#either that or some bizarro wallpaper

[jennablackmorebooks]

Sol's bedroom used to have red mahogany wood panels, and one of his more recent purchases includes a vintage velvet floral chair for his room in the duplex. Needless to say, the logical conclusion to his interior design inclinations is that he's going to be trying to put in a shag carpet next, except for that I don't think Kenneth would let him.

[the-revisionist]

the tristan chord, chapter 19

Note: Sorry this took so long! 

xix. What time is it in the Milky Way?

  her eyes are closer to me than my own honor ~ Anne Carson

“Are you going to put the tofu in the sauce?” Greg asks.

Wooden spoon poised above a pot of tomato sauce, Caroline hesitates. It is Wednesday evening. She is tired. The day—filled with interviews of teaching candidates, meetings, chatty texts from one lover in New York that she largely ignored and morose ones from the other one who was meeting in Halifax this morning with her solicitor about her impending divorce and Caroline sort-of ignored those too, a toddler who wanted and got, thank you very much, Christmas lights put up in the living room, in August—is fit to burst at the seams. Thus she gazes longingly over Greg’s shoulder at the glass of wine abandoned on the dining room table and is damned if she’s going to ruin her perfect Marcella Hazan tomato sauce—the simmering translucent half-onion poaching in a fragrant bloodbath—with crumbly bits of protein that resemble glue paste falling off ancient discarded wallpaper. 

Helpless, she prevaricates. “Um.” 

“No?” Greg pulls the Labradoodle Pout face. 

“Well, Gillian’s coming for dinner and she likes things that are, you know—” Caroline pauses while attempting to find the most innocuous yet accurate term to describe Gillian’s culinary sensibilities, which are as omnivorous as her sexuality: If she’s hungry and it’s not a lot of fuss she’ll have it, even if it gives her indigestion.  

But then you are an awful lot of fuss, Caroline reminds herself, and so goes yet another theory.

  Greg wastes no time in supplying a descriptor for the woman he takes for thick-headed rube, even though he is too well-bred—and afraid of Gillian—to say in polite company: “Simple?” 

“No,” she retorts defensively. “I’d say her tastes are more classic. Pure. She has a very, you know, refined palate.” 

  Skeptical, he nibbles at a corner of his beard. “Isn’t Gillian the one who ate a chicken kebab she dropped on the kitchen floor?”

“It wasn’t the floor, it was a kitchen chair, and the five-second rule was met.” As a rigorous scientist Caroline knows the five-second rule is absolute bollocks but as an unsparing bitch she will do anything to win an argument.  “And, y’know, Alan and mum will be here too, and they aren’t that keen on tofu either.” 

“Well it’s just sad, I think.” Greg folds his arms. “That they won’t try new things.”

“Have you ever slept with a man?”

“I fail to see why you keep asking me that question.” 

“Just making a point this time. Gillian might try the tofu chips. Especially if she has wine with dinner.” She pauses. “Like, an entire bottle of wine, but yeah, she might.” 

“She’ll probably just wrap them up in prosciutto like you do,” he replies morosely. 

“It’s a testament to the sturdiness and versatility of the chip.” She smiles brightly, considers this a good save. “Hey, I ate the amaranth porridge this morning.” All the more reason to reward herself with wine tonight. Greg’s penchant for randomly assigning certain foods to days—Tofu Tuesdays, Amaranth Wednesdays, Quinoa Fridays—has only affirmed Caroline’s commitment to a parallel schedule of inevitable alcoholism. 

Before walking away, he reverts to the Labradoodle Pout. His courtship of Blackburn Barbie, aka Brigitte, has not been going well and as a result he has been as mopey as Morrissey around the house.  In turn Caroline has ramped up efforts to be kind and supportive or, at the very least, less bitchy—for starters, eating amaranth porridge without complaint. In addition, she consented to doing yoga with him on occasion; her motivation here is purely selfish, because she realizes that keeping up sexually with the likes of Gillian Greenwood may require a level of flexibility suitable to a preteen gymnast, or at least as close to that state as her sad-sack, wine-fueled, middle-aged body can attain. The other day during their marathon post-flood shag session she got such horrid back spasms at one point that Gillian leaped out of bed and started getting dressed because she assumed a trip to A&E was imminent. But a back massage, a glass of wine, and a story about a runaway lamb safely recovered during the storm fixed her up just fine. 

Or maybe it was the timbre of Gillian’s voice as she relayed the tale of the lamb, floating ethereal as smoke above her as she lay face down on the bed, muscles melting under a vigorous work-over: Poor damned thing, she were afraid of the rushing water, y’see, so I had to cross over to the other side, grab her, and carry her—imagine me, wading through a stream, water up to my knees with a lamb across my shoulders, bloody lucky she’s so tiny and I know that creek bed like the back of my hand. When the spasms and pain finally subsided she rolled over, practically into Gillian’s arms, and stared up into those eyes which, at that moment, were the softened green-gray of the hills on a cold rainy day. 

Gillian then smiled and said, better?  

In response Caroline squeaked that she would really really really pretty please like to try that position again. 

Nah, Gillian said. Can’t send you back to Harrogate all busted up. Besides, I’m rather enjoying you naked, helpless, and on your back—and in the 37 minutes that followed, she made absolutely certain that Caroline enjoyed it too. 

But yoga is worth a try, lest she earn a reputation as a pillow queen—and that particular phrase riles up thoughts of Sacha, who is still in New York and whose initial copious outpouring of archly romantic texts at the beginning of the trip has dwindled down to an occasional flurry. Like this morning’s perfunctory check-in: a photo of the sunrise from a penthouse, a snarky recap of a dinner party, asking about Flora and work. Neither texts nor thoughts have led Caroline anywhere closer to a clue on what or whom she really wants. There is a lot to be said for being in the moment, Sacha had once said, and in this particular moment she is making spaghetti sauce and looking forward to seeing Gillian and admitting to herself she has a ways to go before completely fucking everything up, so there is that. For the moment she will settle for occasionally fucking up her back; at this morning’s quickie yoga session her back gave out a mere ten minutes into the routine, prompting Greg to chirp that the first downward dog is always the hardest while clearly under the illusion that his commentary was in some way helpful.

With the sauce at perfect simmer she sprawls in a dining room chair for a moment, drinks wine, smiles at the frosty white glint of the Christmas lights from the living room ceiling that reflect into the hallway, and briefly persuades herself that she is queen of all she surveys when reality so far has only proven that she is nothing more than everyone’s bitch and a pushover for a three-year-old. She knew the moment Greg brought up Christmas plans last night at dinner—a pointless topic of conversation given that she can barely plan an outfit for the following day not to mention that she has her head up her arse about two very different women and if she has to eat quinoa pilaf one more time this month she may go mental—that a seed of holiday longing would be planted in Flora’s attentive, obsessive mind. The child spent the morning relentlessly grilling Caroline about when Christmas would occur and, more urgently, about the appearance of Christmas lights: where lights? when? Which devolved into the terse, repetitive command of lights! as if she were a tiny demented film director. 

So she got the lights. 

Appeasing a child can be easy enough; a middle-aged sheep farmer a far different matter and especially when you take sex out of the equation. She has no idea what frame of mind Gillian will be in when she arrives for dinner. Her one-liner texts from the morning consisted of bitching about parking in Halifax, the lateness of the solicitor, the bad cup of tea she had at an overpriced shop, and then later, her father’s never-ending critique of her driving as she took him to a doctor’s appointment. Over the course of the day Caroline experienced uneasy moments of doubt, fearing that Gillian might yet again reconsider divorce, might give Robbie yet another go. If nothing else, her hopefully-soon-to-be-ex-husband is expert at mining and manipulating the deep well of Gillian’s remorse to his ultimate advantage—performing an emotionally elegant sleight-of-hand that magically strips away her ragged self-esteem under the guise of stalwart support, convincing her that despite evidence to the contrary she fails at everything and possesses nothing but raw, naked vulnerability. A bizarro world version of the emperor’s new clothes, and gaslighting at its finest. She is certain Robbie does not possess enough self-awareness to know what he does; it is precisely in those who lack it that the most craven impulse outs itself with unerring cruelty.

  Meanwhile Lawrence arrives home, glares uncomprehendingly at the living room’s Christmas-in-August décor, and mutters a hit-and-run insult on the way to the refrigerator: “You’ve lost your mind.”

  For an infinitesimal moment she regards him, and then raises her glass in a toast. “Probably genetic, so welcome to your future.”

He rolls his eyes, drops a satchel on a chair. “Our future is the shitshow outside.” He guzzles neon-flavored Powerade. “Gran and Alan are in the driveway shouting at Gillian.” 

“Right.” Caroline sighs and returns to tending the sauce on the stove, poking at the onion softening slowly under its pearlescent dome. 

“Please tell me we’re not eating weird shit tonight,” Lawrence begs.

“Spaghetti.” 

“Thank God.”

The dinner guests plow through the doorway unannounced and without knocking. Gillian resembles a weary, wounded fox pursued by two gabbling old hounds—furrowed, scowling, and wincing as sniping cross-conversations pursue her. She wears one of her better flowery dresses and a matching navy blue cardigan sweater. The color-coordinated ensemble indicates that she asked Raff to pick it out, a task he does routinely, as he recently confessed to Caroline, but also reluctantly: This kind of thing will put me right into therapy, I know it will, he had said.

   Greetings are, apparently, out of the question as Alan and Celia carry on conversing. “What do you mean, the doctor wants to change your medication?” Celia says. 

Alan sighs. “It’s nothing, just a wee uptick in dosage—”

The remainder of the sentence goes unheard because Gillian finally meets her gaze and grins, and Caroline’s besotted brain goes on the blink at this live demonstration of collision theory: The chemical reaction, the charge that always existed between them is different now, the limits of those preexistent bonds are broken and altered into something new and viable and intense, and in the anguished relief and the reliable comfort of mere proximity now runs a strain of undisguised joy. 

At any rate, she is pretty certain it’s not just the fact that she offers Gillian a very generous pour of a very good white.  

As Gillian gratefully downs the vigonier, Alan sighs. “We’ll talk later,” he says to Celia. “Right now we are discussing Gillian—”

The mere utterance of her name brings about a reversion to a perpetual solid state of anger. Nose buried in the now-empty wineglass, Gillian seeks reprieve; she closes her eyes and inhales deeply, as if she can absorb each and every boozy airborne mote of wine. Then: “No,” she replies edgily. She sits the empty glass on the table and its jarring scrape marks a change in mood. “We’re not.”

“If you agree to settlement—” Alan begins. 

“No, I won’t.”  Gillian exhales violently, nods at the empty glass. “That’s all right, then,” she drawls, and then sets her lusty sights on Caroline in such a pointedly restrained fashion that a clandestine current of meaning crackles beneath innocuous conversation, and they both know that this combination of glance and tone will be interpreted by clueless observers in multifarious ways—as an in-joke about the wine or a veiled sarcastic commentary on divorce, present company, life as a whole—except the correct one. 

At least this is what Caroline hopes, because she notices her mother’s eyebrows arch in a curious fashion.   

“Settling would be the easiest solution,” Alan continues, oblivious to how his daughter’s eyes rake over her stepsister. 

Caroline looks away, bites her lip, gives the sauce an agitated stir that splatters the stovetop. “Glad you like it,” she replies softly.

“There more?” Gillian asks in an undertone that makes her shiver.

“Oh yeah.” Worrying that her quick assent runs a bit too throatily sensual, she clears her throat in such a larynx-shredding way that she sounds like Rumpole of the Bailey straining on the shitter. 

Solicitously Celia fetches her a glass of water. 

Alan reaches a point of shouty exasperation with his obstinate offspring. “Are you listening to me?” 

Pinching the bridge of her nose, Gillian is right there on the summit with him. “Yeah, I am, Dad. But what you don’t get is, is, it’s done. I’m done. I’m not getting back with him, that’s a pipe dream, and I’m not giving him some sort of ‘financial settlement’ either—”

Oh, the finger quotes, Caroline sighs dreamily. How elegantly she employs them. 

“—and if you think I’m going to ask Gary for money you’re out of your f-f-bloody mind, he and Felicity already done enough for me. No, the quickest and cheapest way to get out of this bloody mess of my own making is my way.” Then, despite her best efforts, she surrenders a couple f-bombs: “And if it means I have ‘adultery’ written on my fucking divorce petition and ‘whore’ written across my fucking forehead, well then, let’s just leave it, all right?” 

This effectively silences nearly everyone but Lawrence. “Wow. Dinner might actually be interesting for once.”

Before Caroline can defuse the tension by offering drinks all around, Gillian seizes her by the wrist and, with a gentle tug, leads her out of the room.  “Going to have a chat. Be right back.” 

“Here we go again with the girl talk,” Celia says indulgently, as if Caroline and Gillian are teenagers gallivanting off to talk about boys and jewelry and makeup.

  “Talk some sense into her, Caroline!” Alan barks.

“Someone stir my sauce!” Caroline shouts back as she is led down the hallway, helpless as Richard III with the kingdom falling down about him, sauce probably ruined and the battle surely lost. Did Richard feel this euphoric as he headed for the fall? At the very end, what did he feel other than sheer relief at the inevitable?

  “What is this thing in the sauce?” she hears Celia trill. 

Alan is apprehensive. “It’s not the tofu, is it?” 

Before she can scream no it’s not the bloody tofu Gillian gently shoves her in the bathroom, slams the door shut, locks it, and before Caroline can eke out a word of concern or affection Gillian claps a hand around the back of her neck and kisses her ruthlessly—that all-consuming kiss that she specializes in, the kiss of Don Juan’s reckless daughter. They pinball around the tiny bathroom, collide against the sink, knock a hand towel off the towel rack, and kick the metallic bin that sounds a scuffling hiss followed up with a booming gong. She nearly trips over her own feet but instead plops down right onto the toilet seat, opting to give Gillian credit for steering her there rather than lust-driven clumsy happenstance, which accurately describes her dance style circa 1989 and usually at its most frenzied to Dead or Alive’s “You Spin Me Round.” Then Gillian is on her lap—kissing her throat, biting her ear, fingernails of one hand etching the border of her scalp while the other eagerly cups her breast. She gathers a fistful of Gillian’s dress, the scratchy-soft fabric binds her knuckles and balls into her palm; self-bondage is the only thing preventing her from clawing bare skin with her nails and sliding her hand between those thighs and that is good because they are too close to fucking and the deep, sweet thrumming that rolls through Gillian’s throat drives her absolutely mad and she’s never been like this with anyone else before, no one, not John, not Kate, not Sacha or even some anonymous bint on the dance floor, no one. She has never been ravenous and reckless like this, never before abandoned her carefully considered plans of what love was or how it should be conducted. Love the abstraction, love the reality, dovetail dangerously into the current moment.  

The kisses slow down and in the hunger that lingers between them, like silence seeded into and enriching the adagio of a symphony, Caroline realizes that their burning savor is not from desire or wine alone but running along the familial lines of whiskey. She breathes gentle accusation into Gillian’s willing mouth: “You’ve been drinking.” 

It hardly seems unexpected, this pattern typical of Gillian: comfort sought in a bottle or a bloke. Should be glad it was the former and not the latter, Caroline thinks. So far as she knows, anyway, but then she can hardly demand sexual exclusivity when Gillian has given her free reign with Sacha. Their collision, their chemistry, has not completely broken all the bonds, nor recalibrated all the equations and reactions and networks. It has not—and most likely will not—reconfigure this whole complicated mess of molecules known as Gillian Greenwood, and this tempers Caroline’s disappointment.

Gillian pulls away slightly and squints comically, in the hope that playing up the role of lovable drunk will allay any potential Carolinian outbursts that simmer beneath a beautiful breastbone clad in an overpriced, casual linen blouse. 

“Did. You. Know,” she drawls, punctuating each word with a soft jab at Caroline’s sternum, “that for the past two and half years, ever since they got married, Dad and your mum have been cruelly, cruelly hoarding a spectacular bottle of single-malt scotch in their little love shack, a bottle they got as a wedding present from the bloody vicar?” 

Caroline sighs, groans, buries her face into Gillian’s neck—and inhales the weird manly shower gel that Raff owns and that his mother, out of sheer laziness, uses as well, and it possesses the power of a thousand colognes magnified into one spicy scent, like cheap cinnamon roasting in a toxic gas fire. On an actual man she would find it absolutely repulsive, but on a woman, this woman, it’s an inexplicable turn-on and so she sets to feasting on Gillian’s throat, but careful not to leave a mark. “I did not.”

Distinctly aware that she has offered herself as first course on the dinner menu—at least for the hostess—Gilliam stammers and squirms. “I n-needed to, um, reward myself for today.”

“Speaking of rewards— ” Caroline whispers. She releases the dress around her hand—and herself from the bonds of being good—and slips it between Gillian’s legs, fingers flat along her warm thigh and touching the scrunched elastic boundary of her panties, and then someone pounds on the door with such unbridled fury that Caroline knows immediately that it’s her most troublesome and stroppy child and she is both grateful for and infuriated at the unintentional cuntblock. 

From her comfy perch in Caroline’s lap Gillian attempts an elegant, faun-like leap to safety but instead elaborately and drunkenly staggers, kneels, and twists, inadvertently graceful as if she’s attempting an Orthodox Jewish wedding dance—but for the saving grace of frantically latching onto the sink she nearly ends up face down on the tiled floor. 

“GREG IS MAKING THE PASTA,” Lawrence booms. “AND HE’S STIRRING THE SAUCE.” 

Because Lawrence only pays attention to shouting, Caroline has no recourse to volley back a bellow. Which, given a heightened level of sexual frustration, is easy enough: “TELL HIM NOT TO GET RID OF THE ONION. I HAVE PLANS FOR THE ONION.” 

Whilst straightening and smoothing out her dress, Gillian stares at her suspiciously.  

“IT’S ALMOST READY AND IF YOU DON’T COME OUT NOW YOU’LL BE EATING TOFU CHIPS ALL NIGHT.” 

“ALL RIGHT. WE’LL BE THERE IN A MINUTE.”

“HAVE YOU WASHED MY SHIRTS YET?”

“FUCK OFF, I’M NOT YOUR SERVANT.” 

“BOY YOU’RE JUST REALLY MOTHER OF THE YEAR, AREN’T YOU?”  She hears him stomps away.  

“Mother of the year,” Gillian echoes. Tipsily she giggles, leans against the sink, hugs herself, and Caroline is struck—not for the first time—by the fierce singularity of her solitude, witnessed many a time in crowded pubs, at weddings, during dinners, over cups of tea and glasses of wine, even lying next to her in bed. You cannot fix people. This Caroline now knows. She spent eighteen years indulging John’s fantasy of being saved from himself and those efforts were, in fact, the essence and bedrock of their marriage. But the urge to fix and to save and to make right remains deeply inculcated in her; it is a force that compels and confounds at once.  

Wobbly, she gets up. In two steps she’s in front of Gillian and grips the edge of the sink with both hands, thus penning the shepherdess like one of her ewes. Not that she wants to trap Gillian, but rather retain meager control over not only the situation but also her wandering hands. In response Gillian’s fingers tap the buttons of her shirt, drumming out a subversive Morse code, dots and dashes of defiant desire.  “You going to tell me what happened today?”

“Didn’t drag you in here to talk,” Gillian says, with a tug on Caroline’s blouse. A kiss, a nip of the lower lip, the sweet shock of pain. “There’s nothing to tell.” The lie is followed by a softer, wetter kiss. “It’s shit. It’s toss. It’ll be over soon.” Gillian pauses and there is a sensual wavering of the moment, as a flag in full furl before the wind dies down, all revealed in the microcosmic flutter of her eyelids. “We can talk later. If you like. After dinner.”

“All right.” Caroline is grateful she’s still holding onto the sink’s edge, because her knees buckle. “You look good. Really good.”

Gillian barks out a laugh and gives her a playful push. “You hate this dress.”

“What? No.” Automatically, Caroline straightens with indignation. 

“Called it a peasant dress once, you did.” 

“I did not.” Even as she denies it, she can hear herself saying it while in that cabernet-tinted cloud of repressed emotion that she operated in when they first met.  

With an eyeroll, Gillian shoves her against the bathroom door, bites her neck, her earlobe, runs a wild, unrepentant tongue along the gentle swell of her throat, and hisses “peasant” at her. 

Caroline shivers. “Must’ve been drunk.” 

“Or just being a bitch.” 

“Or that.” She sighs. “So. Shall we? Once more unto the breach, then?”

While brushing back the bangs from Caroline’s forehead, Gillian smiles with undisguised fondness; it’s unnerving, exhilarating, so much so that Caroline is caught deliriously off guard. “Comb your hair first,” Gillian replies. Then, with an exaggerated look at Caroline’s chest: “And calm your tits.”  

As Caroline takes mortified account of over-exuberant nipples, Gillian darts out of the bathroom. She exhales a long breath, brushes her hair, and wills her body into submission. 

In the kitchen Greg has taken over. She sets the table. Gillian gets more wine. Alan and Celia seriously debate whether Alan’s doctor resembles Richard Harris “before he started looking like a drunk.” Lawrence ignores everyone and everything except his mobile. Flora runs amok and takes it upon herself to show the Christmas lights in the living room to Gillian, who reacts with the appropriate awe and outlandish questions that make Flora cackle with delight: Did you put those up yourself, love?  

Dinner starts out pleasantly enough, if only because everyone sublimates a spectrum of frustrations with pasta. Sacha would approve, Caroline thinks—and quickly quashes that thought as she admires her own plating expertise. 

“The sauce is great,” Greg says, and then adds teasingly, “despite the lack of tofu.”

Caroline leans back. “Yeah? Thanks. And thanks for helping.” 

“Your own recipe?” 

“No. From Marcella Hazan.” 

Lawrence, of course, tosses in the first conversational Molotov cocktail. “That another girlfriend?”

Gillian chokes on wine in such an elaborate fashion that it distracts Flora from endlessly twirling—and eventually wearing— the spaghetti on her plate. 

As his daughter violently coughs and wheezes into a napkin, Alan shakes his head. “Always eats and drinks like a convict, she does. Gulping down everything.” 

“Marcella Hazan was a food writer,” Caroline replies patiently to her idiot son. “And she’s dead.”

“Was she a lesbian?” Lawrence drawls mischievously.

Celia sighs. “What does that have to do with anything?”

Spastic fit over and done, Gillian wags a finger at her wineglass. “That’s, um, really, really powerful stuff, Caz.” 

“Then maybe you should stop for the night,” Alan says.

Gillian gives him a disingenuous, snarling smile. “Well, old man,” she begins slowly, “maybe you should—” 

“—have dessert!” Caroline interjects as Gillian glares at her, boldly telegraphing a reproach for preventing her from telling her father to fuck off. 

Exhausted from an afternoon of father-daughter verbal sniping, Celia jumps in rather desperately: “What is for dessert?”

Beaming proudly, Greg pats his belly to indicate that a culinary delight is headed to the table: “Strawberry banana tofu ice cream.” 

The family scatters to the wind: Lawrence scuttles upstairs, Celia murmurs something about biscuits at home that need eating before they go stale and drags her grumbling husband away lest he take up verbal fisticuffs with his surly daughter again, and Greg engages Flora in a game called “A Night at the Races,” where he and Flora run up and down the hallway in a very obvious attempt to tire her out. Briefly Gillian joins in the race until she is reprimanded for running with wine, and then disappears into the living room.  

  All this happens as Caroline cleans up. Afterward she relieves Greg of parental duty and gets Flora in the bathtub, where she is copiously splashed and anointed with suds in the process. Prelude to bedtime includes more running around upstairs, then the reading of a tale involving pandas playing badminton—the lesson implicit in the story involves good sportsmanship but Caroline’s takeaway is that maybe pandas shouldn’t be playing badminton to begin with. At the end of the tale Flora is still awake and demands more panda adventures. So Caroline improvises a story of a panda chemist who creates a magic potion that turns humans into pandas. As she rattles off ingredients for the imaginary formula—lewisite, calcite, phosgene oxime, titanium, feta cheese, pseudoephedrine, monkey brains, eucalyptus oil, banana farts—Flora falls asleep to the litany and Caroline dismally realizes that all her children are bored silly by her beloved chemistry. 

Downstairs she finds Gillian alone, sunk into the couch, shoes kicked off, bare feet on the coffee table and terribly close to a glass of wine. Despite the relaxed pose her restless hands wrestle in the soft, inviting arena of her lap. She stares up at the small, white lights that limn the dimensions of the room and form an unimaginative rectangular constellation around them. Gillian likes starwatching, can rattle off useless facts about the planets, and Caroline swears to God that she heard Gillian say Cassiopeia the other day when they made love—a faint, ardent susurration on her skin. Caroline knows little about stars except that they collapse and break apart and their remnants hold court in the glimmering corridor of a nebula. Perhaps that’s it, Caroline thinks. There is no fixing or handling Gillian—who looks up at her now and smiles. There is nothing to do but gather together her bright broken pieces and keep them safe.  

“This is nice,” Gillian says. “With the lights.”

The glow of the room brings her back to the Eddie confession, the two of them sitting on the sofa in Gillian’s home in front of the fire. In the years since they have sat together in silences ranging widely from the amiable to the charged, and so much has happened since that evening: Deaths and births and marriages and divorces and in the midst of it all is this woman whose presence in her life, whose volatility she cannot contain or really even fathom, remains fixed and constant. 

Tiredness kicks in, the flow of lust runs sluggish in her veins. That and Gillian looks fairly knackered as well, so she doesn’t have to worry about another barely controlled makeout session. But before attempting any gesture that could be viewed as more than sisterly affection by even the most objective bystander, she glances around. “Where’s Greg?”

Gillian stifles a yawn. “Went out, he asked me to tell you. Meeting his lady friend for a drink.” She snorts and says the woman’s name in a wispy falsetto: “Brigitte.” 

Sputtering a laugh, Caroline dives into the couch next to her. “Oh God. He told you about her.”

“Yep. Know everything about her now. Like, for example, she got perfect A levels—”

Caroline snorts derisively. “So did I.”

“’Course you did. I know what kind of wine she likes—”

“What?”

“Fucking chardonnay, Caz.” 

“Is that different from regular chardonnay?”

Gillian grins and leans into her. She takes Caroline’s hand in her own, her thumb presses into the fleshy swale of Caroline’s palm, massaging a sweet pressure point that makes Caroline sag contentedly into overstuffed cushions. “Get this, she cried at the end of Titanic. I mean, I cried at the end of Titanic but only because I’d just wasted three hours of my bloody life watching it.”  

“I fell asleep during Titanic,” Caroline confesses. 

“Smartest decision of your life.” 

While Caroline is content to have Gillian’s head resting against her shoulder and her hand massaged and caressed ad infinitum—as such they sit in silence for several long, exquisite minutes—she wonders if the subject of the day in divorce court should be raised. She hadn’t even known about the event until Alan mentioned it yesterday. Gillian has so many layers of unpredictability that sometimes in comparison other people appear almost logical, forthright, and uncomplicated. Of course, the limitations of her emotional intelligence force comparison with Kate—wondering once again if Kate had untold contradictions and complexities of character, or if Caroline was simply too selfish and self-involved to put forth a real effort of discovery. Think we all know the answer to that, twat, she tells herself. If Kate were alive, would she still be blundering through existence with a wife who was largely unknown to her? Has Gillian, through her own desperate needs, somehow inadvertently brought out powers of perception in Caroline that were otherwise dormant? 

  Sod it, she thinks, and asks cautiously: “Was it bad? Today?”

Gillian groans and, to Caroline’s disappointment, releases her hand and sits up—rather, hunches and hovers nervously over the coffee table. “Same as it ever is. My brilliant history of disappointing everyone. See it on everyone’s face. My dad. Robbie. Even your mum.” She reaches for the wine, stares into the glass. “Maybe someday you’ll look at me like that.” She gulps down the last of it and before Caroline can vigorously deny the claim, plows on. “Let’s begin with the old man, shall we? He cares what people think, my dad does. Remember when Gary gave that interview and ‘outed’ him, so to speak? Well, he’s acting like this is on the same level, it being on ‘public record’ that I’m an adulterer. Like who gives a shit anymore about things like that. Anyone who knows me knows it’s my fault anyway, right? Yeah, I know, you’re gonna say not my fault, shouldn’t have married Robbie, should have embraced a life of lesbianism—”

“I’d never say that,” Caroline replies. 

Gillian squints at her accusingly. “Probably thinking it.” 

“I think that about every woman, really.” 

This, at least, makes Gillian grin for a moment. “But the thing is, I did marry him, I did cheat on him—I did.” She repeats it softly: “I did. And it’s just one more thing I’ve done wrong in a very f-fucking long list and every time he looks at me, I see him ticking off things in that mental list”—her index finger spasms and marks off items in imaginary list written on air—“all the things he knows I’ve done, all the things he suspects, and, Christ, it’s all m-messed up, really messed up—you know why?”

“Why?”

Gillian stares at her with the same sneering incredulousness that, most likely, greeted Robbie when he made the following suggestion: “After all this shit we talked about with the bleeding lawyers today, as I’m leaving he waylays me and says he still wants to get back together. Work it out. He looks at me as if everything about me is wrong, that I am the source of all his misery, and he still wants me. It completely does my head in. Is that what love is supposed to be?” She shakes her head, burrows back into the sofa. “He’s wanted to marry me since he was sixteen—he, he said that to me once. His way of proposing.” 

“He’s not sixteen anymore,” Caroline replies. “And neither are you.” She thinks of Robbie—who never set foot outside of the country until his honeymoon, always wears the same shirt-and-tie combo to holiday gatherings, who still owns a Yorkshire rugby team blanket that he bought some thirty-five years ago and always insisted using it as a throw on the marital bed and then got quite cross with Gillian when she used it as bedding for an arthritic old sheep dog. 

“Even when I was sixteen, I—Jesus, I didn’t want to marry anyone. I mean, I didn’t know who I was. Couldn’t find my arse with both hands. Still can’t.”

  “It’s not love on his part,” Caroline says as she absently tucks hair around Gillian’s ear. “It’s an inability to grow up, move on, let go. He thinks he has some special claim on you, because he was your first—”

Gillian stretches and sits up, moving out of Caroline’s grasp. “He wasn’t.” 

“Wasn’t he?” Admittedly Caroline is unsure of details; trying to establish some sort of shagging timeline with regard to Gillian’s romantic past has always seemed a fool’s quest, or at the very least an effort warranting a first-class historian possessing patience and superior spreadsheet skills beyond her own modest capabilities. 

“I mean—he, he was the first person I had it off with, but he wasn’t the first person I loved.”

“Eddie, then,” Caroline says. Which makes sense. Gillian has never said as much explicitly, but in her stories about Eddie his magnetism, charm, and good looks were easily envisioned and Caroline vividly imagines the façade of his rough, alluring beauty, as if he were some kind of modern Dorian Gray, that overlaid the monstrous, festering piece of shit that he actually was.

Poised attentively on the couch, Gillian tucks her hands under her thighs. It’s a new trick, Caroline has noticed, a move to prevent her from biting her fingernails. Instead she ends up gnawing her lower lip. “No.”

Caroline pauses. “Oh.” She hopes that she has struck the right note of calm interest and not condescending, snotty-bitch surprise.   

“You want to ask, I know.”

“You’ve no obligation to tell me anything,” Caroline says firmly, then continues in a slower, gentler tone: “I can guess, based on things you’ve told me before.”

Gillian says nothing, only frowns and looks away. 

“It was one of those women? From Hebden Bridge?”

“Yeah.”

“You’ve never talked much about them. Or—her.”

“It was a long time ago.”

“You were very young.”

This statement of fact, framed however cautiously, lingers as an accusation and puts Gillian on the defensive. Which Caroline did not mean to do, but there was no other way of putting it out there. She rolls her shoulders. “I know what you’re thinking.” 

“You were fourteen.”

“Fifteen,” Gillian corrects absently. She stills her restless hands, her fingers interlock and lace together tightly over her knee and remind Caroline of a puzzle she had as a child, she thinks it was called a bamboozler, where the challenge is careful dismantling followed by skillful rebuilding. Gillian looks up again at the orderly constellation of white lights that bathe them in a Milky Way of memories. It takes 25,000 light years to travel to the Milky Way, a journey that would be an epic mind-fuck of time’s perpetual collision: future, present, past. What time is it in the Milky Way? Caroline wonders. With increasing distance the past entices, always, and Gillian is no more immune to it than Robbie or anyone else. 

“You’re thinking it was wrong,” Gillian says. “That she hurt me, took advantage of me. Maybe that’s all true. Yeah, I guess, I guess maybe it is. But you don’t understand. You don’t know how it felt—how I felt. It was like, like a new world for me and I was the bloody center of it, she made me feel that and—I really, really believed it, all of it.” She pauses. “Including the part where she said she loved me.”

With this crucial piece of the Gillian Greenwood puzzle in place, a design looms large, a pattern discerns itself. Enough so that Caroline requires for the moment no further details, no more components. Even though Gillian adds softly, “And I loved her.”

CHAPTER SOUNDTRACK:

Ella Fitzgerald, “Bewitched, Bothered, and Bewildered”  Cigarettes After Sex, “Apocalypse” The National, “Empire Line” BONUS NONSENSE! Marcella Hazan’s tomato sauce recipe.