#dr lucien sanchez

[michaelwatt]

Can't sleep. Have this silly thing of todd rivers/dr lucien sanchez i made specifically for my lock screen

[jojoseames]

Supporter reward art! Dr. Lucien Sanchez, as played by Todd Rivers as played by Matt Berry in "Garth Marenghi's Darkplace"!

(Patreon.com/JoJoSeames)

[goldsnuffbox]

New to the Berry-dom. On the hunt for Berry blogs.

[andypartridges]

what are you gonna be for Halloween?

me and my bf are going as characters from garth marenghi’s darkplace !! i will be garth marenghi/dr rick dagless and he’s going to be todd rivers/dr lucien sanchez (aka matt berry bc my bf can do the matt berry voice really well)

if u don’t know basically garth marenghi’s darkplace was a 2000s britcom miniseries about a haunted hospital - basically just an 80s horror pastiche and it’s super underrated !! the whole thing is on youtube and it’s got matt berry, richard ayoade & julian barratt in it among others britcom faves :-)

[its-cripptid]

you are entering my darkplace,,,

[dad-mom-man-woman]

Recently finished watching Garth Marenghi’s Darkplace & felt compelled to put this together

[caelum-et-ocean]

Yuurivoice boys as Love Nikki suits + songs that remind me of them!

Alphonse💘:

Seth🤎:

(Both of these I couldn’t decide help)

Finn💚:

Faust💙:

(Again, couldn’t choose)

Auron❤️:

Big Red/Lucien❤️‍🔥:

Charlie:

[forgottenbones]

Dr. Lucien Sanchez's Music Video "One Track Lover"

[ancientbooshartifacts]

Queerly Beloved

Author: SmilesAwakeYou

Year: 2009

Rating: PG-13

Characters: Garth Marenghi, Dean Learner, Todd Rivers, Dr. Rick Dagless, Lucien Sanchez, Liz Asher, Thornton Reed, Julian OC, Noel OC

Adjusting his tie and shifting the book in his hand, Garth regarded the camera aimed at his handsome face. He raised a brow and opened the pages of Blood Gush to read the genius that lied therein. Mustering all of his strength, he tried to think of what exactly it was he was trying to convey to the camera. What did newscasters call it again? Ah yes. Gravity. So, with all the gravity he could muster, he stared the camera down as inspired words tumbled from his lips. “’Ah,’ she yelled, clawing at the bloody stump that was once her beautiful pearly alabaster arm. ‘My arm, my bloody arm, what have you done with it you ruddy bastard?’ “’Eaten it, of course,’ replied the rabid magical badger who was still noshing on the bloody vestiges of her once beautiful appendage. With that, she kicked ‘im in the head so hard, his eyeballs popped out and exploded like two water balloons full of cream getting hit by a lorry.’” Turning his full attention back to the camera, Garth arched his eyebrow once more. “Hello. That was my terrifying and harrowing epic Blood Gush, a tale of a woman caught in a lie betwixt herself and a satanic cult of terrifying woodland animals.” He allowed a small smile to flit across his face. “Let’s see if you can muster up the courage to travel alone in the woods again after reading that bit of literature.” He killed the smile as a sudden burst of gravity hit him, causing him to scowl. “In my television program, Garth Marenghi’s Darkplace, I sought to venture into the deepest, darkest, most dankest vestibules of my twisted psyche. What were my fears? What were my terrors? What had made me most whiz the bed as a kid? “As I answered those and many other unanswerable questions, I came to realize that the horror I had to spill upon the unsuspecting world would leave her crippled, mangled, like a bird that’s run into a closed window because it’s so stupid it can’t see that it’s glass and then leaves a streak of blood there that I’ve then got to go and clean up because my wife’s too squeamish, even though Sheffield United is playing. Because of this, Darkplace was canceled. That and the Beeb found out it had more stock footage of baby animals than it had originally thought, leading to the premiere of Baby Animals Yawning Are Quite Cute, Yeah? now entering its 25th season. “Anyway, as I questioned and pondered and schemed and was generally brilliant, I came up with an episode so mind-shakingly and bowl-movingly earth-shattering that it was never allowed on air… much like the other six episodes. Of course, it dealt with very sensitive issues and, with the help of my producer Dean Learner” – a picture of Dean and Garth flashed across the screen, both of them looking dapper as Dean stroked his glorious moustache – “we wrote what proved to be the most harrowing episode yet. An episode that dealt with… the Gay Issue.” Garth paused, waiting for such a monumentous statement to really sink in and stick to his viewers’ sides. “So join me now and sift through the demented horrors from my brain as this episode, previously unaired on British television, is seen for the first time. Unless you’re from Finland. They got a hold of it there somehow. We may be suing.” ******* CUE OPENING CREDITS EPISODE #7: “QUEERLY BELOVED” DR RICK DAGLESS, MD walks down a hallway in slow motion. Various hospital goers look on in impressed wonderment. He is truly a great man, as is evident from his walking prowess. DAGLESS [voiceover] Darkplace. It’s a bit mad to work in a place this dark. All this mad darkness can get to a lesser man. Sometimes I think I might just have to blow this popsicle stand and go somewhere a bit less mad and dark. LIZ and SANCHEZ walk by, waving merrily. But, hey, they people here ain’t so bad. Plus, were I to leave everything would go to shit. Cut to THORNTON’s office. THORNTON is sitting at the desk, smoking a cigar and stroking his moustache. DAGLESS [voiceover] Thornton Reed. Now there’s a mangy old grizzly bear if I’ve ever seen one. Which I haven’t but I have seen specials on the Beeb and they are quite impressive. Anyway, Thornton had called me in to discuss some very important business which was business as usual, given the fact that I was his official important-business go-to guy. DAGLESS So, what’s the word, Thornton? THORNTON Puts down his phone Oh, Dag! I cannot believe how mad and dark this place is. So mad and dark! If you were to leave, everything would go to shit. DAGLESS [voiceover] See? DAGLESS Well what dark madness is afoot today? THORNTON Well, you see, there’s some mess happening with one of our morticians. Turns out he’s gone missing! DAGLESS Missing you say? THORNTON Yes. DAGLESS Well, that’s no good. Probably off fucking about with one of the cadavers. THORNTON Laughs heartily before looking deadly serious. Now Dag, dead bodies aren’t something to joke about. Especially since all the cadavers are male! Necrophilia is one thing but gay necrophilia is a horse of a different color. Specifically all the colors… meaning a rainbow-painted horse. A gay, rainbow-painted, dead horse. DAGLESS Gives a manly laugh. If that’s one thing I can’t abide by, it’s anal sex with dead bodies. SANCHEZ and LIZ enter SANCHEZ What’s Rick talking about? His normal Friday night? LIZ Now come on fellas, there’s a lady present. DAGLESS Hardly! Everyone laughs at the hilarious joke. LIZ Still laughing. Oh, I find it so attractive when men put me in my place! THORNTON Striking his desk with resolve. Now now. Let’s come to order. As I was telling Rick, there’s a small order of business concerning a missing mortician. DAGLESS Necrophiliac you mean. Everyone laughs. THORNTON Now Dag, while I too find the prospect of a man getting his jollies by do the genital jamboree with some dead sod downright hilarious, we still need to figure out just where in the Dickens he might have got to. LIZ Is it possible he might have gone home? THORNTON Trust a woman to come up with such a stupidly hair-brained idea. He shakes his head. No, Liz, he hasn’t gone home because he CAN’T go home. He sleeps here. Prefers to, actually. Plus he’s contractually obligated. All the morticians are. Can’t have them running about, giving away secrets of the dead to just anyone. SANCHEZ Well where could he have got to? DAGLESS I don’t know. But wherever he’s got, we’ll find him. I think we should start in the basement. THORNTON Right, you three go down there to the morgue and I will stay here and make sure he’s not skulking about in the proper hospital. DAGLESS Sounds like a plan. ********* INTERVIEW WITH DEAN LEARNER Dean, his mustache twitching thoughtfully, gave the camera a baleful look. “Now, when Garth came to me with this idea, I thought he was downright mad. A whole episode about the gays? Preposterous! But then he sat me down and actually talked out the plot with me and, well, I’ll be diddled with a fiddle stick if it wasn’t downright brilliant.” INTERVIEW WITH GARTH MARENGHI Arching an eyebrow, Garth regarded the camera. “Now, you might find it interesting to know that we actually created more of a stink with our talk about morticians than the homos. Surprising, that. Turns out morticians are very easily offended. It’s not our fault that their jobs almost invariably involve bumming the dead.” INTERVIEW WITH TODD RIVERS Todd, shifting in his chair, steepled his fingers as he contemplated the camera. “Well, yes, when Garth told me about the subject matter of this episode, I was duly alarmed but it is my duty as an actor to overcome all obstacles, no matter how gay. Actually, the thing I ended up taking issue with the most was all that bad-talking about morticians. I got an advanced copy of the script and told Garth, ‘Hey now! What have you got against morticians?�� You see, my grandfather worked in a morgue and I remember many a happy childhood day spent romping about, putting make-up on corpses and coming home smelling of grandma’s pie and formaldehyde. But Garth stuck to his guns and, yes, I think the episode benefited from it in the end.” ******* Cut to the basement. It is dreary and dripping noises sound from all around. DAGLESS [voiceover] Now this was certainly an odd case. Morticians are notorious for being boring and not having much of a life, so where could this one have disappeared to? It was quite a mystery indeed. SANCHEZ Oh, hey now, what was that? LIZ I didn’t hear anything. DAGLESS That means absolutely jack shit, Liz. It’s a well-known fact that men have a superior sense of hearing to women. What did it sound like, Sanch? SANCHEZ It sounded like a distant moaning. DAGLESS A distant moaning? SANCHEZ Yes. DAGLESS My, that is odd. LIZ Perhaps we should go down to the morgue? DAGLESS My God, Liz, no one likes a pushy woman. But perhaps you’re right. LIZ I’m sorry, Rick, that was out of line. DAGLESS It’s alright. There’s a wailing noise, like man mourning the loss of a child. Or that of a wounded monkey. SANCHEZ Hey now, what could that be? LIZ It sounds like it’s coming from the morgue. DAGLESS Only one thing to do then. Let’s go! They all begin to run in slow motion. Cut to MORGUE. DENNIS THE MORTICIAN pulls up his pants and whirls around. DENNIS Oh, Dr. Dagless. Other doctors. I didn’t hear you coming. SANCHEZ Well, you seem like you were too busy doing some “coming” yourself. DENNIS His small eyes dart about like a shrimp. I was just changing my pants. DAGLESS Right, well, we’re not here to discuss your disgusting habits. We came here to discuss a missing mortician. DENNIS Oh, you mean Maurice? Yes, he’s been missing since this morning. DAGLESS Any idea where he could’ve got to? DENNIS No. Not one. Though he did say that one of the bodies was behaving… strangely. Everyone exchanges a look. SANCHEZ Strangely, you say? DENNIS Yes. Strangely. Then he buggered off. Suddenly, the moaning noise is heard again. SANCHEZ Sweet holy moley, Dag, what was that? DAGLESS I dunno, but it’s sending chills right up the old spine chord. LIZ Perhaps we should go investigate? DAGLESS You and your bright ideas, Liz. The moaning continues. But perhaps this once you’re right…. Again. SANCHEZ Pulls out his pistol. C’mon lads! And lady. Let’s go find us a mortician! DAGLESS, LIZ, SANCHEZ and DENNIS all take off, running in glorious slow motion with intense music drumming in the background. They enter a small, dark room with candles and spiderwebs everywhere. DAGLESS [voiceover] As soon as we entered the room, I knew something was afoot. This was some bad joojoo. SANCHEZ I don’t feel good about this, Dag. DAGLESS I know. I know. DENNIS whips around and points to a corner. DENNIS Oh God! What is that? LIZ shrieks. LIZ Oh my, how horrible! A man with fantastic hair lurches forward, flinging out his arms and doing jazz hands in a sparkly red jumpsuit before grabbing SANCHEZ as his gun goes off. SANCHEZ and the man grapple and wrestle until DAGLESS jumps in to pull them apart. Throwing the man off of SANCHEZ, he pulls a cross out of his shirt. DAGLESS Be gone, foul creature! The man hisses and sashays away. DENNIS My God, that was Maurice! DAGLESS It’s too late now. You’re friend has become a vampire. A demon of the night. Nosferatu. LIZ Oh my! How could such a thing happen? DAGLESS Well, when you’re messing about with dead bodies all day, it’s no wonder that a vampire might sneak its way in. Turns to SANCHEZ. You alright? You’re holding your neck. SANCHEZ Holding his neck. Oh, I do believe I’ll be alright, old friend. He falls to his knees. But I think I also got bitten. He falls completely on the floor. DAGLESS drops to his knees and rips open his shirt. DAGLESS Nooooooo!! SANCHEZ picks his head up. SANCHEZ Well, I don’t think I’m dead yet, so you might still be able to save me. His head falls to the floor again. DAGLESS Oh. Alright. ******** INTERVIEW WITH DEAN LEARNER “People actually seemed surprised that Garth and I wrote this episode together. To be fair, it was Garth’s concept to begin with. But then I got in on the action which some people – i.e. my wife - found rather suspect. I mean, what’s so strange about two men researching an episode about gayness by going to pubs that cater almost exclusively to homosexuals? Sure, the experience was disgusting, but it was also educational.” He paused. “And hazy.” ****** Cut to a hospital bed where SANCHEZ is lying down, a bandage around his neck. SANCHEZ Thanks for dragging me out of that hell hole, friends. DAGLESS Not a problem, mate. I know you’d do the same for me. DAGLESS [voiceover] The problem was that we didn’t know when the vampirism would manifest itself. Or how. LIZ Don’t worry, Sanchez. You’ll be good as new soon. SANCHEZ Thanks, Liz. DAGLESS turns to DENNIS. DAGLESS Now you: go and try and find out where Maurice or whatever’s left of him could’ve disappeared to. I’ve got to go talk to Reed. Cut to THORNTON’S office. THORNTON Pounding his desk authoritatively. I don’t like it, Dag, I don’t like it one bit. A vampire? In this hospital? Now that is just a pain in my arse. And neck. DAGLESS I don’t like it much either, Reed. Not at all. And there was something a bit off with this vampire. He was a bit… fabulous. THORNTON Fabulous? What in God’s great glorious manteats do you mean by that? DAGLESS …I don’t know, Reed. I just don’t know. DAGLESS [voiceover] But I did know. Or at least, I had an inkling. I suspected that this vampire might be the rare kind… the campy kind. A gay vampire. ******* INTERVIEW WITH DEAN LEARNER “It was actually my idea to make it be vampires that would spread the gayness. Because, you know, gayness – just like vampirism – is spread through the blood.” He glanced over behind the camera to where the producer was shaking his head. “Oh, it isn’t? Well, anyway, that’s what we thought at the time. I originally wanted to call the vampires ‘campires’ – get it? Campy vampires? – but Garth didn’t get it and I thought… it Garth doesn’t get it, who in blue blazes will? So we chucked it. Best decision I’ve ever made.” INTERVIEW WITH GARTH MARENGHI Garth regarded the camera with an annoyed look. “We ended up running into a bit of a problem with the gay community given the fact that the gayness could be transmitted through the blood. Something about AIDS or some bollocks. So I just said, ‘look, I don’t get all uppity when one of you tries to play it straight, alright? So don’t get in my face when I try and give you people some airtime.’” He smirked and settled back in his chair. “And that ended that argument.” He paused. “Although we weren’t allowed to air the episode. But that’s neither here nor there.” ******* Cut to SANCHEZ’s bedside. He is unconscious and DAGLESS sits beside him, looking manly and concerned. DAGLESS [voiceover] I was worried about Sanchez. Would he be turned gay? Or would he just become a vampire? I wasn’t sure which was worst. Sure, getting my blood sucked out by my best friend was bad enough but getting chatted up by him as well? That was just bone-chilling. SANCHEZ stirs. DAGLESS Can you hear me buddy? It’s your friend, Dag. Just know that I won’t rest until you’re back to normal. Of course, I might also have to give you a stake through the heart but, well, that’s something I’d be willing to do to save you. SANCHEZ In a faint voice. …Dag? DAGLESS moves in closer. DAGLESS Yeah, mate? SANCHEZ I… I feel strange… like… like someone’s doing the electric boogaloo in my Johnson… I’ve got the strange urge to… to dance to ABBA… DAGLESS Shh, it’s ok old friend. SANCHEZ I… I think I might fancy… Boy George… DAGLESS Fight it, Sanch, fight it! SANCHEZ I… Dag? DAGLESS Yeah? SANCHEZ What am I wearing? With that he pulls down his sheets to reveal that he is wearing cut-off jean shorts and a bedazzled silver top as well as a kerchief. His eyes have also gone red and vampire fangs appear. DAGLESS raises an anguished fist. DAGLESS Nooooo! THORNTON and LIZ burst in as SANCHEZ prances up to try and bite DAGLESS. They struggle until DAGLESS gets out his cross again, throwing the transformed SANCHEZ off of him. SANCHEZ cowers in glorious slow motion. SANCHEZ Waaaaargh! ******** INTERVIEW WITH TODD RIVERS Todd crinkled his forehead, his fingers still steepled. “Uh, in that scene I was actually meant to kiss Dagless rather fervently on the mouth. But, as I’ve stated in previous interviews, there’s no limit to my acting… save when it comes to making whoopee with another man. Because while I may be a professional, I’m still straighter than two jockstraps filled with testosterone. And me trying to do the tongue tango with a bloke, well… it just wouldn’t be convincing. Even if I acted my ruddy pants off.” ********* The fighting continues until SANCHEZ is thrown off DAGLESS, causing him to lash out at both LIZ and THORNTON. DAGLESS Get away from them you animal! But it is for naught because both LIZ and THORNTON are bitten. THORNTON Oh, oh ow! That ruddy hurts, it does! LIZ Oh, I do believe I have been wounded! SANCHEZ pauses before running out and DAGLESS goes to the doorway. DAGLESS I will find you and get you! LIZ and THORNTON both fall to the floor. Oh no! Liz! Reed! He looks to the sky. Noooooooo! Sanchez! You gay bastard! Dennis bursts in. DENNIS Dagless! I believe I found out who the root of the problem is! He looks around. What happened here? DAGLESS They got bitten by Sanchez. I’ve got to go stop him before he bites anyone else. DENNIS But wait! You know that body that Maurice had said was behaving strangely? DAGLESS Yes? DENNIS Turns out he’s the head vampire! Only he, uh, bit me too. He continues to look unharmed. DAGLESS looks him up and down. DAGLESS Where? DENNIS shifts uncomfortably before gesturing to his bathing suit area. Ah. Well, where is this vampirical bummer? DENNIS Downstairs. Hurry! DAGLESS runs out of the door. Cut to the basement again. It is still dark and dank and drippy. DAGLESS is running through the halls in slow motion. DAGLESS [voiceover] Now this was worrisome. The head vampire? Here? In this very basement? That was quite the head scratcher. Why here? Why Darkplace? Why Sanchez? This bastard was going to answer those questions. And more. DAGLESS enters the cave-like room that MAURICE was in before. There is a man standing there in a purple cape with his back to DAGLESS. DAGLESS Oi! You! The vampire turns around. He has on sparkly gloves and a pink fedora. He hisses. VAMPIRE How did you find me, lovie? DAGLESS By my own wits. That and Dennis told me you were down here. VAMPIRE Really? He didn’t seem to mind me too much before. DAGLESS Scowls in disgust. Hey, what you do in the privacy of your own home is your business. Except for when you’re at my hospital. The VAMPIRE starts to advance but DAGLESS whips out his cross again, stopping him in his tracks. Nope, not so fast. Now tell me… why are you here? VAMPIRE Very well. I can tell your will as well as your heterosexuality is too strong for me to sway. He sweeps his cloak and walks around the room, DAGLESS mirroring him. I came to this hospital by accident – I had been hiding out after wreaking havoc on a naval yard by posing as a dead body – and couldn’t help but bite that pretty Maurice when I saw him. Now that I’ve seen this place, I’ve realized that the hostpital is no place for a woman… it is a place for big, beautiful, capable men doctors. And I love it! Not even you can stop me from making this into one big poof factory! Because that is the goal of the gay vampire: MAKE EVERYONE ELSE GAY! DAGLESS I can stop you and I will stop you! Just you wait! The VAMPIRE cackles before disappearing in a plume of smoke, leaving DAGLESS alone and coughing. The others! DAGLESS dashes out of the cave. ******** INTERVIEW WITH GARTH MARENGHI “Now, there were accusations that this episode was homophobic.” Garth scoffed, leaning forward to regard the camera. “So, yeah, maybe I do find bumming grotesque, but this episode is about awareness, yeah? To show that homos are people too. Or rather anyone can be gay.” He thought for a moment. “Or a vampire.” INTERVIEW WITH DEAN LEARNER “Yeah, I heard lots of things, right, like ‘oh, you’re perpetuating the stereotype that gay is contagious’ but no!” Dean pointed a decisive finger at the camera. “No. We were trying to show that it’s not contagious.” He paused, stroking his moustache. “Lest of course you exchange bodily fluids. Big difference.” ****** Cut to THORNTON’s office. SANCHEZ and THORNTON are dancing to loud techno music while DENNIS and MAURICE throw satsumas at each other in their underwear and giggle. THORNTON is dressed only in a mesh shirt and a banana hammock. Everyone has fangs. DAGLESS bursts in, breathless. DAGLESS No! No men! Remember you’re men, not poofs! Everyone ignores him. SANCHEZ runs his fingers through THORNTON’s hair and grinds against him. ****** INTERVIEW WITH TODD RIVERS Todd’s hands fell into his lap and he shifted, avoiding the camera lens with his eyes. “Yeah, I don’t actually remember filming that scene.” ********* DAGLESS Turn off the techno! Put on your pants! Stop with the glitter! The VAMPIRE enters in a cloud of smoke, laughing. VAMPIRE All are powerless to the draw of manflesh! He outstretches his hand, flashing his fangs at DAGLESS. Join us, Rick! Join usssss. DAGLESS Never! At that moment, LIZ enters. Her arm is wrapped around another very attractive nurse. LIZ Hi, Dag. So you found the head vampire? DAGLESS nods. Oh, well, I’m a lesbian now. This is Nancy. NANCY Hi! LIZ Isn’t she adorable? DAGLESS Er… LIZ and NANCY begin to snog. It is very hot. Everyone stops dancing to stare at them. MAURICE drops a satsuma. VAMPIRE What? Why did you stop dancing? Keep going! Grind on each other! DAGLESS laughs a manly laugh. DAGLESS You forgot, vampire, the only thing a heterosexual man can never forget: that lesbians are HOT. VAMPIRE Nooooo! DAGLESS And now, for your weakness… He pulls out a wooden stake. Stake to the heart! At that, he thrusts the stake into the VAMPIRE’s heart. He shrieks and disappears. The techno music turns off and everyone goes back to wearing their normal clothes save MAURICE, who stays in the red jumpsuit. LIZ and NANCY stop making out, causing everyone to groan. SANCHEZ Come on, Liz! Don’t stop now! LIZ Sorry fellas, I’m back on men. SANCHEZ Hey-o! LIZ …Except for Sanchez. SANCHEZ …Hey! THORNTON Thank Christ on a cracker for you Dag! I was actually beginning to think Duran Duran was a stellar band! And Sanchez’ pecs were driving me absolutely nutty. SANCHEZ Thanks, Reed. But thank you more, Dag. Without you, we all would have been bumming within the hour. MAURICE Yeah, thanks for saving us! DAGLESS Don’t mention it. Just remember to be more careful when you muck about with those dead bodies from now on, ok? DENNIS Will do. Now we need to get back downstairs to those cadavers. DAGLESS And your necrophilia! Everyone laughs for a good two minutes. MAURICE Alright, thanks again! MAURICE and DENNIS begin to leave, holding hands. SANCHEZ Um, you fellows do know you don’t need to do that anymore right? They exchange a look and drop their hands. DENNIS Right, yes, sure, it’s a… a mortician thing. THORNTON Right… or a gay thing! Everyone laughs again as the camera pans to look at each of their mirthful faces. Cut to the roof of Darkplace. DAGLESS is standing, solitary, overlooking the city below. DAGLESS [voiceover] That day we dealt with vampires, sparkly shirts, gays and, most importantly, the hotness that is two women snogging each other. What did we learn? Was there a point to it all? Had that mortician really been boning a dead body? Was there a reason why that other mortician had been dressed like a very tarty woman? Did Liz have any lingering bisexual tendencies? These and other questions had to be pondered. But for now, we were all a little bit older, a little bit wiser and a little bit more wary about going into the basement. ********** INTERVIEW WITH DEAN LEARNER Dean shifted in his chair, cocking his head and lighting a cigar. “Sure, so maybe the focus groups didn’t go wild for the episode but I thought it was a hell of a success.” He paused, looking wistful and taking a puff. “I just didn’t see why my wife felt the need to use it as evidence during our divorce.” INTERVIEW WITH GARTH MARENGHI Garth leaned back in his chair, an earnest look on his face. “So, as you can see, there was absolutely no homophobia in this episode. Only truth. And two hot women getting it on. So, really, the gays didn’t need to get all up in arms about it. And the guy who played the Vampire? Absolutely did not need to sue us. I mean, how was I to know he was actually gay? You should really warn people about that before they accidentally make jokes about poofters and shirt-lifters in front of you, expecting you to laugh.” Garth regarded the camera with utmost seriousness. “It’s just common courtesy.” CUE END CREDITS

[marvelousmatt]

How Matt Berry not so quietly became everyone’s favourite comedy actor

Armed with a voice somewhere between Brigadier General, operatic tenor and London jazz club owner from the 1940s, actor Matt Berry probably has the most distinctive vocal chords in the British comedy business. 

Fittingly perhaps for a man whose timbre seems to hail from another era, it has just been announced that Berry will star in a new Channel 4 comedy called Year of the Rabbit, set in Victorian London. 

It sounds like his kind of role too. 

As Detective Inspector Rabbit, he’s a “hardened booze-hound who’s seen it all”, teaming up with a “hapless” partner and the police chief’s daughter to fight crime “while rubbing shoulders with street gangs, crooked politicians, Bulgarian princes, spiritualists, music hall stars and the Elephant Man”. Suitably understated then.

 Entering the Darkplace 

The BAFTA-winner’s self-parodying charisma and distinctive diction have seen him become a familiar face in some of the most acclaimed and original sitcoms of the last 15 years. 

Many will have first encountered Berry as unflappable action sidekick Dr Lucien Sanchez in beloved cult spoof series Garth Marenghi’s Darkplace. 

He was absolutely perfect for the role. Those rich, over-the-top tones perfectly matched the cheesy, awkwardly-edited low budget horror feel they were going for. It was startling the first time you realised it wasn’t a dubbed actor: that really is Berry’s own vocal performance. He’s like a ventriloquist who’s learned to project the voice of a very suave God. 

And then, of course, there was that 80s music video.

https://youtu.be/OO-ZGP68-3w Ever since, Berry has become something of a trump card for comedy series in need of an eccentric, outrageous presence. 

Replacing Chris Morris on The IT Crowd was always going to be tricky. But what better way to do it than with Berry crashing into a church booming “speak priest!” – and bellowing “fatheeerrrrrr!” at the top of his lungs? 

The surreal cad specialist 

Douglas Reynholm in Graham Linehan’s off-the-wall sitcom is almost a template for the kind of brash, larger-than-life roles Berry has become renowned for. An arrogant cad, vain, egotistical and utterly (over)confident, who is as sexually immature as he is sexually forward (even having to use electric shocks to curtail his ‘urges’). 

There’s a neat dual-aspect to the way Berry plays that self-aggrandising trope too – channeling energetic certainty one moment, and deadpan bemusement at other people’s horrified reactions the next. The collision of earnestness and ridiculousness is inspired. 

His persona has typically been at home in surreal and offbeat shows. From pompous, adventuring zoo owner Dixon Bainbridge in The Mighty Boosh (“the wolf attacked me, but fortunately I had a pistol hidden in my moustache”), to swaggering, flamboyant braggart ‘Beef’ in Reeves and Mortimer’s anarchic House of Fools – via a bizarrely brilliant series of ‘Matt Berry Does…’ comedy shorts for the BBC iPlayer. 

https://youtu.be/QgjKKUvXcdw Those catchy entrance songs quickly became a hallmark of House of Fools. Anyone who can go toe-to-toe with those two comics in the absurdist stakes and frequently make them corpse has to be doing something right. 

After years of playing supporting comic characters of the outrageous variety, however, Berry finally got to take centre-stage with his very own series Toast of London in 2012. 

From struggling actor to Netflix hit 

Perhaps more understated than his previous work (although that wouldn’t be difficult), Toast is a brilliantly observed portrait of the struggling actor as a middle-aged man. 

Written with Linehan’s Father Ted co-conspirator Arthur Mathews, the Channel 4 show is the definition of a sleeper hit, improving its ratings from one series to the next despite its late night slots, until its addition to Netflix saw it win a global fanbase – much like The End of the F***ing World.

Like much of Berry’s CV, there’s a wilfully archaic, farcical-yet-charming quality to the humour, harking back to the glory days of the sitcom. 

The character of Steven Toast is glorious in his own right, but with regular cast members like Doon Mackichan and Robert Bathurst, and guest stars like Brian Blessed, Paul Whitehouse and Jon Hamm, fans haven’t lost hope for one more curtain call for the much-loved thesp, even if it has been three years since the last series.

A ‘site-specific extrovert’ 

In real life, of course, Berry is quite different from his extravagant, grandiose lothario characters. He studied contemporary art at Nottingham University and was working at the London Dungeon before Darkplace came calling. 

Speaking to the i last year, he described himself as a “private person” who is a “site-specific extrovert”. 

He also rarely watches comedy himself, instead preferring to indulge his love of music; which probably explains how frequently that voice of his is put to good singing use in many of his TV appearances.

Even when simply speaking, that voice is his trademark. But Berry’s infectious energy, straight-faced approach to the surreal and underratedly expressive eyebrows also play their part. 

From the sounds of it, Year of the Rabbit could be another ideal platform for his talents.

[bisexualmikisayaka]

i can’t take that fucking robot in the palace seriously because the only other show ive seen his voice actor in is this batshit 2000s show called “garth marenghi’s dark place” where he played a man named dr lucien sanchez and looked like this

and i feel like this just shows you everything you need to know

[introcut]

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Todd Rivers as DR. Lucien Sanchez - One Track Lover❤️ #MattBerry #garthmarenghisdarkplace https://www.instagram.com/p/CGJv4EHJF_K/?igshid=1h0fna8zj50xn

[thefingerfuckingfemalefury]

“If you act like a cheap asshole, you can expect the shittest portion”

- The wisdon of Dr Lucien Sanchez aka the actor Todd Rivers, the finest actor of his or any other generation

Bringing throwing knives to a gunfight in GoldenEye 007, by Rare.

[leggywillow]

Changing my icon back to Dr. Lucien Sanchez because Matt Berry cracks my shit up and I’m feeling pretty down these days.