#dylan o'brien projects

[livwritessometimes]

F1 Uni Series: Intro Part 2

: Now that you know about ‘The Grid.’ Let us take a look at the other group in this series.

: All these people were randomly assigned to the same guide on the first day of Uni and ya rest is history

: Prev | Oscar’s Version

: Series Masterlist

: Main Masterlist

…

Y/n L/n

• Y/n L/n, claims to be the best thing that has every happened to F1 University

• Struggles to pay rent which is why she lives with Alex and Dylan (even though she has money to support her daily coffee obsession)

• Friends with Daniel and Pierre (she feels that Daniel is her spirit animal and she just tolerates Pierre)

Alexandra Saint Mleux

• Alexandra Saint Mleux, the classy Art History Major

• For her friends she is Alex, the kid who almost burned down her (Y/n and Dylan’s) apartment while trying to make popcorn

• She believes that she can read auras just because she went to a carnival as a kid and a psychic told her that she has ‘the gift’

Dylan O'Brien

• Dylan O’Brien, thinks he’s the only voice of reason in the group (he’s not)

• Likes to scare people by claiming he can hear voices in his head (Psychology major does that to a person)

• Had the fattest crush on peppa pig growing up (even though bacon is his favourite thing to eat)

Renee Rapp

• Renee Rapp, the actual voice of reason of this group (Mother in other words)

• As a kid she realised 2 things while watching Judge Judy: first she wants to be a lawyer and second that her love for Judy was more than just admiration

• Likes to believe that the rest of her group won’t be alive without her there (it’s true)

Chris Briney

• Christopher Briney, the clumsy nurse studying at F1 University

• Most of the time he has to use his knowledge on himself (boy trips on air istg)

• Has an apartment with Jordan but doesn’t know that it’s haunted

Francisca Cerqueira Gomez

• Francisca Cerqueira Gomez or Kika

• Her dream is to live like a rich soccer mom who drinks vodka from a flask during the game

• Believes she’s the next best fashion designer (she is) also has a secret beef with Lewis because they both want to have their collection win the end term runway project

Jordan Fisher

• Jordan Fisher, son of a famous businessman

• His dad wanted him to pursue business but Jordan was like nah and went for music instead

• He drowned as a child and his heart stopped for like 2 seconds and ever since then he claims that he can “see ghosts.” He also didn’t tell Chris (his roommate) that their house is haunted

…

Tags: @regalbanshee | @be-your-coffee-pot | @mrsbrxkkxr | @princessria127 | @moonraysandstars | @prettiest-at-the-party | @theblueblub | @magixpracticality | @slytherinholland | @overlyexcitedoutlaw | @marvel-at-stucky | @crumbssss | @a-beaverhausen

[userautumn]

you know how sometimes i'll be like, "man that person is not a good actor" and then you guys get mad and start yelling in my inbox, and then i snark back because i didn't call them terrible, i just said they aren't Good? well, now we can skip all that! introducing the actor chart, where i judge hollywood's ability to act as objectively as possible and you can't get mad at me about it unless they are the Actual worst.

the rankings are:

masters of the arts | fantastic | really great | good | average | subpar | bad | terrible | fundamentally untalented

some additional notes:

do NOT yell at me until you've read this entire post

i don't make judgements about an actor until i've watched at least three (3) of their projects. in the rare instances where that isn't the case, it's because i've followed a single performance for years (i.e. a multi-season television show) or their performances left a lasting impression, either positive or negative

i'm not interested in an actor's politics, controversies, allegations or anything else. i'm just concerned with whether or not they can act

this is the scale I PERSONALLY use. as in, when i watch movies or tv shows, i am judging actors according to my own set of criteria (more below). this is NOT universal, this is just how i do things

every actor in hollywood falls into one of these categories. don't shoot the messenger, i just grade 'em

i made this on microsoft paint. heehee

ok, now you can continue

so, you've gotten this far (yay!). now, the question is, how do i judge whether an actor is good or not? the answer is, i have a little questionnaire :3

ahem.

question #1: does this actor use their full body (including face + eyes + micro-expressions to embody the character they're meant to play? question #2: does the way they act in [role a] completely make me forget the way they act in [role b] or [role c]? (to put it simply: if i'm watching dylan o'brien in american assassin, am i spending the whole time thinking "omg hiii dylan from my werewolf show <333" or am i like "holy shit, mitch rapp is kind of unhinged") question #3: does the way they deliver their lines completely convince me that they believe what they're saying or are they just saying words?

it's a short questionnaire, but it's very effective in separating the talented from the less talented. the masters of the arts meet the golden standard set by the questionnaire with ease. everyone else struggles, to varying degrees.

so. now that that's out of the way, here's the actor chart:

masters of the arts: actors such as cillian murphy, denzel washington, viola davis. these are actors whose performances are 10/10 across the board. every show or movie they're in is elevated by their presence, depth, passion, and talent. they've never had (or have rarely ever had) a bad performance and their mere presence is enough to get me to watch anything because i know they will immerse me in the viewing experience.

fantastic: actors such as robert pattinson and idris elba are on the trajectory to becoming masters of the arts. they're not there yet, but on average, their performances are enrapturing and dynamic, notwithstanding hiccups or moments that keep them from being perfect.

really great: actors such as zendaya, kenneth choi, and dylan o'brien. these are actors who, on average, deliver incredible performances. the only thing that keeps them from being masters is that, sometimes, the directors either rely too much or too little on their presence (as in, their physical presence) resulting in instances where they don't have enough opportunity to shine and thus are just kind of there OR the movie / show feels like [title] starring [actor] rather than the actor becoming the character they're meant to play. these actors have range and are very good at what they do.

good: actors such as jake gyllenhaal and keke palmer are strong. they have a good grasp on how to command attention in a scene, they know how to play to the camera, how to embody their characters, and how to take the best parts of a script and make them their own. they're good. not perfect, not masters, but good and enjoyable to watch. THIS CATEGORY IS NOT AN INSULT.

average: actors such as chris hemsworth, nicholas galitzine, and daisy edgar jones are all okay. they're fine. nothing about their performances as full pieces of art stand out even if they have moments where they do. most hollywood actors fall into this category. actors in this category are entertaining, they just aren't always memorable. things that can land actors in this category: too much comfort within a long-term role that translates into lack of effort (oliver stark), playing the same role but finding ways to diversify within that role (chris hemsworth), or consistently working in projects that do not present a challenge (robert downey jr). THIS CATEGORY IS NOT AN INSULT.

subpar: actors such as chris evans and dwayne "the rock" johnson skirt the line between being bad and being average. their acting is unpredictable and you can never tell whether they're going to deliver a powerful performance or whether they're going to leave you wanting for more. this category isn't an insult. it's not positive, but it's not an insult.

bad: actors such as lindsay lohan, taylor zakhar perez, and keira knightley are the disappointments. they're the little engines that could, but didn't. actors in this category struggle to rise to the occasion. rarely do they transform the script and make it their own; they struggle to embody their characters in a way that feels natural, and often feel like they (the actor themselves) are just going where the director tells them to go, and saying the lines the director tells them to say. this doesn't mean that they are incapable of good performance, it just means that, more often than not, their films / shows leave you wanting for more.

terrible: the only thing separating actors such as ezra miller and stephen amell from being irredeemably bad is minimal effort. visible effort is put into their characters even if the delivery often falls flat. make no mistake, these actors are bad. really bad. but there's enough substance to their effort that makes one think that, maybe, maybe, with the right leadership + opportunities + (additional) education, they could become talented one day. maybe. holding one's breath is unadvised, though

fundamentally untalented: yeah. these "actors," if we can call them that, have got to pack it up. they've gotta go home. actors in this category such as jared padalecki, joey king, and madison bailey do not perform well, and if they have a good performance, it is a matter of happenstance. most of their performances feel like they just rolled out of bed, walked onto set, and started reading lines. badly. actors in this category are either a product of nepotism (phoebe dynevor), pretty privilege (madison bailey), or just good ol' fashioned directionlessness and inability + refusal to grow (jared padalecki). these actors are an embarrassment to the craft and should step out of the way so that new talent can take their place.

[onlydylanobrien]

Actor Dylan O'Brien is one of the film's stars, portraying the legendary cast member Dan Aykroyd. He joins me for an insightful, entertaining chat about the film, the casting process, his approach to the performance, and his upcoming projects.

[llamaqueenprompt]

Love in the Spotlight

Characters: Dylan O'Brien, Reader, Tyler Posey

Not Requested

Word Count: 702

Inspiration: “This sounds a lot like a marriage proposal.” “Maybe it is.”

Since they met five years prior on the set of Teen Wolf, Dylan O’Brien and y/n l/n had been inseparable. They were always together and when they weren’t, they were probably face timing or texting one another non-stop. So when their relationship evolved to a status of way more than friends no one was really shocked.

And this was their first Comic Con as an out in the world couple. 

“Are you nervous?” Dylan asked, his fingers gently running through her hair.

“A little,” she raised from his lap to meet his gaze, “You?”

“No more than my first time” they softly laughed,  taking their last couple of minutes to relax on the couch.

“Everyone get ready you’ll be on stage in 10”

Dylan stood up and extended his hand to y/n, “Ready?” She just grabbed his hand and they got ready to enter.

“An applause for y/n!” The fans clapped and whistled as she walked into the stage with the biggest smile on her face and waving at them. She got to her seat and Dylan pulled out her chair for her before settling into the one beside her. His hand remained on the back of her chair while they clapped for the rest of the cast to enter the stage and make their way to their seats.

“Well, by now most of you know the rules but I will repeat them just in case. Everyone will be able to ask a question, our team will let you know when it’s your turn. Be respectful to the actors and the other fans that are here with you. And most importantly of all, have a good experience,” everyone clapped as the moderator took their seat.

The panel started smoothly, with the cast answering questions about their time on Teen Wolf and sharing funny stories from the set. Dylan and y/n sat side by side, occasionally exchanging loving glances and smiles, making the fans go crazy and already think of the edits they would do later.

“Y/n,” the girl in question took her attention away from Dylan and looked at the fan with a soft smile, “what was the most memorable moment for you during your time on Teen Wolf!”

“Well,” she looked around thinking for her second, “there were so many incredible moments on set, just the opportunity of being on this show with all these amazing people is as memorable as it gets,” everyone chuckled waiting for her to continue, already guessing what she was going to say next, “but if I had to pick one, it would be the day I met Dylan. It was the start of a beautiful journey, not just in our careers but in our lives. That moment was truly special.”

Dylan, with his head leaning on his hand, looked at his girlfriend with heart eyes and reached out to softly kiss her on the temple to which she responded by grabbing his hand and closing her eyes for a moment. The fans in the audience cheered loudly at the sweet moment between the two actors.

As the Q&A session continued, another fan stepped up to the microphone and asked, “Dylan, can you tell us what your future plans are? Both in your career and personal life,”

“Great question first of all, I’ve had some incredibles experiences in my career, and I hope to continue working on projects that excite me and that mean something to me. But when it comes to my personal life,” Dylan paused for a moment, looking at Sophia with a twinkle in his eye, “I do hope to see a big flower arch in my near future.”

The fans started whispering after his response, “Does that mean what I think it means?” Tyler Posey asked, already knowing the answer.

“Yes it does.” Dylan said with a goofy smile on his face and eyes glued to y/n’s surprise face totally ignoring the screams from the fans.

“This sounds a lot like a marriage proposal,” Sophia said with a hint of a smile on her face.

“Maybe it is,” Dylan whispered in her ear before kissing her forehead, “you will have to wait and see.”

[takaraphoenix]

As a follow up for the NY fanfic ask, would you ever do a genderbent teenwolf fic? Either like alwaysagirl!Stiles and Canon Peter/Chris/Deucalion etc or the other way around or like both girls? Or really any kind of gender variation, like trans or non binary takes on characters; for example trans!Stiles (preferably without overt [or even better without any] transphobia)? Thankyou ❤️ 💙 💜 💖 💗

Okay so, funny thing happened: Usually I am very against genderbending, even more discouraged by live action shows because with cartoons I can apply my imagination to how they'd look genderbent but if there is a Real Actual Person attached to the role, that's... the face I see when I think of the character. And then someone posted images in the TW server I'm in of Dylan O'Brien genderbent and holy fucking hell she is the perfect woman. I have been obsessed with that visual ever since and am tempted to write about girl!Stiles solely based on how hot girl!Dylan looked.

But I fully refuse straightbending queer ships. I'm too old for that, I still remember the Dark Times where genderbending indeed did solely happen for homophobic reasons and authors would even leave shit in their A/Ns on how this ship would be "so good if it wasn't gay". I'm getting war flashbacks from straightbent queer ships.

So I will need someone to supply me with how hot Ian or JR (or both) would look as women and I may be persuaded into giving you some lesbian Steter/Stargent/Stetopher (there is the additional name layer too; Stiles can just be Stiles as a girl, Peter and Petra are so impossibly close and Chris gets to also work as a woman's name. Absolutely loathe when genderbending comes with Weird Fully Unrelated Name).

I doubt trans!Stiles is something that'll ever happen from me. I mostly write to uuuh self-project, which is the sexuality angle (and, with Stiles, the ADHD angle. Which is why I latched onto him so hard this time around, tbh). But these are experiences and feelings that I personally don't relate to, or see myself in, so I'm not really likely of having trans headcanons for my main projecting-onto-character, because it'll leave me writing about something I'm personally wholly out of depth with in a setting that's supposed to be all self-indulgent, you know?

[coolgirlcritiques]

'Caddo Lake' Lets Dylan O'Brien's Acting Chops Shine — Review

⭐⭐⭐⭐ Rating: 4 out of 5. Max’s Caddo Lake understood something so few projects do when it cast Dylan O’Brien as its leading man — we need to give these early 2010 teen heartthrobs more leading roles because, my god, they can act. O’Brien can act, and Caddo Lake lets him. Written by Celine Held and Logan George, this twisted M. Night Shyamalan-produced mystery thrives in the presence of its…

[iloveschiaparelli]

Kingdom of the Planet of the Apes: My Love Letter Part 1

Okay okay okay SO Kingdom of the Planet of the Apes longpost time just my whole opinion/analysis/love letter for the whole film beginning with my Wes Ball backstory so skip to the Ruin screencap if you want to skim past all that.

I haven't talked about it on tumblr yet but I'm actually like a huge fat fan of the Maze Runner cinematic series directed by Wes Ball. Really I'm just a fan of Wes Ball. It not only singlehandedly got me through my first year of high school but also became the reason I ended up entering the film industry. I've watched all 3 movies at least 4-5 times each. Probably like 20-30 for Scorch Trials at this point because it's my favorite. I can quote probably at least half of it from memory. I've watched all of the BTS content that was on the DVDs + the bloopers on youtube like i was obsessed ok.

2019 was like the second worst year of my life so imagine my distress in january 2019 when I found out about Wes Ball's next movie, Mouse Guard, got Super Hyped Up for the multimillion dollar mice-with-swords movie (I eventually read some of the comics btw it's insanely good) And then within the same week found out Disney pulled the plug on the project after acquiring 20th Century Fox. TWO weeks before production was scheduled to begin. I was livid. I'm still bitter about it. Wes Ball then released the demo reel for the film to the public which iirc also had temp music.

So anyway yeah that was awful but then! I think it was later in 2020 that it was announced that Wes Ball was going to be directing the 4th POTA movie. This kicked off me seeing the original 1968 film and then the trilogy and wow did doing so increase my excitement. In my opinion Rupert Wyatt/Matt Reeves' directing styles and Wes Ball's were/are very compatible. I also took the time to get caught up on as much of Wes Ball's old projects as I could get my hands on at the time, including his animated short Ruin (screencap below). Which is fantastic BTW and apparently was purchased by Fox for a feature film that was never made (???) I swear, filmmakers have their past works splattered all over the internet like body parts after a landmine explosion: Good luck finding everything.

Now, Finally Finally FINALLY!!!!!!!! Kingdom of the Planet of the Apes is out. I meant to see it on the premier night but my boyfriend broke up with me 2 days before so I forgot. I saw it tonight instead! So now with the backstory out of the way I can finally talk about the actual movie.

First of all, the beginning of the film absolutely WOWed me!!!! It honestly feels like a callback to Ruin, the way that the buildings are overgrown and the post-apocalyptic setting is super evident and feels so delightfully reclaimed by nature. It's also really neat to see how far VFX has come since Ruin was released if you compare the opening shots of the movie with the wide shots in Ruin. Wes Ball himself is also a VFX artist, so it's really neat to see how that affects his work especially since Planet of the Apes is by nature a very vfx-heavy franchise. This movie absoutely popped off in that area but we'll get to that.

Secondly, I forgot how much I missed Ball's directing! Oh my goodness, the performances he gets out of the actors are always so authentic. I still have yet to see a performance by Dylan O'Brien that was as raw and believable as in the Maze Runner movies, and I'm like halfway through Teen Wolf already. In the action scenes especially, I love how characters in Ball's movies, you can really feel their pain. Since pain and physical discomfort aren't communicated directly through film, we often forget just how hard it is to get back up again after getting kicked down, but with Wes Ball you never forget. Ugh, when Noa was getting beat up on top of the bunker at the end of the movie, I caught myself catching my own breath when he coughed up blood. Like, yeowch!

Additionally, everything this man makes is just, like, a masterpiece? On a technical level at least. That's really the mark of a good director, whose job is not only to evoke a performance from the actors, but also to tie together the whole crew. And KOTPOTA really showed off how well the team worked together. Just the establishing shots alone in a lot of these scenes! Oh. My. Word. You can clearly see the fruits of labor of not only the concept artists, but also the VFX artists and production designers, and how they worked with the DP and actors to get the shot. Here are some examples of what I'm talking about:

There are more that I'm thinking of, but unfortunately without a digital release available yet there's a limit to the screencaps that I'm able to obtain. The shot where Noa is walking up the escalator following Raka and you see the plane in the background indicating that Raka lives in an airport is one of them. There's also one or two establishing shots in nature that just show off the setting. The opening shots, of course. And then the shot where it pans up and you see Eagle Village for the first time. There's also an aerial of Proximus Caesar's camp, but I'm unable to find that one as well. The main one I want to look at is the telescope.

Just, like, Hello???? It looks like an art piece. This screencap is a little closer in than I'd like, but in the full frame you can see the absolute mastery of composition that it is, you can totally imagine it as a painting. Which in my experiences usually means there's a painting behind it somewhere in the process, lol. Let's go concept artists!!! But then you see how the colors are just, perfectly balanced, the plant growth is realistic and accentuating the set, and so on and so forth. It was just absolutely breathtaking to see for the first time. I'm pretty sure I audibly gasped. I did a lot of stimming during this movie just to stay quiet and not start babbling about the film pipeline to my father in theater auditorium.

Even more magic happens when Noa steps onto the set, and starts messing with the telescope. Suddenly it's real, it's tangible, it's touchable. Transforming what was likely a matte painting at one point into a set that the actors can interact with, and then into a shot where almost everything is overlaid with VFX, and having it look so real like that is truly magic.

The ship also had me dumbstruck, but slightly less so because we saw a similar setting in The Maze Runner: The Death Cure in 2018. Although it was slightly different for sure. What had me going even more in this movie was how much the characters interacted with the ship, moving in and around it, and trading glances with one another from on the ground and up inside. In TMR:DTC, you really only see the decrepit ships in the background, and one is referenced as a plot point but the characters never actually physically interact with any of them. So it's much easier for our brains to categorize the ships as gimmicks to help us believe the scene.

It's when props like these are woven into the scene as tangible objects that our brains start to shut up about the CGI and really start to believe what's happening onscreen! and KOTPOTA did an amazing job at this. Please bear in mind like, I literally have zero specialization in VFX, it's not my field and although I draw, I've never done concept art for film. I honestly believe that I'm simply in an appropriate level of awe for what this film accomplished.

The other thing that amazed me was how stylized the setting was. The greenery was so green, the ocean felt like a painting, the ship was red, the telescope shot is very, very blue. Several of the shapes used in the ape's costume design are simplified. And yet, despite the stylization, it never feels cartoony or polygonal, it still feels completely grounded in reality, and I could really believe I'd see it in real life. I think this owes partly to the fact that we rarely inspect any of these simplified items at a close distance, aside from Raka's necklace which appears to be made of either bone or whittled wood. It also owes to absolute geniuses in color grading that kept the stylized colors realistic enough for our brains to believe. Overall I'd take the visual style of the film to be Impressionist. I love impressionism.

My main interest in filmmaking is writing/directing. However, most of my experience lies in costume design (Student films rarely need costume "design" so its usually coordination) and production design. As a result I spent a good deal of my time watching KOTPOTA zeroed in on the production design.

I love post-apocalyptic science-fiction/fantasy worlds like this partly precisely because of how much you can learn from the production design alone. When Mae enters Trevathan's room for the first time I swear I was eating it up. Every single prop in this movie was carefully thought out by the PD, which is why his room absolutely stood out from the rest of the setting that we had seen up to that point. It was distinctly "human-centric" as opposed to the rest of the movie. I remember seeing it in the theater earlier today, laying eyes first on the bed by the door, thinking that it must be something they set up for Mae, but then wondering why or how the apes would know or want to set up a human-style bed for Mae when we're so many generations removed from human-dominated society.

Next it was on many miscellaneous table objects, thinking to myself "That looks like how a human would treat a space. Apes are generally too big to decorate at that scale." and then my eyes roved on to the furniture, seeing a human-sized table, human-sized chair, human-sized junk everywhere! Slowly, by observing the room, I gained a stronger and stronger sense of "there is another human here," which upon observing the rows and rows of books became "a smart human like Mae, who unlike her can read" (Remember at this point we still believed that Mae and her mother were the only smart humans that Mae had known growing up, and that she had been pursuing the opportunity to meet other smart humans and join them).

It was only upon the instant of realizing that this was a smart human that Trevathan spoke and appeared on the stairs. It was absolutely perfect timing. THIS, guys, is exceptional production design. It was honestly my absolute favorite piece of production design in the entire film, especially because of how much it contrasted what we've become used to seeing in the series as humans have diminished in population and apes and nature have taken over the space instead.

That exact sense of change or "otherness", that noticeability of contrast upon seeing what is honestly a pretty "normal" human space if you look at it in the context of our existing society, is only present because of how well PD treats the rest of the movie. In order to make a completely normal space feel strange, you have to change literally every other space to something alien but consistent with itself. And KOTPOTA does just that. The job was begun in the original trilogy, with the decline of humanity depicted across decades, nature taking over the gas station and the dam and even the city. But this movie had the biggest challenge because of simply how many years had passed before the story even began. Society as we know it today is completely and totally obliviated in KOTPOTA's setting. In every set that the characters interacted with in any way, PD had to fabricate a space where humans had been but the virus, decades of decay and post-apocalyptic living, and ape encroachment had transformed it.

This also brings me into the subject of the rich culture we see emerging in the world of the apes through this movie. The original trilogy, especially the first and second film, was all about the ape's identity. In the first film Caesar wonders whether he is human or ape, and whether apes are pets or equals to humans. He eventually comes to the realization that humans are never going to look out for apes the way that apes will and decides to become that person. In the second film, Caesar and the other characters involved have to figure out what being an ape means. Does it mean strength is power? That humans are always an enemy to defeated? Or a similar species to live alongside? It's about establishing what the ape race's relationship is to the human race. The third film I didn't get to rewatch before seeing KOTPOTA, but iirc it was about whether humans and apes could ever coexist, which is a theme we see continued in this movie, albeit in a slightly different way. Either that or more likely it was about whether apes will repeat the same mistakes as humans.

Anyway, I digress. In the script we already see a rich culture emerging in hints, right from the start of the movie. It's in the hunt for the eagle eggs at the beginning with mentions of some kind of coming-of-age ceremony, followed by Noa reminding Anaya and Soona that they must "leave one egg always. It is the law." Already in the first five minutes we've established that this particular ape civilization not only has cultural traditions surrounding youth and coming-of-age, but also rituals and laws surrounding their relationship with and the conservation of nature. And through dialogue we extrapolate that these apes have bonded animals (eagles). It honestly felt like a crossover between Native American Indian hunting practices and How To Train Your Dragon, which is wild I know. (Also can we talk about how the eagles in this movie actually made eagle sounds???? And not falcon sounds! Finally we're breaking the bad habit of making up animal noises to sound cooler when the original already sounded super cool by itself.)

So in just a few minutes guys!! We already have so much. Then the trio heads back to the village and has their first encounter with the Echoes (Ekos? If anyone could get spelling on that for me that would be fantastic) but are too afraid (or law-bound) to get too close to or cross through the tunnel "into the valley below". So through these we establish that there is a taboo around not just humans but also around leaving the village. The clan has taken an isolationist approach wherein they not only forbid their young clan members from leaving but also withhold information about the outsiders from them until they've come of age. Guys the cultural system arising here is absolutely wild. Like sorry not sorry but I eat this stuff up. (Screenwriters-- this is prime example material of "show don't tell")

There's also all of the ape social communication rules that we've already gotten used to, mainly a variation of the palm-up/palm-down gesture as a means of showing respect (submission) and asking for permission/approval.

In this movie however the hands are mostly closed and the palms are down for the sub as well as the ape they're seeking approval from, as opposed to the trilogy in which the submitting ape always had their palm up. At first I chalked this up to cultural differences among clans since we learned that this clan is not the clan descended from Caesar's apes in the trilogy, but then Caesar's descendants were doing it this way too? So I don't really know what to make of it but I'm going to decide that it's just global cultural evolution (at least, as global as the real-world evolution of Old English into modern English).

Through the production design of the beginning sequence in Eagle Village, we see that the eagles catch fish and then the vast quantities of fish and the smokehouse indicate that fish caught by the eagles are the main source of food for the Eagle Clan. We also see feathers as a motif throughout, worn especially by the parents and the elders as a sign of social status (we know it's social status bc Sylva rips it off of one of the elders as an intimidation tactic and everyone audibly gasps, indicating it worked). That last bit is honestly more costume design, they popped off too but one thing at a time or I'm going to become incomprehensible. I will repeat myself. It is inevitable.

Then throughout the film we learn that not only do they adhere strictly to the "law", but that that law is set by the elders alone. We also learn that they primarily relate to their eagles by singing to them which!!! is just!!!! so!!! metal!!! I love it. The way it plays into the end scene with Proximus just AGHRGHJHRHGR GROWL BARK BARK FERAL NOISES>

ahem

Also we see them building nests at home for their eagles and they've figured out falconry tools for the aerie and everything on their own like??

Then in contrast we see what's left of Caesar's clan, it's descendants. Proximus Caesar, we learn later from Trevathan, has gone completely fangirl over the ancient roman empire and decided to emulate it because "he likes it" and it makes him "feel good" (yeah he's probably the most textbook tyrant I've ever seen in media), choosing to morph Caesar's teachings into his own new worldview rather than adhering to them properly.

So the culture of Caesar's clan is very heavily roman-influenced, often copying practices outright such as the insitution of slavery, a lot of the fashion choices and even the way that banners are put up around the camp and the way that Proximus dines at a low-set table filled with an overabundance of food. And he has a throne and crown, and there are roman numerals inscribed on both his and Sylva's necklaces. But we still see influences of Caesar's original society, most noticeably the persistence of the window symbol and the architecture of the dam. The architecture wouldn't be significant at all, instead being noted as a stylistic choice for the whole series, if it weren't for the fact that it's different from Eagle Clan's architecture.

If Eagle Village resembles those spaghetti bridges that engineers build for class, with thatched roofs, then the dam at Caesar Clan's camp is much more brutalist by comparison. Eagle Clan was very spindly and focused on height and lightness of building materials: many of the logs were thinner and longer, more spaced out, and sometimes rounded at the ends. By contrast, Caesar Clan's dam is built with stumpier logs, closer together, and spiked at the top. The dam is also shored up with soil and other materials. Which yeah, is typical of beaver dams but is also typical of the structures in the original Caesar's village in the trilogy.

Unfortunately, there's only one image currently available of Eagle Village and it's after it was burned down. But you can still see how it differs from Caesar's village, instead of being chaotic it's more organized, allowing for a more lightweight structure.

This (below) is the closest I could get to having a picture of the dam's architecture, but you can still tell how it's more similar to OG Caesar's architecture than it is to Eagle Clan's, even though it's using a completely different building material (scrap metal instead of hewn trees).

Eagle Clan's architecture is also a further effect of how their society revolves around making a life bond with eagles, which are flying creatures. So of course they would be inclined to taller structures, especially ones that are more lightweight and have structural patterns, imitating the way that birds are built (see above).

I'll continue in part 2 as a reblog because it's 1 am and I'm running out of steam but YALL I need you to understand: It's been 6 years since the last time I had a Wes Ball film to overanalyze and rave about. I have SO MUCH to say about this film.

[multi-babii]

some of my thoughts about the teen wolf movie:

(I haven't watched it but there are gonna be spoilers so)

the fact that they decided to recreate the best conflict in the show without the main characters of it is insane (arden cho and dylan o'brien knew it would be dumbster fire)

also almost no mention of stiles or kira

the whole plot is a mess

I love scallison but there really was no reason for bringing her back like that

stydia breakup - I always shipped stalia so i'm actually not that bothered

malia and parrish??? who's idea was that

i'm confused about derek's kid (eli??) - like where did he come from

not people complaining about sterek when jd was the one to push it so hard back in the day (all the fan service and such)

Derek dying?? didn't happen, because what kinda bullshit is that

also the hilarity of derek dying being so similar to supernatural ending is not lost on me

two of the most know queer baiting ships ending like this is just insane to me

plus no liam and theo so what was the point if the movie

i'm still honestly confused about the plot but I don't intend to watch it so

honestly the whole thing is a mess, I don't understand how could anyone greenlight this project and I hope revivals like this won't be done anymore

[buckybarnesss]

As a Teen Wolf Scholar, can you provide context as to why that Tyler Posey "bizarre and twisted" quote keeps getting pulled out almost a decade later as a reason to hate on him? Was it the first time someone involved with the show didn't continue to string along the Sterek fandom about it one day becoming canon? Did people take it very personally that he said we were watching the show for the wrong reasons? Or did people actually misinterpret it as him commenting on the idea of the relationship being twisted and not on the weird fact that the Sterek online fandom was overwhelmingly more vocal and visible than the general Teen Wolf fandom?

Every time I go back and watch that youtube interview, I can't read it as anything other than a slightly dumb but valid commentary on the fandom phenomenon but that's never the context people seem to refer back to it with.

so i've been sitting on this ask for a while and as with many things with teen wolf it's complicated and i'm probably way more diplomatic about it than others in fandom.

i just discovered there is a fanlore page about this called poseygate.

i don't particularly like to rehash this kind of fandom history. i am a firm believer in the fourth wall and that there should be boundaries between creator and fandom. teen wolf was popular around the time that began to erode due to the rise of social media.

it can be fun when an actor or creator engages their fandom and supports someone's ship but not every actor is misha collins. he is an outlier and even he fucks up.

dylan o'brien and hoechlin have always been rather diplomatic and positive in their responses to sterek as far as i know. hoechlin in particular adores stiles, derek's relationship with him and continues to radiate heart eyes when speaking about dylan.

i bear no ill will towards posey and i think he has a very complicated relationship with not just fandom but the show itself but i am not here to armchair psychoanalyze a person i've never met.

i can understand posey feeling a particular kind of way of being the lead on a show where fandom constantly pushes you out in favor of two white men they wanna see fuck. i can understand him being kind of weirded out by the age gap too. i am perfectly fine if people don't like sterek because of it but i don't like when people project that on others.

we have to remember dylan and hoechlin are his friends. they are real people with their own lives so it has to be weird as fuck to be constantly asked about the shipping of their characters.

that said was it a nice or respectful thing to say? no it wasn't. did he ever really apologize for it? also no. was it taken personally by people in fandom? yes. how could it not be? it's a thoughtlessly hurtful thing to say over something as inconsequential as shipping.

sterek once it became popular and dominated fandom received it's fair share of hate and derision. fandom is not known for it's chill, you know. people have said some really nasty things about posey and scott over the years.

the antis like to use it as a gotcha though to sterek shippers which is dumb. tyler posey finding sterek weird doesn't stop me from shipping it. like i don't care. it's nice when we do get validation and engagement from an actor or whatever but it's not needed.

besides in relation to teen wolf i'm way more interested in taking teen wolf creator, executive producer and man who doesn't know how time works jeff davis to task along side mtv for their queerbaiting and racism.

¯\_(ツ)_/¯

[beyourownanchor6]

Hiii! It's okay, I assumed you were busy enjoying your vacation.

Yeah she kinda disappeared after teen wolf, didn't she? Dylan o'brien blew up as a movie star, tyler posey got onlyfans, tyler hoeclin got superman and lois, dylan sprayberry got some movies, but allison just... kinda vanished. I haven't seen her in forever. Yeah teen wolf just plays by its own rules and i love it even if it frustrates me.

Oh i love himbos!! And you're right, Stiles is a himbo! And yay for multishipping. I do lots of multishipping too. Sterek, steo, steter, sciles... i usually don't do straight ships tho.

It was wild. And I unfortunately was a die hard harry potter fan. Still am, but at least i have the decency to be ashamed of it now lmao. The glee fandom was wild. I got a lot of love and support from the glee fandom, but also death threats! And don't even get me started on the social justice issues and how they were approached. I once said I shipped Klaine (Kurt/Blaine) and immediatelly got hit with "stop invading women's spaces" for it. Mind you, klaine is a GAY MALE SHIP.

I agree with you there, that does suck. Thank heavens for the internet and video calls.

And thank you! I hope you had fun on your holiday. And i'm okay! I bought reading glasses this week, it's amazing how much easier reading and writing is now.

As for today's question: what other fandoms are you into?

tumblr totally ate this notification 😩 (this hellsite—derogatory 🤣) hope you enjoyed your week!

it does seem that way. i will say i follow certain actors/actresses more than others from there, so maybe i just missed her being in things, but i feel like i would’ve seen something with everything tw i engage in lol. this also reminded me i still need to watch the last episode from last season of superman 😂 i think i’ve seen almost everything dylan has been in lol. and i’ve seen a lot of holland and cody’s other projects.

yea i just kinda ship all over with tw tbh lol. i don’t go to every ship, but i definitely have a lot!

i know a lot of ppl who are harry potter fans, so you’re not alone lol. i’ve heard about the gleee fandom and it definitely sounds like it was toxic 😬 but ig that comes with most fandoms lol. i watched a documentary recently about all the glee actors that have since passed; definitely interesting.that is a WILD take for that ship. damn

yes, at least we have ways to communicate even if we have to live miles and miles away.

i did thank you! i feel like i spent this last week recovering and getting back into things lol. woo love that for you! now you can do all the things.

oh gosh, so many 😂 i’ve kind of lost beans for 911 as a whole lately unfortunately, so i’ve been going back into my other fandoms. mm so i just recently got into the bikeriders fandom; amazing movie if you haven’t yet seen. i also just rewatched stranger things for the nth time and got back on that bullshit lol. of course there’s teen wolf. and i’ll just list some others i’m into: shameless/animal kingdom/obx/oth/the rookie/heartstopper/rwrb/shadowhunters/spn/ various marvel things annddd idk i’m sure i’m missing more 😅 what about you?

[malboraslihangifs]

𝐆𝐈𝐅𝐒 𝐁𝐘 𝐁𝐀𝐑𝐁𝐈𝐄. a sideblog to post and storage my gifs , i follow back from @malboraslihan 

my sharpen action

discord server

commissions info

guidelines to use

current  commissions  (no spots available)

savannah lee smith in drunk, driving and 17

leyla tanlar in siyah kalp

personal projects

slowly  working  on!  if  you'd  like  to  commission  any  pack  from  this  list  message  me  off  anon.  you  will  not  be  charged  the  gifs  i've  done  so  far. 

derya pinar ak in adim farah

greta onieogou in all american s06

michael cimino in girl haunts boy

aslihan malbora in etkileyici season 2

dylan o'brien in cabbo lake

hafsanur sancaktutan in yan çok severson

huh yunjin in make it look easy

meltem akçol in gulcemal s01

aubri ibrag in the buccaneers

[reginamillls]

how have dylan o'brien and adam brody not been in a project together yet?

[onlydylanobrien]

'Ponyboi' stars River Gallo, Dylan O'Brien, Victoria Pedretti, Indya Moore, and director Esteban Arango share their passionate enthusiasm to join the project, what makes this coming-of-age story a love letter to New Jersey, and the serendipitous tie-in of Bruce Springsteen.

[eulcgizeme]

OPEN TO: @stayliquid for sawyer bettancourt MUSE: sullivan james, twenty-nine. lead singer & bassist for shelved saints. 1/3 of the triple s threat. dylan o'brien fc. PLOT: in the middle of filming a music video where sawyer and sullivan had to play exes (without anyone knowing about their past) they got caught in the heat of the moment and hooked up behind the scenes. producers found security footage of it and used it in the rushed and final cut of a music video that is premiered at an awards show, without ever showing the band.

At first, Sullivan thought he had imagined the scene cut between him and Sawyer singing on their own. Clips of the band performing, guitars with overlays of Sawyer's lips singing to the backing vocals, his outline lying on a bare mattress— those he'd seen before, but something seemed off. He leaned closer as though that would help him see the video projected before the entire audience, but it seemed it did when the clip was finally given it's complete roll. On shotty film, his body against Sawyer's in a dressing room was painted over the entire screen. Tiled close ups of grainy frames of what he knew was real were splayed out for all to see, a private moment of weakness against Sawyer's charm and infuriating taunting. He stood up out of his seat, the hiss of their manager's protest just barely breaking over the song rolling out of the sound system. "They're all about you, even the songs that weren't written for you, are about you now." His head snapped back to look at the screen, catching his own voice interrupting a break before the chorus. Jaw clenched, he avoided looking at Sawyer again. Credits rolled shortly after but Sullivan had left to the halls that created a maze behind seats and stage. "And the award for best music video of the year, goes to Shelved Saints for Priestess!" The host announced, but he was long gone.

[asterias-record-shop]

heyy

i just wanted to say that some of your links in your masterlist dont work and i was wondering you could fix them

i really want to go through your dick grayson and dylan o'brien masterlists 😭

hey hunny!! that is definitely my project right now — updating and renewing my masterlist! I will definitely tag you whenever I’m done!

[hotniatheron]

logan lerman and dylan o'brien occupying the same spot of skinny guy doing too much for a low budget project like the romulus and remus of christian slater's neurotic womb