#eli watkins art

[v4mpb0t]

Who Uptoning they Sinclair?

Anyways…. I love Oil! and I’m finished reading it after a LONG hiatus and it’s my favorite ever…. Especially the Watkins family oh how I heart those freaks.

[saltavenegar]

Hi there will be blood gang, I read Oil! Over the summer and had lots of thoughts if anyone ever wants to hear them.

Comic abt Paul Sunday/Watkins’ death, and his & Eli’s strained relationship

[matthat]

151-187 of the Books I Read in 2022

151. Big and Small and In-Between - Carter Higgins 152. Skellington - John Allison 153. Our County Friends - Gary Shteyngart 154. Milo Imagines the World - Matt de la Pena & Christian Robinson 155. Afternoon at McBurger’s - Ana Galvan 156. Weasels - Elys Dolan 157. Drawn Across Borders - George Butler 158. Ed Fisher’s Domesday Book - Ed Fisher 159. Signal to Noise - Neil Gaiman + Dave McKean 160. Kenya: Apparitions - Leo + Rodolphe 161. As A Cartoonist - Noah Van Sciver 162. Dead Dead Demon’s Dededede Destruction, V. 1 - Inio Asano 163. Lost Cat - Jason 164. Shu Lin's Grandpa - Matt Goodfellow & Yu Rong 165. Arsene Schrauwen - O. Schrauwen 166. Pantheon: The True Story of the Egyptian Deities - Hamish Steele 167. Fe: A Traumatized Son’s Graphic Memoir - Ben Bataclan 168. The Art of Living - Grant Snider 169. teaching my mother how to give birth - Warsan Shire 170. Please Kill Me - Legs McNeil 171. Dead Dead Demon’s Dededede Destruction, V. 2 - Inio Asano 172. The Joy of Quitting - Keiler Roberts 173. The Promise - Damon Galgut 174. All the Birds In The Sky - Charlie Jane Anders  175. The Ghost In You - Ed Brubaker 176. I Love You But I’ve Chosen Darkness - Claire Vaye Watkins 177. Humans of New York 178. This is a Book - Demetri Martin 179. Lazarus, Vol. 7 - Greg Rucka 180. Amazona - Canizales 181. Blaze and The Castle Cake For Bertha Baye - Carlos Ponti 182. Henry Taylor - B Side 183. Ex Libris - Matt Madden 184. How to Hide an Empire - Daniel Immerwahr (started…) 185. The Book of Delights - Ross Gay (just started…)

186. Making the Movement: Civi Rights Buttons, Flyers, Pins and Posters - David L. Crane

187. The walls have the floor - Mural Journal, May '68 - Julien Besancon, ed.

[auskultu]

The Ten Best Films of 1967

Bosley Crowther, The New York Times, 24 December 1967

THIS was the year in which Hollywood—or the home-grown film, if you please—made a remarkable emergence from the shadow of eclipse into which it had been cast by foreign imports and the weakness of its own energies in the past several years. Suddenly, against a record that showed a consistent decline in numerical representation since 1961, the Hollywood moviemakers have landed on my “10 best" list this year with no less than four solid entries, and with a respectable sprinkling on the honorable mention list.

Unstinting credit for this rebound to critical respectability must be given to those producers and directors who have finally responded to the cry for pregnant themes in the contemporary span of social tensions, rather than drift with a flat escapist tide. But it must also be acknowledged that a certain lessening was evident this year in the quality of foreign-language pictures, punctuated only by the emergence of individual, isolated surprises from young directors scattered from Sweden to Spain.

This was a year marked by ugly explosions of violence and sadism in many films, much of it meritricious and generated merely to shock. There are some elements of violence in films on the forthcoming list. But they are artfully restrained and developed to make valid and socially meaningful points. I am happy to conclude that the entries on this last year-end balance that I’ll draw up are as brilliant in their way and as impressive as those on the first I ever did.

So here they are, put down in the order in which they opened in New York:

La Guerre Est Finie (The War Is Over), screenplay by Jorge Semprun; directed by Alain Resnais; produced by Sofracime of Paris and Eu-ropa-Film of Stockholm; released by Brandon Films. This reflection of two days in the life of an aging Spanish left-wing agitator on a secret trip to Paris to visit his mistress and make contact with the Communist leaders there embraces a complex of emotions, memories, loyalties, and is ono of the finest comprehensions of growing old in today’s world yet filmed. Yves Montand, Ingrid Thulin and Genevieve Bujold play it beautifully.

Ulysses, screenplay by Joseph Strick and Fred Haines, based on the novel by James Joyce; directed by Mr. Strick; a Walter Reade, Jr.-Joseph Strick Production, released by Continental. A faithful and brilliant screen translation of Joyce’s classic novel, done with taste, imagination and cinema artistry. Most notable and commendable are the candor and clarity with which Joyce’s ribald language and erotic images are presented to achieve understanding and the rhythm and ring of poetry. Maurice Roeves as Stephen Dedalus, Milo O’Shea as Leopold Bloom and Barbara Jefford as his wife, Molly, are superior in an excellent cast.

The Hunt, screenplay by Angelino Fons and Carlos Saura; directed by Mr. Saura; an Elias Querejeta Production, released by Trans-Lux. In this brilliantly expanding drama of four men on a seemingly innocent rabbit-hunting trip in a barren area fought over in the Spanish Civil War, Mr. Saura vividly presents us with a bitter and horrifying expose of the spiritual poverty and frustration of middle-aged men who were involved in that war—on the side of the Falangists. One of the rare Spanish films released here, it acquaints us with a strong young directorial talent and new, bold spirit in Spain.

In the Heat of the Night, screenplay by Stirling Silli-phant, based on the novel by John Ball; directed by Norman Jewison; produced by Waller Mirisch of the Mirisch Company for United Artists. The hot surge of racial hate and tension as it has been displayed in many communities this year is fictionally isolated and put forth with realism and point in this strong drama of a Northern Negro detective up against a mystifying murder and an antagonistic white sheriff in the South. Sidney Poitier and Rod Steiger give Oscar-worthy performances.

Father, screenplay by Istvan Szabo; directed by Mr. Szabo and produced by Ma-film Studio III of Budapest, Hungary; released by Continental. Again, an exciting creation from a fresh talent on the European scene is manifest in this study of a young Hungarian's heroic fantasies of his dead father, wherein are reflected his emotional insecurity and his need for a sense of heritage in a changing world. Fine performances by several young people and a fluid, forceful cinematic style distinguish what might be considered a significant achievement of a Hungarian “new wave.”

Elvira Madigan, screenplay by Bo Widerberg; directed by Mr. Widerberg, and produced by Janco/Europa Film; released by Cinema V. A new, young Swedish director swims impressively into our ken with this pictorially exquisite and dramatically absorbing story of a pathetically doomed love affair between a young married Swedish cavalry officer and a beautiful circus girl, all in the serene long ago. Thommy Berggren and Pia Degermark fairly break one’s heart in the principal roles. The creative use of color and of Mozart’s music is memorable.

Closely Watched Trains, screenplay by Bohumil Hrabal and Jiri Menzel, based on a story by Mr. Hrabal; directed by'Mr. Menzel, and produced by Film Studio Bar-randov of Prague, Czechoslovakia; a Sigma III release. In the naturalistic tradition of several recent fine Czechoslovak films, this humorous, revealing and poignant drama of a hopeful, immature young railway-station attendant at a country station in World War II is richly cinematic and full of humanity and tenderness. Vaclav Neckar as the young hero and Jitka Bendova as an older attendant are delightful in a fine cast.

Cool Hand Luke, screenplay by Donn Pearce and Frank R. Pierson, based on a novel by Mr. Pearce; directed by Stuart Rosenberg, and produced by Gordon Carroll for Warner Brothers-Seven Arts. This tough convict-camp melodrama about a cryptic, alienated young chap, caught between the heroization of his fellow prisoners and the ruthless deflating of the guards, is a good, solid chunk of raw meat, cinematically and otherwise, in a year in which films of brutality and violence have too often been overdone. Paul Newman as the hero, George Kennedy as a fellow con and Jo Van Fleet in a small role do especially well.

In Cold Blood, screenplay by Richard Brooks, based on the novel by Truman Capote; directed and produced by Mr. Brooks for Columbia. Here, in this starkly realistic and electrifyingly illuminating film, based on the classic in-depth study of an actual Kansas quadruple murder case, Mr. Brooks brilliantly provides us with a comprehension beyond the scope of this one case of the harrowing hazard of random crime and senseless violence in our communities. Excellent performances by two comparative newcomers, Scott Wilson and Robert Blake, in the roles of the neurotic killers, and a strong, expressive musical-sound score by Quincy Jones are among the several Oscar-worthy efforts in this film.

The Graduate, screenplay by Calder Willingham and Buck Henry, based on a novel by Charles Webb; directed by Mike Nichols, and produced by Lawrence Turman for Embassy Pictures. This sharply incisive and funny picture about the social and amorous problems of a young man fresh out of college is thematically and cinematically one of the best American social satires that has come along in years, and it offers in the title role a new young actor, Dustin Hoffman, who is nothing short of superb. Anne Bancroft as a restless older woman and Katharine Ross as her daughter also shine.

There are my ”10 best” selections. But I would like, as I did last year, to note several films that were contenders for places on this list. They may be classed as Honorable Mentions, with no gradation among them—and here they are:

Persona — Ingmar Bergman’s superb, disturbing study of a clashing dual personality, beautifully played by Bibi Andersson and Liv Uilmann.

Marat/Sade — A brilliant cinematic enactment of the powerful Peter Weiss stage play about insanity and revolution, directed by Peter Brook.

The War Game — A hypothetical study, done in tele-vision-documentary style, of a nuclear bombing of Britain, directed by Peter Watkins.

Up the Down Staircase — The “blackboard jungle” broadened, with particular emphasis upon the devotion of a new high school teacher, played exceedingly well by Sandy Dennis.

Guess Who’s Coming to Dinner — A delightful, icebreaking drawing-room comedy about mixed marriage, charmingly played—and talked—by Spencer Tracy, Katharine Hepburn and Sidney Poitier.

The Battle of Algiers — Here is a scorching example of the old reenacted documentary-type film, directed with new vitality by Gillo Pontecorvo and played by a first-rate cast.

Privilege — What happens when a British “pop” singer is exploited for the benefit of The Establishment; highly suppositional but strong, also by Peter Watkins.

The Jokers — New British director Michael Winner satirizes the impatience and recklessness of younger members of the upper class.

The Tiger Makes Out — Murray Schisgal’s comedy-satire on New York loners, played delightfully by Eli Wallach and Arne Jackson.

There, that’s enough.

Here’s hoping for even better in 1968!

[mobileautotruck]

Best Motorcycle Towing Service and Cost in Iowa City | Mobile Auto Truck Repair Iowa City

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COST

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Tow Motorcycle companies charge a minimum base fee of $50 for local towing or 5 or 10 miles, or a $75 hook-up fee and $2 to $4 per mile for long distance towing. Prices depend if it's a car, motorcycle, or heavy-duty vehicle, and the total mileage. Get free estimates from tow truck services near you.

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[ainokaze]

Fender Pedals from Gunner on Vimeo.

Get your fav bowl of cereal and saddle up as we follow along on our hero’s quest for the coveted Fender Pedals!

See more of the journey here: gunner.work/fender/

Client: Fender Music & Sound: propersounds.co

Directed by Gunner Project Lead: John Hughes Story: Michael Burdick Animation Direction: John Hughes Art Direction: Michael Burdick Illustration: Michael Burdick, Andy Most, Jay Quercia, John Hughes, Collin Leix, Cel Animation: Matthew Everton, Ryan Boyes, Rachel Reid, Andy Most, Jessica Rowden, Eli Watkins, James Noellert, Collin Leix, Michael Burdick, John Hughes 2D Animation: Marcus Bakke, Collin Leix, John Hughes, Ian Sigmon, Nick Forshee 3D Animation: Collin Leix, John Hughes, Marcus Bakke Producer: Brandon Delis

[lightwood-alec]

TV Episodes 2017

13 Reasons Why (13) 1x01 - Tape 1, Side A 1x02 - Tape 1, Side B 1x03 - Tape 2, Side A 1x04 - Tape 2, Side B 1x05 - Tape 3, Side A 1x06 - Tape 3, Side B 1x07 - Tape 4, Side A 1x08 - Tape 4, Side B 1x09 - Tape 5, Side A 1x10 - Tape 5, Side B 1x11 - Tape 6, Side A 1x12 - Tape 6, Side B 1x13 - Tape 7, Side A 8 Out of 10 Cats (1) 20x08 - Jamali Maddix, Rick Edwards, Kate Humble & Joe Lycett (New Year’s Special) 8 Out of 10 Cats Does Countdown (1) 12x01- Stephen Mangan, Noel Fielding, Fay Ripley & the Brett Domino Trio A League of Their Own (9) 11x11 - Christmas Special 11x12 - U.S. Road Trip 2, Part One 11x13 - U.S. Road Trip 2, Part Two 11x14 - U.S. Road Trip 2, Part Three 11x15 - U.S. Road Trip 2, Part Four 11x16 - U.S. Road Trip 2, Part Five 12x01 - Rob Beckett, Dele Ali & Stephen Mangan 12x02 - Emma Bunton, Mo Farah & Anthony Joshua 12x04 - Charlotte Dujardin, Cesc Fabregas & Romesh Ranganathan American Gods (1) 1x01 - The Bone Orchard American Horror Story: Cult (11) American Horror Story: Hotel (4) 5x07 - Flicker 5x08 - Ten Commandments Killer 5x09 - She Wants Revenge 5x10 - She Gets Revenge An Unfortunate Series of Events (1) 1x01 - The Bad Beginning: Part One And Then There Were None (1) 1x01 - Episode One Animal Kingdom (14) 1x08 - Man In 1x09 - Judas Kiss 1x10 - What Have You Done 2x01 - Eat What You Kill 2x02 - Karma 2x03 - Bleed for It 2x04 - Broken Boards 2x05 - Forgive Us Our Trespasses 2x06 - Cry Havoc 2x07 - Dig 2x08 - Grace 2x09 - Custody 2x10 - Treasure 2x11 - The Leopard Archer (2) 8x01 - Archer Dreamland: No Good Deed 8x02 - Archer Dreamland: Berenice Arrow (1) 6x08 - Crisis on Earth-X, Part 2 Atlanta (10) 1x01 - The Big Bang 1x02 - Streets on Lock 1x03 - Go for Broke 1x04 - The Streisand Effect 1x05 - Nobody Beats the Biebs 1x06 - Value 1x07 - B.A.N. 1x08 - The Club 1x09 - Juneteenth 1x10 - The Jacket Ballers (8) 1x02 - Raise Up 1x03 - Move the Chains 1x04 - Heads Will Roll 1x05 - Machete Charge 1x06 - Everything Is Everything 1x07 - Ends 1x08 - Gaslighting 1x09 - Head-On Bates Motel (3) 5x05 - Dreams Die First 5x06 - Marion 5x07 - Inseparable Big Fat Quiz of the Year (2) 1x24 - Big Fat Quiz of the Year 2016 1x25 - Big Fat Quiz of Everything 2017 Big Little Lies (7) Big Time Rush (1) 2x15 - Big Time Reality Bill Nye Saves the World (2) 1x01 - Earth Is a Hot Mess 1x02 - Tune Your Quack-o-Meter Billy on the Street (18) 1x01 - And Away We Go... 1x02 - Television is the Greatest Thing to Ever Happen to Me! 1x03 - Drunk Rich 1x04 - Can Rachel Dratch Name 20 White People in 30 Seconds? 1x05 - The Meryl Streep Showdown 1x06 - Where in the World is Scarlett Johansson’s Vagina? 1x07 - Ask an Asian! 1x08 - Are You Smarter Than a Gay Fifth Grader? 1x09 - Did You Hear Madonna Died? 1x10 - Joan Rivers Gets Quizzed in the Face 2x01 - Billy Meets Mr. Singh! 2x02 - The Lesbian Lightning Round, with Andy Cohen 2x03 - Scream for an American Girl Doll, with Will Ferrell 2x04 - It’s Spock - Do You Care?, with Zachary Quinto 2x05 - Whistleblow that Jew!, with Rashida Jones and Maya Rudolph 2x06 - It’s Debra Messing, You Gays!, with Debra Messing and Christian Borle 2x07 - Do You Think Gisele Bundchen Understands the Jokes on Portlandia?, with Nas and Ashley Benson 5x08 - Curbside Conga Line with James Corden The Blacklist (4) 4x03 - Miles McGrath (No. 65) 4x04 - Gaia (No. 81) 4x05 - The Lindquist Concern (No. 105) 4x06 - The Thrushes (No. 53) Black Sails (10) 4x01 - XXIX 4x02 - XXX 4x03 - XXXI 4x04 - XXXII 4x05 - XXXIII 4x06 - XXXIV 4x07 - XXXV 4x08 - XXXVI 4x09 - XXXVII 4x10 - XXVIII Boardwalk Empire (2) 1x04 - Anastasia 1x05 - Nights in Ballygran The Bold Type (10) Brooklyn Nine-Nine (23) 4x11 - The Fugitive, Part One 4x12 - The Fugitive, Part Two 4x13 - The Audit 4x14 - Serve & Protect 4x15 - The Last Ride 4x16 - Moo Moo 4x17 - Cop Con 4x18 - Chasing Amy 4x19 - Your Honor 4x20 - The Slaughterhouse 4x21 - The Bank Job 4x22 - Crime & Punishment 5x01 - The Big House, Pt. 1 5x02 - The Big House, Pt. 2 5x03 - Kicks 5x04 - HalloVeen 5x05 - Bad Beat 5x06 - The Venue 5x07 - Two Turkeys 5x08 - Return to Skyfire 5x09 - 99 5x10 - Game Night 5x11 - The Favor Castlevania (4) 1x01 - Witchbottle 1x02 - Necropolis 1x03 - Labyrinth 1x04 - Monument Dear White People (10) 1x01 - Chapter I 1x02 - Chapter II 1x03 - Chapter III 1x04 - Chapter IV 1x05 - Chapter V 1x06 - Chapter VI 1x07 - Chapter VII 1x08 - Chapter VIII 1x09 - Chapter IX 1x10 - Chapter X The Defenders (8) Difficult People (28) Dirk Gently’s Holistic Detective Agency (4) 1x01 - Horizons 1x02 - Lost & Found 1x03 - Rogue Wall Enthusiasts 1x04 - Watkin The Exorcist (9) 1x08 - Chapter Eight: The Griefbearers 1x09 - Chapter Nine: 162 1x10 - Chapter Ten: Three Rooms 2x01 - Janus 2x02 - Safe as Houses 2x03 - Unclean 2x04 - One for Sorrow 2x05 - There But for the Grace of God, Go I 2x06 - Darling Nikki The Flash (3) 2x04 - The Fury of Firestorm 3x17 - Duet 4x08 - Crisis on Earth-X, Part 3 Freedom Fighters: The Ray (3) 1x01 - Episode One 1x02 - Episode Two 1x03 - Episode Three Future Man (13) Game of Thrones (2) 7x06 - Beyond the Wall 7x07 - The Dragon and the Wolf The Get Down (11) 1x01 - Where There Is Ruin, There Is Hope for a Treasure 1x02 - Seek Those Who Fan Your Flames 1x03 - Darkness Is Your Candle 1x04 - Forget Safety, Be Notorious 1x05 - You Have Wings, Learn to Fly 1x06 - Raise Your Words, Not Your Voice 1x07 - Unfold Your Own Myth 1x08 - The Beat Says, This Is The Way 1x09 - One by One, Into the Dark 1x10 - Gamble Everything 1x11 - Only From Exile Can We Come Home Girl Meets World (1) 3x21 - Girl Meets Goodbye Glue (6) 1x01 - Everyone 1x02 - James/Janine 1x03 - Eli/Rob 1x04 - Tina/Dominic 1x05 - James/Rob/Cal 1x06 - Rob/Tina The Good Place (21) 1x01 - Pilot 1x02 - Flying 1x03 - Tahani Al-Jamil 1x04 - Jason Mendoza 1x05 - Category 55 Doomsday Crisis 1x06 - What We Owe to Each Other 1x07 - The Eternal Shriek 1x08 - Most Improved Player 1x09 - ...Someone Like Me as a Member 1x10 - Chidi’s Choice 1x11 - What’s My Motivation 1x12 - Mindy St. Claire 1x13 - Michael’s Gambit 2x01 - Everything Is Great! (Part 1) 2x02 - Everything Is Great! (Part 2) 2x03 - Dance Dance Resolution 2x04 - Team Cockroach 2x05 - Existential Crisis 2x06 - The Trolley Problem 2x07 - Janet and Michael 2x08 - Derek Gotham (22) 3x12 - Ghosts 3x13 - Smile Like You Mean It 3x14 - The Gentle Art of Making Enemies 3x15 - How the Riddler Got His Name 3x16 - These Delicate and Dark Obsessions 3x17 - The Primal Riddle 3x18 - Light the Wick 3x19 - All Will Be Judged 3x20 - Pretty Hate Machine 3x21 - Destiny Calling 3x22 - Heavydirtysoul 4x01 - Pax Penguina 4x02 - The Fear Reaper 4x03 - They Who Hide Behind Masks 4x04 - The Demon’s Head 4x05 - The Blade’s Path 4x06 - Hog Day Afternoon 4x07 - A Day in the Narrows 4x08 - Stop Hitting Yourself 4x09 - Let Them Eat Pie 4x10 - Things That Go Boom 4x11 - Queen Takes Knight Halt and Catch Fire (1) 3x01 - Valley of the Heart’s Delight House of Cards (13) 5x01 - Chapter 53 5x02 - Chapter 54 5x03 - Chapter 55 5x04 - Chapter 56 5x05 - Chapter 57 5x06 - Chapter 58 5x07 - Chapter 59 5x08 - Chapter 60 5x09 - Chapter 61 5x10 - Chapter 62 5x11 - Chapter 63 5x12 - Chapter 64 5x13 - Chapter 65 How to Get Away with Murder (2) 3x10 - We’re Bad People 3x11 - Not Everything's About Annalise Iron Fist (13) 1x01 - Snow Gives Way 1x02 - Shadow Hawk Takes Flight 1x03 - Rolling Thunder Cannon Punch 1x04 - Eight Diagram Dragon Palm 1x05 - Under Leaf Pluck Lotus 1x06 - Immortal Emerges From Cave 1x07 - Felling Tree With Roots 1x08 - The Blessing of Many Fractures 1x09 - The Mistress of All Agonies 1x10 - Black Tiger Steals Heart 1x11 - Lead Horse Back to Stable 1x12 - Bar the Big Boss 1x13 - Dragon Plays With Fire The IT Crowd (5) 4x03 - Something Happened 4x04 - Italian For Beginners 4x05 - Bad Boys 4x06 - Reynholm vs. Reynholm 5x01 - The Final Episode It’s Always Sunny in Philadelphia (10) 12x01 - The Gang Turns Black 12x02 - The Gang Goes to a Waterpark 12x03 - Old Lady House: A Situation Comedy 12x04 - Wolf Cola: A Public Relations Nightmare 12x05 - Making Dennis Reynolds a Murderer 12x06 - Hero or Hate Crime? 12x07 - PSTDee 12x08 - The Gang Tends Bar 12x09 - A Cricket’s Tale 12x10 - Dennis’ Double Life Last Week Tonight with John Oliver (30) 4x01 - February 12, 2017 (Trump vs. Truth) 4x02 - February 19, 2017 (Russia) 4x03 - February 26, 2017 (Affordable Care Act) 4x04 - March 5, 2017 (Tibet) 4x05 - March 12, 2017 (American Health Care Act) 4x06 - March 19, 2017 (United States Federal Budget) 4x07 - April 2, 2017 (Cannabis) 4x08 - April 9, 2017 (Gerrymandering) 4x09 - April 16, 2017 (2017 French Presidential Election) 4x10 - April 23, 2017 (Ivanka Trump and Jared Kushner) 4x11 - May 7, 2017 (Net Neutrality) 4x12 - May 14, 2017 (Dialysis) 4x13 - May 21, 2017 (Stupid Watergate) 4x14 - June 4, 2017 (Paris Agreement) 4x15 - June 11, 2017 (UK General Elections and Brexit Negotiations) 4x16 - June 18, 2017 (Coal Mining and Bob Murray) 4x17 - June 25, 2017 (Vaccine Safety) 4x18 - July 2, 2017 (Local News and Sinclair Broadcast Group) 4x19 - July 30, 2017 (Alex Jones and InfoWars) 4x20 - August 6, 2017 (United States Border Patrol) 4x21 - August 13, 2017 (North Korea Crisis) 4x22 - August 20, 2017 (Nuclear Waste) 4x23 - September 10, 2017 (Joe Arpaio) 4x24 - September 24, 2017 (Corporate Consolidation) 4x25 - October 1, 2017 (Forensic Evidence) 4x26 - October 8, 2017 (Confederate Monuments) 4x27 - October 15, 2017 (Equifax Security Breach) 4x28 - October 29, 2017 (National Flood Insurance Program) 4x29 - November 5, 2017 (Economic Development Incentives) 4x30 - November 12, 2017 (Donald Trump’s Presidency) Legends of Tomorrow (18) 2x09 - Raiders of the Lost Art 2x10 - The Legion of Doom 2x11 - Turncoat 2x12 - Camelot/3000 2x13 - Land of the Lost 2x14 - Moonshot 2x15 - Fellowship of the Spear 2x16 - Doomworld 2x17 - Aruba 3x01 - Aruba-Con 3x02 - Freakshow 3x03 - Zari 3x04 - Phone Home 3x05 - Return of the Mack 3x06 - Helen Hunt 3x07 - Welcome to the Jungle 3x08 - Crisis on Earth-X, Part 4 3x09 - Beebo the God of War Legion (8) 1x01 - Chapter 1 1x02 - Chapter 2 1x03 - Chapter 3 1x04 - Chapter 4 1x05 - Chapter 5 1x06 - Chapter 6 1x07 - Chapter 7 1x08 - Chapter 8 The Lodge (3) 1x01 - The New Girl 1x02 - Reality Check 1x03 - Opportunities Luke Cage (6) 1x08 - Blowin’ Up the Spot 1x09 - DWYCK 1x10 - Take It Personal 1x11 - Now You’re Mine 1x12 - Soliloquy of Chaos 1x13 - You Know My Steez Master of None (5) 2x01 - The Thief 2x02 - Le Nozze 2x03 - Religion 2x04 - First Date 2x05 - The Dinner Party Making History (2) 1x01 - Pilot 1x02 - The Shot Heard Round the World Me, Myself & I (2) 1x01 - Pilot 1x02 - The First Step The Mindy Project (17) 5x08 - Hot Mess Time Machine 5x09 - Bat Mitzvah 5x10 - Take My Ex-Wife Please 5x11 - Dibs 5x12 - Mindy Lahiri Is A White Man 5x13 - Mindy’s Best Friend 5x14 - A Decent Proposal 6x01 - Is That All There Is 6x02 - A Romantical Decouplement 6x03 - May Divorce Be With You 6x04 - Leo’s Girlfriend 6x05 - Jeremy and Anna’s Meryl Streep Costume Party 6x06 - The Midwife’s Tale 6x07 - Girl Gone Wild 6x08 - Doctors Without Boundaries 6x09 - Danny in Real Life 6x10 - It Had to Be You Mr. Mercedes (3) 1x01 - Pilot 1x02 - On Your Mark 1x03 - Cloudy, With a Chance of Mayhem Mr. Robot (10) 3x01 - eps3.0_power-saver-mode.h 3x02 - eps3.1_undo.gz 3x03 - eps3.2_legacy.so 3x04 - eps3.3_metadata.par2 3x05 - eps3.4_runtime-error.r00 3x06 - eps3.5_kill-process.inc 3x07 - eps3.6_fredrick+tanya.chk 3x08 - eps3.7_dont-delete-me.ko 3x09 - eps3.8_stage3.torrent 3x10 - shutdown -r Narcos (4) 1x01 - Descenso 1x02 - The Sword of Simon Bolivar 1x03 - The Men of Always 1x04 - The Palace in Flames New Girl (1) 6x04 - Homecoming The Night Of (7) 1x02 - Part Two: Subtle Beast 1x03 - Part Three: A Dark Crate 1x04 - Part Four: The Art of War 1x05 - Part Five: The Season of the Witch 1x06 - Part Six: Samson and Delilah 1x07 - Part Seven: Ordinary Death 1x08 - Part Eight: The Call of the Wild NTSF:SD:SUV:: (22) 1x01 - One Cabeza, Two Cabeza, Three Cabeza...DEAD! 1x02 - The Birthday Party That Was Neither 1x03 - Exes and Oh-No’s! 1x04 - The Risky Business of Being Alone in Your Home 1x05 - Dolphinnegan's Wake 1x06 - Tijuana, We've Got a Problem 1x07 - Full Hauser 1x08 - Up Periscope, Down with San Diego 1x09 - Cause for ConCERN 1x10 - Piper Doesn't Live Here Anymore 1x11 - Twistin’ the Night Away 1x12 - I Left My Heart In Someone's Cooler 2x01 - 16 Hop Street 2x02 - The Real Bicycle Thief 2x03 - Sabbath-tage 2x04 - Lights, Camera, Assassination 2x05 - Time Angels 2x06 - Whack-A-Mole 2x07 - Robot Town 2x08 - Comic-Con-Flict 2x09 - The Return of Dragon Shumway 2x10 - Family Dies Powerless (9) 1x01 - Wayne or Lose 1x02 - Wayne Dream Team 1x03 - Sinking Day 1x04 - Emily Dates a Henchman 1x05 - Cold Season 1x06 - I’ma Friend You 1x07 - Van vs. Emily: Dawn of Justice 1x08 - Green Furious 1x09 - Emergency Punch-Up Preacher (8) 2x01 - On The Road 2x02 - Mumbai Sky Tower 2x03 - Damsels 2x04 - Viktor 2x05 - Dallas 2x06 - Sokosha 2x07 - Pig 2x08 - Holes Prison Break (10) 4x01 - Scylla 5x01 - Ogygia 5x02 - Kaniel Outis 5x03 - The Liar 5x04 - The Prisoner’s Dilemma 5x05 - Contingency 5x06 - Phaeacia 5x07 - Wine Dark Sea 5x08 - Progeny 5x09 - Behind the Eyes The Punisher (1) 1x01 - 3AM Queer as Folk (UK) (1) 1x01 - Episode 1 Riverdale (7) 1x01 - The River’s Edge 1x02 - A Touch of Evil 1x03 - Body Double 1x04 - The Last Picture Show 1x05 - Heart of Darkness 1x06 - Faster, Pussycats! Kill! Kill! 1x07 - In a Lonely Place Saturday Night Live (2) 42x19 - Chris Pine / LCD Soundsystem 43x03 - Kumail Nanjiani / P!nk Scream Queens (4) 2x07 - The Hand 2x08 - Rapunzel, Rapunzel 2x09 - Lovin’ the D 2x10 - Drain the Swamp Sense8 (11) 2x01 - Happy F*cking New Year 2x02 - Who Am I? 2x03 - Obligate Mutualisms 2x04 - Polyphony 2x05 - Fear Never Fixed Anything 2x06 - Isolated Above, Connected Below 2x07 - I Have No Room in My Heart for Hate 2x08 - All I Want Right Now Is One More Bullet 2x09 - What Family Actually Means 2x10 - If All the World’s a Stage, Identity Is Nothing But a Costume 2x11 - You Want a War? Shadowhunters (20) 2x01 - This Guilty Blood 2x02 - A Door Into the Dark 2x03 - Parabatai Lost 2x04 - Day of Wrath 2x05 - Dust and Shadows 2x06 - Iron Sisters 2x07 - How Are Thou Fallen 2x08 - Love Is a Devil 2x09 - Bound by Blood 2x10 - By the Light of Dawn 2x11 - Mea Maxima Culpa 2x12 - You Are Not Your Own 2x13 - Those of Demon Blood 2x14 - The Fair Folk 2x15 - A Problem of Memory 2x16 - Day of Atonement 2x17 - A Dark Reflection 2x18 - Awake, Arise, or Be Forever Fallen 2x19 - Hail and Farewell 2x20 - Beside Still Water Sherlock (3) 4x01 - The Six Thatchers 4x02 - The Lying Detective 4x03 - The Final Problem Silicon Valley (10) 4x01 - Success Failure 4x02 - Terms of Service 4x03 - Intellectual Property 4x04 - Teambuilding Exercise 4x05 - The Blood Boy 4x06 - Customer Service 4x07 - The Patent Troll 4x08 - The Keenan Vortex 4x09 - Hooli-Con 4x10 - Server Error Smallville (1) 9x06 - Crossfire Stranger Things (9) Supergirl (1) 3x08 - Crisis on Earth-X, Part 1 Superstore (3) 1x01 - Pilot 1x02 - Magazine Profile 1x03 - Shots and Salsa Teen Wolf (6) 6x11 - Said the Spider to the Fly 6x12 - Raw Talent 6x13 - After Images 6x17 - Werewolves of London 6x19 - Broken Glass 6x20 - The Wolves of War Time After Time (2) 1x01 - Pilot 1x02 - I Will Catch You Trial & Error (13) 1x01 - Chapter 1: A Big Crime in a Small Town 1x02 - Chapter 2: A Wrench in the Case 1x03 - Chapter 3: The Other Man 1x04 - Chapter 4: An Unwelcome Distraction 1x05 - Chapter 5: Right-Hand Man 1x06 - Chapter 6: Secrets & Lies 1x07 - Chapter 7: The Case Gets Big 1x08 - Chapter 8: A Change in Defense 1x09 - Chapter 9: Opening Statements 1x10 - Chapter 10: A Hostile Jury 1x11 - Chapter 11: Unusual Suspect 1x12 - Chapter 12: The Defense Rests 1x13 - Chapter 13: The Verdict The Twilight Zone (1) 3x08 - It’s A Good Life Twin Peaks (9) 2x11 - Masked Ball 2x12 - The Black Widow 2x13 - Checkmate 2x14 - Double Play 2x22 - Beyond Life and Death 3x01 - The Return, Part 1 3x02 - The Return, Part 2 3x03 - The Return, Part 3 3x04 - The Return, Part 4 Unbreakable Kimmy Schmidt (13) 3x01 - Kimmy Gets Divorced?! 3x02 - Kimmy’s Roommate Lemonades! 3x03 - Kimmy Can’t Help You! 3x04 - Kimmy Goes to College! 3x05 - Kimmy Steps on a Crack! 3x06 - Kimmy Is a Feminist! 3x07 - Kimmy Learns About the Weather! 3x08 - Kimmy Does a Puzzle! 3x09 - Kimmy Goes to Church! 3x10 - Kimmy Pulls Off a Heist! 3x11 - Kimmy Googles the Internet! 3x12 - Kimmy and the Trolley Problem! 3x13 - Kimmy Bites an Onion! The Vampire Diaries (2) 8x00 - Forever Yours (Retrospective Special) 8x16 - I Was Feeling Epic Veep (10) 6x01 - Omaha 6x02 - Library 6x03 - Georgia 6x04 - Justice 6x05 - Chicklet 6x06 - Qatar 6x07 - Blurb 6x08 - Judge 6x09 - A Woman First 6x10 - Groundbreaking Wet Hot American Summer: Ten Years Later (8) When We Rise (8) 1x01 - Part I 1x02 - Part II 1x03 - Part III 1x04 - Part IV 1x05 - Part V 1x06 - Part VI 1x07 - Part VII 1x08 - Part VIII Will (7) 1x01 - The Play’s the Thing 1x02 - Cowards Die Many Times 1x03 - The Two Gentlemen 1x04 - Brave New World 1x05 - The Marriage of True Minds 1x06 - Something Wicked This Way Comes 1x07 - What Dreams May Come The Young Pope (10) 1x01 - First Episode 1x02 - Second Episode 1x03 - Third Episode 1x04 - Fourth Episode 1x05 - Fifth Episode 1x06 - Sixth Episode 1x07 - Seventh Episode 1x08 - Eighth Episode 1x09 - Ninth Episode 1x10 - Tenth Episode Total: 675 TV 2016 TV 2015 TV 2014 TV 2013 TV 2012

[scttgldsmth]

Fender Pedals from Gunner on Vimeo.

Get your fav bowl of cereal and saddle up as we follow along on our hero’s quest for the coveted Fender Pedals!

See more of the journey here: gunner.work/fender/

Client: Fender Music & Sound: propersounds.co

Directed by Gunner Animation Direction: John Hughes Art Direction: Michael Burdick Illustration: Michael Burdick, Andy Most, Jay Quercia, John Hughes, Collin Leix, Cel Animation: Matthew Everton, Ryan Boyes, Rachel Reid, Andy Most, Jessica Rowden, Eli Watkins, James Noellert, Collin Leix, Michael Burdick, John Hughes 2D Animation: Marcus Bakke, Collin Leix, John Hughes, Ian Sigmon, Nick Forshee 3D Animation: Collin Leix, John Hughes, Marcus Bakke Producer: Brandon Delis

[discountggdbforsale-blog]

Golden Goose Superstar Saldi Online Business copyWriter attira anche il diritto legale!

Naturalmente, le accuse di LaToya Jackson su un omicidio cospirato probabilmente sarebbero a volte semplicemente lo stile di una sorta di sofferenza connessa e sconvolta, dovunque dal diniego. E in aggiunta può certamente semplicemente diventare errata forse esagerando il suo importo legato ai soldi che Elizabeth Jackson si prese cura di ognuno di noi. Perché ogni scuola è diventata un'azienda leader. Segui il flusso di cassa! Rifiutano di tenere gli studenti troppo responsabili per timore che molti diventino lividi o avviliti e si allontanino dalla scuola. La prospettiva è tipicamente terrificante, semplicemente Golden Goose Superstar Saldi Online erché non continuano a essere preoccupati mentre usano l'abilità dello studente per funzionare con competenza nella società moderna - si tratta sempre di finanza. Gli Stati Uniti pagano quasi ogni scuola il giusto pezzo di denaro, per ogni studente, per quasi tutti i giorni pagati. Fatto? Ogni colazione, quando la tua famiglia si presenta per le riprese, chiama la scatola delle risorse della scuola come un'altra casetta. Forse potresti essere le loro scarpe d'oro d'oca. Senza gli utenti, sicuramente non supportano i sistemi ingombranti e caricati. Che di solito è il motivo per cui ti vogliono inoltre ogni giorno speciale. Vogliono davvero i soldi giorno per giorno. Uno dei negativi più diffusi In parole povere ho trovato in relazione a questo keep è la tua attuale mancanza di alimenti freschi associati. Tutto è solo uno dei risultati in congelato o preconfezionato con lo scaffale specificato giorno per giorno. Mentre iniziano a fare sono benedetti con frutta fresca e fresca, spesso è necessario accettare con cura semplici fatti che producono come può iniziare con il deterioramento e che non dovrebbero mai mantenere il freddo. Nel caso in cui si stia cercando di ottenere prodotti locali, non viene considerato alcun corso da descrivere in base al quale acquisire viene dopo. Una pubblicazione sul mondo di Examine Write Online si basa esclusivamente su tale teoria, suggerendo dove la crescita standard di questi provider si basa principalmente su una meravigliosa base di utenti accumulata e, di conseguenza, non sul servizio degli utenti. Citando con il quale solo l'ultima grande maggioranza degli utenti di Foursquare ha fatto il check-in solo giornalmente, l'immagine di Watkins ha estrapolato che un buon numero dei suoi cinque tonnellate di utenti ha smesso di usare il piano. Il giovane, persistente irritato di quel predicatore, Eli (Paul Dano), finalmente è diventato suo, come Daniel Plainview lo ha letteralmente musicato fino alla morte per mezzo di un birillo da bowling. Di cui non poteva amare Day-Lewis che diceva accidentalmente 'Sono finito!' guardando le pause? A meno che uno non sia pronto a includere il lavoro in preliminare, non un'opportunità da nessuna Golden Goose Starter Online arte nel mondo sta procedendo a portarvi attraverso un reddito facile. Nel mio stesso lavoro come un Marketer su Internet, il mio venire in un gran numero di persone che di voi sono alla ricerca di questo facile essere seduti. Golden Goose Superstar Online tavano cercando {to | for | in realtà | verso | on | per aiutarti a | quale può | riguardo | ottenere qualcosa per molto poco! O questi prodotti stanno cercando di trovare per io realizzare il loro scopo per l'intero gruppo. Anche se io e mia moglie amiamo per te mostrare ciò che farebbe sul modo di fare soldi Scarpe Golden Goose Superstar Saldi Online nline, la mia famiglia e io non dovresti fare il lavoro per loro. Finirò col fare le persone un'ingiustizia se come ho fatto io. Ma le possibilità se la storia della tua ragazza ha subito un merito? Alternative se le basi reali per lavorare con le sue paure erano appropriate? Un miliardo di dollari per quanto riguarda i contanti è spesso certamente sufficiente abbastanza denaro che altre persone potrebbero tecnica i problemi di salute di un altro. E le collezioni di diamanti potrebbero certamente essere pegno o vendute, sia sul mercato di colore scuro anche apertamente fintanto che nessuno che ora ha un reclamo esclusivamente quando ne hai bisogno in molti casi può correttamente capire le storie della loro collezione. Successivamente, palla un paio di matite di dimensioni diverse, un foglio di tubo di gomma forte, un righello di silicone, una nuova asta di ferro e una linea di pesca a mosca in acciaio adatto (all'incirca lo stesso elemento dell'intera matita originale) e per farla finita. La vostra intera famiglia sarà senza dubbio non connessa perché in tal senso è più che adeguata forza in questa diversità.

[ofshadowedhearts]

➜ General

NAME: Ainsley Watkins

AGE: 24

DATE OF BIRTH: July 20th

NATIONALITY: Australian 

OCCUPATION: Flight Attendant 

ORIENTATION: Panromantic Pansexual

FACE CLAIM: Alycia Debnam Carey

➜ Background

HOMETOWN: Perth, Australia

CURRENT RESIDENCE: Verse Dependent

EDUCATION: Associate Degree in Liberal Arts

FAMILY: Mother ~ Grace Watkins, Father ~ Thomas Watkins, Brother ~ Eli Watkins

➜AU VERSE

SPECIES: Vampire

AGE: 30

OCCUPATION: Bartender

[howstamm-blog]

Right Angle Entertainment and A Rising Tide Theatrical Group have announced the all new national tour of GREATER TUNA.

 The hilarious hit comedy about the third smallest town in Texas where the Lion's Club is too liberal and Patsy Cline never dies, is coming back to theatres, this time with co-creator Jaston Williams sitting in the director's chair. Each performance will be followed with a Q&A.

 GREATER TUNA will play The Grand 1894 Opera House for a limited three-performance engagement on Saturday, April 8, 2017 at 3 and 8 pm; Sunday, April 9, 2017 at 3 pm. Tickets may be purchased at The Grand Box Office, 2020 Postoffice Street, by calling 409.765.1894, 800.821.1894 or online at www.thegrand.com.

 Although written and first performed over thirty years ago, the residents of Tuna could not be more up-to-date. Contemporary politicians and The Religious Right have put the basis for the comedy in GREATER TUNA back on the front pages of today's newspapers. Vera Carp is still leading the Smut Snatchers of the New Order in their campaign to clear the library shelves of dirty books like "Huckleberry Finn" and "Romeo and Juliet". Elmer Watkins speaks up for the KKK, Petey Fisk argues for animal rights, and a Celebrity Murder is on the front page. UFO Sightings? A Fat, Overbearing Talk Show Host? Celebrity Murder? It's not the cover of Time Magazine, it's GREATER TUNA and it's Hilarious!

 With its humble beginnings at a Sixth Street cabaret in Austin, Texas in 1981, GREATER TUNA came from the minds of master comedians Jaston Williams and Joe Sears, along with original director Ed Howard as the imaginative authors who parlayed the sketch into the critically acclaimed production which has entertained audiences across the country ever since.

 Co-creator Jaston Williams will direct this all new tour starring the fresh talent of Ryan Bailey, Tim Leavon and Will Mercer. Assisted by lightning-quick costume changes, the actors will portray all characters: men, women, children and animals. This multi-award winning comedy is a funny, loving portrait of rural America -- big hearts, small minds and all.

 According to Williams, "One of the things I am proudest of was Greater Tuna being named Play of the Century by Texas Monthly. Some people tend to think of the shows as an act for Joe Sears and myself, but the reality is that Greater Tuna is a seriously constructed play produced all over the country with other actors. I can say, I know these characters when I see them and I see them in this wonderful cast we have decided to work with."

 This fresh new take on GREATER TUNA reunites several of the original design team to include costumes by Broadway designer Linda Fisher and sound design by Ken Huncovsky. The creative team is rounded out with lighting design by Ovation Award winner Luke Moyer and scenic design by Michael Krauss.

 For its April return to The Grand 1894 Opera House, the Greater Tuna tour features a new cast and production. Joe Sears and Jaston Williams have "hung up their wigs, dresses, and high heels," and Jaston Williams has stepped into the role of director. Following each performance, Director Williams will lead a Q & A that's bound to be as entertaining as the show!

 For ticket prices and more information call The Grand's box office at 409.765.1894, 800.821.1894, or visit The Grand's website at www.thegrand.com. Listed on the National Register of Historic Places, The Grand 1894 Opera House is located at 2020 Postoffice Street in historic downtown Galveston's Cultural Arts District and is recognized as "The Official Opera House of the State of Texas." All major credit cards accepted.

 For additional information, visit your friends in Tuna at www.TunaTouring.com, and on Facebook: www.facebook.com/greatertuna and Twitter @greatertunatour.

 ABOUT THE PRODUCTION TEAM:

 Jaston Williams (Co-Creator, Director) Jaston is known nationally as the co-author, co-star and producer of the four award-winning plays in the Greater Tuna cycle. His performances have played on and off Broadway at the Kennedy Center, the Edinburgh International Arts Festival, the Spoleto Festival U.S.A. and all over America. Jaston received the L.A. Dramalogue Award for both Greater Tuna and A Tuna Christmas. A Tuna Christmas was published in "Best Plays of 1995." For several years, he toured in Larry Shue's The Foreigner. He performed in The Fantasticks and directed the musical Bad Girls Upset By The Truth. Jaston received the Texas Governor's Award for Outstanding Contribution to the Arts by a Native Texan and has performed at the White House on three occasions. He has appeared at Austin's State Theatre in Eugene Ionesco's The Chairs and at ZACH Theatre in Jay Preston Allen's Tru, for which he received the Austin Critics Table Award for Best Actor in a drama. He has also appeared at the ZACH Theatre in Te Laramie Project, Vanya and Sonia and Masha and Spike and A Christmas Carol. Jaston's autobiographical play, I'm Not Lying, was the first of his five solo shows, all receiving critical acclaim in performances across the country. The others are Cowboy Noises, Camping With Gasoline, Blame it on Valentine, Texas and his latest Maid Marian in a Stolen Car. Jaston has been seen recently with friends Joe Ely, Kimmie Rhodes, Jimmie Dale Gilmore and Jo Carol Pierce in their performance piece, Is There Life After Lubbock? as well as shared the stage with Lauren Lane in his new work A Wolverine Walks into a Bar. Jaston is the recipient of the 2013 Texas Medal of the Arts and has been inducted into the West Texas Walk of Fame.

 Ken Huncovsky (Sound Designer) The National Tours of ANN - The Ann Richards Play (& Broadway), Tuna Does Vegas, A Tuna Christmas (& Broadway), REd White And Tuna, and The Foreigner. Regional credits include: The Greater Austin High School Musical Theatre Awards, A Wolverine Walks Into A Bar, Blame It On Valentine, Texas, Tru, Camping With Gasoline, Cowboy Noises, Windblown, Hillbilly Heaven, Small Town Girl, Trail of Tears, A Funny Thing Happened On The Way To The Forum, The Cow Patty's, The Fantasticks, Peter Pan, The Wizard of Oz, The Chairs, and American Fiesta. Currently, Ken is the Production Supervisor at The Long Center for the Performing Arts in Austin.

 Linda Fisher (Costume Designer) created the original costumes for Greater Tuna first at Hartford Stage Company, then off-Broadway in 1982, and later for the Embassy Communications/Norman Lear Television special of Greater Tuna which aired on HBO. Her Broadway productions include A Tuna Christmas, Painting Churches, Bus Stop, Foxfire, and Morning's at Seven for which she later designed tours and the film version for CBS Cable. Other film/TV credits include Heart of Midnight, The Private History of a Campaign That Failed, and Pudd'n-head Wilson, as well as Rachel River for American Playhouse and The FinAl Verdict for TNT, the pilot for the short-lived NBC series Prince Street, and Stephen King's The Langoliers, an ABC miniseries. Ms. Fisher's other Off-Broadway credits consist of 52 productions at 19 theatres including the Manhattan Theatre Club, Playwright's Horizons, the Phoenix Theatre, The Roundabout, and American Place as well as several workshop productions for the New York Public Theatre. Regional credi

s include 132 productions at 28 theatres. A few regional theatres for which she has designed costumes are the Guthrie Theatre, Long Wharf Theatre, Arena Stage, Alaska Repertory Theatre, and the Williamstown and Berkshire Theatre Festivals. Ms. Fisher received her BFA in costume design from The University of Texas and completed her MFA from Yale University School of Drama. Union affiliations: United Scenic Artists Local 829 and Costume Designers Guild Local 892.

 Luke Moyer (Lighting Designer) Luke is the resident lighting designer for the NoHo Arts Center and Open at the Top, and his recent credits include Blame it on Valentine, Texas, Discord, The Light Bulb, One November Yankee, Red Room, Having it All Dracula (Ovation Award), Yo Ho Ho! A Pirates Christmas, East of Berlin, Departures, Pirates of Penzance, Feed, Jerusalem, Barnum, Elizabeth Rex (Ovation Award), Lizard, and the full staging of Angels In America. He is also the resident lighting designer for the American Academy of Dramatic Arts. Luke began his career at the Main Street Stage in Massachusetts where he designed PMS, Apartment 3A, Irma Vepp, and Collected Stories. He has designed many shows for The Company Rep including Six Degrees of Separation, Camino Real, Split, The Comedy of Errors, The Fantasticks, The Pension Grillparzer, Season's Greetings, Twelfth Night, Rosencrantz and Guildenstern are Dead, and Play Strindberg. More west coast credits include Deathtrap (Ovation Award), Shooting Star, Year Zero, Grace and Glory, All Night Strut, Celadine, A Long Christmas Ride Home, Recent Tragic Events, The Intern, The Last Pitch, Generator Girl, and Why's The Dog Howlin' Mama?

 MICHAEL KRAUSS (Scenic Designer) is a native North Carolinian and recent graduate with an MFA in Scenic Design from The University of Texas at Austin. His most recent credits include Charlotte's Web and jj's arcade at the ZACH Theatre, Suor Angelica and Gianni Schicchi at the Butler Opera Center. Prior work includes Three Decembers and At the Statue of Venus (BOC), Enter a Woman, Pretty Enough (UT), world premiere of Refugia (The Moving Company & UT), Fame! (UT), and Advance Man (UT New Theatre). He is currently working in television and film, but his first love will always be theatre.

 RIGHT ANGLE ENTERTAINMENT & A RISING TIDE THEATRICAL GROUP (Co-Producers)

 Right Angle Entertainment is a Production Company specializing in the production, management and distribution of live theatrical and concert events. RAE has worked with diverse brands and companies such as NBC, FremantleMedia, Character Arts, Lucasfilm, DreamWorks Theatrical, S2BN, Ad Astra / For the Record and Cirque du Soleil Theatricals. Co-Founders Alison Spiriti and Justin Sudds have over 35 years collective experience in presenting on the road, managing artists, producing new work and love collaborating with their partners to bring the most innovative work to life on stage.

 A Rising Tide Theatrical Group, LLC is a multi-faceted entertainment company founded in 2013 by Denton Yockey and Scott Galbraith who, together, have 70 years' experience in both non-profit and commercial theater. Inspired by the adage "a rising tide lifts all boats," A Rising Tide (ART) exists to lift audiences, artists, and producers alike. Most recently, ART aided the world premiere of the new musical Idaho! at The Smith Center in Las Vegas. Galbraith's career has included producing, presenting, venue operations, marketing, directing, and acting, and he was recently called upon to train emerging arts leaders in China. Yockey, whose background also includes acting, directing, teaching, and producing plays, musicals and children's theatre has run four not-for-profit theatres and overseen more than 300 productions.

 ABOUT THE CAST:

 RYAN H. BAILEY, a native of Park Forest, IL, has been living in Texas since 1996, and currently resides in Fredericksburg, TX with his wife Tommie and daughter Rachel. He has been acting since his first year of college in 1994 at Lewis University near Joliet, IL, when as a student merely working in the theater scene shop, got caught playing the piano backstage one day and was asked to read for the younger lead role of Buddy in The Diviners, and he has been hooked ever since. Ryan has had no formal training, and since moving to Texas, he has performed in around three dozen community Theater Productions throughout the Hill Country area. Some favorite roles include Camille Chandebise in A Flea in her Ear, Max in Lend Me A Tenor, Smee in Peter Pan, Rapunzel's Prince in Into the Woods, Pharoah in Joseph and the Amazing Technicolor Dreamcoat, Feste in Shakespeare's Twelfth Night, Sancho in Man of La Mancha, Mortimer Brewster in Arsenic and Old Lace, Pseudolus in A Funny Thing Happened on the Way To The Forum, Wolfgang Amadeus Mozart in Amadeus, and most recently Garry Lejuene in Noises Off! Ryan has also played a variety of the roles originated by Jaston Williams in two separate productions each of Greater Tuna and A Tuna Christmas, the most recent ones being produced in 2015 at the Fredericksburg Theater Company. Additionally, Ryan enjoys nature photography, woodworking, playing piano, drawing, model building (basically anything artistic), and multiple other aspects of theater, including directing, light and set design/construction, musical direction, and original music composition for plays. Ryan is currently employed as a surgical technician at Hill Country Memorial Hospital in Fredericksburg, TX.

 TIM LEAVON is an American artist better known for his work as a stage and film actor. He first burst onto the stage as the Mischievous Monkey in his 2nd grade production of The Mighty Circus and has been essentially reprising that role ever since. After being unceremoniously removed from his high school theatre program and leaving The University of Montevallo without a BA in theatre, Tim found a home in the bustling theatre community of Birmingham, Alabama where he first appeared in Equus at Theatre Downtown, winning the award for Best Actor by the Hobo Awards for his role as Alan. He then went on to fortuitously appear in productions of Greater Tuna and Tuna Does Vegas at Terrific New Theatre under the legendary Carl W Stewart. He spent a year touring as a lead cast member with Birmingham Children's Theatre Company. Tim is also a cast member of Birmingham's premiere improv comedy group Ugly Baby with whom he has appeared at the Del Close Marathon in New York and the Spontaneous Combustion festival in Atlanta. He was also featured with Ugly Baby as one of 3 'Funniest People in Birmingham' in B-Metro Magazine. He then moved to Los Angeles to study the film industry, appearing as lead in films Roomies, Shepard, You Have Arrived, and Halloween Hell House. He can also be seen as lead in the web series Web-Camelot and L.A. Nites. He completed improvisational and character training at UCB West and Groundlings Theatre and has since returned to Alabama as their Native Son to start his Production Company Cool Beans who's first projects include We Are Frogs Now and Courtin' Carl.

 Will Mercer grew up in Wimberley, TX, playing the piano and singing in church. As a High School student, Will was an active member of the Speech and Debate team, competing at the State and National level. Will attended Texas State University where he earned a BA and MA in Communication Studies. After college, Will spent 25 years in corporate America serving in leadership positions in the areas of Training and Development, Change Management, and Leadership Development. He now works for himself as an Organizational Development Consultant and Software Developer focusing on small and mid-size business. In addition, Will has taught in the Communication Studies department at Texas State University as an Adjunct Instructor for 28 years. Will was honored to receive the Outstanding Alumni Award from the department in 2009. Will has been performing in the vibrant Central Texas community theatre scene for many years. Some of his favorite roles include Wardell in Sordid Lives, Inspector Kemp in Young Frankenstein the Musical, and Clifton in Who's in Bed with the Butler. In 2015, Will had the opportunity to tackle Greater Tuna. Will ?rst met these characters in 1985 as an audience member at the Paramount Theatre in Austin, TX. It was the ?rst live, professional theater he had experienced. Needless to say, he fell in love with the theatre and the show. Playing Thurston, Elmer, Bertha, Yippy, Leonard, Pearl, R.R., Rev. Spikes, Sheriff Givens, and Hank resulted in Will receiving the 2015 Best Leading Actor in a Play (Comedy) from BroadwayWorld Austin. Will currently resides in Austin, TX, with his husband of 3 years. Will has two grown children who also live in Austin. He enjoys cooking, coffee, and making great theatre!

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some young edward nashton and eli sunday/eli watkins oil pastel stuff

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January 25, 2017

British Journal of Aesthetics, Vol. 56, #4, 2016 dialectica, Vol. 70, #4, 2016 Journal of Medical Ethics, Vol. 43, #2, 2017 Journal of the History of Philosophy, Vol. 55, #1, 2017 Philosophy and Phenomenological Research, Vol. 94, #1, 2017 Philosophy and Public Affairs, Vol. 44, #2, 2016 Social Epistemology, Vol. 31, #1, 2017 Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences, Vol. 61, 2017 Tanner Lecture on Human Values, Vol. 35, 2016

British Journal of Aesthetics, Vol. 56, #4, 2016 Articles Paisley Livingston. Bolzano on Art. Filippo Contesi. Disgust’s Transparency. Alan Roberts. Humour is a Funny Thing. Christopher Mole. Real Objective Beauty. Hannah Ginsborg. Synopsis. Karl Ameriks. Ginsborg, Nature, and Normativity. Richard Moran. The Topic of the Judgement of Beauty. Eli Friedlander. Between Communicability and Common Sense. Angela Breitenbach. Normativity and Purposiveness. Hannah Ginsborg. Replies to My Critics. Book Reviews Cynthia Nielsen. Unfinished Worlds: Hermeneutics, Aesthetics and Gadamer. Karen Simecek. What is Fiction For? Ben Blumson. A Syncretistic Theory of Depiction. Jeanette Bicknell. Groove: A Phenomenology of Rhythmic Nuance. Back to Top

dialectica, Vol. 70, #4, 2016        Original Articles Sven Ove Hansson, Karin Edvardsson Björnberg and John Cantwell. Self-Defeating Goals. Elisa Paganini. Informative Identities: A Challenge for Frege's Puzzle. Bjørn Jespersen. Left Subsectivity: How to Infer that a Round Peg is Round. Laura Felline. It's a Matter of Principle: Scientific Explanation in Information-Theoretic Reconstructions of Quantum Theory. Jonathan Schaffer. It is the Business of Laws to Govern. Luis Rosa. Rational Doxastic Dispositions and the Epistemic Regress Problem. Travis Dumsday. Natural-Kind Essentialism, Substance Ontology, and the Unity Problem: Two Dispositionalist Solutions. Book Reviews Paul Butterfield. The Philosophy of Conspiracy Theories – By Matthew Dentith. William Fish. Disjunctivism: Disjunctive Accounts in Epistemology and in the Philosophy of Perception – Edited by Marcus Willaschek. Gregory Lavers. Functions and Generality of Logic: Reflections on Dedekind's and Frege's Logicisms – By Hourya Benis-Sinaceur, Marco Panza and Gabriel Sandu. Back to Top

Journal of Medical Ethics, Vol. 43, #2, 2017 Introduction Nir Eyal. The Benefit/Risk Ratio Challenge in CLinical Research, and the Case of HIV Cure: An Introduction. Background Daniel R Kuritzkes. Why Cure, Why Now? Kenneth A Freedberg, Paul E Sax. Improving on Effective Antiretroviral Therapy: How Good Will a Cure Have to be? Nir Eyal. How to Keep High-Risk Studies Ethical: Classifying Candidate Solutions. Risks Rebecca Dresser. First-in-Human HIV-Remission Studies: Reducing and Justifying Risk. Seema K Shah. When to Start a Paediatric Testing of the Adult HIV Cure Research Agenda? Caspar Hare. Risk and Radical Uncertainty in HIV Research. Benefits to Participants Lara Buchak. Why High-Risk, Non-Expected-Utility-Maximising Gambles can be Rational and Beneficial: The Case of HIV Cure Studies. Emily Largent. For Love and Money: The Need to Rethink Benefits in HIV Cure Studies. David Evans. An Activist's Argument that Participant Values Should Guide Risk–Benefit Ratio Calculations in HIV Cure Research. Informed Consent George J Annas. Cure Research and Consent: The Mississippi Baby, Barney Clark, Baby Fae and Martin Delaney. Danielle Bromwich, Joseph R Millum. Informed Consent to HIV Cure Research. Benefits to Nonparticipants Daniel Wikler. Must Research Benfit Human Subjects if it is to be Permissible? Regina Brown, Nicholas Greig Evans. The Social Value of Candidate HIV Cures: Actualism versus Possibilism. Rahul Kumar. Contractualist Reasoning, HIV Cure Clinical Trials, and the Moral (Ir)Relevance of the Risk/Benefit Ratio. F M Kamm. The Morality of Risks in Research: Reflections on Kumar. Afterword Nir Eyal. Returning to Philosophical Foundations in Research Ethics. Back to Top

Journal of the History of Philosophy, Vol. 55, #1, 2017 Articles Arash Abizadeh. Hobbes on Mind: Practical Deliberation, Reasoning, and Language. Karolina Hübner. The Trouble with Feelings, or Spinoza on the Identity of Power and Essence. Joshua Stuchlik. Circling to Scientia: Reading Descartes in Light of the Debate Between Stoic Dogmatists and Academic Skeptics. Symposium: Kant on Cognition Eric Watkins, Marcus Willaschek. Kant’s Account of Cognition. Stefanie Grüne. Givenness, Objective Reality, and A Priori Intuitions. Andrew Chignell. Kant on Cognition, Givenness, and Ignorance. Eric Watkins, Marcus Willaschek. Givenness and Cognition: Reply to Grüne and Chignell. Book Reviews Jakob Leth Fink. Plato on the Metaphysical Foundation of Meaning and Truth by Blake E. Hestir (review). Verity Harte. Second Sailing: Alternative Perspectives on Plato ed. by Debra Nails and Harold Tarrant (review). Klaus Corcilius. De Anima by Aristotle (review). Charlotte Witt. Aristotle on Female Animals: A Study of the Generation of Animals by Sophia M. Connell (review). Harold Tarrant. A New Text of Apuleius: The Lost Third Book of the De Platone by Justin A. Stover (review). Sten Ebbesen. Alexander of Aphrodisias and the Text of Aristotle’s Metaphysics by Mirjam E. Kotwick (review). Katja Krause. Aristotle’s Ethics and Medieval Philosophy: Moral Goodness and Practical Wisdom by Anthony Celano (review). Michael Moriarty. French Philosophy, 1572–1675 by Desmond Clarke (review). Luiz Eva. Academic Skepticism in Seventeenth-Century French Philosophy: The Charronian Legacy 1601–1662 by José R. Maia Neto (review). Ruth Boeker. Consciousness in Locke by Shelley Weinberg (review). Peter S. Fosl. Hume’s Sceptical Enlightenment by Ryu Susato (review). Miriam Schleifer McCormick. Hume’s True Scepticism by Donald C. Ainslie (review). Paul Russell. Toward a Humean True Religion: Genuine Theism, Moderate Hope, and Practical Morality by Andre C. Willis (review). Uygar Abaci. Kant’s Modal Metaphysics by Nicholas F. Stang (review). Caroline A. Buchanan, Daniel Breazeale. Fichte’s Ethical Thought by Allen W. Wood (review). Stephen Houlgate. Hegel’s Theory of Intelligibility by Rocío Zambrana (review). Karl Laderoute. The Nietzschean Self: Moral Psychology, Agency, and the Unconscious by Paul Katsafanas (review). David Fergusson. Scottish Philosophy in the Nineteenth and Twentieth Centuries ed. by Gordon Graham (review). Back to Top

Philosophy and Phenomenological Research, Vol. 94, #1, 2017 Articles Neil Levy. Implicit Bias and Moral Responsibility: Probing the Data. Richard Dub. Delusions, Acceptances, and Cognitive Feelings. Sinan Dogramaci. Why Is a Valid Inference a Good Inference? David Pineda and Agustín Vicente. Shoemaker's Analysis of Realization: A Review. Susanna Rinard. No Exception for Belief. Daniel W. Brinkerhoff Young. Kierkegaard on Time and the Limitations of Imaginative Planning. Robert J. Hirsch. Maudlin's Mathematical Maneuver: A Case Study in the Metaphysical Implications of Mathematical Representations. Book Symposium: Strange Tools Alva Noë. Strange Tools: Art and Human Nature: A Précis. Noël Carroll. Comments on Strange Tools by Alva Noë. A. W. Eaton. Strange Tools vs. Plain Tools?: Comments on Alva Noë. Paul Guyer. Alva Noë, Strange Tools: Art and Human Nature. Alva Noë. Art and Entanglement in Strange Tools: Reply to Noël Carroll, A. W. Eaton and Paul Guyer. Back to Top

Philosophy and Public Affairs, Vol. 44, #2, 2016 Original Articles Victor Tadros. Permissibility in a World of Wrongdoing. Ketan H. Ramakrishman. Treating People as Tools. Back to Top

Social Epistemology, Vol. 31, #1, 2017 Russian Philosophy of Science Guest Editor: Ilya Kasavin : Forthcoming Special issue on Russian Philosophy of Science Articles Ilya Kasavin. Towards a Social Philosophy of Science: Russian Prospects. Boris I. Pruzhinin & Tatiana G. Shchedrina. The Ideas of Cultural–Historical Epistemology in Russian Philosophy of the Twentieth Century. Lyudmila A. Mikeshina. Social Philosophy of Science: Unexpected Russian Roots. Lyudmila A. Markova. Science Studies in Russia and in the West. Evgeny Blinov. The New Scientific Policy: The Early Soviet Project of “State-Sponsored Evolutionism". Valentin A. Bazhanov. From Under the Rubble: Logic and Philosophy of Logic in the USSR and the Ideologized Science Phenomenon. Vadim M. Rozin. The Moscow Methodological Circle: Its Main Ideas and Evolution. Elena Mamchur. The Destiny of Atomism in the Modern Science and the Structural Realism. Back to Top

Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences, Vol. 61, 2017 Regular Articles Yoichi Ishida. Sewall Wright, Shifting Balance Theory, and the Hardening of the Modern Synthesis. Sean Allen-Hermanson. Kamikazes and Cultural Evolution. Sara Green, Robert Batterman. Biology Meets Physics: Reductionism and Multi-Scale Modeling of Morphogenesis. Maël Lemoine. Animal Extrapolation in Preclinical Studies: An Analysis of the Tragic Case of TGN1412. Book Reviews Camilla Mørk Røstvik. The Changing Power of Scientific Institutions: The Modern Histories of Nature and The Royal Society. Karen Kovaka. Different Research Projects Require their own Individuality COncepts. Sam Fellowes. Putting the Present in the History of Autism. Back to Top

Tanner Lecture on Human Values, Vol. 35, 2016 To check if  a lecture is available click on the last name of lecturer The Tanner Lectures on Human Values The Trustees / Preface to Volume 35 Lectures Danielle Allen: Education and Equality Lecture I: Two Concepts of Education. Lecture II: Participatory Readiness. Elizabeth Anderson:  Liberty, Equality, and Private Government Lecture I: When the Market Was “Left.” Lecture II: Private Government. Margaret Atwood: Human Values in an Age of Change. Dipesh Chakrabarty: The Human Condition in the Anthropocene Lecture I: Climate Change as Epochal Consciousness. Lecture II: Decentering the Human? Or, What Remains of Gaia. Justice Ruth Bader Ginsburg: A Conversation with Ruth Bader Ginsburg Philip Pettit: The Birth of Ethics Lecture I: From Language to Commitment. Lecture II: From Commitment to Morality. Eric L. Santner: The Weight of All Flesh: On the Subject-Matter of Political Economy Lecture I: On the Subject-Matter of Political Economy. Lecture II: Paradoxologies. Peter Singer: From Moral Neutrality to Effective Altruism: The Changing Scope and Significance of Moral Philosophy. The Tanner Lecturers Back to Top