#ege berensel

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ToCall No. 20 contributors

Alexander Limarev (Russia)

Amanda Earl (Canada)

Andrea Familiar (Spain)

Andreas Bülhoff (Germany)

Andrés Felipe Uribe Cárdenas (Germany & Colombia)

Andrew Morrison & Maria Stadnicka (UK)

Anett Lau (Germany)

Angela Caporaso (Italy)

Ankie van Dijk (Netherland)

Ashlee Zlatna (USA)

Brandstifter (Germany)

Charlotte Jung (Sweden & USA)

Cinzia Farina (Italy)

Claudia de la Torre (Mexico & Germany)

Claudia García (Argentina)

Davide Tocco (Italy)

Derek Beaulieu (Canada)

Diego Espíritu (Mexico)

Ege Berensel (Turkey)

Egidija Čiricaitė (Lithuania & UK)

Frank Singleton (USA)

Ivan Pope (UK)

Jérémie Wenger (Switzerland & UK)

Jim Andrews (Canada)

Katy Wimhurst (UK)

Kevin Stebner (Canada)

Luc Fierens (Belgium)

M.P. Pratheesh (India)

Michael Hampton (UK)

Mike Ferguson (UK)

Nick Montfort (USA & Norway)

Nicky Melville (UK)

Patrizia Cacciaguerra (Germany & Italy)

psw (Germany)

Rachel Smith (UK)

Raffaella della Olga (France)

Serse Luigetti (Italy)

Shloka Shankar (India)

sk. (Germany)

Stefana McClure (USA)

Stephan Wagner (Canada)

Susan Connolly (Ireland)

Sylee Gore (UK)

Terri Witek (USA)

Thorsten Fuhrmann (Germany)

[dunkelwort]

Typewritten at "Paper View"

Typewritten at Paper View, Sara De Oliveira curator, Leiria 04/2023. Petra Schulze-Wollgast, Ege Berensel, Robin Tomens, Federico Federici, Paul Prudence, Fernando Aguiar, Ana Hatherly, Fátima Queiroz, Kevin Stebner, Frank Singleton, Sal Nunkachov, Billy Mavreas + « California Typewriter » by Doug Nichol.

[oral-history]

AMT was again part of the Istanbul Design Biennial, this time together with Bilkent University (Ankara) hosting a workshop and a panel. We responded to the main theme of School of Schools with our own emphasis: a lab of labs. In other words, working with the Bilkent Media Archaeology Lab (led by Andreas Treske) we organised a two day event that performed a lab in as a method to investigate it as a assemblage of methods, techniques, affordances of the lab in an urban environment and in the context of Istanbul, a city with a long heritage of crafts, workshops, and design irreducible to a sanitized design thinking discourse. Benefiting from the experience of Ege Berensel and Başak Altın we engaged in workshopping that included 8 mm found footage (home films) and motherboards (as a source of circuit bending and tinkering). While Ebruk Kurbak joined us to talk about her work in textiles, computing and material methodologies in speculative design, and Tuğçe Karatas shared her views as an independent curator, our special surprise guest was the local TV repair shop expert who gave us a two hour crash course into his work and electronics! The lab includes many kinds of expertise. The workshop was also part of the research for #TheLabBook – online at What is a Media Lab?. Andreas Treske’s opening words, together with Björk’s poetic exploration of the television. Başak Altın and Ege Berensel, artists from Ankara, were part of the work. Here Basak narrating a short visual history of motherboards. An unpicking of a video projector into its material-epistemic components, measurable as objects of interest, unfolding multiple levels of media archaeology. #OfficeTruisms Labs as hands-on practice. A short introduction to electronics – from the perspective of repairing televisions and other appliances. by Jussi Parikka https://ift.tt/2zadAZm October 28, 2018 at 05:44AM

https://jussiparikka.net/2018/10/28/a-lab-of-labs/

[kitapgalerisi]

“Yazmak iletişim kurmak değil direnmektir.” Ulus Baker...

“Uzakdoğu uygarlığında ‘şiddet’ fikri çok farklıdır; ‘doğrudan eylem‘ dışlanır ‘dolaylı eylem’ övülür. En iyi tahsildar Çin’de en iyi vergi toplayan değil, vergi toplarken en az can yakandır; en iyi komutan en iyi savaşan değil, döneminde pek mesele çıkmayacak kadar talihli olandır...

Bu Batı’nın erdem sorunsalıyla karşıt bir durum: Aristo’da erdem kendi alanında başarıyla ölçülürdü ama başarı tanımlanmış bulunan işini iyi yapmaktı...

Doğrudan eylem; Batı uygarlıklarında kuru tarım, topyekûn hasat; dolaylı eylem, Çin tarımı, entansif; musonları bekler, tek tek bütün pirinç saplarıyla ve taneleriyle uğraşır... Batı tıbbı; kesme, dikme ve delme; Çin tıbbı, uzaktan, yakma ve akupunktur...

Batı’da kürek, Uzakdoğu’da yelken... Batı’da sürü-kitle çobanlığı, Uzakdoğu’da çobanlık yok –daha doğrusu manda çobanı çocuklar– genellikle sürünün kaplan tarafından kapılmalarını engeller...”

Ulus Baker “Yazı”sını, akışları, kazaları, olayları biriktiren, gösteren, kaydeden bir “Dolaylı Eylem” makinesi olarak kuruyor: “Yazmak iletişim kurmak değil direnmektir.”

Aralıklı ve süreksiz figürlerin makinemsi düzenekleriyle kesilen sürekli içerik ve ifade akışları sistemi olarak yazı…

F-Tipi’nden, ölüm oruçlarına, 11 Eylül’den muhafazakârlığa, dilin totaliterliğinden aileye. yazı makinesini çalıştırıyor.

Dolaylı Eylem, üç bölümden oluşuyor: Eylem Felsefesi [Akışlar], Arıza Felsefesi [Kazalar], Olay Felsefesi [Olaylar].

Ulus Baker, Dolaylı Eylem, Derleyen: Ege Berensel, Birikim Yayınları, Ekim 2012. 

18 Ekim'de Kitap Galerisi'nde... 

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No. 2 of the TYPEWRITTEN series: process poems by ege berensel.

This book contains 9 process poems, all of them processed variations on poems by pioneers like bpNichol, Ruth Wolf-Rehfeldt and Claus Bremer, a manifesto and a printer’s summary page. 

The first edition of TYPEWRITTEN series is edited by psw and published together with Timglaset Editions.

Printed on my Gestetner 320 mimeograph, handbound edition of 45 copies, 32 pages, size A4 landscape, March 2020.

The second edition of TYPEWRITTEN series is edited by psw and published by psw.

Printed on my Gestetner 160 mimeograph, handbound second edition of 25 copies, 32 pages, size A4 landscape, March 2022.

available here

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ToCall No.5 contributors

Amanda Hurtado (USA)

CDN Warren (UK)

David Barker (USA)

Ege Berensel (Turkey)

Eryk Wenziak (USA)

Federico Federici (Italy)

Frank Singleton (USA)

Ilse Garnier (France)

Julia Ziegler (Germany)

Karl Kempton (USA)

Kasper Pincis (UK)

Marianne Holm Hansen (UK)

Paula Claire (UK)

psw (Germany)

Sarah Kay Miller (USA)

Robert Dörfler (Germany)

Ruth Wolf-Rehfeldt (Germany)

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ToCall No.15 contributors

Andrés Felipe Uribe Cárdenas (Colombia)

Ben Jenner (UK)

Clara Daneri (UK)

Constanze Kreiser (Germany)

Ege Berensel (Turkey)

India Johnson (UK)

Jan Schaldach (Germany)

John Pedder (UK)

Katy Wimhurst (UK)

Nadine Pitthan (Germany)

psw (Germany)

Roland Kogalin (UK)

Roy Voragen (Netherland)

Sascha Engel (Ireland)

sk. (Germany)

Thomas Laubenberger-Pletzer (Austria)

Tom Phillips (UK)

[dunkelwort]

ToCall No.5 - The typewriter issue

ToCall No.5 – The typewriter issue

Concrete Trenches, Olivetti Studio 46, 2018.

This issue features work by Amanda Hutardo, CDN Warren, David Barker, Ege Berensel, Eryk Wenziak, Federico Federici, Frank Singleton, Ilse Garnier, Julia Ziegler, Karl Kempton, Kasper Pinci, Marianne Holm Jansen, Paula Claire, Sarah Kay Miller, Robert Doerfler and Ruth Wolf-Rehfeldt. Cover is based on a work by Cavan McCarthy. Mimeo printed edition of…