#don't starve zine

[jemichiart]

This was also one of my works for the Constantly Obsessed fanzine volume 3 @constantly-obsessed-dst

I've been sitting on it for a year, but now the zine is finally available for everyone so I get to share this too. ^^

Make sure to check out the incredible contributions of everyone else in the zine too, and give them some love. ❤

You can get this zine from:

The full moon is the perfect time to do some hunting. :D

[constantly-obsessed-dst]

Constantly Obsessed Zine volume 3!

The final volume of our project is out!

Big thank you to all the participants, make sure to check each of them out and give them a follow!

Download the PDF here, and search under #DSTZ #DST Zine #Don’t Starve Together Zine tags, both on Tumblr and other platforms to find individual pieces from creators.

No piece of this zine shall be used, published, or sold without the express consent of the creator(s). For specific pieces, please contact the creators directly.

[de-righty]

blobs

[who-the-fuck-is-sennalye]

and just to make sure you guys never forget how cool I am ever again, here's my piece for the @constantly-obsessed-dst zine.

[vixenbuck]

here's my submission for @constantly-obsessed-dst ! so glad to have been a part of the final edition of this zine ^^

[tentajack]

At last, I can show you all my contribution to the @constantly-obsessed-dst zine! I wanted to do a study of Alphonse Mucha's work, with the centerpice based on The Iris and a art noveau inspired frame for the rest.

[lefthahahander]

¯\_(ツ)_/¯

[jupebox]

This is apparently from a don’t starve zine I was in back in... 2018??? I have like next to no memory of this project, unfortunately - couldn’t even tell you the name of the zine. I think it might have been a cook book zine? Anyway I drew my girl wigfrid just doing a spot of light cooking. I think this may have been one of the first things I ever painted in procreate, as a test of the program, actually!

[jemichiart]

This was one of my works for the Constantly Obsessed fanzine volume 3 @constantly-obsessed-dst

I've been sitting on it for a year, but now the zine is finally available for everyone so I get to share this too. ^^

Make sure to check out the incredible contributions of everyone else in the zine too, and give them some love. ❤

You can get this zine from:

As for the piece itself, I was inspired by the connections these kids have with Maxwell. A fitting timing to share this too, considering we just got the animated short about Wendy and the flower. She'd understand Maxwell's flower better than anyone! And Walter has his own reasons to be impressed as the monster lover he is. And Webber can relate in some unique ways as someone that changed dramatically. And Webber is just a sweet child in general. ^^

[constantly-obsessed-dst]

Updates, updates!

Hey everyone, I'm here to tell you the Ticket Submissions are starting soon! On the 3rd of June, the google form for joining the Constantly Obsessed Zine vol. 3 will open, and you can start submitting your tickets.

What are tickets?

Tickets are a way for you to show off what you've got before even joining the project; a list of prompts will be published for you to use in a small, low effort creation which will be used in our vetting process. Don't worry though! Your drawing or piece of writing doesn't have to be a masterpiece- we encourage you to not spend too much time on it. These don't end up in the zine itself, but will be published on this blog (with your permission) to show people who haven't taken part what's cooking while the project is underway!

The prompts for this year will be released a few days before the forms open, so you have time to think what you'll want to make. The submissions will last for two weeks, and end on 18th of June, after which we will take a short moment to review them, then send you invitations to the Discord server.

If you've been on volume 2 of the zine, you skip the ticket process entirely, just let us know on the form, or by reacting to the announcement that will be posted on the server.

Stay tuned for updates, and reblog the post to catch more eyes! We hope to see your ticket soon!

[natalieironside]

(icon by @neladoesart)

Hi! I'm Natalie. I'm trans of gender and ace of sexual and I write dark fantasy and dark sci-fi adventure stories full of boners and thud-and-blunder action violence wherein no swash remains unbuckled, nor pot unboiled. I also blog about books and history and languages and I write essays and poetry sometimes, and don't forget about the many exciting Age of Empires 2 scenarios available at Natalie's Cool Website.

You might have heard my short story The Wishing Tree on the Tales to Terrify podcast! (now available as a zine from Grinning Kitten Press). Other stuff I’ve published to date includes:

THE LAST GIRL SCOUT: A post-apocalyptic wasteland adventure story and transbian romance about two women who fall in lesbians together and fight Nazis and draculas in the bombed-out ruins of Old America

LEAD AND ROSES: LOVE SONGS AT THE END OF THE WORLD: A collection of short fiction set within 23rd-century post-nuclear wasteland we’ve all come to know and love

IN THE COURT OF THE NAMELESS QUEEN: A collection of dark fantasy f/f erotica about sexy swashbuckling swordswomen (both cis and normal) and a giant scary monster lady in a far-off realm of adventure and dark magic.

If you're curious I'd really like it if you'd check out my Patreon because there's even more fantabulous treasures on there and you can subscribe for the low, low price of just one American dollar. Your one American dollar will go toward the ever topical "Natalie can make rent and doesn't starve" philanthropy fund.

I'm gonna stay here on Tumblr until they forcibly remove me from the premises, but I'm also on Pillowfort, Bluesky, and Cohost

:)

[bellsartworks]

Submitted sketch to @constantly-obsessed-dst

Prompt: a survivor goes about their work

Here’s a quick colored sketch of Warly doing what Warly do.

[m1ssunderstanding]

Notes on Nowhere Boy

Finally posting the long version of the close-watch I did for @sleeper9's Fete zine. The bad thing about me is I hate spending money and love pirating shitty quality versions of movies. The good thing about the Beatles fandom is we're used to dealing with grainy pics. Anyways, here goes!

The opening ten seconds really do set the tone for the film, and here's why. It's the opening of A Hard Day’s Night where the boys are running from a hoard of screaming fans and George biffs it. John sees him go down, laughs, and keeps running. Only here, it's just John. George’s fall has been erased, making John into a cocky, if slightly insane, little lone hero. 

Mimi: do I ignore you? No. So please don't ignore me. Me: ummm, yeah you do ignore him, Mimi. Enough to leave deep psychological scars. But it's fine. Moving on.

Ugh, Uncle George is so sweet! I wonder how much of John's sweetness he learned from him. I wish we knew more about him.

Actually that was Jim that set up a cord running into Paul's room from the radio downstairs. But it fits Uncle George's character, so it works. 

Why did they make Mendips look a lot more working class than it actually was? No fancy iron fence, no pretty hexagonal outcropping, no stained glass veranda? 

Aaron Taylor Johnson is nailing it though. The laugh sounds very John, and this posture? Perfect. 

Okay but if that doesn't heartbreakingly encapsulate John and Mimi I don't know what does. Uncle George has just died. John goes to Mimi, wraps her from behind in a tight embrace and lets out a sob. Her response is to push him away. “Please, let's not be silly. If you want to do that, go to your room.” Alright, it's making me feel things, it's winning me over. 

John making his cousin Stan go and ask Mimi where Julia is is also extremely accurate. Always had someone to do the dirty work for them, all of them. 

Mimi's concern as John's going to visit his mother in the “bad” part of town is very good to have in too. “And you will be careful, hmm? Careful who you talk to.” And John's response, “it's only Blackpool, Mimi.” It's true. It could've been Speke, or the Dingle. Which Quarryman did I read saying Mimi didn't like John even leaving Woolton?

John's hurt little face when he finds out his mum, all this time, has been less than a bus ride away is a very clever way to show us his painful confusion about the whole situation. 

Trying to remind myself that this is a very anti-Julia pro-Mimi movie that will try to make me think she's crazy. But it sure is doing a hell of a good job. She hasn't seen him in years and suddenly she's hand feeding him desserts, kissing him every chance she's got, flirting all over the place. “Do you know what it means? Rock and Roll? Sex.” “Don't tell Mimi, alright? This is our little secret. Promise me.” And to a poor affection-starved boy, that's going to feel good. That's going to put thoughts in his head like “this is how it should be”. I mean I know she was wild and fun and sexy and irresponsible. And I know John did have weird thoughts about her. But I hope she wasn't actually this crazy. 

But the weird Freudian thing aside, he's got to be so terribly confused hearing the woman who effectively abandoned him declaring her love for him. Between Mimi and Julia, John would've had such a messed up idea of what that word meant. 

The Daily Howl, my absolute beloved!!

Nowhere Boy John watching Elvis: damn I've gotta get the girls screaming for me like that! Actual John watching Elvis: he's so beautiful! He's perfect! I'm in love!

Also I do not think sixteen year old John was that good at fingering. Just saying. 

This part always drops my heart cold into my stomach. Poor John. Poor poor baby. You can hear his little boy voice calling, “mum? It's me.” And she mutters, very annoyed, “go away.” Again. I have to remind myself that this is a purposely negative portrait of Julia. But then. It is true that she was a mostly absent and wholly undependable figure in John's life. 

Sometimes dialogue is absolutely perfect. Like this – “Aw, why couldn't God make me Elvis Presley?” “Cause he was saving you for John Lennon.” “Aw I'll get you back for that, God!” And this – “you haven't told Mimi, have you?” “No point going through her bullocks if I don't have to.” “Why? She has to go through yours.” “Yeah well I never asked her to, did I?”

Ugh this whole movie just hurts so bad! How he looks to Julia as Mimi is ordering him out of her house, just begging her to claim him this time. And she doesn't until he makes a stand for himself. And then, later. “How long can I stay?” Is met with nothing. Not even a fake “long as you want, love.” It really plays into the title of the film. This boy's got nowhere to call home. And then, the final straw. Look at his face as he hears Julia agree that he does in fact need to go back to Mimi's. If I did that kind of thing, I'd actually be crying right now. Fuck, why was I knit-picking, this movie is working so well. 

 As he's announcing he's leaving Julia's, John wants her to tell him to stay. To at least pretend it's not what she wants. And she doesn't even look at him. Imagine if they did something like this in the John biopic mirrored with a scene with Paul in the breakup?

He's just so adorable looking at that guitar like he can't believe it's real.

John's gathered the og Quarrymen in the bathroom and Pete goes “I take it we're not here for a communal crap.” Idk Pete, wouldn't put it past him. It's not far off what you all do already.

It's making the Quarrymen look kinda cool here, and I really want them all to be shit except John, just because that's what I get from Paul's description. Not that he's biased or anything. He could've been watching John play with Elton John and David Bowie and he'd still say everyone faded into the background. 

Also Mimi would Not have been there. Not on her life. 

Okay now we're sort of seeing them from Paul's perspective. Bunch of losers surrounding this inimitable shining star. 

Accurate that the first thing John says to Paul is about jerking off. 

The dynamic in general is just so well-done in this first scene. John instantly testing Paul. How much shit will he put up with? And Paul instantly having none of it, showing off, and winning John over. 

All the other Quarrymen just know it's time to dust off the ole resume. 

But! Paul's fete “audition” is so toned down for this film. Although of course, accounts vary. He did 20 flight rock, yeah. But he also did it on someone's borrowed right hand guitar turned upside down. And he did little Richard and played the piano, and tuned John's guitar for him. In one telling of it, John says he asked him to be in the group right there on the spot. So. Yeah. 

But either way, watching John watch Paul is just gorgeously gay. It's giving extreme “Oooooh, he likes hiiiiiim!” It's actually illegal not to queerbate using Lennon/McCartney and I'm glad all moviemakers seem to understand the law.

Cut to “John, your little friend's here!” Can you imagine if they'd showed the “chalk and cheese” whirling dervish moment? Or Mimi making Paul use the back door? Those might change some thoughts and feelings in this movie. 

And then we get the reciprocated “Oooooh, he likes hiiiiiim!” Moment as Paul's too busy checking out John’s buddy Holly Look to remember where he is, let alone what cord they're on. And it's so sweet because Paul's the first person who gives John the idea that his real self is actually cooler than his tough-guy act. 

The little matching feet tapping?? Eee it's so cute! 

But why miss the opportunity for them to sing in harmony here?

Sometimes the dialogue is extremely inaccurate. “So mummy’s cool about baby Paul wanting to be Elvis?” “Oh she would've loved it.” Like hell she would've. She would've been as disapproving as Mimi. Then again, maybe it is accurate for Paul to be lying about that.

“Well she – she sort of – died. You know, em. If we're gonna do this we should write our own stuff.” Okay yep there he is. That's Paul. 

Also love how John gets his first calluses after Paul the bossy taskmaster comes into his life. (You know. And the reason to push himself and a person who cares enough to take the time to show him things and it makes John all dreamy staring at the stars that night etc) Anyway. It's perfect. 

And the first gig we see after Paul joins is in a venue on a real stage with a much bigger audience, and the matching suits of course. 

Mimi selling John's guitar because of a bad report card is like the lighter, kinder translation of what happened in reality when she had his dog put down while he was staying at Julia's. 

So they kinda make up for not letting Paul sing etc by having him nail the guitar instead of screw up at this gig like he did irl. 

And he's stealing Julia's attention, which is clearly Not okay with John. Reminds me of that quote of Paul's about how they were both in love with John's mum. 

George is appropriately infantile. Good. Cutie. 

The Quarrymen playing “That's Alright, Mama” as John's making up with Julia since she bought his guitar back for him. Okay. Very clever. 

Paul does Not like John disrespecting his mother after the show for obvious reasons. (“I said something wrong now I long for yesterday.”) But clearly he doesn't have the full picture here. I wonder at what point irl Paul got a full run-down from John on his messed-up family life. Or did he just have to pull it together piece by piece over the years?

And of course he jumps to light Julia's cigarette. Boy was patting his pocket for a lighter like it was the race of his life. Mister steal your mum.

Here we are, ladies and gentlemen, Paul McCartney’s number two complaint about this movie: John was Not taller than him. How dare they? Slander.  

That's one hell of a jacket.

At the party, John's of course pissed to find Paul serenading Julia in the kitchen. But Paul just wants a mommy so bad, John. Why can't you just let him have yours since you clearly don't want her? Right, because you really, really do. More than anyone can understand. But when you showed her that – how bad you wanted her to be your mum, not just a friend – she hurt you. Forced you to go through your abandonment all over again. So now you can't show that anymore. 

The washboard over Pete's head is almost exactly accurate, isn't it? John does not handle people leaving him well. 

Ugh his little voice cracking on the word “mum.” John Lennon is a poor poor baby and I will die on that hill.

I wonder how John did find out about Victoria and the real story of why he was with Mimi. No matter how, though, that's certainly a lot of mess for a young man to be carrying around with him all the time in his head. 

“When your father came back from the merchant Navy, he wanted to try and save the marriage, but your mother would have none of it.” I do feel like we're going with Alf’s version of events here, the one he sold John in order to get into his good graces after he was famous. Which is, again, not fair to Julia. I wonder how little Julia feels about this movie. 

In fact, I think this part –  “who do you wanna be with, John? Do you wanna be with me or do you wanna be with your mum?” – has been categorically disproven. But it certainly does make for some high drama. And John himself did believe his father's story, so there has to be at least some emotional truth there. 

Nowhere Boy John: There's no point in hating someone you love. I mean really love. IRL John: How do you sleep, you cunt?!

There he is. Art School John. Though he fell in love with every iteration of John, I think this one never left his head because he was one of the earliest Johns, and he was a John Paul had to fight for, you know, with all the Stu business and dead mother anger.

He really does an excellent job of playing John, though, when he's written right. “Woman took her kit off and we painted her breasts. Not actually physically. I got my eye on you two.” Ridiculous. Charming. Off- putting. Adorable. 

Ignoring the fact that I prefer to think of “Hello, Little Girl” as being about Paul (“you never seem to see me standing there”) and they're making it about Julia, this is a lovely scene. With John somewhat unsure still of his songwriting abilities and Paul looking up at him from the floor full of admiration. 

Oh he's gonna murder someone. To be fair, I think playing Julia's banjo at her funeral is exactly the type of insensitive thing Paul would do, because he just thinks and feels in music and it makes Sense to him even though of course it's going to piss John off. 

Hilarious, and probably accurate tbh, that Paul's pissed John off so he gives Pete a bloody nose.

But here we go, the number one complaint about this movie from Paul, which I think is actually valid. John never hit him and that was important to both of them and it's disrespectful to portray it and play into the myth of their rocky, angry relationship. 

But maybe in 2009 that's what it took for them to be able to show John Lennon and Paul McCartney in a genuine, loving embrace, crying into each other's necks about mothers. It has to be preceded by John punching Paul in the mouth. 

If I was John's writing partner, my biggest beef with this movie would actually be the scene where they're recording ISOATD and making it look like John wrote it and played the guitar solo. But Paul's never even mentioned it. Which I guess really shows he cares far more about the legacy of his relationship with John than his career legacy. Which. If you mean more to Paul McCartney than his fucking music? Well then you must be just about important enough to have your own movie. 

This is really the Vote for Mimi Smith campaign, isn't it? Putting across the screen the fact that John called Mimi every week until he died as “Mother” plays in the background is brutal. Ouch. But it's true. “It's Mimi time.”

[the-valiant-valkyrie]

made this piece about a year ago for the 10th anniversary don't starve zine!! looking back on it, i feel a bit conflicted because i know i could pull off some of this stuff better today than i could last year, but i also really wanted to push my boundaries and go with something creatively complex

of course, regardless of the theme, i was always going to draw my girl. curtain calls is still a slept on refresh short yall need to get on that

[tentajack]

Speaking of @constantly-obsessed-dst , here are the stickers I made for the project, a little summer joy for Wes with some Constant-typical danger lurking nearby

[lefthahahander]

I can’T PublisH The entire ART yet, but I can IntrIguE your EyEs