#eartha sloan

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Eartha fell in love ❤️

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📝#BangtanExtraSubs See our #BangtanExtraSubs for this video side-by-side while watching the video on our website! Link here: @bangtansubs

00:02 (T/N: ‘How Little We Know’ by Carmen McRae.) 2:34 (T/N: ‘Let’s Do It’ by Eartha Kitt.) 5:38 (T/N: ‘You And The Night And The Music’ by Anita O’Day.) 8:17 (T/N: ‘They All Laughed’ by Sarah Vaughan.) 10:44 (T/N: ‘Love Me or Leave Me’ by Nina Simone.) 11:45 I’m sure it’s the same for all the members. 12:51 (T/N: ‘Stuck with U’ by Ariana Grande & Justin Bieber.) 13:30 (T/N: Korean slang for ‘Hobi is the best’.) 16:35 (T/N: ‘Too Sad To Cry’ by Sasha Sloan.) 17:42 “Do you have a hairstyle in mind for this comeback?” ...No. 23:49 (T/N: The username means “What do you think”, the name of a track on D-2 by Agust D.) 26:03 “Did you tell me to forget about you?” (T/N: A famous line from the drama ‘Moon Embracing the Sun.’ V previously recited this line in Run! BTS Ep. 73.) What is this? I think I’ve done this before. Haven’t I? I think I’ve done this before. 29:15 (T/N: The username uses lyrics from ‘eight’ by IU and Suga, and means “island, sure, this is an island”.) 30:16 (T/N: Lines from the finale episode of the drama ‘Reply 1994’.) 30:46 This is hard. 31:35 “Can Taehyung make a mind with his fingers?” Says “Lucy”. (T/N: The person who posted the comment seems to have used an automatic translator. They probably meant to ask “Can Taehyung show us a finger heart?” but the word ‘heart’ got translated as 마음/maeum which can mean both heart and mind in Korean.) 36:26 (T/N: Wooga is the name of V’s friend group with actors Park Seojun, Choi Wooshik, Park Hyungsik, and singer Peakboy.) 37:22 (T/N: ‘Nothing’ by Bruno Major.) 37:48 (In French) I love you! 38:35 Hold on. 40:34 (T/N: He is singing ‘Unconditional’ by Park Sang-chul.) Call me when you need me I will run to you, no matter when Whether it’s morning or night, I will run to you, no matter when 41:25 (T/N: ‘Ol’ Man River’ by Albert Ayler.) 43:56 (T/N: The username means “I miss Taehyungie”.) 45:02 (T/N: The username means “Soju is my planet”.) 45:32 (T/N: ‘On Green Dolphin Street’ by Albert Ayler.) 46:29 (T/N: The username means “My house, I purple you”.) 47:58 (T/N: ‘Typa Luv’ by D. Muñoz.) 48:05 (T/N: ‘The Very Thought Of You’ by Al Bowlly.) 51:37 (T/N: The username means “My mikrokosmos”.) 51:59 (T/N: The username means “Tae on a spring day”.)

Trans cr; Aditi & Faith @ bts-trans © TAKE OUT WITH FULL CREDITS

[calzona-ga]

Since 2005, Shondaland has produced groundbreaking television. And over the course of 17 seasons, Grey’s Anatomy has made more than its fair share of bold choices. From the killing off of Patrick Dempsey’s beloved McDreamy to the still-controversial ghost-sex story line, the ABC series has seen, and done, it all. But perhaps no episode was riskier than turning the popular medical drama into a musical for “Song Beneath the Song,” the infamous season-7 hour in which a pregnant Callie (Sara Ramirez) gets badly injured in a car accident and, while her fellow doctors work to save her life, sees her hallucinatory self burst into song — with the rest of the characters quickly following suit.

Coming from the mind of series creator Shonda Rhimes, a vocal fan of both Broadway shows and TV musicals like Buffy’s “Once More, With Feeling,” the Grey’s musical episode was a monumental moment for the show and for television. Many viewers praised its audacity and swooned over the vocal chops of stars like Ramirez and Chandra Wilson.

“Song Beneath the Song” made for one of the most memorable hours of television, earning strong ratings and leading the soundtrack, particularly Ramirez’s show-stopping rendition of Brandi Carlile’s “The Story,” to Billboard success. A decade later, its impact is still growing, thanks in part to the countless teenage Grey’s fans who’ve only recently discovered the series via Netflix. Like the show itself, the musical has become an indelible part of TV history — and so, 10 years after its premiere in March 2011, we spoke to the episode’s cast and crew to get the story of how it came to be.

Featuring thoughts from Rhimes; writers, producers, and co-showrunners Tony Phelan and Joan Rater; and actors Wilson, Kevin McKidd, Jessica Capshaw, Kim Raver, and Eric Dane, this is the oral history of “Song Beneath the Song.”

Finding the Inspiration

Inspired by a 2008 benefit concert in which several stars of Grey’s and its spinoff show Private Practice performed songs to support out-of-work Hollywood workers during the 2007-2008 writers’ strike, Rhimes decided to turn her long-held desire to make a Grey’s musical episode into a reality.

Rhimes (series creator and writer): I remember thinking to myself at a certain point, I have this sort of murderers’ row of Broadway people. Like, Chandra had been on Broadway and singing; obviously, Sara Ramirez had won a Tony on Broadway [for Best Featured Actress in a Musical, in 2005], which is how I first met her; and then I knew that Kevin could sing. There were so many people in the show with beautiful voices. ... It felt like it was leaning in that direction in a good way.

Rater (writer, producer, and co-showrunner): The first iteration for, like, two days when we first started batting around the idea was that we would write original music. It was all gonna be original music. And then we quickly realized that a) who’s gonna write that music?, and b) no, it doesn’t feel like the right thing. And then Shonda, I think a day or two later, came in with the idea that we would use these iconic songs.

Wilson (Dr. Miranda Bailey): But the studio wasn’t quite on board with this whole idea.

Convincing a Skeptical Network

After coming up with the episode’s plot and deciding that the characters would sing classic songs from the Grey’s soundtrack, like Snow Patrol’s “Chasing Cars” and the Fray’s “How to Save a Life,” Rhimes pitched the idea to the network — but, in a surprising first, she was told that they were going to pass.

Rhimes: By that point, I wasn’t getting notes on anything; nobody was saying no to me about anything. So it was really bizarre to me that there was all this resistance to doing a musical episode. And I remember somebody at the network saying, “Can’t you just do one of your love-triangle thingies again?” And I thought, my head’s gonna explode, because the show is not a bunch of “love-triangle thingies.” You guys have missed the point entirely. I felt like, no, every year of the show is a completely different show, and this year the show has a musical episode. And that’s the story.

McKidd (Dr. Owen Hunt): Tony, Joan, and Shonda basically said to us, “We are trying to convince Disney to give us actual money to do this musical episode, and we feel like we want to do a show-and-tell to show them what this musical episode could be. Are you guys willing to give your time to help us create this show-and-tell?” And we were like, “Yeah, of course.”

Wilson: So we gave them a concert. Sara, Kevin McKidd, and I, along with musicians, got together, and we performed this script that Shonda and Tony Phelan put together. Shonda did the narrating. And we went through what the entire episode would be, based on those iconic songs.

McKidd: I remember Sandra Oh came to the concert for the execs just to be moral support for us. And she became like our groupie — she would stand and cheer and whoop and holler in between all the songs.

Phelan (writer, producer, director, and co-showrunner): Once [the executives] saw it, and saw it could work, then they gave us the okay to do it.

Rhimes: I still feel like they thought we were crazy. But you couldn’t deny the talent in the room.

Getting the Cast on Board

Once the episode was greenlit, the team began the task of persuading a cast full of non-singers to simultaneously sing, act, and — in some cases — dance on screen.

Wilson: The offer was put out on the table from the beginning from Shonda — anybody that’s not interested in singing, you’re not required; you don’t have to do it.

Rater: I think Sandra from the beginning was like, nope.

Rhimes: She looked at me — it was her very deadpan face — and she was like, “I’m not singing.” And I was like, okay! If that’s not your thing, that is not your thing — that’s completely okay. And it didn’t feel like she was afraid to sing or push past this barrier. It felt like Cristina Yang doesn’t sing. And that made sense to me.

Rater: Ellen [Pompeo] has a great voice. She could’ve done more. ... Ellen was very gracious about, like, “I’ll doo-wop in the back; don’t worry about me. Let’s hear Chandra, let’s hear Sara, this is theirs.”

Capshaw (Dr. Arizona Robbins): In addition to Sara having this powerhouse voice, she was always very generous about others and never made anyone feel smaller because of her giant power. But singing with her was like, “Aw, man [laughs], how about you get this one? You got this leg of the race.”

Wilson: Probably the most frightened person was Kim Raver, bless her heart.

Raver (Dr. Teddy Altman): It was super-exciting and terrifying at the same time. We all love singing, but unless you’re Sara Ramirez or Chandra Wilson.

Dane (Dr. Mark Sloan): I don’t fancy myself a singer, so I said, “Shonda, in this particular episode, I want the least amount of lines.”

Rhimes: Eric Dane surprised me, because his voice had this lovely quality to it that was really nice.

Dane: I set her up for a catastrophe, so she had very low expectations.

Starting Rehearsals

For months leading up to the episode, the cast embarked on a grueling series of rehearsals and voice lessons, adding hours onto their already long daily schedules.

Capshaw: I had just had a baby, and I was really taking my life one day at a time. I knew it was going to be a big episode, but, timeliness-wise, it was a tough time. I think I was still breast-feeding.

Phelan: Usually in the writers’ room, you’ve got maybe six-to-eight weeks from the time you come up with an idea to the time that it’s shot. This we needed almost the entire season to plan for.

Raver: It was like riding a bike but then adding, like, six more wheels to it, and you had to kind of figure it out.

Capshaw: We were all bringing our A games. In normal days, it feels like there’s a familiarity, you can feel a little more casual, a little more off-the-cuff, but there was nothing off-the-cuff about this. It was all very high stakes because it was life or death, literally.

There were some silver linings, though.

Dane: We had these little earbuds in our ears, I guess like how you film musicals, so you can sync what you’re mouthing with the music in your ear. And so I went to the sound operator and said, “I can buy one of these earbuds, right? And I can create a content-receiver pack and connect it to an iPod and pipe music into this too theoretically, yes?” And he said, “Yeah, you could do that if you want to.” So I said, “So when I’m performing surgery in later episodes on this show, and I don’t have very many lines, theoretically I could be listening to music, and nobody would know?” And he said, “Yeah, theoretically, that would work.” So I had one made, and I shot many episodes in the surgical theater, sometimes with lines, listening to music, many times.

Filming the Episode

“Song Beneath the Song” revolved largely around the seriousness of Callie’s condition, but there were also some light moments, including a sexy, dance-filled take on “Running on Sunshine” featuring several of the show’s couples.

Capshaw: When Sara and I are in the car in the clouds — oh my god, I’ve never felt so goofy in my life [laughs].

Raver: Scott Foley [who played Teddy’s love interest Henry] and I had so much fun working together. He’s so funny, and so choreographing that dance singing number was really fun.

Wilson: Debbie Allen sent in Eartha Robinson, one of her choreographers from the Debbie Allen Dance Academy, who I knew from Fame, the television series. So this is who was coming in, teaching us how to twirl. And I was like, oh my god, I’m on Fame!

Early in the episode, McKidd’s Owen sing-shouts at his crew of doctors to “calm down” — a moment that, years later, became a widely shared meme for its over-the-top nature.

McKidd: In the scene, I think it was Kate Walsh — she’s brilliant; she’s a prankster — and Patrick and Eric Dane. And they were all arguing. And I’m sitting there and [the cameras] push in on me and I go, “Calm down.” And they couldn’t keep a straight face. Every time we did a take, they just would fall over laughing. And they were on camera giving me the eye line, and I had to sing this song seriously with those two actors just doubled over, like sidesplitting. It just tickled their funny bones so much. That was one of the hardest acting days of my life [laughs].

Capshaw: For sure, many, many, many shots were taken at Kevin McKidd for his “calm down” [laughs]. ... He really took on the rock-&-roll part of it.

McKidd: My daughter, who’s big on Twitter, she said that “calm down” thing’s like a serious meme thing now, which I guess is an honor. I don’t know.

The biggest moment of the hour came at the end, when Ramirez, a Tony winner for Spamalot, sang “The Story” as Callie fought for her life.

Phelan: When Sara came to Grey’s, she had this idea that she absolutely wanted to be known as an actress not a singer. And so for her first couple seasons on the show, she kind of left that side of her behind. Then, here was Shonda and I coming to her and saying, “No, we want to re-engage that part of you and put it on the show.” And so I think that she got nervous about that ... but to hear that amazing, magical voice come out of her ... that was the moment that was going to be able to sustain the music [of the whole episode].

Rhimes: When she sings “The Story,” I mean — I wrote the episode; I know what’s gonna happen. I’ve seen it a thousand times. It has nothing to do with me. But I always tear up a little bit because of her extraordinary voice and extraordinary performance.

Wilson: What a showcase it was for Sara Ramirez. I’m so glad that she got to share that part of herself with our audiences.

Reading Those Reviews

On March 31, 2011, the episode aired. While it garnered strong ratings, viewers’ reactions to “Song Beneath the Song” were mixed.

McKidd: I think we all went into it with our eyes open, and we knew there was gonna be mixed reviews. Because some people are gonna love it, and some people aren’t. But that shouldn’t stop people from taking a few risks in what we do, you know?

Rater: I remember being shocked that there were people who didn’t like it. I was like, come on!

Capshaw: It didn’t feel like [the reviews] were gonna affect anything either way. It wasn’t gonna be like, “Oh my gosh, that was too silly, and I’m never watching Grey’s again.” It had already found its place in people’s hearts.

Rhimes: I learned very quickly [on Grey’s] that if you’re gonna believe the good things people say about you, you have to believe the bad things people say. So there’s no point in paying attention to any of it. ... Nobody’s gonna like everything that you do.

Phelan: I know there are a lot of people who don’t like it, who felt like it bent the show too much, but it’s season 7 of a show, and if you’re not taking big swings when you’re on season 7 on a show, something’s wrong.

Creating a Legacy

Despite the critical reactions, the episode has developed something of a cult following over the years, thanks to live benefits and TikTok memes. A decade later, its creators all look back fondly on the hour and its impact.

Wilson: [The cast] watched it together, and I remember feeling like, wow, look at what we did!

Capshaw: When we showed up to do that benefit concert, I remember coming out onstage ... and being completely, completely overwhelmed with the people that responded to Arizona in that episode, and to the love story between Callie and Arizona.

Phelan: As a director, it was the biggest challenge of my career to do that, and it’s one of the things that I’m most proud of.

Raver: I’ll be in my car singing along, or at work if we’re in the hair-and-makeup trailer and we’re listening to [the soundtrack], it’s just an immediate flashback. It kind of feels like yesterday.

Wilson: The soundtrack is on my playlist on my phone [laughs]. So I will pop that thing out in a minute, because it’s just absolute happy memories.

Rater: If I’m cooking, that is what I put on. That’s what I tell Alexa to play for me.

Rhimes: I feel like that episode just always reminds me of having so much fun. That was what was really great. We had so much fun. And how much do you get to say that about just being at work?

Dane: As a cast, contrary to what some of the entertainment media might have speculated, we were all very close. We all spent a lot of time together, and a lot of that stuff felt really real to us. It was easy to access because of how we felt about each other off screen.

Raver: I just remember it being such an incredible experience, being able to work with all these incredibly talented actors and creators.

Rhimes: It’s right in my top 10 of episodes we’ve ever done.

Dane: I don’t particularly want to do it again, but I’m glad I did it.

[soulbounce]

【衝撃】ユニバーサル火災でマスターテープが焼失したアーティスト一覧

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[grownups-are-the-real-monsters]

The Loser’s first celebrity crushes

Richie: Richie first celebrity crush was Jessica Rabbit no lie, he watched ‘Who Framed Roger Rabbit’ every chance he got. Little child Richie thought she was gorgeous and he thought he was gonna marry this cartoon rabbit, I swear. But as he grew up, Richie’s next celebrity crush was Kurt Cobain and you can bet he cried his eyes out when he died. 

Eddie: Eddie’s mom isn’t any fun so their TV only ever played Golden Girls and I Love Lucy. One day, Eddie was allowed to watch something of his own choosing (of their limited channel options) and he watched The Monkees re-runs. He swooned for the pretty boy, Davy Jones. Plus, Davy was pretty short too, which he related too. He grew to have a really huge crush on George Michael too.

Stan: Stan’s first celebrity crush was DJ from Full House. He thought she was really smart and must’ve been really strong willed, what with having to deal with her annoying sister and terrible comic uncle Joey (Stan couldn’t stand him, Jesse wasn’t bad to look at though). He also started to have a tiny crush on Rachel from friends and could be found watching it in his spare time as a teenager. 

Beverly: Bev never really thought much about crushes but she had heard Robert Plant’s voice through one of her dad’s old radios when she was little and couldn’t stop smiling. She still has a small picture cut out of him from the 70′s hidden in her room. (She also found herself drooling over Pat Benatar on the occasion?)

Ben: Ben’s heart was captured first by Carrie Fisher. He was a little nerd who loved Star Wars (and still does) and he admired Leia. He thought she was strong and deserved the whole galaxy. He was a little jealous that he wasn’t anything like Han Solo and wondered if he could ever get a girl quite like her. He also die hard loved Whitney Houston. 

Bill: Bill was in love with  Ferris Bueller’s girlfriend, Sloane Peterson. He thought she was the coolest for going along with Ferris’s scheme and she was smart and sassy. He could have gone on for ages about why he loved her. (As he grew up, he loved to poke fun at Stan and tell him that was just like Ferris’s best friend, Cameron).

Mike: Mike didn’t watch a lot of TV but he did watch some of those flashback channels on the occasion, which included his favorite show: the 1960′s Batman. And though Catwoman was played by two others, Mike thought the world of  Eartha Kitt, she was just too amazing. He’d sit so close to the screen with this shy little grin on his face. 

[savetopnow]

2018-03-28 19 MUSIC now

MUSIC

Brooklyn Vegan

What's going on Wednesday?

Jarvis Cocker's tour kicked off in Brighton, UK (pics, setlist, video)

Traveller (Robert Ellis, Cory Chisel & Jonny Fritz) prep debut LP, touring

Mike Birbiglia playing NYC shows before "The New One" tour continues

tours announced: Phoenix, Posies, Nils Frahm, H.E.R., 6LACK, Anna Burch, more

Consquence of Sound

Lorde covers Kanye West’s “Love Lockdown”, “Runaway” in Chicago: Watch

Soccer Mommy shares ‘90s teen movie-inspired video for “Cool”: Watch

Gorillaz debut new song “Hollywood” in Chile: Watch

Ranking: Every Steven Spielberg Movie from Worst to Best

Phoenix announce Los Angeles residency

Fact Magazine

Visual artist Jesse Draxler announces Misophonia art book on Sacred Bones

Singles Club: Lil Yachty taps Bhad Bhabie for collab, how about that?

Physical music outsold digital downloads in the US last year

FACT mix 645: μ-Ziq

Moog turns its iconic Minimoog Model D synth into a fully-featured iOS app

Fluxblog

Late Night Games

The Middle Of A Cold Premonition

The Moon Right Behind Me

Make Me Feel Right

I Loved And I Lost

Idolator

Anitta Is A Red-Hot Disco Diva In Her “Indecente” Video

Sam Smith’s New Single Is A Remix Of “Pray” Featuring Logic

Kylie Minogue Debuts “Golden,” Covers “Islands In The Stream” On Australian TV

Louisa Makes A Move For Pop Superstardom With Her Rowdy “YES” Video

Sigrid Switches It Up With Piano Ballad “I Don’t Want To Know”

Listen to This

Sylvan LaCue - Loner ft. Linzi Jai [Hip Hop/R & B] (2016)

Royal Teeth -- Kids Conspire [Indie Pop] (2017)

Eartha Kitt - Snuff Out the Light [Jazz](2000) - Unused Song from "The Emporer's New Groove"

Bill Summers - Brazilian Skies [Latin Jazz] (1977)

Anthony Fantano -- Know [Folk/Lofi] (2009)

Popjustice

NONONO’s new one is v excellent and here’s the video

New Music Friday: all hail Let’s Eat Grandma’s miniature pop symphony

Paloma Faith’s branded content is better than your branded content

Saluting the artwork for PRETTYMUCH’s Healthy

Louisa Johnson interview: “We went, ‘oh, fuck it, let’s just get drunk’”

Reddit Music

Physical sales outsell digital downloads in US for first time since 2011

Eddie Murphy - Party All the Time [FUNK]

Stevie Wonder - I Wish (1976) [Funk]

Judas Priest - Living After Midnight [Hard Rock/Heavy Metal]

The Meters - Cissy Strut [70s Funk]

Rolling Stone

Watch Joan Baez Honor Obama in 'The President Sang Amazing Grace'

Bettye LaVette on Interpreting Bob Dylan: 'I Had to Go to Bed With These Songs'

Usher, Common, Roots to Play Memorial Concert for Lynching Victims

Erykah Badu, Miguel, Janelle Monae Top Afropunk Brooklyn Lineup

Watch Soccer Mommy Channel Nineties Teen Movies in 'Cool' Video

Slipped Disc

This agency will get you two jobs

An oboe is hijacked in a French railway station

Berlin Phil tightens knot with Baden-Baden

Marilyn opera makes it to Vienna

New Orleans finds a principal flute

Spotify Blog

Spotify Celebrates Black History Year-Round with Launch of Black History Is Happening Now

Spotify Launches Integration with New and Existing Cadillac Models

Spotify Launches ‘Louder Together’ with First Multi-Artist Spotify Single Collaboration from Independent Stars Sasha Sloan, Nina Nesbitt and Charlotte Lawrence

Spotify Launches Self-Serve Advertising Platform in the UK and Canada

Spotify Announces Launch of Line-In

We Are the Music Makers

Extreme moods boost creativity

FYI not all sellers on Reverb will offer a refund

What are the biggest tips and advice you could give to a musician looking to improve?

From Music Maker to Fruity Loops

What Monitor Headphones do you Recommend?

[malte1mj-blog]

2000 Movie Awards

Best Picture: Almost Famous Billy Elliot Requiem for a Dream Traffic You Can Count on Me HONORABLE MENTION: Yi Yi, Crouching Tiger Hidden Dragon, Best in Show, Before Night Falls, Dark Days, The Contender, Wonder Boys, Erin Brockovich, Dancer in the Dark, American Psycho, The Virgin Suicides Best Director: Darren Aronofsky, Requiem for a Dream Stephen Daldry, Billy Elliot Ang Lee, Crouching Tiger, Hidden Dragon Steven Soderbergh, Traffic Edward Yang, Yi Yi HONORABLE MENTION: Sofia Coppola, The Virgin Suicides; Christopher Guest, Best in Show; Curtis Hanson, Wonder Boys; Mary Harron, American Psycho; Ang Lee, Crouching Tiger Hidden Dragon; Kenneth Lonergan, You Can Count on Me; Rod Lurie, The Contender; Julian Schnabel, Before Night Falls; Marc Singer, Dark Days; Steven Soderbergh, Erin Brockovich; Lars von Trier, Dancer in the Dark Best Actor: Christian Bale, American Psycho Javier Bardem, Before Night Falls Michael Douglas, Wonder Boys Tom Hanks, Cast Away Mark Ruffalo, You Can Count on Me HONORABLE MENTION: Jamie Bell, Billy Elliot; Russell Crowe, Gladiator; Billy Crudup, Jesus' Son; John Cusack, High Fidelity; Michael Douglas, Traffic; Colin Farrell, Tigerland; Patrick Fugit, Almost Famous; Ed Harris, Pollock; Denis Lavant, Beau Travail; Geoffrey Rush, Quills; Forest Whitaker, Ghost Dog: The Way of the Samurai Best Actress: Joan Allen, The Contender Bjork, Dancer in the Dark Ellen Burstyn, Requiem for a Dream Laura Linney, You Can Count on Me Julia Roberts, Erin Brockovich HONORABLE MENTION: Sandra Bullock, Miss Congeniality; Kirsten Dunst, Bring It On; Sanaa Lathan, Love & Basketball; Renee Zellweger, Nurse Betty; Zhang Ziyi, Crouching Tiger Hidden Dragon Best Supporting Actor: Billy Crudup, Almost Famous Willem Dafoe, Shadow of the Vampire Benicio Del Toro, Traffic Gary Lewis, Billy Elliot Gary Oldman, The Contender HONORABLE MENTION: Jack Black, High Fidelity; Jeff Bridges, The Contender; Jonathan Chang, Yi Yi; Aaron Eckhart, Erin Brockovich; Albert Finney, Erin Brockovich; Christopher Guest, Best in Show; Philip Seymour Hoffman, Almost Famous; Samuel L. Jackson, Unbreakable; Eugene Levy, Best in Show; Tobey Maguire, Wonder Boys; Joaquin Phoenix, Gladiator; Fred Willard, Best in Show; James Woods, The Virgin Suicides Best Supporting Actress: Marcia Gay Harden, Pollock Elaine May, Small Time Crooks Frances McDormand, Almost Famous Lupe Ontiveros, Chuck & Buck Julie Walters, Billy Elliot HONORABLE MENTION: Barbara Barrie, Judy Berlin; Jennifer Connelly, Requiem for a Dream; Kate Hudson, Almost Famous; Holly Hunter, Jesus' Son; Madeline Kahn, Judy Berlin; Eartha Kitt, The Emperor's New Groove; Kelly Lee, Yi Yi; Frances McDormand, Wonder Boys; Samantha Morton, Jesus' Son; Kathleen Turner, The Virgin Suicides; Michelle Yeoh, Crouching Tiger Hidden Dragon; Catherine Zeta-Jones, Traffic Best Original Screenplay: Almost Famous - Cameron Crowe Best in Show - Christopher Guest & Eugene Levy Billy Elliot - Lee Hall Yi Yi - Edward Yang You Can Count on Me - Kenneth Lonergan HONORABLE MENTION: Bring It On, Chicken Run, Chuck & Buck, The Contender, Dancer in the Dark, The Emperor's New Groove, Erin Brockovich, Love & Basketball, Small Time Crooks Best Adapted Screenplay: American Psycho - Mary Harron & Guinevere Turner Crouching Tiger, Hidden Dragon - James Schamus, Kuo Jung Tsai & Hui-Ling Wang Requiem for a Dream - Darren Aronofsky & Hubert Selby Jr. Traffic - Stephen Gaghan Wonder Boys - Steve Kloves HONORABLE MENTION: American Psycho, High Fidelity, Jesus' Son, Meet the Parents, Pollock, The Virgin Suicides Best Ensemble: Almost Famous Best in Show Traffic The Virgin Suicides Yi Yi HONORABLE MENTION: Billy Elliot, Bring It On, The Contender, Crouching Tiger Hidden Dragon, Erin Brockovich, George Washington, The House of Mirth, Judy Berlin, Love & Basketball, Meet the Parents, Nurse Betty, O Brother Where Art Thou?, Quills, Requiem for a Dream, Small Time Crooks, State and Main, Wonder Boys, X-Men Best Limited Performance - Male: Keith David, Requiem for a Dream Johnny Depp, Before Night Falls Joel Grey, Dancer in the Dark Michael Pare, The Virgin Suicides Tim Robbins, High Fidelity HONORABLE MENTION: Philip Bosco, Wonder Boys; Benjamin Bratt, Traffic; James Brolin, Traffic; Charles Durning, State and Main; John Goodman, O Brother Where Art Thou?; Denis Leary, Jesus' Son; Christopher McDonald, Requiem for a Dream; Michael Shannon, Tigerland Best Limited Performance - Female: Zooey Deschanel, Almost Famous Jackie Quinn, Ratcatcher Elaine Stritch, Small Time Crooks Ru-Yan Tang, Yi Yi Irene Ziegler, The Contender HONORABLE MENTION: Mariel Hemingway, The Contender; Julie Kavner, Judy Berlin; Anne Meara, Judy Berlin; Lindsay Sloane, Bring It On; Guinevere Turner, American Psycho; Kathleen Wilhoite, Nurse Betty Breakthrough Performance: Jamie Bell, Billy Elliot Jonathan Chang, Yi Yi Kate Hudson, Almost Famous Kelly Lee, Yi Yi Zhang Ziyi, Crouching Tiger, Hidden Dragon HONORABLE MENTION: Erika Christensen, Traffic; Curtis Cotton III, George Washington; Rory Culkin, You Can Count on Me; Matthew Davis, Tigerland; Candace Evanofski, George Washington; Patrick Fugit, Almost Famous; Donald Holden, George Washington; Hugh Jackman, X-Men; Kip Pardue, Remember the Titans; Michelle Rodriguez, Girlfight Best Film Editing: Almost Famous - Joe Hutshing & Saar Klein Billy Elliot - John Wilson Requiem for a Dream - Jay Rabinowitz Traffic - Stephen Mirrione Wonder Boys - Dede Allen HONORABLE MENTION: American Psycho, Before Night Falls, Bring It On, Cast Away, Crouching Tiger Hidden Dragon, Dancer in the Dark, Dark Days, X-Men, Yi Yi, You Can Count on Me Best Cinematography: Before Night Falls - Xavier Perez Grobet & Guillermo Rosas Crouching Tiger, Hidden Dragon - Peter Pau Traffic - Peter Andrews (Steven Soderbergh) The Virgin Suicides - Edward Lachman Yi Yi - Yang Wei-han HONORABLE MENTION: Almost Famous, American Psycho, Beau Travail, Billy Elliot, Cast Away, Dancer in the Dark, George Washington, O Brother Where Art Thou?, The Patriot, Requiem for a Dream Best Original Score: Crouching Tiger, Hidden Dragon - Tan Dun Dancer in the Dark - Bjork Gladiator - Lisa Gerrard & Hans Zimmer Requiem for a Dream - Clint Mansell Traffic - Cliff Martinez HONORABLE MENTION: Before Night Falls, Billy Elliot, Cast Away, The Cell, Chicken Run, Chocolat, The Patriot, Quills, Unbreakable Best Original Song: Dancer in the Dark - "I've Seen It All" - Bjork, Sjon Sigurdsson & Lars von Trier Dancer in the Dark - "Scatterbrain" - Bjork, Sjon Sigurdsson & Lars von Trier The Emperor's New Groove - "My Funny Friend and Me" - David Hartley & Sting The Virgin Suicides - "Playground Love" - Jean-Benoit Dunckel & Nicolas Godin Wonder Boys - "Things Have Changed" - Bob Dylan HONORABLE MENTION: Bring It On - "As If"; Charlie's Angels - "Independent Women Part 1"; Crouching Tiger Hidden Dragon - "A Love Before Time"; Dancer in the Dark - "Next to Last Song"; Meet the Parents - "A Fool in Love"; Rugrats in Paris: The Movie - "I Want a Mom That Will Last Forever"; Rugrats in Paris: The Movie - "When You Love" Best Art Direction: American Psycho - Jeanne Develle & Gideon Ponte Crouching Tiger, Hidden Dragon - Timmy Yip The House of Mirth - John Bush & Don Taylor O Brother, Where Art Thou? - Dennis Gassner & Nancy Haigh Quills - Martin Childs & Jill Quertier HONORABLE MENTION: Almost Famous, Billy Elliot, The Cell, Chicken Run, Chocolat, Dr. Seuss' How the Grinch Stole Christmas, Gladiator, The Patriot, The Virgin Suicides, Wonder Boys, X-Men Best Costume Design: Almost Famous - Betsy Heimann Crouching Tiger, Hidden Dragon - Timmy Yip Gladiator - Janty Yates The House of Mirth - Monica Howe Quills - Jacqueline West HONORABLE MENTION: Billy Elliot, Bring It On, The Cell, Chocolat, Dr. Seuss' How the Grinch Stole Christmas, O Brother Where Art Thou?, The Patriot, Pollock, Shadow of the Vampire, The Virgin Suicides, Wonder Boys, X-Men Best Makeup: Cast Away The Cell O Brother, Where Art Thou? Quills Shadow of the Vampire HONORABLE MENTION: Big Momma's House, Crouching Tiger Hidden Dragon, Dr. Seuss' How the Grinch Stole Christmas, Gladiator, The House of Mirth, X-Men Best Sound Mixing: Bring It On Cast Away Crouching Tiger, Hidden Dragon O Brother, Where Art Thou? X-Men HONORABLE MENTION: Almost Famous, Billy Elliot, Chicken Run, Dancer in the Dark, Gladiator, Mission: Impossible II, The Patriot, Remember the Titans, Requiem for a Dream, Space Cowboys, Traffic Best Sound Editing: Cast Away Chicken Run Crouching Tiger, Hidden Dragon Space Cowboys X-Men HONORABLE MENTION: The Cell, Gladiator, Mission: Impossible II, O Brother Where Art Thou?, The Patriot, Requiem for a Dream, Titan A.E., Traffic Best Visual Effects: Cast Away The Cell Gladiator Mission: Impossible II X-Men HONORABLE MENTION: Charlie's Angels, Crouching Tiger Hidden Dragon, Dr. Seuss' How the Grinch Stole Christmas, The Patriot, Space Cowboys Best Foreign-Language Film: Beau Travail - Claire Denis Crouching Tiger, Hidden Dragon - Ang Lee Yi Yi - Edward Yang Best Documentary: Beyond the Mat - Barry W. Blaustein Dark Days - Marc Singer One Day in September - Kevin Macdonald Paragraph 175 - Rob Epstein & Jeffrey Friedman Sound and Fury - Josh Aronson HONORABLE MENTION: The Eyes of Tammy Faye, Into the Arms of Strangers: Stories of the Kindertransport Best Animated Film: Chicken Run - Peter Lord & Nick Park The Emperor's New Groove - Mark Dindal Rugrats in Paris: The Movie - Stig Berggvist & Paul Demeyer HONORABLE MENTION: Titan A.E. Every Film I've Seen in 2000: Ranked https://letterboxd.com/tesey20/list/2000-films/

[javatrait]

Where Eartha does all of her Painting and content creation<3

[javatrait]

Eartha had a date with a very rich local business man who she met at the Art Museum and he kept insisting on taking her out.  

Lot: Shiki Bar & Grill by @aashwarr

[javatrait]

Eartha Sloan<3

[javatrait]

Eartha & Jesminder Bheeda love catching up on their weekly girls day!

Their friendship is so cute I love how they autonomously want to include each other in everything they have going on lol<3

[javatrait]

Morning Routine

Morning yoga & tea with Eartha before she heads to the Gallery<3

[javatrait]

Day Date<3

Keith knows the way to Eartha's heart lol. He made reservations at the hottest new restaurant in town called The Golden Spice Restaurant by @rheya28 then he shut down the entire San Myshuno Art Gallery so they could view the art privately!

[javatrait]

Eartha Sloan <3 

[javatrait]

Earthas third date this week 🌆

Lot: Starlight Cafe by @aashwarr

[javatrait]

Eartha & Keith's new Apartment<3