#eddie buzzell

[friendlessghoul]

Buster Keaton at Lucille Ball’s Gay 1890s-themed birthday party (1944)

[twittercomfrnklin2001-blog]

Honolulu

What’s the one thing you expect in a film featuring George Burns and Gracie Allen? You want to see them do one of their routines, with Gracie’s daffy logic butting against George’s stoic practicality. So, what did MGM do when they were cast as the principal supporting players in Edward Buzzell’s HONOLULU (1939). They kept them apart until almost the end, of course. It’s a vaudevillian WAITING FOR GODOT with tap numbers along the way. To make matters worse, this was their last film together. Both do well as the leads’ wise-cracking friends, and Gracie particularly gets to shine in a few musical numbers and turns up at a costume ball looking scrumptious as Mae West. But the real plot is about movie star Robert Young, who wants to get away from his violently adoring fans, so he swaps places with a lookalike Hawaiian plantation owner and heads to the islands. On the boat, he falls for nightclub star Eleanor Powell, who’s traveling with best friend Allen. But when he gets to Hawaii, he has to fend off the other Young’s fiancée (Rita Johnson, who’s very funny, but wasted). Slapstick was not Mr. Young’s forte, and when he turns up at the costume party as Leopold Stokowski, he doesn’t have the chops to make it funny. Powell, though no great shakes as an actress, at least gets to do three numbers. She and Allen do a charming duet to the title song. Then she turns up in blackface (different times, and she meant it as a tribute to Bill Robinson) and finally does a hula tap that represents a new high in cultural appropriation. Eddie Anderson turns up as Young’s butler and manages to rise above the stereotypes. Willie Fung, as the other Young’s butler, isn’t as lucky. His pidgin English is bad enough, but he also has a borrow from the Charlie Chan movies with a “Confucius says” line. Ruth Hussey has a bit at the start as Young’s on-screen leading lady.

[papermoonloveslucy]

A WOMAN OF DISTINCTION

March 16, 1950

Directed by Edward N. Buzzell 

Produced by Buddy Adler for Columbia Pictures

Written by Charles Hoffman; additional dialogue by Frank Tashlin; story by Ian McLellan Hunt and Hugo Butler

Synopsis ~ College dean Susan Middlecott thinks there's no room in her life for romance until she meets Professor Alec Stevenson, British lecturer on astronomy, who is in possession of a keepsake of Susan's that he wants to return. Desperate for publicity, lecture bureau press agent Teddy Evans magnifies this into a great romance. The efforts of both dignified principals to quash the story have the opposite effect.

PRINCIPAL CAST

Rosalind Russell (Susan Middlecott) is probably best remembered as Auntie Mame, a role she played on Broadway and in the film and a role Lucille Ball would film in the 1974 musical version of the play. She was nominated for four Oscars. This is her only appearance with Lucille Ball. 

Edmund Gwenn (Mark Middlecott) is probably best remembered for playing Kris Kringle in Miracle on 34th Street (1947), which also featured William Frawley. He won an Oscar in 1951 for Mister 888. This is his only appearance with Lucille Ball. 

Ray Milland (Alec Stevenson) won a 1945 Oscar for The Lost Weekend. This is his only appearance with Lucille Ball.  

Janis Carter (Teddy Evans) also appeared with Lucille Ball in Miss Grant Takes Richmond (1949). 

Mary Jane Saunders (Louisa) was a seven year-old child actor who also appeared with Lucille Ball in 1949′s Sorrowful Jones. 

Francis Lederer (Paul Simone) makes his only appearance with Lucille Ball. 

Jerome Courtland (Jerome) makes his only appearance with Lucille Ball.

UNCREDITED CAST 

Lucille Ball (as Lucille Ball) plays herself in a cameo appearance in her 73rd motion picture. Leaving an airplane holding a lapdog, movie star Lucille Ball stops to pose for photographs. 

Gale Gordon (Station Clerk) was Lucille Ball’s co-star in every one of her radio and television shows: Rudolph Atterbury on “My Favorite Husband,” Alvin Littlefield on “I Love Lucy,” Theodore J. Mooney on “The Lucy Show,” Harrison Otis Carter on “Here’s Lucy,” and Curtis McGibbon on “Life With Lucy.” Whether bellowing or turning a cartwheel, he was Lucy’s perfect comic foil!  

Gail Bonney (Woman) also appeared with Lucille Ball in The Fuller Brush Girl (1950). She re-teamed with Lucy in as Mr. Hudson in “The Amateur Hour” in 192, a 1965 episode of "The Lucy Show”, and a 1968 episode of "Here’s Lucy.”

Harry Cheshire (Stewart) also appeared with Lucille Ball in Her Husband’s Affairs (1947), and Miss Grant Takes Richmond (1949). He played oil tycoon Sam Johnson in “Oil Wells” (1954).  Mary Ellen Kay (Background Performer) later played Mrs. Taylor, who rents the Ricardo apartment in “Lucy Hates to Leave” (1957). 

Norman Leavitt (Earl, Hotel Desk Clerk) also appeared with Lucille Ball in The Long, Long Trailer (1953). He made three appearances on the “The Lucy-Desi Comedy Hour” after which he was in The Facts of Life (1960) and two episodes of "The Lucy Show.”

William Newell (Bartender) played the Nome hotel desk clerk in “Lucy Goes To Alaska” an episode of “The Lucy-Desi Comedy Hour” featuring Red Skelton.

Hans Moebus (Background Performer) was a German-born actor who appeared as an uncredited background performer in hundreds of movies and TV shows, including the Lucille Ball films DuBarry Was a Lady (1943), and The Facts of Life (1960). On “I Love Lucy,” Moebus was seen in “Bon Voyage” also in two episodes of “The Lucy Show.”

Reporters: Larry Barton, Richard Bartell, Harry Strang, Donald Kerr,  Charles Jordan, Ted Jordan

Members: Lelah Tyler, Mira McKinney

Conductors: William E. Green, Robert Malcolm

Alex Gerry (Herman Pomeroy) Charles Evans (Dr. McFall) Charlotte Wynters (Miss Withers) Clifton Young (Chet) Jean Willes (Pearl) Wanda McKay (Merle) Elizabeth Flournoy (Laura) Harry Tyler (Charlie) Harry Harvey, Jr. (Joe) Maxine Gates (Goldie) Walter Sande (Officer) Marie Blake (Wax Operator) Napoleon Whiting (Porter) John Smith (Boy) Charles Trowbridge (Jewelry Salesman) Dudley Dickerson (Waiter) Lucille Browne (Manicurist) Lois Hall (Stewardess) Myron Healey (Cameraman) Edward Keane (Sergeant)

TRIVIA OF DISTINCTION

In Spain the film was titled The Teacher’s Scandals.

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on October 23, 1950 with Rosalind Russell reprising her film role. Coincidentally, Lucille Ball took over for Rosalind Russell when Screen Directors Radio Playhouse presented “A Foreign Affair” in March 1951. 

Rosalind Russell and her husband Fred Brisson were in the studio audience the night “I Love Lucy” filmed “Be A Pal” on September 21, 1951. 

Eddie Buzzell also directed Lucille Ball in Best Foot Forward (1943) and Easy to Wed (1946).  His name was mentioned as a going away party guest in “Drafted” (ILL S1;E11). 

[aryburn-trains]

On September 15, 1943 the Third War Loan Drive came to Cincinnati. The drive started on September 8 and ended on October 2. On September 21, Kate Smith raised $39 Million through a broadcast on CBS. The 3rd War Loan totaled almost $19 Billion. The image above show the movie stars that were on this tour when it came to Cincinnati. Except for a couple of the stars on the right side, they are named going from left to right. James Cagney, Mickey Rooney, Margie Stewart, Dorothy Merritt, Kay Kyser, Doris Merrick, Paul Henried, Greer Garson, Eddie Buzzell (show director), Betty Hutton, Kathryn Grayson, Jose Iturbi, Rosemary Laplanche, Harpo Marx, Lucille Ball, Fred Astaire, Georgia Carroll, Harry Babbitt, Diane Pendleton, Ruth Brady, Muriel Goodspeed, and Dick Powell.

[citizenscreen]

This tradition began four years ago when I thought of no better way to share the joy of the season on this blog than to spread the magic of movies. In a Christmassy sort of way. ‘Tis the season, after all and paying movies forward in hopes that these memorable distractions take your minds off negative goings on is now my December lot in life. I’m asking that you join me, recommend your favorites and #PayClassicsForward on your blogs and across social media.

Give the gift of movies

I realize I am publishing this post much later in December than I have in the past, which leaves you little time to play with it if you are up for the challenge. However, if you are interested here’s the challenge…pick movie recommendations to the “12 Days of Christmas” theme as I’ve done below. Keep in mind that movie choices should be those you think would appeal to non classics fans and there can be no repeats. Let’s grow our community and #PayClassicsForward

Have fun!

On the first day of Christmas, etc., etc., etc…

One dream

Excluding the mother of all dream sequences, that is when Dorothy befriends a Tin Man, a Scarecrow, and a lion in a magical land, then I must go with a telling of Charles Dickens’ 1843 classics, A Christmas Carol. I didn’t set out to choose a Christmas story for this, but perused several lists of dream sequences in movies and was shocked that Ebenezer Scrooge’s legendary journey was not even mentioned. I correct that oversight with this entry as it is a dream to fill the heart.

Of all the adaptations of Dickens’ story about morality, human frailty, and redemption the best is Brian Desmond-Hurst’s 1951 movie starring Alastair Sim as Ebenezer Scrooge. This version of A Christmas Carol is good enough to watch all the year with Sim’s nuanced, affecting performance a standout. If you are a rotten person you might want to dream as Scrooge does in this movie and if you are a kind-hearted sort you might want to be reminded of why that matters.

Alastair Sim as Ebenezer Scrooge

  Two islands

I could have gone with fun times and music for this category, but decided on gloom and doom instead. Take a look and you won’t forget Earle C. Kenton’s Island of Lost Souls (1932), which features a terrifically creepy performance by Charles Laughton. Next I suggest you gather with seven guests who are picked off one by one in Rene Clair’s And Then There Were None (1945) based on one of Agatha Christie’s most famous whodunnits.

Island of Lost Souls

Before there were none in And Then There Were None

  Three gentlemen

No surprise here. See everything they’ve ever done.

  Four speeches

From Chaplin’s The Great Dictator (1940)

Hynkel/A Jewish Barber:

“I should like to help everyone if possible; Jew, Gentile, black man, white. We all want to help one another. Human beings are like that. We want to live by each other’s happiness, not by each other’s misery. We don’t want to hate and despise one another. In this world there is room for everyone, and the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way…”

  From Francis Ford Coppola’s The Godfather (1972)

Don Vito Corleone:

“But I’m a superstitious man, and if some unlucky accident should befall him… if he should be shot in the head by a police officer, or if he should hang himself in his jail cell, or if he’s struck by a bolt of lightning, then I’m going to blame some of the people in this room, and that I do not forgive.”

  From Capra’s Mr. Smith Goes to Washington (1939)

Jefferson Smith:

“Liberty’s too precious a thing to be buried in books, Miss Saunders. Men should hold it up in front of them every single day of their lives and say: I’m free to think and to speak. My ancestors couldn’t, I can, and my children will. Boys ought to grow up remembering that.”

  From Robert Mulligan’s To Kill a Mockingbird (1962)

Atticus Finch:

“Now, gentlemen, in this country, our courts are the great levelers. In our courts, all men are created equal. I’m no idealist to believe firmly in the integrity of our courts and of our jury system – that’s no ideal to me. That is a living, working reality! Now I am confident that you gentlemen will review, without passion, the evidence that you have heard, come to a decision and restore this man to his family. In the name of GOD, do your duty. In the name of God, believe… Tom Robinson.”

  Five golden rings

Not that kind of ring! This kind…

Mark Robson’s The Harder They Fall (1956)

  Robert Rossen’s Body and Soul (1947)

  Reuben Mamoulian’s Golden Boy (1939)

  Michael Curtiz’s Kid Galahad (1937)

Edward G. Robinson and Bette Davis in Kid Galahad

  Eddie Buzzell’s The Big Timer (1932)

Ben Lyon and Constance Cummings in The Big Timer

  There are quite a few great boxing movies that most have seen like the ones with that Balboa guy. I chose a few that you may not have and should. By the way, I want extra points with Santa for not listing Elvis’ Kid Galahad (1962).

  Six Acting-related Stories

Assuming everyone has seen Wilder’s Sunset Boulevard, Joseph Mankiewicz’s All About Eve, and the Donen/Kelly vehicle with dignity, always dignity, Singin’ in the Rain then I suggest the following glittering stories…

Victor Fleming’s Bombshell 1933)

George Cukor’s A Double Life (1947)

Robert Florey’s Hollywood Boulevard (1936)

Joseph Pevney’s Man of a Thousand Faces (1957)

Graeme Clifford’s Frances (1982)

Stuart Heisler’s The Star (1952)

The Star

Bombshell

Man of a Thousand Faces

Frances

Hollywood Boulevard

A Double Life

  Seven drinks

I thought it’d be fun to spread the joy with ideas for classic imbibing. Here are just seven of the many drinks had throughout yesteryear in the movies.

The Thin Man Martini

“…a Manhattan you shake to a Foxtrot, a Bronx to a two-step, but a Dry martini you should always shake to waltz time.”

1 1/2 oz Dry Gin

3/4 oz Dry Vermouth

Instructions:

Pour into a cocktail shaker, shake and strain into a chilled martini glass.

  The Casablanca Champagne Cocktail

Victor Laszlo’s drink.

Champagne Cocktail 1 bitters-soaked sugar cube 1 oz brandy or cognac Brut champagne Twist of lemon, for garnish

Place your sugar cube on top of the bitters bottle. While holding it in place with your finger, flip the bottle upside down until the sugar cube is saturated. Drop the sugar cube into a champagne flute and add your cognac or brandy. Top with Brut champagne, garnish with lemon and enjoy.

  Margo Channing and the “bumpy night” Gibson

This cocktail is also notable for making a cameo in the train car in North by Northwest, but Margot gets the official shout out today.

Gibson Classic Cocktail

4 parts gin 1 part dry vermouth pearl cocktail onion Combine the gin and vermouth in a shaker over ice. Shake and strain into a cocktail glass. Garnish with a pearl onion.

  The Some Like it Hot Manhattan

This whiskey cocktail is popular in Wilder’s film and best served after stirring/mixing with a drumstick, cymbal, and hot water bottle on a trail with Sweet Sue and Her Society Syncopaters.

Ingredients:

2 oz bourbon 1 ox Italian sweet vermouth 2 dashes Angostura bitters

Recipe: 

Combine all the ingredients in a shaker. Strain into a chilled cocktail glass and enjoy.

  Blue Hawaii Mai Tai

1 oz white rum

½ oz Orgeat syrup

½ oz Cointreau

2 oz pineapple juice

1 oz orange juice

Dark Rum float (such as Koloa dark rum)

Pineapple spear and lime (for garnish)

Mix white rum, Orgeat, Cointreau, pineapple and orange juices in a shaker filled with ice. Pour drink into a glass with the ice, and float the dark rum on top. Top with pineapple spear and lime wedge.

Made by Angela Lansbury this is sure to be a hit at any party.

  The Breakfast at Tiffany’s Mississippi Punch

2 oz / 50 ml cognac 1 oz / 25 ml bourbon 1⁄2 oz / 12.5 ml lemon juice 1⁄2 oz / 12.5 ml sugar syrup 1 oz / 25 ml dark rum

Shake all the ingredients except the rum with crushed ice and pour into a Collins glass, unstrained. Top the glass with more crushed ice, gently pour over the rum and garnish with an orange slice and a cherry.

  The Scotch Mist from The Big Sleep

It’s important to offer a darker choice so I went for the kind of drink a femme fatale would order when sitting next to Humphrey Bogart.

Ingredients :

2 oz. whiskey (whiskey, bourbon)

2 oz. crushed ice

1 twist lemon peel

Pack a collins glass with crushed ice. Pour in scotch. Add the twist of lemon peel and serve with a straw. No garnish because garnish doesn’t fit in a dirty little world.

  Eight silents

I know many classic film fans that have not taken the journey into silent film. That was me when I started this blog, but since I’ve made a concerted effort to watch a silent film when time allows. There’s no doubt I would recommend some of the popular greats to the silent movie novice, or films made by the three comedy megastars and the likes of Metropolis or Sunrise: A Song of Two Humans, to name just two. This past year I saw most of the following lesser-known gems for the first time and recommend them without hesitation.

Victor Sjöström’s The Wind (1928)

Erich von Stroheim’s Foolish Wives (1922)

Per Lindberg’s Norrtullsligan (The Nortull Gang ) (1923)

Leo McCarey’s Mighty Like a Moose (1926)

Roscoe “Fatty” Arbuckle’s The Cook (1918)

Lois Weber’s Suspense (1913)

Paul Leni’s The Cat and the Canary (1927)

Fred Guiol’s Duck Soup (1927)

Duck Soup

Foolish Wives

Mighty Like a Moose

Norrtullsligan

Suspense

The Cat and the Canary

The Cook

The Wind

  Nine Child Performances

No explanation needed for this lot of talented young ‘uns.

Roddy McDowall in John Ford’s How Green Was My Valley (1941)

Patty McCormack as Rhoda in Mervyn LeRoy’s The Bad Seed (1956)

Salvatore Cascio as Toto in Giuseppe Tornatore‘s Cinema Paradiso (1988)

Jackie Coogan in Charlie Chaplin’s The Kid (1921)

George Winslow in anything, but for now I’ll go for his performance in Howard Hawks’ Gentlemen Prefer Blondes (1953)

Enzo Staiola as Bruno in Vittorio De Sica’s Bicycle Thieves (1948)

Virginia Weidler as Dinah Lord in George Cukor’s The Philadelphia Story (1940)

Patty Duke as Helen Keller in Arthur Penn’s The Miracle Worker (1962)

Eva Lee Kuney as Trina in George Stevens’ Penny Serenade (1941)

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  Ten Stars and their Dogs

I recently read a startling statistic. It turns out that dogs given to children for Christmas often end up in pounds. Having a pet is a huge responsibility and it should be a choice for life, rather than looked at as a toy. So, if you are inclined to purchase a puppy or kitten for Christmas and haven’t thought about it carefully, spend your time looking at these images instead…

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Cat lovers can feast their eyes on this gallery of Cats and Movie Stars.

  Eleven heist movies

Jules Dassin’s Rififi (1955)

Stanley Kubrick’s The Killing (1956)

Sidney Lumet’s Dog Day Afternoon (1975)

John Huston’s The Asphalt Jungle (1950)

Joseph Sargent’s The Taking of Pelham One Two Three (1974)

Norman Jewison’s The Thomas Crown Affair (1968)

Raoul Walsh’s High Sierra (1941)

Jean-Pierre Melville‘s Bob Le Flambeur (1956)

Robert Siodmak’s Criss Cross (1949)

Mario Monicelli‘s Big Deal on Madonna Street (1958)

Fabián Bielinsky‘s Nueve Reinas (Nice Queens) (2000) – I was introduced to this Argentine gem during a course I took on heist films. It immediately became a favorite. Although it’s a contemporary movie, I know all classics fans would love it. It’s a twisty, well-acted labyrinth that’s well worth your time.

  Twelve Days

I would have included Dog Day Afternoon and The Taking of Pelham… here, but no repeats allowed. These are movies with stories that take place in one day.

Fred Zinnemann’s High Noon (1952)

George A. Romero’s Night of the Living Dead (1968)

Alfred Hitchcock’s Rope (1958)

Sidney Lumet’s 12 Angry Men (1957)

Ridley Scott’s Alien (1979)

Frank Capra’s Arsenic and Old Lace (1944)

Akira Kurosawa’s Rashomon (1950)

Mike Nichols’ Who’s Afraid of Virginia Woolfe? (1966)

Sidney Lumet’s Long Day’s Journey Into Night (1962)

Walter Hill’s The Warriors (1979)

Carl Th. Dreyer’s The Passion of Joan of Arc (1928)

Fleming, Cukor et al…The Wizard of Oz (1939)

◊

Till next year, my friends.

#PayClassicsForward

Aurora

  #PayClassicsForward for Christmas This tradition began four years ago when I thought of no better way to share the joy of the season on this blog than to spread the magic of movies.

[odk-2]

The Weeds - It's Your Time (1968) Eddie Bowen / Dennis Wynne from:"It's Your Time" / "Little Girl"

Personnel: Fred Cole: Vocals Eddie Bowen: Lead Guitar Ron Buzzel: Rhythm Guitar Bob Atkins: Bass Tim Rockson: Drums

L-R: Bob Atkins / Ron Buzzel / Fred Cole / Eddie Bowen / Tim Rockson

                                                        Fred Cole                                    August 28, 1948 – November 9, 2017

https://en.wikipedia.org/wiki/Fred_Cole_(musician)

https://theunderestimator-2.tumblr.com/post/167371162081/rip-fred-cole-august-28-1948-november-9

https://www.avclub.com/r-i-p-fred-cole-dead-moon-and-pierced-arrows-frontman-1820349297

Also See:

The Lollipop Shoppe - You Must Be a Witch (1968): Fred Cole https://tmblr.co/ZoHQpk2RElxDb

The Lollipop Shoppe - It Ain’t How Long (1968): Fred Cole / Ed Bowen https://tmblr.co/ZoHQpk2REmSYP

[travsd]

Eddie Buzzell in "Little Johnny Jones". #nationaltapdanceday . Learn about him here! Travsd.wordpress.com/2014/11/13/stars-of-vaudeville-879-Eddie-buzzell2/

[odk-2]

The Weeds - Little Girl (1968) Van Morrison Them Cover from:"It's Your Time" / "Little Girl"

Personnel: Fred Cole Vocals Eddie Bowen: Lead Guitar Ron Buzzel: Rhythm Guitar Bob Atkins: Bass Tim Rockson: Drums

*** ***

A-Side:

The Weeds - It’s Your Time: https://tmblr.co/ZoHQpk2Rub9iz

                                                       Fred Cole                                   August 28, 1948 – November 9, 2017

https://en.wikipedia.org/wiki/Fred_Cole_(musician)

https://theunderestimator-2.tumblr.com/post/167371162081/rip-fred-cole-august-28-1948-november-9

https://www.avclub.com/r-i-p-fred-cole-dead-moon-and-pierced-arrows-frontman-1820349297

[travsd]

Today is the birthday of Eddie Buzzell (1895-1985). Brooklyn-born Buzzell broke into vaudeville at the age of 13 in a Gus Edwards kiddie act, along with Eddie Cantor, George Jessel, et al. After th...