#editions marabout

[renvy-art]

The ghostly masterpiece for the first time in its full text...

Happy holiday truce @oceankat8! The prompt was to do a crossover with a horror media, so I took this as an opportunity to do a redraw of the 1963 Marabout Dracula book cover (original below read more)! I hope you enjoy and have a happy holiday!

Edit: Since I've seen a few people express interest, this is also now available on my inprnt! I so appreciate all the love and support I've seen for this piece in the tags, thank you all so much <3

[science70]

Les meilleures histoires de science-fiction soviétique, edited by Jacques Bergier (Marabout, 1972).

Cover art: Henri Lievens

[partenaires-coupdecoeur]

FLOWERS

De Carole Tolila

Aux Editions Marabout

Un livre-objet pour en apprendre plus sur 30 fleurs que Carole Tolila affectionne tout particulièrement et vous permettre de découvrir 30 univers d’artistes à travers le monde. Toutes ces illustrations sont si belles, qu’il serait dommage de les laisser enfermées, à l’abri des regards. Alors, Carole a eu envie d’un livre utile et vous invite, sans aucune culpabilité, à détacher les pages que vous aimez et à les accrocher sur vos murs. Avec un simple bout de ruban adhésif décoratif ou en les encadrant, vous allez pouvoir profiter de la beauté de la nature et d’un peu de poésie.

Ce livre est singulier par sa forme mais aussi par son contenu : c’est un ouvrage collectif. Vous avez entre vos mains la vision de la nature de trente illustratrices reconnues ou très prometteuses, venues des quatre coins de notre planète. Toutes les formes de créativité sont présentes, pour tenter de rendre hommage à l’incroyable ingéniosité de la nature.

N'attendez plus pour trouver votre Coup de Cœur :

[partenaires-jaiunticket]

RECETTES ET RECITS

De François-Régis Gaudry

Aux Editions Marabout

Ma carbonara rodée dans les meilleures trattorias romaines ; mon fameux cake au citron emprunté à Martine, une amie de ma mère ; le poulet à l’estragon transmis par la cheffe 3 étoiles Anne-Sophie Pic, qui la tient de sa maman Suzanne ; ma soupe au lait de coco rapportée de Bangkok ; la pissaladière picorée chez Dominique Le Stanc, le chef de la Merenda à Nice ; l’irrésistible crème caramel de mon enfance…

J’ai rassemblé dans ce recueil mes 155 recettes ultimes ! Populaires ou bourgeoises, street food ou gastronomiques, mijotées ou sorties du placard, corses, italiennes, balkaniques, asiatiques… Elles se nourrissent de toutes les influences mais nourrissent la même ambition : être toutes délicieuses et inratables !

Et comme les bonnes recettes sont aussi de belles histoires, je vous raconte les récits savoureux et les anecdotes croustillantes qui se cachent derrière chacune d’entre elles.

Le chef 3 étoiles Michel Guérard avait bien raison quand il me disait : « les meilleures recettes sont celles qui se partagent » !

N’hésitez plus, vous pourrez vous aussi dire, J’ai un ticket :

[stephanedugast]

📌[FEUILLETON] Prenez la bonne échappée chaque jour à 15 heures 🕒 avec la série 🌸 « La Pédale Joyeuse ». Cet été 🌻, je vais en effet vous raconter le vélo 🚲 autrement...

Le Tour de France 🇫🇷 🚲 Dimanche 21 Juillet ÉTAPE 21 💛 Monaco > Nice (34 kilomètres). Grand final de ce Tour de France 2024, la vingt-et-unième étape relie Monaco à Nice sur la Promenade des Anglais, le dimanche 21 juillet. Pour la première fois depuis 1989 et la perte du Tour de Laurent Fignon pour 9 secondes sur Greg LeMond, la Grande Boucle se referme par un contre-la-montre individuel.

🔎 UN MAGAZINE C’est eux qui l’écrivent : « Incapables de vaincre le Ventoux sans mettre le pied à terre ou encore de briller par un quelconque exploit cycliste sur le vélo, nous avons préféré écrire un livre… sur le vélo. Moins épuisant physiquement et passablement plus abordable pour nos mollets, l’exercice nous a occupé une bonne partie de la saison et nous sommes fiers de présenter aujourd’hui « Dans la Musette », le livre ! ».

Faire vivre le cyclisme à travers un regard décalé et avec humour, c’est leur leitmotiv. « Compétition, lifestyle, matos... Il y en a pour tout le peloton ! », écrivent-ils !

Une lecture gourmande et jubilatoire.

Stéphane Dugast

À LIRE 🔖 « Dans la musette - le cyclisme à la sauce Ketchup-Mayo jaune », Collectif Editions Marabout, 2017

💬 Chronique extraite de mon livre « VÉLO ! sport, ville, nature, culture & aventure » paru aux Éditions Glénat Livres.

🛒 À COMMANDER ⬇️ https://urlr.me/dqmFc

Photographies © DR

Top Vélo I Vera Cycling I ravito I La Bicicleta Ravito I Culture Bicyclette I Fédération Française de Cyclisme (FFC) I FFVélo I Radio Cyclo I Le Tour de France I Franck Ferrand I France tv I GEO France I Dans le sillage des écrivains voyageurs - le groupe I Dans la Musette I Prix Albert Londres I

[yespat49]

Liddell Hart et la calamiteuse Deuxième Guerre Mondiale

La prestigieuse  histoire de la Seconde Guerre Mondiale (Editions Marabout) de sir Basil Liddell Hart est préfacée par le général Beaufre. Voici ce que cet ancien responsable de l’Otan écrivait : « Dans le domaine militaire, la vérité, non pas celle du passé mais celle qui se vérifiera dans l’avenir, ne peut pas être généralement trouvée par les voies officielles de la hiérarchie, trop facilement…

[librairiemelodieensoussol]

Alexandre Jollien ~ éloge de la faiblesse Petit livre en très bon état général Edition Marabout 2013 Éloge de la faiblesse retrace un itinéraire intérieur, une sorte de conversion à la philosophie. L'auteur, handicapé de naissance, imagine recevoir la visite de Socrate en personne. Dès lors, s'ensuit un échange où de proche en proche émergent des outils pour apprendre à progresser dans la joie, garder le cap au coeur des tourments et ne pas se laisser déterminer par le regard de l'autre. La philosophie est ici un art de vivre, un moyen d'abandonner les préjugés pour partir à la découverte de soi et bâtir sa singularité. Peu à peu, une conversion s'opère, le faible, la vulnérabilité, l'épreuve peuvent devenir des lieux fertiles de liberté et de joie. #librairiemelodieensoussol  #melodieensoussol #oiseaumortvintage #libraire #librairie #librairiemarseille #librairieparis #librairieindependante #librairieenligne #librairiedoccasion #livresdoccasion #bookstagram #booklover #alexandrejollien https://www.instagram.com/p/Co26zWNM1vG/?igshid=NGJjMDIxMWI=

[basicallyanotherwitchesthing]

H. Rider Haggard - Aycha - Marabout - 1974 (french version)

[univers-paralleles-de-millina]

Throwback Thursday Livresque : Le 10ième livre de votre Bibliothèque !

Throwback Thursday Livresque : Le 10ième livre de votre Bibliothèque !

Cher.e.s voyageur.e.s, Aujourd’hui, une fois n’est pas coutume, je reprend le rendez-vous TBT initié Bettie Rose Books et repris par Carol de My books. Le but est de parler chaque jeudi d’un livre “ancien”/chronique ancienne de notre bibliothèque en fonction d’un thème donné.  Le thème du jour est Le Dixième livre de votre bibliothèque. J’avoue j’ai cherché. Je ne savais pas si je prendrais…

[b-sides-magazine]

JEAN MICHEL NICOLLET - L'orrore e il grottesco

JEAN MICHEL NICOLLET – L’orrore e il grottesco

Jean Michel Nicollet è un popolare illustratore e disegnatore francese, nato a Lione nel 1944. Insieme a sua moglie Keleck (Jacqueline Barse 1946 – 2002) e Henri Lievens è uno dei migliori illustratori francesi di libri. Il nome di Nicollet è legato in particolar modo alla copertine disegnate per le Nouvelles Éditions Oswald (NéO) come il nome di Keleck è legato alle copertine di Editions Lattes…

[weirdlookindog]

Dennis Wheatley - The Haunting of Tobby Jugg, Marabout Fantastique French Edition (1975).

[valerieoualid]

Léa Morichon continue sa collab’ avec Marabout avec cette nouvelle couverture du polar de Saskia Sarginson "Comment cela finit".

Léa Morichon continues her collaboration with Marabout with this new polar cover by Saskia Sarginson "How it ends".

[science70]

Ron Goulart, L'effet-garou (Hawkshaw) (Marabout edition, 1974).

[adzrielfaie]

Thanks @simaddiction for the tag!!

Rules: answer the questions & tag 9 people you want to get to know better

favorite color: dark green (±emerald green), yellow (±mustard) and pastels currently reading: Le marabout d’Ayavi Lake, (re-reading) The Fires of Heaven by Robert Jordan and Paladin of Souls by Lois McMaster Bujold last song: I can’t remember! last series: Scrubs. I had never watched it and... I... don’t get the love, honestly, I don’t think I’ll watch it all sweet, spicy or savory: sweet and savory. I like spicy, but it hurts so bad so fast ._. craving: strawberries tea or coffee: neither currently working on: getting rid of this weird nausea so that I can play the Sims a bit and edit some pics 😔

I feel way too shy right now to tag people, but if anyone wants to do it, feel free to do so! 🥺

[juhanati]

||HD.Voir|” — L’origine du monde [|2021|] Film Complet — ((“STREAMING VF”)) — En Francais │ L’origine du monde (2021) HD `Complet

Regarder L’origine du monde (2021) Film Complet en Français,Voir L’origine du monde en streaming version française directement sur Films VF . Film gratuit en streaming. L’origine du monde (2020) 10/02/2021 (FR) Comédie, Drame 1h 38m Note des utilisateurs Regarder l’aguiche On est tous passé par là.

PLAY==> http://ver.yess-movie.com/movie/tt10551904/l-origine-du-monde.html

Synopsis Jean-Louis réalise en rentrant chez lui que son coeur s’est arrêté. Plus un seul battement dans sa poitrine, aucun pouls, rien. Pourtant, il est conscient, il parle, se déplace. Est-il encore vivant ? Est-il déjà mort ? Ni son ami vétérinaire Michel, ni sa femme Valérie ne trouvent d’explication à cet étrange phénomène. Alors que Jean-Louis panique, Valérie se tourne vers Margaux, sa coach de vie, un peu gourou, pas tout à fait marabout, mais très connectée aux forces occultes. Et elle a une solution qui va mettre Jean-Louis face au tabou ultime… Regarder L’origine du monde film complet, Regarder L’origine du monde Streaming vf, Regarder L’origine du monde Streaming Vostfr, Regarder L’origine du monde Streaming vf gratuit, Regarder L’origine du monde Streaming YouRegarder, Regarder L’origine du monde Telecharger, Regarder L’origine du monde Film Complet en streaming, Regarder L’origine du monde Uptobox, Regarder L’origine du monde Film complet en français, Regarder L’origine du monde Streaming vf gratuit complet, L’origine du monde film complet L’origine du monde 2021 film complet L’origine du monde film complet en français L’origine du monde streaming vostfr L’origine du monde film streaming L’origine du monde streaming vf L’origine du monde film complet en ligne L’origine du monde film complet en ligne gratuit L’origine du monde film complet en ligne gratuitement L’origine du monde film complet télécharger L’origine du monde film complet sous-titre L’origine du monde film 2021 streaming vf L’origine du monde bande annonce vf L’origine du monde 2021 film complet en francais L’origine du monde 2021 Film Complet Streaming VF Entier Français, L’origine du monde 2021 Regarder Film en Streaming en Français, L’origine du monde 2021 Stream Film Complet Entier VF en Français, L’origine du monde 2021 streaming VF film en entier gratuit, L’origine du monde 2021 film complet streaming Vk gratuit, L’origine du monde 2021 Regarder Film en Streaming, L’origine du monde 2021 Film télécharger Torrent, L’origine du monde 2021 film complet en Français, L’origine du monde 2021 regarder en streaming, L’origine du monde 2021 youtube film entier, L’origine du monde 2021 streaming vf youwacth, L’origine du monde 2021 streaming en entier, L’origine du monde 2021 Regarder Gratuitment, L’origine du monde 2021 regarder film streaming, Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see L’origine du monde more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Interstellar actually. (Interstellar had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. L’origine du monde is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with L’origine du monde. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: 2020 movie audiences are going to be suffering from ‘L’origine du mondeis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “L’origine du monde” there are McGuffins nested in McGuffins. So much of this is casually waved L’origine du monde as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “L’origine du monde”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of L’origine du monde and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Interstellar”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: L’origine du monde’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that L’origine du monde invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Interstellar) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Interstellar for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with L’origine du monde. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). After nearly three hours, I came L’origine du monde from L’origine du monde not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. L’origine du monde is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly inventive action set-pieces. This time around however, Nolan has finally managed to ‘out-Nolan’ himself: the palindromic plot, whilst creatively ambitious, is simply far too complicated for its own good. L’origine du monde is overlong, overstuffed, pretentious and too exhausting to comprehend in its entirety — it makes Inception and Interstellar look like Peppa Pig by comparison. I’m aware of the technical wizardry and creative mastery in this film and lord knows I’ll have to watch this again. For those who want a puzzle, L’origine du monde at least provides a unique cinematic experience. But to actually enjoy solving it Nolan wants you to work

[les-tentatrices]

After Dark, Tome 2 : Confessions After Dark - Kahlen Aymes

L'avis de Les Tentatrices sur Confessions, le 2ème tome de After Dark de Kahlen Aymes, publié dans la Collection Red Velvet des Editions Marabout

After Dark, Tome 2 : Confessions After Dark – Kahlen Aymes ~ Marabout RED VELVET (août 2017) ~ Environ 320 pages ~ ~  Format Poche ~ Format Kindle : Format numérique ~

J’attendais le 2ème tome de After Dark depuis des mois ! Autant vous dire que j’ai tout abandonné pour me plonger dans la lecture de Confessions After Dark dès sa sortie ! L’histoire de Kahlen Aymesm’intriguait et j’étais heureuse…