#dragon language

[arrowheadedbitch]

Dragon!Tim drunk off his ass and singing in some sort of strange mix of Latin and ancient greek and a third language no one can decipher. He's supposed to be karaokeing California Girls. He is not.

[elderscrollsconceptart]

Word Wall

Concept art for The Elder Scrolls V: Skyrim

Art by Adam Adamowicz

[solowspazz]

[smorgasbort]

A deadly verbal debate.

[gloomrim]

https://www.instagram.com/reel/DBRh9WIx44E/?igsh=MW5idzhvcnZrZjEzaw==

[mike-dragon]

Write Like a Dragon

I'm making a fantasy language font for Windows based on an ancient dragon language from the universe of my dragon characters. All characters on the font are fully hand drawn and it should have ALL possible latin symbols.

[tizeline]

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I really should should draw Kendra more considering her's and Donnie's dynamic was one of the first things I came up with for the AU. I've already brought up how Donnie first met Kendra in this comic right here, but not really what happens after that.

But basically, because they meet way earlier in the AU, they basically manage to befriend each other. Kendra is really intrigued in general by Donnie because man it's not every day you meet a mutant turtle, then they figure out that they're both tech nerds and suddenly they're friends. It's just that their friendship actually consists of them larping being mortal enemies cuz they think it's fun and also they're weird. They're both very competetive so they will battle each other as a way to show off and test their new tech XD at the same time they will just hang out regularly sometimes and exchange tips and ideas. Donnie and Kendra being pals eventually leads to Jeremy and Jason finding out about Donnie and the whole turtle thing, so then they all start hanging out XD

[cadashly]

Something something elvhen spirits brutally using lyrium to create physical bodies for themselves, as a war crime, and generations later the dwarves, now overrun by darkspawn aka the embodiment of their own anguished severed dreams, brutally using lyrium and stone to forge vessels for enslaved dwarven souls in an act of war and desperation.

Something about how much was taken from the dwarves, how much they forgot, Orzammar's obsession with ancestors and bloodlines and recording their history in lyrium, how they were once all a part of one whole and now the worst punishment they can conceive of is a dwarf's existence being erased, forgotten, severed entirely or never remembered at all.

[mohntilyet]

still i think the one of the more fun differences drawn between illario and lucanis that was lost would be illario's ability to endear himself to others but serious lack of empathy, vs. lucanis' (self perceived) inability to be charming but how much he cares. it's interesting that the game has gone with the "lucanis' ability vs illario's lack thereof" because i think illario being the dellamorte 'best in show dog' vs. lucanis' attack dog would have made me so unwell.

lucanis is... awkward. he's not unlikable, because he is usually very polite, but he doesn't speak much and only seems to care about the other dellamortes. he once sent viago de riva a knife with no note (who knows what he could have meant by this). he does what caterina asks of him, and by his own admission, cannot say no to her. he is a dramatic and prolific killer, and that makes how untouchable he is even worse.

and the crows like illario, sure, AND he's a good assassin! he's even a good crow! he's so good that he can make lucanis smile, and so he is the charming, sociable one. he's the one that stays in treviso and can be relied upon to care, illario's even the one people prefer over caterina and lucanis!

but illario is decoration. he's the prize poodle, and even if poodles were bred to be working dogs, nobody will ever pick him to protect the house over the german shepherd that regularly mauls intruders. anyways the analogy is getting away from me. the point i'm trying to make is that i want illario to have a different kind of jealousy/hatred that's not just over 'being bad at killing' but also an arrogant loathing for everyone around him that is getting harder to hide, because they've forgotten he can bite and is just itching to rip someone's jugular out. illario is very good at hiding his family resemblance to caterina, while lucanis suffers under his grandmother's, and his own, reputation.

[mythalism]

call me crazy but there is a difference between treating your adult players like they are new to the world and treating your adult players like they have the memory of a goldfish and the vocabulary of a 9 year old

[dedalvs]

My brother and I absolutely cackled after that Aemond and Aegon Valyrian exchange!

I wanted to ask (and I'm terrible at conlangs, so forgive me) what grammar/syntax Aegon is stumbling over here and how to properly say what he intended to? Any why is he making thise mistakes (simply lacking the vocabulary, or rules of the language he hasn’t grasped)?

Let's take a look at it. This is what he said:

Nyke koston... Bēvilus... Sētegon bīlīvāzmi?

The subtitles say this:

"I can... Have to... Make a war?"

Prior to this Aemond is, essentially, showing off. He knows that Aegon has simply not put any time into studying Valyrian (or studying anything). At this stage, Valyrian is no longer spoken by the family on a day-to-day basis—especially as Alicent probably never learned it at all (or if she did, only in a few scattered lessons here and there; not to actually use). In order for either of the boys to gain any kind of fluency in the language, they have to study constantly and find ways to use it. There's simply no daily need for the language—and plenty of reasons not to use it, as very, very few people they'll encounter on a daily basis speak the language.

Now, if we were talking about two random people in Westeros, this wouldn't mean anything. But these are the children of Viserys Targaryen, himself a descendant of Aegon the Conqueror. They brought their family line and their culture with them to Westeros—and, of course, their language. If someone like Alicent Hightower doesn't speak High Valyrian it means nothing. If a Targaryen doesn't speak High Valyrian, though… See, they're supposed to be able to speak Valyrian. Failing to do so carries with it a sense of shame that isn't present for a random person who doesn't speak Valyrian. Aemond knows this. Aegon is annoying him, so he goes poking at that wound.

Aemond could have fed him a short line with an obvious answer to help Aegon out, but instead he threw a whole mess of Valyrian at him. The longer it goes on, the more lost Aegon gets, desperately trying to catch up and figure out what was just said and thereby missing what is being said at that instant. From the whole speech, Aegon probably only figured out that he was being asked a question, and it was something having to do with planning.

So, back to what he says. The beginning student of a language is quite adept at doing a single verb in a present tense sentence. In a discussion like this, though, you're typically saying things like "I think that" or "We should" or "I suggest" or "Perhaps we might", etc. All that stuff that we need to offer opinions, make suggestions, hedge, etc. Much more than simple narration.

Aegon is attempting to do this without a sufficient command of the language. He knows some vocabulary, he knows some grammar, but he simply did not put in the work to actually speak this language. Thus, he has to overcome a lot of Common Tongue (i.e. English) interference.

There are many differences between Valyrian and English, but the biggest one by far is the major word order. In English, the verbs come before the rest of the junk; in Valyrian, they come at the end. And this is how things get all messed up.

In English, you start the sentence saying things like "I think" or "We should" or "It seems". In Valyrian, those things come at the end. If you start with the Valyrian equivalent of "I think", you will quickly realize (presuming you know enough of the grammar) that you're sunk, because once you've said it, the sentence should be done. Thus you get Aegon's false starts.

Starting at the beginning, Aegon says Nyke koston, which is kind of like saying, "I could". But there's nowhere to go. This is how a sentence ends. For example, if he wanted to say, "I could fly to Harrenhal", he would say Harenhalot sōvegon koston—literally "To Harrenhal fly I could". If you're thinking English-ly, you're essentially thinking backwards, and if you simply translate what you're thinking, you'll immediately have nowhere to go. You'll have to take a pause and think about how to get started again. And that's exactly what happens here.

Now, leaving aside that Valyrian is a pro-drop language and starting it off with nyke "I" is unnecessary and makes you look like a beginner, koston isn't bad (I mean, if used sentence-finally). Once he realizes he can't start there, though, he loses confidence. It's those old High Valyrian lessons all over again, and some maester suggesting he hasn't studied. That self-doubt makes his facility with Valyrian worse. This means his chances of recovery are severely hampered.

But onward he presses, and he decides to say "We have to" or "I have to". Now, the problem here is in Valyrian that requires the verb bēvilagon. This verb isn't used in the usual way. Literally it means "to lie on". If you wanted to say "We must mobilize our dragons", you'd say Īlvī zaldrīzī mazannagon īlo bēvilza. That's literally "Our dragons to mobilize us it lies upon". The one who must do something is placed in the genitive and put directly before the verb. If you start with the verb, well, you missed your chance to say who it is that must be doing something—let alone what they must do. Another false start.

It's also worth noting that he says bēvilus as opposed to bēvilza. Let's ignore that it's the aorist and focus on the fact that it's the subjunctive (just like koston). You use the subjunctive with your main verb when you're hedging—when you're suggesting. Not when you're commanding. Kind of an odd thing to say "We must do this" with the subjunctive. Kind of like saying "Maybe we might considering having to do this".

At this point, his confidence has completely evaporated. Everybody's staring at him like he has no idea what he's talking about; Aemond's eating it up. He knows he's cooked. He's got to say something, though, so he says sētegon which isn't even conjugated. It means "to make" or "to create", which might make sense in English (e.g. "to make war"), but doesn't make sense in Valyrian (a bit like saying "to construct a war" or even "to bake a war") and then tries to pronounce vīlībāzmi "war" (wrong case/number, wrong order) and fails, saying bīlīvāzmi, which means nothing (also he wanted vīlībāzme. Vīlībāzmi is "wars").

Long story short, he doesn't present himself very well—and we didn't even talk about his general pronunciation or intonation. It's kind of a great big mess in only five words. A true disaster.

But if there were no expectation that he should be able to speak Valyrian, none of this would matter! If there were no shame associated with him specifically not being able to speak Valyrian no one would expect it of him, and this challenge would mean as little as someone challenging him to speak the Old Tongue or Asshai'i. It'd be meaningless.

In short, this small portion of this scene is about being a heritage speaker of a language. It's the exact nightmare scenario all heritage speakers fear: To be put on stage and made to perform despite being unequal to the task while simultaneously feeling that they should be equal to it.

It'd be so cool if it was okay to be kind of good with a language—if that level of mastery was acceptable. In the real world, anyway.

[solowspazz]

Damsel by Evelyn Skye Dragon Language

Page 110

"Khaevis."

"Dragon"

(khae: sky; vis: power)

[eyra]

love and light to big blue sky readers everywhere but for the last time, yorkshire is not in wales.

wales is a whole different country. please…. please learn this…. this is important

[nebulamorada]

an original oc will be the favorite of many, but you, targ!reader daughter of rhaenyra, shall be mine

[vitaray]

You can disagree with me, but I fucking hate what hotd did to Aegon as a character and how fandom (and his fans too) treats him.

The show has not only made him a comedic figure, but it has also made fun of him (every time they had the chance), humiliating and diminishing him as a secondary character. It's only due to TGC's performance that Aegon has been saved to some extent.

At this point I don't agree with most people on how they view him. Even his own fans by making him pathetic, stupid, good for nothing, just a pretty face little mew mew. He can be that sometimes for fun, but no. You miss the whole point of Aegon's character if that's how you view him.

When I think of Aegon, strength is the first word that comes to mind. Internal strength to overcome everything of what happened to him. To stand up, to accept his fate, to do whatever is needed: marry his sister, take the throne, fight for the throne and take revenge. Many others would gave up, run away or die in his place, but he didn't.

Aegon didn't want any of this, but he accepted it out of a sense of duty. Despite not being perfectly suited for the role, he takes responsibility and listens to those who are more knowledgeable. He wants to end the war swiftly, desires to be loved and make an impact as a ruler.

And let's not forget that he surges to every battle without fearing for his life (it might not be the best decision for a monarch), but it's also admirable.

He loves his family. And trusts them completely.

Aegon is not a fool to laugh at or someone who simply craves violence. He is a complex character (I know people like to laught at that for some reason) and, instead of constantly fighting for sides on who's more right or wrong, or "who's pretty/who's not", I wish fans would rather analyze and understand the nuances of his character and what he could have become with better writing.

[emacrow]

The quest to find all the Dannies(Gotta catch them all)

Batman just got back, carrying the feral pun-making toddler still growling at him as he clenched harder on glove that he had to remove to satisfy the feral child.

Considering Joker's pride will be damaged for a while after he got sended in an ambulance to the emergency ER after the painful beating of his life and out pun- lashing he gained from this toddler.

"Back up, mister I am batman, more like a wannabe who obsessed with bats to become them."

Only to noticed Oracle holding the very same toddler who kept calling her Jazz,(are they twins?) Tim is trying to distract another one who trying to touch buttons on the Batcomputer.(triplet???)

Father, I'm keeping this-" damian came down still in his garden uniform, holding another toddler covered in dirt but he quickly noticed the other three toddler everyone else was holding.

"Possibly a meta ability gone wrong?" Tim chirped a bit as he picked up the toddler who whined about tucker not letting him touch the fancy buttons on his new computer.

"His name is danny, and he seems to be running from some people out to get him, and it wasn't safe to stay put together." Oracle said as she wheeled a bit, carrying the supposed danny mumbled softly before glancing worried at the danny in Batman's arms.

"He could have split himself into mini clones?" Tim suggested after giving the kid his spare 3ds.

"Split himself between personality wise, I believe, considering I'm not the jazz he is looking for, you're not tucker, Cass found four during her patrol, Duke got two following him around and I believe batman found the feral one..." Oracle said as she trail off a bit which wasn't good news.

"Some of the rogues also found a couple dannies.."

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