#edward watts

[bewareofitalics]

I don't know why a post from last August showed up in my Fantasticks search today, but. Here's Edward Watts's tribute to Tom Jones. <3

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Rest in Peace Tom Jones. What a wonderful, rich, amazing, giving life Tom had! So many...dare I say...Millions of people were touched by his work and his passion for theatre, storytelling, and a great yarn! THE FANTASTICKS was my doorway into Tom's world and I will be forever grateful to have spoken and sung his words, and to have shared the stage with him for a time. The glint in his eye and the impish laugh that always seemed to accompany his stories will forever be with me. This is a picture from back stage at THE FANTASTICKS with Tom and his lovely late wife Janet.

[wattsyart]

I'll never be over Fma:b. It's still just so good

[palestinebird]

In the past blog, I've posted these artworks one at a time.

I've been ordering commishees on different fandoms for a few years now, just to brighten up my days or print them out for posters.

I don't remember all the artists because it's a Russian-speaking audience, but I decided to remember all of them.

Part one.

[no-tengo-ojos]

Feeling completely normal about visiting the Tate Britain today (that’s a lie I cried several times)

[filmbook21]

[indigokashmir]

1920s Style

This tale follows Dr Walter, who marries the enchanting Kitty, only to discover her infidelity. As he navigates life's challenges, he embarks on a journey to China to combat a devastating disease plaguing a village. This cinematic adaptation is inspired by W. Somerset Maugham's novel.

If you're a fan of 1920s aesthetics, then this film is a splendid choice. It delves into the intricacies of human differences, the triumph over adversity, and the acceptance of our unique personalities. However, do brace yourself, as this is a poignant yet sensually restrained and beautifully crafted cinematic experience.

Isn't it truly fascinating how a film's aesthetics can transport us to a bygone era, immersing us in the essence of that time? This is the magic of creative minds and those who dare to think beyond the conventional boundaries.

Behind the scenes.

We found the movie to be even more captivating than the original novel, with particular admiration for the cinematography and the exquisite depiction of Dr. Walter's rural Chinese residence. The creative genius behind the production design is none other than the Australian talent, Peta Lawson.

As per Ms. Lawson's website, she boasts extensive experience in film and movie production design. A graduate of the 'Sydney College of the Arts,' Lawesom has been at the forefront of creativity in numerous Australian feature films, television movies, mini-series, and TV shows. Her talents have also graced international productions from France, Germany, China, and, of course, Australia.

Dr Walter and Kitty's Cabin.

[waugh-bao]

Alteration Boogie (Voodoo Lounge Outtake, Barbados, 1993)

[une-sanz-pluis]

Excerpt from the Will of Edward, 2nd Duke of York

I bequeath the best sword and dagger that I have to my lord the King … also that my saddles and harnesses be equally divided amongst my henchmen, except that I wish that Rokell should have the best… I bequeath to Thomas Pleistede £20 in recognition for the graciousness that he showed to me when I was imprisoned in Pevensey. I bequeath to Philip Beauchamp my mail shirt that he wears and that was given to me by the earl of Huntingdon, may God absolve him, and in addition, my sword that he carries and £10. I bequeath to Thomas Beauchamp my brigandines, faced in red velvet chequered black and white and £10. I bequeath to John Popham my new brigandines of red velvet that Grove made for me, the bassinet that I wear and my best horse, except the above. I bequeath to Diprant my small mail shirt, the plate armour that my lord the Prince gave me called a breastplate [Brestplate], the plackart that belonged to my lord my father, may God absolve him, my huvette [houfett] and my steel skull-cap.

Karen Watts, "Armour at Agincourt – The Will of Edward, Duke of York", in The Battle of Agincourt: The Illustrated Companion (Yale University Press 2015)

Notes:

Watts' breakdown of the will is primarily interested in the evidence it reveals of the armour worn at the the Battle of Agincourt. However, it's worth pulling a few things out. The will was written at Harfleur a few weeks before the Battle of Agincourt, where York was killed - the highest ranking casualty. It was written in the aftermath of the Southampton Plot, where his younger brother, Richard, Earl of Cambridge, was executed for plotting against Henry V.

The bequest to the king:

The duke of York's first bequest is not to his family but to his king, Henry V ('mon Seignour, le Roy') and it is appropriately military and symbolic - his prized sword and dagger. It also reveals that the sword and dagger were personally owned knightly weapons.

It is probably not too surprising that York's first bequest was to Henry V, given that York had no children of his own and his brother and heir had very recently been executed. His sister, Constance of York, survived him by a little over a year but there are obvious reasons why he wouldn't bequeath her military items. York might have also been hoping that the request would result in Henry's care or acceptance of his young nephew and heir - the future Richard, Duke of York - but it's not clear from this excerpt if his nephew was mentioned. Given the context the excerpt was made in, it does seem striking that York doesn't bequeath his nephew any arms or armour.

I bequeath to Thomas Pleistede £20 in recognition for the graciousness that he showed to me when I was imprisoned in Pevensey.

York was imprisoned in Pevensey Castle in 1405 after being accused by his sister, Constance, of being involved in a conspiracy against Henry IV.

I bequeath to Philip Beauchamp my mail shirt that he wears and that was given to me by the earl of Huntingdon, may God absolve him, and in addition, my sword that he carries and £10.

I love the relationships and intimacies these items reveal.

Watts identifies Philip Beauchamp as an esquire of the duke's. The Earl of Huntingdon was possibly John Holland, the half-brother of Richard II who was killed for his part in the Epiphany Rising in 1400, or Guichard d'Angle, who died in 1380 and had been a companion of Edward the Black Prince. I think Holland is the more likely figure.

Watts identifies Thomas Beauchamp as part of York's household but singles out John Popham as "the most interesting" figure - he served on the campaign, where he was apparently knighted. He also received a life rent from York's manor of Vastern.

The items are given in detail. York apparently was a fan of a brigandine - "a body defence consisting of small plates riveted inside a textile covering" - as he had "many personal brigandines, including new ones produced by a recognised maker."

The plackart that belonged to York's father - Edmund of Langley - is a "plate defence" for the lower torso and could be worn with the brigandine - "yet another step towards full chest protection". But the latest development in that regard is the "breastplate" given to York by Henry V (when he was Prince of Wales) that York apparently believed needed to be explained and named. It was plate armour that finally protected the full chest.

[random5daily]

rules: put your music library on shuffle, then list the first five songs that come up in a poll to let people vote for which one they like the most! 🎶

Please reblog! As always, I tag YOU 💙

[howardhawkshollywoodannex]

Edward Norton and Naomi Watts in The Painted Veil (2006), based on a 1925 novel by W Somerset Maugham. It was previously filmed in 1934 with Greta Garbo and Herbert Marshall. Herbert played Maugham in The Razors Edge (1946).

Maugham's entries among my best 1001 are Rain, Of Human Bondage, and The Razors Edge. The silent version of Rain, Sadie Thompson, with Gloria Swanson as Sadie is an honorable mention, as is Somewhere in the Night.

[beautifilms]

Birdman (Alejandro González Iñárritu, 2014)

[musicandrockfan128]

Heart face heart face 😍😍😍 and Ben stiller and Edward Norton in a movie! Sounds perfect to me

These are not mine- they’re from Pinterest

[everythingilearned]

Birdman (2014)

[mrdirtybear]

'Portrait of Sir Edward Burne-Jones (1833–1898)' as painted in 1870 by English painter George Frederic Watts (1817–1904). I wonder how much the camaraderie between painters relied on the portraits they did of each other at least attempting to flatter each other in oils on canvas.

[lesser-mook]

Birdman 2014 (Movie Recommendation)

“My massive hard-on got 50,000 views on Youtube.”

re: “A cat playing with a dildo gets more than that.”

Actual dialogue from the movie, full of flawed train-wreck human beings, it’s phenomenal.