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The Myth of Adult Education: Why the Andragogy vs. Pedagogy Divide Fails
One of the most pervasive myths in education today is that adults and children require fundamentally different approaches to learning. This belief has fueled an entire industry dedicated to “andragogy,” a concept coined to define the supposed unique ways adults learn. But is this dichotomy—adult education versus child education—real? I argue it is not. Instead, this divide reflects social…
#adult education#adult learning challenges#andragogy#cognitive development#education myths#education philosophy#educational reform#effective teaching principles#human cognition#individualized learning#learning engagement#learning motivation#learning theory#lifelong learning#pedagogy#philosophy of education#relevance in education#social barriers in education#societal impact on learning#teaching methods#universal education framework
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Hey so do you know where I could find this acting manifesto of yours?
I usually try and avoid publicly expressing my opinion on things like this but I recently saw some people commenting negatively on his acting again and I’m starting to doubt my own judgement.
I’ve truly never had a huge problem with his acting but I keep seeing people using really harsh words to describe his prior and current work. I genuinely think he’s doing a good job in THK but these comments sometimes make me think I’m missing something.
That conflicts with the fact I know at least three people he worked with on THK specifically had positive things to say about his acting too and I trust people who do this for a living to know what they’re talking about for the most part.
I guess I’m just looking for your post to have a more detailed perspective of the opposite viewpoint to “he’s a terrible actor” to help affirm some of my thinking so I’m more confident in my positive opinion of his acting.
Overall though I’m enjoying everyone in this show but for me I’m specifically enjoying the four mains the most. Kudos to them honestly.
(Disclaimer: Obviously everyone is entitled to their opinion but the harshness of some of the opinions took me off guard a little.)
fuck these people. they don't know shit.
(mind you. this manifesto was written based on his performance in just star in my mind and hidden agenda. his 2024 shows weren't even out at that point. in fact, thk hadn't even been publicly announced yet. you can see from the start there is talent in this boy if you actually know what to look out for)
bonus: i rant some more in the last reblog
#''i trust people who do this for a living to know what they're talking about'' <- yeah. exactly#i'm only semi-qualified bc i don't actually do this for a living#(yet. not yet‚ hopefully)#but i do have a diploma in acting#and i had two fantastic teachers who made a point of teaching us students how to analyze acting performances#on my last class with one of these teachers he actually told me i'd make a good director based on the feedback i'd give my peers in class#i'm not saying you need to trust my acting opinions and that they are the only correct™ ones (god no)#but my opinions likely have more legitimacy than those of the majority of fans (and haters)#anon you mind collecting some of the harsh things that are being said? i wanna know if they even come with receipts#asks#anon#airenyah no. 1 dunk defender#dunk natachai#adrm#yeah istg. if i keep hearing (about) people talking shit about dunk's acting#i may write a part two of this manifesto once thk is over and i'm done with my weekly style meta project#also!! sometimes he DOES mess up!! sometimes things don't go that smoothly!!#BUT SO WHAT#it's mostly individual instances#like his monologue in the thk ep8 crying scene#that was the first time in the entire series so far where i was like ''kid this is not your finest moment you can do better than this''#(the build up was wrong‚ he stayed on the same level and acted out mostly the obvious)#(it would have been more interesting if he hadn't gone into the monologue with a whiny voice from the first second on)#(the emotional arc would have been more interesting and the drop down to the crying would have been bigger and more effective)#anyway. he's ACING this role and my style metas are basically a love letter to his acting too#because i wouldn't be able to write 10k(+) words on style every week if the things weren't there in his performance#anyway fuck these people i think most of them have decided to hate dunk from the start or are parroting their friends' words#they'll just hate whatever he does on principle bc they don't actually care#and they don't care to look at his improvement either bc they just hate him on principle#anon don't let their words drag down your enjoyment of dunk's performance!! because i'm telling you there is SO MUCH JOY to be found!!!!!!
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its occuring to me what specifically it is that therapists go to therapy for
#id always assumed it was yknow just a mix of things#and like nuance disclaimers thats still true yada yada thats not the point rn#but im thinking now that its more about. the weight#you have to be perfect. you have to be the ideal. you have to carry yourself perfectly and embody every principle youre trying to teach#you are responsible for other peoples ability to be happy‚ not just in how your action effect them here and now but#in what ripple effects any and everything you say could have#you are the authority figure‚ other people will listen to what you say‚ you can change the course of their entire lives#of course that would weigh on a person. how couldnt it#and how could you ever turn it off#how could you ever let yourself just be a person‚ messy and imperfect‚ when you know so intimately the ramifications of things like that?#and yet how couldnt you when you know that no one can be 'on' like that all the time?#do therapists actually go to therapy? or do they go to a support group in everything but name? surely the person#theyre talking too feels the same pressure‚ if not moreso#a part of me wonders how much it can really help‚ then‚ preaching to the choir. but a bigger part of me knows better#knows that the only difference between the choir and the rest of the congregation is the willingness to sing in front of others#either way‚ your audience already knows and agrees. its just a question of which direction youre facing#origibberish
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Unlocking the Mysteries of Existence - A Journey Through "The Kybalion"
"The Kybalion: A Study of The Hermetic Philosophy of Ancient Egypt and Greece" by Three Initiates is a timeless masterpiece that unveils the profound teachings of Hermeticism, an ancient and esoteric philosophical tradition that has captivated seekers of wisdom for centuries. This enigmatic book delves into the fundamental principles governing the universe, offering readers a glimpse into the secrets of creation, transformation, and spiritual enlightenment.
At its core, "The Kybalion" explores the Seven Hermetic Principles, which are the foundation of Hermetic philosophy. These principles include the Law of Mentalism, the Law of Correspondence, the Law of Vibration, the Law of Polarity, the Law of Rhythm, the Law of Cause and Effect, and the Law of Gender. Through the wisdom contained within these principles, the book takes readers on a profound journey of self-discovery and understanding of the universe.
One of the strengths of "The Kybalion" is its ability to present complex metaphysical concepts in a clear and accessible manner. The Three Initiates, who remain anonymous, have crafted a text that is both profound and practical. Each principle is explained with examples and analogies, making it easier for readers to grasp the depth of Hermetic wisdom. The authors also emphasize the interconnectedness of these principles, highlighting how they work in harmony to shape our reality.
What sets this book apart is its focus on the practical application of Hermetic principles in everyday life. It encourages readers to harness the power of their thoughts, emotions, and actions to transform themselves and their circumstances. By understanding and aligning with the Hermetic Laws, individuals can achieve personal growth, spiritual evolution, and a deeper connection to the cosmos.
"The Kybalion" also delves into the concept of mental transmutation, which is the process of consciously shifting one's thoughts and emotions to create a more positive and harmonious life. This idea is particularly relevant in today's world, where the importance of mindfulness and the law of attraction is widely recognized.
However, it's important to approach "The Kybalion" with an open mind and a willingness to contemplate its teachings deeply. Some readers may find the ideas challenging or even contradictory to conventional beliefs. Yet, therein lies the beauty of Hermeticism—it invites exploration and introspection, encouraging individuals to question and seek their own truth.
In conclusion, "The Kybalion" is a profound and enlightening work that has the power to transform the lives of those who delve into its pages. It serves as a timeless guide to understanding the mysteries of the universe, the power of the mind, and the path to spiritual awakening. Whether you are a seasoned seeker of esoteric wisdom or a newcomer to Hermeticism, this book offers a valuable and life-changing journey into the heart of ancient philosophical teachings.
"The Kybalion: A Study of The Hermetic Philosophy of Ancient Egypt and Greece" by Three Initiates is available in Amazon in paperback 12.99$ and hardcover 20.99$ editions.
Length of the book: 198 pages
Language: English
Rating: 10/10
Link of the book!
Review by: King's Cat (its a Paw-e-some! book!)
#Hermeticism#Ancient Wisdom#Seven Hermetic Principles#Spiritual Enlightenment#Universal Laws#Mental Transmutation#Law of Correspondence#Esoteric Philosophy#Self-Transformation#Cosmic Harmony#Mindfulness#Law of Vibration#Law of Polarity#Law of Rhythm#Law of Cause and Effect#Law of Gender#Hermetic Teachings#Practical Spirituality#Metaphysical Concepts#Inner Alchemy
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Repost @geometriasagrada.en
"The meeting of two tides reveals a fascinating phenomenon of wave interference in the Qiantang River in China, where the forces of the water overlap and create geometric patterns on the surface.
This visual effect is not just a natural curiosity, but a clear demonstration of how geometry is an omnipresent element in the fundamental processes of nature.
Wave interference teaches us about the interaction of forces that shape the universe, showing that harmony and balance are fundamental principles that govern both the micro and macrocosm."
~
“To know the mechanics of the wave is to know the entire secret of nature.” ~ Walter Russell
🌊✨⚛👁🌀
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#Praying into the Month of April#Kingdom lifestyle#The power of prayer#Intercession#Prophetic insight for the month of April#Portalsgate Broadcast#The power of effective prayer#Divine guidance for April#Discipleship#Bible princple#School of prayer#Lord teach us how to pray#Apostolic principle
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Unlocking the Mysteries of Existence - A Journey Through "The Kybalion"
"The Kybalion: A Study of The Hermetic Philosophy of Ancient Egypt and Greece" by Three Initiates is a timeless masterpiece that unveils the profound teachings of Hermeticism, an ancient and esoteric philosophical tradition that has captivated seekers of wisdom for centuries. This enigmatic book delves into the fundamental principles governing the universe, offering readers a glimpse into the secrets of creation, transformation, and spiritual enlightenment.
At its core, "The Kybalion" explores the Seven Hermetic Principles, which are the foundation of Hermetic philosophy. These principles include the Law of Mentalism, the Law of Correspondence, the Law of Vibration, the Law of Polarity, the Law of Rhythm, the Law of Cause and Effect, and the Law of Gender. Through the wisdom contained within these principles, the book takes readers on a profound journey of self-discovery and understanding of the universe.
One of the strengths of "The Kybalion" is its ability to present complex metaphysical concepts in a clear and accessible manner. The Three Initiates, who remain anonymous, have crafted a text that is both profound and practical. Each principle is explained with examples and analogies, making it easier for readers to grasp the depth of Hermetic wisdom. The authors also emphasize the interconnectedness of these principles, highlighting how they work in harmony to shape our reality.
What sets this book apart is its focus on the practical application of Hermetic principles in everyday life. It encourages readers to harness the power of their thoughts, emotions, and actions to transform themselves and their circumstances. By understanding and aligning with the Hermetic Laws, individuals can achieve personal growth, spiritual evolution, and a deeper connection to the cosmos.
"The Kybalion" also delves into the concept of mental transmutation, which is the process of consciously shifting one's thoughts and emotions to create a more positive and harmonious life. This idea is particularly relevant in today's world, where the importance of mindfulness and the law of attraction is widely recognized.
However, it's important to approach "The Kybalion" with an open mind and a willingness to contemplate its teachings deeply. Some readers may find the ideas challenging or even contradictory to conventional beliefs. Yet, therein lies the beauty of Hermeticism—it invites exploration and introspection, encouraging individuals to question and seek their own truth.
In conclusion, "The Kybalion" is a profound and enlightening work that has the power to transform the lives of those who delve into its pages. It serves as a timeless guide to understanding the mysteries of the universe, the power of the mind, and the path to spiritual awakening. Whether you are a seasoned seeker of esoteric wisdom or a newcomer to Hermeticism, this book offers a valuable and life-changing journey into the heart of ancient philosophical teachings.
"The Kybalion: A Study of The Hermetic Philosophy of Ancient Egypt and Greece" by Three Initiates is available in Amazon in paperback 12.99$ and hardcover 20.99$ editions.
Length of the book: 198 pages
Language: English
Rating: 10/10
Link of the book!
Review by: King's Cat (its a Paw-e-some! book!)
#Hermeticism#Ancient Wisdom#Seven Hermetic Principles#Spiritual Enlightenment#Universal Laws#Mental Transmutation#Law of Correspondence#Esoteric Philosophy#Self-Transformation#Cosmic Harmony#Mindfulness#Law of Vibration#Law of Polarity#Law of Rhythm#Law of Cause and Effect#Law of Gender#Hermetic Teachings#Practical Spirituality#Metaphysical Concepts#Inner Alchemy
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I've been meaning to write this down for some time because there are some fundamental errors that people keep making in crowdfunding/sales that shoot their campaigns in the foot. So here's a list of easy principles.
Who am I and why should you listen to me? I am a freelance chaos marketer who has raised well over $100,000 when totaling up various crowdfunding campaigns, mostly for aid to Afghanistan. In addition I've managed to successfully market everything from stuffed plush koalas to hydration salts. Why am I putting this out here for free? Because despite a years long track record of success in social media marketing no one will hire me because I don't have a college degree, so I might as well help people out who can't afford to hire full time marketing.
If you'd like to hire me to help you evaluate your marketing and sales and teach you better skills on a 1 to 1 basis then hit me up, I am often willing to barter, esp with artists in a variety of mediums!
Anyway on to HOW TO CONVINCE PEOPLE TO GIVE YOU MONEY:
TL;DR: use positive messaging that humanizes everyone involved and make it as easy as possible for people to give you money.
1. Shame and guilt are demotivators. They will not inspire people to give you money. “Why aren't people helping” “I guess people don't care” “This isn't getting enough shares/donations” etc etc. Online fundraising is often frustrating, heartbreaking, and will make you angry, especially when there's a humanitarian crisis involved. It is critical that if you are raising funds for someone else that you have a place to vent that is not the audience you would like to donate to the cause.
2. Use motivating messages instead! “You can help!” “Even a small donation is important because it tells Recipient they're not alone, and people care” “We can't fix the whole world, but we can make this one thing right, and that means something”. Emphasize that this is a problem that the reader can help fix with even a small effort. With items for sale, tell a story. "I drew this thinking about how safe I always felt under a tree in my childhood backyard". "I chose the colors in this shawl to remind me of sagebrush and piñon pine in my favorite place."
3. Make it easy for people to give you money. Never talk about your product or cause without a link that leads directly to where people can give you money. They should be able to click one link on your post and land at the fundraiser or your shop. Every required click is going to lose people, so minimize the number of them required. This also means if you have a list of fundraisers for people to choose from the ones at the bottom will be neglected - people will hit the ones at the top. Be sure to take those off when they're met or periodically shuffle the list around to make sure everyone gets a chance to be in the first 5 spots. In online stores people will often only look at the first page or two of items so be sure to shuffle things around and remove out of stock items that are taking up prime real estate.
4. Humanize the recipient - this can be tricksy when raising charitable aid because you don't want to be exploitative. But to use my last Afghan campaign as an example, “We need to raise $500 for an Afghan family” is less effective than “This Afghan family's home was damaged in heavy rains that caused extensive flooding. They only need $500 to repair and rebuild so they can stay in their home and not become displaced.” If possible, tell as much of the recipient's story as they consent to. Eg “Fred is seven and loves dinosaurs. His favorite is brontosaurus, and he carries a stuffed one with him everywhere. He wants to be a paleontologist when he grows up and discover a complete brontosaurus skeleton that he can give the same name as his stuffed friend. Unfortunately he's also a trans boy living in Texas and his family needs $1500 to rent a Uhaul and get to Colorado so he can grow up in safety and do that.”
5. If you're not the recipient, humanize yourself while you're at it! “I'd be really grateful if you all could share or donate” “This fundraiser really means a lot to me because…” “Thank you so much for any help, whether sharing or donating”
6. Treat the audience like humans. Speak to them like they are people you're having a conversation with, not ATMs. This ultimately is the goal of not using shame/guilt and humanizing yourself and the recipient.
7. Set low goals and bump them up when met. One of the weird things about people is they prefer to give to successful fundraisers. Yeah I don't know either. So you're more likely to get the full amount you need if you set a partial goal initially and then raise it when that's met. Raise it in small increments and raise it repeatedly as those goals are hit to keep momentum going. You can't always control this so if you're boosting someone else's fundraiser you can do it artificially via asks like “Hey y'all can we get together and put $500 on this?”
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Learn your Lesson - Viktor x Reader
Description -
After an intense lecture, Viktor invites you to his study where he ensures you learn your lesson.
2.7k words
F/M. 18+. Smut. NSFW. Sex. Teacher/Student. Riding.
@kskajjwiqqj
Viktor was nothing like the other professors that you had met. He was younger, known by his first name, and was quite clearly very attractive. You had been invited along to a skills class with the rest of your department and any interested outliers. Viktor was the reason you attended. You aspired to impress him, to become his student. There were always rumours circulating, however with Viktor, the only thing you had heard was how impenetrably private he was.
His back was to you as he wrote on the board in chalk. It was strange seeing someone in the position he was at such a comparable age to yourself. You did not even want to consider how old professor Heimerdinger was. The way he looked standing there authoritatively in his everyday suit was immaculate. It was taking your attention away from his teaching.
“The principles of Hextech's functions are fundamentally rooted in our understanding of magic's interactions with our reality. The volatile nature of unrefined hex crystals stems from this. Magic in and of itself cannot be quantified with precision, only comparatively by constants. “
He was presenting half to himself as the majority of the room looked out of their depth. He stopped asking call and response questions a while ago as he had no responses. Now he was picking on people.
“So, why is it an impossibility for magic to be married to our understanding of, say, gravity? “
No one makes to answer the question. You wait for a few seconds as he looks quite disheartened. He sweeps over the room. Silence. He locks eyes with you. The questions weren’t essentially that difficult, they were just to register attention. Most of the things he asked were things he had previously mentioned or things that were graspable by taking the things he had taught and applying its logic.
You put forward an answer, “It is impossible to apply something which lacks numerical quantification to a concept as characterised by numbers as gravity. You'd end up with too many unknowns. The best you could manage is to average those constants, which is not precise enough when working with hextech “
“Close! It is certainly a challenge, although not impossible, to determine properties of a gravity field under magical influence, in precisely the manner you have described. However, more fundamentally, the issue lies in the fact that the gravitational constant is a dimensional property defined by distance and mass, while any magical constant lacks such constraints. But very very good thoughts Miss (Y/N).”
He knew your name. As he responded to you, he did a double take, watching you. You caught him scanning your whole person, losing his train of thought for a second. He smirks before catching the thought he had just lost. It was quite noticeable, the effect you had just had over him, and you were almost certain that it wasn’t just because you were the only one answering questions. Maybe the times you had thought he was being personable were something more?
He was finishing up his teaching, but still whenever he referenced something you had put forward or said something particularly related to your thoughts, he looked at you.
“We've discussed today a number of approaches to applying magical principles in our limited understanding of physical laws. The crux of what makes this application an impossibility is as follows: A dimensionless constant cannot define a dimensional property. “
He addresses you, “With all the answers you have given, Miss (Y/N), I perhaps should invite you to speak with me privately afterwards.”
As he calls over to you, you realise the invitation he has just extended to you may not be one of a regular professor. Students are beginning to pack up and filter out of the hall, noise levels rise. Your seat on the first row, closest to Viktor, enables you to be one of the first out of your seat. Your courage feels disembodied and far from you now as you face him without the defence of the group setting.
“I’d like that. When are you free?” You ask, smiling and holding his gaze. It feels more difficult at close distance to deal with his focus, like the sun being beamed through a magnifying glass.
“Come to my study.” He suggests.
He collects his jacket from the back of the chair, folding up papers and books from the lectern and placing them into his bag. He holds back a little longer, waiting for the last of the students to have left the theatre. The room feels much smaller now you are alone together.
“I am serious about your potential, Miss (Y/N). I think with some support you could do great things.”
You flatter, “If I had a teacher such as yourself Viktor, I would already be doing great things.”
“You look beautiful today.”
You fluster, it was unexpected. You stumble.
“Flattery doesn’t work on either of us.”
“I’m serious Viktor, take me on as your student.”
He pauses.
“What was my final point in today’s lecture Miss (Y/N).”
Your mind was blank. Not strictly due to a lack of memory, focus or attention as you can guarantee to certainty that your attention was on Viktor, but due to how completely attracted you are to him. As time passes, his gaze becomes more confident. He knows he has you where he wants you.
“A dimensionless constant cannot define a dimensional property.” He reiterates. “It is no issue that you have forgotten. I have identified exactly where to begin tonight’s lesson.”
You walk with Viktor through the corridors and leading passages to his study. It is an interesting place in an interesting building. It is decorated beautifully, with full bookcases and large empty boards scrawled with workings. It is a small place that looks well used and lived in, as though it were an external reflection of his internal musings.
“Make yourself at home.” He insists.
You place down your belongings in one corner, neatly out of the way of any space Viktor might need. He sits down in a chair in the corner opposite to the one you stand in, and ushers you to sit in the respective seat. Although you are diagonally placed, the smallness of the room almost presses the caps of your knees together. It is cosy and feels like a special place to be invited to.
“I do not usually invite people here, even if they are prospective students.”
You smile, not knowing quite what to reply to show gratitude, humility and not betray the all-consuming attraction you have towards him. Ever since he said you looked beautiful, any hextech knowledge you may have unlocked had been jumbled and rearranged to make some sexual collage.
“I meant it” He states.
“What?”
“You look beautiful today”
You try to play it off cooly how much that compliment meant to you. “I thought we had agreed not to flatter.”
“I wanted to be clear. I didn’t just say it because I wanted to compliment you. I said it because I meant it (Y/N).”
You freeze up again. Your pulse began to be audible through your ears and your blood ran hot.
“You look flustered.” He recognises, sitting forward.
He reaches out a hand to touch your knee. He looks concerned. He doubts the appropriateness of his actions for a second before reassessing. You are both adults, he has no direct power over you, you are both consenting to being here. Then why did this feel so strange. It felt dream like to him. He had fantasised about you for so long, had stalked your progress in your studies. He had seen potential in you from the moment you were accepted through intake, in fact he made the decision.
You sit up too at his touch. In doing so, you shifted in your chair, your legs widened slightly. Due to the change in position, his hand now sits significantly higher up your thigh. A happy accident. Viktor understands why you are so nervous. He is also aware as to the position he now has you in. In his office, in his chair, with his hand on your thigh.
He tries to make you more comfortable, “Let’s take this back to hextech. Ah yes, perfect, what was the last thing I mentioned in today’s lecture?”
You stared absolutely blankly. Every time you had begun to think real words, Viktor had knocked you back ten steps. Now you were at square one again. You tried to recall the words, but they were fuzzy and blurry and so far out of your reach.
“Viktor, I’m sorry, I can’t remember.” You plead.
“Come on, Miss (Y/N), with your answers earlier we both know what you are capable of.”
“My brain feels foggy. I think I am misremembering.”
“An educated guess is the first big step.”
Throughout the conversation, the intensity of eye contact and body language meant that neither of you had realised that Viktor’s hand now held dangerously highly on your upper thigh. He looked down at his hand on you. It had not felt like he had moved it that far up. You realised that you had gradually been spreading your legs further apart. Gravitating towards one another. Everything leading to one eventual outcome. This was all the confirmation that was needed.
“Come here” He asks, smoothly.
You hesitate, blushing.
He pats his lap, sinking back into his chair. “A good student does what they are told.”
You hesitated not only due to feeling intimidated, but that you were not wearing any underwear. To make it more noticeable to him, you were also wearing a skirt. Of all the days to be sitting on Viktor’s lap, today had to be the one. You climb up onto his lap, sitting side saddle, keeping your knees together.
“So rigid. Where was this posture when you were just spreading your legs?”
“It’s not that Viktor, its- “Your voice trails off.
His hands find themselves around your waist and hips, feeling and calculating, building and rendering what you must look like underneath. His touch is comforting, his hands are hot and hungry. You want to give yourself to him, allow yourself to be devoured.
“I’m not wearing underwear.”
Viktor’s hands stop moving momentarily.
“Is there a reason you came to my lecture without them?”
You don’t answer. You shift more comfortably into his lap, directly onto his crotch. He is satisfied without an answer. He decides that if the outcome of your studies today was to catch him, he was very much in your reach. As you shift in your seat, his hips jolt forward, grinding up into you. It is uncontrollable for him.
“Open them for me Miss (Y/N).” He continues
Viktor guides your hips to move you to straddle him, shifting your legs apart. He watches your movements, eyes focused on you. He raises his hand to his mouth, placing in two fingers, coating them with saliva, before pressing them to you. He slides them over your clit and then down to your entrance. You are already slick with wetness, mainly from the anticipation and mental chess he was playing with you.
“So wet for me already.” His voice is silk. “What a prepared student you are.”
You uncontrollably push forward against his fingers, increasing the pressure against yourself. You moan out accidentally.
“Beautiful” He watches, “And if I place them here, then what noise will you make”
He flicks his fingers over your clit, hovering them over your entrance.
“Please.”
“What was the last thing I said in today lecture Miss (Y/N).”
Your chances of remembering were zero even though he had repeated himself. You really had no excuse for not remembering but it was so impossibly difficult now. You rut against the tips, desperate.
“Viktor, I’ve forgotten again.”
“Such a shame, you seemed so attentive. You will learn and progress, you just need encouragement.”
He unbuttons and unzips his trousers, angling upwards to pull them under his hips and down his thighs to his knees. As his underwear comes away, he springs free. He is exactly as you expected. Seeing him explicitly feels like a sin in itself. With both hands on your hips, he shuffles you forwards to be directly positioned above his waist.
“Information recall is important Miss (Y/N).’ He states. “Repeat after me.”
“Yes.”
He spells the words out slowly. “A dimensionless constant cannot define a dimensional property.”
The words are alien to you, meaningless now. You try to remember, there are two long ‘D’ words, two alliterative ‘C’s. The second he says it, it’s gone from your head again.
“Your turn”
“A dimensionless… cannot contain... dimension” You know it is incorrect even as you say it.
He grins, watching you unfold under the pressure. He begins to stroke himself slowly. You may as well be dripping on him. He lifts your shirt and unbuttons your bra.
“I can do it” You insist.
He removes the shirt and bra, exposing you before him.
“Dimensionless constants contain… no, define…”
He is quickening his pace, pleasuring himself with speed to the vision of you in front of him, stumbling over words he has fed you. So desperate to impress him.
“Viktor, please can you say it again.”
“A dimensionless constant cannot define a dimensional property” He moans and signs as he speaks. Punctuating the words as they fall out of his mouth. He aligns you with him as he prepares for your repetition.
You reply quickly while it is fresh in your brain, “A dimensionless constant cannot define a dimensional property”
He slams quickly upwards and inside of you, stretching you around him. You scream out his name. He doesn’t stop moving, furiously thrusting and thrusting and thrusting. He gets deeper as you sink down on him.
“Again, Miss (Y/N)”
“A dimensionless constant cannot define a dimensional property”
There is no slowing Viktor down and you hold onto the chair for balance. He has both hands gripping either thigh and his face is warped in concentration and pleasure. His fingers are gripping firmly and roughly.
“I am going to fill you Miss (Y/N).” He commands, “So deeply that you will feel me inside of you until your next lecture.”
“Please Viktor- “
You are filling the study with swearing and ecstatic cries. It isn’t soundproof, Viktor knows that well enough in hearing conversations outside of his door. He wonders how they will react to him holding you down on his cock as he finishes, the sounds you will make. Whether people will hear his name, will recognise you as the prospective student who seduced him and got fucked consequently.
He has slowed his pace slightly, using his hand to rub your clit. You feel yourself building, unravelling. He feels you internally tense around him, gripping his cock and pulsating around it. You will finish imminently.
“I’m going to- “you pant. “Your fingers will- “
“Do it, (Y/N).” He is near his end too, “For me. Show me how badly you want it. Give me no choice but to undo you.”
He speeds up his fingers, forcing you through a powerful orgasm.
“Viktor- “You scream out.
You are shaking, quivering but he doesn’t stop. He removes his hand and buries it into your hair, tilting your head back, pulling you downwards as he pushes upwards.
“Take it” He demands, “My perfect student. Look at you - a whore.”
With these words, he firmly grabs you and holds you still, as deeply as you can manage. He feels himself twitch and spasm, coating your insides with his thick load. He begins to thrust a few more times to feel the wet slapping noise that he has reduced you to. He is at a loss of breath, a loss of words.
You collapse onto his chest, folding into his arms. It feels good being held there as your heart rates begin to settle themselves. There is something pure and honest about the way you both interlock after such an extreme session. He smooths your hair back, kissing you across the face, planting thoughtful kisses on your forehead. He sinks deeply into the chair, as you sink deeply into him. Together you fall into a tired, lazy nap.
Tag List - @gubkkki, @veru-boom
#arcane#viktor league of legends#viktor x reader#viktor x you#request#viktor arcane#viktor lol#reqs open#viktor smut
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https://www.primerproducts.com/the-richest-man-in-babylon/
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This empowering book takes readers on a journey of financial wisdom, teaching invaluable lessons on saving, investing, and creating a prosperous future for oneself and one's family.
#The Richest Man In Babylon#Wealth Management: Highlight the book's teachings on managing and growing wealth to attract individuals interested in financial success.#Personal Finance Tips: Appeal to individuals seeking practical advice on managing their finances effectively.#Financial Education: Target those interested in expanding their knowledge about personal finance and wealth-building strategies.#Money Mindset: Attract readers who are keen on developing a positive mindset towards money and wealth accumulation.#Ancient Wisdom: Emphasize the timeless principles and lessons derived from ancient Babylonian civilization#which can be applied to modern financial success.#boooks
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Danyal Al Ghul: Incorrect Quotes and Miscellaneous Thoughts
Incorrect quotes-style snippets specifically for my danyal al ghul au here (which i really need to come up with a unique au name for atp). Because I thought it'd be funny. And also some miscellaneous headcanons thrown into the mix. Some context for the au: - Danyal is 5 years older than Damian (so 10 and 15) - Danny faked his death when he was 10. Talia knows and helped him with it. - Jazz, Sam, and Tucker do not know he's an ex-assassin.
-------- Snippet 1
Danny, dryly tapping his temple: I have, as the Americans say, irreparable psychological damage, right here.
Jazz, an older sibling first and foremost: well, it's good that you're self-aware.
-------- Snippet 2
Danny, aged 10, in the American foster planning to just age out of the system: *emanating Bad Vibes. Pure, Little Orphan Tom Riddle Energy*
Jazz, aged 12, coming in to adopt a new sibling with her parents: Him. This is my brother now :)
Danny: ...what
--------
Lilo and Stitch is Danny's favorite Disney movie. He watched it when he was 11 with Jazz when she was attempting to connect with him, and by this point Danny was becoming receptive to her efforts. They had a movie marathon in the living room one night.
Safe to say? It resonated with his little 11 year old heart strongly, and he related very strongly with both Nani and Stitch. He got unexpectedly emotional and hid in his room for the rest of the night. Jazz felt really bad, but it had the intended (but kinda unexpected) effect of him trying to be nicer to her afterwards.
-------- Snippet 3
Dash, aged 12, causing trouble again and getting intercepted by Danny: *scaling up a desk* AHHHHH! GET YOUR LITTLE FREAK, FOLEY!
Tucker: Hey! Danny is not a freak!
Dash: GET HIM TO BACK OFF
Tucker, was the kid Dash was messing with: ....whats in it for me
-------- Snippet 4
Danny, saying some questionably immoral shit: What. Why are you looking at me like that.
Tucker: Bro. I mean this as kindly as possible; what the fuck?
Sam: yeah, I'm with Tuck on this one.
-------- Snippet 5
Danny, ranting about Vlad: if it weren't for the laws of this land, I would have slaughtered him
Sam, painting his nails black: I'm pretty sure you'd slaughter him regardless of the laws of the land -- and quit moving, you're gonna mess me up.
Tucker: we've literally seen you debate yourself about this, Dan
Danny: ...you are correct, but it is the principle of things.
-------- Snippet 6
Vlad: I have experience my child, and the money and power attained through using those powers for personal gain, you say. I could train you, teach you everything I know! And all you have to do is renounce that idiot adoptive father of yours.
Danny, was already contemplating committing a Violence: ....
Danny, internally: I'm going to stab him *turns into Phantom*
--------
Funny contrast I realized between Danyal and Vlad that iirc I haven't pointed out yet is that imo, Danyal doesn't rely on his powers nearly half as much as canon Danny does. He falls back instinctually on his League training, and thus sometimes forgets to use his powers in battle. This was prevalent especially early on when he was still getting used to the whole 'halfa' thing.
He incorporates them more often after a year, but still for the most part relies on his own physical hand-to-hand combat. He trusts those skills much more than he does his powers. I'm not sure where he is on a technical level compared to canon, but just to stay safe I'll say he's similar in power skill as canon Danny. Perhaps a little more finessed than him because his League training would probably have him trying to figure out his powers as soon as possible.
But in summary? Danny is strong in hand-to-hand combat, weak in powerset.
Meanwhile Vlad is the opposite. I can't recall if he even knows hand-to-hand in canon, but it makes total sense to me that Vlad Masters wouldn't because he's so confident in his monetary influence and ghost abilities that he sees no need for it.
And he's kinda got some merit behind it. He's very powerful and has 20 years of experience to experiment and fine tune his powers. He's got bite to follow up his bark. He's perfected long-range combat and his ability to phase through walls makes it impossible to corner him, but if you can manage it, then one good hit could probably knock him on his ass.
So in summary, Vlad is strong in powerset, weak in hand-to-hand combat.
And it casts a good contrast between the two of them in that regard. Danny, as a fellow halfa, can follow Vlad when he phases through walls and is fast enough to land a hit on him. His league training as an assassin, albeit rusty, is still deep ingrained enough in him that he can hold up as a rather veritable threat against Vlad without needing his powers.
But Vlad can force Danny to use his powers more often through use of his own. The duplication is the first thing to come to mind: Danny's fast enough to dispel them on his own without powers, and smart enough that he could figure out who the real one is if given a few minute. But that's not always efficient enough.
Good foils for each other that way. Also Vlad's Plasmius design mimics Ra's juuust enough that he looks like Ra's knockoff loser second cousin no one talks about, which only fuels Danny's hatred.
-------- Snippet 7
Danny, ranting about Vlad for the first time: --and it's only made worse by the fact that the little ingrate resembles a cheap knock-off of my grandfather!--
Sam, choking on her water: he what--
Tucker, doing a spittake: HE DOES?
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#danyal al ghul au#i have a doodle of that little scene with vlad actually. its in my notebook lmao.#danny gets *furiously* shakespearan when he's insulting someone. sam and tucker have recorded some of his rants#and they are just pure gold.#sam and tucker calling danny 'dan' as a nickname 2024.#which reminds me about how TUE would even happen. someone in my ao3 comments made a good point about how they weren't sure if my danyal#would even have a TUE occur because he's not the cheating type. i've seen clips of how he got his hands on the test answers but i'll need t#watch the episode to gauge if Dan is even feasible. and if he is what changes to make him happen. hmmm. much to think about#don't think danyal would stay with vlad even in the midst of his grief. hmhmhm#dpdc
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Pedri nsfw alphabet
A to Z. NSFW alphabet.
—Pedri Gonzalez.
summary: request.
warnings: yes. +18. smut, explicit content, headcanon.
words count: +950.
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A - after care (what is it like after sex?)
Too affectionate probably one of the most affectionate in the world. He likes to touch you, kiss your forehead, shoulders and nose, caress your back for hours after making love. He loves to whisper random things, laugh and have fun until you fall asleep.
B - body part (favorite part of your body and his)
In you everything but especially your mind. He thinks you are such a cool person, so smart, so special. The way you think, express yourself, free yourself, he admires you.
In him, it's probably his back. Since he knows it's your favorite part of him, he likes it when you leave your nails marked on it or when you hold on tightly to him.
C - cum (anything about cumming)
There is nothing deeper and purer than cumming inside you, he loves it. The sensation of feeling you so deep inside him, when he can feel your heat, your soul. Since the first time you tried, he never used protection again. As long as you take care of each other in other ways, he will always choose to end up inside you.
D - dirty secret (some dirty secret).
He really likes it when you wear sexual lingerie. It may not be that far-fetched but Pedri loves it when you feel sensual with your own body and that makes him feel good too.
E - experience (experience in sex)
Basic to normal. He's pretty traditional and knows a few things to make you feel good but maybe he lacks a little more experience and teachings.
F - favorite position (to fuck you)
Definitely vanilla sex. Missionary is his favorite position and he wouldn't trade it for anything. Although he likes it when you ride him, he prefers you to be underneath him.
G - goofy (how serious is he during sex?)
Serious. Too serious. Not much to say. Pedri is a man of principle and not at all teasing.
H - hair (how do he/you take care of his/your privacy?)
He downplays it a bit to the point that it's just a little hair. But he prefers it that way, it makes him feel manly and if it doesn't bother you, then he doesn't have a problem. As for you, he doesn't care either. He knows it's hurtful and time and money consuming, so he doesn't care if you have it or not, it's your choice.
I - intimacy (what is it like during sex?)
Very romantic and caring. He makes each session a unique and true experience of love and passion that leaves you completely in love with each other.
J - jack off (masturbation, how much do he/you masturbate?)
Not so much. On a scale of 1 to 10, it would be a 4. Especially when you're away from him and he wants to release tension or sometime for fun but it's not routine.
K - kink (fetishes during sex)
Seeing your eyes directly when he makes love to you, kissing your breasts, kneading them, sucking them. He's not a man of many fetishes but you riding his face might be one of his more recent fetishes.
L - location (places to have sex)
His room or yours. Somewhere private where both of you are comfortable and satisfied, he doesn't like open or public places, like kitchens, living rooms or exterior. He prefers a quiet place, where you can finish what you start and no one or nothing interrupts you.
M - motivation (what excites him/you?)
You kissing his neck gently is the main reason he might get turned on. He also likes it when you stroke the beginning of his hair at the nape of his neck with your fingers, it makes him relax and sometimes has side effects on him.
N - no (what wouldn't he do with you?)
Anything that involves hurting you or degrading you or using ugly nicknames. You are his light, he would never do anything to hurt you no matter if it's a game. He is a gentleman.
O - oral (how does he like to give/receive?)
He is probably more about giving than receiving, as he thinks his duty is to give you the maximum of pleasure, because he knows that sometimes women don't get pleasure from penetration, so he will see to it that you get what you deserve.
P - pace (how do he like to do it?)
Slow, romantic, gentle but deep and passionate. Occasionally he can be dirty and rough, especially if it's been a long time since you've seen each other, but he prefers to be more gentle and romantic.
Q - quickie (do he like quick sex?)
Yes. Sometimes he has a lot of needs and would accept that, although he would like you to have all the time to enjoy yourselves.
R - risk (would he take risks? which ones?)
No. As I said before, he is not a risk taker. Pedri is quite traditional and that doesn't mean he doesn't do things right. But he doesn't like to take risks that involve some kind of interruption or lack of respect.
S - stamina (how long does it last during sex?)
Two or three rounds depending on the moment. Sometimes when he has training he will last only one round but if he's on his days off, he won't give you a break.
T - toy (you use toys?)
No. He has never used them before and it's not something he's interested in at the moment. He understands if you want to have them or recommend using them but if it were up to him he wouldn't use them. At most he might use some handcuffs but no more than that.
U - unfair (how much does he like to provoke you?)
Medium. He doesn't like to play with you so much but sometimes it's unavoidable and he likes to take you to the edge to make it more pleasurable.
V - volume (how loud is it during sex?)
Not so loud but sometimes he lets himself get carried away and can be surprised. Although in you, he really likes it when you scream, let loose and show how much you like it.
W - wild card (small random story)
Your boyfriend's kisses moved across your shoulders and chest as you stifled the gasps that came from your mouth. Your fingers were tangled in his hair and you were gently gurgling on them, Pedri's tongue was working wonders on your skin. The trail of kisses started down your body as his fingers caressed every nook and cranny, his tongue left wet trails around your belly and continued down until it reached your thighs.
Your chest boiled with heat as you felt his breath hit your crotch and you wanted to scream for him to touch you. Pedri smiled seeing you in such a way, your chest was rising and falling, your cheeks were red, your lips kept biting down holding back the urge to moan loudly.
The first kiss on your center made you sigh harshly as you took in as much air as possible. You felt so wet you couldn't take it anymore.
With his tongue he licked your slit and pressed his finger a little on your clit making you gasp. Your fingers tangled in his hair as you felt him lick you harder again.
The brush of his beard against your thighs made you moan in desperation, it was too pleasurable a tingle that made you shiver under his touch. Lately Pedri had grown his beard and you found that so attractive, so much so that you had fantasized about this moment. And now you were in heaven.
X - x-ray (how big is it and how?)
It's somewhere between thick and thin, a little veiny and it's long. Perfect for you, perfect for him. He knows how to use it very well, it's his pride and joy.
Y - yearning (how long can desire last?)
Honestly he can last quite a long time without intercourse so it's not a problem for him but if he has you with him, he will obviously take the opportunity and make you his every chance he gets.
Z - zzz (how is his sleep after sex?)
He can stay up for hours if you're with him. Sometimes the adrenaline and excitement of the moment leaves him quite refreshed. So he likes to chat with you, play with you, cuddle and stuff.
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After at least 10 orders I was finally able to bring it. Thanks for the support and filling my inbox 🤣 I hope you like it 💌 @jfbidnk757
#football imagines#imagine#football one shot#fc barcelona#pedri#pedri x you#pedri imagine#pedri x reader#pedri gonzalez#barça
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STUDY TECHNIQUES FOR YOU ✧ ⋆ . ˚
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I. PARKINSON'S LAW
— Parkinson's Law states that work expands to fill the time available for it's completion. In a study context, this principle suggests that setting deadlines and time constraints can help you stay focused and complete tasks efficiently.
II. FEYNMAN TECHNIQUE
— Named after physicist Richard Feyman, this technique involves simplyfying and explaining complex topics as if you were teaching them to someone else. This process helps you identify gaps in your understanding and reinforces your knowledge.
III. BLURTING
— Blurting, or active recall, is a studying techinque where you try to remember key concepts or facts without looking at your notes or textbooks. This helps strengthen your memory and retrieval skills.
IV. ENERGY CYCLES
— Energy cycles refer to understanding your own energy levels and working in alignment with your natural rhytms. Some people are more productive in the morning, while others excel in the evening. By scheduling tasks accordingly, you can optimize your productivity and focus.
V. SECOND BRAIN
— The concept of a "second brain" often refers to using external tools like note-taking apps or digital resources to store and organize information. This frees up your mental capacity and enhaces your ability recall and apply knowledge.
VI. SPACED REPETITION
— Spaced repatition is a learning method that involves reviewing information at increasing intervals over time. It's designed to help you remember and retain information more effectively by revising it just before you're likely to forget it.
i looooove the feynman technique soo much! it makes learning fun :)
with love, t
#it girl#self growth#girlblogging#gaslight gatekeep girlblog#study blog#studyspo#study motivation#studying#student#studyblr#study inspo#study aesthetic#studying inspo#study movitation#studying inspiration#studying motivation#study blr#reading#studying technique#gossip girl#self love#education#learning#study#study inspiration#high value woman#high value mindset#high maintenance
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Hi, I found your work on Twitter last year and I really love and look up to your art. If you have the time, I wanted to as if there are there any study topics, artists or techniques that have significantly influenced you :')
I'm at a bit of a complete loss on what to study presently so I thought I'd ask my favorite artists, thank you for reading and I completely understand if this is too open ended a question
Thank you!
This isn't the first time I have been asked this question and I suspect this won't be the last so I'll just lay everything out here. Go to a cafe or get a blanket or something because this will not be a short read:
Foundational:
Anatomy: A lot of my foundational anatomy and clothing illustration knowledge was gained from taking classes and doing observational drawing. Because of this, I'm not going to have the best book recommendations but top 2 books I can recommend for getting Started started are Andrew Loomis or RockHe Kim's books on anatomy (huge asterisk here: they're good at teaching you Basics basics like muscle groups and turning forms and extremely general proportions but will not help that much with making your figure drawings less stiff or how to draw fat or especially in the latter's case how to draw women not built like stick bug anime girls but uh I heard the Morpho books are pretty good. genuinely everything I know about drawing fat is from observational drawing/studies because at some point I got sick of my school for only hiring skinny models in their 20s-30s). I have some diagrams drawn by my friend who studied the hell out of these guys below:
![Tumblr media](https://64.media.tumblr.com/00901f7a769dd438a5c9ef8427be8ee7/5877add29dcdda21-95/s540x810/72d06aaa1b3b60acc1dd08adbf06f1301134f0d8.jpg)
Clothing: I don't know any books that can really help on this front I apologize if I find any I'll update this post but pretty much all of my knowledge on drawing clothes boils down to the following rules: Where are the tension points, how stiff or soft is the textile, how is the form underneath the section of clothing behaving, and don't make even spaces between fold groups
![Tumblr media](https://64.media.tumblr.com/8df02fa645a4e85c3808c8167d0d0e40/5877add29dcdda21-90/s540x810/fe183e4feb0bb717d1fc28adc0ce3b0ef877fac9.jpg)
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All of this is kind of moot though if it isn't applied through study or observational drawing though
Design:
I have to be really careful here because I don't want to deal in absolutes, the only absolute I'm confident espousing is that anyone who tells you there is only a small selection of methods you should follow to execute a specific type of design are objectively incorrect and just haven't figured out alternative if not more effective design solutions to a common problem. The only real Worst Thing I think you could do as a designer is create a pinterest mannequin devoid of a story, disconnected from its context in the world, and lacking in a clear purpose/personality but this too could be easily be disputed if maximising a character’s aesthetic appeal serves a purpose in its context, and my opposition to this design approach is my personal bias as a character designer for entertainment where emphasizing a character’s function and their relationship to said function is usually the goal
I think the 5 best pieces of advice I've ever received when it comes to designing characters are the following:
Try and follow the rule of thirds/general gestalt design principles of contrast
Always consider what it is you're trying to communicate with the character
Create believable transitions and reinforcements between points of interest
(Entertainment related) KISS principle/Keep It Simple, Stupid is your friend, the way a character wears or wields what they wear or wield will communicate their role in the world (who are they?), their relationship to their role (do they like their job? are they good at it? are they a part of an organization with the means to provide them things to perform their role more effectively?) effectively enough. Excessive information that bloats and conflicts with the communication objective weakens design (example: My favourite childhood toy for years was a pokemon plushie. Would I as a stay at home digital artist be wearing it as a keychain on my crusty paint stained polyester pajama pants when I'm at my desk working my job? is wearing it relevant to my character as a person who both no longer is invested in pokemon and is in this context focused entirely on comfort and doing my job? (no)). I think Elden Ring is an excellent example of a game that has visually complex designs but pretty expedient storytelling with its characters for worldbuilding
Study things that aren't just character design, to borrow from Lynn Yaeger borrowing from Sally Singer "If you're interested in fashion learn everything except fashion... Politics, art, painting- anything except fashion". Because people in different disciplines who work with different mediums or fields of study approach problems in different angles you may not have considered which can help give new ideas + often times the stuff you like was inspired by stuff that isn't at all what you would expect or enjoy yourself (To pull from a very popular example, Arcane is a League of Legends joint which was highly influenced by Warcraft which was highly influenced by Warhammer which was basically a giant response to western pop culture of the 1960s and the history of European warfare something something coconut tree).
Character design is kind of a hard thing to Get Good at considering how much of the actual process is super psychological/not bound by a *ton* of absolutes and has to account for medium and function (you kind of just have to have The Sauce) so I don't recommend Just studying independently only (possible, just very difficult). If you can and are interested in learning more about the specifics take some classes taught by people whose styles you fw who both know what they're doing and are good at explaining their process. For design for entertainment you can always check out Concept Design Academy or The Workshop Academy and see who's teaching there
As far as artist inspirations are concerned I think looking up the artists who worked on projects you like are a good starting point to figure out how you want to stylize. Going off of that at least currently my favourite designers/illustrators for entertainment with The Sauce are probably Evening Monteiro, Sergey Kolesov, Mindy Lee, Tonci Zonjic, Sasha Tudvaseva, Claire Hummel, and Yoshitaka Amano
My favourite book currently for tackling character design at least from a narrative consideration is probably Talking Threads: Costume Design for Entertainment Art (one of the authors is my friend and an excellent teacher!) and a lot of the stuff they espouse really helps to take into consideration individual and external factors when designing a character/how they can be used as vehicles for both individual storytelling and worldbuilding, gigantic reference point for my most recent casual project
Besides that the only other way I can really recommend studying character design is to just look at art, history, architecture, nature (pretty much Everything) and think about how ideas and concepts from those things can be applied to or communicated through a design or figure out what it was about a design or designs you like made it appealing
uhh tldr this is just how i as one among millions of artists got to where i am today as of January 16th 2025 my word is not gospel the advice I espoused here may very well spell my downfall tomorrow
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"Never let your sense of morals prevent you from doing what is right."
Isaac Asimov
Reciprocity
The full quote is usually stated as "Whatever you are looking for is also looking for you," and it essentially means that the thing you actively seek in life is also actively seeking you out, often interpreted as a message of optimism and the power of intention.
Key points about this quote:
Origin: While not definitively attributed to one person, it's often linked to the philosophy of Sufi poet Rumi, whose famous line is "What you seek is seeking you."
Interpretation: This quote is generally understood as a positive affirmation, suggesting that if you put your energy towards finding something, it will likely appear in your life as well.
Law of Attraction: Some people connect this quote to the concept of the Law of Attraction, which states that your thoughts and intentions can attract corresponding experiences into your life.
ethos
/ˈiːθɒs/
the characteristic spirit of a culture, era, or community as manifested in its attitudes and aspirations.
"a challenge to the ethos of the 1960s"
Similar: spirit, essence, character, quintessence, motivating force, morality, principles, ethics
"Actions speak louder than words"
is an idiom that means what someone does is more important than what they say. It's often used to describe a situation where someone's actions don't match their words.
Karma is an ancient Indian concept that refers to an action, work, or deed, and its effect or consequences.
Karma
Karma, in its essence, is the principle of cause and effect, rooted in ancient Indian philosophy. It suggests that every action—whether physical, verbal, or mental—has consequences that shape an individual's future, either in this life or in future incarnations. The idea is that positive actions lead to positive outcomes, while negative actions lead to suffering or undesirable consequences. Karma is often seen as a law of the universe that encourages ethical living, responsibility, and mindfulness, urging individuals to act with compassion, integrity, and awareness of the interconnectedness of all beings.
“I am a unique individual human being, breathing into the vastness of space and the essence of time, shaping my reality and affirming in existence.”
― A Abraham
This quote by A Abraham expresses a profound sense of self-awareness and empowerment. It acknowledges one's individuality as both a vital part of the universe and an active force in shaping reality. The words emphasise the significance of personal agency, as if each person is a living force that contributes to the unfolding of time and space. It reminds us that our existence is not just passive but transformative, affirming the unique mark we leave on the world through our actions, thoughts, and presence.
“Everyone should be respected as an individual, but no one idolised.”
― Albert Einstein, Einstein on Politics: His Private Thoughts and Public Stands on Nationalism, Zionism, War, Peace and the Bomb
This quote by Albert Einstein emphasises the importance of recognising each person’s inherent worth while avoiding placing anyone on a pedestal. Respecting individuals for who they are, without elevating them to an unrealistic or unattainable status, promotes equality and a sense of shared humanity. It encourages us to appreciate people's unique contributions without turning them into idols or expecting perfection. This perspective fosters a more grounded, humble approach to relationships, where admiration doesn't lead to undue reverence, and individuals are valued for their true selves.
Whatever is hurtful to you, Do not do to any other person.
A command based on words of Jesus
This teaching, often referred to as the Golden Rule, aligns with Jesus' words in the Gospels: "Do unto others as you would have them do unto you" (Matthew 7:12, Luke 6:31). It’s a profound moral principle that encourages empathy and compassion. The idea is simple yet powerful—before causing harm to others, we should consider how it would feel if the same were done to us. It promotes respect, kindness, and understanding, urging us to treat others with the dignity we wish for ourselves.
“Well, I like to eat, sleep, drink, and be in love. I like to work, read, learn, and understand life.”
― Langston Hughes
This quote by Langston Hughes beautifully captures the balance between life's simple pleasures and the pursuit of knowledge. It reflects a holistic approach to living, where enjoyment and love coexist with work, learning, and personal growth. Hughes celebrates the richness of both the sensual and intellectual aspects of life, emphasising the importance of savouring each moment while also striving for deeper understanding. It’s a reminder that life is about finding harmony between the things that bring us joy and the things that help us grow.
“If you can't explain it to a six year old, you don't understand it yourself.”
― Albert Einstein
This quote by Albert Einstein speaks to the importance of clarity in understanding. If we can explain complex ideas in simple terms, it indicates a true mastery of the subject. The ability to break down concepts to their most basic, understandable form reflects deep comprehension and insight. It encourages us to seek simplicity in communication and understanding, ensuring that we don't just know something, but that we can effectively share it with others, regardless of their age or background.
“Life is a journey through space and time.
Time is the ever-present moment in motion.
Invest in minds that are full of ideas, concepts, and resolve.
Together, we can create a better future for ourselves and for generations to come.”
― A Abraham
This quote by A Abraham beautifully captures the essence of life as a continuous journey, where the present moment is a constant flow of time. It emphasises the value of investing in the minds of those who are driven by ideas, concepts, and determination. The message inspires collective effort toward building a better future, highlighting the power of collaboration and forward-thinking. It reminds us that each step we take, guided by purpose and knowledge, shapes not just our own destiny but also the world we leave behind for future generations.
"Sometimes you have to distance yourself to see things clearly.”
― A Abraham
That's a powerful statement. Taking a step back or distancing oneself from a situation can often provide the clarity needed to gain perspective. It allows for a broader view, free from the emotional or immediate impulses that may cloud judgment. This space can foster better decision-making, insight, and understanding, especially when navigating complex situations or relationships. Do you find yourself reflecting on this idea in relation to something specific?
“Don't ever fill Silence and Empty Spaces with Evil Voices and Useless Objects respectively.
One will Infect your Mind, The other will Make You A Slave.”
― A Abraham
That's a powerful quote, reflecting the importance of being mindful of both external influences and the things we allow into our lives. Silence is a space for reflection and clarity, and empty spaces, when filled with distractions or meaningless possessions, can hold us back from true freedom and purpose. It seems to encourage cultivating wisdom by guarding both the mind and the environment.
“People will love you. People will hate you.
And none of it will have anything to do with you.”
― Abraham Hicks
This quote by Abraham Hicks encapsulates a profound truth about human relationships and perception. It highlights the idea that people’s feelings toward you often stem more from their own perspectives, experiences, and inner worlds than from who you truly are. It’s a reminder to stay authentic and not be overly influenced by external validation or criticism.
“You will become way less concerned with what other people think of you when you realise how seldom they do.”
― David Foster Wallace, Infinite Jest
This quote beautifully highlights the human tendency to overestimate how much others focus on us. It's a liberating reminder to prioritize self-awareness and authenticity over the fear of external judgment. Most people are preoccupied with their own lives, which means we often have more freedom to be ourselves than we might think. It's a cornerstone of confidence and personal growth.
“You can make more friends in two months by becoming interested in other people than you can in two years by trying to get other people interested in you.”
― Dale Carnegie, How to Win Friends & Influence People
This quote from Dale Carnegie underscores the power of genuine curiosity and interest in others as the foundation of meaningful relationships. It reflects the idea that people are naturally drawn to those who make them feel valued and understood. By shifting focus from seeking attention to giving attention, you build trust and rapport more effectively.
“Any fool can criticise, complain, and condemn—and most fools do.
But it takes character and self-control to be understanding and forgiving.”
― Dale Carnegie, How to Win Friends & Influence People
This quote highlights a profound truth about human interaction: it is far easier to judge and find fault than to exercise understanding and forgiveness. Dale Carnegie emphasizes that these qualities—character and self-control—require emotional maturity and strength. Practicing understanding and forgiveness not only nurtures relationships but also fosters personal growth and resilience.
“Live amongst people in such a manner that if you die they weep over you and if you are alive they crave for your company.”
― Ali Ibn Abi Talib
This quote by Ali Ibn Abi Talib highlights the importance of living with kindness, integrity, and generosity. It encourages us to build relationships that leave a lasting impact—where our presence is cherished, and our absence is deeply felt. The essence is to live in a way that others appreciate, respect, and miss us, both in life and in death. It's a reminder to be present and meaningful in the lives of others, fostering love and genuine connections.
“No two things have been combined better than knowledge and patience.”
― Hazrat Muhammad
This quote attributed to Hazrat Muhammad (peace be upon him) beautifully encapsulates the synergy between knowledge and patience. Knowledge allows us to understand, make informed decisions, and grow, while patience ensures that we endure challenges, give ideas time to mature, and navigate life's complexities with wisdom.
The combination of these two virtues is a recipe for success, as knowledge without patience can lead to haste, and patience without knowledge can lack direction. Together, they empower us to persevere and make meaningful contributions.
“The truth will set you free. But not until it is finished with you.”
― David Foster Wallace, Infinite Jest
David Foster Wallace's quote from Infinite Jest encapsulates a profound truth about the nature of self-awareness and growth. It suggests that truth is transformative but often disruptive—it doesn’t grant liberation until we fully confront and grapple with it, no matter how challenging or uncomfortable.
This can resonate deeply with anyone pursuing personal growth, as true freedom often requires facing hard realities and breaking through illusions about ourselves or the world.
“Life is hard. Then you die. Then they throw dirt in your face. Then the worms eat you. Be grateful it happens in that order.”
― David Gerrold
This quote by David Gerrold brings a darkly humorous perspective on the inevitability of life’s challenges and death. It’s a reminder of the transient nature of our existence, suggesting that despite life’s hardships, the order of events allows us to experience life before its end. It’s a way of encouraging gratitude for the time we have, even if it seems fleeting or difficult. The humour in it may also serve as a coping mechanism to remind us not to take life too seriously, embracing both its struggles and its brevity.
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On the other hand, however, our notion of productive labour becomes narrowed. Capitalist production is not merely the production of commodities, it is essentially the production of surplus value. The labourer produces, not for themself, but for capital. It no longer suffices, therefore, that they should simply produce. They must produce surplus-value. That labourer alone is productive, who produces surplus-value for the capitalist, and thus works for the self-expansion of capital. If we may take an example from outside the sphere of production of material objects, a schoolteacher is a productive labourer, when, in addition to belabouring the heads of their scholars, they work like a horse to enrich the school proprietor. That the latter has laid out their capital in a teaching factory, instead of in a sausage factory, does not alter the relation. Hence the notion of a productive labourer implies not merely a relation between work and useful effect, between labourer and product of labour, but also a specific, social relation of production, a relation that has sprung up historically and stamps the labourer as the direct means of creating surplus-value.
.- Ch. 16, Das Kapital, Marx (emphasis mine)
Every productive worker is a wage labourer; but this does not mean that every wage labourer is a productive worker. [...] A singer who sings like a bird is an unproductive worker. If she sells her song for money, she is to that extent a wage-labourer or merchant. But if the same singer is engaged by an entrepreneur who makes her sing to make money, then she becomes a productive worker, since she produces capital directly. […] In both cases the worker is a wage labourer or a day labourer, but in the first case he is a productive worker, in the second an unproductive one, because in the first case he produces capital, in the second case he does not
.- Draft Ch. 6, Das Kapital, Marx (emphasis in bold mine)
The proletariat is that class in society which lives entirely from the sale of its labor and does not draw profit from any kind of capital
.- Principles of Communism, Engels
So, firstly, productive labour is not specifically that labour which produces a physical product, it is, in fact, that labour which expands and enriches capital - which produces surplus value for the capitalist. Secondly, it is not the production of surplus value that defines whether one exists as a proletarian, it is the relationship towards capital, which is to say, owning none, owning only ones own labour-power.
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