#don't need them for a specific purpose i just want an excuse to gush over my boy
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Hello does anyone have any cute Akashi headcanons to spare please and thank you
#don't need them for a specific purpose i just want an excuse to gush over my boy#even just one will make me happy#thank you in advance#kuroko no basket#akashi seijuro
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I am so curious about your writing process. I’m reading Bizarre Love Triangle and I’m absolutely bewildered by both how cohesive it is and how fast you post.
Like when Keeley asked to go running with Roy and Jamie last chapter, several chapters after Jamie initially invited her in Amsterdam. Did you know that was coming when you wrote the Amsterdam scene, thus making it work on two levels to establish that Keeley needed space and to set up this later scene? Or was it a coincidence?
Do you outline? In detail? Or just have a general vibe for what happens in each chapter. Or do you figure out plot points as you go? How do you write so fast? Do you write throughout the day or sit down at a certain time and just bang out a bunch of words?
Feel free to entirely ignore this ask. I’m just so fascinated about your entire process and I know I love gushing about writing so if you want to share anything about your process, I would be interested in reading about it
Okay, I absolutely love this question and an excuse to get into it 👀
Like all of my writing, this turned out far longer than I anticipated so my apologies in advance and I'm gonna pop a read more in now
Sometimes I sit down to specifically try to write and finish off a chapter, but a lot of the progress before that is from writing stuff on my phone throughout the day when my brain is on it or when I have a minute. Also, after almost every chapter there's like a day where I don't write at all or write like 100 words and then a point when I go into super writing mode. Almost all of what I write is written in a not necessarily chronological order within the chapter itself but most chapters I work on when I'm on them without jumping ahead with a few exceptions when something wouldn't get out of my head enough that I ended up writing it before going to the chapter I was actually on
Most things are intentionally dropped knowing that I'm coming back to them and when and there are still a bunch of setups hanging all over the place for things we're still coming to. Some things set up stuff pretty close to them (like Colin's aren't you worried Roy's going to cut your dick off now that you're both dating Keeley and Jamie being like no vs when they're sharing a bed the same night and Jamie's internally like Roy is so going to cut my dick off if he finds out I'm bi after this). But lots of them are for things further off and generally, I already know that I'm going to drop the hint at that point before I even get to that point
There's a lot of stuff I put in on purpose and laughed thinking about how it would come back up later. I've already gotten back around to a good chunk of them, but I still have lots of those left to get back to too. The first thing that comes to mind for one that I still have left open is how this is going to come back around later and make a liar of Roy when the team finds out about Roy and Jamie
Occasionally, I think oh this would work with that and throw it in later on without it having originally been foreshadowing, but most of it is intentionally there with the intention of coming back to it
There's the rare time where something's a coincidence (like something next chapter that I realized fit very well with something in the first chapter when rereading some of the older sections without realizing how well it connected before then)
And then ironically, the Jamie asking Keeley to run thing is kind of the exception where originally I was going to have her go at one point with them in Amsterdam and have it contribute more to her being like oh my god I need alone time when suddenly they're inviting her along every day and she's like absolutely not but instead the first chapter of it went how it did and the second chapter skipped ahead to her needing a break and her not going fit so much better but I knew I was also leaving it open for her to go with them later at some point
I just didn't realize it would be last chapter until I was already writing it and saw the direction the morning sections were going and went okay, this is a good time to add this in
And then in terms of outlining, I've reached a point where I end up having to do some level of outline for the chapters but I didn't do that at the start. And how detailed the outline is depends on how hard it is to make sure things go in the right order. But a whole lot of what happens in what order is still just in my head
Since the very start, it's been a lot of holding everything in my head and knowing a lot of what was coming in the long run and short run. And at that point, I wasn't writing things down as a plan but I could benchmark where things happened on the calendar in my head for the June stuff easily like
which weekend was Father's Day meant the team had to find out about them at Sam's restaurant the weekend before
Phoebe had to already know about the Roy and Keeley part before that because of the Cora and Roy conversation before they went to Sam's restaurant
Pride had to come after Father's Day and before the end of school
The end of school had to be where stuff like Leanne asking Roy out showed up
Then off-season stuff was more vaguely in my head like
the stuff with Phoebe around a lot has to go in there and be there some before they go on the trip
but they have to go early enough that Jamie's piercings have time to start healing before pre-season training
And I kind of knew what had to happen before pre-season training, during it, and during actual season
And I generally know the order that the big stuff happens but some of the stuff I moved around in a swapping around the order of plot points kind of way but still keeping them mostly the same (like originally Roy was not going to find out about the pegging thing before the Pride game and it was going to be a chunk after but that worked better when I got going)
Also, some stuff changed in a bigger way longer ago where I decided against the original plan for whatever reason (like originally Keeley was going to meet Cora at the first game of the season, but then that was too long of a wait and Roy bringing around her before then intentionally made more sense so it made way more sense to put her in the Father's Day chapter)
And as far as an organization system goes, I have like 4 systems on the go tbh and I have used some combination of them for each of the chapters since about chapter 7
Chapter 7 (the one where they make the group chat and then later go to Sam's restaurant and tell everybody and like a million things happen there) is the first one where I won't oh fuck I need to write some things down to remember what else needs put in here so it got a list like this in the notes app when I was a good chunk in and was trying to hold in my head all the stuff that had to happen still and how to make it flow in a logical order and then I did not go in that order but checked them off as I went to keep track of what I still needed to get to:
(Also some things blatantly changed between making the list and actually writing them to make them fit better with how things were moving around or to cut them because a different endpoint for the chapter was better):
And for a while it was a lot of holding things in my head and that with the chunks I needed to figure out the order to put in still
And then there was the woefully mislabelled chapters plan for where the things before the season went (with things we aren't yet or that got moved to later redacted). This was useful for a while for not forgetting things but also I don't use anymore because I remember where things are going beyond it and it was missing things past where I cut this off because it got vaguer on timeline the further off the benchmark events were
(the scratched out part there is actually happening in the next update now because it really wasn't a priority to get put there)
(also the chapter 17 part is so long because I remembered shit that had to come between what I had there and what I had as chapter 18 and added it in there and didn't bother to change the numbers even though clearly it was not going to be one chapter anymore)
The sharing the same bed casually thing got moved around for reasons also, partly keeping moving wise and partly working better a different way wise, but mostly this was just a rough estimate of where that would happen anway
Also, why is this also labelled chapter 17? Idk I probably forgot about stuff that needed to go in (which was kind of the whole point of making the list so I would hopefully remember things and add them in there and be able to refer back and not later go oh fuck this should have happened) and put them in later that day between and forgot to relabel things underneath because I was going to do it later and then made a separate note for what actually was chapter 17 and what was chapter 18
Also, there's a lot of stuff that was planned for not quite that long like Colin figuring Jamie out that still was planned for a long time before we got to them but either got missed on this list or weren't planned quite yet or didn't have a spot in the timeline yet and then everything after this on the list is spoilers for the future while also it doesn't really have that much left anyway because that was mostly sorting out the how to get from pre-Amsterdam to the start of the season without losing something important
Also, fun fact, I'm pretty sure this used to be labelled worse and that this is after I had already reworked Amsterdam being 3 chapters but maybe this is the original version. Who knows? Certainly not me... Maybe that's how there ended up being two chapter 17s
And then phone notes ended up not cutting it for trying to keep track of all the parts of a chapter and whose POV each part should be and trying to make it fairly even (except for when there was a reason not to with Keeley having a break from them) and make sure one person isn't disappearing from having a POV forever for no reason so notes app lists became less common unless I was jotting down scenes before putting them into the actual plan when I was really stuck but since chapter 16, it's mostly been
Sorting out what happens into whose POV it is and moving things around or adding in a vague something to put in if someone had way more or less in a thing like this and then adding the numbers for what order things go in and sometimes it ended up changing from this but it was mostly accurate. Also, some chapters don't have this. Some have it from before I started writing. Some have to sort it out after I have some stuff down and then went wait I've gotta figure this out
And then most also have this as a more clear what order things happen thing and making sure that one colour isn't missing for forever (also I highkey don't write their names anymore and just have the colours) (also this is a short ass list, usually there's 17-23 things on there at the start and then how long the scenes themselves end up typically determines if I end up splitting things up again)
The X there means I went never mind I don't need this and then the rest were checked off as I finished the scene. Also, usually I don't have what days things happen, that's just because I was trying to keep track of them specifically because it had to start on a Monday when Keeley was back at work after the trip and end with Roy and Keeley seeing Jamie's dad on the Saturday
Also sometimes the second part is just numbers in the colours. Sometimes there is no other system and it's just the list and what happens. Sometimes scenes get cut or added after that anyway. How much I outline or rely on the outline really depends on how confusing it is to keep track of the POVs switching to make it work out fairly evenly and without too much of someone at a time and someone else dropping off the map for too long. The Pride game one was pretty easy to keep track of because there was almost always a reason why it had to be that character's POV for that part but sometimes sorting out like this is the only way I know whose POV to use for a scene without having to change it later instead
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SUPERCORP FANFIC
I completely forgot to upload it on tumblr the entire week.
A week had passed quickly which meant Kara needed to go back to work, back to CatCo, since the week off, which she had thankfully been given to care for Lena, was over.
Neither one of them really liked that fact. They had both gotten used to being around each other all day.
Kara didn't like at all that she couldn't constantly watch over Lena anymore and therefore couldn't make sure that she was okay.
And Lena missed the presence of the blonde, the feeling of safety and warmth accompanying her everywhere she went.
However, Kara still came by as often as she could, making the whole thing a lot of easier to bear.
And if she was being honest with herself, a part of Lena actually didn't mind being alone all that much because it gave her time to learn how to be as independent as possible. She didn't want to be limited in any way and she wanted to prove to the world that she wasn't.
At one point, she decided to take a walk because she needed some fresh air.
Over the last days, she had practiced it some more and she was getting better. She didn't get panic attacks anymore and she hadn't gotten hit by a car yet so that was at least something.
And that day, it went well too.
However then someone bumped into her. The angle and the force with which it happened told Lena that this wasn't an accident but entirely on purpose by the person in question.
This time, Lena didn't want to back down. She was still capable of dealing with stuff like this. She had been doing it for two decades.
So she slightly turned into the direction where she guessed the person who bumped into her to be, at least roughly, and loudly exclaimed "Hey!"
The footsteps stopped and after a few seconds, a male voice angrily said: "What? "
"Excuse me, do you have a problem?", Lena said through gritted teeth, unconsciously twirling her cane in her hand, slowly out of repressed anger.
"You Luthors are my problem."
Lena opened her mouth to respond but before she could, a gush of wind and a hard landing of boots on the stone beneath them announced the arrival of a specific superheroine.
"If you had paid any attention to what's happening in the world, you'd know that Lena is nothing like her family. She's good and kind. And she doesn't deserve to be treated like this.", Kara, or well right now Supergirl, said - there was a certain kind of coldness in her voice, entirely foreign for her except for cases like this in which people she loved were being insulted.
The man scoffed. "Must be a cold day in hell... a Super siding with a Luthor. That's pathetic."
Kara furrowed her eyebrows. "I don't judge people by their names. I do judge them by their actions. Right now, I can only see one person who needs to be judged and that's not Lena."
The man shook his head, mumbling incoherently as he stomped away.
Kara narrowed her eyes, thinking for a second about following the man to talk to him further, maybe even somehow convince him but then she shook the feeling off. Some people just couldn't, and didn't want, to see reason.
Kara turned to Lena. "Are you-"
"I could have handled that. On my own. I don't need a babysitter.", Lena said harshly. "I'm not crippled. I can still do things myself, especially dealing with ignorant people. I've done that all my life and it wasn't my eyesight which enabled me to do that."
Kara's eyes widened. "I- I would never suggest anything like that. I- I didn't mean for it to come across like that, Lena, I-", Kara swallowed and frowned. She cleared her throat, trying to stop herself from falling into a stuttering ramble again. "I will always stand up for you. I would have done the same thing before the fire too if I noticed someone harrassing you."
Lena twiddled with her cane. Kara's voice sounded sincere. And of course, Lena knew that she was indeed truthful about what she just said. That there weren't any malicious intentions behind her actions. She had only her best interests at heart. She always had.
Lena sighed deeply. "I- I know. I... I shouldn't have gotten so defensive. I'm sorry. I just... I just want to feel normal."
Kara furrowed her eyebrows and stepped closer. "You are normal, Lena, don't ever think any differently. You're still the brilliant, kind hearted badass you have always been. You don't need your eyesight for that. You're amazing. You've always been and you always will be."
Lena couldn't help the small smile spreading over her lips and the blushing of her cheeks. "Thank you.", she said quietly. "I... I needed to hear that."
"Hey, it's just the truth.", Kara smiled softly. She looked down. "I'll touch your hand, okay?"
Lena thought for a second, then shrugged and said with a smirk: "Why do that when you could just give me one of your incredibly comforting, big bear hugs."
Kara beamed. "Totally agreeing with that. I'm really good at hugs. Come here."
Lena chuckled and let Kara embrace her tightly. She wrapped her arms around her as well, resting her head near the crook of Kara's neck.
She couldn't prevent herself from inhaling Kara's scent. It made her feel even safer, even warmer.
She had found that since she lost one of her sense, sight, her other ones such as hearing and smelling had improved a little. Of course not to superhero level but still noticeable. She hadn't been too surprised by this, she had heard of studies before which proved that the brain rewired itself to compensate for the loss.
And for some reason, Kara's scent had grown to be her favorite, calming her and reassuring her that she wasn't alone in this endless literal darkness.
#supergirlcw#supergirl cw#supergirl au#supergirl#supercorp au#supercorp#karadanvers#karazorel#kara danvers#kara x lena#kara zor el#melissabenoist#melissa benoist#katiemcgrath#katie mcgrath#lena luthor is fucking gay#lenaluthor#lena luthor#lena lesbian luthor#supergirl fanfiction#supergirl fandom#supergirl fanfic#supercorp fanfiction#supercorp fandom#supercorp fanfic
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