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pentagonieslut · 8 months

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348

dance line from DKB x reader made at 348 AM

unmentionedincubus!reader, unmentionedprivatedancer!reader, idol!yuku, idol!echan, idol!heechan, idol!d1, idol!harryjune, group sex, lewd mentions, revealingdresser!reader, sub!reader, dom!danceline

it's a group sex drabble. from that post i made. enjoy!!

you were in the practice room, wearing a bikini that covered your nipples just slightly and thong bottom being eaten by your ass as you took a mirror selfie, showing off your curves as you had puckered lips donning your face.

after taking all the mirror photos you wanted and going to the pool for a quick swim, just missing the boys by a few seconds as they entered the practice room, getting ready to practice the choreography for ghost ridah.

coming back from your swim and changed into a mini skirt that did everything but cover the bottom quarter of your ass and a cropped bratz style tee, you went to the cafeteria to eat as changmin looked at his phone with a furrowed brow and a clear boner exposing him.

"hyung, you need to take care of that." yuku said as he gave him his sweatshirt to quickly run to the bathroom as he looked up. "this can't be cured that easily." he replied with a deep breath as heechan spoke. "oh? she looks good in that bikini." he said as yuku and harry leaned over to look at his phone and nodded in agreement.

"go take care of it now so we can practice changmin." dongil said as the door shut closed quickly.

it was like this for the next week. each photo you posted was revealing and had something the boys loved. you didn't realize it until today when you were in your iconic mini skirt and bralette outfit for the umpteenth time.

even poor harry had fucked his fleshlight senseless in the bathroom during one of the practices as he stared at the video you had posted on your story.

you were sitting on the couch in the practice room as the boys practiced and stole glances at you as you smiled at your phone and texted guys, obviously. "don't you work today?" heechan had asked as you looked up from your phone. "no, i'm off today. the private party birthday boy got sick so they had to cancel." you replied as you went back to your phone nonchalantly.

time passed as you had finally put your phone down and watched them practice, correcting their moves and technicals. "badaz. you two aren't making it sharp. also, go eat, it's two." you said as they stopped and nodded, heechan sitting on the couch and rewatching the video.

as everyone except heechan who wanted to work on his movement a bit, left to go eat, the two of you made eye contact through the mirror as you had a heated silent conversation.

as if you both knew what the other's conversation would be, you moved the couch in front of the mirror as he slammed his lips against yours and laid you down on the couch gently, bodies grinding against each other.

heechan had yanked your legs open as he went down on you, licking up all the wetness you had coming out of you as he smiled smugly. "orange is my favourite colour but no orange today?" he teased as you looked at him with a grin. "just hurry up and eat me out before you get pushed out the way." you chuckled as he went back to eating and slipped a few fingers in, a moan escaping your lips as you had gripped his hair roughly and smiled.

heechan was dicking you down with his tongue as the door opened to reveal the other four frozen in shock at the scene in front of the mirror.

heechan popped up, licking his lips with a grin. "ah. you guys are back. that was fast." he said as they placed down the to-go bags down and closed the door quickly. "you're seriously fucking each other now?" changmin asked as you gave a grin.

"junseo had fucked me in the middle of his and seongmin's gym session." you had grinned as everyone exchanged glances with one another as an abrupt moan left your lips from the feeling of heechan shoving his cock inside of you and burying his face in your neck with a deep groan.

"well? don't you want to fuck me senseless?" you had asked as changmin had already made his way over and was underneath you, cock shoved in your ass as he moved in sync with heechan.

dongil and yuku followed suit right after as well, leaving harry to swallow hard and watch the scene in front of him. you couldn't talk as you stroked dongil's cock whilst blowing yuku who's high pitched moans were making your ears feel like they were being serenaded.

alternating between yuku and dongil's cocks in your mouth, you got off heechan and changmin as yuku yanked you by the hair towards him and shoved inside you, his thrusts being fast at the pleasure of feeling your pussy tighten around his cock.

after all, after being called for once you wouldn't be around for a few weeks.

"harry, don't you want eat my pussy again?" you had said as harry moved towards you and sat on his knees, waiting patiently. changmin had shoved into your mouth as dongil fingered you and heechan rubbed your clit, the scent of your parfume filling their noses and the lewd thoughts they couldn't get rid of were overtaking their mind.

you had removed from yuku's cock as addicting as it was, moving to take care of harry who only smiled and slammed his lips against yours, picking you up and slamming you against the mirror as the two of you made out and harry fucked you, ignoring the complaints of the others.

everyone sat on the couch and watched as harry had let you down and spun you around, shoving into your ass as he fucked you and choked you roughly, making sure you knew who was your main summoner.

"fuck you for being so fucking hot. i hate it." he whispered as your eyes rolled to the back of your head from pleasure.

harry had left you against the mirror as he grabbed another chair and sat on it, patting his thigh as you happily sat down on it and rode it, breasts being played with as you were kissed by changmin who had been the main culprit of making you love being their fuck toy.

your lips were starting to swell as harry was shoved out the way as you bounced on changmin's cock, feeling yourself be stopped and lifted up as yuku shoved into you again, you being rammed by the both of them.

yuku had not been too kind with his gentle mercy he had usually given you as he fucked you senseless, now you breasts being teased by him as you glanced at the others who only licked their lips and waited their turn.

that was until all of you had heard a beeping sound and looked over. heechan and dongil cursed loudly as you were gently placed on the couch as everyone cleaned up and you snapped your fingers, everything going back to the way it was before they had decided to all fuck you at once.

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fydk-translations · 6 years

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Cine21, Jan ‘19 issue: Kyungsoo interview

[mild spoilers for swing kids]

Q. Let’s start from Swing Kids (2018), your latest. Ro Kisoo goes about ruffling feathers, and his flashiness stands out from the rest of your filmography. I had a lot of discussions with the director on what was best for Kisoo. There was [a boy in] an old reference picture almost exactly like Kisoo’s character. He was in an old school uniform and wore his army cap tilted; even his pants were wide and baggy. He seemed trendy for the time and I drew a lot of direction from the picture.

Q. Ro Kisoo expresses himself through dance. What sort of experience was it for you, as his actor? When I stand on stage as an EXO member, our choreography and formations are already determined. It was harder as Kisoo because there needed to be emotion in every one of his movements and expressions. I was especially worried about conveying the scene where he dances to David Bowie’s Modern Love in a way that the viewers would find refreshing and freeing. It reminded me of my first time trying to dance - frustration because my body wouldn’t listen to me, how good it felt to get each move down. Also, I could dance as I pleased because the director would capture the whole routine and the big emotions. Big movements for happiness, fast ones for frustration. To be honest, I was surprised by the final cut of that sequence. I didn’t realize how brightly I had been smiling. That dancing is something happy and to be enjoyed is what I’d felt as a musician too, but I had felt this so strongly that the smile came naturally.

Q. It wasn’t something you planned to act out, but constant dancing is of course tiring, and that starts to show on your face. I’ve seen other actors say that actors who also know how to dance are better at filming action scenes, so it seems that your music career helps your acting one. All that happens when you try to put emotion into motions you aren’t comfortable making is that you ruin the movements and expressions. So for scenes where they’re both important, like the Modern Love one, I made myself familiar. When my body can move without my input, it’s possible to be expressive. All I could do was practice. Action scenes and dancing do have a lot in common, so I did have a little know-how from applying what I had already learned.

Q. The first and second halves of Swing Kids have totally different tones. As its leading actor, you must have put a lot of thought into handling the clash well. There was a part that I worried over for a while, without straying too far from how Kisoo would feel. The film’s tone shifts after the arrival of a supposed friend, Kwang-guk, to the prison camp. Kisoo’s mood worsens, but a sour face would have thrown off the intended tone. Kisoo wasn’t supposed to get too caught up in the atmosphere of that scene, and I kept his expression flat.

Q. It also seems like acting dryly ties in with your own disposition. I wonder all the time why, in acting, anger has to be obvious, why there needs to be yelling. Because I’ve never expressed my anger that way. I usually try not to let my emotions complicate issues. Of course, I have to adjust because characters have their own personalities, but I went with what felt natural to me for Kisoo.

Q. Swing Kids features both snappy cuts and long takes. Did you worry about how the editing room would preserve the rhythm of the scenes? I found it interesting rather than worrying. I liked the long takes because those let me get immersed in a location. I had so much fun with the scenes like the one where Kisoo keeps thinking about tap-dancing even in his sleep, and it would cut away each time with a tak-tak-tak! I really wondered how the end result would turn out. The Modern Love scene in particular, because (Park) Hyesoo and I had practiced and filmed for it separately. I was curious about what kind of picture that would make after editing, and I’m very happy with how it turned out. (laughs)

Q. There were a lot of iconic lines from the tvN drama 100 Days My Prince (2018). Bad delivery for the funny ones like “am I the only one uncomfortable?” and “the feeling you feel” would have weakened a sageuk, but you did really well with them. I don’t really dwell over how my lines should be said. The lines with the potential to become popular might have been funnier if their deliveries were lighter. But that wouldn’t make sense for a crown prince who had just lost his memory. To be honest, I did have some concern over making them more palatable. In the end, the answer was that I should just speak as the character would speak. That’s how I decided on the delivery.

Q. Conventional wisdom says that, for TV dramas, one must act in a way that the viewer will know what your character is feeling even if they’re not paying full attention. It seems your acting in 100 Days My Prince ran contrary to that. In the first half, you didn’t look at Hong Shim like you were in love. I think I just did what felt right. It would have been more romantic to look at each other like honey could fall from our eyes, as the saying goes, but that was unrealistic and wouldn’t have felt natural.

Q. Actor Sung Dongil said in an interview once that when he acts, he thinks of meeting the number 100 when acting with another. If the other is acting at a 70, he acts at 30. I think you make a good case for this with My Annoying Brother (2016) and Room No. 7 (2017) - in Room No. 7, actor Shin Hakyun made much larger actions than you, and in Brother, actor Jo Jungseok put much more flare into his character. I totally get what you’re saying. If there’s a character who brings the energy up, it’s good for watchability and tone and manner to have another who brings the energy down. I also learned how to lend realism to characters from Hakyun sunbae and about Jungseok hyung’s acting style.

Q. You’re the type of person who works diligently outside of the spotlight. I found that, in Room No. 7, you were constantly moving about in the background of some scenes, without distracting the viewer. Some of those parts came from talking with the director, but I wanted to fill up the space too. I found it fun to find things to do as my character that wouldn’t get in the way of the other actors. Even if the camera angle would barely catch a finger and I could honestly relax, I’d rather be doing something.

Q. The two most disparate pieces in your filmography are director Lee Byunghun’s Be Positive (2017) and the movie series Along with the Gods. Your acting as the problem soldier Private Won was especially convincing in Along with the Gods: Two Worlds (2017). I thought there was nothing smooth about acting as Won Dongyeon, and that was reflected in-universe with the film. I have yet to serve in the military, and I’d never put a noose around my neck over the guilt of causing another’s death. The director helped me a lot. We talked about his personal experiences, as well as the characters. Much of my base [for Private Won] were films and other indirect experiences.

Q. In a previous interview, you said that Private Won was the most saddening of your characters and that you probably wouldn’t act as someone that pitiable again. I found it amusing how he was introduced as a problem soldier who kills an innocent and thus might get hate. Right, that’s not wrong... (with a seeking gaze) but doesn’t he make you feel sorry for him? He made a mistake that killed someone, wasn’t able to defend himself to anyone - I felt so bad for how much he suffered from circumstance. I understand why some would hate him, but I still think of him as the most saddening of my roles.

Q. To be honest, while your acting as Private Won can be commended, the character himself is not admirable at all. People might misunderstand the actor because of the character. Many of your previous roles were of troubled, depressed youths let down by society. Did you not worry as an actor? Not at all. It’s not like all my roles have been dark, and I try to express a part of myself with each character anyway. I think, as long as I keep trying new things, the people who think that way will stop misunderstanding me.

Q. Then in that regard, Swing Kids’ Ro Kisoo is an important point for you. Very. He’s a very dear figure to me. I wonder what will come next? What do I have left to show? It’s exciting to think about.

Q. I can’t help but wish to see you a character with a lot of aegyo, maybe because you dislike it so much that even variety programs comment on it. (laughs) I think it’d be a fun role. I don’t hate the thought. (laughs)

Q. When you appeared on Naver’s Actor Chatter, you mentioned that if you could film a drama with actress Kim Hyesoo, you’d like it to be an introspective office drama where you’re a new recruit to her team. Then Park Kyunglim said, “And not a rom com? Kim Hyesoo might have a word with you!” To which you said, “With me? How could I (dare)...” Why do you think it’s so impossible? How would that even happen! I’d be incredibly honored, but there’s no chance of it happening.

Q. Maybe if your character was like Jung Haein’s in JTBC’s Something in the Rain (2018), where noonas dote on his cuteness... That’d be really nice. I’d like to try being in a drama like Secret Affair (2014) too. I look forward to melodramas in the future, and trying out thrillers...

Q. Yeah, you were good in I Remember You (2015). Really? (laughs) Someone like him is good too, but I’d like to try acting as a completely average person. I’d rather embrace a variety of characters, not just one type.

Q. It’s Okay, It’s Love (2014) and Cart (2014) were your first and second released projects, respectively. You had to act as a victim of ALS; I wonder how you prepared for it when you’d never even gotten acting lessons before that point. For that, I had watched documentaries for indirect experience that I could use with my imagination to make [it seem believable].

Q. I heard that writer No Heekyung helped you a lot as you were starting out? It’s a given that she taught me skills, like how recounting things in staccato will help me with my pronunciation, but she talked with me about the characters too. I absolutely want to work with her again. I really enjoyed Live (2018) and its focus on daily life; my favorite of her projects is the film The Most Beautiful Goodbye (2011). I related to it a lot.

Q. I’m curious about how you figure out characters when aspects of them don’t overlap with you. Right now, are you more the type to conduct deep research, or the type to think it out? I look inside a lot. Of course I do my research too, but I leave the next step to my imagination. Sometimes seeing the actual props on set help, but the more I think through my character’s personality and mentality and how he would act or speak, the more the set seems to build itself. That’s what I’ve been doing so far.

Q. There are actors who write diaries in-character, or go through the day performing their character’s routines, or make exhaustive notes on their role. Mm, I don’t write anything down. My favorite scripts are clean and light, and I just keep it all in my head. My memory isn’t great, so I think trying to be exact would make acting too complicated for me. It’s easier for me to play things out mentally and then concentrate hard on set.

Q. Didn’t you say that yelling at your mom in Cart was very hard for you, because it’s something you’d never done? How did you resolve it back then, and what do you do with similar impasses now? I played everything out in my head then, too. I just did it on set. How would I get angry when I’m by myself? I’m too shy to practice being angry in my room all alone or with the EXO members helping. (laughs)

Q. So you’re the type who just needs to be on set. I’m still not good at yelling. During Cart, I just said to myself (makes a sad face) “I’ll just do it when I get there,” but acting it out was actually thrilling. It was a huge thrill to feel what I’d never felt and to do what I hadn’t done.

Q. When I view your filmography, I get the sense that directors love your eyes. You get unique close-ups that show off the fleeting emotions in your gaze. Is there anything in particular you do to act with your eyes? Uh... (thinks for a long time) I don’t do anything except stay in-character. My eyes are a bit weak. Whenever my immune system drops or I get too much sun, they dry out quickly and turn bloodshot. It would bother the viewer if I blink too much during a touching moment, so I put a lot of focus on my health. My eyesight is honestly really bad. I can’t monitor well on set, so watching the fully produced release, when I can have glasses on, will be my first time properly viewing myself. I can’t wear contact lenses either. I’m told it’s because the surface of my corneas aren’t curved like normal. When I put in lenses, my eyelids will push them down. So I wear glasses.

Q. There must be a certain comfort to live with the other EXO members, who also have their own acting projects. It’s closer to gratitude from their support than comfort. We don’t talk about our acting. Like I mentioned earlier, I get too embarrassed to practice acting with them.

Q. Have you ever given advice they took? I don’t. They’ve pointed out to me when I was slouching or hanging my head before, but we’ve never given each other acting advice. It’s not like I have any seniority. So how could I, when we’re all in the same boat? (laughs)

Q. There are people who police what it means to be a man - including in terms of physical build - and like to suggest actors who fit their mold for certain genres [over other actors who don’t]. It was very gratifying for me to watch you find success in 100 Days My Prince, maybe because you defy those definitions. I don’t think much of their advice either. The admiration you feel from someone’s abilities, personality, or mentality is what matters. And I act for myself - I just want to figure out my own path, and to give my best in order to show my best.

Q. Every time, without fail, you seem unsure whenever someone compliments on your ability or charm. Yet, no matter how I look at it, you have high self-esteem. How would you reconcile this? When someone keeps complimenting me, I feel embarrassed. Like I’m seriously going crazy (laughs). Even by my own judgment, I think I have a pretty high self-esteem; it’s important to have self-esteem. Except it might not be connected to my abilities, but with my well-being instead. I have to stay firm so that I’m not ruined by stress, so that I can keep going.

Q. During last year’s appearance on Knowing Brothers, I saw you say you hoped to be a farmer one day. You like cooking too, so I was wondering if you wanted a life like you’d see in Little Forest (2018)? (laughs) The Little Forest series (2014) from Japan is a big influence for me. I’d like to cook with what I grow, and to live in good health in a small, quiet home. I don’t know when it’ll happen, but I hope it’s possible by my late thirties or early forties.

source: @wallnuut | translation: fydk

#translation #t:interview #2019 #d.o.#kyungsoo #exo #fydk

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