#down bad for 90's men

[demoralizedreprobate]

so normal about the segment where heel bret hart comes on screen and shawn just starts stripping. (raw 5/5/1997)

[writingoddess1125]

The old men of One Piece finding out they have a child with you. Pt. 2

Due to popular demand I have a part two for you guys!

Shanks, Buggy, Mihawk xFemreader

Healthy Mix of Angst and Fluff

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Part 1 <- -> Part 3

Buggy

The crew was quick to follow orders, Cabaji grabbing you as others grabbed your sons. Dragging you from the restaurant you called a home and out onto the streets, screamed fill the air as the village was being ripped apart. Your boys crying out in fear as the crew harshly brought you onto the ship you once were apart of.

You yelped as you were thrown into Buggy's room. Your boys being tossed in as well, you quickly grabbed Dee and Bee and brought them to your chest. Running your hands through their hair as they sobbed against you, shaking like a leaf and terrified.

"Ssshh it's okay my loves it's okay" you whisper trying to soothe them, holding them tightly to try and ward away the bad dream. After a few hours they finally fell asleep, You carefully rolling up and placing them on Buggy's large bed. It wouldn't be best to let them sleep in your arms since they were fairly large and when asleep could kick and roll. You couldn't risk injury if you were going to escape with the twins.

You tucked them into the big stripped bed and sighed- Surrounded by more of this circus shit made them look way more like Buggy then you cared to admit. Smoothing Dee and Bee wild blue locks with your hand you sighed heavily. Trying to come up with a plan to escape- but the plotting was short lived as the bedroom door opened.

Buggy stared at you and then glanced at the boys as they slept soundly in his bed. He was holding a large tray and set it down on the side table, meeting your eyes as he picked up a fork and took a bite from each both and even a bite of the bread, before taking a seat clearly wanting to show it was safe to eat and feed the children. You looked at the food it was 3 healthy servings of pasta with fresh bread and 3 drinks, 2 milks and a ale. You looked at him in question but you didn't dare voice anything. Instead gently shaking the twins awake-

"Eh? Mom?..." Dee mumbled as he rubbed his sleepy eyes. "Dinner is here" You say calmly, holding a bowl out to Dee who gently took it in his tiny hands before waking up Bee with a bit more force and doing the same. Splitting the bread in half and giving each half to your sons to make sure they had full bellies.

You ate your own food, Watching as the twins hungrily ate there like they hadn't had a meal before, havjng to make sure they didnt mess up the nice bed. However you kept glancing back at Buggy, feeling his eyes on you.

He sat across the room stull, watching you closely as you wiped their faces clean with your dress and handing them their drinks and even taking your own ale and sipping it. You saw Bee wat hibg Buggy closely, the two staring at each other silently.

"What are you looking at Old Man?-" Bee snapped as he glared at Buggy. You snapping your finger quickly at him.

"Attitude-" You hissed in warning. However heard a shuffle to see Buggy snorting a laugh and turning away to giggle-

"Damn these really are my Kids- I was at least 90% sure before but now it's 100%!" He laughed, actually Wiping the tears from his face.

"Mom what is he talking about?" Dee questioned first, raising a brow at the Clown in their room.

"Yeah and whats with hi-" You smacked your hand over your sons mouth. Knowing that the following question would lead to a fight you didn't have the strength for.

"Boys this is your father... Buggy the Clown. He's a Pirate Captian"

"Our Dads a clown-" Bee deadpanned as his face looked at you in what can only be described as confused horror. You sighing mentally by this, as Dee stared at Buggy suspiciously.

"How do we know?-" Dee started, But Buggy pulled the hat from his head and bandana to show his blue locks that were identical to their.

"Our Dads a Clown!?" Bee said again this time

"I'm a porate clown-" Buggy shot back as he frowned at the boy. The two locking in gaze of equal stubbornness and attitude.

Dee started to say"Is that why you took us?" But was cut off gloriously by Bee"If you're our dad then you suck! Why did you grab mom by her hair and make her cry!" He proclaimed, Jumping up on the bed and pointing to Buggy angrily. You urging the boy to sit down, But Buggy's gaze softened.

"I apologize- I didn't see it was her or else I would have never raided you town. Instead just picked you three up to take with me" He admitted calmly. The seemed to take the wind from Bee's sails as he sat back down- You also surprised to hear Buggy apologize or be so vulnerable.

"I want to have you three here with me and be apart of my children's life" Buggy started as he stared at you- You started to protest but he held up a hand.

"60 Days, that's all I ask. If in 60 days you don't want me in their lives I'll drop you and the boys off at a Marine Base with some berry. Enough to be comforble for the rest of your lives"

It was a good deal- a damn good deal. It's not like you had a berry to your name or a place to return to. That and he genuinely seemed interested in the boys, you gave a defeated sigh.

"Alright... 60 days- then we will talk from there" Buggy smiled at hearing you agreeing to this. Excitement shining in his eyes as he jumped up from his seat.

"Perfect! You all rest here. I'll leave and bring some supplies for you all" Buggy said calmly as he stood up and quickly left, a grin plastered on his face as he left you.

You should have known that Buggy was planning something. For the next 3 days it was like he turned the ship into a child's dream. There was suddently a absurd about of toys, sweets, every game imaginable too seemed to have suddently appeared. Buggy all to happy to shower the twins in anything they asked for, played any game they wanted.

You inwardly sighed as you watched the twins start to warm up to Buggy, More like clinging to him. Bee seemingly the most interested in him while Dee seemed to just love sailing. Having to be coaxed down from the crows nest were he would hide all day. At the mess hall however is were they fit in the best- It was like Buggy had cloned himself the two perfect best friends, aka himself.

Dee had taken to keeping his hair up due to his time in the crows nest and also had become more confident- pushing his brother back whenever he messed with him a bit too much- As for Bee it was like Buggy 2.0- Loud, flashy and ready to find trouble. It had been only 3 days but so much had changed, Currently it being evening dinner time.

Sitting next to Buggy in the mess hall, who had made it a habit of keeping you close you glared as your son then Buggy who was just laugjing "Benny (Y/L/N) get your monkey ass here right now!" You yelled as you saw your son running down the tables of the mess hall. Singing a made of sea shanty that the rest of the freaks were actually drinking and singing along to.

"Let the boy have some fun (Y/N)! It's not like he's hurting anyone- Besides what's the worse that can happen! Stop with the snooty attitude" Buggy proclaimed with a laugh, you saw Dee get a mischievous look in his eye before slipping under the table. You give a sarcastic smile, knowing your twins all too well.

"Fine then, I won't be snooty for the next hour whatever they damage you gotta clean" You proposes with a smile. He laughed and nodded.

"Deal! Finally now we can have some fu-"

And like a symphony of madness all hell broke lose. Dee had popped put from under the table and grabbed Bee's foot nid step. The singing child falling into a massive bowl of mashed potatos which managed to spray everywhere- coating all the people at the table in potatos and the floor which made a few Crewmates who had been walking slip and slam into tables flinging more food and creating more mess paired with a hunk of cake landing right in Buggy's face. Wiping the frosting as he watched the two boys make a run from the mess hall cackling like two Imps.

"Boys!!" He yelled, trying to wipe more of the pink frosting from his face. You smiled and handed him a napkin.

"Have fun Captian!~" You said with a grin and patted his shoulder as Buggy sat there red faced and glaring at you half heartedly. As if taking your cue, you got up and left. Giggling as you hear Buggy snap at some crewmates to grab something to help clean the mess.

Deciding to take the time for yourself you went to the main deck. Leaning against the rails as you watched the dark waves of the ocean and the setting sun. You couldn't lie and say you didn't miss the ocean, or the time to yourself. You stood there watching as the sun set and plunged the ship into darkness, the lanterns of the ship turning on as well as the ship seemed to be sailing in darkness.

"Enjoying your free time?" A deep voice snapped you from your thoughts. Seeing Buggy walking towards you, his face washed of makeup and hair in a ponytail. Having clearly just bathed after getting the mess hall cleaned.

"Yeah, I forgot how nice it is being on this ship.. How are the boys?" Buggy smiled at hearing you enjoying yourself before shrugging.

"Got them washed up and put them to bed.....They seem to like me" He boated, seemingly proud he had formed such a strong bond.

"That they do" You reply. Watching as he put his hands in his pockets a bit awkwardly, that tough Captian Facade crumbling a bit under his own anxiety.

"(Y/N) Why did you leave?... Was it me? Were you ashamed of me or-" He started, the back of his hand brushing against his nose as the enxiety slammed into his chest.

"What?.. No that's not why I left Buggy- I was scared. How the hell was I suppose to go through pregnancy on a ship? Hell the labor?! That was 36 hours to give birth to both of them!" Buggy winced at the thought, you leaned against the railing and stared at him.

"It was the fact that I couldn't predict how you would react and no idea how to raise a baby here. So in a village with at least some stability seemed like the best option- Even if it ment having to do it alone"

You admit, Buggy messing with his gloved hands. Sadness bleeding through his gaze as he sighed.

"I suppose- I can see your point... but I would have put everything on hold if I knew-" Buggy admitted, before rubbing the back of his head a bit hesitantly.

"You know- We only got 60 days and I've been wanting to take a vacation. Drop off the crew maybe for a bit and I know this really nice island" Buggy said casually. Your eyebrows raising at hearing this- He wanted to stop pirating just for you and the twins?

"What?-" You started but he cut you off quickly. "I mean it would only be a little bit of course- unless something urged me to stay a bit longer. However I think being on the open ocean can be damaging for super long term- I mean the meals can cause scurvy and who knows what else" He quickly justified, even at this distance you could see his ears turning red. You couldn't help but giggle at this, which caught his attention quickly.

"I'd like that Buggy.. But I don't want to take you away from what you love" you say, Watching Buggy take a hesitant step towards you.

"Who knows... 60 days can quickly turn into eternity.. if you want it to.. and i lost what i loved once- Ill never let that happen again" He said locking eyes with you which made you smile brighter.

Shanks

It had been 3 weeks since Shanks arrived- and it had been one journey, The man clearly loved to be a father. Willing to do anything for Vivian, her having the powerful pirate wrapped around her little finger and not even knowing it.

Shanks having let his crew take the time for essentially a vacation on his dime while ge stayed in your guestroom. Excited every morning to wake up and play with his daughter. He bought her so many toys, a chest full of pretty dresses, a giant stuffed monkey and a play wood sword since she had been so interest in his.

She had even taken to tying her favorite green ribbon on his sword since "It looks pretty" and he didn't have the will power to take it off. So for the most part, it had been complete and total bliss.

It was early morning when you heard some loud Noises coming from the kitchen area of your home- Getting up from bed and put on your robe and walked to see what all the noise was.

You stood in the kitchen with a raised eyebrow, the only word fitting this situation was- Hilarious. There sat Shanks, sat on the floor with his back leanes against the oven holding a old muffin. His eyes were covered in a thick layer of green glittery eyeshadow (from your makeup bag) hot red lipstick that was sneered on other parts of his face. Some bows randomly scattered in his red hair. His coat that usually covered his missing arm dropped over your daughter who was still in her baby blue tight gown and she was dragging behind her as she adding things to the spread on the floor. A bag of sugar, some water, a scattering of teabags and whatever had been in the fridge- including half eaten sandwiches and cupcakes which Shanks was currently chewing on.

"Starlight, I don't think there is anyway you can make the wate- I mean tea any sweeter" He said calmly, Watching Vi try to pour more sugar into her little China set with her chubby hands. Shanks cringing a bit at this as she poured him a cup and handed it to him.

"See! Now it's perfect!" She chimed and giggled loudly. He gave a smile as he set aside his muffin and sipped the tea, trying to suppress the cringe from the unholy amount of sugar that was mixed with water and a hint of a poor teabag.

"It's delicious Baby Girl- Fantastic" He choked out, working through a smile as he forced himself to take another sip. You couldn't help bit to laugh, which brought the attention of both Red Heads.

"Mommy!" Vivian chimed loudly running towards you still wearing Shank's cloak and you scooped her up carefully.

"I must say Shanks, you look fabulous" You said with a smile. Shanks Grinning up at you as he sat on the floor.

"I always thought I'd look good in green" He said, Gesturing to the sloppy eyeshadow. Rolling himself up to his feet as he smiled down at you.

"By the way are you ready for today?" You raised a brow-

"Oh boy what do you have planned?" Shanks only gave a wide smile before grabbing a box from the kitchen table and holding up a lovely yellow sundress for you and a similar one for Vivian.

"Fun day out!"

Shanks hadnt beem kidding about a fun day, staring with a lovely resturant on the island, sailing, having in a meadow and then time out at the park the sun started to set. Shanks held Vivian who was passed out against him, walking back to your home. The two of you talking about the time you two where together in the past.

"Thank you (Y/N).." He said softly, Smiling as he watched the sun set and the two of you walked up hill.

"For what?" He smiled brightly at you "Making me the happiest man in the world" You couldn't help but blush at hearing this. Looking away bashfully as you came up to your home, Seeing a man standing there a bit awkwardly.

"Yasopp! Glad you stopped by, This is (Y/N) and my darling daughter Vivian. She's asleep right now but I'm sure she'd love to meet ya"

Shank smiled brightly at seeing his fellow crewmate. However the look on Yasopp face said otherwise.

"Its lovely to meet you (Y/N)... but Captian- we have to talk.." He said softly, Shanks frowning at the tone he gave before gently passing Vivian to you.

"I'll be in a sec" He said, nodding you quickly head inside to get Vivian ready for bed. Yasopp and him talked outside, Shanks looked angry. Staring at the letter and running his hand through his hair clearly stressed. You finished cleaning Vivians face and got her in her PJs, tuckering her in for the night. In the hallway you could hear the should of bottles shifting, turning to see Shanks in the kitchen grabbing the bottle of whiskey you kept on the top shelf- his face twisted in anger as he plopped on the couch.

"You have to leave.. don't you-" You finally blurted out, watching him open the bottle with his teeth and take a sip. His eyes shiny with unshed tears, he nodded soberly as he took a hard swig of the drink.

"Shanks you can't finally meet her and just leave her life-" You stressed, anger bubbling in your chest as you stared at him. He sat slunched in the chair a swirling of different emotions in his eyes.

"They need my help.. and I can't risk it (Y/N).... I can't risk them finding out about you and Vi... they would kill you both" He whispered, shock slamming into you. Your eyes drifting to Vivian's room were she laid sleeping.

"...How long will you be gone" You whispered finally, sitting down on your sofa sadly.

"I don't know..." He whispered, defeat written on his face. Holding the bottle out to you, which you took and started to sip before passing it back.

"When do you leave?" Shanks took another heavy swig of the drink and held it out to you. "Tomorrow morning..." You nod at this- Taking another sip of the whiskey.

"...I-Is she going to hate me?" Shanks whispered, Looking up at were he knew Vi was. You shook your head "She doesn't have it in her heart to hate.." You said softly. He nodded at this and messed with the ribbon she tied on his sword, staring at it hard.

"I love her (Y/N).... so much it hurts.." His voice cracked. But he instead stood up, taking a heavy breath.

"I'm going to get some sleep... you should as well" He said softly, Turning and walking back to the guest room. Leaving you alone with the whiskey bottle, as you put it back in its rightful place. You could have sworn you heard hushed sobs... but left them be and went to cry in your own bed as well.

In the morning, the nice breakfast was made. Shanks feeding Vivian her oatmeal and letting her talk his ear off, you knew he needed this moment. Needed to have this with her. Once breakfast was finishes the three of you started the walk to the docks, Vivian holding Shanks hand as they talked about the pretty ocean.

Walking to the docks he saw the ship being loaded up, Vivian staring in awe at the massive vessel and giggled at the sight of all the men who stared at her and gave friendly waves. Shanks taking a deep breath to look at you both. Hurt shining in his eyes as he swallowed a hard lump in his throat. Kneeling down he looked at Vivian, his hand cupping her chubby cheek as he took a shaky breath holding back tears clearly. "Princess, I've got to go for a while.."

"But why?... you just got here?"

"I know baby girl- But, see there is this trouble maker- His name is Luffy. Think of him as your big brother, he needs my help.. And I don't want to put you and your Mommy in danger while I go get him. So I have to leave-"

He said, Biting his bottom lip for a second as he let a few tears roll down his cheek. Reaching into his pocket and pulling out a solid gold coin- it was quite large and he carefully handed it to Vivian. Her little fingers holding the big coin and touching the detailed design thay decorated it, his Jolly Roger.

"But I promise I'll be back.. but until I do- you have to keep this with you. It's special, it will protect you from Pirates- And when I come back, and I promise I will. I'll trade you that coin for your ribbon back okay?"

He said softly, watching Vivian smile up at him at the promise.

"Okay Daddy.." She said softly before jumping and hugging around his neck. He held her tightly, wrapping his arm around her as if he didn't want to let go.

"Captian-" Yassop said softly, Shanks nodding and carefully standing up. Handing Vivian to you a bit reluctantly, Vivian own eyes starting to water. You held her close as tears rolled down your own cheeks. Shanks leaning in and kissing the tears on your face and one gingerly on your lips.

"I'll see you two again, I swear" He said softly, Stepping back as he followed after his crew. The crew somber like their Captian as he boarded, yelling out commands to set sail. Looking back as the ship began to leave the harbor, Waving at the two of you. Vivian waving back gently as tears rolled down her chubby cheeks clutching the coin close to her chest.

You and Vivian standing on the docks as you watched the ship sail and disapear over the horizon. You sniffles and wiped your eyes of the tears you didn't know had still been running down your cheeks.

Your daughter looking at you and wiping your tears, giving you a smile just like Shanks "Don't worry Mommy.. Daddy said he'd be back"

Mihawk

You stood in your tiny kitchen, rubbing your temple as the days situation settled on your bones. Your son standing next to you chopping vegetables silently, Clearly ignoring the elephant in the room.

"Alucare- Do you want to-"

"No" He cut you off quickly, quickly cutting down on a carrot like it had wronged him. You sighed at this setting the kettle on the stove to start a pot of tea. Knowing damn well what was coming- right on cue there was a knock to the door.

Turning you went to let in the Warlord, he looked like a kicked puppy. Awkwardly standing there at your door with his hat removed, his eyes glancing up at you hesitantly.

"(Y/N)..." He said softly, surprising you that he had even remembered your name. He stepped to the side, inviting him into your home and guiding him to your dining room were he took a seat at the kitchen table.

You took a seat as well, Alucare not turning from preparing the vegetables. A awkward silence following the trio as there was only the sound of chopping.

"Mihawk.. It's been a while" You finally speak, the Warlord nodding in agreement. Silence falling over you two again.

"Oh for God's sake. Alucare sit down please, we are going to get this out" You said, Hearing the shuffle of your son moving from his spot and sitting next to you. You couldn't help but stare in awe- The two sitting across from each other made it seem like they were looking at some odd mirror, they looked almost identical except for the age and minor changes.

"Mihawk this is Alucare, your son. As we can clearly can see. Alucare this is your father Dracule Mihawk"

You introduce, swallowing thickly as the two continued to stare at each other. Silence falling again over you all, Mihawk sighed and rubbed his temple. Turning his eyes away from this odd sort of staring contest.

"Alucare.. That's a good name.. How old are you?" Mihawk asked, staring at his child for a moment before Alucare looked away.

"I'm 16..." He said softly, Mihawk nodding at this before his eyes landed on you.

"How come you didn't tell me- I would have been here, helped you. I have a home and more" He asked, his eyebrows betraying him in pure confusion and he frowned. You sighed and rubbed the back of your neck.

"I was scared- How would it look like if some random person claimed to have some famed Warlords child.." You mumbled, still embarrassed by the whole ordeal. "Besides it wasn't even until after are alleyway escapades that I understood who you were-"

"I see..." Mihawk sighed as he stared at Alucare again, who seemed to grow a bit uncomforble at the direction of this conversation.

"Alucare do you wish to ask something of your father?-" You encouraged. Wanting to create a olive branch between the two.

"What is there me to ask? It's not like it's a secret that we are related or his reputation. The only thing I would wonder is how you found out about us-" Alucare said a bit dismissively, you felt genuine surprise at this. He had never shown anyone disrespect before until now-

"There were rumors of you that traveled to a Marine Base I was at- how a child looked like the famed Mihawk... eyes and all" Mihawk clarified. Alucare only rolling his matching yellow eyes at this, standing up from his seat.

"I'll be dismissing myself. Thanks for the talk" He said calmly, walking out the back door and slamming it shut behind him. You sighed and looked to Mihawk

"Hes normally not like that, I don't know what to say" You admit. But the Warlord just stood up with a understanding nod.

"Hes angry... that I understood.. I'll return" He said before following out the back door as well.

Standing by the grove of trees next to the house Alucare let the cool blade of the knives brush over his fingers, sighing as he quickly released the blade at lightning speed at the carved target on the old tree hitting bulls eye. Alucare walking to retrieve the lone blade and repeat the process.

"Impressive shot-" The deep voice only belonging to Mihawk sounded behind the teen. Alucare glancing back at the man as he resumed his position and went back to throwing his blade.

"Thanks I suppose-" Alucare mumbled as he continued to task. Mihawk sighing softly as he glanced at the sky.

"What is the true reason you resent me- One that you don't wish to express with your mother around" He finally asked, staring at the sky. Alucare faltering in his movements for a moment, keeping the blade in his hands for a moment.

"If you had been anyone else she wouldn't have had to suffer so much-" He admitted, his eyes showing a deep sadness as he sighed "I saw the way they looked at her, despite her smiling and ignoring it.. how she acted as a human shield for me. Because we share blood- How she would sit on the bed after working day and night to put that home over our head... how tired she was and then emotionally carying the brunt of people looking at her in either pity, fear otlr disgust for my sake"

He admitted, throwing the blade once again watching the blade stick deeply into the tree the handle being the only thing that showed. Mihawk quietly listened and clenched his hands.

"I understand... if I had known I would have protected her... I would have protected you- Nothing I can say can make up for 16 years of hardship... but I do apologize" Mihawk said, bowing his head gently.

Alucare looked at him silently for a moment. Looking away for a moment and went to grab the blade.

"...How do you sharpen a blade-" Alucare asked, In his own way accepting Mihawk apology and extending a form of communication. Mihawk gave a hint of a smile on his lips as he stepped forward.

"I can show you-"

Tag List-

For all the people who requested Pt. 2

@lunanight1021 @lolavegas20 @cuteastrash @thatcharmingmushroom @marsilis @thesadvampire @amecchii @zaphira-san @matronofthevoid @mothmans-left-nipple

[cindol]

BILLS BILLS BILLS !💸

tw— reader a pretty princess, reader is 26 and ino is 22, ino is rich somehow just by being nanami’s assistant don’t ask me!!,

synopsis— ino is the perfect boy for a girl like y/n.

congrats on 600 naj! @honeybleed . 90’s collab event

y/n’s worst trait was how forgiving she could be, even to the most heinous acts to her, her boyfriend now ex boyfriend took great advantage of that. It was sweet at first, him taking her to restaurants no matter how cheap they were but then it turned bitter sweet. Turning from him asking her for extra cash and even getting the audacity to even steal her credit card and use her car on his own whim. Once the breakup soon happened she had to ask the question, ‘where are all good men?’ This question even was on her mind as she was at the newest popular club with her girls.

When ranting to shoko and utahime on the Group FaceTime they took her to the new Blue Eagel club saying how there was a lot of eye candy at this joint. Y/n sipped the glass of pink Whitney she had as shoko and utahime had their usual Hennessy. Shoko smiled seeing the corners of y/n’s lips turned off.”whole lotta’ eye candy right? Get you outta that bummed out mood?” Y/n couldn’t help but make a chuckle come out her throat.”Mm… whole lot of male eye candy..”looking around the club she could see some now. a small group of tall of six men, there was about one that stuck out to her. She could’ve sworn she could see him staring at her from her small table. She was broken out her stare from how shoko and utahime made tipsy ‘ooo’ sound effects.

She rolled her eyes smiling at the two.”looks like our babe found her some skinny eye candy?” Utahime teased and it made y/n even scoff with a chuckle hidden in.”oh please.. I just got out a sticky ass breakup, what would I look like lusting over another scrawny man?” Shoko and utahime just raised their eyebrows up and down with a cat like smile.”ain’t that your type?” Shoko said in a teasing tone making y/n have a barely visible blush on her cheek.”Oh hush.. go on somewhere if y’all are just gonna tease me.” That was the invite for the two tipsy girls to make their way off to the dance floor.

Just as they left the man came closer to her table and she got a good look of him. He wasn’t very dolled up like the guys he came with. He was sporting just a normal black dress shirt, some grey slacks but had some generic lazy brown hair. He now stood right in front of her with a cheeky smile.”hey, don’t know how my buddies even do this kinda thing but.. saw ya staring at me across the room.” As soon as he said those words he wanted to cringe and turn pink when you rolled your eyes smiling.”room? We’re in a club. Don’t you mean across the dance floor?”

He played it off chuckling and scratching the back of his head.”I’m bad at catch lines what can I say? Can’t knock down a guy for trying.” Y/n liked his wit, she could tell he was obviously just a nervous boy but still very smooth with his comebacks. She took a sip of her pink Whitney.”mhm.. take a seat yes?” He listened to her taking a seat from across her at the small round table. Now that he was taking a close at her she was a gorgeous girl, with a beautiful dark straight haired brunette lace sat on her head perfectly when he looked at her face she had some light makeup on but her lips popped out with them lined and glossed up and even her outfit was pretty, with her wearing a light pink halter top and a pink mini skirt and chunky light pink chunky platform heels that matched her brown skin perfect. Everything about this girl was pretty to him

She noticed how he was zoning out just staring at her and snapped her fingers.”aye, eyes up here sir!” That made him blink and chuckle.”sorry bout that, can’t help but stare at a beautiful girl y’know?” That made her a bit bashful as she smiled at his cheesy lines. He could tell he was winning her over slowly.”instead of this awkward tension let me know something about the girl who was staring me down just from the dance floor.” She made a light chuckle tapping her fingers on the tables surface.”well, I just got out of weird breakup last night and now I’m here. That’s a small fact.” Ino could control the small damn he let out at that.”Ah shit, sorry that’s just a big bombshell.” She giggled at his reaction.”No no, my ex boyfriend was a bit of dick anyways.. He was always borrowing my car, money and nearly maxing my card out.”

That made ino’s brows raise.”what a way to treat a girl you love huh?” She hummed in response.”what can ya do though? Not much good boys in this town really..” Ino made a huff sound at that, the next thing he said he couldn’t even control out his mouth.”I would never do that to you.” It made y/n giggle to have a boy she barely even knew say this just 9 minutes into the conversation.”you barely know me boy, and yet you think you know what’s best for me hm?” She jokes a little which takes ino aback, everything she said made him fluster and think about the stupid words he said. He attempted to play off his words, still showing his boyish charm and overall confidence despite his blushing.”well I don’t know you well enough since I just met you well about some minutes ago but with how you stared at me across that floor and your body language maybe we can figure something out y’know?”

Before she could make another witty comment he continued.”You may look like you have more experience and a more rich taste but trust me, I could be that man for you. I could do the bill paying, the nice spa treatment and resorts. Just give me one chance.” That made y/n’s legs clench a bit, she still had some excuse up her sleeve.”you don’t even know my name.”

“Takuma ino, what’s yours?” He said it so quickly like he wasn’t taking no for a answer or any excuse. Y/n gave in seeing how determined this boy was.”l/n y/n.”

🎀 ᘏᘏ 🎀

In the 6 months y/n had gotten to know ino he kept his promise and word about treating her right. He definitely paid her bills and treated her to the best restaurants and clubs. It amazed her how he could just have this much money from being a assistant apparently. Throughout these months she started to date ino he showed a lot of chivalry for his age, there were some instances where his romance showed out.

He was very serious about paying her bills and expenses like she thought. Truthfully she thought it would just be some fun little three months she would be dating him till she was 4 months in and saw the effect. Even knowing how financially stable ino was she still hesitated asking him to pay for things, it was just her mentality when growing up poor. Ino had this mentality himself when he was younger, that’s how he picked her up on her habbit of always turning lights off and yelling at him across the room to make sure to turn the bathroom light off once he’s done in her bathroom, she even did this in his house without noticing.

When she was scolding him once again about turning the shower water and lights off more often he just hushed her with a finger on her lips.”babe babe, I can take care of all that dumb bill shit.” It stunned her a bit how he hushed her and he chuckled noticing.”I’m your rich new boyfriend did you forget?”

Another instance was him amazing her when taking her to a fresh new restaurant. It was foreign to her a little, as she looked at the fancy menu and the other customers around she felt a bit out of place even in the mini pink dress she had on. Ino could feel how uncomfortable she was, he had gone through the same feelings she did. Across the small table he put his hand on hers rubbing the back of her hand.”hey, enjoy yourself y’know? You deserve the best treatment. Can’t let ya leave out before you try the oxtails this place has.”

Ino was definitely trying to get her comfortable in his lifestyle and it was working slowly. Y/n didn’t even notice how she was wearing more tennis girl wear and going to a country club with him to meet some of his colleagues and friends.

He was showing he could be the boy to pay her bills and everything and more, before she even knew it.

[bettyfrommars]

Death Becomes Us

Part 10: The Man Who Made a Monster

vampire!Eddie x supernatural!Fem!Reader

masterlist playlist

WC: 7.6k

18+ONLY, MDNI, mention of wounds, car accidents, a bit of body horror, angst, guns, gunshot wounds, reader gets physically hurt (but bounces right back), blood, drinking blood, allusions to smut, evil men, supernatural powers, a demobat fren, fear of the unknown, a fire, werewolf!Steve, Dr. Brenner. References to one of my favorite 80's shows, the Incredible Hulk with Lou Ferrigno, and mid-90's MTV. Tiny references to FOI that you won't even notice if you haven't read the book.

Summary: Eddie, Jareth, and Steve come to your rescue, but do you even need to be rescued? Bad men surface and reader finds strength she never knew she had. Eddie confesses more than one secret to us, and the tension is thick. Reader is called Dove as a nickname.

Author's Note: I covered quite a few bases in this chapter, but there is still a lot to explore in the next and final part. We get to see reader in action and get some much-deserved satisfaction. I 've been staring at it for so long, I really hope you have fun reading this, love you. As always, Jareth's face claim is Jamie Campbell Bower.

-----

this starts right where Part 9 left off

Eddie snatched his keys and shoved Steve out the door before he quickly put some food down for Dio and locked the dead bolt.  

Steve called shotgun in the air, vaulting over the hood like an extra from the movie Grease, making Jareth roll his eyes.  “Is he part werewolf or labrador?” Whispering under his breath to Eddie, but Eddie just nudged him out of the way.

Jareth paused on the opposite side of the Pontiac GTO.  “We should go on foot, it would be faster,” hinting to the lightning-speed with which vampires moved.

Eddie inclined his head to Steve.  “Not when we’ve got the pup with us.”

“Fuck you,” Steve sneered, brushing back a flop of hair from his forehead.  “I can keep up with you two geezers, trust me.”

“What if I just kill him and rid us of the dead weight,” Jareth grumbled.

“You can try,” Steve bit, growling deep in his chest.

“Enough!” Eddie snapped, swatting the top of the car with his hand.  “Everyone get in and hold the fuck on. We’re goin’ for a ride.”

—----

Heat scorched through your veins like lava, and as your eyes fluttered open, you passively wondered if the car was on fire, and you were about to be cooked alive.

But

You were no longer in the vehicle.  Squeezing your eyelids tight to find the memory, recollection came flooding back as your fingers curled into dirt, cheek pressed into the forest foliage.  There might have even been a pinecone acting as a pillow at your ear.  

The muscles in your arms and shoulders throbbed, not to mention the feeling of your skull being cracked open by a catastrophic neurological event.  A migraine to rival all migraines.

You remembered being taken…the conversation about Brenner…and Bela…

Bela!

You called her name, but it came out as nothing but a puff of air, a whine deep in your chest.  

What if she got hurt in the crash? What if she —

The crash!

Adrenaline flushed through you like a swarm of bees and you sat up, cracking your stiff neck as you went, and your head swam.  

Where the fuck were you?

A car passed a few yards away on the highway and you realized you’d been tossed into a ravine.  In the distance, the SUV you’d been kidnapped in was on its back and smoking as if something inside had caught fire.  Where was that awful witch and the man who was driving?

A memory of ripping the door off by its hinges and climbing out of the vehicle flashed behind your eyes, but that was impossible.  You must’ve been able to jump out and then hit your head or something. You weren’t turning green and ripping out of your clothes; you were no Lou Ferrigno.

You moved your legs to make sure they worked, and soon you were on your feet, using tufts of grass to crawl along as if you were about to fall off the earth.

In the distance, thunder rolled.

—----

“Turn here, take the shortcut!” Steve shot his hairy arm between the two seats, pointing to right after the stop sign.

“I know what I’m doing!” Eddie roared.  “Just sit the fuck back and stay cool.”

Eddie could feel you, and his heart was jackhammering in his chest.

He floored the gas, tires squealing as they ghosted the road, peeling down the old highway through the woods that barely anyone used anymore.  The velocity shot Steve back against his seat, and Jareth’s fingers dug into the console while music from Sisters of Mercy blared from the stereo. 

“We’re close,” Eddie lowered his chin, laser focused on the scene ahead of him.  He could feel that familiar static fill his body whenever he was in your vicinity.  

You were not the first human whose blood he’d tasted, not by a long shot.  In fact, for the first few years after he’d been made vampire, he didn’t care about  himself or anyone else, and it seemed there wasn’t a willing human in a 100 mile radius that he hadn’t tasted.

But with you, it wasn’t even about your blood.

You made him feel a certain type of way that he’d been missing for over a decade, perhaps even his whole life.

The clouds trembled, and a crackle of lightning shot a silent burst of light through the midnight sky. All three of them could smell the wreck before it was ever in view, and Eddie released his foot on the gas to slow down a bit.

—---

You stumbled onto the main highway, and the headlights came at you too fast to understand what was happening.  

Everything was so bright, it hurt your eyes. It made you swipe your hands in the air and groan, fighting the illumination as if it were a tangible enemy. 

The car coming at you screeched on its brakes, twisting to the side so that it wouldn’t hit you, skidding sideways.

In a blink, you recognized the stunned faces on the other side of the windshield.

—---

The other two men in the car didn’t see that it was you at first—but Eddie knew.  He’d witnessed those shock white eyes before, void of color or pupil.

Electricity snapped off you, as if  you were a live wire. It crackled and skipped off of your skin like the lightning that appeared above them in the sky.

One of your arms was twisted unnaturally backwards at the elbow, but you somehow flexed the joint back into place as you stood there, correcting your posture.  You stood on one side of  your foot as if your ankle was broken, but then that righted itself with a sickening twist.  Your limbs jerked like the walking dead trying to move for the first time after reanimation.  All of this, and yet your face appeared unphased, as if you were impervious to the pain.

Your face was set in surprise and fear and confusion, and his heart nearly leapt out of his chest to be able to hold you.

With a curse, he slammed the GTO to a halt, tires burning rubber as they locked and skidded on the asphalt.  

Something told him you were fairly invincible, just like him, but he wasn’t taking any chances.  

Steve slid across the backseat, knocking his head on impact, and Jareth’s fingers dug so deep into the console that they left puncture marks.  

Eddie didn’t have time to think about what the other two were doing or the danger of leaving his car in the middle of the highway, he threw the gear into park and jumped out to check on you.

From above, there came a loud squawking, and Bela soared down from where she’d been circling in the sky to land on your shoulder with a weight that almost made you lose your balance.

—-----

Bela bared her teeth and screeched at whoever was approaching from the vehicle.  The headlights were too bright, and your ear canals were on fire with hot noise.  A loud, shrill ringing filled your skull cavity like sharp a million tiny pinpricks.

But then you recognized his silhouette

You’d know  it anywhere

“Eddie?”

“It’s me,” he assured you.  “Are you hurt?”

Bela settled once she knew it was him, lowering her wings, and his body came to block the light so that you could see the distress in his face.  He reached a hand out to touch your arm, but then he yanked it back with a hiss.  It was like you’d given him an electrical shock, with volts like those from a cattle prod or taser.  

“I didn’t mean to do that,” you hesitated, hoping he’d dare to touch you again. 

And he did, rushing closer without pause, not caring about how bad the last one stung. He cupped one hand at your jaw while the other went to your hip, searching your mouth for temptation's sake.  “Let’s get you home.”

He got zapped a few more times from seemingly stray sparks, in the chest and the side, making him wince, but he did not relent.  It was a good thing the violent stabbing did not force him back, because just then your knees gave out and you slumped into his arms. Bela took to the sky again before landing on the hood of the GTO with another high pitched wail, wings spanning out as if she were about to conduct an orchestra.

Eddie dropped to his knees on the ground next to you, careful to protect your head from the pavement with his hand.  In wolf form, Steve trotted over to nudge your face with his snout and lick your cheek with a whimper.

“She’ll be okay,” Eddie took his jacket off and made it into a pillow for you, before angling to sink his fangs into his own wrist.  “She needs blood.”

“Use mine,” Jareth hovered nearby, and you could vaguely hear them arguing as your adrenaline crashed.  “I’m older, my blood is stronger.”

“No,” Eddie growled, and then the two bared their teeth at each other.  

Eddie knew that, more than anything, Jareth wanted to be in  your head, to be linked to you in the same way he was.  To know where you were at all times and for you to have…those special dreams about him.  No way in hell would Eddie let that happen.

He’d already punctured a vein and had his tattooed wrist over your mouth, leaking his life force into your trembling lips until you were able to latch on and suck.  

Jareth’s stare bore into Eddie.  “Maybe I should tell her you’re the reason Brenner knew about her in the first place.”

Eddie glared at him.  “You don’t know fuck about it.”

Jareth smirked.  “I know more than you think about the little ‘job’ you were hired to do for him.”

Eddie’s eyes narrowed and he shushed him. “This isn’t the place for this, Jareth.”

A car had to navigate around the GTO to continue down the old highway, and the person shouted their disapproval, but then the driver slowed once he spotted you on the ground and the SUV that was rolled over on its side in the distance.

Jareth and Eddie turned to him and hissed with their fangs out, glaring at him with obsidian eyes, until he slammed on the gas and sped off in the direction he was headed.  Steve growled and chased after the car, keeping up with it for a while before hanging back to sniff around the wreckage that you’d managed to somehow survive.  

You mumbled, gurgling on a spurt of blood, and Eddie took his wrist away.  Your eyes were closed, but your tongue flicked out to lick more of his essence from your stained lips.  Were you conscious enough to know what they were talking about? He’d planned on telling you everything, but the time was never right.  He never expected things to get so…messy.  Never expected you’d become so…special to him.  

Some rich dude offers you to keep an eye on someone for a couple weeks for an abnormally huge chunk of cash, you do it.  He’d had no skin in the game when he initially accepted the offer.  

Caring about you as much as he did was the last fucking thing he’d expected to happen, but he didn’t know how to make it stop.

Jareth leaned over you to get closer to Eddie.  “If you don’t tell her soon, I will, and your little fairytale will be over.”

All Eddie could do was grind his teeth: Jareth was right, he should’ve explained the whole thing to you that night when he’d waited for you to get back from your date with Steve.  But by then, he was afraid he’d lose you.

Yet, how could you lose someone you never had?

“We need to get out of here,” Eddie eased you into a sitting position, your head flopped, and then held your chin in his hand.  Your eyelids were fluttering and your skin was beginning to cool as the healing properties of his blood took effect.  

God, how badly he wanted to press his lips to yours.

“What about the witch?” Jareth stood to full height to look over and see Steve sniffing around the crash. “What if they survived?”

Eddie had you off your feet and lifted in his arms by then, but Jareth was right.  As much as he wanted to get you far away from there, he’d watched enough horror movies to know that you never turned your back on a killer until you knew they were dead.  Knocking them unconscious with the back of a shovel wasn’t enough; you had to chop their whole head off and throw them in a cement mixer.

Steve morphed back into human form halfway back to the group, butt naked again, to report back on what he’d found.

Eddie waited for him to announce that there was no one in the vehicle and the bodies were gone…

But instead, Steve shook his head.  “Looks like they didn’t survive.  His neck is broken and she’s—-”

“Are you sure?” Jareth blurted with an air of irritation. “Maybe I should check for myself.”

“I think I know what a dead body smells like, asshole,” Steve grunted, pushing back on Jareth’s chest.

The headlights of another car was approaching, and Eddie reiterated that they needed to get as far away as possible from the scene of the crime. He threw the keys to Jareth, and made Steve sit in front so that he could crawl into the back with you while you healed.  Bela billowed into the sky and hovered there, waiting to see where they were taking you so she could follow.  

It wasn’t his blood that healed your broken foot or your fractured arm though—you’d done that all by yourself.  Maybe you didn’t need him after all, maybe you’d be better off without him.

“Put your pants back on,” Eddie tossed the clothing from the back seat over to Steve.  “I don’t need you teabagging the upholstery.”

Next to him, you had your head on Eddie’s shoulder and your hand on his thigh when Jareth sped off just in time to miss being clipped by the oncoming semi truck.  It blared its horn just as you lifted your head to look up at Eddie with groggy eyes.

He licked his lips, feeling his throat close up at how near your face was to his.

“Did you save me?” Your voice was strained, sounding like your esophagus was constricted.

Eddie put his hand over yours and you interlaced fingers.  “I think you saved yourself,” he mumbled.  “You don’t need me.”

“I do,” you said it so fast, and he leaned over even more, thinking maybe he hadn’t heard you correctly.  “I do need you.”

Your hand in his, he brought it up to his chest, searching your eyes as an avalanche of words trembled at the tip of his tongue, right there wanting to roll out like a carpet of devotion to you.  

He took a deep breath to calm his nerves because he was shaking so fucking bad.

Jareth caught his eye in the rearview mirror and the two glared at each other before Eddie broke contact and wrapped another arm around your shoulders to bring you closer.  “We’re almost home,” he hushed, planting his lips to your forehead, blushing at the way you refused to let go of his hand.  “I won’t leave you.”

—----

By the time you got back to the trailer park, your energy and strength had been fortified and you urged everyone to go home to let you get some rest, except for Eddie, who’s hand you were still holding as you got out of the car.

The witch and her companion being dead felt too good to be true, and a measure of palpable dread hung in the air.  It was unspoken knowledge that Brenner was still after you, and he knew exactly where you lived.  

Jareth stepped forward, tipping your chin up with the crook of his finger.  “Are you sure you don’t need anything, love?”

“She has me,” Eddie growled.

Jareth fluttered his eyelids in that bored way he’d mastered.  “If you’re so concerned, we’d be better off at Sacrament.  I can keep her safe there more sufficiently than she’d be in this…” he fanned his hand around a few times, “...this place.”

Bela landed on the railing with a swoosh and squawked.

“I hate to say it, after everything,” you angled toward the steps, exhausted.  “But I don’t think this Brenner person is going to stop until he gets what he wants.” You glanced sideways at Eddie. “I don’t want anyone else to get hurt because of me.”

“I’d like to meet this guy myself,” Steve said through gritted teeth.  

Jareth flipped the collar of his coat up and ran a hand through his golden hair.  “Well, my offer stands.  Sacrament is at your service if you should require shelter or protection.”

“Sounds good,” Eddie said dismissively, reaching for the railing to cage you away from the two men. “We’ll let you know.”

“Thank you, Jareth,” you told him, and he winked at you, returning the genuine curve of your smile.

And Eddie hated it so much, he wouldn't have been surprised if steam were coming out of his ears like a cartoon villain.

But he let it slide because Jareth could make things fucking awkward in that moment if he wanted to.  

You turned to Steve.  “Would you like to come in? I don’t have much by way of food, but—”

“He’s fine,” Eddie answered for him.

The two glared at each other for a beat, but then Steve relented.  “Thank you, but I’m not hungry.  Still, I think I’ll stick around for a while, check the perimeter,” he ignored the tick in Eddie’s jaw and waved at you as he backed up to disappear around the backside of the trailer. 

“Hey Harrington, my vest!” Eddie shouted, and it wasn’t long before the denim came sailing through the air to land on the dead lawn near the porch.  Eddie bent to pick it up with a huff, and by then Jareth had disappeared into the night.

Now you were finally alone, and as much as it was what he wanted, it made his stomach drop.

Eddie paced the living room a bit before taking a seat, perching precariously at the end of the sofa to bounce his knee and gnaw at his bottom lip.  

“Listen,” you took a beer and a half-full bottle of NuBlood out of the fridge to put it in the microwave for him.  “I figure there’s no use asking you to leave with people obviously hunting me down, but I really need to take a shower.  So just…make yourself at home I suppose?”

The microwave dinged and you walked the warm glass bottle over, and then waited for him to wrap his hand around it, fingers grazing yours, before you spoke. “I feel like there are some things we should talk about.”

Eddie was already nodding. “I’d like that,” he gulped.

Eddie waited until he heard the shower running before he sank down into the cushion and used the remote to turn the TV on.  He needed to distract himself from letting his mind wander to how you were absolutely undressing in there, about to be naked and wet and…

He squirmed in his seat and turned the volume up.  It was an MTV music video for Metallica’s Until it Sleeps, but he only vaguely cared as he puffed his cheeks for a forceful exhale. In his head, he practiced what he would say, how he would beg your forgiveness, and how he never really understood what this guy Brenner was all about until it was too late…

In the shower, you made the water as hot as you could handle it, leaning into the burn, and stood there for the longest time without moving. Eyes closed, you could feel Eddie step into the shower behind you, sneaking his hands around to pluck at your nipples.  “Room for one more?” He rumbled in your ear, just before he nibbled it.

He wasn’t really there, but you couldn’t help but touch yourself with a soapy hand as if he were, biting your lip around a moan.

The water ran cold by the time you were ready to step out, swooshing the curtain aside with a swift swipe of your arm.  

The thump of something heavy falling to the ground out in the living room had you straining to hear what it might’ve been as you pulled a clean t-shirt and jeans on.  Music videos were on, playing In the Blood by Better Than Ezra, and you called Eddie’s name.

The only response you got was from Bela, and she let out one long screech that felt like it had the power to break glass.

“Eddie?” You shouted this time, flinging the door open to let the steam roll out and fill the hallway. “Bela??”

The door to your trailer was wide open, but Bela was there, scrambling from the back of the couch to perch on your shoulder the second you came into view. 

“What happened?” You asked your demobat companion.  “He just left us here? Without a word?”

The potted terracotta plant that had once been above the TV right by the door was on the carpet, shattered.  

You crossed your arms over your chest, and shivered as you stepped one foot out on the porch to look around, a chill breeze nipping at your flesh.  “Eddie? Are you out here? Steve?”

The whole court was eerily silent, even the crickets and frogs were holding their breath.

You backed up into the house, pulling the door shut.

The TV screen went from MTV to static, and you stepped back to stare at it while Bela swished her tentacles around nervously, leaving red, raised scratches on your arm and neck.  She was heavy, but you’d gotten used to her weight and hitched our shoulder up to accommodate.

The static changed to the image of a man standing before a black backdrop.  He was tall and thin, wearing a business suit with a full head of silver hair. 

“Hello Dove,” the man on your TV said.

He was looking right at you.

You glanced around for a weapon, but as if he could read your mind he said.  “No need for that, I don’t want to hurt you.”  He was handsome in a “trust me”, evil doctor kind of way, but the last thing you felt like giving him was your trust.

“What did you do to Eddie?” It felt stupid, talking to an electronic device as if it were a person, but that was the situation you’d found yourself in.  

Brenner said nothing, but you got a bad feeling and swallowed to wet your dry mouth before taking cautions steps over to the window facing his trailer to peel back the blinds.

But you could already see the flames inside, and just then, you smelled the smoke.

His trailer

It was on fire.

“Nononono no,” You chanted, charging for the door.  

“Come with me quietly,” the man on the TV said, calmly. “Or your vampire boyfriend will meet the final death.”

You halted in your tracks, glaring down at the older man, nostrils flaring with anger.  “Come with you? Where are you hiding?” You chided; hands balled into fist as you cocked your head. “You’re not afraid of me, are you?”

Brenner looked down before meeting your eyes again.  “Your father underestimated the capacity for your powers.  I don’t plan to make the same mistake.”

“How did you know my father?” You barked.

Outside, one of Eddie’s windows blew out, glass shattering everywhere, and his curtains went up in flames.

You ran outside and flew down the steps before the man's voice could stop you.  Dio, Eddie’s cat, ran by to hide under your trailer.  

Maybe Eddie had gone in like a crazy person to save some photos or something, and somehow, he’d gotten trapped in there.   Bela took to the sky while you rushed to his door.

But then there he was, staggering out on a dark cloud of smoke, holding an electric guitar in his hand.

“My sweetheart,” he held it up.  “I couldn’t let her burn.”

He was smiling at you from the top of his steps, dimples popping, and you could help but mirror it, flooded with relief.  He really didn’t care that his whole place was burning, as long as he had Dio, his guitar, and you.

He’d lost much more in his life to a fire once when he was younger, so this one wouldn't sting half as bad.  

And it suddenly didn’t matter that some creepy old dude could somehow talk to you through your TV: Eddie was okay.  

But then something else happened. 

He took the first step, never taking his eyes off of you, but something knocked his shoulder back, like an invisible punch.  

And then another and another

The smile on his face quivered and his forehead creased, trying to understand what was happening.

He tucked his chin to look at his torso, and your eyes followed.

Dark blooms were appearing on his shirt like liquid spilled from an inkwell.  On his chest, over his heart, from his stomach.  

He stumbled down the last two steps and then fell to his knees, dropping the guitar so that he could brace himself with his hand.

Had Eddie been shot?

You didn’t have time to figure that out.  Some strange voice in your head told you there was a chance the trailer could explode—or maybe you’d watched too many movies—but you had to get him away from there.  He was a vampire, and even if he had been shot, he could heal, but you weren't sure how he would survive his body being blown to bits.  

The next thing you knew, you were carrying him, much like he’d carried you in his arms earlier.  You didn't need to summon the insane strength; it was just there. There was that buzzing in your skull, and you could feel violent sparks crackling through your muscles.

Everyone was coming out of their trailers at that point, and Dolores was screaming frantically into her phone wearing a nightshirt and curlers in her hair.  You didn’t know how long it would take for the fire department to get there, or if there was a possibility that the wreckage would spread to the other trailers.

You put Eddie down on the other side of your hearse and leaned him back against the tire to find there was blood trickling from his mouth, but he still tried to grin at you.

“See,” he sputtered.  “You’re like a superhero.  You don’t need me.”

“But I do,” tears clouded your eyes while another window blew out from the trailer.  You put your forehead to his and your lips brushed together.  “Please, don’t leave me.  Eddie I—”

“The bullets,” he winced.  “They’re silver.  My body can’t reject them.”

There were three or four different holes in him there that were steaming as the silver burned him from the inside.  You cupped your hand on his jaw, and he grabbed your wrist, turning his head to kiss your palm.  

“Here, take my blood—” 

You yanked your shirt down to give him your pulsing jugular, but all of a sudden you were forced back by some unseen force, flying through the air until you landed ass first in the gravel and skidded to a stop, rolling over to find yourself face first at the feet of someone wearing a pair of black, shiny shoes and slacks.

“Dove,” a familiar, deep voice said. “We meet again.”

You pushed back, scuttling away to find that it was the man from your TV; he was standing in your trailer park.  Flanked by two menacing looking men with bald, tattooed heads, wearing sunglasses.  Each of them in suits and ties as if they were the actual Men in Black.  

“I don’t know you,” you grumbled, getting to your feet that were bare and bleeding, but healing rapidly. You checked around each shoulder cautiously to see that there was a handful of other men in suits, all of them holding guns, and then a tall guy with a scalp of strawberry stubble, no more than 20, in a red jumpsuit. The guy had his chin down, eyes pinned on you as if he might shoot lasers from them.

His expression was deceivingly kind.  “My name is Martin Brenner.  I met you before you died the first time,” he said casually.

“You see, your father and I used to be friends,” he walked a circle around you, before coming front and center again.  “He stole valuable information from my laboratory in order to bring you back.  You're my property as well, but he decided to keep you from me.”  

“My father never mentioned you,” was all you could say.  In your peripheral vision, you could tell the others were inching close.

“We could’ve been so great together, Dove.  Imagine your contribution to science.  And you would not be so uncertain about your powers,” he stepped back to gesture at the boy in the red jumpsuit.  “I want to introduce you to Kane.  He was reanimated the same way you were, but under my expertise and supervision.”

Kane had a railroad scar on his forehead, and a hand that was a different skin color than the rest of his body.  It wasn’t just a different skin tone; it was a body part from an entirely different person.

You thought about all of the love you were raised with, and though your dad fumbled the ball on attentiveness quite a bit, you never doubted how much he cared for you.  You were beginning to understand that maybe he didn’t explain what abilities you might have because it would lead you back to Brenner somehow.

The surge of power was growing inside of you, and instead of pushing it down, you let it grow and churn and spill out, creating a type of electrical force field around your body, a vibrating aura of protection.

“Show her what you can do, Kane,” Brenner said.

Not sure what to expect, you watched Kane rubbed his hands together, creating a bright bolt of lightning from the friction, his eyes went milk white, and then he shot an arm out towards the nearest hulking security guard, palm open, and it sent the man in black off his feet, sailing back as if he were hugging an invisible beach ball.  He smacked into the side of the opposite neighbor’s trailer with a bone to metal thwack.  

Your eyes were fixed for too long on the man slumped in the gravel, and when you turned to face Kane again, he was a few steps closer, peering through his lashes at you with an evil twitch of his lips.

Apparently, you were the next example in his bag of tricks.  

Your feet were off the ground before you could process another thought, catching air like a rag doll only to drop down and skid face first into the cold, dry earth.  

Oh, so that’s how it’s going to be, eh? Lifting into a push up position, you spat dirt and blood from your mouth with a curse.

Gathering yourself up and into a crouch, you vaguely heard Eddie call your name, but he was still rendered temporarily helpless by the silver, and your head was spinning.  Not so much from confusion and fear this time, but more…anger.

You nailed Kane with a heated look, and then your hand lashed out in his direction, though he was yards away, and actual sparks flew from your palm, spitting like fireworks.

Kane was pummeled in the gut with a force he obviously wasn’t expecting, and you kept going before he could find his footing again, knocking him down before he could raise a hand at you again..

“How does that feel?” You bit, towering over him. 

In a heartbeat, you lifted Kane’s limp body above your head with a roar that you could not believe came from your own mouth.  Arching back, you aimed to drop him over the nearby trailer hitch, which would surely break his back, if not kill him, but then you remembered who you were and faltered.

Blinking, trying to quiet the buzzing in your skull, you knew you did not want to kill this boy.

You understood, even under such duress, that he was only doing what he was told.  

But Brenner was actually applauding you, pupils blown from the intensity, urging you to keep going, to murder this stranger at his bidding.  

You could’ve very easily ended up just like Kane, if not for the love and protection of your father.  

Heaving, trying to calm yourself, you threw Kane’s body in the opposite direction, so that he landed on flat ground that would absolutely hurt, but he’d be able to walk away.  

Brenner beamed at you like a parent watching their child take their first steps.  “You’re stronger than I’d imagined.  Your powers have somehow increased since your inception, and I’d love to know why.”

You squared up with him, making him step back to avoid the sparks actively snapping off of you.  “What do you want from me?”

You didn’t have to look to know that all of the guns were trained on you.  

“I want you to work for me, Dove. We could change the world together, you and I.”

It felt like he was trying to sell you a car, not asking to hook you up to electrodes and make you his own personal soldier.  

“Never,” you were calm now, and you wanted nothing to do with this man or whatever he thought he could do for you.

The flames went higher on the trailer, and in the distance, wails of a fire engine could be heard.  

You caught sight of Eddie, but he was flat on the ground now and no longer sitting up.

You rushed by Brenner, slamming into his shoulder as you went, but two of the guards caught you by the arms.  It felt like they were stronger than normal men, and when they bared their fangs, you realized they were vampires.

Growling, you flung them off of you, and they went stumbling back as if they weighed nothing, as if you were suddenly impervious to their supernatural strength.

“Kill the boyfriend,” you heard Brenner bark at the men.  “Use the wooden bullets this time.”

A gun cocked, and you ran a few steps, but then vaulted over Eddie’s body, arms wide, using yours as a shield.

You felt the bullet impact like a dagger in your back, but it was as if it bounced off somehow instead of penetrating.  Eddie barked in pain as you covered him, but then he clung to you as you rolled him under the hearse, away from the gunfire.  

Caging yourself on top of him, knees on either side of his hips, and stomachs touching, you could feel how weak he was; the silver enabled his body from healing, and you had to find a way to get them out.  

You watched the feet of the one with the wooden bullets approach the vehicle, thinking of your next move when Eddie whispered into the side of your neck: “You’re so fucking beautiful—”

If this was the end for him, this was how he wanted to spend it: with you, being able to see your face one last time.  

Before you could respond, there came a shrill, tortured scream, and the booted feet you had your eye on stumbled back.

More agonizing screams, until the body in question dropped to the ground, limbs writhing, and you could see that Bela had attached herself to his head like an Alien facehugger.  

Only because he was a vampire, he was able to pull her off, but she took most of his flesh and his nose off with her.  

Bela took to the sky again, out of view, and they aimed their guns up at her.

“Not so fast, boys,” a new voice rumbled from the shadows. “I want to play, too.”

Eddie’s shallow breaths moving under you, it was all you could do not to cheer out loud when you realized the voice belonged to Jareth.

And apparently, Jareth brought friends; enough to fill the entire courtyard.

They were crouching on the roofs, on cars, everywhere.

Brenner and his crew were surrounded; Bela had gone to get help.  

In the woods, a pack of wolves howled their attendance as well.  

Jareth pierced the closest vampire in the heart with a wooden stake and he exploded, guts flying everywhere.  

As far as the human bodyguards went, the rest was a bloodbath.  

From what you were told later, Kane ran, and Brenner tried to get behind the wheel of the SUV, but instead he was dragged into the war zone and drained dry before being ripped limb from limb. 

Jareth wanted to keep the doctor in his dungeon to torture him, but a few of the vampires knew of Brenner and the experiments he’d done on their kind over the years.  It was all nothing short of sadistic torture, keeping them barely alive so that he could run experiments on them over time and sell their blood for a profit.

They’d been wanting to get their hands on him for a long time.

—-----

By the time the rescue team and fire truck showed up, all of the vampires had evaporated into the shadows, and you’d snuck Eddie up into your bedroom, carrying most of his weight as he was only able to hobble.  You collected his guitar as well, and brought Dio inside, since those were the only two things from the burning wreckage, he voiced a care about.  With the lights out and the curtains closed, you used a modest bedside reading lamp to assess the damage.  While you were concentrating on him, his eyes never left your face, his heart bursting. 

“You might have to suck them out,” he cleared his throat.  “The bullets I mean.  I’m sorry if that’s weird.”

“You mean, weirder than all of the other shit that happened tonight?” You mumbled, coming back from washing your hands.  There was still dirt caked under your nails, possibly some blood, but whatever.

“Good point.”

Until you got the bullets out, any blood you gave him would be useless, so without another moment of hesitation, you crawled up on the bed, springs bouncing, and knelt next to his torso, bracing a hand at either side of him. He was burning up around the sight of each wound, and the skin sizzled as the alloy continued to roast him alive.  

The first one was at the surface and came out fast, hot metal on your tongue.  The next one, under his right nipple, was deeper and you had to suck harder, making Eddie’s toes curl.  You spit each out onto the floor, and strings of his blood mingled in your saliva.

One hand behind his head, the other rested at his hip with a thumb in his belt loop.  “So, you’re like…the incredible Hulk, but with powers.  That’s pretty badass.”

“I don’t know what I am,” you scoffed, sucking out another, and then pausing to watch the openings seal up and heal.  “I’m a waitress, that’s all.  That’s all I want to be.”

He nodded, musing on how many times he’d wished he could go back and not be a vampire. He wanted to tell you the story of when he was reborn, but that could wait for another time.  Now it was time to put some very messy cards on the table. 

The last bullet was deep, and you had to swirl your tongue around in the hole to loosen it.

“I have something I need to tell you,” he blurted while your lips were near his belly button.

“Mmmhmm?”

Fuck, here it goes…

“First, I just want to say that I had no idea who this Brenner guy was before, like, a few months ago,” his next swallow felt like he was chugging a grapefruit. “If I’d have known what a creep, he was I never would’ve…”

You stopped what you were doing to raise your head, waiting for him to finish, the final bit of silver still lodged in his abdomen. “You knew of Brenner? Before all this?”

He couldn’t look at you, he had to stare at the ceiling.  

“Uh, yeah, that first week you were here, he tracked me down at the chop shop and said he’d pay me a shit ton of money to keep an eye on you. I didn’t ask a lot of questions.  As far as I knew, you were his long-lost daughter, or some shit and he wanted to make sure you were safe.”

You sat back on your knees, trying to let that sink in.

He lifted up to brace himself on an elbow, wincing at the sting of the remaining bullet.  “I didn’t know you then, that was before we were…” he fumbled with what he wanted to call you and what you actually were, “...a friend.”  

“So,” you frowned down at your hands.  “You’re the reason I was kidnapped tonight? The reason all of this happened?”  Your wide eyes snapped to him.  “Did you set me up?”

He sliced his hand in the air a few times, shaking his head vigorously.  “No..nope…I had nothing to do with any of this,” he pleaded.  “I only reported back to him for a couple of weeks, and then I stopped, really.  After that night I first took you to Sacrament, I told him I was too busy to—”

All of the horrific memories were rushing back to you.  “What about the Klemp’s? Did you pay them to hurt me or something? So that I’d have to drink your blood and let you into my head?”

Eddie spoke so fast; he stuttered over his words.  “No, absolutely not, never! I just happened to be in the right place at the right time. I would never let anyone hurt you like that.”

“But they did hurt me,” you muttered.

Now it was you who couldn’t look at him, working your jaw muscles as you tried to decide which emotion you should be feeling.

“Why should I even believe you?” Your voice was small.

“Please believe me I—”

“If you knew this guy was stalking me, why didn’t you tell me sooner? If you’re as concerned for my welfare as you claim to be?”

You couldn’t tell if you wanted to cry or scream; maybe both.

Eddie didn’t have a chance to answer.  You were on your feet at the end of the bed with your arms crossed.  

Suddenly, you were shaking, and you couldn’t control it. “After Sacrament, I didn’t see you for a long time, it felt like you were avoiding me.  Was that because you no longer had to fake interest in me for your scam?”

Eddie pushed himself up into a seated position, blinking back the memory of how painfully hard it had been to stay away from you for all that time.  “No, you have to trust me, that had nothing to do with—”

“Trust you?” You barked a sarcastic laugh.  “Tell me why then? Why avoid me for so long, huh? Because you weren’t getting paid to—”

Eddie’s voice wavered and he spoke in a rush.  “Because I started to have feelings for you, that’s why. Happy? Because ever since that first day I saw you, you’re all I can fucking think about.  Because I can’t even look at another woman without seeing your face, and believe me, I’ve tried. I’ve gotten real good at disappointing people and leaving people behind, and all I know is, I don’t want to disappoint you.”

Your lips parted to say something, but he figured what the hell, he might as well scare you all the way off while he was at it.

He relaxed his shoulders and wet his lips. “I never told you that I was made vampire against my will.  I died and was brought back, but my heart went cold, and I never thought I’d feel anything for anyone ever again.  I didn’t want to feel anything.  I should’ve stayed dead, I wanted to be with all of the people I’d lost…”

His suede brown eyes sought your face.  “When I’m with you, I don’t feel dead anymore. When I think about you, I feel fragile and human again.  Like maybe I’ve got something worth giving away.”

Silence filled the room like helium in a balloon about to burst.  

He’d gone for broke, and there was nowhere left to hide. He was officially at your feet, where he’d always been.

“You don’t have to say anything,” he whispered when you didn’t respond right away. “I get it.”

You tilted your head all the way back to stare at the ceiling.

“I dream about you every night,” you admitted on an exhale. “Logically I know it has to do with ingesting your blood, but it’s…it’s more than that.”

He bit at the inside of his cheek, picking at a thread on the comforter.  “Every night, huh?”

You gave a few slow nods, and you could almost hear the smile pull across his teeth. 

“Yeah, so, blood induced dreaming should only happen a handful of times after it’s ingested,” he said, shifting in his seat. 

You kept nodding, since that was something you’d already suspected.  “The dreams are always so vivid, I wake up…”

He dared to finish for you after a long pause. “Wanting more?”

“No,” you corrected, turning to face him.  “I wake up wishing they were real.”

----

I la la la love you all who have reached out to me about this story and continue to cheer it on. Comments, reblogs, and asks about this world mean everything to me.

----

Taglist: @trixyvixx@sllooney@writinginthetwilight@sidthedollface2@atomickaratel8dy@probablyin-bed@kiyastrf94@briamunson92 @joannamuns9n@jasminelafleur @@bellalillyrose @dashingdeb16 @alba8688 @corrodeddeadlydoll@brassreign@likedovesinthewnd @ilovetaquitosmmm @skrzydlak@onegirlmanytales@angietherose@probablyin-bed@reidsbtch@moonbeamsandmayhem@eddiesxangel@hideoutside@secretdryrose@nailbatanddungeon@thorfemmes@corkadymu@kellsck@mrsjellymunson@poofyloofy@dream-a-little-nightmare

[novy2sirius]

9 in Numerology

• 9’s are very adaptive. This can be both a good and bad thing depending on who and what they choose to surround themselves with

• 9’s are one of the most compassionate numbers

• 9’s are typically more introverted unless they have extroverted numerical energies in their bday as well

• 9’s are very emotional people

• 9’s are the most powerful manifestors besides 19’s and 22’s. This is because 9 is the number of reality and illusion. They know how to make their delusions into reality

• 9 is the number of death so it’s not good to do anything risky on these days such as riding roller coasters

• 9’s have an ability no other number has which is to enhance others numerological energy and make them a better version of themself. They are also one of the most creative life path numbers

• 9’s can be good followers and leaders. It’s up to them

• 9 is one of the numbers of beauty in numerology. These people are often seen as some of the most beautiful people by society unless they have bad karma they have not yet worked through. They must work through karma to have a glow up. Karma shows in your appearance

• Many people with a 9 in their birthday are performers, singers, rappers, or some kind of entertainer. They were basically born to be a star

examples: elvis presley, justin bieber, ariana grande

• 9’s are one of the most intelligent numbers and tend to be one of the smartest people in the room since it represents the mind. They’re very deep people that are often misunderstood and seen as “stupid” but when you get to know them you’ll find that they’re highly intelligent and spiritually connected

• 9 is a femi(nine) number which is why they’re highly connected to the spiritual realm just as women are. Women’s body’s are a literal portal. It’s how a spirit can enter their womb and come into this world. Women are very powerful spirits

• 9’s are good at using their emotion to create amazing art

• Since I’ve said so many positive things about 9’s I will mention some of their negative traits is that they can sometimes be egotistical, they can have lots of ups and downs with their love life, they can sometimes be scammers, and they can easily manipulate others since they can easily appear as something they’re not

• Going off of the last note because people with 9 energy can easily appear as something they’re not they tend to make amazing actors as well. The type of actors who are so talented you forget they’re acting sometimes

examples: johnny depp (9 day), timothee chalamet (9 day and life path), morgan freeman (lifepath 9), marilyn monroe (born in a 9 year)

• A lot of men born under 9 energy can be hardcore simps and obsessed with women which personally I find attractive. Depending on their other numbers they sometimes tend to be on the more feminine or soft side too

• 9’s can hold a lot of grudges and be unforgiving at times

• A random fun fact about 9 is that anything you multiply by 9 will always reduce to 9 again. 9 is everything/infinity. Example: 9x5=45 -> 4+5=9 — 9x10=90 -> 9+0=9

• 9 is the number of completion

[cartoonistcoop]

ShortBox Comics Member Interview: Sloane Hong

Throughout the month of October, the Cartoonist Cooperative will be sharing interviews with members of the Co-op who have a new comic available at the ShortBox Comics Fair 2024! 

NOTE: The Cartoonist Cooperative is not affiliated, associated, authorized, endorsed by, or in any way formally connected with ShortBox.  

Today’s spotlight is Sloane Hong ( @plaest2k ) and their new comic for ShortBox, Expiry Date.

We’d love it if you could introduce yourself and tell us about your background in comics.

Sloane Hong: Kia ora, my name is Sloane Hong (she/her), I’m a Korean-tauiwi illustrator, comic artist and tattooer based in Aotearoa, New Zealand. I only started making comics professionally about five years ago but they’ve always been a significant part of my life for as long as I can remember.

Tell us more about your new comic?

SH: Expiry Date is an erotic, body horror, sci-fi short story about coming home from a long day at your shitty, minimum-wage job, crashing on your couch and fantasizing about how fucking good it would feel to just die.

I mean, it’s also about transness, labour rights, our relationship with our bodies and death under capitalism, etc but it’s mostly about shitty jobs.

My friend described it as “what if David Cronenberg was a transsexual dyke who grew up reading ero-guro”.

What are some early experiences as a cartoonist that shaped you or your process?

SH: My brother’s also an artist, probably better than I could ever be, and I basically owe any good taste I might have to him. Growing up, I always got home from school first so I’d sneak into his room to admire his drawings and read his comics. He had most of the usual stuff you’d find on any Korean kid’s shelf in the 90’s: Akira Toriyama, Masamune Shirow, Yoshito Usui, etc, and a couple of Korean manhwa that are all now damn-near impossible to find. As he got older, he started getting into American comics and brought home stuff like R. Crumb, Daniel Clowes, Fletcher Hanks, etc from the library.

But it’s not just that I had someone to introduce me to all this stuff, it’s the fact I’m six years younger than him and he was already reading this stuff earlier than most. So I think I started looking at all those misanthropic underground comics by horny white men when I was, like, what… about 10 years old?

Besides my brother, the trauma of working shitty jobs for years on end, The Terrible Boredom of Paradise, and this weird and fucked up miracle we call life are probably the wellsprings of both my inspiration and ceaseless burnout. 

Tell us about your creative process; how did you develop this comic and what are the steps you took to bring it to the final stage?

SH: I did something really stupid for the 2023 ShortBox Comics Fair. I have ADHD and one of the many ways it manifests is that I have a debilitating habit of overthinking my stories. “Are the themes too obvious? Is it too heavy handed? Are the motivations for this character clear enough? Is this the right way to phrase this? Is this the right word? Is this the right letter? Is this the right punctuation?” etc, etc.

On paper, it probably sounds like something every writer goes through but when I say debilitating, I mean interferes-with-my-ability-to-live-a-normal-life-kind of debilitating. It’s kind of impossible to articulate how bad it was but it got to a point where I was so sick of myself and all the stories I never finished that I said fuck it–maybe if I just jump into a comic with nothing but a stupid premise, no planning and an impending deadline, I won’t have time to think about all these inconsequential details. So I sat down and forced myself to write, pencil and ink a comic, page-by-page.

It was essentially an exercise in automatism: I was still thinking about draftsmanship, composition, flow and everything but I kinda just let the story tell itself by writing/ drawing whatever felt like a natural progression for the narrative.

That was how I ended up with Marrow, which was kinda funny because the whole point was to make a goofy, low-stakes comic about nothing to circumvent the pressure of having to write anything good. Instead I’d inadvertently made something that was layered and deeply intimate and won the sci-fi category in the 2024 Minicomic Awards. But, more importantly, the whole process helped bring everything together. It reminded me of something I used to tell young artists: developing a style isn’t something you really set out to do, it’s something that just happens. You don’t practice drawing to get better at drawing; you do it to better channel your voice. It’s only when you can stop thinking about how to move your hand that your heart can take the lead.

I’d forgotten my own advice. I was so concerned about the technical details of how to write a story that I was basically assembling components rather than writing anything at all. Marrow helped me realize I’d already internalized everything I needed to write long ago. I just needed to stop thinking.

Expiry Date was a continuation of that process and made in basically the same way. There was just significantly less stress involved now that I knew I could trust myself.

Mostly.

Read the rest of the interview HERE! And dont forget to check out the Shortbox Comics Fair to support these lovely creators!!

[centrally-unplanned]

Saw this really cool post of a 1982 "SF" (Science fiction but in Japan that included things like anime, manga, tokusatsu, etc at the time) magazine that did a survey of active fan groups/circles at the time - ~woo, precious data! Lets see what we got:

Love to see a good gender breakdown - as is often the case in these things, while it is of course majority men the number of women participating is very strong. You do notice the age imbalance there - many women in their teens and college-aged, but it drops off quickly. I suspect that this is primarily because this survey is right in the middle of the first wave of the "pop SF boom", where more approachable works like Gundam and new manga subgenres were rapidly growing the community. So the older cadre was more heavily men, while the new group is more balanced. However, this is the early 1980's - it might just be that when a woman graduates college she was expected to marry and "settle down" still, inhibiting participation in these kinds of groups. I think it is primarily the former, Japan had pretty rapidly changed in the 1970's and female creative types were commonplace by then, but I won't pretend the latter players no role.

The writing on this page just contextualizes the piece, not much to report, though it does note that "3 people replied 'other' for gender...as a joke!" Sure, jan!

Anyway, on to page 2, what is our poll question of the day...

ロリコンについてどう思いますか? What do you think about lolicon?

....*siiiiiighs* guys I didn't, I didn't look at the second page before typing this up! I just wanted to report the gender data! This just happens to me, I swear -_-

But I can't back out now I guess:

It actually splits the question by gender - men are asked "are you a lolicon" while women are asked "what do you think of guys who are lolicon" - sexists, way to erase the female lolicon. Not actually joking there, it is a quite a thing due to its overlap with rape and dubcon fetishes - but I won't pretend I have expertise on the prevalence of that in 1982 Japan's SF community, even if it you see it today. Anyway, most men are not lolicons (the tallest line), though others fall on a spectrum from interested to "graduated", certainly a choice of words one could make.

Funnily a good dozen say they are called that by others, but not themselves - I believe that is related to the vague line between loli & shoujo aesthetics at the time. Which is important to emphasize, as I always do on this topic - sometimes the word lolicon just means "youthful" or "cute", sometimes it means like high schoolers, and sometimes it means real-deal underage stuff, and you won't know without context.

Meanwhile two women label lolicon men as "cute!", good for those two living their truth, while others are broadly tolerant but have Opinions. Which is fun, because the rest of the page is people sharing said opinions, sorted into "good" or "bad"! Some choice ones:

★ It's a symptom of modern civilization’s sick parts, but also an inevitable phenomenon. It’s better than having a rabbit or cat complex. Don’t lay hands on young girls. Lolicon must remain platonic. (♂/19/)

You see this theme a bit, "symptom of modernity", the new sexual fetishes are a product of a changing world. Certainly up for debate, but also very "in vogue" for the 80's & 90's to worry about that sort of declinist narrative. Then again, guy is a catgirl and bunnygirl hater, not sure we should listen to their shit taste.

On the flip side you get the "natural way of things" types, of which this is my favourite:

★ There’s nothing abnormal about having a dream involving an uncontrollable urge towards pre-teens. Even Romeo and Juliet would have made Romeo a lolicon given Juliet’s age (14), but people don’t think of it that way. Only at that age can girls love and respect men without ulterior motives. (♂/19/)

That last line, you are telling me so much about you with that one!! You can see how this is discourse, right? Like if one side says you are a "symptom of modernity" you ofc respond with "this is how all guys are" and with callbacks to traditional culture.

The "bad" side has a lot of ruthless condemnation, with more than one call for the lolicons to simply die or labelling them worthless scum. The magazine's writers do try to keep the tone breezy but I do think this topic being actually contentious in the community pokes through here. Though this serious one really did undercut herself a bit at the end:

★ I can understand why one person of the same gender might feel admiration or affection for a child or young girl, but for a man to only be able to love much younger women? That’s a mental illness! If they aren’t willing to fix themselves, they might as well die. They’re enemies of women. It's not going to turn out like Nabokov's Lolita. (♀/20s/)

I mean they did also kill jesus Humbert Humbert in Lolita. that was a pretty significant thing that happened. like i understand where you’re coming from here but they very much did kill the Lolita guy.

There is an editorial at the end, and it echoes something one of the comments also states; that the lolicon boom was seen as coming from "hard" SF fans, the people who did the really nerdy stuff. There is a word they use actually which is neat: 根暗/Nekura, meaning someone with a "gloomy root". It began seeing use as a slang for hyper-serious, boorish people in the late 1970's and became a fad to use in precisely 1982 - here is a live record of that! They associate "hard SF" fans with these sort of gloomy types who can't take a joke or appreciate hanging out with the buds at a bar, that kind of thing. From there, and here I am reading between the lines, these fans like a sort of "idealistically sterile" world, and lolicon as a preference (in comparison to Real Adult Women) flows naturally.

I mention this because astute readers might be going "oh, like otaku?" and that word was only just buzzing around at this time - it is typically dated to 1983. The editorial writers note that these nekura-types are nowadays proud of that fact, wearing it like an identity:

A: I’m not really sure why, I don’t fully understand the inner workings of the SF world, but it’s like, out there, hardcore SF fans are considered gloomy. Maybe that’s why there’s this connection to lolicon? B: But surprisingly, everyone’s actually pretty cheerful. In today’s world, the 'dark and gloomy tribe' is trendy. It’s like they’re enjoying calling themselves gloomy, almost as a fashion statement.

So yeah, I can totally see proto-otaku discourse going on at the edges here.

There is a third page but it continues in a similar vein. A bunch of mentions of Hideo Azuma, who I am growing increasingly convinced was more of a lodestone for the lolicon boom than is currently appreciated - he is the ur-reference everyone makes. More discussion of girls in sailor uniforms as a gateway drug, yeah yeah, "is fine as long as its fiction", of course of course, one of the magazine editors remarking he wants "a wife for practical uses but a daughter as a pet" yeah okay we can call it we're done here, no more survey data anyway.

Not the topic I expected to find, but still this is really valuable "primary source data" - you can't trust the literary class fully on these things, having first hand quotes from community members on otaku culture in the era is always valuable.

Sorry if you got tricked into reading this - in my defense I did too!

[spaceorphan18]

How an animated series saved Remy LeBeau (again)

It's a bit of a hyperbolic title, but catchy, non?

I was looking over my comic collection as I've decided to reread X-Men's 60 year history over the course of the summer. And it got me thinking about a dead period of 616 canon that I've never actually read. Around the time Rogue hooked up with Magneto and scooted off to the Avengers, I decided I'd be done with comics for a while. And didn't start again until Rogue (and Gambit) came back to the X-books in 2017's Astonishing X-Men. But it made me wonder -- What happened to Gambit in that time??

Well, after his solo ended, he flitted around to X-Factor and hung out with X-23 and then kind of went 'poof' for a good long while.

Why? I can only guess the same reason this is a running motif with Gambit. There's something about him that drives the X-Office crazy. I'm not here to speculate what or how or who of it all. I don't know enough about the back end of Marvel to give concrete answers. But I think what has surprised me (recently) is that he's definitely a fan favorite character.

[Yes, I know he can be a divisive character. Yes, I know elements of his character from the 90s have not aged well. Yes, I know there are those of you who can't stand him. Don't really care - you can get off my lawn, thank you.]

Which got me thinking -- Gambit's original popularity, I believe, stemmed from the original X-Men Animated Series. He had just started showing up in the comics at the time, and had barely any kind of page time. And the X-Men TAS swung and was a hit. And so was Gambit.

I don't really know that Gambit would be around today if TAS hadn't done its thing. Would the X-Office have kept him around? I really have no idea.

But they did try to get rid of him. That was the point of leaving him in Antarctica. And things were just never the same after that. Claremont tried his best in the early 2000s. And then Deathbit happened. Carey's run wasn't bad. But Carey clearly had an agenda for other things... And then, Gambit just kind of faded into the background. (I hear his run as a side character for Laura (X-23) was good - but I haven't read that.)

Bless Kelly Thompson (always) for sparking life back into him with (and his relationship with Rogue). And bless the fact that she actually married him to Rogue. Yes, I understand comics -- my god look what they did to Peter and MJ, no one really gets to be happily married except Sue and Reed. He and Rogue are now really tied together in a way that I don't think is going to be undone any time soon.

Even if the X-Office still isn't thrilled with the guy. Krakoa era has been less than ideal. (I can't comment on it fully - I haven't read much of it, as I'm behind on my comic reading.) But I've heard rumors that one reason Thompson was let go was that she didn't want Gambit killed off. And she didn't like the direction they wanted to take the character.

Which leads me to X-Men 97. Killing him off sucked. Really. As a fan, it really sucked. But - my god, the reaction to it. Gambit was amazing. And all I've heard lately is good things about the character. There's been a Gambit resurgence in the best way. He may have went out -- but he went out with a bang. X-Men 97 made an emotional impact with people. And that changes things.

Gambit is cool again.

And I love it.

What's even more exciting is the fact that the X-Office has changed hands again and Gail Simone on Uncanny who (if her Twitter/X feed is to be believed) is really enjoying writing the character. Which means (hopefully) at least another year or two in the comics of some (hopefully) great Gambit stuff.

And maybe there will be some changing of hearts and minds in the X-Office.

It's actually very exciting.

And, guys, I really (really, really) doubt he'll be completely gone from X-Men 97, too.

Because Remy LeBeau never stays down for long.

But as a fan, it's nice to see him be on top again. And I don't think he's going anywhere anytime soon.

[boozenboze]

Merc With A Mouth Meets Sexy Men

Tf 141 x Deadpool!Male reader

Summary: Watch as the the Task Force captures yours truly and gets me the join them. Damn that Captain has some rizz in him.

Disclaimer- There will be dialogue from the movies and comics

Females She/Her and She/They DNI

M/n was seated on the highway railing while doing some art. He kicked his legs back and forth, he looked like a child.

"Hey I don't look like a child!" The male said while turning his attention the

"Oh.. .Oh well hello! I know right, who’s balls did I have to fondle to be here?” M/n said as he chuckled.

"Can’t say it, but.....it does rhyme with polverine.” I said as I look back over at the traffic.

“I do at the moment have places to be, a face to fix, and oooooh!” I said as I looked at the oncoming vehicle. “Bad guys to kill!” The man in red in black said as he stood.

“Maximum effort!” The masked male said as he jumped off the railing and into the sun roof of the car. Off the bat one guy tried to shoot him but I headbutted him. I grabbed his face and slammed it into the window behind him. My boot collided with the guy in the fronts face.

“Cock shot!” I said as I hit another guy in the balls. I threw one of the guys out of the trunk and I heard him screaming, funny. I leaned to the front and I pulled out a piece of paper, as he turned to face me as I said.

“Have you seen this man.” The photo contained a beautiful drawing by yours truly. The guy grabbed my head before slamming it into the radio.

“Ow...ow....ow”

“Ok time to cause some trouble.” I muttered to myself as I grabbed the guys wrist

(Pov switch)

“A little bit further.” Price instructed as the team made their way down the highway. The ride had been going smoothly, but the traffic build up only made the eldest a bit frustrated.

"What the hell..." Gaz said as he looked up at a car go up in the air, a motorcyclists being given a wedgie. It felt like time slowed as the others looked with wide eyes. The cars ahead of them swerved in order to not be part of the accident. Gaz did the same thing for the same reason and Ghost grunted. The four of them got out the car and watched as the men in black who were still standing pointed their guns at a car.

"What the hell is goin on here?" Soap asked as someone popped their head out of the car.

"Hey!" The voice said as the man said as he immediately had gunshots thrown at him.

"Wait-hold up, you may be wondering why the red suit. Well thats so bad guys don't see me bleed." The man explained as Gaz couldn't help but chuckle at the comment.

"That guys got the right idea, he wore the brown pants!" The man pointed at the man in question which led to more gunfire.

"Ok-fine! I only have 12 bullets so your gonna have to share!." Price grabbed his gun in case things got worse.

"Hold on didn't Laswell say that there was a guy that we had to look for." Gaz asked as Price ducked under a car due to the bullets being sent towards them. Price pulled out the small paper that Laswell had given them which had a short description on the guy they've been looking for.

"M/n L/n...ex Special Forces and dishonorable discharge." Price read aloud as the others gave each other a look. Soap looked at the paper that had a small picture of what the man looked like, well it wasn't a picture of his face but it was what he wore. The same man that was currently wreaking havoc was the guy that they had been sent to look for....Again

“We’re seriously being sent after this this prick again.” Soap muttered to himself, disappointed that they were going after the same guy.

The bridge was silent at this point as the mans voice boomed threw the silence.

"Oh Francis!~" The man said happily as he bumped the car door with his hip as he skipped over to the man who had a katana lodged into his shoulder. The male flicked the grip on the blade and watched it wiggle.

"Now i'm about to show you what did to music in the late 90’s” I reeled my arm back but my hand touched something hard. I touched around it before realizing.

“Dad?” I asked only for whover this giant was to lift me up and throw me over his shoulder.

“Well this isn’t the family reunion I hoped for.” I said teasingly as I eyed the two buns that were in my face. My intrusive thoughts are telling me to just.

“Hehe. Nice ass you got there buddy, seems like somebody’s been doing their squats.” I said as the man grunted before he begsn walking.

“H-hey! What are you doing I need answers from him.” I said while pointing at the man who fucked up my face.

“Shut up your annoying.” The big guy told me with a....British accent. Thats hot. Damnit Francis gonna get away now i’ll have to get another plan.

Timeskip

Thud

Thud

Thud

“Can you stop!” Price yelled, getting tired of the mercs constant headbanging on the table. The man in red and black squinted at the older man before sighing dramatically.

“Come on sugar you’re boring me here. Can’t we do something fun.” I asked as the man huffed at my comment.

“Hey, you and your guys are the ones who chose to take me... again....you can’t get mad at me.” I said defensive as the man sighed. Price looked at me with a deadpanned expression.

“M/n....we’ve come up with a proposal. Join the Task Force, it would be good for you.” Price said to me as I sighed out of boredom. Can this dilf stop with this same dialogue. At this rate his voice is gonna break me!

“How many times are you gonna tell me this! Seriously just give up already.” I complained as Price leaned in and stared at me. Is he trying to make me cum from staring into my soul...kinky.

“Listen, I believe you this job is fit for you because, well.....your you.” Well ain’t that nice of him to say.

“Ok.... I still don’t believe i’m "Task Force" material but...what am I getting out of this.” I asked while putting on my ‘thinking face’. The other man sighed while running a hand through his hair.

“We’ll help you find a cure for your face and we’ll give you a high rank.” Price said thinking that would make me agree.

“And....?”

“We’ll all take you on a date-”

“Deal!”

Side note-There will be another part or 2

[soshadysoquiet]

TUA S4 thoughts.

Below, spoilers.

Okay. Lord gonna need some strength to get through this coherently.

Basics first:

The Music: Maybe 2-3 good songs. Dissapointing. Let's talk of a mo about Baby Shark: to me it wasn't funny, the song being such a social media present one in this world really took me out of the show. Yes sure the funnies of parents having to listen to kid music and them being stuck that way but I really wish they'd taken the time to make an original annoying jingle. TUA is usually such a delight for the ears that this hurt me bad! Plus they then kept changing whether the song was on or off, seemed like Diego could control it somewhat, but then why would he turn it back on for them riding into the final battle?

The Dialogue: Felt forced and cheap in places. They can use the word 'fuck' now and seem to therefor have decided they don't need to make the characters have witty insults for each other.

The 'Themes' of the show: Why has my quirky family drama been turned into a 90's romance film. Who asked for this. No.

The "Plot": When your own characters don't care about the plot for the sake of shindigs you think will be more entertaining then you know you fucked up. It made sense the first 2 series them having side quests. Less so in the third. Even less so now. Literally at times they had to say to each other 'oh yeah shouldn't we find Ben?' I'll be here in the corner raisining. Also they came up with these 'stages' for the apocalypse but had one guy throw up, a couple things go boom and then they merge, it was one of the least threatening depictions of apocalypse I've seen - though that could be that it wasn't shot in very interesting ways.

Also side note for why there were so many shots that started upside down and rotated? Like I get if Klaus is upside down, and yeah the umbrellas are inside out, but it (plus the Bennifer monster) gave me too many stranger things vibes.

Now the sub-cast:

Jennifer: Love that for 1/2 the protagonist of the apocalypse she had little to no love put into her character, I legit kept forgetting her and Ben were part of the storyline. I loved that she was birthed from the squid, but why put something eerie and cool like that in and make it have meant nothing? Such a waste.

The villains [Gene, Jean and Abigail/Psy(sp?)]: Whilst I liked the idea of memories infecting the timeline, literally all of these guys was Tell don't Show. And for a series with only six episodes I do not want my time wasted with some side-character villains getting a dance number over the main cast. Despicable. Also there were WAY too many villains here especially if you then also count Reggie as one. Literally make Jennifer be trying to link up with Ben and coercing him (then Viktor could break through to him briefly from past experience of a similar relationship - the symmetry is nice) and have Abbigail be pulling the strings. There were so many side characters of no import that I lost track of the main cast. Hell, make Kenny's Mom be the bad guy I'd have loved that! Also, I like that Abigail was somewhat evil, but then they tried to make her good too? No thank you. Pick a lane not everybody needs redemption.

Special RIP to Diego and Lila's twins that Never Even Got Names 💀 fucking hell that's lazy ass writing.

Now the main cast:

Viktor: He deserved better, why bother to introduce that he's had a girlfriend, slept through the entire town, and owns a bar when you then don't talk about any of it. He's told to 'grow up' it's so specific, what does it mean? Also since last we saw he was the sort of ride or die for his love type (with both Leonard and Sissy) this is a frustrating turn with no explanation. Also his whole fight with Reggie and getting things off his chest arc felt forced and not as well written to me. And his character seemed to have been given zero changes from the last 6 years. I miss when his powers actually had a sound element to them rather than just, Havoc from X Men hands. You're taking the Viktor out of my Viktor.

Allison: We have no explanation of how she and Klaus found each other and fell in together. No info of how she and Reggie parted ways. We only hear that 'Ray left her' and nothing else. She says no one wants her at the party but then seems to know Gracie? Has she talked with Any of them since? Nothing was addressed from the end of last season, or even referred to being addressed in the past. I don't see the point of her new powers, or any of them having slightly off or new powers when then some of them don't? Either way, her rumours are so classic and now she's floating people? I see the link and if they'd been developing new powers over 6 years fine but no. You're taking the Allison out of my Allison.

Luther: Praise be, I did like Luther this season. He mentioned Sloane (shock horror, a love interest from a time gone by being brought up?!?! In TUA!!??) he was cracking me up and was really being Best Boy. Although I felt a lot of his dialogue was flat, and it seemed really out of character for him to start attacking the piñata? I don't think we've ever seen him physically lash out unless angry? It looked to me like 'oh yeah here's another silly gimmick that will be a haha. Diego, sure. Luther, no. They also decided (not surprised but always so disappointed) to make him getting ape-i-fied again humorous and not the soul destroying thing it would be. Also, why was he ape-i-fied??? His ape-ness came from the serum not the marigolds? Generally though, I really did enjoy him this season.

Diego: Love that we're throwing every over used marriage-in-pieces trope in the book at these two. Love that. Especially as they seemed to have sorted out some of their communication issues. I get their trajectories but was so deeply, Deeply bored watching it. Diego was sadly pretty dislikable for the whole season, which was real sad because I had grown to love him. There were some funny moments don't get me wrong, he's got too much personality to be a boring character, but whilst they didn't have to have a perfect marriage it was so dull and in hindsight such an obvious set up for the bleh that was to come. Plus they threw in a 'don't make me turn this car around' type moment to show how 'he's a parent now look wow' but I can't imagine any of the siblings hearing that and not laughing at him.

Lila: Again, marriage and wrong-conclusions and it was so boring. She's such a fun character and she was reduced to 'ooo how can we make her be a cheater and with Five' Why do you even need to do that? I just feel sad about it. And it doesn't help that we Don't Know Two Of Her Kids Names and neither her nor Diego seem to think of them for however long they're on the road, and she mentions them only once in the 7years of subway hell and both of them seem relatively undistressed without them. Sure, parents do need a break, but if you don't care about the kids visibly you know for sure I the audience member ain't gonna. Also why the eye lasers save for again a brief gag? It makes no sense when she then also has mimics abilities?

Claire: Let's give Claire a side note at this point. I do so hate it when shows decide to make children their parent's brains and moral compasses, take little to no time to show any bond between parent and child until the last 2 episodes, and instead choose to spend that time showing us how naturally fractious a relationship they have. Love that, so much. Never seen it before really. I get it's normal, but when ever other part of the show is cookie cutter predictable I don't need this too. Give her an actual personality that isn't "the wise old rebellious teenager"

Ben: Wow. So glad that A) I had to hear a character explain crypto currency for me, so glad we wasted precious time of a 6 episode series on that. B) Ben had changed 0%. C) that he had Even Less input and impact at the end emotionally than in any previous season and this one was About Him! And do you know why? Because D) they basically used star-crossed-lovers-can't-help-ourselves and made him use every creepy stalker OTT moving way too fast line in the books especially when Jennifer at a lot of moments was verbally saying she wasn't into it.. Also why does he talk about her like he's a 12 yr old and, idk, it was a shame to have no real impact from him until the end when he's suddenly scared and pushing Viktor away to save him but we see no connection from him and Viktor previously as to why he'd listen it would make more sense if it had been Klaus or Luther at this point.

Klaus: Now, I know a lot of his storyline this season came from the comic, and sure it's good material, that should probably have been used Throughout the seasons rather than crammed into 1 day. But let's chat for a hot mo: Now I like that we got to see him be nasty rather than the precious uwu Klaus that I've been guilty of perceiving at times, and that we see some of the negative effects of addiction on the family for the first time. Great moments, important. BUT. I'd have felt his rage out at Allison and turn to drugs would have been a lot more impactful if they'd bothered to show him waking up to the sound of being screamed at, barely able to hear his siblings, struggling to focus on them and wanting to drown it out. But we don't get that, the horror of what this means for him. Then we proceed to got through this whole let's have him want to get shot by a drug dealer (don't quite get why - or how Claire knows he's immortal now? did the powers back thing ever come up??) have him kidnapped and forced to prostitute himself, take more drugs (but still use his powers?) Develop a new power though without using the comic's fun quirk that he has to take his shoes off, and then bury him alive. Wow. this guy had plenty going on, but sure. Then -he can save himself, I thought this might become something poignant - he's able to conjure the dog to Go to Allison and lead them there, but no, he just gets rescued again. Gee I wonder what grave he's in Mom? All I don't know Claire, how about the Only One That's Been Dug Up? I thought it was really interesting to see his moments as a teen with Allison, and how he was living with her and thought they handled the worry about death/germs etc thing well tbf. Though also how the hell did he get home from being 13 hrs away and why nobody cared to go with him was pretty low.

Five: Dear lord that moustache was awful and I'm glad they all called it creepy and he had no concept. I despise 2 things they did here: made it canon that he gets romantic with Lila. Made going back into the literal apocalypse that he spent time having flashbacks about barely if at all affect him - it's unsure if his hesitation going back into it the second time was hesitation to go in there, and that's what I hoped they would do, but then, no. no. Please, Pleeaasse don't take away this nice, safe space I had in this nice, safe 'you literally can't sexualise him with anyone it would be so problematic' character and say 'they held out 7 years but yeaaahhh they hook up.' don't see why it was needed. It didn't 'heal' him, it was a plot for conflict but I've got plenty of other conflict plots that can end with Lila and Diego fighting without having to make every damn character have a god damn love interest! I loved their bond before, it was so fun and special to see a male and female not have to fall in love, and they ruined it. And it was for nothing? And they didn't have time to make the 7 years feel like 7 years and it was lazy writing for cheap conflict in my opinion. I hated it, I hate that it's "canon". I don't think I can describe just how awful I found it and unnecessary. I also don't buy that Five would be willing to not drink the marigolds as much as the others, or that there would be a timeline full of given up fives that sit around a diner. It was fun to watch though. And up until they started the montage in the subway and we knew where it was going I was enjoying Five in this season. that boy has had such a shit life and this is how it ends?

I will say that the flashback to them as kids was my favourite part of this series. It's always good to have a little deeper insight into how they interacted as children but I do have some Opinions here too of course: Reggie saying 'you look ridiculous' to Viktor, no, he made their outfits? I felt that was lazy writing when Reggie in the past has laid into Viktor's insecurities much more keenly: 'That outfit is only for your brothers and sisters / we've been over this, you're not special take it off / I will not have you wasting time with frivolity when the Academy has important work to do, leave us." etc. Also I thought there might be something different about why they all forgot their Ben memories. It was brutal yes, which I appreciated, but I can't believe that these guys wouldn't see their father kill their brother and not One of them flip their shit? Idk, it was a little... good and bad I guess.

I think that's it for now, if anyone read this far then well done! I might write a fix it post in a bit for my own entertainment.

[libertine-past]

Alternate “Love in Vain.” Cody doesn’t call. That’s it! That’s the fic! 😂

Rogue clonked her phone back in its cradle. “Don’t you hate it when you tell someone they got the wrong number, and they argue with you? I know I have a lot of characters floatin’ around in here,” she gestured at her head, “but I’m a hundred percent sure I ain’t Linda from the Yonkers Craft Expo.”

Gambit snickered with a look of pure engrossment, shaking his head in delight. “Indeed. Linda sound pretty boring to me.”

“Oh, I bet you think you could liven her up though, honey-tongue— the way you came in all gussied up to go out on the town.”

“We don’ have to go nowhere. You don’t even have to get out of your nightgown or put down your book, ‘less you want. A date can just be you an’ me in the same room.”

God, this man’s standards couldn’t get any endearingly lower. She puffed some fallen white hair out of her face. “Welp. You ever seen Baywatch? It’s kind of a guilty pleasure, like these Harlequin stories. Hnh. What am I sayin’. Of course you have. Men sure appreciate the um.” She rolled her eyes and made curvy gestures. “Casting.”

“Eh. That show irrealiste. Petty t’ieves always blowin’ up oil rigs or something. Nobody that dumb.”

“So your big takeaway from a show fulla bathin’ beauties is the shitty portrayal of crime?” she laughed.

“Oh, I see them beauties. How do you think I do all my trainin’ for look don’t touch?”

“You can always use more of that. Alright then. You, me, and bad TV it is.”

“Ey, what happen to your bedpost?” he asked, finally noticing.

“Trainin’ for knockin’ your dang block off.”

They sat on the rec room futon in the glow of the TV, under a blanket.

“Aw hell, this is one of those filler episodes with like three beach montages,” Rogue said.

“Yeah, I hate watchin’ people just enjoyin’ themselves,” Gambit winked. “You gotta have filler in life, chere. Can’t be all life-or-death drama.”

She looked him over. “The way you dress like Don Johnson on Saturday nights, I feel like we should be watchin’ Miami Vice reruns instead.”

“You love it.” He pulled off his scarf and draped it around her shoulders.

“Didn’t say I didn’t.”

And it happened—the long, hungry look that usually made her run. She didn’t, but she wasn’t above a quick subject change. “God, they use same underwater footage over an’ over.”

“Well, folks can’t hold their breath forever.”

She knew this wasn’t a dig at her, but she retreated into overthinking. “…you’ve been tryin’ for a few years with me, Remy.”

“Chere. Don’t. That’s never what this feel like.” He pulled her hand out from under the blanket and kissed it. “A barrier doesn’t phase me none. It’s you underneath. That’s all that matters. It’s the 90’s. Everyone big on protection, non?”

“Oh yeah, I’m blendin’ right in with today’s generation. …I-I’m sorry. I just can’t seem to stay off this topic, can I?”

The silence wrapped around them as the TV continued its soapy glow on their faces. Gambit didn’t realize that she’d mostly fallen asleep on his shoulder.

“You know why I like this show?” Gambit said. “I can relate, ‘cause Rogue always come to Gambit’s rescue.”

“…..mhm. Cuz iloveyou, caj,” she mumbled.

He exhaled hard. He knew the declaration probably didn’t count, but he clung to it like a life ring.

[mimicmockingbirds]

OK, but hear me out

Say Ride the Cyclone were to be adapted into a film; imagine how much fun it would be to see it animated.

Because for the main plot, like the intro song and the mostly dialogue scenes in limbo, you could easily do a stylistic, but still grounded in realism style that a lot of modern animated projects are doing right now (think Arcane or Into the Spider Verse). But once each of the kids go into their respective songs/fantasies for what their life could have been? What if those were done in completely different styles?? Imagine the additional, visual storytelling that would tell about who they are as characters?

Like say, for Ocean's number, WTWN, everything became more simplified, and the characters (especially Ocean herself) turned into a more rounded, chibi-like style to enhance just how cutesy and likeable she's trying to portray herself throughout that number.

Or for Noel's Lament, everything goes black and white, and the characters become even more 2D stylized, and the film scales down to a smaller millimeter frame, more reminiscent of cartoons from the early 20's, when animation was just starting out, to enhance his idealization of "the olden days" (as Ocean puts it).

Mischa's song, This Song is Awesome could be animated with a more choppy frame rate, and the character designs turn a little more jagged around the edges, kind of like animated music videos (I'm thinking a Gorillaz band vibe). But as he transitions into singing about Talia, the colors start to bleed out over their lineart, and become more paint-like and Talia herself moves like a rotoscoped character (think Loving, Vincent that came out a few years ago) to enhance the sense that she's somewhere between a real person and a fantasy Mischa's built in his mind.

Ricky's song would, of course, be stylized after those sci-fi cartoons from the 90's, like X-Men or Captain Planet.

For the Ballad of Jane Doe, I would love to see something like what Wolfwalkers did back in 2020, where most of the characters (in this case, the other kids) are for the most part, animated like traditional, 2D characters with very clean lines and neat movements, whereas Jane herself stands out for having messier, sketchy line art, and looks more and more unfinished in her animation as the song goes on, because she can feel more and more of her own identity being lost.

Constance's Sugar Cloud I could see done in the classic 2D Disney style (i.e., the Renaissance era of Disney, like the Lion King or Little Mermaid days) because not only is it really smooth and colorful and just all around nice to look at, but it reminds the average moviegoer of their childhood growing up with those movies (among others, obviously), which ties in nicely with Constance's preceding monologue about remembering her own life, and the good that came with the bad.

I'm even tempted to envision the first half of the finale song in a different style, when the stage production would show a quick projection of Jane/Penny's life after she returned to the world of the living. Imagine watching this animated film, and for that segment alone, it becomes that really hyper-realistic, almost uncanny valley CGI animation style, to show that she really has joined the world of the living, i.e. our world, among us, the living breathing movie goers watching this, and watching the other kids still in limbo fade back to that main art style for the final number.

I don't know; it just feels like something that would be so engaging to see from an already compelling storyline and characters. Especially with more experimental animation projects on the rise right now

[transman-badass]

So this is a stupid thing to be thinking about while I'm trying to work but I'm thinking about that one post...

You can, 100%, have stews in your fantasy fiction. The issue older readers have with it is not the stews themselves, it's where the stews are eaten.

See, back in the 90s - 00's, I don't remember which, there was a biiiiig high fantasy boom. Some of these books were good. Some were bad. Most were just mediocre. A lot of these books were written by, I'm assuming, men who didn't do much cooking. They'd have their adventurers out traveling the world, then when night fell they'd make a campfire and sit down to 'a hearty bowl of stew'.

If you're familiar with cooking, thing about that for a moment, and see if you can see the problem.

Give up?

Stews are meant to make tough meat edible and tender. It takes hours to cook a stew, even with modern day equipment like slow cookers. There's also the issues about the equipment needed to cook the stew. Your stereotypical chosen one is probably going to choose a sword or more healing potions rather than a big ass cooking pot.

Stews are a sign of civilization, like spices and fabric. They are something your weary ragtag team is looking forward to at a tavern rather than something they'd cook on the road.

(Travelers also probably aren't shooting a lot of deer on their trip because the meat would go bad or be wasted in other ways [unless you make the deer tiny in your story.] Like, deer are a lot bigger than you think. But that's a whooooole other thing.)

I might be fuzzy on some of the details - I'm not an Olde, I'm only 31, remembering the many livejournal pages I read in my youth. If there's someone who could expand on this, I would love to read it. It'd be a pleasant blast of nostalgia. And to everyone else: there's at least three lessons to be learned here. I don't know what they are but I hope you find them.

Okay rant over back to my writing.

[guywrestlingaddiction]

That Wresting Moment: Passing the Torch - Dick the Prick v TNT (bgeast.com)

One of the things I value in a gay pro wrestling story is the character building.  With a name like Dick the Prick, it was clear this guy was going to be a cocky heel but just how cocky?  Enter TNT passing the despicable, cocky, heel torch ...

Dick the Prick v TNT (bgeast.com)

SPOILER ALERT: I highly recommend viewing this match in its entirety before reading this post.

The Backstory

Enter TNT laying on the mat making sarcastic comments and dripping with contempt for other wrestlers.  His cocky, disrespectful nature just begs for a goody good to clean up his act but instead we enter another contempt-ful wrestler, a real prick...

TNT looking like every wise-ass villain from the 90's.  A guy you just wanted to punch in the face.  

Dick is looking like another wise-ass punk.  It's punk versus punk in this match and really establishes who both men are. 

The Action

Make no mistake, our men are here to wrestle! There are times when I forget how special some bgeast matches are from this era and matches like this bring it all back for me.  

That look of contempt is priceless

But most of all with this match you have the story ... one of strength, humiliation, and above all a clash of emotions. TNT treats this match like a plaything compared to Dick's stoic seriousness - the man wants this and TNT only wants to rough up the new guy.  

And that self assured, too confident for his own good attitude while he destroys Dick's abs

I mean that cocky stare straight into the camera. Am I right? 

The Moment 

And then we have our moment; We've seen Dick suffer, we've seen him cry out for mercy, and finally we get to see him be the punk heel we knew he could be in all his glory.  I was conflicted with this match not knowing who to root for - both wrestlers seemed to need a good ass kicking at times.  But that was the point here wasn't it?  Let the bigger 'punk' win and in this case that was Dick, outmaneuvering TNT in sleaze and disrespect.   

Making your trapped opponent cry out and then slap him in the face is a dick move. 

Good sportsmanship is out the window when it comes to cocky gay wrestling. 

This match will leave you longing for another wrestler to come in and kick both of them to the curb but that won't happen.  You see sometimes in gay wrestling, as in pro wrestling, the bad guys win and in the process pass the torch on to the next generation of scum ball heels you know deep down you secretly long for. 

Dick: About time somebody finished you off... Your days of menacing are over.  [... and Dick's reign has just begun!]

[hermiona52]

I can't stop thinking about the recent cases of horrible abuse of women in France, South Korea, Uganda and India, so this fragment of Pauline Harmange's "I Hate Men", about why misandry is actually a healthy and reasonable response, is always on my mind:

If misandry is a characteristic of someone who hates men, and misogyny that of someone who hates women, it has to be conceded that in reality, the two concepts are not equal, either in terms of the dangers posed to their targets or the means used to express them. Misandry and misogyny cannot be compared, quite simply because the former exists only in reaction to the latter.

You’d literally have to have never looked beyond the end of your nose –or alternatively to be possessed of exceptional bad faith – to deny point blank that the violence women suffer is, in the huge majority of cases, perpetrated by men. This isn’t a matter of opinion, it’s a fact. The reason society is patriarchal is because there are men who use their male privilege to the detriment of the other half of the population. Some of this violence is insidious, background noise in the daily lives of women, so pernicious that we grow up with the impression that it’s the norm in male/female relationships. Other kinds of violence are so shocking that they make the headlines in national newspapers.

In 2017 in France, 90 per cent of the people who received death threats from their partners were women, while 86 per cent of those murdered by their partner or ex-partner were also women. Of the sixteen women who killed their partner, at least eleven, that is, 69 per cent of them, had themselves been victims of domestic violence. In 2019, 149 women were murdered by their partner or their former partner. In 2018, 96 per cent of those who received a prison sentence for domestic violence were men, and 99 per cent of those sentenced for sexual violence were men.

It’s not only women who are the victims of sexual attacks and rape, though it’s hard to find statistics of sexual attacks on men. There’s an enormous taboo when it comes to talking about sexual violence perpetrated against men, who suffer the full force of sexist stereotypes that imply that aman cannot be raped, since supposedly they’re always up for sex. It’s also very difficult for men to talk about sexual trauma. Society expects them to be strong and virile: nothing can be forced on them – and if it is, they aren’t ’real’ men.

A significant number of rapes are committed against minors, both male and female, and here too, the perpetrators are overwhelmingly men. In fact, whatever the sex or age of the victim of sexual harassment or violence– whether male or female, child or adult – it is vital to emphasise that the vast majority of those responsible for such violence are men.

[...] There are plenty of reasons to dislike men, if you think about it. Reasons backed up by facts. Why do men hate women? During the thousands of years that men have benefited from their dominant social position, what did we do – what have we done – to deserve their violence?

Misandry has a target, but it doesn’t have a list of victims whose morbid tally is totted up on almost a daily basis. We don’t injure or kill men, we don’t prevent them from getting a job or following whatever their passion is, or dressing as they wish, or walking down the street after dark, or expressing themselves however they see fit. And when someone does give themselves the right to impose such things on men, that person is always a man, and it still falls within the heteropatriarchal system

We misandrists stay in our lane. We might hate men, but at best we put up with them, frostily, because they’re everywhere and we don’t have any choice (incredible but true: it’s possible to hate someone without having an irrepressible urge to kill them). At worst we stop inviting them into our lives – or at least we make a drastic selection beforehand. Our misandry scares men, because it’s the sign that they’re going to have to start meriting our attention. Having relationships with men isn’t something we owe them,a duty, but, as in every balanced relationship, all the parties involved have to make an effort to treat one another with respect.

As long as there are misogynistic men who don’t give a damn, and a culture that condones and encourages them, there will be women who are so fed up they refuse to bear the brunt of exhausting or toxic relationships.

[wintrrliqht]

Eric Bogosian on Chris Rock [1997]

Who's more racist: black people or white people? Black people. You know why? Because black people hate black people, too. Everything white people don't like about black people, black people don't like about black people. ... Every time black people want to have a good time, niggers mess it up. ... Can't keep a disco open more than three weeks. Grand opening? Grand closing. Can't go to a movie the first week it opens. Why? Because niggers are shooting at the screen. ... I know what all you black readers think. ... ''It isn't us, it's the media. The media has distorted our image to make us look bad.'' ... Please. ... When I go to the money machine at night, I'm not looking over my shoulder for the media. I'm looking for niggers. -- from ''Rock This!'' by Chris Rock

A Chris Rock concert is an exorcism by laughter. One of the first pure comedians to emerge in a generation, he makes us laugh not only because of perfect writing, skewed associations and rock-steady timing but also because of pain. The pain of how we've hurt ourselves with race, the pain of being a man, the pain of confusion. This is the flip side of the deep anger curdling the American dream; it is anger transformed into entertainment. Rock knows how far to go, like a crazed uncle who keeps tickling your toes while you beg for mercy.

Discovered by Eddie Murphy, Rock gained fame as a featured player on ''Saturday Night Live'' and ''In Living Color'' in the early 90's. He had a high-profile part in ''New Jack City'' and was a co-producer and star of ''CB4,'' but when ''In Living Color'' went off the air, Rock found himself without a job. So he returned to stand-up, working the clubs, honing his particular brand of streetwise humor. When his HBO comedy special, ''Bring the Pain,'' was broadcast last year -- with its defining routine ''Black People vs. Niggas'' -- it was clear that Rock, 31, was having a comeback.

Now he seems to be everywhere: in commercials for 1-800-Collect, on MTV and his HBO interview show, on a comedy album and in a new book, ''Rock This!'' Still, it is in concert that he is at his whip-cracking best. His influences range from Buster Keaton to Richard Pryor to Sam Kinison; he brings together a vast black and white audience to laugh at some of the most painful truths. In the end, Chris Rock is funny, and that's all that's important. Or is it?

Eric Bogosian: What's the difference between a black audience and a white audience?

Chris Rock: I'll give it to you in musical terms. When a musical act performs, the black audience goes crazy for all the stuff, the album cuts, everything. White audiences, they're nice and all, but they're not going to lose it until they get the hits. Comedy is the same thing.

Bogosian: How do you know when it is funny? When is the joke finished?

Rock: It's never locked. I mess with it every night. But I really don't improvise that much. I mean, 10 percent of the show is improvised.

Bogosian: What do you do when the audience doesn't get the good stuff?

Rock: I slow down my delivery. The natural thing to do when the show's not going well is to speed it up. Worst thing in the world. Slow it down. Make sure they understand everything you're saying. I'll think, Maybe the abortion bit won't play. But I don't drop that much stuff now.

Bogosian: Do you ever think you stink and they're eating it up?

Rock: I think that all the time. Out of a hundred shows I'll do in a year, I'll think maybe three are great.

Bogosian: Do you ever get angry at the people you work with because they tell you it's a great show and it's not?

Rock: They can't tell. My brothers, Andre and Tony, can tell, my producer, Nelson George, can tell, my sister can tell. Four people in the whole world can see people laughing and still say it's not a good show.

Bogosian: What about anger? You seem to move from mischievousness to malice to outright anger in your show. You talk about the anger of old black men and how they hide it.

Rock: When they're around white people they don't do anything. Then they get really angry when the white man walks away. ''Cracker!''

Bogosian: Young black people don't do that?

Rock: Old black men. These guys rode in the back of the bus. For a long time. And all that went with it. Hard to get rid of that. Someone like me, a lot younger, I didn't go through that.

Bogosian: I'm angry at everybody and I don't even need a reason. If I were black. ...

Rock: You're not.

Bogosian: No. But I get pulled over every time I get on an airplane. It's the ethnic hair, I think. But you seem angry at blacks, like you're resentful of your own kind. You pick on black behavior a lot.

Rock: I pick on ignorance. Anyone who thinks it's cool to be stupid.

Bogosian: There are blacks you are clearly angry at. You used the word ''nigger'' in your HBO show.

Rock: I guess I did.

Bogosian: Your audience is made up of whites, many of whom are happy to hear how lazy or stupid blacks are. You're using the word ''nigger.'' And some of the white audience is saying, ''That's right.''

Rock: Every ethnic group divides itself, criticizes itself. I know gay guys who say ''fag.'' What I said got more attention because it was black people, and we tend to get more attention when we do things.

Bogosian: ''Nigger'' is a heavy-duty word. You better have a good reason for using it.

Rock: It's not that heavy-duty. The thing with ''nigger'' is just that white people are ticked-off because there's something they can't do. That's all it is. ''I'm white, I can do anything in the world. But I can't say that word.'' It's the only thing in the whole world that the average white man cannot use at his discretion.

Bogosian: Your work is full of incisive criticism about the way people act. Is it important to get a message across? Or is it a kind of a cloak you're wearing because it's cool to say loaded stuff?

Rock: Really, really at the end of the day, the only important thing is being funny. I don't go out of my way to be political. My dad drove a newspaper truck. I just read the paper every day as a kid. I was bused to school. My [expletive] was kicked by white kids and I was called ''nigger.'' So I have a point of view. But the most important thing is to be funny.

Bogosian: Paul Reiser is a funny guy and Paul Reiser talks about relationships and it's very funny and it's very sweet and nice. You, on the other hand, are like Loki, you're like the Norse god of mischief who's coming in with that glint in your eye. You talk about Don Rickles a lot.

Rock: Oh, no -- no one's better. No one does a better TV appearance, no one sits down and does a couch better than Rickles.

Bogosian: Yeah, but I remember when Don Rickles broke -- that's how old I am. He used to do all these put-downs, and he looked like he meant it. That was the big thing in the early 60's -- sick comics. You talk about the organ donors who come back from the dead and they don't have any eyes. That's dark. You go after heroes of the black community. Marion Barry, O.J. Simpson. ...

Rock: Hero? O.J.'s picture is not hanging up in my grandmother's kitchen.

Bogosian: Is there such a thing as a black community, really? A welfare mother in Brownsville, a Nigerian selling watches on Fifth Avenue, an upper-middle-class Atlanta suburbanite, a nanny from Jamaica -- what do these people have in common other than skin?

Rock: If it all goes wrong with each one of these people, they'd end up living in the exact same neighborhood. That's reality.

Bogosian: But, I mean, I can't say I belong to the white community. There are plenty of white people who do not for a second include me in their community.

Rock: Automatically you're a community because you're the majority. I mean, it's like your house: you don't have a room in your house, it's your house. You know what I mean? Yes, there is a black community, and we have a room in the white community's house.

l

Bogosian: In this community the message from celebrities in music, on talk shows and in movies seems mixed. There's a lot of talk about family, about God, but there's also a glorification of the street, ''gangsta'' life style. Isn't that kind of schizoid?

Rock: It's about wanting to be accepted where you're from.

Bogosian: But it's like what the racists were saying in the first place -- ''Every young black man is a thug'' has become a cool idea. It's being promoted.

Rock: It's about acceptance at home. I'm always thinking, What happens if I had to go home, had to move back to Bed-Stuy? I'd want to be accepted. People think you're gonna flip out and come all show business and not talk to 'em. People get the big entourage and all and isolate themselves.

Bogosian: You might want that some day. Wasn't your grandfather a preacher?

Rock: My grandfather, who actually just passed, was a preacher. I would watch him and I would listen to stuff: Dr. King, you know, Malcolm X, Kennedy. 'Cause I just looked at it as kind of the same thing as I was trying to do, but without punch lines. I think anybody in front of a crowd is a comedian.

Bogosian: Is there a different kind of intelligence needed for comedy?

Rock: I'm not a smart guy. I dropped out of high school, I've read 10, 11 books in my life. ...

Bogosian: But that isn't what smart is.

Rock: Smart's knowing if you're dumb. Knowing when to shut up and to listen to people that are smarter than you. Put it this way, the inability to get a joke is the first sign of ignorance. Like when you tell a joke about a guy and he gets mad at you? That's a dumb guy.

Bogosian: Adolf Hitler had no sense of humor. Newt Gingrich. Humorless.

Rock: In show business, comedians are the smartest guys.

Bogosian: Well, you know what, Chris, you and I are like in parallel universes, and there's a lot of similarities ----.

Rock: No, I've watched your stuff, I'm not -- I do what a lot of the old white musicians did and watched all the black guys. I watch everybody's stuff, man.

Bogosian: Well, what I do is push people's buttons or get people shocked. And then I got some reviews a few years ago saying I wasn't shocking enough. So now, here's the new nasty kid with this razor-blade intellect ----.

Rock: Me? Razor-blade intellect? I had a 14 in math one time.

Bogosian: That's O.K. Look, I had seven study halls a day when I was in high school.

Rock: Fourteen, man. My mother laughed at the grade. If it was, like, in the middle of the 50's, she would have got mad. Fourteen was, like, this is hysterical.

Bogosian: Is there such a thing as a dumb successful comedian?

Rock: Well, yeah. They're not dumb, they're like Amadeus. Savants.

Bogosian: Like Gilbert Gottfried?

Rock: No, Gilbert's brilliant. I won't name names, but there's some guys, very successful. And you can overcome a lot of handicaps if you're willing to bust your [expletive].

Bogosian: You like to work really hard.

Rock: It's like boxing -- if you don't train, you're going to get the [expletive] kicked out of you. It's not like, you know, if you hang out in basketball, ''Oh, he had a bad game, mmm, he was off that night.'' Boxing, you get the [expletive] kicked out of you and you might not get another shot the rest of your life, that's how boxing is.

You know, the only bad thing about stand-up is that in order to work it out, you have to go back all the way to where you started. There's no other way to get good at it. It's like if Schwarzenegger before he does a movie has to go do a competition lifting weights. So I got to go, you know, to the Boston Comedy Club in the middle of the night. It's not, I will do it. I've got to do it. Or else I'm going to get the [expletive] kicked out of me.

Bogosian: So there's, like, this hair-shirt discipline to what you do.

Rock: I like to work at the latest possible hour and just try to get one of the worst possible circumstances. I like to work in front of all-white audiences to start it off, even with the blackest material. Because I know once I get this black joke to work, when I get it in front of a bunch of black people, it's really going to kill. It's kind of like a baseball player swinging two bats on the on-deck circle. I want to work in front of people who would never pay to see me.

Bogosian: What if everything were going the way that you liked -- if all the movies and TV shows had been hits?

Rock: I'd be the worst guy. I wouldn't be funny at all. No, when I was on ''Saturday Night Live'' I was the worst guy. I loved women I had no business being with. She had to look so good that people would go, ''Why's she [expletive] him?'' And guys would want to fight me. I didn't know how to handle any money. I made 90 grand my first year, so I bought a $40,000 car. Kind of stupid.

Bogosian: But no drugs.

Rock: Nah. I might as well have been drugged, though.

Bogosian: So what's next?

Rock: I'd like to write and direct a movie for myself. Now that I've achieved my greatest success just doing stand-up comedy, which is, like, the lowest medium in all of show business in levels of respect, I want to really take chances. I want to be funny in a lot of different ways. You know, I'd like to be great. I want to reach for greatness.

Bogosian: Is it going to happen in a movie?

Rock: No, it can happen in concert. Richard Pryor did his best work in concert.

Bogosian: Everybody says that Richard Pryor is the big influence.

Rock: Yeah, and that's the best-written comedy you've ever seen. Most every comedian probably, except for Woody, did his best work as a stand-up. And Woody was a great stand-up. Cosby's got the biggest show in the world, whatever, but his best work was stand-up. I mean, you can achieve greatness in comedy, you just have to realize that the critical masses just don't view comedy as great. I think Eddie Murphy should have gotten nominated for an Oscar for ''Nutty Professor,'' just on the performance.

Bogosian: You're not the first person to say that.

Rock: He played five or six people -- incredible, incredible, incredible. If he did that in a movie that had something to do with death or AIDS or something, he'd get nominated in a second.

Bogosian: So the millions are piling up. When will you be buying your Malibu cottage?

Rock: I live in Brooklyn and actually like living in Brooklyn. It's different between New York and L.A. People in New York are proud of what they do, no matter what the hell they do. In L.A., it's just a routine. No one's proud, everybody's like: ''This is what I'm doing now. Yeah, no, I'm a doctor, but I'm just doing that right now. I wrote a script, and me and the other physicians are shopping around.'' Everybody wants to be in show business.

New York's the best place in the world. You know what I love? It's like the garbage men will have a dance, and they'll rent out a big place, and it's cool. My brother Andre drives a truck. In L.A. you wouldn't want to say you drive a truck probably. My brother Andre is, like, the most proud truck driver you ever met in your life. He walks in a room and goes: ''See that coffee cup right there? A truck bought it to you. Everything in here. People talk about computers going to change everything. Hey! You got to get the computer. Who's going to get it to you? Me. The guy with the truck.''

Bogosian: Is this a routine or ----.

Rock: No. It's just my brother Andre.

Eric Bogosian is a playwright and actor. His new play