut it, Morgan, before I show everyone those pictures of you at Comicon with me."
His smile dropped. "Babygirl, you wouldn't."
"Oh, yes, sugar, I would."
Hotch exasperatedly cut their very entertaining banter off. "Work."
"Morgan, you've been to Comicon?" Without even looking at him, you could hear the smirk in the man's words.
"Leave it, Rossi. You heard the bossman: we've got work," he changed the subject, but based on the fiery look being sent his way by Reid and the teasing one by Emily, you'd bet that this conversation wasn't over.
Hotch signalled for you to start, so you stepped forward, got a little more serious for his sake, and began, "The serial killer you've been phoned in on is not a serial killer. The women he's killed are unfortunately collateral damage to a much bigger problem." Behind you, pictures of the paper left next to the bodies appear on screen. "The unsub is going after high-level members of the NSA who have fragments of a specific code. He's been leaving those fragments at the crime scenes. So far, he has 4—there are only 2 more. Once he gets the last two, it'll only be a matter of time before he's able to unlock a classified file, detailing every undercover op we have or have had in other countries."
The room was quiet. Morgan was the first to question, "So, he's a whistleblower?"
"No, not necessarily. Given his M.O. and need to taunt us with these papers, his goal isn't to expose the government—it's only a stepping stone to what he truly wants, which is chaos."
Emily spoke up next. "Well, he's clearly a narcissist, and he's sadistic at that. Otherwise, he wouldn't have killed these women like this."
Dr. Reid nodded, keeping his eyes on the file in front of him. "Craves control, finds a way to manipulate the situation and mold it into what he wants it to be." He looked up, talking with his hands while explaining, "Narcissists are devoted to themselves and will further themselves in whatever way possible. They lack empathy and find enjoyment in causing others pain, stemming from their grandiose sense of self-importance. Nathan Leopold and Richard Loeb were drawn in and obsessed with Nietzsche's idea of Übermenschen, supermen who possessed such high intelligence that it put them above the law. They later confessed to the police that they sought to commit 'perfect crime.' This unsub is likely suffering from the same sense of entitlement."
Rossi tipped his pen at him, agreeing, "Yeah, he's arrogant and he believes he can get away with this, hence the taunting. All he wants is to feed his ego, but he hides behind the whistleblower façade to absolve himself of blame."
"And he's impatient," Derek added. "4 bodies in one week. We don't have much time before he strikes again."
"No, we don't," you said. The screen changed to display the pictures of two men. "The last two people with the code are Malik Hussein and Ethan Torrie. I believe he'll go after Ethan first; he's in D.C. for this big gala tonight. That's where the unsub will make his move."
Emily looked between you and Hotch, almost as if she was unsure who she was addressing her question to. "So what's our plan?"
You, too, glanced at Hotch before looking back at her, splaying your hands out in front of yourself. "Well, we only have one course of action: wait for the unsub to approach Ethan."
Unexpectedly, Hotch interrupted you, saying, "Y/N and I will go in undercover." What? You held yourself back from widening your eyes and whipping your head around. "The rest of you will be waiting for our signal. Garcia, can you get us on the guest-list?"
"Already on it, Sir."
He nodded, firing orders away, "Alright, Morgan and Prentiss, I want you both to go back to the crime scenes. Talk to the owners of the establishments, bartenders, doormen—anybody who could've seen the unsub leave the building with the victims. Garcia, consult with CCTV footage. Rossi and Reid, I want you looking at his M.O. and why he didn't leave the men there with the women. JJ, contact The Post and tell them not to run the latest murder; it's imperative we keep this and the unsub's true motives out of the press. Y/N and I will go over tonight's plan."
They all voiced their confirmations and, like clockwork, filed out of the room until it was just you and Hotch left standing. The air suddenly got heavier—with what, you had no idea.
It felt different, old and new all at the same time, like everything and nothing you'd ever felt before. You couldn't pinpoint it, couldn't describe it.
Growing bored of the silence, you raised a brow, repeating, "'Y/N and I will go undercover?'"
Hotch, who was in the middle of collecting his things, paused and raised a brow of his own, turning to face you. "Yes. Is there a problem?"
You looked him up and down, taking your time and not bothering to be subtle about it. After a moment, you responded, "No." A smirk slowly came to your face. "Let's go over that plan."
He maintained his stare for a few seconds, reminding you of when you met. Eventually, he nodded and got to it. All the while, your mind ran rampant—but not with the case.
Agent Hotchner continued to surprise you.
And you'd be sure to return the favour.
After planning for hours, you and Hotch came up with a decent story. He'd be going as himself. You'd pretend you were his girlfriend, his tag-along for the party, with a fake identity. His presence would make sense, but if people found out Y/N Y/L/N was there, they'd start to wonder things that this plan couldn't afford.
Your name wasn't widely known, nor was your face, but at a party like this, you had to be careful.
That's what you explained to Hotch.
"I don't understand. Nobody knows who you are. Not even Garcia could figure out who you really were when we met." He furrowed his brows in confusion.
You sighed, "There's going to be a lot of powerful people there, Hotchner. Everybody knows The Angel of Death, but there are some big fish in Washington that know she's Y/N."
This seemed to confuse him more. You surmised that he didn't like not knowing things. "Why do you say it like that—say your name as if it's not your name?" 
You gave him a look.
His eyes widened. And for the second time that day, you found yourself thinking that Aaron Hotchner was cute. "It's not your name?"
"Why do you think Penelope had such a hard time finding my credentials?" you inquired. You went on before he could answer. "I take it she didn't find my records at The Academy, either. She found that I went to Caltech, but she didn't find yearbook photos or my social media. She found that I grew up in Massachusetts, that my parents are dead, that I was born in '79. But otherwise, I'm a ghost, aren't I?" Your voice was somewhat playful.
Hotch didn't seem to find the humour in what you were saying.
"So everything about you is a lie." It wasn't a question.
Your eyes glinted with amusement. You leaned in to where he sat across from you on the other side of the table. If you didn't know any better, you'd say that Agent Hotchner stiffened. "'Nothing more than a rumour, an urban legend amongst criminals and internet sleuths. A myth,'" you whispered. "Does that sound familiar?"
He didn't respond.
"As you said, Agent Hotchner, I am a myth. I am not meant to exist. So find me another identity and show me that you're up for the task before this entire plan is derailed by a name."
Your memory was cut off by a knock at your door. You swiped your lipstick across your lips and they immediately quirked upward right after.
You took your time getting the door. Whether Agent Hotchner realized it or not—or rather, whether he was willing to admit it or not—this was a game. And you were nothing if not a damn good player.
Without knowing it, he started it when he picked you up off the street that day in '04. He moved another piece on the board when he walked into your office in '06. And then he asked to work on this case.
It didn't matter what he thought about you or what your name really was. All that mattered was the next move.
You opened the door and his eyes immediately widened on their own accord. They travelled down your body, tracing the outline of the red dress you'd picked out, finding the slit on the side. But this was all within a split-second.
In the blink of an eye, his eyes were back on yours. If you hadn't been paying attention, you would've missed it. He was hoping you did.
But you didn't.
You did, however, miss his ears going red when you turned around, leaving the door open as an invitation inside. 
"You're wearing a suit," you noted, smirking. "How out of character for you."
You heard the door shut, and then footsteps behind you. "Funny, Y/N."
You chuckled. "Please, I know you think I'm hilarious."
He lightly shook his head as you stood in front of your mirror, putting on your earrings. He took that moment to look around your apartment, eyes scanning over your living room. No pictures anywhere, no plants or art. You had a couch, but no television. He glanced to the adjoining kitchen. There was an espresso machine, but he was willing to bet that if he checked your fridge, it'd be empty. 
"You can stop trying to profile my apartment," you informed him, still adding the finishing touches to your outfit. "I don't stay here often."
"I can tell."
He watched as you picked up your heels then went to sit on the couch to put them on. He tried not to let his eyes wander, instead trying to look around the room some more, but even without having his eyes on you, he still couldn't get your picture out of his head.
Distractedly, he heard you absentmindedly ask, "Hey, whatever happened to Gideon and Greenaway?"
He looked at you to respond, seeing you get up. "Things with the job. Certain cases take more of a toll on others." He didn't explain that Elle spiralled or that Gideon lost everything he held dear. He preferred not to think about it.
You tilted your head. "Did things happen with you, too?"
He didn't answer, instead opting to suggest, "Let's go over the case one more time."
You nodded and let him get away with it.
Hotch schooled his expression. "You're Deirdre Carter. You're a CPA. We met years ago on a work conference but hit it off recently. We've been dating for five months."
"Dating," you repeat.
His brows furrowed. "Yes." He didn't understand why you were hung up on it until he saw you glance down at his hand. It's then that he realized he was still wearing his ring. "Oh."
Your voice got softer, and you didn't know if that was part of the game or not. "Look, Hotchner, you don't have to do this if you don't want to. I can do this solo."
"No—" he sighed, looking down at the ring he'd worn everyday for years on end. "I'm divorced. I guess I just wear it out of habit," he revealed.
"Oh."
He took it off and stuffed it in his jacket pocket. "Let's head out," he said. You nodded, leading him out.
And you didn't mention the ring again.
Once you got to the building, you met Derek, who was in a secuirty uniform, at the front. He momentarily disabled the metal detector for you so that the guns on your thigh and in Hotch's boot weren't caught.
In the hall, the music played ceremoniously, an orchestra of jazz players working tirelessly to entertain D.C.'s wealthiest and most powerful. The President would be making an appearance later. You hoped to get this done and get out of here before that happened.
Your eyes found Torrie within a minute, subtly signalling his location to Hotch. He was by the bar, a redhead on his arm. The two of you went that way.
He ordered you drinks at the bar that he wouldn't drink, but as soon as your martini was in front of you, you were picking it up and taking a sip.
"What are you doing?" he hissed, talking through his teeth. "We don't drink on the job."
You smirked at him. "You don't drink on the job. I'm just keeping up appearances." You then took the olive and bit into it. For some reason, you enjoyed getting under Hotchner's skin.
He rolled his eyes at you, likely about to reprimand you again, but a voice in your ears stopped him. "Do the two of you have eyes on Torrie?"
Hotch turned to you and brought his hand to your face, cupping your cheek. To those surrounding you, he was just a man caressing his girlfriend—hell, the leap in your chest told you that you nearly bought it. But you knew he did this so that the mic hidden in his sleeve would be at your mouth. You held his stare, a sweet smile gracing your face as you replied to Rossi, "Yes. By the bar."
"Good. Prentiss is on the floor with the ambassador if you need her."
You leaned into Hotch, too, running your hands down his suit jacket while he glanced around for Emily. "Got it."
The next voice you heard was Garcia's. "Hello, my lovelies, I am watching you on camera. Hotch, to your left is the door through which you'll take our bad guy. It's being guarded by Reid and JJ as we speak."
You lowly thanked her, to which she stammered out a "you're welcome." Hotch took his hand away from your face and you removed yours from his chest, cursing the part of yourself that missed his touch.
If you weren't on a case, you'd have thought more about how pretty his eyes were.
The music suddenly changed, becoming a slow song. Your eyes darted behind Hotch to see Ethan and his date making their way to the dance floor. You downed the rest of your martini then grabbed onto his hand, wordlessly pulling him to the floor.
You felt him lightly tense when you put your hands around his neck. "Relax," you whispered. "Just go with it."
At that, he eased up, wrapping his hands around your waist. You moved to the beat of the song, taking control of your dance while he kept a close eye on Torrie. No one had approached them yet, you gathered.
The dance came easy to you, too easy, like it'd been rehearsed or like it was something you'd been doing all your life. Your feet moved synchronously like they had a mind of their own. You didn't have to think about it—it just happened.
It was funny, almost. The stiff and stoic Aaron Hotchner could dance. Your mind went back to when he smiled in the elevator earlier. It made you wonder what he was like before. Before he was a profiler or unit chief.
You know you were different before you were in this life, before you became Y/N.
You wondered what would've happened if you met back then, when you were just you and he was just him.
And just as soon as you started wondering, you no longer wanted to think about it. Instead, you asked him, "Did you ever think you and I would be dancing together like this when we met?"
He glanced down at you then looked away. "No." A ghost of a smirk came to his lips. "I thought I'd be putting you behind bars."
You chuckled. "I know. It was quite entertaining."
"To you, maybe." He glanced down at you again. "I don't like being blindsided."
"Oh, I know." When he glanced down at you this time, he saw your eyes twinkling. "That is precisely why it was so entertaining, Agent Hotchner."
He chuckled under his breath, and something in you fluttered. "You're something else, Y/L/N."
You hummed, murmuring, "And don't I know it?"
He was gonna say something else but then something in his expression changed. He was back to stoic, eyes hardening. You straightened your back and stopped dancing. "7 o'clock," he muttered.
You unwound your hands from his neck, turning around to see a man beelining at Torrie from across the room. But if you had your way, which you would, then he wouldn't make it to Ethan at all.
With Hotch hot on your heels, you headed his way, moving through the crowd effortlessly. Just before he was about to reach them, you inconspicuously unholstered your gun from your thigh and pressed it against his back, stopping him in his tracks.
Hotch caught up to you, standing to the side and obstructing the view. "Careful, friend. I wouldn't want to shoot you in front of all these people, but I will." As a warning, you clicked the safety off. 
The man tensed as Hotch grabbed his arm. Your voice was sweet in comparison to your sour words. "Now, you're gonna follow him or I'm gonna pump you full of lead. Capisce?" Neither you nor Hotch waited for a response, leading him towards the side doors that Garcia had notified you of.
Upon getting there, Reid and JJ opened the doors without a word and closed them immediately after you'd gone through them.
As soon as the doors closed, the unsub twisted Hotch's arm, prompting him to yelp. Simultaneously, he knocked the gun out of your hand, sending it thudding across the floor. 
He shoved you against the wall, knocking the wind out of your lungs. Meanwhile, Hotch threw a punch his way. A crack resounded through the hallway followed by the unsub growling. He threw a punch back that Hotch narrowly dodged, but in one quick motion, he pulled Hotch's tie, catching him off guard.
In a flash, he had Hotch in a chokehold, fighting for breath. You acted quickly, reaching for the knife sheathed on your thigh, running up behind the ubsub and holding it to his throat, causing him to go rigid.
"Let him go or I slit your fucking throat," you spat.
He didn't ease his hold, making you bring the knife closer, knicking him. "I said, let. him. go."
Begrudgingly, he let Hotch go, who was gasping for breath. You let him catch his bearings for a moment, but you had to alert him, "Hotchner, the cuffs."
He coughed but nodded, grabbing the cuffs from his pocket. You took them from him, shoving the unsub against the wall just as he did to you and pulling his arms behind him. You wrapped the cuffs around his wrists and tightened them until you heard him grunt.
"In case you didn't get the memo, you're under arrest, asshole."
Knowing this would never reach a courtroom, you didn't read him his rights or tell him what he was being arrested for. He knew.
Where he was going, he'd never forget it.
You and Hotch stood to the side in an alley after you'd shoved the unsub into the back of a black sedan, watching the car drive off. 
"I know that you're just itching to interrogate him," you commented, your voice echoing in the night. "But trust me, that's somebody else's job now." You felt Hotch's eyes on you, but you didn't look at him.
His stare burned into the side of your head. "That wasn't a cop car," he said.
"No," you finally looked back at him. "it wasn't."
"Who was driving that car?"
"A CIA agent."
"And where is he going now?"
"To pay for his crimes," you slowly answered, narrowing your eyes. "Stop worrying about it."
He stepped closer to you. "He should be doing that in a federal prison, with a sentence decided by a judge and a jury. The families of those analysts, those women— they deserve closure."
You shook your head, an incredulous laugh leaving you. "You still don't get it, do you?" Your voice was teasing, but your undertone was hard and serious. "A trial means telling a bunch of people, including civilians, about ops that are not meant to exist. It's just not gonna happen."
Hotch kept staring at you for what felt like forever but was really only a few seconds, giving you the urge to squirm under his gaze. For some reason, you didn't like the way he was looking at you. Finally, he looked away, exhaling, "It's not right, Y/N."
Somewhere, deep inside, you felt a pang. You touched his shoulder, softly telling him, "You should know better than anyone that the law isn't about right and wrong." 
He still didn't look at you.
You sighed. "Thank you for your help, Agent Hotchner." You patted his shoulder one last time and then left the alley, walking through the door you came out of and, in doing so, you felt something change. 
The game was over.
You just couldn't tell who won.
By the time Aaron had noticed this change, he tried to follow you, but when he opened the door only to see an empty hallway, he realized it was too late.
You were gone.
And he didn't know why that disappointed him so much.
4. Unpredictable
New York, New York, 2008
Whenever Aaron was in New York, he liked to pick up good coffee and eat good food. But as he stood over a dead man's corpse, he felt his appetite vanish.
He and his team stood at the crime scene, analyzing it. It was different, but he couldn't shake the feeling that everything about these murders were different. There was something off about them, and he couldn't figure out exactly what it was.
Out of the corner of his eye, he saw a black car pull up next to the yellow tape, the Mercedes logo glinting in the light. He furrowed his brows then shook his head, thinking better of it. Stop thinking about her.
"Uniforms are rounding up witnesses."
Detective Cooper and Brustin's arrival made him look away from the car and toward them instead. "Doesn't sound like anyone got a clean look," Cooper said.
Morgan looked up at the security camera that should've caught everything but in reality caught nothing useful. "It's over in a flash," he remarked. "He's probably gone before anyone even realizes what's happening."
Right beside him, Kate asked, "Is this what it felt during the Son of Sam?"
Just as Brustin was about to answer, a new voice sounded from behind them. "Son of Sam is the least of your worries." His breath hitched. They all turned around, and Hotch instantly realized that he was right: that car was yours—and now you stood right in front of him.
You gave him a glance but then your eyes were back on Kate. "What you should be focused on is another 9/11."
Kate lightly scoffed. "My apologies— who are you?" 
"Y/N Y/L/N, CIA," you introduced yourself, flashing your badge. Recognition briefly flickered through her eyes. "And you must Kate Joyner, head of New York's field office." To be polite, you held out your hand, and she reluctantly shook it. "I'm here as the Agency's delegate, and I'll also be representing Homeland Security for the time being."
"Homeland Security?" You looked to Morgan. "It's nice to see you again, angel, but what does Homeland Security have to do here?"
You went to answer, but Joyner cut you off, "I'll ask the questions, Agent Morgan, thank you." Your eyes widened slightly in surprise, and a quick look at Derek told you that his did, too, but then Kate was looking at you again, waiting for you to answer.
Your mind was brought back to the situation at hand. You glanced at Hotch once more to see he was already looking at you, but then you looked away. "I have reason to believe that this guy is more than a serial killer. In fact, I have reason to believe this is more than one guy."
Kate crossed her arms. "What are you suggesting?"
Every time Hotch had seen you, no matter how serious the situation was, you were lighthearted, amused, knowing you'd come out on top. But this time, your voice was devoid of its usual playfulness as you disclosed to them a fact that changed their entire investigation.
"If I'm right, Agent Joyner, then we're dealing with terrorists."
Once the initial shock from your revelation died down, you told them that you'd explain everything back at the field office. Unexpectedly, Morgan asked to ride back with you and you obliged, figuring his company wasn't too bad.
Hotch stared at you the entire time as you got in the car, and he continued to stare at you until you sped out of sight.
You didn't look back once.
"So, terrorism, huh?"
You glanced at Derek and smirked, finding that playful nature again. "I told you, I'd explain at the Bureau."
He shook his head at you, a similar smirk on his face, then he quizzed, "Hey, did Hotch happen to tell you why Joyner's giving me attitude?"
You furrowed your brows as you came to a stop light, turning toward him. "What makes you think I've talked to him?"
Derek snorted. "Please, every time I've seen the two of you together, you're all flirty—even when he was still with Haley."
"So what? I've flirted with Spencer before—doesn't mean I wanted to get into his pants," you defended.
His smirk widened. "I never said you wanted to get into the boss' pants."
"You insinuated it."
"Why, angel? Do you want to get into his pants?"
You deadpanned, "No, I do not." Despite yourself, you couldn't stop red from crawling to your cheeks.
"Yeah, keep telling yourself that." Right after, the light turned green, as if saving you from whatever this was. Then the teasing disappeared from Morgan's voice, replaced with curiosity. "Wait, so you're seriously telling me Hotch didn't call you?"
"Yes, Derek. That is exactly what I am telling you," you insisted, then you glanced back at him. "But to answer your question, Kate doesn't like you for the same reason she doesn't like me: power." He stared at you confusedly, so you elaborated, "Word on the steet is that the FBI wants to reassign her, and you're their star replacement."
"What?" Shock laced through his voice.
"What, are you telling me you actually didn't know?"
"No, I thought the Bureau was so proud of itself for stealing her away from Scotland Yard."
"Well, don't ask me to explain FBI politics to you. I'm in an entirely different organization, my guy."
Derek groaned in exasperation, making you laugh and forget about Hotch, even if it was only for a second.
By the time you and Derek got to the field office, you were all business, unlike any time Hotch had ever seen you.
With the team gathered around you, you stood in front of the evidence board and started, "The unsubs' behaviour is questionable. They're disciplined, they're using countersurveillance. They take a quick shot then leave the scene immediately, not stopping to watch or enjoy the kill at all. There is nothing sexual about it, and that is because these killings are not the work of a serial killer. They're methodical. They look like mob hits at first glance, simulate gang initiations. They seem random, but they're not. The murders, just like the Death card you received, are a smoke screen."
Kate cut you off. "How can you be so sure?"
You suppressed your irritation at being interrupted and kept calm. Cooly, you explained, "Murders like these create panic— not just amongst the general population, but amongst law enforcement, as well; it is terror. It serves their greater goal." You gestured with your hands as you spoke. "The murders simulate a bombing. From there, they station someone to watch, gauge how long it takes police to respond."
Understanding flashed through Morgan's eyes. "At which point they bring in a second bomb."
"Exactly," you affirmed. "The goal is always to take out a first round of civilians, followed by a second wave of emergency responders. It's trial and error—it's how they practice. And if someone catches the shooter, that's fine because we just end up thinking we have a murderer; the cell is never compromised. And in creating such panic, they ensure the most urgent response time short of a bombing. It's by far the smartest way to plan for a terrorist attack."
You crossed your arms, giving them time to absorb your words. You didn't expect anyone to respond so soon, and you certainly didn't expect that person to be Hotch. "It's a theory, Y/N." His voice was soft, and that seemed to only add fuel to the fire.
You resisted the urge to scoff, sharply retorting, "Isn't any profile?"
He didn't answer. Perhaps that was the smartest choice; he didn't want to pick an argument with you, not now.
Hesistantly, Spencer spoke up, "I think— I think she's right." He walked behind you to the board, picking up a red marker and circling spots on the map before turning back around to face you. "I think they're targeting points of entry. All the murders have taken place near a bridge or tunnel."
"Holland Tunnel, Midtown Tunnel, Manhattan Bridge," Emily muttered.
"If bombs went off, emergency response would shut down any ability to get in or out of the city," JJ remarked. "It's— it's like people would be trapped on the island."
It looked like you had everyone convinced, even Hotch—despite his reluctance to believe you—but for some reason, Kate Joyner just couldn't let up. She crossed her arms. "I still fail to see how you came to the conclusion of multiple shooters."
Unbothered, you replied, "Having followers do the shootings would ensure they're willing to kill or be killed for their cause."
She countered, "But is there any evidence that that's the case?" 
You narrowed your eyes, going to respond when someone's ringtone sounded. Derek picked up his phone and put it on speaker. You could almost thank whoever it was for stopping you from saying something you would or wouldn't regret. 
"Talk to me, babygirl."
Penelope's voice came through the phone. "Okay, I have bad news then badder, connected news. What would you like me to start with?"
Derek glanced up at you, then at Hotch. "Gimme the bad news, Garcia."
"Alright, well, I was looking at the surveillance footage from the murders, specifically the most recent compared to the previous, and found something very, very off. I'll share my screen with you." Emily turned on the laptop on the table closest to all of you, and the footage immediately appeared. Silently, you watched the videos one after the other, and you had a feeling that Garcia was just about to vindicate you. "You guys see what I saw?"
"Well, he sprints off in one and walks calmly in the other. It's two entirely different demeanours," Morgan said.
"Exactly, my dove. So check it out, I did a digital perspective analysis rendering on all the shootings we have footage of. Now the first two were inconclusive, but again, in the last two, I found something très weird." Garcia did a freeze-frame, her analysis software appearing. "Your calm, walking type—he's about 6 foot 1." The screen changed to the other scene. "But your sprinter, he's like 5'9", 5'10" tops."
While the air in the office got colder, you stood there holding back the urge to smirk. You saw both Morgan and Hotch glance at you from the corner of your eye, but you only turned to Kate, seeing somewhat of a defeated expression on her face.
"Is this evidence enough for you, Agent Joyner?"
That surveillance footage was enough confirmation for you, no matter what Joyner had to say about it. Following Garcia's revelation, you walked away from the team's makeshift conference room and walked into the bullpen, pulling out your phone and dialling Homeland Security.
You notified them of the situation at hand and that you were expecting something big soon, but not yet, telling them not to act without your say-so. It was of vital importance that you controlled the situation; you couldn't let the unsubs know you were onto them, so you couldn't make any moves just yet, either.
You hung up the phone, sighing. You hated cases like these. Being The Angel of Death was something you got used to; you could control that, but dealing with a cell like this wasn't just more challenging—it was unpredictable, and unpredictable was something you weren't quite fond of.
You turned around and nearly jumped out of your skin when you saw Hotch standing right behind you. Your hand slapped against your chest. "Holy shit, Hotchner, don't they teach you not to a sneak up on a girl in FBI school?"
Something almost like a smile came to his lips, the last thing you were expecting from him, especially at a time like this. "I'd hardly call that sneaking up on you. And according to you, you've been to 'FBI school,' so you should know."
You scoffed. "Regardless." Hotch's eyes remained on you, and the corners of his lips never went down. An uncomfortable silence then settled between you, despite the loud bustling in your surroundings.
You were hoping you could've gone this entire visit without speaking to him alone.
He must've noticed this, because his next words were, "You've been avoiding me."
You tensed ever so slightly. You'd been here all of five minutes, and he thought you were avoiding him. "I have not been avoiding you—"
"Yes, you have."
"We have bigger problems to deal with. Not everything is about you, Hotchner."
"Why are you avoiding me, Y/N?" You hated how his voice sounded, calm and soft. You hated the fact that he was even asking you this right now. You wanted him to be the stoic guy he always was. You didn't like this. And deep down, you knew that that was why you were avoiding him.
You didn't like the unpredictable.
And Aaron Hotchner was just that.
In lieu of responding, you dodged the question, biting back, "Why do you care?"
Hotch stilled as if you'd just hit him with the question of the century. It was then that he realized he didn't know. He couldn't answer you because he didn't have the answer himself.
He didn't know what he was going to say when he opened his mouth, and he supposed he never would, because a second later, a phone rang.
A sigh left his lips as he went to pick the phone up off some agent's desk, and you watched as the stoic man you knew returned. Yet, for some reason, you weren't as relieved as you thought you'd be.
"Hotchner." Kate chose that moment to walk out of her office while Morgan and Rossi came up from behind you. Hotch's voice became grave. "Does it look it could be one of our guys?"
Derek took the words right from your mouth. "What's going on?"
Hotch put down the phone. "We've got eyes on one of them," he answered. "He's on the subway platform at 59th and Lex."
"59th—? We could've been right there." He looked at Kate with an accusatory glare. The fury that lit up in his eyes and the way she refused to look back told you there was a conversation between them that you missed.
Over the phone, you heard Garcia let out a shaky breath, telling you all that the unsub shot the woman.
Kate paced. "Where the hell are the police?" 
Meanwhile, you picked up another telephone from the adjacent desk. "This is Y/N Y/L/N with the CIA. We have a murder suspect on 59th and Lex, subway platform. Hurry."
You slammed the phone down as you heard Penelope fret, "God, he's getting away."
"Garcia, can you get eyes on him above ground?"
A few clicks were audible as she responded, "He's heading west on 59th Street."
Kate spoke up, stating what you already knew. "If he makes it to the park, we've lost him."
"We lost the visual," another woman said.
Derek scoffed while Rossi questioned, "Are the police on the scene?"
"Negative."
And just like that, without another word, it was clear to everyone in the room that you just lost your only suspect. 
You pinched the bridge of your nose, cursing under your breath. Next to you, Derek made his frustrations much more known. "We could've had that guy," he snapped.
Kate finally looked at him. "Even if we were on that platform, odds are he would have moved onto someone isolated."
This didn't console him at all. "Maybe, but it was worth taking a shot—"
"I had every available man on the street."
Morgan stepped forward, seething. "And I suggested to you that you use this team." Realization came over you. Now you understood why he was so angry; Kate let her resentment of him get in the way of the case, and that decision may have just cost you a life.
Just as you thought Hotch couldn't get any more unpredictable, he scolded, "Morgan, second-guessing doesn't do us any good right now."
Your brows raised, but he didn't look at you, nor did he look at Derek. 
"Hotch, we have a possible terrorist attack coming. How am I supposed to look these cops in the eye and tell them that we're actually here to help them?"
Hotch's reply was sharp. "We're here to present a profile. That's what we need to do."
Derek ignored him, pressing, "I said to put as express stops. 14th, 42nd, 59th— and that's exactly where they hit—"
"It's not your place to have this discussion." This time, Hotch did look at him, and his eyes were hard.
Immediately, you cut in, spitting out his name. "Agent Hotchner." Hotch's eyes went right to you. You stepped forward, firing, "We have six bodies. And right now, I have to call Homeland Security and tell them that we not only have another one, but we also just lost a valuable chance to find one of the perpetrators."
"Which is exactly why we need to stay focused."
"Focused?" Derek echoed. Then he took a step closer, standing eye to eye with his boss. "From where I'm standing, all your focus is on her."
Kate's head ducked down, and from there, it didn't take much for you to connect the dots. All of a sudden, it made sense why Derek had asked you about Kate earlier instead of going straight to Hotch.
And to think that, just a few moments ago, he'd been going after you.
With a tick in his jaw, Hotch commanded, "Take a walk. Now."
Derek stared at him for a split-second before walking off without another word. 
"You know, I think I'm gonna take that walk with him," you muttered. And just like that, it was as if Hotch realized you were still there.
He went to say your name, but you were turning your back and walking away before he could even utter the first syllable.
Unpredictability. What a fickle thing.
You hated it.
You found Derek at a nearby bar, the closest bar to the field office. Contrary to what you said to Hotch, you didn't come looking for him; he just so happened to find the same place you did.
Before you even pulled out the barstool, he was sighing. "I know. I was out of line."
You lightly snorted. "I'm not here to chastise you, Derek." He looked up at you, surprise flashing through his eyes. "I'm just here to drink." Right on cue, the bartender came up to you and asked you wanted to drink, to which you ordered brandy, neat.
When said drink arrived in front of you and you downed it in one go, it prompted him to ask, "Aren't you still on the job?"
A slight chuckle left you. "Morgan, I run an entire CIA ops division and then I also get asked to do things like this." You then deadpanned, "Trust me, I can hold my liquor."
He held his hands up in surrender, an amused expression on his face before something serious took it over, wiping the smile from his face. "I'm sorry about Joyner, by the way." When you look at him confused, he explained, "I didn't have to say that. Not in front of you."
You sighed. Not this again. "Derek, I have nothing going on with your boss. So whatever the deal is with him and Kate is absolutely none of my business." For some reason, the words stung coming out of your mouth, and you didn't like it one bit.
He left it alone and didn't press the issue further (thankfully). You glanced at the beer in front of him. You nodded toward it, stating, "You haven't touched that."
He glanced at it. "Guess I don't have the appetite for it right now."
You hummed. "Or you want to go back."
He let out a long, dramatic sigh, nearly making you laugh. "I have to apologize to her, don't I?" This time, when you nodded and he ran a hand over his bald head, you did laugh. "Fucking hell."
You sarcastically patted his shoulder. "Don't sweat it, sweetheart. I'll walk back with you."
"Sweetheart?" you heard him question as you stood up, putting enough money down for both of your drinks. "And now you're paying for me? You're threatening my manhood here, angel."
"Get over it, Morgan."
And as he let out a hearty laugh, you let yourself pretend that you didn't have a different agent on your mind entirely.
Upon getting back to the office, you suddenly wished you'd had another drink as you were informed that there was not only another shooting, but Detective Cooper was shot after he and Prentiss chased after him.
Kate seemed to have taken Derek's suggestion and sent the team out on the streets in the hour and a half you were away. In that time, Prentiss and Cooper nearly got one of the shooters, but he was fast; he could've gotten away. Yet he stopped and shot Cooper, prompting Emily to fire a shot of her own.
Suicide by cop.
You hung up the phone, walking back into the room after telling Homeland that you'd be calling with another update soon. "Three shootings in one day," you said, catching everyone's attention. "They're ramping up to something."
Morgan held his phone up in the air and wiggled it. "Yeah, well, while you were on the phone, Garcia called. They hacked into at least one camera at every scene and have been watching from day one."
You cursed under your breath just as Kate called your name. "Y/N." You looked up at her in half-veiled surprise, seeing her standing with her arms crossed, a somewhat uncomfortable look on her face. "Aaron told me more about your position in the CIA, how you're more well-versed in situations such as these." It looked like she had a hard time getting the words out, despite the sincerity in her tone. "I'd like you to take the lead on this." 
You were sure that the surprise must've shown on your face, courtesy of fatigue, but you quickly masked it and nodded. You took one deep breath, and then you dived in. "We need to hit the ground running." You turned to everyone individually as you gave them instructions. "Rossi, I'd like you to talk to the Commissioner. He'll be familiar with you." He nodded and left the room. "Derek, you brief Homeland Security, tell them I sent you. I want them to know we're expecting them to strike any minute now."
"You got it, angel."
You turned to Emily, who was already ahead of you. "I'll head to the hospital, check on Cooper, and brief Detective Brustin."
"Good. And Spencer—"
He (with a creepy accuracy) anticipated what you were going to say before you even said it. "JJ and I will talk to the Port Authority Police."
You nodded then realized that left only two people, unwelcome dread filling you. Out of a stubborn attempt to prove his earlier claim about avoiding him wrong, you looked to Hotch but still didn't meet his eyes. "Agent Hotchner, you and Kate should speak to the mayor. I have to make some calls to the DOD. We'll all meet back here as soon as possible. We are crunched for time, but the one advantage that we have is that they don't know we know they're watching."
Everyone who hadn't already left nodded and got to their tasks. Hotch looked like he wanted to stick around and say something to you, but as you said, the clock was ticking. 
You called the DOD and briefly explained what Homeland Security had likely already spoken to them about, that you saw a terrorist event on the horizon. They told you that, luckily, the Deputy Secretary of Defense was in town, only ten, maybe twenty minutes away from where you were. 
Quickly, you gathered your things and made your way out of the building. At the exit, however, you found exactly who you didn't want to see.
Hotch and Kate.
They hadn't left yet.
They stood outside the door, facing each other. He had his hand on her elbow, and he was saying something you couldn't make out. Whatever it was, it made her lips upturn.
You couldn't recognize the feeling that crawled through your veins at that moment. The green monster and you hadn't been acquainted in a while, but for some reason, she was showing up, making your body her home, and you hated it.
Shaking off whatever it was you were feeling, you pushed the door open. Hotch noticed you first. "Y/N," he said. He took his hand off her arm. A weight was lifted off your chest.
"Agent Hotchner," you greeted, promptly turning to the blonde and doing the same. "Agent Joyner. I've gotten word that the Deputy Secretary of Defense is in New York; I'm heading to see her."
Kate nodded. "Good. Aaron and I are on our way to the mayor's office now." She turned, starting to walk away, and then you realized she was heading in the same direction as your car.
Fuck. They parked next to you.
You started walking, too, Hotch now at your side. Kate was ahead of you guys. You're sure that Hotch could naturally walk faster than you, but he remained at your side. This is deliberate, you thought.
Your conversation from earlier hung in the air. With Kate gone, the tension between you was now palpable. But he wouldn't say anything, you assured yourself, not with her in earshot.
But perhaps you underestimated him. With every meeting, Aaron Hotchner continued to surprise you. He had become unpredictable to you.
Yet, the two of you would soon bear witness to just how unpredictable life could truly be.
Just as you were nearing your vehicles, Aaron opened his mouth to say something, but a loud boom cut him off.
Before either of you could register it, you were sent flying backward, shockwaves rippling through your body.
And then everything went black.
New York City has never been so quiet, you thought, blinking your eyes open. And you've never been able to see the stars in this city, either, but tonight, you saw them just fine. Part of you wondered if you were dreaming.
No, not a dream. A hallucination.
There's been an accident.
The thought hit you like a ton of bricks as pain erupted in your side. A groan left you unwarranted. You went to touch it then hissed at the throbbing. There was no blood there, though, no wound, so it must've been the bones.
Nowhere else hurt—not that bad, at least. You tested yourself, trying to sit up. It hurt to do so, but you did it. And when you did, you were met with the sight of an SUV, up in flames.
No, not an accident. This was planned.
But it wasn't your car. It would've made sense if it were your car, if you were the direct target, but you weren't. Your mind ran a mile a minute. Why would they blow up a random SUV?
It's then that you remember it wasn't a random SUV. It was Hotch's.
Hotch and Kate.
They were with you.
With that realization, any and all intellectual thought escape your grasp. You shot upward, the pain becoming nonexistent as a surge of adrenaline flowed through your body. "Hotch!" you screamed. No answer. "Hotch! Kate!" No one answered. "Aaron!" You continued to cry his name but no one answered.
Tears you welled up in your eyes. It was lost on you that you hadn't cried in years. It was equally lost on you that this was the first time you'd ever said his name.
You spun around, letting go of a breath you didn't know you were holding when you spotted a man in a suit, standing there, just staring at the fire. You jogged over to him and called out his name, but he didn't move his head. You tried again. "Aaron." No response. "Aaron!"
Finally, he looked at you. A plethora of emotions could be seen on his face. Confusion. Anger. Fear. Then worry. "Y/N," he breathed. "Are you alright?"
"Yes, I'm fine." That was a lie, but you could handle the pain well. You had good experience. "Are you?"
"Yes, I think so." 
You took a quick moment to examine him, the cut by his brow, the blood by his ear; you think back to how he didn't respond to your calls. Concussion, you thought, and a ruptured ear drum.
You take ahold of his arm, gently but firmly, and slowly asked him, "Aaron, where's Kate?" 
He blinked, glancing back at the wreck and then back at you. You watched him swallow. "I—"
"Hey! Are the two of you okay?"
Your eyes and his simultaneously snapped to the voice that'd just appeared, seeing a scrawny kid stand in front of you. Like a switch had been flipped, the abundance of emotions on his face dissipated into one.
Determination.
"What's your name?" he questioned.
The kid looked at him, confused. "What?"
Hotch repeated, "What's your name?"
As if he thought you two were crazy, he glanced between you warily. "Sam," he replied.
Hotch didn't look at him or acknowledge his name as he ordered, "Call 911." 
"Yeah— yeah, I did."
"Call 911— tell that there's been an explosion."
"Sir, are you okay?" His eyes darted to you. "Ma'am, are you hurt?" Momentarily, he glanced down, his eyes catching the gun on your belt. He looked to Hotch, finding the same thing. Stunned, he looked back up. "Are you guys cops?"
Hotch's eyes were still on the fire. "Call 911. Tell them... that a— that a federal agent—" Without warning, he took off running towards the car, yelling, "Kate!"
"Hotch!" You went to follow him but the kid stopped you.
"Okay so you want me to say you're a federal agent?"
You turned around, eyes blazing. "Call 911. Tell them that there's been a car explosion, involving two FBI agents and one CIA officer." You barely finished your sentence before you were running after Hotch.
By the time you got to him, he was taking off his jacket, about to shield himself and run right into the car but you stopped him. "Aaron!" 
His eyes darted to you then travelled behind you. The dread painted on his features mixed with relief, but you couldn't tell which emotion was stronger. You turned, following his line of sight, and saw Kate lying on the ground, a trail of blood leading to her body.
Without missing a beat, you both ran to her, her coughing becoming more audible as you got closer. Aaron got down immediately, and her first words were, "My purse. I can't find my purse."
He shushed her. "Don't move, don't move."
"Aaron, my purse."
Shock. She's in shock.
If only just to placate her, Hotch glanced around for it. "I don't think you had one," he said.
"I must've dropped it," she gasped, moving her head.
"Kate—" you cut in from above, "Kate, you need to stop trying to move."
She looked up at you, her eyes widening at whatever she saw. "Y/N. Y/N, what happened?"
You ran a hand through your hair. "I don't�� I don't know. A bomb. An IED, I think." You glanced back at the car, your mind going back to the same race it was racing in before you found Aaron.
"An IED?" she echoed. "I have to get up."
"No. No, no, no. Lie down. Lie still. You need to lie still," he pleaded with her.
Suddenly, she caught your attention back. "Am I moving my legs?"
Hotch shushed her again at first, then he questioned, "What?"
Both of you glanced down at her legs at the same time. You resisted the urge to cup your mouth.
You were gonna be sick.
Weakly, she asked again, "Am I moving my legs?"
You didn't have the heart to answer her. From the looks of it, neither did Aaron, because he changed the subject. "I'm going to have to turn you and see where the blood is coming from," he said.
"Do it."
"Alright? Okay." He turned her while you focused on the sirens wailing in the distance, getting closer. The sound blended in with Kate's crying until it was all one and the same to you.
Police cars and ambulances soon pulled up just ahead of you, maybe a hundred yards away. You stood taller, yelling, "Officer down!" When they didn't come any closer, you flailed your arms. "Officer down! Here! There's an officer down!"
Kate's voice, ever so quiet, cut through the noise like a knife. "They're not coming." You turned to her, seeing her look at both of you defeatedly. "We told them not to. Remember?"
Your own words rang through your head. The goal is always to take out a first round of civilians, followed by a second wave of emergency responders.
The reality of the situation struck you. They weren't coming.
"The first wave of responders are the targets," she got out. "ESU orders are not— to let anyone in until the area is cleared."
"No." You shook your head. "I'm not taking that as an answer."
"Y/N—"
"We are getting you out of here, Kate, come hell or high water." Your previous aversion to her no longer mattered. She was lying on the ground covered in blood, unable to move her legs. All that mattered was getting her out.
Without wasting another second, you ran toward the barricade. ESU officer braced their rifles, but you had your badge ready as you stood a safe distance away from them. You were trying to think calmly, as calmly as you could. Your ribs stung as you held the badge up in the air.
The words were spoken in an erratic panic. "My name is Director Y/N Y/L/N, I'm a senior officer of the CIA. Behind me are SSAs Aaron Hotchner and Kate Joyner. She is injured— badly—"
A man stepped forward and cut you off cooly, "I understand that, ma'am, but I have orders not to let anyone in—"
You lost it. "Screw your orders! She can't fucking move!"
"Ma'am, my orders are what they are."
"Your orders are what they are," you repeated under your breath, a humourless chuckle escaping. "What's your name?"
He squared his shoulders. "It's Captain Warner, ma'am."
"Well, Captain Warner," you spat. "Allow me to re-introduce myself. My name is Director or Agent Y/L/N, not ma'am. Director. And I am quite familiar with your orders, Captain; I gave them. You are here because I made the call that put you here. And, so help me God, if you don't listen to this order, I will make the call that relieves you of your position."
Warner didn't appear to be shaken, but you could see the cloud of doubt floating in his eyes. You'd think that anyone would grapple for their job, but Warner was being difficult. "I apologize, Director, but I can't do that."
Your nostrils flared. You were just about to continue telling him off when an awfully familiar voice sounded, asking for someone in charge. Your eyes widened. "Derek!"
Derek's head snapped your way. "Holy shit. Y/N!" He came running towards you but was stopped by the same officers that kept you from crossing the barricade, holding up their guns.
"This area is restricted," he said.
He held up his badge. "I'm Agent Morgan, FBI. That's my friend—"
"This area is restricted," Warner repeated, barely looking at him. "I will take care of your friend. Now go back to the Federal Building. There are evac marshaling spots. Check in and make sure they know where you are."
Morgan held his ground, stepping in front of Warner and retaliating, "I am not about to do that."
"Get out of my face or I'll have you bodily removed, Agent."
"Derek." You caught his attention. "Hotch and Kate are down there."
He spun around. "That's my boss down there!"
"My orders are what they are." 
You scoffed at the recycled statement while Derek argued, "I don't give a damn what your orders are!"
"I get it, Agent, but we've been told by you" he gave you a glance "'Responders are the targets.' So, until the blast site is cleared, no one goes in."
Morgan looked back at you then back at the Captain with a renewed resolution, trying a different approach. "You're Marine Corps, right?" Warner didn't respond, looking down. "Right?"
"Please. Go back to the marshaling point."
"I'm not doing it." He pointed to the site. "I'm not just going to let my man lie down there like that."
As if on cue, Hotch screamed, "Someone! Damnit, we're here!" You nearly flinched at the sheer pain in his voice, and Derek certainly didn't look unaffected, either.
"'Never leave a man behind.' You do remember that, don't you?"
Hotch kept screaming as Morgan and Warner stared each other down. It seemed that he must've gotten to him, because within just a moment, he said, "Go."
Derek didn't waste another second, immediately running to you and grabbing onto your shoulders. "Y/N, are you alright?"
"I'm fine! I'm fine, it's Kate."
He nodded and then took off following with you trailing closely behind, but not before you gave Captain Warner a pointed glare.
When you got to Hotch, the kid was back, seemingly tending to Kate as Morgan explained, "They're not letting any ambulances down here until they clear the scene." He glanced at the kid like he just noticed he was there. "Kid, you've gotta get behind the barricades. Let's go." The kid didn't move. "Go!"
"Go, Sam." At Hotch's word, the kid got up and ran, but your attention was focused solely on Kate, checking her vitals.
"Talk to me. Can we carry her?" Morgan barely gave him time to respond. "Hotch, can we carry her?"
"No, I tried. Morgan—" he paused, intaking a shaky breath, "she's going to bleed to death if we don't get her out of here. We've got to do something."
Derek's phone ringing cut off whatever he was going to say. He picked it up immediately. "Garcia, I got Hotch and Y/N, but listen to me, you got to get somebody down here right away. You hear me? Right now." You didn't hear what Garcia said next, but it caused his head to snap up. "What? You're absolutely sure?" He glanced at you then to the kid who you realized never left.
The kid held his hands out like he was asking what you were waiting for, causing you to tilt your head, confused.
Morgan hung up the phone and then his next words shocked you. "Hotch. The kid. He's the bomber."
Your eyes went wide before instantly going to Hotch. "Are you okay to stay here?" you asked.
He didn't even think about it. "Go."
With that, you and Morgan took off running. The kid bolted, leaving you to chase after him.
Despite the heels on your feet (that luckily weren't stilettos) and obvious bruise to your side, you couldn't feel pain. All you feel was the pure adrenaline pumping through your veins. You hadn't been so ready to fight in ages. The anger coursing through your body was unparalleled.
This kid wasn't getting away with this, and you'd make sure of it.
You chased the kid down the street, Morgan ahead of you. An ambulance passed you while you ran, and you prayed it'd be heading Hotch's way.
You kept chasing after the kid, turning a corner and he was gone, but Morgan was already heading down the stairs for the subway, so you knew he was down there.
You ran down the stairs, skipping steps as you went, following Morgan's lead and pulling out your gun. Civilians filled the station, evacuating. "Out of the way!" you screamed, pushing past them.
"Move! Where'd he go? Where?" Some pointed straight ahead, so you kept running.
You got down to where the subway was, but by now, it was empty. You came to a stop next to Morgan, holding up your gun.
"Show your face, you son of a bitch!"
No one showed. You nodded to the train and panted, "Morgan, I'll take the back. You take the front."
Heaving, he nodded, going for the front. You entered the train with your gun held high, pointing it on either side of the door. You walked through the cart slowly, checking beheind yourself periodically to ensure the kid wouldn't sneak up on you.
You pushed open the door to the next cart warily. It was just as empty as the previous one. You went for the next cart. Nothing again. You met Morgan in the middle. "Nothing," you said.
"Me neither. But there's a door at the front. I'm thinking he could've hopped through there," he told you.
You nodded and followed him there, accepting his help and jumping down. Carefully, with your gun and flashlight in hand, you walked on the tracks, avoiding the power supply. You shouted, "We know you're in here, kid. Show your fucking face, you coward!"
A noise sounded, making you turn around to check it while Morgan continued forward. "You've got nowhere to run, man. You hear me? There's nothing down here for you."
"Is that all you see?" At the sound of the kid's voice, you spun around, moving your flashlight around. "Huh? Darkness?"
You caught up to Morgan, and then the kid showed himself. Your flashlight revealed his shoes lying on the ground while he slowly walked on the rail, balancing himself like this was a game. You cocked your gun. "You listen to me, you little shit. This is not a fucking game. Get your ass off the tracks and put your hands on top of your fucking head. Do it now."
When he failed to listen to you, Derek yelled, "Do it now!"
The kid did as you said, but not to listen to you. It was to mock you. "You will lose in the end," he said.
Derek moved forward. "Shut up. Shut your mouth."
"You wanna know why?" He continued on like he'd never said a word. "Because you fear what we embrace."
Before you could do anything, he took one foot off the track and put it on the third rail. "Get off the— no! No, no!" Derek and you were forced backward as the light blinded your eyes. Without even lifting your eyes up, you knew undoubtedly that the kid was dead.
He just killed himself right in front you.
"Damnit." You reached to run a hand through your hair but you were stopped by the stabbing pain in your ribs, suddenly reappearing. You hissed, "Ah, shit."
"Y/N?" Within a blink, Derek was in front of you. "What's wrong? Are you okay?"
"I'm fi— fuck." Your knees buckled, but Morgan caught you, holding onto by your waist. When that caused another hiss, he switched his hold to your arms.
"I think you might've broken some ribs. How the hell didn't you notice this before?"
"I— it didn't feel this bad before."
Morgan cursed under his breath. "Your adrenaline is wearing off. We need to get you to a hospital."
"No, I'm o—" a sharp stab cut you off, making you grunt. "Fine. But what about Kate?" 
"We both saw that ambulance drive their way," he reasoned. "They're gonna be okay. Look, if we get back and they're still there, we can stay, alright?"
You thought over his proposal and eventually relented and let him lead you off the tracks, giving in to the pain. You just hoped that he was right, that they were okay.
Please let them be okay.
You arrived at the hospital in record time, passing through the streets like light work. After receiving confirmation that Hotch and Kate were at Saint Barclays, he drove the two of you there, too, insisting that a doctor see you despite your equal insistence that you were fine.
Now, you sat on an ER bed. You had a few cuts here and there but nothing too deep; you were given sutures for one cut across your cheek. The doctor wasn't looking at you right now; she was looking at your chart, giving you time to glance around the triage room.
You weren't a big fan of hospitals, never were. They were never a source of good news, and every hospital you stepped into smelled the same, like bleach and chemicals. When you were younger, you were convinced that this was to cover up the smell of death.
That wasn't too far off.
The doctor pulled you out of your revierie, snapping the chart shut. "So, Ms. Y/L/N, I've ruled out the possibility of a collapsed lung, but you've broken 4 of your left true ribs," she informed you. "From what your partner has told me, you've over-exerted yourself, and thus exacerbated the issue."
"I'm a CIA officer and had to chase a suspect," was the only explanation you offered.
She deadpanned. "I understand that, Ms. Y/L/N, but you've just made your healing process ten time harder."
You gave her a short smile. "I've been through worse."
She looked at you for a few more seconds before she sighed, re-opening the chart book. "I can prescribe you some medication for the pain."
You declined perhaps a bit too quickly. "No, that's alright."
Slowly, she looked up at you, her eyes questioning. "No? Why not? I can imagine you're in a great deal of pain right now."
At her inquiry, you were reminded of someone else's interrogative questions. Hotch's voice filled your head, Why do you say it like that—say your name as if it's not your name?
Your mind travelled back to a time you weren't Y/N. There was a girl with a different name who wore your face, a girl you separated yourself from entirely. She didn't grow up thinking she'd have a future in law enforcement—she didn't even think she'd have a future at all.
She hung around the wrong crowd and picked up bad habits, habits like oxycodone and amphetamines. But you weren't her anymore.
You were 7 years sober.
You'd rather not explain all of this to the attending in front of you—you'd rather not explain it to anyone. Instead, you just said, "I have a high pain tolerance. I can handle it."
She stared at you warily, but otherwise, there wasn't much she could do but accept your decision. "I'd advise against that, but it is your choice."
You pursed your lips into what you hoped was a small smile. "It is."
She kept her persistent stare until she eventually gave up, leaving the makeshift room. You didn't wait long before you left, too, jumping off the table and pushing back the curtain. You walked through the halls in search of the tan-skinned man you came in with, avoiding looking anywhere but ahead of you.
Hospitals were unpredictacle.
You didn't like that.
You turned a corner, and as if you just had good luck, Derek was there, already walking your way. 
He raised a brow at you. "You all good, angel?" 
You fell into step beside him, letting him lead the way to wherever you were going and flashing him a flirtatious smile. "Never been better, muscles." It wasn't a total lie; the pain had mostly subsided, and you'd felt worse in your life.
Morgan didn't bat an eyelash. "Well, that's good because we need to get moving. The team's on the way."
At the mention of the BAU, your thoughts were re-directed. Without stopping, you glanced over at Derek and gave him a quick once-over. He seemed normal: he was flirting with you, no signs of dejection. So Hotch must've been alright. Still, though, you felt compelled to ask, "Hotchner and Joyner. Are they okay?"
If Derek noticed the small blip in your voice, he didn't say anything. You weren't sure if you even noticed it, either. "Hotch is fine, back to barking orders and being a drill sergeant. Kate's in surgery, though."
You couldn't explain the wave of calm that came over you at that moment. You couldn't explain why you even cared.
But you did.
You nodded in response and changed subjects. "Has anything happened since the first blast?"
"No. Nothing."
An exasperated sigh left you. "That doesn't make any sense. Something should've happened by now." You ran a hand through your hair, your gears turning. "I mean, why go through all this trouble just to hit a single SUV with a few agents? Why not wait until we were in our cars?"
"I don't know," he replied. "What I'm still stuck on is why the kid would stay knowing we'd figure him out."
"Yeah, why would he stay—" suddenly, you halted in your tracks, cutting yourself off as memories rushed to the forefront of your brain.
[Thank you for your input, Ms. Y/L/N. The Secretary of Defense is unavailable at the moment, so the Deputy Secretary will be fielding all defense matters for the moment. She happens to be in town, and she'd like to be briefed in person, if that's alright.]
Yes, I can do that. Just send me an address.
Then you heard the voices of Secret Service agents in your head: I'm sorry, but this hospital is on strict bypass.
"What? What is it?" Derek's voice shook you out of your reverie. You looked up to see him standing in front of you, a worried expression on his face. You would've laughed if it weren't so serious. He probably thought you had a concussion—and while you didn't, what you were going to say was worse than that.
"Derek," you started.
Your tone must've scared him because he stepped closer. "What?"
You paused, mulling over the details in your head. Secret Service was here. Someone important was in the building, someone like the Secretary of Defense. And that bomber just so happened to stick around until an ambulance showed up, taking Hotch and Kate straight here. 
Sam didn't wait until you were cars, and that wasn't a careless mistake. It wasn't because he was so excited that he couldn't wait. It was because that blast wasn't meant to kill you, not on impact.
It was meant to take you here.
When you made up your mind, you took a step closer to him and lowered your voice, not wanting to attract panic in spite of the fact that it'd happen, anyway. Your voice was rigid.
"I think there's a bomb in this hospital."
After quickly explaining your theory to Derek, you parted ways; he went to go find the team while you took off to find the head of that Secret Service detail.
Any uneasiness you felt being in this hospital increased a tenfold, no longer because of the fact that it was a hospital but because it could blow any minute now. You knew you weren't scared, though—and maybe you should've been, but this was the job.
You found the SS soon enough, calling out to them, "Hey, men in black!"
Your volume turned heads, including theirs. The bald man stood up from where he was leaned over on a counter and greeted you first, leading you to believe he was in charge. "Ms. Y/L/N." So he knew who you were. That made this a lot easier.
You didn't waste any time. "The Secretary of Defense is in this hospital, isn't he?"
"Ma'am, I know you're high up on the ladder, but—"
You cut him off briskly, "There is a bomb in this building, and it's rigged to assassinate the Secretary." 
The agent whose name you didn't ask for stiffened but adapted quickly, ordering the agents behind him to hit the alarms all without looking away from you. "Where is it?" he then questioned.
"The ambulance my colleague drove in, I believe." The word colleague tasted wrong on your tongue, but you didn't have the time to dwell on it. "Is it already in the basement?"
"Yes."
"Okay, then you need to evac the building. You need to get the Secretary and everybody else out of here right now."
"We can't do that," he answered. "He's undergoing surgery as we speak."
You were sure that the next words to leave your mouth would be curses, but before you could even get them out, a band of rushed footsteps became audible from behind you. It didn't take you long to recognize who they belonged to.
The footsteps stopped where you were. You glanced to see the team surrounding you, Derek on your left and Hotch on your right. So he was alright. You held back a sigh of relief and kept your eyes off him, directing all your focus to the task at hand. 
Silently, Morgan handed you a Kevlar vest. You nodded to him in thanks and put it on while Hotch hurriedly interrogated, "The paramedic I came in with—do you have eyes on him?"
The Secret Service Agent briefly glanced at you, to which you nodded, prompting him to turn over a computer playing a live feed. 
"Is that a cell in his hands?"
Rossi pressed onto a mic on his chest. "Garcia, can you remote access the grid I'm in and jam all the frequencies?" She said something you couldn't hear and then he added, tone clipped, "There's a bomb in the basement of this building."
Garcia worked quickly, disrupting the satellite feeds in your location within seconds. You could tell she did this by paramedic's actions on the screen. "Look. He's coming back," Prentiss said. "He's going to detonate the bomb manually if he has to."
"Where did Morgan go?" At Hotch's abrupt words, you turned to your left but Derek was no longer there. He'd snuck off while you were paying attention to the feed, and you had no doubt as to where. 
His appearance on the computer screen confirmed your suspicions. You sighed, before tiredly voicing, "He went to find the ambulance."
Hotch's voice was incredulous. "Alone?"
Rossi didn't share Hotch's surprise. "Let's head down."
You were off before he even finished the sentence, trusting the Secret Service agents to do their jobs well enough while you all did yours. You removed your gun from your holster, holding it up and jogging through the now empty hallways with tunnel vision.
You barely noticed the others behind you until Hotch somehow got ahead of you. "He's going to the basement," he called out.
You think it was Emily that replied. "Stairs."
You pushed the door to the stairwell open and Hotch entered quickly, scanning the area with his gun as he moved. It was eerily silent, the only sound being the alarms in the distance and your footsteps rapidly hitting the stairs as you took them two at a time. 
None of you said a word.
By the time you reached the basement, the alarm was non-existent. Your loud footsteps became quieted, soundless with the precision only people like you could have. You could hear a pin drop. 
At the end of the hallway, you wordlessly split into two groups: you with Hotch and Rossi, and Prentiss with Reid.
Hotch led the way while you and Rossi covered him. Your bomber was sitting criss-crossed against the netted gate, gun tossed on the ground with a cellphone in one hand and a knife in the other. Fuck.
You could only pray that Morgan got out before that signal came back online.
You had your gun in the air, even though you knew what was gonna happen. You all did.
Rossi's voice cut through the air. "FBI."
The bomber didn't flinch, staring at the ground with a lifeless look in his eyes. He was a dead man. 
He raised the knife to his neck—and if you weren't with FBI agents right now, you would've shot his shaking hand and knocked that knife straight to the ground. You would've forced him to take accountability—perhaps not in a courtroom, but in a place that would still enforce a semblance of justice.
But you were with FBI agents. And Hotch reminded you of this as he spoke up, "Put it down. It's over."
Yes, it was. Because the coward slit his throat thereafter, and the knife clattered to the ground.
Slowly, you lowered your guns. You holstered yours, and then you were walking away. You didn't spare the body another glance. It wasn't a life lost.
Either way, he would've died. It just shouldn't have been on his terms.
Emily was behind you. She flipped her phone open and then you heard a sigh of relief. "Garcia just messaged me," she told you. "Morgan's okay."
Spencer and Rossi let out their own sighs while you muttered a small "Thank God" under your breath. You hadn't known Derek Morgan for long, but he was good, and he felt like a friend.
You didn't have many of those.
You got back to the floor you were on in little time, and everyone parted ways, likely going to rest. The night was over—this was over. You, on the other hand, still had some administrative work to do, starting with checking on the Secretary of Defense.
But before you did anything, you stood there. You stood there and watched the team trickle out of the area, everyone but Hotch. He was still down there.
You went to glance back to see if he was coming up but then thought better of it, choosing to walk away instead.
He's fine, you thought. He was fine.
And so were you.
You got off the phone with the DOD, your last in a long line of phone calls, telling them that the threat had been eliminated as far as you were concerned. You would've been out of that hospital ASAP, but they asked you to stay there until the new Secret Service detail arrived, and you couldn't really say no.
The lack of action suddenly made you more aware of your surroundings. Your senses returned to you; the smell of bleach became more pungent, and the fluorescent lights seemed to just bounce off the white tile.
With nothing else to focus on, the pain in your side returned, too, but you were good at handling pain. It hurt to breathe, but the alternative was relapsing, and you'd come too far for that.
Normally, when you were craving drugs or just stressed, you'd find a drink. It wasn't the best coping mechanism, but it worked. Alcohol wasn't strong enough to hook you; it was just enough to sate you, to take your mind off the pills.
However, you were in a hospital, and none of that was around. So you went looking for the next best thing: coffee.
You found a mini coffee bar in a nearby waiting room, right next to a vending machine. It was one of the automatic ones that took capsules. The selection was pretty shitty, but you weren't exactly expecting premium Italian coffee, so you plopped a pod into the machine, anyway.
You waited for your coffee to brew in silence, listening to the sound of the machine whirring. The PA dinged in the background and footsteps were muffled. You had a habit of listening for those, for footsteps. Most times, like now, if you weren't preoccupied, you could detect them right away.
You sensed Hotch when he was 5 feet away. You could recognize his footsteps so easily, but that was the habit.
You told yourself it was the job.
Without turning around, you quietly greeted, "Agent Hotchner."
He returned your greeting, grabbing a styrofoam cup and going to stand next to you. "Y/N." His voice was as saccharine as the sugar you poured into your coffee.
 You hated that, and you hated what it implied.
The case was over. The threat was defeated. And now you were alone together with a conversation unfinished, a conversation you'd much rather not have.
To think that, when you last saw Hotch in Virginia, you were all for the game, the chase. But now it felt like the roles were reversed. This was different. He shouldn't be talking to me.
But he was.
"Yo—"
You cut him off, "How's Kate?" Low blow, Y/N. The breath of air he sucked in made you look up from the creamer to his face. His eyes were no longer on you; they were on the machine as it poured his coffee, but you understood. You could taste apology on your lips before you even said the words. "I'm sorry."
Hotch nodded, grabbing his coffee from the tray when it was finished brewing. "She wasn't in pain," he said. That's all there was to say, really. She wasn't in pain when she died, nor was she in pain when you found her.
Kate Joyner was dead the second that blast hit.
But you spoke none of this. You went to grab your cup, intending to walk away, but Hotch stopped you, placing his hand on your arm before you could fully turn away. You stopped yourself from intaking a sharp breath.
"You're avoiding me."
He said it so plainly, like you were talking about a case or the weather, like this was normal, like the two of you didn't see each other every other year at most, like you weren't you and he wasn't him. It made you want to screw your eyes shut, but you didn't. As if to prove a point, you turned yourself toward him fully, facing him head on.
"I'm not."
"You are."
Your eyes narrowed. "I'm not an unsub, Hotchner. I'm not gonna fold to this interrogation tactic."
"I met you as an unsub," he retorted.
"But I wasn't." You let out a little scoff, half amused, half annoyed. "How would you know if I was avoiding you? You didn't know me then, and you don't know me now."
"But I want to."
Whatever reply you were expecting, it wasn't that. Your breath got caught in your throat. His voice was still so soft, a harsh contrast to the cuts littered across his face. He took a step closer to you. "I want to know you."
You blinked once in shock, almost like you were checking if you were hallucinating, but when your eyes opened, he was still there. When you blinked a second time, it was in realization.
He's just been told Kate's dead, and now whatever pain meds they gave him are kicking in.
Reality slapped you across the face. You took a step back, slowly shaking your head. "You don't want to know me, Hotchner."
He took another step forward. "I do."
Another step back. "You don't." You shook your head again, emphasizing your point. "You really don't."
"Y/N—"
The shrill sound of your ringtone cut him off, and you'd never been so grateful. You picked it up immediately. "Y/L/N." The lady on the other end got to it quick; all you had to do was agree. "Okay, I'll be there momentarily. Thanks."
You hung up your cell, snapping it shut. You gave Hotch a glance before you were looking away, letting your eyes wander everywhere else. "That was the DOD. Secret Service is here. I have to go check out with them." You didn't let him get a word in. "I'll see you around, Agent Hotchner."
And then, just like every other time Aaron Hotchner had ever been in your proximity, you were leaving. In his grasp one second, in the mist in the next.
He watched you walk away wordlessly, not knowing when he'd see you again, words he was going to say dying on his lips.
And then you were gone.
He let out a long sigh, and then looked to his coffee on the mini table, spotting a similar one right next to it. 
You left your coffee there, he realized.
With all the other things you left, too.
5. The gavel and the gun
Southbridge, Virginia, 2008
You didn't find yourself down in Virginia too often, not unless you were on business, but Derek assured you that tonight was about everything but that.
"I'm breaking you out of your shell, angel," he said, making a turn on Curtis Drive. "You need to get out more."
You snorted. "One, I don't have a shell. Two, I am literally out so much that my apartment collects dust, and three," you held up a third finger, despite his close attention to the road, "that's bullshit. You just want me to score you some hot chicks."
He let out a burly laugh, something you'd gotten used to after hanging out with him. "Baby, I don't need you to pick anyone up for me. I can do that all on my own."
"What, are you afraid that I'll steal all your girls, Morgan?"
His reply was swift. "Couldn't do that if you tried, Y/N/N. You're still hung up on Hotch."
Your jaw nearly fell, but you were used to this banter you had. You quipped back, "Please, the only one hung up on anyone here is you. You want Garcia."
He choked on his own spit, making you throw your head back and laugh. He didn't see that one coming.
You caught onto Derek's feelings for Garcia early on, but they became especially prominent when he was buzzed one night and told you she was the one on call with him when he drove that ambulance into the field.
That was six months ago. And now, you were in Derek Morgan's car, trying to coax him into asking out a woman with whom he violated many HR regulations.
Derek clearly didn't have a response which only made you laugh harder. You patted his back while he recovered. "Caaaaareful, muscles. I don't want to die on my way to a bar. I'm literally in the CIA—that would be so heavily anti-climactic."
The only thing he heard in that sentence was his nickname, snapping out of his stupor. "Okay, this 'muscles' thing is starting to feel less like a compliment and more condescending." 
You huffed out a little chuckle as he put the car in park. "And 'angel' isn't?"
He furrowed his brows, opening his door. "You love that name."
You copied his movements, getting out of the car before pointedly looking at him. "Yeah, when the words 'of death' follow it."
He snorted. "Cryptic." He held his arm out for you, to which you obliged, wrapping yours in his before walking into the estabishment with him.
You would've responded and teased him further had you not been cut off by an oddly familiar voice. "Morgan!" Your head snapped to a table where not only the object of your teasing stood, but all of their crime-fighting friends. From afar, you watched Penelope's eyes widen behind her glasses. Then she squealed, "And Y/N!" 
To her credit, she did look just the slightest bit embarrassed when people turned to stare at her.
She still wasn't used to you. And God, was that comical.
A smirk crawled onto your face as you walked to their table, glancing at Derek and recalling your earlier quip. "Ooh, careful, Morgan. Your girl's a fan. I might just take her."
For a guy that nearly died in the car at the mention of her, he didn't seem all that startled. In fact, a smirk of his own graced his face. "I doubt you'll be focused on Penelope tonight, angel."
Your brows pinched together, but before you could question what he meant, you reached the table. JJ and Emily greeted you with wide smiles, the latter pulling you in for a hug that was surprising but not unwelcome. Garcia followed right behind her, hesitantly wrapping her arms around you. You cleared this hesitancy by embracing her tightly. Goodness, she's precious.
Over her shoulder, you mouthed to Morgan, Don't fuck it up.
When you let her go, Rossi tipped his glass at you while Reid just gave you an awkward wave. For his benefit, you resisted the urge to laugh.
You spun back around to flash a smug smile at Morgan, eager for him to see that you weren't fazed by this little surprise he so clearly wanted to jar you with, but then your eyes locked with a darker pair and you realized, oh. They weren't the surprise.
He was.
"Y/N."
What was this feeling? Winded? Was it— breathless? You couldn't describe it; you'd only felt it a few times in life, and you didn't know why you felt it right now. Eventually, you realized you had to answer. 
"Hotchner."
You were going to fucking strangle Derek Morgan.
If it wasn't considered rude and you weren't surrounded by a horde of profilers, you would've been texting Derek furiously. It didn't help that the only spot left at the table was next to the man you'd be texting about.
Derek was fun to party with—you went out with him all the time—but whenever he invited you out with the rest of the BAU, you politely declined and came up with whatever excuse was available. Clearly, he caught on to the reason.
You've been avoiding me.
And maybe that was true.
A gasp broke you out of your thoughts. You looked over to see Penelope jumping out of her seat. "Oh, my god, I love this song. Derek, get up right now, we're going to dance," she all but demanded.
It's then that you noticed that JJ and Emily had already beat them to the dance floor, and Spencer was being talked up by some girl at the bar. 
No— "Alright, alright, calm down, mama, I'm coming." You glared daggers at him as he flashed you a sly grin, then he wrapped an arm around Penelope and left. He left you alone with Hotch and Rossi.
At least Rossi's still here— "You know, I think I'm going to get another drink." You're kidding.
Apparently, he was not kidding. Rossi got up, and you could've sworn you saw him wink at Hotch before he left for the bar.
And then there were two.
Fuck.
Now that the others were all gone, you felt his proximity much more prominently. If you moved just the slightest bit, your knees would touch. You hated that the thought even crossed your mind.
But you couldn't leave. If you left, then it'd be obvious that you were, in fact, avoiding him, and you didn't want it to be obvious. It shouldn't have been obvious because there was nothing there to avoid; the two of you were nothing, so you had no reason to avoid him.
You were nothing.
Even if, for a second, you might've felt something.
"What's wrong?" His voice cut into the tension like it was butter. But the question didn't sound like concern; if you didn't know any better, you'd say it was almost teasing. 
You finally looked at him, turning your head and realizing he was closer than you thought. Close enough to see the specks of green in his eyes and the locks of hair falling over his face. Close enough that you could push those locks back if you wanted to. And you wanted to. 
But you didn't.
You schooled your expression and raised a brow, causing him to elaborate, "You were much more flirtatious when we didn't know each other."
Of course, I was, is what you wanted to say. Of course, you were; that was before whatever happened in D.C., before you danced with him and before you let him down. Before reality came knocking and showed him that you were polar opposites, that he was a man of the gavel and you were a woman of the gun. Before he confronted you. Before he told you that he wanted to know you.
So, of course. Of course, I was. Because what the hell was I supposed to do with that?
That's what you wanted to say, but you didn't. Instead, you countered, "Why do you assume something's wrong? Maybe I've just lost interest in our game."
Hotch looked at you like he knew that was a load of bull. He looked you up and down like he could see right through you, and you hated that, because if he looked hard enough, he just might. You thought, for a second, he'd drop it, but then he came back harder. "Is that because you're not winning?"
Taken aback, you laughed to hide how astounded you were, looking away as you deflected, "You must've been one hell of a lawyer, Agent Hotchner." 
He let you re-route the conversation, humming. "I was good at my field," he admitted, pausing briefly. "I actually got my nickname while I was working at the DA's office, Hotch."
"Oh?" you uttered, disinterest shining through your voice that you hoped he'd pick up on.
"Yeah. And now it's what everybody calls me." Another pause. "Everybody but you."
You turned back to him. Clearly, that's what he wanted from you with that statement. He was looking at you expectantly, waiting on you for something—you just didn't know what. "You dwell on what I call you?"
He shrugged like he was unbothered. "It's just an observation. You refer to everyone using their first name, even Kate. At one point, I think you even said our names consecutively. Agent Hotchner and then Kate."
Shit, you didn't remember that, but he was probably right. It must've been a blip, you must not have been paying attention. Still, you shrugged right back at him. "I don't put that much thought into it."
He continued like you'd never said anything. "You said my name after the blast." You stiffened. "Repeatedly. And then, once we were in the hospital, you were back to formality."
You forced a smile onto your face in attempts to mask the discomfort. "So?" you said. Like you weren't affected. Like you weren't surprised that he noticed or equally surprised that he was calling you out on it.
"So," he repeated. "What's holding you back from saying my name?"
Damnit, he had you. He had you, and he knew it. You knew he knew it based on the fire in his eyes, fire with intent to burn.
But you had more. 
You had walked through fire; you were forged in fire, so this was a challenge you'd accept.
You leaned in closer, just until your mouth was next to his ear. He inhaled sharply. Good. Slowly, you breathed, "What's in a name... Hotchner?"
When you leaned back, you were met with a thrown-off-Hotch, but you didn't stick around to savour the image. You hopped off your barstool and left the table, opting to go dance with Emily and JJ as opposed to let him have the last word.
If you had it your way, he wouldn't get another word in for the rest of the night.
If only you could always have it your way.
You danced with the girls the rest of the night, Hotch forgotten. The others were elsewhere, off on their own. They were good company, and it was nice to hang out with other women. Eventually, the dancing wore them out and they decided it was time to head out, making sure to exchange numbers with you and add you to their group chat before they bid you farewell.
Something told you they were a little more than friends, but you weren't sure if they even knew that.
Alone, you decided to get off the dance floor, making your way over to the bar to text Derek. It was getting late; the bar would close soon, and you wanted to head home. But when you opened your phone, you already had a message from him—timestamped an hour ago. Furrowing your brows, you clicked on it.
Sorry, angel, but Pen opened a window for me and I had to take it.
If you know what I mean ;)
Please don't kill me. I'll send a car for you when you're ready.
Audibly, you groaned, closing your eyes in exhaustion. Of course, he shot his shot with Garcia on the night he's meant to drive you home. And you couldn't even be that mad about it. 
You sighed, accepting it and going to open your Uber app when a voice queried from behind you, "Are you alright?"
Fuckkkkkk, you were really hoping he left by now. Reluctantly, you turned around, facing Hotch. "Yeah, Derek was my ride home, but he um," you paused, wiping a hand across your face, "he got lucky."
"With Garcia?"
You laughed at how transparent it was and how quick he, their boss, was to get it. "Yeah, so I'm just gonna catch an Uber home."
"Don't be ridiculous; I'll drive you home." You were shocked at how quickly he shot you down, looking up at him to see he was being totally serious.
"No, you are being ridiculous. I live all the way in Washington."
He shrugged his shoulders like it was nothing, like you were friends and his offer was normal. "I live in Arlington—it's not out of the way. Besides, would you rather pay for an hour-long car ride or have me drive you for free?" 
Honestly, you'd rather do many things besides let Hotch drive you home for an hour, so you excused, "I'm good for the money."
He rolled his eyes. "It's 1AM, Y/N; I'm not gonna let you take an Uber home." He nodded to the exit. "Come on, let's go."
Now you rolled your eyes. He'd made up his mind, despite your disapproval. Yet you still glanced down at your phone, debating it. You supposed that he was better than a total stranger, and it was only an hour.
Maybe you were tired and your judgement was impaired, but for some reason, you obliged. "Fine."
You didn't know if it was a trick of light, but for a second there, it looked like Hotch's lips quirked upward.
For a second.
The car ride was silent if not for the music drumming lowly in the background. You didn't crack any jokes or say anything playful or innapropriate; you were a silence filler, you hated silence, but you'd rather sit in silence than talk to Aaron Hotchner any longer than you had to.
His presence was already pushing it.
If Hotch noticed how quiet you were, which he likely did, then he didn't comment on it. You were sure that he was profiling you silently, though, the same way you were silently profiling him.
He wasn't driving his official government vehicle, but it was still a black SUV. Not a Tahoe, though; it was an Escalade. It wasn't too proud or boastful but it wasn't too unassuming, either. Expensive but not too much of a head-turner.
A glance to the back displayed a car seat. You suspected that his son was with his ex-wife, since he was here at one in the morning and not at home. He was a stable father, and you could tell.
You knew what instability looked like.
The CD he had in when you got into the car was the White Album, Beatles. That, you could've guessed easily. It fit.
The car was clean. It smelled like peppermint and his cologne. If you opened the glove box, you'd probably find a gun. He carried two on his person while working, so he probably had one in here and then another at his place.
Prepared.
But what neither of you were prepared for was the sudden downpour of rain.
Hotch turned on his windshield wipers, then you saw a flash of white followed by a loud clap of thunder. He cursed under his breath, and you then cursed yourself for finding it attractive. "It's a storm."
"I can see that."
He ignored your quip. "Well, we're already in Arlington. My apartment is two minutes away—we could stop there until it's clear."
You held back a sigh. Regardless of your feelings, it was unsafe to drive in this weather. That's why you agreed. "Okay."
He wasn't lying about being two minutes away. With in no time, you were in front of his complex. Running inside barely did anything; you were drenched after being outside for maybe ten seconds.
The thunder was loud and continuous; the only place you didn't hear it was in the elevator. Then it returned once you were out, walking through the halls to his apartment.
You were on your phone while he unlocked the door, checking the weather app. This time you couldn't repress the sigh that left you. "Forecast says this storm's going all night."
"Oh." He opened the door, holding it open for you. "Well, you can stay the night." What? "I'll drive you home first thing in the morning."
"Um—"
He gestured to his living room, suggesting, "I'll take the couch. You can have the bed." Well, it wasn't really a suggestion, and you didn't have much of a choice, either.
So you nodded. He said something about going to change and fetch you clothes, and then you were alone in Aaron Hotchner's foyer.
You. In his apartment.
You thought back to when you met him, in an interrogation room as he accused you of being a serial killer. And you were a killer, just not that kind. Yet, now, he willingly had you, a gun for the government, in his apartment. This was the same Aaron Hotchner who prosecuted criminals, who hunted down evil, and believed in justice and court of law. The same Aaron Hotchner who frowned upon your unseriousness and grey morals. And he was also the same Aaron Hotchner that stood next to you in a hospital waiting room and told you he wanted to know you.
God, it was ironic. Him wanting to know you. You didn't know if he understood what that meant, what that entailed. 
He was the gavel, and you were the gun.
And that was that.
He walked back into the room after a good three minutes, changed into attire more informal than you'd ever seen him. He wore a button-down and jeans to the bar, but you didn't imagine you'd ever see him in sweats.
"Bathroom's on the left," he told you, pointing to it. "Feel free to use the shower. I left some clothes on the bed for you, and if you need anything, I'll be out here."
You nodded, saying a quiet "thanks" before you walked past him to his room. You'd skip the shower; you didn't have any underwear for that.
Closing the door, you took a moment to scan his room. Bed in the middle, navy blue sheets. Window facing the door, dark red curtains covering them. There was a closet to the side, likely filled with suits, then a dresser across from the bed for ties and everything else.
There were two nightstands on either side of the bed, a frame on one. When you got closer, you saw it was a picture of a little boy with a grin so wide that it brought a smile to your face. 
On the bed, Hotch left you a pair of grey jogging pants and a worn blue hoodie with George Washington University painted on in chipped white in the middle. You changed out of your wet dress, and all hesitation for wearing Hotch's clothes went out the door the second you put on his hoodie.
The sweatpants were just as comfortable, despite having to pull the drawstrings immensely far. You could fall asleep like this no problem, but then just as you went for the bed, the light cut out, drowning you in darkness.
You're kidding me.
There was a knock on the bedroom door soon after. You weren't sure if you could find it without stumbling or knocking something over, so you just shouted, "Come in."
Hotch's head poked in, illuminating the room with the flashlight on his phone. "It's the whole neighbourhood. Do you want a candle?"
Yes, I do. You had a thing about sleeping in the dark, but like hell if you were gonna tell him that. A CIA agent, afraid of the dark—you weren't telling anybody that. "No, I'm good, but um," why am I stammering? "Could I get some water, please?"
"Yes, of course." Hotch was quick to leave the room for what you requested, and you were quick to follow him. He was the one with the flashlight.
His kitchen was barely visible, but you caught a glimpse of a few drawings on the fridge. When he lit a candle and placed it on the counter, you saw the the drawings were finger paintings, one of a whole child's hand. Again, you couldn't stop the corners of your lips from curving upwards.
Aaron Hotchner. You'd seen the prosecutor, the profiler, the unit chief, and now the father.
"Here." Hotch's voice cut through your thoughts as he handed you a glass of water. You didn't even hear when he turned the tap on.
You wordlessly took the water, thanking him with a nod. He stood there as you took a sip, watching you with a gaze that felt scrutinizing but probably wasn't. He was good at hiding what he was thinking, but you could still tell that he was thinking, nonetheless.
In a split-second decision, you lost the battle with yourself not to engage in conversation. "What? Did you poison this?"
He ignored you, like always, and questioned, "Are you afraid of the dark?"
You just barely stopped yourself from choking, masking your cough with a chuckle. "What?" How the fuck did he guess that?
Vaguely, he added, "You seem like the type."
"Oh, 'I seem like the type?'" you echoed. "Is that your normal-person way of saying 'it fits with my profile?'"
He shrugged. "More or less."
Another chuckle left you, this time unforced. You were wondering if he was drinking before you and Derek showed up. This confidence and nonchalance was new, but amusing. Maybe you had one too many drinks, too, or maybe something about this version of Aaron was drawing you in, but you indulged him. "Okay, Hotchner. Give me my profile."
He paused, looking at you like he was debating if you really meant it but you saw the moment he made up his mind, decision flashing through his eyes. He gave you a once-over, but not because he needed to; you had a feeling this profile had been brewing for a while now.
"You're a control freak," he started. "This doesn't just shine through in your work—it also appears in your day-to-day life, like your overwhelming need to fill silence or dislike for the dark. This comes from a period of your life when you weren't in control, and now you have to control every situation you encounter. You come off as easygoing, but in reality, you're closed off. You hide behind jokes and arrogance because you don't want people to know the real you, but every once in a while, she reveals herself. She cares, but you can't have that be used against you, so you pretend you don't. You don't have many friends because that opens doors, and you are afraid of what is behind them. That is why, even as you stand in my kitchen, wearing my clothes, you still refuse to say my name. It's a defense mechanism, a way for you to create distance because, as much as you deny it, you feel something."
Somewhere in his explanation, he got closer to you. He never broke eye contact, not once. He stared at you like you were a puzzle he was waiting to solve, and he had too many pieces. You suddenly wished you'd never asked.
You intook a deep breath. "Ho—"
He cut you off, voice now just above a whisper. "What are you hiding from, Y/N?"
What am I hiding from?
Your eyes involuntarily darted down to his lips, and he caught it. He took another step closer, and you let him. What am I hiding from?
Your breath was shaky as Hotch leaned down, resting his forehead against yours. One movement and your lips would touch. You wondered what it'd feel like. To kiss him. To stop hiding. 
What are you hiding from, Y/N?
You leaned in, and then just before your lips met his, the lights turned back on.
Just like that, you pulled away, the sound of your racing heart concealed by the sound of the heater kicking back on. "I should— I should get back to bed now." You kept your eyes on the tile.
"Y/N—"
"Um, thank you for the water—"
"Y/N."
Finally, you looked up at him, concern and confusion swimming in his eyes, and you understood it. One second, you were on the verge of kissing, and now you were on the verge of tears. You didn't understand it, either.
But this, whatever it was, it couldn't happen. This was a lapse of your judgement. He was Aaron Hotchner, the prosecutor, the profiler, the unit chief, and the father: the gavel. You were Y/N Y/L/N, the hacker, the director, the addict, and the killer: the gun. 
This wasn't gonna happen.
So you loaded a round into the chamber, put your finger on the trigger, and took the safety off. Then you aimed it at yourself and fired, "You're a good man, Aaron." Too good for me.
You think he was too shocked by his own name, and that's why he let you walk away.
And as you closed his bedroom door, you had a feeling that it wasn't the only door you just closed.
6. A lie is the truth (link)
taglist: @flow33didontsmoke
extra a/n: guys i'm so mad ab this block limit and how this can't be one part but wtv!!
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frankiebirds · 4 months
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every day i think about elle and morgan going on vacation together and at least morgan wanting reid to come with. what were their intentions. were they bisexual in nature. also im also almost certain that this is the first time morgan calls reid "pretty boy" and it's while he's inviting him on vacation with him. it's 2005/2006 you cannot be this bisexual at your government job.
bonus:
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yeah i think elle also wanted him to join them.
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miley1442111 · 5 months
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Hi love :) I was wondering if you wouldn't mind doing a little something for Derek Morgan? Where reader and Derek have a similar dynamic to Chandler and Monica from friends, maybe something similar to that one scene where Monica gets called high-maintenance and can't stop thinking about it and Chandler comforts her by saying that whilst you may be a little above the average maintence level (or something around those lines, it's been like 2 years since I last watched friends 😅), he's just like, "it's okay, because I like... maintaining you?".
Btw I'm obsessed with your fics I just finished reading all your Aaron fics in one go. Thank you so much my love! <333
omg i love this ideaaaa so much (Truth be told I've never watched friends once so i did in fact have to look this scene up on youtube)
i hope you enjoy!!
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a/n: intended for fem or male reader, so imagine what you like:)))))))))
summary: you're not high maintenance, right?
pairing: derek morgan x reader
warnings: general criminal minds topics, mild insecurities
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High-maintenance. You weren’t high maintenance, right? 
It had been a throw-away comment from earlier in the week, something funny David had said. Though it stuck with you, making you question if you were high-maintenance or not. 
Was it high maintenance to ask your boyfriend to drive you to the gym? To ask him to get you a coffee? To ask his opinion on things? To ask him to help you with something?
You were going over it constantly in your head, so much so, that you’d decided to change. 
Him getting you coffee turned into you getting him coffee. Him helping you on cases turned into you practically ignoring him unless you were alone, or at home. Him giving his opinion on anything you’d usually ask him to give his opinion on, turned into never asking his opinion. Him driving you to the gym turned into you walking there and back alone. Maybe that one was a mistake… 
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You sat in the passenger seat of his car, the rain had ruined your hair, your active clothes sticking to your body, and his voice droning on in a lecture of why it wasn’t safe to walk home at 11pm alone. 
“I mean I seriously don’t understand baby, why can’t you just let me pick you up?-” he was worried. The kind of worry that made someone pissed off. 
“Why can’t I just let you pick me up, Derek?” You mocked. “I fucking wonder why.” 
“You wanna’ tell me something baby?” He cocked his head to the side, glancing at you quickly. 
“No,” you mumbled. 
“What is wrong with you this week? We’re barely spending any time together, you won’t let me drive you anywhere, you’re acting like I’m not there at work-”
“I’m trying Derek, alright. Give me a fucking break,” you huffed.
“What are you ‘trying’ to do?” He asked, genuine confusion coating his words. 
You just sighed and left the car as he parked it outside your shared apartment. You stood in the elevator, his jacket around your shoulders, feeling silly. Why had you let him pick you up? Oh yeah, three guys were following you. Probably the safer choice, though it didn’t make you feel any less childish. 
You’re so high maintenance, a voice in your head nagged and you slipped his jacket off and handed it to him. 
“Baby, can you just talk to me?” he asked, pulling the emergency stop button and turning to you. 
“About what?” You started the elevator again, wanting to ignore whatever issue he thought you two had. 
“Baby, if I did something-”
“You did nothing,” you reassured him with a sad chuckle.
“Then what’s wrong?” He asked, taking your hand in his. “Please talk to me.”
You looked down at his hand, a sad smile on your face. “It’s nothing.”
“Tell me anyway,” he chuckled, pressing a kiss to your cheek. 
“Do you think I’m high maintenance?” You asked, scared of his answer. 
He smiled down at you and sighed. “You’re a little high maintenance.”
“Oh…” you sighed. So Dave was right. Everything he’d said was right. Derek probably finds you so annoying. He probably hates you.
“But I like getting to do the maintenance. I like taking care of you,” he smirked, pressing a kiss to your cheek. “I’m glad you let me take care of you.”
“What?” You stared at him and he pressed a kiss to your lips. 
“I like maintaining you,” he repeated and a smile spread across your face. 
Who listens to Rossi anyway?
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criminal minds masterlist :) - requests are open! :)
581 notes · View notes
ellestray · 5 months
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elle's favorite ateez fics. f = fluff ; s = smut ; sg = suggestive ; a = angst. ✧ = absolute favorites, must read. (only adding notes for these few fics to ensure readability for the overall list!) word count in brackets. last updated: may 2nd, 2024
authors; if you wish to be untagged, please let me know!
currently no individual fic for hongjoong, yeosang & jongho. please refer to the OT8 section, or come back for future updates!
성화 SEONGHWA
✧ [11,1k] plastic flowers — @bobateastay ( f ; s ; a ) ↪ note: this fic revolves around abortion, so please keep this in mind before reading. i read this on a flight— and i don't know if it was the altitude, but it broke me. the author beautifully wrote this, in a way where unconditional love, hope and pain are intertwined. one of the most pleasantly surprising and touching reads i've had on this platform by far.
✧ [2,3k] essence — @hwaightme ( f ) ↪ note: this one is for the poetic, hopelessly romantic fics lovers. everything i've read from this author was beautiful so far! the poetry in this fic was so pretty that i felt the need to share it to my friends... although i usually never share fics out of tumblr. i'm excited to read through more of your writings, bai!
[1,2k] the first snow and being in love — @i-luvsang ( f )
[884] 02:36 — @hwapetals ( f )
[642] adoration — @kisshwa ( f ; sg )
[8,6k] both — @hwaightme ( s ; f )
[200] 10:24pm — @hotteoki ( f )
[986] anguish — @kisshwa ( a )
[n/a] bf texts — @hotteoki ( f )
[79] 9:22pm — @cozykpopblurbs ( f )
[1,6k] i'll be with you — @cheollipop ( f )
[519] lazy make out sessions — @crazyforhwa ( s )
[1,2k] realistic sex — @byuntrash101 ( s ; f )
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윤호 YUNHO
✧ [13k + 18,2k] unprofessional attraction ; pt.1 , pt.2 , [tbc] — @jk97 ( f ; s ; a ) ↪ note: i was so engulfed into this fic that i skipped a lecture to continue reading. fics that are heavier nsfw-wise usually aren't my thing, but here, every single line pulled me in. hell, i felt even more insane about yunho after reading this. saying i'm excited about the next chapters would be an understatement.
✧ [14k] closer, face down — @ncteez ( s ; f ) ↪ note: again, although i usually prefer fluff over smut, i absolutely loved this fic... the build up made it so enticing! i don't know if a re-edit still is in the works, but i'd absolutely re-read it regardless!
✧ [84,5k] project: make you love me (series) — @hwaslayer ( f ; a ; s ) ↪ note: pulled an all nighter to read the entire series in one go... it was that fun to read! the relationship was built up at a nice, natural pace, while still keeping the reader on their toes. (this made me very excited about the seonghwa series in progress..!)
[1,1k] bedfellows — @sungbeam ( f )
[1,3k] he knows he loves you — @honeyhotteoks ( f )
[2,5k] convenience store chances — @ohmyamor ( f )
[n/a] boyfriend texts — @koizekomi ( f )
[300] nothing sweeter — @i-luvsang ( f )
[1,1k] nsfw alphabet — @yunhobug ( s )
[425] 3:52am — @edenesth ( f ; sg? )
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산 SAN
✧ [3,7k] leave the window open — @sungbeam ( f ) ↪ note: so sweet. so comforting. the kind of heartwarming fic that feels like hot cocoa on a cold winter day. (also made me feel insane about san... but let's not talk about that.)
[1k] always available — @everyonewooeverywhere ( f )
✧ [1,6k] capturing us — @03jyh23 ( f ) ↪ note: another sweet, poetic, hopelessly romantic fic— my favorite kind! finding fics like these always feels like discovering a little treasure. looking forward to all the wips!
[n/a] boyfriend texts — @koizekomi ( f )
[2,6k] take a break - @cheollipop ( f ; s )
[249] 21:23 — @petitemingi ( f )
[350] boyfriend headcanons — @i-luvsang ( f )
[600] one more minute — @seonghwaddict ( f )
[1,3k] no strings, no expectations — @seonghwaddict ( a ; sg ; f? )
[468] stretch marks — @beenbaanbuun ( f )
[475] valentine's series : movies — @whimsicalwritingsandmore ( f )
[n/a] instagram stories with bf san — @lwtqts ( f )
[371] hold me — @cheeseceli ( f )
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민기 MINGI
[800] untitled — @cheollipop ( a ; f )
[2,8k] mind over matter — @mingisaddctn ( s )
[256] 23:22 — @petitemingi ( f )
[1k] 23:46 — @seonghwaddict ( f )
[447] princess treatment — @cheeseceli ( f )
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우영 WOOYOUNG
✧ [1,2k] broke you heart, i'll put it back together — @dairyminki ( a ; f ) ↪ note: loved this so much that i had to read it twice. something about wooyoung hopelessly in love wanting to fix this... name twin, if you're reading this, hi- i'd be seated for a part 2 if you ever have the time to write it!
[2,2k] vacation — @bobateastay ( f ; s )
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OT8
[700] when you don't say i love you back — @jjunberry ( f )
[2,4k] romance tropes — @beenbaanbuun ( f )
[n/a] situationships (texts) ; pt.1 , pt.2 — @yunhoszn ( f )
[2,9k + 3k] as boyfriends ; hyung line , maknae line — @honeyhotteoks ( f : s )
[n/a] sex ban (texts) — @kisshwa ( sg ; f )
[n/a] sending you a pic of themselves (texts) — @bombuni ( f )
[1,3k] outfit turn-ons — @starillusion13 ( sg )
[1,2k] make-up sex — @nateezfics ( f ; a ; s )
[944] showering — @seonghwaddict ( f ; sg )
[1,6k] as boyfriends — @atiny-moon ( f ; sg )
[2,5k] that one specific habit they do that highlights their love language — @sanhwaism ( f )
[1,1k] top 3 kinks — @seonghwaddict ( s )
[2,8k] making out — @sxcret-garden ( sg ; f )
[n/a] asking them to draw a flower (texts) — @eightmakesonebraincell ( f )
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if any link is broken, or if i made any mistake when tagging fics— please kindly let me know!
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dalamjisung · 1 month
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A muted shade of green ✧ Chapter 1: Cat Adams
genre: fluff, angst
word count: 4986
pairing: reader x spencer reid
description: you finally understand what is going on. and that leaves you more lost than ever.
a muted shade of green masterlist
previous chapter // next chapter
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The first thing you notice is the colour of the walls– beige and cold and not green. You don’t say anything to Spencer, though; you couldn’t even if you tried. Not with all those eyes on you. Your visitor’s pass clicks and clanks against the buttons of your shirt and your hands still shake, even with how tightly they are holding onto your bag. Morgan and Spencer have been very careful to not make too many sudden moves near you, but they are not the problem, it’s the situation. It’s the fact that Spencer doesn’t tell you who is Cat Adams. Is the fact that they made you put your phone in a metal box before entering the building, and then proceed to talk about as if you are not right there. 
“She’s going to need a security detail,” Morgan sighs, sunglass finally off and it knocks your breath away how worried he looks. He can’t really hide it, you think, not with how expressive his eyes are. Spencer, on the other hand, is unreadable. His face is set and frozen in a blank expression that has all the hair on your arms standing up. He doesn’t speak, though, and that is probably the first time you’ve ever seen Spencer Reid that quiet. “Kid, are you listening to me?” 
“Security detail won’t do,” Is all he says before guiding you out of the elevator and into an open space filled with office desk, trapped inside those god awful beige walls. Fuck, you think you are starting to hate beige; that specific shade of it. You hate how it numbs out everything inside, how trapped it makes you feel. No one really talks to you, but from the way they stare, it’s quite obvious that they know what Spencer won’t tell you. 
At this point, there are various things happening inside of you and you can’t quite keep up with them all. Your stomach is roaring, sending sharp jolts of pain up and down your torso and you wince a little with each step you take. In turn, each step you take has you wobbling on unstable legs, and you take deep breaths to try and keep it together. Though every time you inhale, your lungs burn from the panic that lingers in the back of your brain. And finally, you brain, tired and overused, still seems to have an issue with processing the situation, and it takes you to a time that no longer exists– a time in which Spencer laughed at your literary themed jokes, or when he would come with coffee and nothing more than a smile. You understand now, why he kept you in the dark about his job; you understand the weight that this job has on him. 
It makes you wonder if it’s a weight you’re strong enough to carry on your shoulders.
By the time you blink yourself awake from your world of past memories, there are people around you and you don’t recognise any of them. Somehow, you are seated at what looks like a very typical office desk; the chair swivels as you look around. The copy of The Argonauts on the desk is a dead giveaway of whose desk you are on, but then why isn’t he here? Why did he bring you to this cold, cold place and left you by yourself? Why– “Y/N? It’s Y/N, right?”
There are two women next to you, one to your right and one to your left. You don’t like how they make you feel like a cornered animal, but their faces show nothing but understanding and compassion, and you don’t feel like being a bitch will help your situation. Your anger, building higher and stronger with each passing second, is not because of them, and you are many things, but you like to think you are not unfair. “Yeah,” You croak out, gulping the ball of emotions that seemed to be stuck halfway down your throat, making it hard to talk or breathe without your lower lips wobbling pathetically. 
“Y/N, my name is Jennifer, but you can call me JJ. This is Emily, we both work with Reid.” 
It takes you a second to know who they are talking about. For you, it’s never Reid. It’s Spencer when you are laughing at one of his rants about something so niche and specific that you couldn’t find it anything other than amusing. It’s Spence when you’re heart is full and the butterflies are awake. And it’s Favourite Customer when you want to tease him. It’s never just… Reid. “Spencer,” You nod, embarrassed by your own need to say his full name. You don’t want to need him, right now, but you can’t help but look around the open bullpen. His wild, shaggy hair is nowhere to be seen and you don’t understand how the sweet man that stole your heart can do something like this. You are scared and confused and he just left you with strangers. “I uh, I’m sorry, but wha-what’s going on? No one will tell me anything, and I think I have the right to now why Spence had a gun and why I was dragged away from my shop and–“
If you had anything in your stomach, you’d vomit again but all you manage is to double forward a little, the pain of your hunger and your nausea together starting to get a little too much when the added stress of being alone with strangers got added into the mix. “Here,” JJ pushes a packet of saltines towards you. “Got into them when I was pregnant with my boys and now I always keep one here. It’ll be good to eat something, Morgan mentioned you got sick.”
“Thank you, I– Penelope?” Seeing her there, with her pinks and oranges and yellows, makes as little sense as seeing Spencer with a gun. Her warmth and happiness don’t fit in a place like this, that, so far, has only brought you anxiety. 
“Y/N! Oh my god, sweet, pretty Y/N!” For the first time in what feels like a lifetime, you chuckle. And it breaks you down inside, how fragile you must seem for Penelope to wobble towards you in such high heels and yet, hug you with the utmost care in the world. It’s in her arms that you start crying again. “Oh no, no no no, don’t cry, it’s okay… You’re safe here.” 
“Safe from what?” You wail, and if Spencer had bothered enough to be there, that would’ve been the first time he would have seen you raising your voice. 
Ever since you were little, you never raised your voice. As an adult, it has happened once or twice, but never at someone specifically. Your nature is that of a more reserved person, someone who enjoys the spectator role a bit too much and prefers to observe from afar. There is power in knowledge, and it shouldn’t be surprising to anyone that you value the little bit of it that you have– so much so, that you built a business in which you could gather all the knowledge you deemed special and worthy and important, and then you could share with other people. Sure, you don’t always feel like your job is significantly important for the betterment of the world, but every time a client leaves with a smile, you know you’re doing your part. 
“Cat Adams.” 
The name alone is enough to make you fall onto the chair again, body limp and drained. Spencer is back, but he’s off. His lips are pursed in that way he does when he is unsure of what to say and he’s hidden his hands inside his pockets. It’s his own way of keeping secrets, hiding his hands from you… and you don’t like it. For as long as you have known him, his excitement shone through his hands; it’s the fast movements and the wiggle of his fingers that always make you smile. It’s how he best communicates and now it’s how he pushes you away. “Miss Y/L/N,” There is a man in a suit standing next to him, and you shrink in your chair under his stare. It’s heavy and cold, and you think that if he looks at you for a second longer you might start crying all over again. “My name is Aaron Hotchner, I’m the unit chief for the BAU. Please, come with me and I’ll explain everything. JJ and Spencer, you too. Penelope, prepare to brief the team in 20.”
Part of you wants to tell him no just to see what would happen. It’s clear, from more than just his title, he’s in charge. Your one and only connection to these people and this place is Spencer, so he is your tell-tale. He is your magic ball. It’s a skill, rather than a gift, being able to sense people like this– it’s something that years in retail and sales have taught you– and right now, you see how Spencer shifts his weight from one leg to the other while looking at his boss, waiting for instructions as if he couldn’t come up with them himself, and that, more than anything else that has happened today, is what scares you the most. 
Because if a man like Spencer can’t come up with an answer for this specific issue, you are not sure anyone else can. 
—————————————
“Can someone please tell me what is going on?” You are not above begging, hands balled into fists on your lap as you look up at Aaron Hotchner with pitiful eyes. You probably look messy, at this point, but you can’t bring yourself to care. All you care about is you. And your store. And the fact that an hour has passed since you first got to that godforsaken office and no one seems to care; no one seems to care about your time or your personal affairs. 
They only care about that stupid package. 
“Miss Y/L/N, I apologise for the confusion we’ve caused, but I guarantee that everything that has been done so far was to keep you safe,” His words, as strong as they sound, don’t feel any more assuring than then tentative glance Spencer throws your way. 
“Oh god,” You breathe out, eyes wide while your mind ran circles around you. It is a dangerous thing, to let a literary lover imagine– your brain, filled with epic tales and unforgettable real stories, starts rushing towards the worst case scenario and you find yourself reaching out to hold at something, anything, that might make you feel grounded in reality again. It’s how soft Spencers suit feels in your fingertips that makes you realise you reached out for him. “Oh god, was that like, a bomb? Did I sign for a bomb? Oh god, Spencer, do people send you bombs? I didn’t know, I’m so sorry, I’m sorry, Spence, I–“ 
“It wasn’t a bomb,” Spencer is quick to interject, hands finally out of his pockets when he reaches out to hold your shoulders. His thumb gently caresses your arm and you try to breathe somewhat regularly, imitating the rise and fall of his chest like he is the beacon light bringing you back home in treacherous waves– like he is the only one you can trust in that place. “Y/N, it’s okay, it wasn’t a bomb. The contents of the package are not important and they were harmless. But we need you to focus. I know I scared you and that this is all very overwhelming, but you need to listen to Hotch. Please.” 
In your mind, you keep repeating those words to yourself– Listen to Hotch. Listen to Hotch. Listen to Hotch.
“Cat Adams is a prolific serial killer,” Listen to Hotch. Listen to Hotch. Listen to Hotch. “We’ve arrested her a few years ago and we believe she has resurfaced.” 
Listen to Hotch. Listen to Hotch. Listen to Hotch.
“And that she has been targeting Reid.”
With one panicked look his way, you say what the words stuck in your throat can’t convey– I can’t listen to Hotch anymore. “She… She is a serial killer,” You whisper, eyes focused on Spencer in search of a nod or a shake of his head. This is the FBI, but you only trust him. “And she is after Spencer. Okay, I uh– I need– I don’t know what I need.” 
If you asked Spencer, he would tell you that you have a certain something about you whenever you are tired. Your shoulders slump forward and your head fall on your hands in a desperate way to keep your neck upright. The lack of energy is almost visible in you, and sometimes he has to fight the urge to hold your head up for you. 
But you don’t ask Spencer. Actually, you don’t say anything at all; you let people talk about you and around you, but your brain shuts down with each and every word, unable to retain any more information. “Can I go home?” There is a minute of silence before Hotch sighs, shaking his head. “But you said you arrested her, correct? Therefore I shouldn’t be in any immediate danger. I mean, it’s not like she has access to USPS delivery data from prison, right?” The more you speak, the faster you try to get up. You’re not thinking straight, and with all due reason– there is no power left in you to do this. There is no energy, no will, no strength to keep on going because it feels like you’re running in circle. 
Spencer notices it, too, and in what can only be interpreted as a daring attempt to calm you down, he let his hand rest on your shoulder for a second. It’s a subtle way to tell his team to go easy on you, almost like he’s having a full conversation with Hotch without opening his mouth. You, however, don’t catch it, and you continue to try and push yourself upright and away from them. You need to get away from them.
“So she has no clue who I am and I have nothing to do with this because I’m just a bookseller! And I just happened to sell Spencer some books and we’re just friends!”
A wave of shame downs on you when the words leave your mouth, like you are admitting to failure when  you haven’t even had the chance to try it to begin with. It’s like you deny Spencer’s presence in your life as a whole, like he has no significant place or role next to you, and you can’t seem to meet his eyes even when he starts speaking. “Y/N, I am so sorry,” The choked out sound that escapes him is the only thing that makes you look, makes you raise your eyes to meet his and you gasp when you notice he is holding back tears. “I’m so sorry, I thought she was gone, that she was not a threat anymore, I–“ 
“Reid,” JJ sighs, and you see something in her that makes you shift in your chair, a bit uncomfortable with the way his name sounds coming from her lips. “Reid, she’s going to be alright. We will get some officers to keep watch by her place, and we can file a request for protective detail during the day.” 
“You know as much as I do that none of that will help!” Spencer’s voice gets higher and louder with each word and his hands are back at it again, flying around the room in frustration. You have never seen him like that before, and it scares you more to see him scared than to hear that you might now be placed under protective custody. 
“Spence,” This time, when your voice wobbles in fear, it’s not because of him. “Spence, is it really bad?” 
When you were little, you used to refuse to admit your were scared. You’d use any other word– frustrated, spooked, uncomfortable– but you would never admit fear. Your dad always thought it was the cutest thing, though, because despite you puffing your chest out and crossing your little arms over your chest, the one thing that always gave you away was the way your lips wobbled. Right now, you feel like that little kid again, refusing to admit to how you really feel but giving it all out anyways. 
Spencer’s eyes read you like a book. You can feel the weight of them, moving across your face, taking in the lines and expressions you make without even realising. It’s like every part of you is a new chapter, telling him more and more of a story he is yet to finish, and with a sigh, sad and defeated, he nods. “It’s really bad, Y/N, I’m so sorry… this is all my fault. I should’ve been honest with you, I should’ve told you what I did and who I worked for and all that it brings with it.”
“No, Spencer, this is not your fault,” You breathe out, reaching for him in a moment of weakness. Your anger is still there, still simmering at the way that, in a sense, this is very much his fault, but you manage to rise through it when his nervous hands try to reach for you but fall nimble by his sides instead. “I mean, it kind of is, but it isn’t. And it’s okay. I’ll be okay. Right? I’ll be–“
“You’ll be just fine,” Hotch interrupts. His brows are slightly raised and from the way he looks at Spencer you think he knows something you don’t, but you’ve been feeling like that ever since you’ve stepped into that office. Everyone around you knows something you don’t– they know things about each other, about Spencer, that you simply don’t, and that you think you never will. Because after this– this betrayal, this hurt, this fear– you just don’t think you and Spencer can coexist anymore. You don’t think you can forget, as hard as you might try, the sight of him holding that gun to your head. So for now, you try to calm down. For now, all you can do is try to calm down. “Miss Y/L/N, we need to asses the situation, understand if you are in any kind of immediate danger. While our team works on this, we will ask that you relocate. Do you have relatives you can call? Friends?”
Technically, you do. Your parents live in New York and so do most of your friends– all it takes is one call. But that is one call you really don’t want to make. “I don’t want to leave my store,” Looking down at your hands, you wonder how easy it is for them to see right through you. “I just moved here. I know it might sound stupid, specially considering the… you know, this whole situation. But my life is here now and I would rather stay, if, if that’s okay, of course, I mean, you know… best.” God, you look so uncomfortable trying to stand up to his boss that the pity in Spencer’s face is almost palpable. “Please.”
“Hotch, she can stay with me.”
“Do we think that is a good idea?” JJ frowns, and you can’t help but nod, looking at Spencer as if he’s insane.
“I– That’s a very kind offer, but isn’t she after you?” You manage to ask, looking around for any clue their team might give you. These guys are professionals, though, and they know how to keep up their masks of indifference. 
“Yes and no,” He explains, sighing before crouching next to where you sit. “Y/N, this woman– Cat– she is psychology disturbed. She is what we call a black widow, do you know what that is?”
You nod, blushing a little with how close he is to you. “I uh, I read a book that the main character was a black widow. Butter, by Asako Yuzuki.” 
His smile makes you melt a little, and you hate how weak you are to the little windows of personality he allows you to see from time to time. “Yeah, I like that book too. But… this is real life. Cat Adams goes after cheaters, liars.” 
“Then why is she after you?” 
“Because I lied to her,” He admits, your eyes stuck on his expression and if you were anyone else, you wouldn’t have noticed the way his jaw ticks in response to what you can only assume to be anger. But you are not, anyone else, you are very much so yourself, an observer, a quiet listener, and it just so happens that your favourite person to observe and listen to is Spencer Reid himself. “I was our decoy to capture her and now she sees me a as a game. Almost like, like a game of wits, to see who’s smarter, to see who will win. Is this making sense, Y/N? Do you need a break?”
“I just, I don’t understand where I fit. I was just housesitting for you, I could’ve been a complete stranger.”
“Miss Y/L/N,” Hotch interrupted, leaning forward in such a somber way the hair on your arms stand up. “You have managed to get something she never did. Cat Adams is acting out in jealousy.”
“What did I get? I’m sorry, I don’t–“
“Me,” Spencer said, eyes piercing into yours. “You got me.” 
—————————————
By the time you make it back home, the moon is high and the roads are clear. It has been a while since you last got out of the house at the early hours of the morning. Fresh from the move and focused on your new store, making friends wasn’t at the top of your priority list when you landed, a year and something ago. Without someone to drag you out to bars or bribe you to go to clubs, you don’t really leave the house much at night, preferring the comfort of your own couch and the company of a book in the weekends. 
“You know,” For a second, you almost forget that he is right there behind you, and you jump a little when his voice echoes in your empty apartment. “You’ve been to my place so many times, but I never really even seen your apartment.” 
How do you tell him that there is not much to see, anyways? How do you tell Spencer that, in the time you’ve been here, the 365-plus-something days, you just never really thought about your apartment the same as your home? Your walls are empty, and it’s a little embarrassing, the way his brows shoot up when your turn on the lights. Besides your couch and a centre table, the place is almost empty. The TV stands on an old piece of furniture, a unit too dark and too classic to match with the rest of the things you have, and it’s a little too obvious that it came with the place and you were just too lazy to get rid of it. There is a singular throw pillow on the couch and a blanket, with a pile of books standing by the foot of it. But what really strikes him as odd, what really makes Spencer look around and make sure that yes, this is your apartment, is the fact that there are no shelves. There are no books, besides the four or five pilling up on the rug. 
“You know, for a book lover, you have… no books,” He mumbled, hands on his pocket as he offered you that smile you used to adore so much, but that now makes you a bit uneasy– tight lipped, never really reaching his eyes. “Why do you have no books?” 
“They are all downstairs,” You say, marching straight to your room to grab a backpack. “How many days do you think I’ll be staying with you?” 
“Honestly? Until we solve this.”
“…And how many days is that?”
From where he stands, he can’t see your sagged shoulders, trembling hands holding onto the blue backpack you had laying around the back of your wardrobe. “Pack for as long as you can,” He shouts from somewhere deep inside your place. “Better safe than sorry.”
“Too late for that,” You mumble to yourself, grabbing the closest items your found– a couple of shirts, sweaters, and jeans. After today, it’s not like you have much energy left to try and plan outfits ahead, so anything will do. 
It’s borderline funny, when you think about it… Just yesterday you were worried about what to wear, nervous hands sifting through your endless collection of sweaters to try and find just the right one for the day. Spencer visits you everyday, so everyday is a new day to impress him. You even start wearing makeup; a bit of mascara to make your eyes shine behind the glasses you refuse to wear, some blush to make the natural flush you get whenever he’s around seem more normal. It’s vain and futile, you know, but it makes you feel a tad more confident. A tad more… colourful. Like Penelope. “I think I’m ready,” You say once you’ve gathered all items you might need from the bathroom. “I’ll still be good to work, right?”
He nods, a smile on his face as if this is good news to him too. “Yes, we will have men stationed outside your store all day, so you don’t have to worry about anything while I’m away at the BAU. I’ll personally drop you off and pick you up myself.” His words don’t make you feel any more confident, hands fidgeting with the straps of your backpack. “Y/N, I promise, we will get to the bottom of this as fast as possible. This is temporary, and uh… I’d like to think that, you know, staying with me is not all that bad. You’ll get the bed and you are comfortable in my apartment, anyways, right? And, and! And we can have movie marathons and talk about books, cause I have a lot of books! You know that, of course you know that, you sold me half of them.” Clearing his throat when you just stare at him, you can see how Spencer is ranting. But you don’t mind the rant, actually; oddly enough, his nervous words are the one thing giving you a sense of normalcy right now. “Cat won’t come to you personally, if that helps. She is in federal prison, we’ve confirmed it yesterday, and anyone that comes in and out of your shop will be checked. Y/N, we– I’m not going to let anything happen to you, you need to trust me.”
“I do,” And you don’t mean to sound so sad, but you can’t help it. Right now, he’s the only person you can trust, and for you, that is one of the saddest things you’ve ever experience, because even though you know you need to pull away from him, that you need to put some distance between yourself and the man standing right in front of you, you just don’t trust yourself to be able to do it. “Anyways, can we go? I’m really tired, it’s been one hell of a day.” 
The walk over there drains the last bit of life you still have in you, foot dragging and tripping on the road, and you hate that this is how Spencer holds you for the first time– stopping you from falling on your face. “Sorry,” You mumble, following him once you’re on your feet again. The way his hands hover around you while you slowly make your way up the stairs of his apartment is adorable, and each and every time your heart skips a beat for him, it also breaks for yourself. You are digging your grave, and the worst part is that you don’t seem to care. You’re weak, you think to yourself, exhaling heavily when you finally walk inside the familiar apartment. 
You are so tired that you don’t really think about things too much, dragging yourself to the armchair you adore so much and sitting down. The way you kick your shoes off isn’t very polite, but you’ll worry about that tomorrow; for now, all you want is to shut your eyes and drift off to sleep, lulled by the muted green walls and the stories they told. While you slip into the hypnotic pull of a dreamless slumber, you can hear shuffling in the background, and later on, much later into the night, you don’t feel it, but Spencer covers you with your favourite blanket– the wool one his mother gifted him ages ago, the one you always leave tossed aside on his armchair. And you don’t see the way he smiles at you either, like he feels the weight of the world on his shoulders and doesn’t mind; not as long as you get to sleep as soundly as you are then. 
Actually, when it comes to Spencer, you are blind. To logic, yes, but to him, too. For someone as observant as yourself, it’s a little ridiculous how oblivious you are to the looks he send your way when you’re not paying attention. They linger, and he smiles in a way you’re yet to witness, but they are all for you. It’s the one bit of him that Spencer can give you, and you’re not even aware of it enough to take it and keep it safe. 
But maybe it’s better this way. Maybe it’s better to not have hopes. 
Sometimes, Spencer thinks, fixing your blanket so that it tucked under your chin just right when your curl into a small, defenceless ball of exhaustion, it’s better to never have loved, then to have loved and lost.
He would know. 
------------------------------------------------------------------------------
aaaahhhh this is really happening! it's now official: a muted shade of green is an active series :D sorry if it felt like it took so long for an update, I just don't have much time to write recently, but I'm working on it! hope you like it <3
278 notes · View notes
confused-pyramid · 8 months
Text
Coming Up For Air | s1
pairing: aaron hotchner x childhood bsf!reader
summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.
word count: 10.4k
warnings: canon!typical violence, mentions of abuse, death of a spouse, slow slow slow burn, specific episodes mentioned in this part are 1x01, 1x06, 1x07, 1x08, 1x15, 1x16, and 1x22
a/n: I started rewatching Criminal Minds from the beginning, and this is what came out of it heh. This is the first part in a little series I'm starting that follows Hotch and his childhood best friend in the BAU, beginning with the pilot. If all goes well, this will continue through the rest of the show, with ~1 part per season :) Title is from Coming up for air by Signals in Smoke
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You haven't used your oven in over a year. It's not that you don't like cooking - because you do - you just haven't had the time. If you could, you would blame it on the extra hours you have had to put in after starting at the BAU, but that wouldn't be fair. Your transfer to the unit was the only thing that got you through his death at all.
After your husband was shot and killed in action while tailing a kingpin of one of the New York mobs, you couldn't bear to be in this house at all. You had gone back home to stay with your father for a couple of months, but eventually you had to get back to your real life. With a month remaining on your bureau-mandated leave, you returned to the home you had shared, before one of the lower-level mob soldiers misfired -
You didn't let yourself think about it for almost a year, but time heals all wounds. The poets were right. At least you hope they are.
Even back at home, you still couldn't bear to be there alone, other than when you were sleeping. That's why your peloton was gathering dust and your kitchen went untouched, until just now.
So, of course, the call from the office comes when you're making dinner. It takes five minutes to change into slacks and a button-up, and two more to toss your half-cooked vegetables in the trash, before driving down to headquarters.
A fourth girl has been taken in Seattle, and the local PD only now decided to invite your team. You know the BAU isn't well-liked by the other departments, but that doesn't mean you aren't effective.
When you enter the building, you rush through the I.D. check and jog over to the lecture hall, where Morgan and Reid are standing outside of a neighboring office like children waiting for their father to come and get them.
Shooting them both a thin-lipped smile, you step inside just as they finish discussing the unsub's pattern.
"They want you back in the saddle," Hotch says to the man beside him after greeting you with a nod.
Your eyes are so immediately drawn to Hotch that it takes you a moment to realize that you recognize the man standing next to him. You haven't seen him since the day you were assigned to the BAU, mostly because you were technically transferred to this unit because of his extended leave.
What was supposed to be one month became six, before Hotch informed you that your temporary placement would be permanent, if you were willing to stay in Virginia.
It was a no-brainer.
You turn your gaze to Jason Gideon as everyone in the room stares at him expectantly. He looks self-assured, but you're sure the confidence is a front. "They sure they want me?"
"The order came from the director," Hotch says simply.
"Well," Gideon states, "we'd better get started, then."
Hotch glances over at you as everyone files out of the room and you raise your eyebrows momentarily, a quick check-in between the two of you. He nods imperceptibly and it's enough for now. He didn't tell you Gideon was coming back today, but now isn't the time to give him hell for that.
***
Hotch is the last to board the plane, and he takes his usual seat beside you, this time in the aisle, a few rows away from the rest of the team.
"I was going to tell you," he says as soon as you close the case file in your hands. "The section chief wants me to evaluate him to see if he's ready to return to the team."
"That's a lot of pressure." They have to know that Gideon will be able to smell him out within the day. "You sure it won't get in the way?"
Hotch makes that face you hate, the one that says he knows you're deflecting. "I was going to tell you."
It doesn't take much for you to forgive him. It helps that you trust him completely, especially after everything he has done for you.
"Still," you smile, bumping his shoulder with yours, "it would have been nice to know about the sudden change to my job security."
You're mostly joking, but his frown is genuine. "Don't be silly. You'll always have a place on this team."
He takes everything so seriously these days. You suppose it's only fair, given the files he has to sort through on a daily basis. Picking which case deserves the team's attention the most.
But he wasn't always like this. You're the newest member of the team, but you've known Hotch longer than any of them.
You still remember the first time you met him, at eight years old. He was your first real friend at school, and you became inseparable easily. Your shared love for The Beatles and Law and Order made you fast friends, and as you grew older, your interests shifted in tandem.
Sometimes when you look at him, you still see that little boy who knew too much, but still managed to always make you laugh.
***
The team disperses soon after you land in Seattle. You've never had to come up with a profile in one afternoon, but it's also been a long time since your ticking clock to find the victim was just over a day.
When Gideon and Morgan head to the latest crime scene, you join Hotch and Reid to interview the victim's brother. The moment the three of you step into his house, his dog, Sandy, starts barking up a storm.
"It's what we call the Reid effect," Hotch smiles, walking over to pet her. "Happens with children, too."
You can't help but smile as well, peering over at Spencer, who looks about as uncomfortable as he usually does.
It doesn't escape your notice that the brother looks looser now. Hotch has a way with people that traces back to his childhood self. He was always wiser than his years, something you chalk up to his need to grow up faster than he should have, but his paternal instinct comes from practically raising his brother, Sean, after his dad's untimely death.
The casual interview reveals enough about the victimology that when you head back to the station, Gideon calls the officers in to explain the profile.
You can feel Morgan's agitation wafting off of him as he watches Gideon state his assumptions with startling clarity and confidence. Hotch, on the other hand, looks contemplative, which reminds you that he's been tasked with the returning agent's evaluation.
He can see your furtive glances in his direction, even as you try to remain secretive about your interest in his demeanor. He presses his lips together to keep from smiling as he thinks about how lucky you are that you went into profiling and not covert operations.
You have never been especially good at keeping your own thoughts or intentions to yourself around him. While some would call that a weakness in this field, he sees it as your greatest strength, because it clearly shows how much he can trust you.
As a kid, you were outspoken about every idea you had, and you used your strength and willpower to look out for him when he needed it. It took him a long time to admit how much he used to need you (maybe too long), but you always knew.
***
Gideon's profile leads to the arrest of Richard Slessman and Tim Vogel, and Elle manages to save the last girl while she's still alive. You catch your breath for the first time in 36 hours as you stand with Hotch in the shipyard, watching the paramedics and local police clear the scene.
"What are you going to tell them?" you ask under your breath as his gaze turns to Gideon, who is getting patched up in the back of an ambulance.
He had goaded the unsub into shooting him instead of the girl, but your mind can't seem to focus on the silver lining.
Hotch sighs, crossing his arms over his chest, as though to hold his coat closed against the breeze. "They want to know if he's fit to be a field agent again."
Normally, you would give him shit for using that tactic. Avoiding a question by providing more information. This time, you know he's just thinking out loud.
"What would you say?" Hotch asks as Morgan walks over and sits on a barrel next to you.
"Gideon saved her life," Derek shrugs, his eyes flashing to you for a moment. "That's good enough for me."
Hotch seems to ponder this for a second. "Do you know what Gideon means in Hebrew?"
"Mighty warrior," Reid interjects, popping in to the conversation with the subtlety of a tiger.
You're confused at first, but then you remember the baby names book that was sitting in Hotch's living room the last time you visited him. "You cannot let Haley name your child Gideon."
Hotch laughs suddenly, and you can tell you surprised it out of him. Your chest warms comfortably as he smiles, his cheeks flushing softly in the chill air.
He looks over at Gideon again, deciding in real time that he's going to recommend him to come back to the team. He would never admit it to you or anyone, but he knows that if your position on the team was in jeopardy from Gideon's return, he wouldn't have been able to complete his evaluation fairly.
It was Hotch who recommended you for the open position after he was promoted into Gideon's role as unit chief. You deserved the spot, of course, but Jeff's death had still been fresh and he knew better than most how much the job can take one's mind off of the other aspects of their life.
While Hotch watches Gideon, you watch him. You can tell from the look on his face that it's a done deal. Jason's coming back to the team. It will be a change of pace for everyone, but that doesn't mean it won't be good.
Having joined the team right after the bombing, you saw exactly how Gideon changed after getting the profile wrong, but so did everyone else. What people didn't talk about was how Aaron changed too. Rising into the rank. Growing to fill the hole that Gideon left in the unit, but somehow also shrinking into himself at the same time, because that's what this job does to you...it takes and it takes and it takes until you have nothing left to give.
But sometimes that's what you need: to give something up so you know you aren't losing everything.
***
Gideon settles into the team faster than you anticipated, and soon it's almost like he never left. Even though you can see the vein on Morgan's neck pulsate every time he hijacks a profile, you can't help but appreciate the support he gives to Spencer and Elle, both of whom are becoming incredible profilers before your very eyes.
That's also why you find yourself a little worried when Hotch tells you that Reid failed his weapons recertification.
"I thought you said you were helping him practice," you say as the two of you walk past security and toward the bullpen.
"I was," he emphasizes, before correcting himself, "I did. I'm sure he was just nervous."
You nod, pushing open the doors and spotting Reid sitting quietly at his desk. "He can test again in two weeks. He'll be fine."
When Morgan hands him a whistle with a quippy joke, you sigh into your coffee tumbler, but don't bother stepping in. He's being childish, but if you try to intervene, it'll just embarrass Spencer more.
"Okay," JJ starts, "Franklin Park, Des Plaines. Yesterday afternoon."
She dives into the case, but you have already read the file (and you know Reid has too) so you scoot your chair over to his desk and lean forward so only he can hear you. "I failed my first weapons certification at the bureau too."
Spencer looks up immediately, his face colored with surprise. "Really? You're one of the best shots I know."
You smile with a shrug. "The tests aren't real life. When it comes down to it, I get the job done. Just like you will."
He doesn't say anything for a moment, but then his lips curve up into a small smile. You both turn your attention back to the front just as JJ finishes explaining the case details.
"Wheels up in 30."
The flight to Illinois is filled with heated discussions about the bureau's fruitless history of trying to profile long distance serial killers.
"L. D. S. K.s are so rare, we haven't been able to build a standard profile," Hotch explains as the jet reaches cruising altitude.
Gideon chimes in immediately. "Here's what we do know: they're always male, and they frequently have law enforcement or military experience, and they always contact the police or the media."
Elle looks confused and you echo her sentiment as you lean your hip against her armrest. "To take credit or relive the experience?"
"Both," he says simply. "All serial killers attempt to relive the ecstasy they get from their killings. Some use souvenirs taken from the victims, and others return to the dump site to interact with the body. Both modes require contact with the victim, contact which, by definition, long distance serial killers don't have."
"Our unsub hasn't contacted anybody," you point out. "What do we do until then?"
"Sometimes it's not what the unsub does that reveals the profile. Sometimes it is what they do not do."
Reid glances up from the file in his lap, and you notice that he looks at Gideon first. "He doesn't kill his victims."
"Underkill's a unique signature," Hotch ponders, standing up and walking along the cabin. He only paces when he's deep in thought. "The question is, does he shoot them in the stomach intentionally just to wound them, or is he just aiming at the biggest part of the target?"
The team is silent as you take in this new analysis. You're not surprised when Gideon is the first to speak up. "Specifically, does the unsub lack the skill to make the head shot, or simply the will to take it?"
When the plane lands, you check out the last crime scene before spending the day talking to the local police and the victims' surgeons at the nearby hospital.
That night, when you check into your hotel room, the click of the door lock closing behind you is a welcome relief from the tension of the day. Many of the Des Plaines police officers were unhappy with the team's initial assessment, because it heavily implied that the unsub may have been a law enforcement official himself.
You wash your face and change into a tee shirt and a comfortable pair of sweatpants, before climbing into bed and opening the case file back up again. The rest of the team has also gone to their own rooms, but you can't help but wish you had another set of eyes looking at this with you.
As though reading your mind, a knock thuds on your door and you stand up quickly, in case it's an emergency. When you check the peephole, you see Hotch standing way too close to the door.
Unlocking it slowly so you don't startle him, you open the door to find him in still in a full suit.
"Is there a problem?" you ask immediately. "Do I need to get dressed?"
He shakes his head, glancing around the hallway so quickly that you almost miss it. "I was just looking over the profile and I wanted your opinion on some thoughts I had."
The corner of your mouth twitches and you open the door further to let him in. He doesn't miss a beat as he takes a seat on the armchair in front of your bed and flips open his notepad.
"I was thinking about the bullet we recovered on the scene," he says slowly, like he's thinking through every word he's saying.
You nod, sitting on top of the bed covers and crossing your legs under you. "Garcia called after you left the station. The bullet was a .223 fired from the M-4 variant of the M-16."
"That means he's military," Hotch says, reaching his hand out without taking his eyes off his notepad. You close the case file you had laid out and hand it to him. "M-4 is a shorter barrel than the M-16, so it's less accurate and a lot harder to fire, especially at these distances."
"This level of skill indicates specialized training. That means..."
"It means the underkill was on purpose," Hotch says, finishing your thought. "What is he trying to prove?"
You purse your lips as he sits up in the chair to give himself room to remove his jacket. His pinstriped button-down is slightly crinkled under his arms, but you can tell it was freshly ironed this morning.
"Maybe he's in a fast-paced occupation," you suggest, "which would fit with the profile that he has a big ego."
"Then we're back to law enforcement."
You lean forward, your eyes following his hands as they fidget with his cuffs and undo the buttons, one at a time. You've always been attune to every one of his movements, but maybe it's just because you've spent so much time around him.
"Hotch," you whisper-yell, snagging his attention from your case file, which he tosses back to you.
He hums and you take that as an invitation to continue speaking. "Be careful tomorrow, when you're giving the profile."
One of his eyebrows lifts and you can tell he's holding back a smile. "It's just in front of the Des Planes PD. You'll be there too."
"It's not that," you sigh, shaking your head. "Everything about this profile points to the shooter being either current or former law enforcement. I'd be surprised if they didn't take it personally."
His eyes flit up to yours, his brow furrowing. "I can handle myself."
"I'm sure you can, Hotch," you say with a breathy laugh. "Doesn't mean I don't still look out for you."
He pauses and it's like his whole body takes a beat. "I know."
***
You're talking to Dr. Landman with Derek, Elle, and Jason the next day when a gunshot rings out through the hospital. Last you checked, Hotch and Reid were in the E.R., but you haven't heard from them since you arrived.
"It's Phillip Dowd," a nurse informs you when you meet with local police outside the closed E.R. door.
After a quick call to Penelope, the profile becomes clear.
"He joined the army at 18," Gideon recites, pacing around the room in a vaguely reminiscent manner, "went to ranger school, did 6 years before being dishonorably discharged in '95 for conduct unbecoming. Obviously lied about it, joined the Arlington P. D."
"You were right," the police captain sighs. "He was a cop."
His hopeless tone is disheartening, and you find yourself upset for not the first time that your team was correct in their assessment.
After the initial commotion, the E.R. is silent except for a few muffled voices. You can't hear what's being said, but the lack of gunshots or loud noises is all that's keeping you from falling apart.
"It'll be okay," you hear whispered from next to you. You turn to see Derek, who presses his shoulder to yours briefly. "Hotch will know what to do."
You know there's nothing you can do from out here, especially with how precarious the situation inside is, but doing nothing has never been your strong suit.
"I know," you tell him, echoing your thoughts. "I just wish we could help."
Derek cocks his head at the S.W.A.T. team readying themselves to break the door down. "We can help. We need to give Hotch and the kid time to wear Dowd down."
His tone is light and you feel yourself laugh, ignoring the thickness that swells in your throat. "That shouldn't take long."
Derek bumps your arm again in a silent extension of comfort, and you mouth a silent thank you.
You can feel Gideon losing patience as he reasons with the captain, but he eventually buys them three minutes to do what they can. When the final five second countdown starts, you unconsciously hold your breath, only to be released when Hotch's voice calls through the door.
"Hold your fire!"
Your breath comes out like a gasp and you squeeze Derek's arm before rushing forward. Hotch stumbles past you with a murmur that sounds obscurely like "help Reid", so you push your way through the throng of civilians moving to escape until you see him.
"Spencer," you gasp, crouching down to help him into a standing position. You would never admit it to him, but ever since he joined the team, he's been something of a little brother to you. "What happened in here? Are you okay?"
"You were right," he says with a surprising steadiness to his voice. "I got the job done."
You don't ask what he means, knowing that Hotch will fill you in when the time is right. Instead, you decide not to fight the vaguely maternal urge rising within you and you pull him into a tight hug. It's more of a quick squeeze, because you don't want to push past his physical boundaries, but he doesn't complain, instead looking over at you with a small smile that's more than enough for now.
***
You find Hotch where the departed ambulance that patched Reid up was parked. All of the hustle and bustle of the paramedics and local police officers and bureau agents comes to a standstill as you walk over to where he's sitting on the edge of the curb.
"I heard what happened," you say as a way to announce your presence. "Can I sit?"
He nods without looking up, and you crouch down next to him, settling on the curb with your shoulder pressed to his. You can feel the tension in his muscles as he grips the sidewalk, his palms digging into the concrete like he could break through if he pressed hard enough. "Reid.."
"..is fine," you whisper, nudging him so he looks up to where Spencer and Jason are chattering excitedly. "He's more proud than anything."
He doesn't say anything, so you bump your knee against his. "I guess all of the physical training classes you made him take at the academy paid off."
He knows you know exactly what is running through his mind, so he doesn't bother trying to articulate it. Instead, he lets out the breath he didn't realize he was holding, and looks over at you. "Do you remember that self-defense class we took before law school?"
You're not expecting this question, and you almost laugh. "You mean the singular self-defense class you dragged me to before dawn in the summer before we started at Georgetown?"
He levels you with a look that you would think is serious if you didn't know him so well. "You don't regret it, though."
"No," you smile, your eyes blurring with emotion. That's where you met Jeff. "I don't."
He was your instructor that day. He only taught that class twice a week, between lectures at Georgetown Law, and it doesn't escape your mind that you so easily could've missed him. One day earlier or later and you never would've met him, never would've been his girlfriend, or his wife, or his widow.
Hotch remembers meeting him that day too. He had to literally come to your apartment and drag you out of bed to make the seven AM class that he had signed you both up for, and you had been grumpy the whole drive over.
There wasn't much, other than coffee, that could get you alert before eight in the morning, but the moment you walked into that gym, it was like you were wide awake. He spent the rest of the class trying not to look as the man he would later come to know as Agent Adler kept coming over to give you extra pointers, and he pretended that the coil of ice slithering up his spine was there just because he was watching out for you.
When he found out the two of you had started dating, he continued to pretend the nausea rising in his stomach was from the day-old sandwich he had had for lunch, because it wasn't fair. Especially since he was with Haley, and he was happier than he had ever been, even if the new law school course load was making it harder to see her as often as he wanted to.
But eventually, your happiness with him overpowered every protective urge he felt, and he realized that even if there was a feeling in his gut that he didn't recognize when he saw you two together, Jeff was perfectly suited for you.
***
"He's so gorgeous!" JJ coos, her hands twitching at her sides like she's trying not to reach forward and take the baby out of Haley's hands.
She brought Jack, their newborn son, in to work today to show the team, and Hotch looks prouder than you've ever seen him. "Thank you."
"If you find baldness and wrinkles attractive."
"Reid!" you chastise, swatting at him. He dodges your hands without even looking.
"Look at his widdy biddy nose," Garcia squeals, before turning to Morgan with an inquisitive look. "Don't you want one of these?"
He just laughs as he rests his chin on her shoulder. "Mm, I'll stick to practicing."
"Congratulations," Elle chimes in before returning to Gideon's side to continue discussing the new case that came in. She's always on top of things, and it's something you respect greatly about her.
"Thanks," Hotch smiles, his gaze returning to Jack after looking away for only a moment. Jack is like a siren, the way each of his little sounds or movements holds Hotch's attention so steadily. He's the most focused of all of you, but you've still never seen him this enamored. "She's amazing. I'm a little terrified."
"You're glowing," you tell Haley as the rest of the team heads to the briefing room. "How is it that you had a baby just a few weeks ago?"
"You're sweet," she smiles, before tilting her head forward. "Do you want to hold him? You're practically his aunt."
You gasp quietly, so as not to wake little Jack. "That is a title I will carry proudly. And yes, I would love to hold him."
Haley hands him to you slowly, and you make sure to support his head carefully as you cup your arms around him. He looks so much like Haley that you almost make a joke about Hotch's genes not even putting up a fight, but that nose...that nose has Hotch written all over it.
When you glance back to where the team left from, you see him turn back at the same moment and offer you an encouraging smile.
"How are you holding up?" you ask Haley, barely able to focus on your surroundings with a newborn in your arms. Maybe there is something to the siren thing.
"Jack's been incredible. He barely cries, it's kind of a godsend...but I do wish Aaron could take time off with me."
You give her what you hope is your most comforting smile. "We've been super swamped with cases here, but in all my years working with him, I have never seen him so eager to leave every night."
She laughs, a pretty sound you remember from your youth. "I know. I feel so unfair when I complain about these things, but I appreciate you humoring me."
"Not at all," you assure her, glancing back down at Jack, who is mid-yawn. "I understand completely. If I had one of these little guys, I wouldn't be able to think about anything else."
You hear her breath catch and you open your mouth to reassure her that it's fine, but she is already reaching forward to squeeze your arm. "You and Jeff would have made amazing parents."
When you both joined the bureau, you were so busy with work that kids weren't on your mind at all. It wasn't until you got settled at the BAU, and Jeff found his place with organized crime, that you even started talking about it.
You want kids, don't you?
Only a few. Maybe four or five. Yeah, five's a good number.
"I should get back to the team," you say softly, blinking away the memories.
Haley sees your face and she smiles sadly as she takes Jack back from your arms. "I'll see you soon. Tell him I'm heading home, will you?"
You nod and watch the elevator doors close in front of her, before joining the team.
***
"I can't believe you went bar hopping without me," Derek shakes his head, feigning offense as he leans so far back in his chair you're afraid it may tip over.
"I think hopping is kind of a strong word," you say, glancing over at Elle, who is perched on the edge of your desk. "We only had one bar in mind, but it closed earlier than we thought, so we went somewhere else after."
"This was a much needed girl's night," Elle grins, patting Morgan on the shoulder as he continues to pout. "We'll invite you next time."
"How was your weekend, Dr. Reid?" you ask, turning around to face him.
Spencer doesn't look up from his crossword.
You say his name again, recalling the attention of Derek and Elle, who had started talking about some trip they've been planning for what feels like months.
When he still doesn't look up, you pick up one of the BAU-provided pens on your desk and chuck it at him, just hard enough to bridge the gap between your desks, but not so hard that it hurts on impact.
"Ow!" Spencer yelps anyway, glancing up with a look that's somewhere between confusion and indignation. He picks the pen up off the ground and turns it over to see the tiny insignia on the cap. "This is FBI property."
"How was your weekend, Spencer?" you ask again, ignoring him. "Didn't you say you had some fun stuff planned?"
"I did," he lights up, instantly forgetting about the pen incident. "My local movie theater was showing reruns of the first season of the original Star Trek, so I got to experience it on the big screen."
Derek laughs and walks back over to his desk next to yours. "We have very different definitions of fun weekend plans, kid."
You're about to tell Derek that no one wants to hear what his idea of fun is when the office door upstairs flies open and Hotch and Gideon walk out.
Reid hands you back your pen, and Derek sits up in his chair so fast it's almost comical.
"We have another case," Hotch announces before coming to a stop.
Gideon takes it away. "Our unsub is male, intelligent, organized and methodical. He has the confidence of a man who's been killing for a long time."
"Only victim removed from the scene is Freddy Condore indicating some tie to him."
Hotch turns to you. "You, Elle, and Reid stay on Condore's background with Garcia. The rest of us will head to the crime scene."
You nod before standing up. "Let's go, kids."
Penelope's lair is just as eccentric as you remember it.
"Take a seat," she instructs before logging into her computer and opening up her criminal history database. "Just don't get too comfortable."
Your lips quirk up as Elle flashes her eyes at you, and you nod your head at the empty chair on Garcia's opposite side. Reid is already sitting on a desk chair by the back, spinning in aimless circles as he rattles off a list of markers to search for.
After a minute, Penelope stops typing. "Credit card receipts show Freddy loved crab cakes, preferred light beer and used to spend his Thursday nights with a woman in Fells Point."
You pick up a stress toy shaped like a tomato from one of her shelves and bounce it in your palm, just for something to occupy your hands.
"What about his associates?" Elle asks, grabbing a pen with a pom-pom on the end and poking it at Spencer's knee.
"Most of them have criminal records."
Elle glances up. "That much I guessed."
Penelope frowns, and looks pointedly at the pen in her hand.
"She's holding the tomato!" Elle complains, throwing a finger at you.
You lift up your hands in surrender, dropping the stress toy. "Thanks a lot, Greenaway."
"Anyway," Reid interrupts, to everyone's surprise, "One of these guys is particularly interesting. Pull up James Baker's rap sheet."
Penelope turns back to her computer as Spencer reads over her shoulder. "He spent time in juvenile detention for attempted murder, was released at age 21, and then subsequently arrested for, and this is in order, armed robbery, petty theft, burglary, narcotics sales, and rapе."
"What's so interesting about that?"
"When it comes to psychological behavior, anything is possible but this criminal history? It just isn't probable."
Elle nods in agreement. "I mean, as a minor, he began with attempted murder and then devolved into pettier crimes?"
"It's the criminal history of a fractured schizophrenic with multiple personality disorder," you sigh. "It just does not make sense."
***
Hotch calls you into his office when he and Morgan return from Baker's address. You can tell something is off before you even step through the door, so you shut it behind you and take a seat in front of his desk.
"What's going on?" you ask, your eyes glancing over his face to see if his micro-expressions can give you a hint. "What's wrong?"
He looks up with a sigh, his hands clasped on his desk. "Baker's place was an artificial dwelling, and the weapon we recovered on the scene was standard law enforcement issue."
It takes you a few seconds to comprehend what he's trying to say - a few seconds longer than usual - and your breath stutters in your throat. "He was undercover?"
"That's what it looks like," Hotch agrees. "I wanted to inform you before telling the rest of the team."
You nod, pressing your eyes closed for a beat.
He missed his pick-up, Mrs. Adler.
We'll call you as soon as we know more.
The memories start to flood back in and you squeeze your eyes shut tighter before opening them. Hotch looks blurry for a moment until your eyes adjust to the light again.
"Does organized crime know where he is?" you ask, desperately needing to fill the silence.
He looks down at the case file. "We assume so, but it's not like they would tell us. They weren't too happy that we were taking on this case at all, and now we know why."
"Maybe they'll talk to me," you suggest, even though the idea of talking to Josh Cramer makes you taste bile. You haven't seen him since a month after the funeral. It's not for his lack of trying, you just couldn't stomach looking at any of them after what happened. One missed call turned to ten and eventually they stopped trying.
There's a piercing pain behind your eyes and you squeeze them shut for a momentary relief. "It was only supposed to be three months."
Hotch's brow furrows and you don't look up at him just yet. You can already picture his expression, the anguish you know he feels for you whenever you bring up Jeff.
"It was a three month operation," you continue, knowing you won't be able to discuss it later if you stop talking now. "That's all we signed up for. Three months away from me and then he was on leave for the rest of the year, so that we could focus on us again. Maybe even start a family."
Your voice cracks on the last word and you tilt your head down to hide your face. He hates it when you cry, but that's not fair. He knows how important it is to get your emotions out, so they don't pile up inside of you, but if he had his way, you would never have had a reason to cry in the first place.
"I hadn't seen him in over a month when he was..."
He can hear the tightness in your voice and he resists the overwhelming urge to reach his hand out and take yours. You're sitting a foot back from the desk, and it's not he could reach you from here anyway, but his fingers still ache.
"I don't want to blame them, Aaron," you sigh. Your words sound watery, and he pulls a handkerchief out of his inside jacket pocket and hands it to you. He's almost surprised when you accept the gesture, pressing the cloth square under your eyes to catch the tears leaking out. You were so self-reliant as a kid, never wanting or needing anyone else's help. "I don't want to blame them, but I do. I can't help it, I just do."
Someone else would have consoled you. They would have assured you that feeling this way was natural, and that no one could blame you for feeling what you do, but that isn't who you two are. "Jeff wouldn't."
His name is like a dagger to your heart. You practically wince as Hotch digs further. "That team was his family, just like we are yours. He wouldn't blame them, not for this. Not for something he chose."
Something he chose. This is why you don't let yourself remember that day. This is why you kept that day - the day you got that horrible call - locked up inside your brain, where not even you could reach it. Because if you let yourself think about it and remember, then you will remember that it wasn't really Cramer or his unit or the bureau that you blamed. It was him.
For choosing to miss his pick-up. For choosing to go undercover. For choosing to join organized crime.
You take a deep breath and re-adjust yourself in the uncomfortable chair Hotch refuses to replace, even though it's literally splitting at the seams. Something about your tax dollars hard at work. "What are you going to do about Baker?"
He lets you change the subject. "We have to contact Agent Cramer before-
"What the hell is wrong with you people?"
Speak of the devil and he shall appear.
"Sorry?" Hotch frowns, both of you standing up immediately.
Cramer doesn't take his eyes off Hotch as he seethes with anger. "I told you, this is my case! You ran my agent through IBIS?"
"Because I wanted to know who he worked for and now that I do, I'd like to talk to him."
"You don't have him?"
You can hear your heartbeat in your skull.
Hotch looks at you then, and finally Cramer notices your presence. "Y/N...it's been a while."
Your lips press into a thin line. "Almost two years." The anger you've been trying to avoid seeps into your voice against your will and you sigh, returning to the investigation. "How long has Baker been missing?"
"About 12 hours."
"You think he ran?" you ask, watching Cramer closely as his jaw ticks.
"No, Jimmy's too experienced to run without contact."
He realizes his misstep immediately and his shoulders fall. To his credit, he doesn't break eye contact, even as his expression softens. "That's not what I meant. All I'm saying is that I think someone's keeping Jimmy from calling in."
You can feel Aaron looking at you, but you avoid his line of sight. If you're going to have to interact with organized crime, you might as well make yourself useful. "We all want the same thing, Cramer: to get Baker back to his family."
You wait outside as he explains the situation in more detail to Hotch and Gideon, and you're surprised when he's the first to leave. "Can we talk?"
Hotch comes out behind him and raises his eyebrow for a fraction of a second, a check-in. Swallowing thickly, you nod your head and follow him down the hall to the top of the stairs.
"I'm sorry I haven't reached out recently," he says as soon as you're out of earshot of the others. "You know Jeff was one of our top guys."
Your eyes shut at his name, as though someone clapped their hands too close to your face. It's almost laughable how sure you were that you were past your grief. You passed the bureau's psych evaluation after your six month leave with flying colors (because your team practically wrote the answers yourselves), and as each new day passed and you weren't so debilitated by just the thought of him, you thought it meant you were fine. Because time heals all wounds. At least it's supposed to.
"I know," you whisper scratchily, before clearing your throat. "I know that. And it's okay. We've all been busy." You look down at the bustling bullpen where his agents are interacting with your team. "Clearly."
Then you remember you're job here in the first place. "We really are just trying to help. It wouldn't hurt to keep us involved."
Cramer sighs and you know he won't refuse. "We'll loop you in."
***
James Baker is found and Vincent Perotta gets taken into custody, but you can still hear the end of the interrogation ringing in your ears.
"You were just responding to what you learned, Vincent.
When you grow up in an environment like that, an extremely abusive and violent household... it's not surprising that some people grow up to become killers.
And some people grow up to catch them."
You can't pinpoint exactly what you're feeling, but if you had to guess, it would be sorrow. Sorrow for that little boy who got dealt the worst hand you can imagine, and still turned into the best version of who he could've been.
Hotch can't get the interrogation out of his mind either. He had grabbed his briefcase and headed out to the elevators as soon as Perotta was taken away, in the hopes of avoiding everybody. He's about to let out his breath when a hand reaches between the doors and sends them flying open again.
Normally your appearance is a welcome sight, but tonight, he's had enough talking. Perotta took everything he had to give, and then some, and he doesn't know if he has the strength to go through the proceedings again with you.
"I just want to get home," he says as you stand next to him without a word and face the doors. To my family.
You don't say anything as the little fluorescent floor number ticks down - has it always been this slow - and he feels his nerves tighten with agitation. You're never silent, especially not about something like this.
Just before the elevator reaches the second floor, you reach forward and pull the emergency stop button. He whispers your name, half irritated half relieved, and you step in front of him, focusing your eyes on his. It's a classic profiler technique, both to mentally establish trust and to physically block him from the keypad.
"You're a great father, Aaron."
His mind flashes back 25 years, but he squeezes the hand in his pocket into a fist to keep himself from succumbing to the memories. "I'm trying."
He knows what you're doing, and he would normally be open to a healthy exchange between two adults, but tonight he just can't. It's too fresh.
You seem to understand at least a fraction of what he's trying to convey. Your next words are gentle. "That already makes you a thousand times better than him."
That almost makes him smile. "You can say his name, you know."
You shrug, looking at him with a glint in your eye. "Honestly, I don't think I can. I'm afraid I'll turn into a pile of ash, with the fury your father instills in me."
That's what gets him. He coughs out a laugh that echoes around the elevator, and you return to his side, giving him a moment to breathe on his own.
This time, when his mind spirals back to his childhood, he's not as equipped to block it. The memories come in flashes, a blackening bruise on his abdomen, a split lip explained away through roughhousing in the backyard, the thin scars on his hands and elbows as he finally started to fight back. He would've taken it all forever if he had to, if it meant that he could keep the horrors away from the people he loved. "I really should go."
"Yeah." You push the emergency stop back into place and the elevator hits the ground floor in no time. "I'll see you tomorrow, Hotch."
He steps out, half expecting you to follow him. Instead, the doors close and he's by himself again, and he suddenly can't remember why he wanted to be alone in the first place.
***
When the Keystone Killer is finally caught after 18 years of inactivity, he finds himself expecting for there to be some sort of celebration, either in the form of a commendation, or a much-needed break. Instead, what he gets is a mountain of paperwork.
He usually doesn't mind the paperwork that comes after a long case. It's a helpful way for him to sort through his thoughts on what went down, and to learn from mistakes that were made along the way, whether in the profile or in the capture of the unsub.
Lately, paperwork has felt like an added torture to the long hours he already spends at work. It's not that he wasn't excited about going home before, but ever since Jack was born, he hasn't been able to get out of the office fast enough. But being the unit chief of the BAU has its responsibilities, and this is one of them.
He's drowning in consultation files and case reports when you knock on his door, two coffees in hand.
"Thought that was you," he says, finishing the sentence he was writing.
You frown, setting one steaming cup down on his desk. He hasn't even looked up yet. "How'd you know? Or do you just say that to everyone who walks in here?"
His lip twitches and he puts his pen down. "I could smell the coffee. It always smells the same when you make it."
"Oh?" You weren't aware you had a method. "And how's that?"
"Burnt."
You take the lid off your cup and chuck it at him with surprising accuracy. It would have thwacked him in the forehead if he hadn't swatted it aside with his stupid catlike reflexes.
"What are you working on?" you ask after taking a scalding sip of perfectly brewed coffee.
He looks up for a beat before diving back into the file he was skimming. "Paperwork for the Keystone Killer case."
"But we just finished that," you point out before reaching forward and taking the file out from under his nose.
He huffs. "I was...looking at that."
"This is a report on what happened a couple of hours ago," you say, ignoring his remark. "You can easily do this tomorrow, or later this week."
"It's fresh in my mind now. I don't want to forget any details."
You shrug in a motion that says 'fair enough'. "Or, you could actually go home before midnight for once."
You slide another file off the top of his pile and flip it open, reading over the notes Hotch has scribbled in the margins. He's so meticulous about his job that you almost forget he was promoted just a little over a year ago. He became unit chief at the same time that you joined the team, so you didn't get to see him in his early days, but looking at him now, you almost can't imagine it. It's like he's built for this, for taking responsibility and leading people with kindness and respect.
"Elle said something on the plane today," he says suddenly, jerking you from your thoughts.
You close the file and look up as he runs a hand over his head, pushing his thick hair back just for it to bounce forward again. "She said that she's scared she's going to look up and see that her life has passed her by while she was chasing monsters."
Something cold runs through your veins and you sit up straighter in your chair. "And what did you say?"
"I told her the truth."
You smile in an effort to keep your eyes from shining. "What, that we're all doomed?"
He looks at you candidly. "That this job will eat you up if you let it." Your smile falls and he continues. "You just can't let it."
"I'm sure Elle loved hearing that."
He shrugs. "She was surprisingly receptive."
That gets a laugh out of you, even if the good humor doesn't last long. "I don't know how you do it."
"Do what?"
"This job, while also being a husband, and a father." You sigh, and you can almost feel the weight of the air as it leaves your body. "When I go home, I don't have to be anything to anyone. Most of the time it feels awful, but sometimes, after an especially bad case, I'm almost relieved when I can go home and just check out."
You aren't talking about him anymore, and he can tell. He doesn't mind, if this is what it will take for you to work through your emotions.
"We were gonna start trying for a baby."
That surprises him. Not that you wanted to be a mother - he knows that - but that he didn't know you were already thinking about it, especially because of how you grew up. You don't talk about it often, but after losing your mother to a drunk driver when you were ten, you almost transformed into her, becoming the emotional support for your family when there was no one else to fill that role.
You press your lips into a thin line and take a deep breath, your coffee cold and forgotten on the desk in front of you. "We had been talking about it for years, but with the paths our careers were taking, there just wasn't enough time before then." Your eyes look far away, and you don't seem to notice that your lips have unconsciously curved up into a reminiscent smile. "Jeff wanted five kids. Five. God, can you imagine?"
He can, but he doesn't say anything, because he knows you aren't looking for a response. Just for someone to listen.
"I'm an only child," you say with a laugh. "I don't even know what it's like to have one sibling, let alone four." But Jeff had come from a huge family, and he had wanted you to experience that. He loved how full his home always felt growing up, never without someone to talk to. Now you won't ever get to experience that. "I guess I just wish sometimes that we had tried earlier."
"You'll have it someday," Hotch says simply, practically reading your mind. "If that's what you want, you'll have it."
"I waited so long," you whisper, closing your eyes for a long moment. "I was just so afraid that I wouldn't do it right, because I didn't have my mother anymore to help me."
"You would've been a great mother," he assures you, his voice confident. "One day, you will be."
Your breath comes out like a gasp and you clear your throat to keep the tears at bay. "How do you know?"
"I just know."
***
When you push through the doors to the bullpen the next morning, you are greeted by a familiar head of blonde hair.
"Sean?"
He turns around slowly, clearly recognizing your voice, and pulls his lips up into a smile that you return. "Hey, Y/N, how's it going?"
You weren't close to him as a kid, mostly because of the age gap between him and Hotch. You had tried to make more of an effort after graduating college, but Sean was fierce in his convictions, and there were a lot of things he didn't understand about his childhood that you certainly weren't going to explain to him now.
"Good, good," you say, leading him away from the throng of staring women. You shoot them a look that makes them disperse. "You here for your brother? He's upstairs."
He nods, glancing up at the closed office door. You start to lead him to the stairwell when he stops in his tracks and turns to you. "What mood's he in?"
"Why?" you ask, your brow furrowing. "You got bad news? Nothing I need to worry about, I hope."
Sean shakes his head, glancing up at the closed door again. "Nothing like that. I'll just go up."
You let him walk up on his own, knowing he doesn't want you getting involved in whatever he's thinking about. Before you have a moment to catch your breath, the three women return to your side.
"That's Hotch's brother?" Penelope asks, standing so close you can feel her breath on your ear.
"Maybe Hotch is adopted."
"What do you mean?" you ask, unconsciously glancing up the stairs. "They're honestly pretty similar." You're only half joking. They don't look anything alike, but that Hotchner brand of righteousness runs deep.
JJ frowns. "I don't see it."
"Yeah, he looks...like that," Penelope murmurs, before looking at you. "Did you know him when you were younger? Was he hot then too?"
You choke on your own spit. "He was nine years old when I left for college, so...no."
Her eyes widen and she lifts her hands in surrender.
"Ooh, here he comes."
You look up to see Sean storming down the stairs, Hotch hot on his heels.
"Sean, listen to me."
He turns so fast, you're afraid they're going to crash into each other. "Don't profile me, Aaron."
Sean stomps out of the bullpen while Hotch watches him leave, and you can't get the striking feeling of deja vu out of your head. Two boys, 15 years younger than they are now, standing in the same positions, with the same looks on their faces.
You imagine that you and Hotch probably act the same way around each other as when you first met, at eight years old.
The memory comes easily, even with more than two decades of time standing in the way. The little boy with dark hair who had sat next to you on the school bus, just because there were no other empty seats available that day.
You hadn't said anything for the first few stops, just watched him out of the corner of your eye as he nodded his head unconsciously to the music coming out of his large headphones. Eventually, curiosity got the better of you and you tapped on his shoulder. "What are you listening to?"
He had taken his headphones off quickly, as though caught in the act. "What?"
You repeated your question before leveling him with a pointed stare that meant 'there is a correct answer'. You were a feisty kid, and you weren't always the best at making first impressions, so his steady response impressed you. "Beatles. Revolver album."
"I love that one!" you had gushed, leaning in closer without a warning to press your ear to one of the speakers on his headphones. "Is this Yellow Submarine?"
He had nodded, the confusion in his eyes slowly transforming into delight. "You know their stuff?"
"Of course. My favorite's Eleanor Rigby."
He had frowned then. "That one's too sad."
You weren't surprised by his opinion. You had yet to find a boy your age who could appreciate serious music, but liking The Beatles was a start, at least.
"I'm Y/N," you had said, extending your hand like you were starting a business meeting.
He shook your hand furtively. "Aaron."
"Maybe I'll see you around."
The school bus had stopped at your street then, and you had gotten up without another word to this boy, who would one day become your best friend in the world.
Luckily, the next day, Aaron chose to sit next to you again, this time with a second pair of headphones to attach to his compact cassette deck. Two days turned to three, and before long, you had a new friend.
***
"I can't imagine what two weeks away from this place is gonna feel like," you sigh, packing some essentials into your bag and snapping it shut. "I might actually miss you guys."
"Not me," Morgan grins, before pressing a kiss to your cheek as he zips around you. "Two weeks of pure heaven with nothing but young, beautiful adults looking to make vacation memories."
"Your friend's resort better be as nice as you say it is," Elle says sternly as she wiggles her finger at Derek, who is busy inviting Reid to join their vacation.
"Thanks, but I'm going home," he says quickly, without looking at any of you. "Have a good one, guys."
"I'll head out too," you announce, grabbing your things and following him to the elevators. "Wait up, Spence."
He doesn't seem to hear you, but you slip through the doors just before they close. "You okay?"
"Huh?" he says, finally looking up. "Oh, yeah. I'm just not looking forward to the Nevada heat."
You can tell he's lying, but you don't want to press him right before the long break. "You can always call me if you need anything. Seriously."
"Yeah," he nods. "I know."
You wave goodbye to him in the parking lot, and you're back in the silence of your home by the end of the hour.
The rest of your day is spent lazing around the house, and you're asleep when you hear a knock at your door. After Jeff's death, you started keeping your gun in your nightstand, more out of a general sense of security than any specific acute fear, but its proximity during late night calls has given you the peace of mind you needed to finally sleep through the night.
Lifting it from the drawer, you hold it behind your back as you tiptoe to your front door and look through the peephole. When you don't see anyone, you carefully pull the door open, only to find a small packet sitting on your welcome mat with your name scrawled on the top.
After bringing it inside the house and locking the door again, you pry open the seal and extract a large piece of paper covered in a series of numbers and dots.
That's when the phone rings.
***
"How's it going?" you ask Reid and Morgan as you enter the conference room where all of the Fisher King's clues have been laid out. Neither of them have taken their eyes off the paper you brought in since you tacked it up on the board.
As expected, Reid doesn't look up. "The answer to what book we need has to be in here."
"Yeah," Derek sighs, glancing over at you, "but we sure as hell can't see it."
"Yet."
You look at the numbers again, hoping that your short walk to the coffee station and back would have been enough to unlock something new in your brain. Nothing. "The answer has to be based on specific details of each person's clue." A small sound turns your attention to the couch, where Elle is lying on her side. "Is Elle asleep?"
"I'm awake!" she starts, sitting up lethargically.
At the outburst, Hotch walks into the room and points at her bags. "I'm sending you home. You need to get some rest."
"No-"
"We won't do anything without you, I promise."
"Elle, seriously, we're not any closer than we were."
She nods, her lack of sleep seeming to dawn on her as she yawns again.
"Anderson," Hotch calls out, before you stop him. "What is it?"
"I can take her home," you suggest, looking over your shoulder as she lugs her bags down the hall with bleary eyes. He looks like he wants to protest, so you speak up before he has the chance. "She barely knows Anderson. I'll make sure she's settled, and then you can send him to watch her house, so I can come back here."
"I don't know if that's a good idea," he sighs, his eyes still trained on Elle's silhouette lingering by the elevator. "We may need you here."
You cock your head at Reid and Morgan, who have been sitting in the same positions for so long, you're surprised their necks haven't locked. "It's like they said. We haven't made any progress in over an hour. I'm not helping here."
He still looks unsure, but you know it's just worry. He'll always worry about you. "Okay, go. Call me in an hour to check-in."
You dip your head in a nod and jog through the bullpen to catch Elle as she's heading out.
"So you're my bodyguard, huh?"
You laugh, pressing the button for the ground floor. "Something like that."
"Good," Elle says, trying and failing to stifle a yawn, "you're much more fun than Anderson."
"Prettier, too."
The car ride to her house starts off silent, but eventually you break your internal promise to let her come to you. "How are you feeling after last night?"
She just shrugs. "It was more annoying than anything. I'm just glad I got to enjoy at least some of my vacation."
"I heard there was blood all over your room," you point out lightly, trying to broach the subject in a delicate manner. "That can't have been fun to wake up to."
"It was all on the outside. That's part of why they weren't able to hold me. That, and Hotch's lawyer chops."
You raise an eyebrow, glancing over at her as you pull over to the sidewalk. "His lawyer chops?" You know he used to be a prosecutor before joining the bureau, but you never got to see his skills in action.
"Yeah," Elle gushes, her face brightening considerably, "you should have seen the way he walked in there. Those beat cops had no idea what hit 'em. He was in full prosecutor mode, went all rainmaker on them until they released me."
You can imagine it. If any of you were in trouble, he wouldn't let anything get between him and your safety. "I wish I could've seen that."
When you put the car in park, you help Elle with her bags and walk her up to her door, where she insists that she'll be fine on her own.
"I promised I would wait with you until another agent could come and relieve me," you emphasize, instinctively scanning the vicinity around her home as she walks inside and drops her things on the floor.
"In about thirty seconds, I'll be passed out on this couch right here," she points at the window seat behind her, "so you'll just be watching me sleep for an hour."
You open your mouth to argue but she cuts you off. "Y/N, I'll be fine."
If there's one word to describe Elle, it's stubborn, so you let her shut the door behind her and you walk back to your car. Even if she won't let you sit with her inside, you still can't bring yourself to start the ignition, so you lean your seat back halfway and close your eyes, just for a few moments.
You haven't gotten much sleep either, and you're about to doze off when you hear a loud thud from outside the car. Jerking up, you undo the clasp of your holster and push open the car door. The world is silent, except for the rustling of leaves in the wind, but you start making your way up the drive, just to be sure. There's another thud, quieter this time, and you reach for your sidearm as you ascend her porch steps. Then comes a gunshot.
You start running.
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ghsface · 2 months
Text
I CAN SEE YOU - spencer reid
Tumblr media
summary: You watched him from a distance, dreaming of a moment when you could muster the courage to talk to him beyond the professional.
warnings: spencer reid x bau!fem reader ,kissing and I think that's all, if I'm missing something let me know.
author's note: The only thing I can do when I listen to this song is imagine Spencer, idk why this reminds me so much of him. I hope you like it and I'm sorry if there are mistakes/misspelled words, my native language is not English.🎀
All the friction in the hallways when you found him going to get some files or when you were going to see Penelope, all the stolen glances that you noticed almost every day when you were at your desk, even when they were on the Jet, he never took your eyes off.
The FBI office in Quantico was bustling with constant activity, but you were always lost in thought while pretending to review a file. You couldn't help but let your eyes wander to Spencer Reid, the genius of the team, who was sitting at his desk, engrossed in his books or his work.
You saw it every day, noticing the small details that others overlooked. The way he bit his lip when he was focused, how his fingers played with his hair when he was nervous.
There was something hypnotic about him, something that made you feel an inexplicable connection. But you always lacked the courage. You didn't want to risk your professional friendship, or your place on the team, for feelings that might not be reciprocated.
That afternoon, after a particularly tiring day, you found yourself reviewing some reports at your desk, trying to keep yourself busy. Most of the office had already left, leaving you alone with your group mates, leaving the place a little silent. You realized Spencer was there too, working on a file.
"Hi, Spence," you said, trying to sound casual as you approached his desk. The way he looked at you made your heart skip a beat.
“Hey, y/n,” he responded, his tone relaxed but attentive. "I thought you had already gone"
"No, I don't have to do three reports yet, it's like it's never going to end," you said, smiling warmly but with noticeable tiredness on your face.
Conversation flowed effortlessly as you shared stories and laughter as the two of you completed your reports. You felt more and more comfortable around him, and the connection you felt was palpable. As the afternoon wore on, you noticed a growing tension in the air, an implicit desire that you both seemed to share.
But all this was interrupted when you had to go get a file. "I have to go get a file," you said, getting up from your chair. "Wait, I'll come with you anyway, I am missing a file to finish this," he said, getting up and following you to the room where all the files were.
The filing room was dark and lined with shelves, and the atmosphere was filled with a tension that had nothing to do with work.
As we reviewed the files we were looking for, the conversation flowed naturally. We talked about books, movies, and of course the case we were reporting on.
Suddenly, I found a file that looked promising, but it was on a high shelf. I asked Spencer to help me reach it. As he reached out to grab it, I lost my balance and fell backwards. Just before I hit the ground, I felt Spencer's arms wrap around me, cushioning my fall.
"Are you OK?" he asked, his voice soft and concerned.
I nodded, feeling my heart beat faster than usual, not only from the shock, but also from the sudden closeness to Spencer. His eyes were shining with a mix of concern and something else she couldn't identify.
We stayed in that position for a moment, and the air between us was charged with a tension I had never felt before. Slowly, Spencer helped me to my feet, but his hands remained on my arms, as if he didn't want to let me go.
"Thank you," I said, my voice barely above a whisper.
He smiled, a shy but genuine smile that made my heart beat even faster. Before I realized what I was doing, I leaned towards him. Spencer didn't pull away, instead he closed the distance between us.
Our lips met in a soft, sweet kiss, filled with a suppressed emotion that had been building for a long time.
The kiss intensified quickly. We moved to a corner of the file room, out of sight of anyone who might enter. Our bodies joined in a dance of desire, the outside world fading as we gave ourselves to each other. Passion drove us to undo buttons and explore with trembling hands, desire growing with every second.
Just when the moment seemed like it was going to end in something more, a noise outside the room made us stop abruptly. We looked at each other, both out of breath and with flushed cheeks.
"We should stop," Spencer said, her voice hoarse and thick with emotion.
I nodded, trying to regain my composure. We made up the best we could and parted ways, knowing that what had just happened would change our relationship forever.
Leaving the archive room, we meet the team. Derek looked at us with an amused smile.
"Where have you been?" He asked, raising an eyebrow and a mischievous smile on his face.
I felt my cheeks blush, but before I could respond, Spencer took the initiative.
"Checking some important files," he said, with an enigmatic smile.
The team accepted the explanation, although not without some suspicious looks. As the night wore on, I couldn't stop thinking about what had happened in the file room. It was an intense and beautiful, albeit interrupted, moment that marked the beginning of something new and exciting between Spencer and I, something I was eager to explore further.
𖥔 ִ ་ ، ˖ ࣪ ་ ˖ ʿ𖥔 ִ ་ ، ˖ ࣪ ་ ˖ ʿ𖥔 ִ ་ ، ˖ ࣪ ་ ˖ ʿ
Months later...
From that day on, Spencer and I began a secret relationship. We kissed in hidden places in the office, taking advantage of every opportunity to be together without being seen. Meetings became an excuse to brush hands under the table, and coffee breaks were furtive moments of quick kisses in deserted hallways.
One night while working late, we met again in the file room. The tension between us was palpable, and we couldn't resist. Spencer cornered me against a bookshelf, his lips meeting mine in a hungry kiss. His hands explored my body urgently, and I found myself responding with the same intensity.
"We have to be careful," Spencer whispered against my lips, his breathing ragged.
"I know," I replied, my fingers tangling in his hair, "but I can't help it."
Our secret romance continued, each encounter filled with the thrill of the forbidden. Despite the risks, neither of them wanted to stop. The passion we shared was too strong, and every kiss and caress only fueled our desire more.
𖥔 ִ ་ ، ˖ ࣪ ་ ˖ ʿ𖥔 ִ ་ ، ˖ ࣪ ་ ˖ ʿ𖥔 ִ ་ ، ˖ ࣪ ་ ˖ ʿ𖥔 ִ ་ ، ˖ ࣪ ་ ˖ ʿ𖥔 ִ ་ ، ˖
your reblogs and replies are always appreciated dearly☆
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ellecdc · 7 months
Note
Hi gorggg can i request an angst wolfstar fic where reader is kind of insecure of her placement within their relationship? like they’re both so close already and she’s a new addition so she kinda just feels out of place.
thank you for your amazing writing!! doing the world a favor❤️❤️❤️
Hey babes! Thanks SO much for the request 'cause truly, this is my shit. Now, I have to admit that I'm obsessed with these fics that have the same vibe by moonstruckme (poly!marauders) and super-clearlysaltybouquet (poly!wolfstar), so really, they're the blueprints/inspiration for this piece
also...I'm a whore for hurt/comfort. But you asked for ANGST...so I've given you only angst and no comfort. If you want comfort, you'll have to ask for a part two 💖 hope you love it!!! UPDATE: part two is here.
poly!wolfstar x fem!reader
CW: insecurities in relationship, feeling out of place, angst, hurt no comfort
It felt silly, really, to feel as sad as you did. You were currently sitting with two boys who you’ve been basically in love with for so long - two boys who have proclaimed to feel the same way about you - and on the outside you were sure this looked like a really lovely moment.
It just didn’t feel very lovely. 
You didn’t think your discontentedness stemmed from anything the boys had done in particular, but even seeing the way they instinctively leaned closer to one another when anyone else approached the three of you left you feeling like an outsider looking in.
Maybe you were overthinking things. Maybe this was just your insecurities showing.
Or maybe…maybe…the three of you had made a mistake.
Maybe you weren’t cut out for polyamory; it certainly wasn’t for the weak, and it certainly wasn’t easy being the newest addition to the relationship. 
You felt lost in most conversations, missing key information that inside jokes, years of friendship, and living together in the same tower - the same dorm room – led to. It felt as though they were fluent in a language you were only starting to pick up, and you didn’t want them to have to slow down for your sake. You didn’t want one of them to have to play the role of translator just for your benefit. 
But then, why were you here?
You weren’t calm, relaxed, and witty like Remus. And you weren’t funny, exciting, and energetic like Sirius. They seemed to already balance each other out perfectly; maybe that’s why it felt so easy to fall into the role of a background character in your own relationship.
There was a brief ‘honeymoon’ period to your relationship; a time of public proclamations, handholding and PDA, dates, and spending every moment the three of you could together.
It was exciting.
And then it was less exciting – not to you, never to you - but it seemed to be that way for them.
Suddenly, it was dates and then them returning to their dorm – back home – without you. It was silent conversations with nothing but a look between the two of them that didn’t include you in the slightest. It was professors announcing partner projects, and them pairing together immediately which was fine, you told yourself, because you always partnered with Shelby anyway and that’s the way it had always been before.
Before. 
This is the way it had always been before. 
So, what were you doing here, exactly? What were you doing sitting on a blanket near the Black Lake with a book in your hand, while Sirius’ hand gripped around your ankle gently as Remus played with Sirius’ hair from where his head was laying in his lap, whilst Sirius and Remus talked about pranks, something funny that James said, and setting Peter up with some Hufflepuff girl? 
You could tell you were being insecure… that you were overthinking this. You could tell you were being unreasonable because every so often, Sirius’ hand wouldn’t just be resting around your ankle, but he would squeeze it gently or rub his thumb across your Achilles tendon as if to convince himself that you were still here; still real. And every so often, Remus would move his gaze from where it laid on his own book or away from Sirius whom he was speaking with to look at you… check on you… confirm you were still there; still okay. 
They cared. They had to, right? Cared that you were here? They wouldn’t have asked you otherwise, surely. They wouldn’t be making the effort to keep a hand on you, or their eyes on you. Surely, they would never have decided to open their relationship to include you in it.
But there it was…the truth.
It was their relationship. And they’d opened it up for you.
It should be the second part of that sentence that spoke to you the most, but in your mind and insecurities, the first part seemed like the whole truth. 
This was their relationship.
You shouldn’t be here.
“You still with us, dove?” Remus asked gently, distracting you from your musings. You suddenly realized that your book you were holding had fallen limply into your lap and you were staring unseeingly at the Black Lake. The boys had apparently paused their conversation to look at you, and Sirius’ thumb continued its tender caressing of the soft of your joint.
“Yeah.” You said, but it came out scratchy. You cleared your throat and tried again. “Yeah, sorry, I must have zoned out for a second.”
Sirius wiggled your ankle. “Daydreaming again, huh? About us I bet.” He teased with a wink. 
You wiggled your ankle back at him as he leaned his head up from Remus’ lap, lips puckered in an ask (a demand) for a kiss.
This may be fleeting, so who were you to deny him?
You leaned forward on one hand, the other still holding your book, and pressed a kiss to the black-haired boy’s lips. He smiled into it and let you go all too willingly as you leaned back and tried to focus on your book. 
The air around you began to feel heavy before the sound of distant thunder permeated your hearing.
“Damn, I guess Scottish weather isn’t very reliable, hm?” Remus said as he began packing up his things.
“It’s too bad.” Sirius murmured as he began to stand. “I was having a nice time out here with you two.”
You smiled back at him as he extended a hand to help you up.
“We’re still on for a study date tomorrow after dinner, right?” He asked you when you were at your full height.
“Yeah, sure. If you guys will have me.” You responded shyly, hating that you even hinted at any of your insecurities.
Sirius scoffed in response, but it was Remus who answered. “’Course we do, dove. We’re looking forward to it.”
You felt like you should be a little embarrassed at the way your heart fluttered hopefully at the sentiment, but you focused instead on Sirius’ smile and Remus’ soft eyes as the three of you made your way back to the castle. 
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You hadn’t seen the boys at all today. You unfortunately slept through your alarm, making you miss breakfast completely; generally, you’d sit with Sirius, Remus, and their friends at the Gryffindor table. The two of them were no shows for lunch, so you opted to sit with Shelby instead. And it was Friday, and on Friday’s you didn’t share any classes with them, meaning by the time you made it to dinner, you’d not seen or heard from them at all.
“Hey James.” You commented as you headed towards James, Lily, and Regulus sitting at the Slytherin table. “Have you seen Rem or Sirius at all today?” Of course, you knew that he had, he lived with them.
James seemed to grimace slightly, but the expression was fleeting before he was smiling at you again. 
He knew something you didn’t.
“The last I heard they were talking about your study date tonight.” He offered. You could tell he was putting on an extra show of enthusiasm for your benefit. You tried to be grateful for it, but it left a sour taste in your mouth, nonetheless.
“Okay, thank you.” You said as you turned to head to find a seat with Shelby. 
“Oh, Y/N.” Lily called after you. “You’re welcome to sit with us, if you’d like?”
You grinned gratefully at Lily as she smiled kindly at you, even though your heart clenched on account of the clearly pitying offer. Was it as obvious to everyone else as it was to you that you were so out of place with Remus and Sirius? Could they all see it too?
“That’s alright. I’ll see you guys tomorrow!” You called as you walked away.
The boys weren’t avoiding you, were they? Surely, they would have said something to you if there was a problem.
Although, perhaps they wouldn’t, seeing as you had clearly been spiraling for some time now and have yet to discuss it with them.
Would they even meet you in the library later? Certainly, they would have said if something came up…if you needed to reschedule.
No. 
You were obviously being silly. You hadn’t seen them all day, but they hadn’t seen you either – it was just a coincidence. You were fine.
Except you weren’t fine. Because it was about seven minutes after the time you had agreed to meet them before the boys joined you in the library. Remus offered you a hasty “sorry we’re late, dove” and a squeeze of your shoulder before taking a place at the table across from you, and Sirius pecked a quick kiss into your hair and sat beside you without saying a word.
It was painfully awkward. You’d asked them how their days were – Remus answered for the both of them before he asked you how yours was in turn.
After two more (failed) attempts on your part to make conversation, the rest of the study session was spent in silence. And not a comfortable silence.
It was the kind of silence that had you checking your surroundings every so often. The kind of silence that made you feel as if bugs were crawling over your skin.
Every time you looked across at Remus, he seemed to be shooting concerned glances over at Sirius. Every time you looked in your periphery at Sirius, you could see he was zoned out, eyes rimmed and red like he’d been crying or angrily rubbing at them. 
If something was wrong, they would have told you – right?
If they were regretting being with you, they wouldn’t have shown - right? 
If they were going to break up with you, they wouldn’t do it in the library of all places.
Right?
Your musings were interrupted when Sirius let out a sharp breath and closed his book unceremoniously. 
“Sorry guys, I’m not feeling the best. I think I’m going to pack it up.”
Remus immediately perked up, looking like he was ready to pack up too. “Okay, do you want company?”
Do you want me to come with you?
“No, that’s alright. Don’t let me impede your studying. I’ll catch up with you later, ‘kay?”
I’ll talk to you more in our dorm room when we’re alone, Remus.
“Sorry, sweets. I’ll make it up to you.” He said as he hugged you from behind and kissed your neck. 
“Okay, I hope you feel better.” You offered as you awkwardly pat his arms. He gave you a half-hearted smile before quickly exiting the library.
Once his figure disappeared from your vision, you turned back to see Remus still looking towards the way Sirius just left; he was still poised as if he was ready to pack up and go after him.
You suddenly felt guilty…because if you weren’t here, he would be going… He’d be going after his boyfriend and comforting him through…whatever he’s going through.
So now, here you were keeping Remus from where he really wanted to be, and Sirius from having the support that he needs…that he deserves.
My gods, you’ve made such a terrible mistake. How did the three of you not notice?
“Sorry about that, love.” Remus mentioned quietly, offering you a half smile. “He…he got a letter from his family today. He doesn’t really talk about it with people.”
He talked about it with you, though.
“It usually takes him a day or two to sort it out before he comes back to us.”
You mean back to you, James, and Peter…
“I’ll talk to him.”
When you leave me…to go to him.
You hated even feeling petulant about it. One of the things you loved about these boys was how much they loved each other. The trust, the affection, the care…you had just hoped that somehow, you’d get to enjoy those things too.
You offered him the best smile you could muster as you turned back towards your book. You could no longer make the words out as your vision blurred, tears threatening to spill out over the arithmancy calculations spread below you. 
You couldn’t keep doing this. Not to Remus, not to Sirius…and certainly not to yourself. You deserved better, all three of you did. 
You were being selfish, inserting yourself into their relationship like this; demanding things from them that they didn’t owe you.
“You know what,” you offered quietly, clearing your throat as your voice came out scratchy, grating along the lump lodged in your throat. “I think I’ve gotten enough studying done for tonight.”
You stood and started piling your things together. 
“Oh…are, are you sure?” Remus asked like he was willing to argue, but he too was standing and starting to pack his bag – eager to get to his dorm and check on Sirius. 
“Yeah, I did some work on it at dinner as well.”
Remus grimaced slightly at that.
“I’m sorry dove, really. The three of us clearly haven’t had a great day. I’ll talk to Sirius, and I promise we’ll all be back in sync in no time.”
You looked into his eyes and saw sincerity.
Back in sync.
Were we ever in sync to begin with?
“Can I walk you to your dorm?” He asked as he made to move around the table, but he paused at you quickly shaking your head.
“No, no I’m alright. I can find my way.” You tried to joke, but it fell flat.
“Are you sure?”
“Yeah. No, don’t worry about it just – uhm – just make sure he’s okay for me, yeah?” You asked as you walked backwards to the door. Remus must’ve picked up something in your tone, his eyebrows furrowed as he looked you up and down.
“I really am sorry, Y/N. We’ll see you tomorrow, okay?”
You quickly wiped away a stray tear that found its way out of your water line and gave him the biggest smile you could muster.
This was better, you thought, let everyone out of their misery.
“’Course. I’ll, uhm, I’ll see you around, Lupin.”
And you left. 
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suntails · 5 months
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hijo de la luna
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mystellenia · 5 months
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ellie with a clumsy gf ୨ৎ
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summary: how ellie cares for her clumsy girlfriend
content: nothing thats nsfw!! just ellie being a cutie concerned gf
notes: answer to this req!! SHES SO PUPU BABYGIRL IN THAT PIC I WANNA BITE HER JFWIBFJWKRJR. she's actually so beautiful i can't. entirely unrelated: idk how i feel about this... but i’m trying not to be like EW I HATE THIS FUCK THIS ITS SO BAD. like i dont even feel like that but we already know how i feel about this formatting. its growing on me tho
(wc 0.39k) so short i know guys i gotta dip my feet
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constantly laughing but also concerned at how you manage to trip and bump and bruise yourself up on literal air
in apocalypse au, she's always been very aware of her surroundings bc of patrol and combat and stuff so she tries to keep you out of the way of things that she knows you'll bump into
always has an ice pack chilled and ready to go in the freezer in case you bump yourself real hard and it's sore because ice helps bumps not bruise right when you get them (looking at you guys clumsy ladies write that one down)
always warns you about things right as they're happening since you get into things SO FAST
like just as you're bumping into something or dropping an item she's blurting out, "wait! there's- a shirt on the floor"/"remember- that the washing machine door is open"/"baby, you're gonna drop that- just... like you did just now. you okay?"
always asks what you did to get a new bruise. she'll notice a new one and joke, "oh, what did you do this time?" and you'll respond, "i may have walked into the dishwasher while the door was down... but this one doesn't hurt that bad 😁" it's become like a little game
she's become sooo desensitized to any bump or bang sound in the house bc she knows its just you. not to say she doesn't care about you getting hurt--she immediately throws out a "you good?!" or "you need me?"--she just knows you know what to do: ice pack or heat compress. it's routine now.
read that low vitamin c levels make you bruise easily, so always has vitamin c rich snacks stocked up. oranges and strawberries and other fruits, always ready!
she's so stupid in love that she'll cut the fruits up into hearts or try nd make the most simple little animals with them from some mother of 3's tutorial on instagram reels and genuinely gets upset when she can't recreate them.
^ like you notice her absolutely maiming some apples and ask, "ummm why are you slicing and dicing that poor apple?" and she'll mumble, "it's supposed to be a stupid crab."
and for my ladies with darker skin where bruises aren't as visible or even just pale skin that just doesn't bruise easily, she's still just as concerned. and since there is no visible warning of a sore spot, she's hurriedly apologizing after pressing on a sore spot or laying on a tender patch.
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@abbysbug @picklesarenice69
hello to my clitter critters. soooooooo erm sorry about going like basically inactive for like 2 weeks i got into the fight of a lifetime with my mother 😊 we still beefing 😊 dw tho when she's old and wrinkly i’ll have power of attorney and trust the cord WILL be plugged.
like i’m joking but as of now that bitch is an opp fr
but anywhoooo i’m back. and my dinosaur of a laptop had a health scare and i thought i was gonna have to plan a funeral for her but she went to the doctor (apple store) and she's all better. idk how it still works so well now bc my mom got this when obama was still president 😆 don't y'all worry tho this motherboard does nothing but purr we chillin (the fan turns on whenever there are too many graphics moving)
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frankiebirds · 4 months
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i love this line and this scene in general so much. they're trying to figure out what "hour be none" means and reid walks in and gives the answer (with some mostly unnecessary but endearing additional info) and elle responds so affectionately. i really loved their dynamic, however you view it.
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bonus (cropped from the next shot):
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evenmoreevil · 1 month
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everyone go read @periwinklemoonlight s fic NEOW ‼️‼️
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ellestray · 1 year
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elle's favorite skz fics f = fluff ; s = smut ; sg = suggestive ; a = angst last updated: june 6th, 2023
방찬 BANGCHAN
the wedding and the morning after — @astraystayyh (f)
you're how i pray — @inniejeonginnie (f ; sg)
five ways to say "i love you" — @caseiloveu (f)
sharing a bed with chan — @skzdarlings (f ; sg)
unexplored territory — @myjisung (f ; sg)
what’s yours is mine — @rachalixie (f)
bittersweet — @astraystayyh (f ; a)
vanilla — @astraystayyh (a ; f)
the space between us — @killedpink (f ; s)
drabble — @ppiri-bahng (sg)
drabble — @rachalixie (f)
민호 MINHO
a sun and a moon — @astraystayyh (f)
mémoire — @minhove (f)
창빈 CHANGBIN
#1 — @linorachas (f)
you've ruined me for anyone else — @jl-micasea-fics (f)
pink stains — @suengmi (f)
paris — @inniejeonginnie (f)
drunk in love — @soobnny (f)
sleepy bunny — @sweetracha (a? ; f)
drabble — @userjuyo (f)
comfort with changbin — @ipegchangbin (f)
현진 HYUNJIN
straddling hyunjin's lap, and hugging into him while he's drawing — @nightfics (f)
evermore — @staytheword (f ; a ; s)
butterfly boy — @skzonthebrain (f)
stay — @hwajin (f)
you'd be so nice to come home to — @bbujiikseu (f)
nakedness — @hwajin (sg ; f)
lovemaking — @hwajin (s ; f)
what loving him is like — @enchantedtomeethyun (f)
young and beautiful — @astraystayyh (f)
alone with you — @inniejeonginnie (f ; sg)
serenity — @astraystayyh (f)
apartment 3R — @fizzydrink698 (f)
drabble — @softstraykidshours (f)
a memory kept forever — @soobnny (f)
post-concert hyunjin — @rachalixie (f)
boy next door — @strayed-quokka (f ; s ; a)
지성 JISUNG
meet odd — @soobnny (f)
don't be a stranger (meet odd, pt.2) — @soobnny (f)
it's you?! — @caseiloveu (smau. a ; f)
i can’t sleep — @lee--felix (f)
date a skater — @fizzydrink698 (f)
almost love — @writerastray (f ; s)
11:07PM — @violixs (f)
i owe you a black eye (and two kisses) — @sourbinnie (a? ; f?)
bad boy!jisung — @ppiri-bahng (sg)
when with you — @sunboki (a)
i adore you — @yoongihan (f ; s)
no nut november — @gimmieurtmi (s)
필릭스 FELIX
caramel popcorn — @staytheword (s ; f)
scream! — @astraystayhh (f)
승민 SEUNGMIN
i can't stop (falling in love with you) — @wooahaes (f ; sg)
then fall. — @wooahaes (f)
정인 JEONGIN
to be updated !
OT8
kisses with skz — @aakomii (f ; sg)
not together but not friends — @luvyeni (f)
when you aren’t dating but aren’t just friends either — @cosmic-railwayxo (f, sg)
skz + ways they show “i love you” — @jeondesu (f)
the ways stray kids show their love and affection — @suengmi (f)
stray kids realising they fell in love with you — @suengmi (f)
spring — @hwajin (f)
sneaky love antics — @amelee23 (f)
small acts of intimacy — @userjuyo (hyung line. f)
how Stray Kids would cuddle (based off of tarot readings) — @violetmarkings (f)
sleeping on the couch after an argument — @maxidentscene (f ; a)
dating skz — @luvtak (f)
make me — @cosmic-railwayxo (sg)
how stray kids would fall for you — @mazeinthemiroh (f)
skz as types of couples — @hyunjinniesgirl (f)
stray kids calling you a pet name for the first time — @jnginlov (f)
boyfriend things skz does — @maxidentscene (f)
things that turn skz on — @lix-ables (s)
skz as boyfriends (nsfw ver.) — @lix-ables (s)
the morning after — @i4lixie (f ; s)
how they would say “i love you” for the first time — @astraystayyh (f)
the little things they do — @wishingyouback (f)
stray kids and 'i love you's left unspoken — @portalhan (f)
stray kids as boyfriend things — @yrhome (f)
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