#dr Alexander Roland Isaac’s

[terr1ble-lie]

Resident evil movie thought

(My phone screen is working again omg!!!!)

So I’ve been obsessing over the resident evil movies, live action. More specifically the final chapter.

Just a quick thing

(When I speak of ‘the girl’ I mean her. i really don’t know he name im sorry but if you’ve seen the movie she’s the one who gets sucked into the fan and goes gskshekwjwkjwlwjwkshhhrrrinnnngggg ya know.)

I find it incredibly funny that wesker is so insulted by the fact that girl flipped him off through the camera that he personally makes sure she died. It showed no indication he was planing that. And if he wanted to kill them all he could of done it sooner (using the fan) so it’s very obviously spite.

I think his smug smirk radiates insecurities. And it’s just a small detail I’m glad they added into weskers character. As he is insecure. :)

(Needed this small tidbit off my chest. :)))))

[ulkaralakbarova]

When a virus leaks from a top-secret facility, turning all resident researchers into ravenous zombies and their lab animals into mutated hounds from hell, the government sends in an elite military task force to contain the outbreak. Credits: TheMovieDb. Film Cast: Alice: Milla Jovovich Rain Ocampo: Michelle Rodriguez Matt Addison: Eric Mabius Spence Parks: James Purefoy Chad Kaplan: Martin Crewes James “One” Shade: Colin Salmon J.D. Salinas: Pasquale Aleardi Dr. Lisa Addison: Heike Makatsch Mr. Grey: Ryan McCluskey Ms. Black: Indra Ové Mr. Red: Oscar Pearce Dr. Green: Anna Bolt Dr. Blue: Joseph May Dr. Brown: Robert Tannion Clarence: Jaymes Butler Mr. White: Stephen Billington Ms. Gold: Fiona Glascott Medic: Liz May Brice Commando 1: Torsten Jerabek Commando 2: Marc Logan-Black Red Queen: Michaela Dicker Dr. William Birkin (uncredited): Jason Isaacs Film Crew: Writer: Paul W. S. Anderson Producer: Jeremy Bolt Producer: Bernd Eichinger Producer: Samuel Hadida Camera Operator: David Johnson ADR Editor: Matt Grimes Casting: Robyn Ray Production Design: Richard Bridgland Casting: Suzanne Smith Editor: Alexander Berner Line Producer: Albert Botha Associate Producer: Mike Gabrawy Executive Producer: Victor Hadida Executive Producer: Daniel S. Kletzky Executive Producer: Robert Kulzer Executive Producer: Yoshiki Okamoto Co-Producer: Chris Symes Original Music Composer: Marco Beltrami Original Music Composer: Marilyn Manson Art Direction: Jörg Baumgarten Set Decoration: Penny Crawford Hairstylist: Björn Rehbein Hairstylist: Friderike Roessler Hairstylist: Valeska Schitthelm Makeup Artist: Christina Smith Art Department Coordinator: Ingeborg Heinemann Assistant Art Director: Anete Conrad Animatronic and Prosthetic Effects: Pauline Fowler Animatronic and Prosthetic Effects: Martin Gaskell Supervising Art Director: Tony Reading Construction Coordinator: Ulf Sturhann Carpenter: Philipp Hübner Location Scout: Marion Gerhardt Production Illustrator: Ravi Bansal Sculptor: Colin Jackman First Assistant Camera: Adam Quinn Steadicam Operator: Jörg Widmer Still Photographer: Rolf Konow Prosthetic Supervisor: Barrie Gower Additional Music: Tom Holkenborg Choreographer: Warnar Van Eeden Driver: Susen Jarmuske Makeup Effects: Andy Garner Post Production Supervisor: Christine Jahn Production Office Assistant: Mirjam Weber Property Master: Danny Hunter Set Medic: Frank Guhn Special Effects Supervisor: Gerd Nefzer Stunt Coordinator: Volkhart Buff Stunts: René Bellmann Technical Supervisor: John Kurlander Unit Production Manager: Silvia Tollmann Unit Publicist: Francois Frey Visual Effects Editor: Paul Elman Script Supervisor: Caroline Sax Color Timer: Andreas Lautil First Assistant Editor: Franziska Schmidt-Kärner Best Boy Electric: Udo Kowalczyk Electrician: David Reppen Gaffer: Edgar Auell Production Accountant: Helga Ploiner Production Coordinator: Sammi Davis Visual Effects Coordinator: Muriel Gérard Researcher: Ian Frost Boom Operator: Alois Unger Music Supervisor: Liz Gallacher Sound Designer: Marco Raab Sound Editor: Frank Casaretto Sound Mixer: Roland Winke Sound Re-Recording Mixer: Michael Kranz Supervising Sound Editor: Stefan Busch 3D Supervisor: Phil Bignell Visual Effects Producer: Richard Yuricich Art Department Manager: Astrid Kühberger Software Engineer: John Charles Dolby Consultant: Norbert Zich Unit Manager: Esther Fischer Key Grip: Dieter Bähr Key Makeup Artist: Hasso von Hugo First Assistant Director: Jan Sebastian Ballhaus ADR Supervisor: Bjørn Ole Schroeder Draughtsman: Philip Elton Grip: Glenn König Animatronics Designer: Chris Coxon Second Assistant Director: Simon Emanuel Negative Cutter: Patricia Ferbeck ADR Voice Casting: Louis Elman Assistant Production Coordinator: Kerstin Biermann Casting Assistant: Natasha Ockrent Foley Editor: Noemi Hampel Costume Assistant: Claudia Maria Braun Costume Assistant: Elke Freitag Costume Assistant: Sparka Lee Hall Costume Assistant: Astrid Lafos Costume Assistant: Anette Tirler Negative Cutter: Renate Siegl Negative Cutter: Sandra Stier Animation: James Furlon...

[alistonjdrake]

I’m Following My Dead Friends: Toxic Friendships,“Vampires”, & Forlorn Crushes

The year is 1884 and Civil War Veteran Elisha Burke has just buried and beheaded his late father, a suspected vampire who has terrorized their small New England town. Unbeknownst to him, over a hundred years later a little girl’s tumble down a hill will unearth graves and force his descendant to confront his worst nightmare.

Something foul rests in Killingbrook Ct.

Local Historian and Folklore Expert, Alexander Davies is studying the story of an alleged vampire from a small New England town in the 1800s, the great-grandfather of his estranged childhood friend. The deeper he dives into the 19th century tragedy of a family the more he feels haunted by his own lost friendship and the insular community he grew up in.

“I’m Following My Dead Friends” is a novella that follows both Alexander “Allie” Davies in modern times as he returns to his hometown for the first time in years to look into the recent discovery of a vampire’s grave. Trying to avoid his past, Allie stays in the house of his ex-best friend’s aunt and finds himself both haunted by the old house and his own childhood. But it also follows the story of Elisha Burke in the winter of 1884, when illness picks off his family one by one and his struggle to juggle the towns’ growing fear of the supernatural and his lifelong friend’s controversial solution.

A look into the root of the “American Vampire” mythos, the horror of small towns, and a forlorn love story that spans generations. 

Characters: 

In Modern Times:

Alexander “Allie” Davies:

Nickname stems from being one of twenty-three Alexanders in a class of one-hundred.

Melancholic, broody, gothic heroine trapped in the body of a nerdy 30-something year old man.

Hasn’t had any friends since high school

Ms. Houghton

“Glamma” of girl who accidentally stumbled on a graveyard from the 1800s

Roland’s aunt & thus distant descendants of the Burkes that are buried on her property.

very talented at making everyone else feel old due to her knowledge of what’s “hip”.

Pastor Roland Houghton

Childhood friends with Allie but they stopped talking in the 11th grade due to undisclosed reasons.

Has never left Killingbrook.

A small, frail, orphaned child disguised as a grown man.

In 1884:

Eliphalet Burke

Suspected Vampire. Deceased.

Elisha Burke

Second oldest son of Eliphalet & current head of the Burke household.

Served in the Union Army as a child.

has a strained relationship with most of the community.

Isaac Burke

Son of Elisha.

Has a touch of the consumption.

One of many to say they’re being haunted by Eliphalet.

Pastor Haskell Connell

A big believer in the spiritual and supernatural world.

Served in the Union Army with Elisha.

Squirrelly, tiny man.

Dr. Heard

Does not believe in the supernatural.

The only medical practitioner in Killingbrook.

Ms. Julie Ames

Spiritualist/Psychic hired by Pastor Connell.

Send an ask if you want to know more/possible access to the google doc

[myloveiainglen]

Oh I love that naughty Isaacs @itszulasworld​

Alexander Roland Isaacs

[residentisaacs]

Hope everyone had a nice holiday! I had an Iain dream for Christmas. :)

I was outside a huge apartment complex and I forget what all was going on, but I was watching the batch of apartments across from the ones I was sitting outside of. I saw Iain in a nice navy blue suit walking around on his way to visit someone in an apartment there. It got kinda weird cos there were rows of three doors to each apartment, so the middle row he was in had three separate doors with an Iain in each doorway. The row behind that was occupied by whomever and the one in the front/below was another version of Iain but I was focused on the navy blue suit cos he looked nice and slightly Isaac-ish in his mannerisms, but he had a short beard and messy hair. I went over to open the door so he’d be there to see me (you know how dreams work) but had to make my way beyond the other three Iains first and it was all just....weird.

So I woke up and was trying to fall back to sleep, thinking of Isaacs as I occasionally do ;) and realized once again the hurdle my brain can’t seem to get over with that character. Like, it was hard to call him “Sam” (it’s just too informal and not sinister enough but it’s not too bad, I guess), but I can’t manage to refer to him as Alexander. It just doesn’t work in my brain, lol! (Neither does Roland for that matter and I’ve even tried that!) But in most situations, we’re “close” and it would be silly to call him Dr. Isaacs in the moment, you know?? *obviously puts too much thought into this*

Him: *kisses me romantically* Me: Ooh, Dr. Isaacs. Him: I think we’re beyond formalities. You can call me by my first name. Me: *laughs* Okay. Him: *kisses my neck* Me: Mm, Ale-- um, Alex-- erm, Alexand-- Him: Alexander. *kisses* Me: Yeah, that. Him: Say it. Me: Alexan-- MY BRAIN WON’T COMPUTE!

[tellusepisode]

Terminator Salvation (2009)

Action, Adventure, Sci-Fi |

Terminator Salvation is a American military science fiction action film directed by McG and written by John Brancato and Michael Ferris. It is the fourth installment of the Terminator film series and serves as both a sequel to 2003’s Terminator 3: Rise of the Machines and a prequel to 1984’s The Terminator. The film stars Christian Bale and Sam Worthington, with Anton Yelchin, Moon Bloodgood, Bryce Dallas Howard, Common, Michael Ironside, and Helena Bonham Carter in supporting roles.

In a departure from the previous installments, Salvation is a post-apocalyptic film set in the year 2018. It focuses on the war between Skynet’s machine network and humanity, as the remnants of the world’s militaries have united to form the Resistance to fight against Skynet’s killing machines.

In 2003, Dr. Serena Kogan of Cyberdyne Systems convinces death row inmate Marcus Wright to sign over his body for medical research following his execution. Some time later, the automated Skynet system is activated and becomes self-aware; perceiving humans as a threat to its existence, it starts a nuclear holocaust to eradicate them in the event known as “Judgment Day”.

In 2018, John Connor leads an attack on a Skynet base, where he discovers human prisoners and schematics for incorporating living tissue to a new type of Terminator, the T-800. John survives an explosion on the base, which is destroyed. Following John’s departure, Marcus emerges from the base’s wreckage and begins walking towards Los Angeles.

Director: McG

Writers: John Brancato, Michael Ferris

Stars: Christian Bale, Sam Worthington, Moon Bloodgood, Helena Bonham Carter, Anton Yelchin, Jadagrace, Bryce Dallas Howard

►Cast:

Christian Bale…John ConnorSam Worthington…Marcus WrightMoon Bloodgood…Blair WilliamsHelena Bonham Carter…Dr. Serena KoganAnton Yelchin…Kyle ReeseJadagrace…Star (as Jadagrace berry)Bryce Dallas Howard…Kate ConnorCommon…BarnesJane Alexander…VirginiaMichael Ironside…General AshdownIvan G’Vera…General Losenko (as Ivan Gvera)Chris Browning…MorrisonDorian Nkono…DavidBeth Bailey…LisaVictor J. Ho…Mark (as Victor Ho)Buster Reeves…TunneyKevin Wiggins…General OlsenGreg Serano…HidekiPo Chan…NaimaBabak Tafti…MalikBruce McIntosh…PriestTreva Etienne…LenDylan Kenin…TurnbullMichael Papajohn…CarnahanChris Ashworth…RichterDiego Joaquin Lopez…Soilder (as Diego Lopez)Greg Plitt…Hybrid MaleOmar Paz Trujillo…Guard #2Terry Crews…Captain JerichoZach McGowan…Soldier on OspreyIsaac Kappy…BarbarosaBoots Southerland…WardenDavid Midthunder…Soldier #1Rafael Herrera…Mexican HusbandMaria Bethke…Mexican WifeMarc Maurin…French Fighter (as Marc Maurin-Adam)Anjul Nigam…RahulEmerson Brooks…First SoldierLorenzo Callender…Comms OfficerDavid Douglas…TechnicianJoe Basile…Radar OperatorEsodie Geiger…Transmitter TechnicianRoland Kickinger…T-800Brian Steele…T-600 Suit PerformerChris Bentley…Execution WitnessScott Flick…Skynet PrisonerJohn Gibbs…Harvester CaptiveLinda Hamilton…Sarah Connor (voice)Neil Harbisson…CyborgLuke Kearney…Resistance SoldierShani Klein-Madden…Execution WitnessBrent Lambert…Execution WitnessCynthia Lee…Harvester CaptiveGregory Leiker…HardyAaron Mastriani…Harvester CaptivePaul J. Porter…Infirmary FighterFrank Powers…Resistance FighterMark Rayner…Helicopter GunnerScott Wyman…DriverFoued Zayani…Skynet Prisoner

Sources: imdb & wikipedia

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[myloveiainglen]

Oh mercy yes @forthebear

Iain Glen (Sir Richard Carlisle) as Dr. Isaacs in the “Resident Evil” movies…

[newyorktheater]

Britney Spears, 20 years ago

Will Roland in Be More Chiil

Cast of Mean Girls

Andrew Barth Feldman in Dear Evan Hansen

Isabelle McCalla and Caitlin Kinnunen as high school girlfriends in The Prom

“I’m not a girl, not yet a woman…I’m in between,” Britney Spears sang some two decades ago, and it could almost be the new anthem (gender-adjusted) for Broadway. The opening of Be More Chill this week adds yet another to the New York stage shows that focus on teenage characters (mostly portrayed by non-teenage performers), many of which attract a large teenage audience. These include Dear Evan Hansen, Harry Potter and the Cursed Child, Mean Girls, and, yes, ok, Wicked. (The Prom has a dual focus; and the audience for, if not the characters in, Frozen skew younger.) Teen angst has made its way Off-Broadway as well, with Superhero.

Shows about teens and tweens are hardly new: 13, Bye Bye Birdie, Carrie, Hairspray, Matilda, Newsies, School of Rock, Spring Awakening come to mind. But we’re seeing a particular trend now, and not an especially welcome one. It’s of course a good thing to broaden the demographics of the Broadway audience, and at least one of these shows is widely viewed as of high quality.  Yet their focus is largely on angst and on stereotypes.  How accurate or fair are the depictions of teenagers in these shows?  Yes, high school may be a time when some people are trying out identities, and too many of them might like to assign reductive labels to their classmates or even to themselves.  But surely this is not the full picture, nor a constructive one. As I say in my review of Be More Chill, the actual high school students we see regularly in the news are  taking the lead in attacking such crucial  problems as climate change and gun control — problems that have stalemated adults.

Incidentally, “I’m Not a Girl, Not Yet a Woman,” along with “Baby One More Time,” Spear’s first pop single when she was 17 years old, are likely to be two of the 23 songs from her repertorie that will be in the new musical “Once Upon a One More Time” aiming for Broadway, announced today.  The book, thankfully, is not about teen angst. (For more details, see Week in NY Theater News, below.)

The Week in New York Theater Reviews

THE B-SIDE: “Negro Folklore from Texas State Prisons,” A Record Album Interpretation

In “The B-Side,” three men sing along with an album on a record-player —  or, as people prefer to say these days, a vinyl on the turntable. But there’s a reason why the Wooster Group’s encore presentation of its simple and odd hour-long piece, first performed at the Performing Garage in 2017, is filling St. Ann’s Warehouse every night. The album is “Negro Folklore from Texas State Prisons”…

Austin Scott as Alexander Hamilton and Carvens Lissaint as George Washington, the new cast members of “Hamilton” on Broadway.

  Hamilton on Broadway 2019: New Cast, New Clarity

I recently saw Hamilton again on Broadway, during a rare open captioned performance, and it was a revelation in several ways.

  I would love to see this show but there are not enough OC performances for those of us who want to attend. It’s nice to pat yourself on the back about access, but the reality is that an occasional Wednesday OC performance with limited tickets is not access. #captionallshows

— Dr. Petrified Tree Sap (@a_joy_martin) March 9, 2019

The Cake Review: “This is Us” writer on Christian baker’s Lesbian wedding dilemma

In “The Cake,” Debra Jo Rupp (the mother on “That 70s Show”) portrays Della, a Christian baker in North Carolina who refuses to bake a cake for a lesbian wedding. If the story is inspired by the Supreme Court case decided last year, Masterpiece Cakeshop v. Colorado Civil Rights Commission, playwright Bekah Brunstetter, who is a writer for “This Is Us,” makes it personal in several ways…One of the future brides, Jen (Genevieve Angelson), is the daughter of Della’s best friend, who died five years ago. Della, who is childless, views Jen like a daughter…Bekah Brunstetter has told interviewers that she wrote “The Cake” as a way to explain her support for gay rights and same-sex marriage to her parents. Her father, Peter Brunstetter, is a Republican politician from North Carolina who supported an anti-gay state bill that defined marriage as between a man and a woman.

Be More Chill on Broadway

Somebody wrote “NYC Loves BMC” in chalk on the sidewalk outside Broadway’s Lyceum Theater, the new home of “Be More Chill,” the high energy, high decibel pop-rock musical that stars Will Roland as a self-proclaimed high school “loser” who swallows a pill containing a supercomputer and becomes cool. I tweeted a picture of the scrawled public love note; the tweet was retweeted nearly a hundred times. “Be More Chill” has some seriously devoted fans, most of whom seem to be 15 years old. It’s a thrill to see such teenaged enthusiasm for live theater.  I wish I could share more fully in their ardor for this show

  The Week in New York Theater News

The first annual Rave Theater Festival is asking for submissions. Artistic director @kendavenportplans roughly 20 plays, musicals, multimedia, and cross-disciplinary projects, as well as family shows, which will each receive up to five performances, August 9-25, 2019 at Clemente Sito Velez Cultural and Education Center on the Lower East Side.

Simpsons theme song composer Danny Elfman will make his Broadway debut by composing music for “Gary: The Sequel to Titus Andronicus.”

Twenty-three of Britney Spears’ songs will form the score for a new Broadway-aiming musical, “Once Upon a One More Time” with will have a try-out in Chicago from October to December of this year. “Once Upon A Time… Cinderella, Snow White, and the other fairytale princesses gather for their book club, when – oh, baby baby! – a rogue fairy godmother drops The Feminine Mystique into their corseted laps, spurring a royal revelation.” The Times reports that the run at the Chicago theater “had been set aside for “Don’t Stop ’Til You Get Enough,” a Michael Jackson jukebox musical that canceled its Chicago plans on the eve of an HBO documentary detailing abuse allegations against the pop star. That show’s producers say they are still hoping to come to Broadway.”

The Arts Are Good For You

Three articles that show that the arts are a good thing.

Article 1, by Isaac Kaplan in Artsy:  Arts Sector Contributed $763.6 Billion to U.S. Economy—More Than Agriculture or Transportation, New Data Shows

Article 2, by Tom Jacobs in Pacific Standard:  How arts can help struggling science students do better

A large study released last month found that Florida middle-school students who study music, theater, or visual art subsequently get higher overall grades than their peers.

Article 3 by Robert Ruffin in HowlRound (from 2018) We Need Theatre to Exist, and Maybe Research Can Prove Its Necessity

A new Broadway By The Year, musicals of 1943 and 1951, will be presented at Town Hall of March 25th, “created, written, hosted and directed” by Scott Siegel — for whom 2018 was not a great year, having gotten into a bad bicycle accident. Here is an article about his accident and his show in the Times, written right before the last Broadway By Year, last month.

Alexa’s new skill lets you scour Ticketmaster using your voice

  Robert Barry Fleming has been appointed artistic director of Actors Theater of Louisville, the theater that brings us the annual Humana Festival. He’s been an actor, director, choreographer, arts administrator (at Arena Stage and Cleveland PlayHouse), and championed or commissioned such shows as Dear Evan Hansen and Sweat.

Daryl_Roth – Producing with a Purpose. Theater producer for 31 yrs “Marvel action hero” – Paula Vogel. One of the few female producers on Broadway…she chooses work by women, LGBT folks, and people of color not usually seen as commercially viable

Daveed DIggs is back in New York, for the play White Noise at the Public Theater, and he’s happier to be here than last time.

The last few years I have had not a great relationship with New York, but this time feels really good. The Hamilton experience here was so intense, and it became a pretty stressful place for me to be. That was a show that, at the bottom of it, it’s a bunch of friends getting together and making rap songs. I was involved with that show for a long time because my friend wrote it and asked me to come along for the ride. Everything on the inside of it felt very small, and everything on the outside of it felt very big.

…I love performing in smaller houses. I think you get a different kind of connection there. I’m excited to be doing any play, period, after spending a couple years being in front of a camera. This is a very welcome return. You get a different kind of intimacy in a small space, and I think everybody gets to know each other a little better.

As much as I loved performing on Broadway, I don’t care if I ever do that again. I like telling stories in places where everyone is part of the storytelling.

Oskar Eustis and Suzan-Lori Parks chat with one another about their new collaboration as director and playwright, White Noise, It begins: Oskar Eustis doesn’t believe in giving audiences a heads-up. “When you have a trigger ­warning, you’re implying that people need to be protected from pain,” says Eustis, the artistic director of New York’s Public ­Theater. “I think real art says, ‘No, you don’t. What you need is the chance to face it.’”

If you’re working on a play– especially a new one– and you’re not checking in with your ushers on a regular basis during previews, you don’t actually know how it’s going.

— Evan Cabnet (@evancabnet) March 11, 2019

Thanks Broadway Twitter for having my back. Being a working parent in any profession is really challenging. I never want to disappoint audiences as I am beyond grateful to them, but the health of my family will always come before my job. Thanks to those who understand that 💛

— Laura Benanti (@LauraBenanti) March 11, 2019

.@FosseVerdonFX cast includes: Sam Rockwell as Bob Fosse & Michelle Williams as Gwen Verdon@kelli_barrett as Liza Minnelli@biancamarroquin as @Chita_Rivera +@BranUran as Dustin Hoffman @TheTylerHanes as Jerry Orbach@ethansaslater as @joelgrey Premieres on FX April 9th. pic.twitter.com/lvokxwZUFl

— New York Theater (@NewYorkTheater) March 11, 2019

If you’re an aspiring playwright, this thread by @MikeLew4 might change your life. https://t.co/WouQGQXNUh

— New York Theater (@NewYorkTheater) March 8, 2019

My favorite line: “Get that EXT/INT shit outta there! Dead giveaway your “play” is a pilot.”

Play Formatting PSA: In undergrad one of the 1st things Donald Margulies did was teach us proper play formatting. Which felt like a huge bummer. Shouldn’t it be story first? Who cares about formatting?! Don’t you see that l WILL CHANGE THE FORM, WITH THE POWER OF ART? 1

But now that I’ve done a ton of reading committees, I can see he was right. In the same way you wouldn’t show up to a job interview dressed wrong for the job, when I’m reading a ton of plays my first cut rejections boil down to, “Does this manuscript LOOK like a play or not?” 2/

And the most screwed up thing is that published plays don’t look like manuscript-form plays, so you can’t just learn by picking up an acting edition at the bookstore or your submission’ll look weird. To wit, a thread about formatting. ARE YOU EXCITED?? 3/

A full-length play is approx 100 pgs in length (50 pgs per act). Sure your length may vary. You may have a lean 75 pg straight-through-no-intermission piece or a 120 pg 2-act that “should read really really fast”

Now the formatting nitty gritty! *character names in all caps & centered *dialogue left-justified *in-dialogue stage directions like “(she exits)” should be in parentheses and italics *longer stage directions should be tabbed in and (optionally) italicized 10/

New scenes get their own line (i.e. “Scene 1”) – bolded and numbered *Get that EXT/INT shit outta there! Dead giveaway your “play” is a pilot. *Start a new pg for each scene *End the act on an all-caps “END OF ACT 1” “END OF PLAY” etc – and bold it too cuz that feels GREAT 11/

Teens Take Over Broadway (but is it real?). A Britney Spears Broadway musical? Hamilton Reconsidered. #Stageworthy News of the Week “I’m not a girl, not yet a woman...I'm in between,” Britney Spears sang some two decades ago, and it could almost be the new anthem (gender-adjusted) for Broadway. 2,063 more words

[myloveiainglen]

Perfect @itszulasworld​ 

Character : Alexander Isaacs

Totem : Snake

[myloveiainglen]

Oh thank you @itszulasworld​  why does he look so sexy with blood on his face?

Dr. Alexander Roland Isaacs