#don't know the proper name of that one either

[bennetsbonnet]

Started reading Longbourn by Jo Baker and ooft... it's a struggle.

What's billed as 'a reimagining of Pride and Prejudice from the point of view of the servants' according to a quote on the cover is actually the author forcing their modern views onto domestic staff in the Regency era that it seems unlikely they would ever have held.

The narrative primarily follows Sarah (who is named in the original novel which furthers my point that the staff do have a role in it) who seems annoyed when she actually has to actually serve the family who employ her to be... a servant? Yes, to us today the concept of being employed by someone else to wash their clothes, help them dress and serve their food seems.... strange... to say the least, but at the time it was a job like any other and part of the strict hierarchical structure of society where everyone 'knew' their place.

While it is true that the Industrial Revolution saw domestic staff leave positions they held at estates such as Longbourn in droves and move to cities in search of better job opportunities and pay... that really began in earnest after this time (particularly when railways began to be constructed and travel became easier).

One of the servants came from a workhouse and as anyone with even a passing familiarity with the plot of Oliver Twist will understand, if you came from such abject poverty and dismal circumstances, being a servant at a country estate would seem like an amazing life in comparison.

There are also a lot of allusions to slavery which are, in my opinion, clumsily done and forced into the plot in an attempt, I think, by the author to subtly compare the suffering of slaves to the situation of domestic servants. Which is not only misguided but also pretty insensitive (to say the very least) given that tens of millions of human beings were forcibly removed across the Atlantic Ocean to work against their will in unimaginable conditions (if they even survived the Middle Passage) to line the pockets of the rich and to construct the nations which they and their descendants have largely been kept from benefitting economically from to this day... whereas servants in Britain worked for a wage and were (largely) treated well by their employers and had agency (obviously within reason, if they were treated badly they could quit but it would be a risk).

But servants spoke to each other, so masters and mistresses of estates knew that they must treat their staff well, otherwise they would never be able to secure decent help as no servant worth their salt would work for them. I don't dispute it was a tough life! But there were definitely more precarious situations than working an estate such as Longbourn for a family such as the Bennets.

Plus, I question the need for such as a perspective as I would argue that Pride and Prejudice actually does draws attention to the servants. We know the name of both Longbourn's housekeeper, Mrs Hill (who tells Elizabeth and Jane about the letter Mr Bennet received with news on Lydia) and Pemberley's housekeeper, Mrs Reynolds (who has an enormous part to play in improving Elizabeth's opinion of Mr Darcy).

In addition, we learn something of the respective companions of Anne de Bourgh, with Mrs Jenkinson ('in whose appearance there was nothing remarkable, and who was entirely engaged in listening to what she said, and placing a screen in the proper direction before [Anne]'s eyes') and Mrs Annesley ('a genteel, agreeable-looking woman, whose endeavour to introduce some kind of discourse proved her to be more truly well-bred than either [Miss Bingley and Mrs Hurst]').

Servants are present in the original novel. They are not described in detail because a contemporary audience would understand they would have been present, sort of like how modern day novels would not have characters charging their phones up or detailed descriptions of them being used. They're just so commonplace and second nature to us that we understand everyone does those things. and it was similar back then with servants. They weren't callously 'ignored' by Jane Austen; it isn't within the scope of the novel for a reason because Pride and Prejudice focuses on gentry families and their personal relationships with each other... rather than the servants who washed their dirty dresses...

[seacrestseacon]

"But it is so .... Formal. Humor me, does he call you D-Sixteen every time he says your name, either to your face or about you?" Seacrest asked, knowing full well from time in Paxie Proximity, and the expression change, that this lil muppet gets called Dee, affectionately. "So, does that mean Orion is disrespectful not calling you by your 'proper designation'?" He coos, unable to keep that smug little smirk wrangled when it comes to winning an argument.

"You know, thirsty. You want his spear and I don't mean the one he's posed with in half of these" Seacrest shrugs with a servo gesturing at the adornment of buff and kinda sexy not-Tarn's plastered over every available spot on this pod till its basically purple compared to its neighbours. Is ... That one signed? That is a very long signature for the word Tarn.

Don't touch anything.

"..." Red optics sliding back to the pod from Minnow, noting all the Decepticon logos staring back at him in various levels of foil, and he is biting his lip at the grin threatening to show itself. Aw, come on. How could he not challenge that. This guy is like three Caspian's high!

Optics flitting back to Dee, and Seacrest is very slowly resting a fingertip on the closest purple shape.

Or what?

" Me not calling him Paxie has nothing to do with protocol!" D16 huffs, this mech was...irritating " It's just respectful to call him by his proper designation. And for the record there are plenty of others that have designations like me, I'm not the only one. You just haven't met them." does he have lookalikes? Of course he didn't! Not...not that he knew of...did he?

Wait what? Orion...Orion talks about him during heists? He isn't sure if he should be proud or concerned. But he didn't have time to think on it as he watched the cogged bot return to his pod....nosy mech.

" Don't touch anything." he says loud and clear, there's no way they didn't hear him...and yet he still stood guard over Orions pod. Though the 'thirsty' comment had him sputtering, what does he mean thirsty?? He can't mean Megatronus Prime??

" Why would I get in trouble for putting decals on my personal pod? They don't care what we do with our pods....and what do you mean 'thirsty' I'm not thirsty for Megatronus Prime! I just look up to him."

[foxsoulcourt]

variations on green : February edition

[twicethetrouble]

I'm going to start a Daily Posting fic. Help me choose what

Explanation. I've gotten out of the habit of writing daily. I do not like this. The best way i know to fix this (for me) is to write a fic that's soul purpose is for me to write a little bit each day and post that little bit immediately.

I plan on trying this again, but posting the little bits here daily and eventually posting it (edited and formatted properly) onto AO3. and since i'm posting it here first, you all get a choice of what this project will be. in the form of a poll. (b/c why not.)

and just to make it interesting, i'm only putting the weird document names (with fandom and basic vibe)

(all of these i have a varying amount of stuff written for them already but I will post that first before going from there)

[arolesbianism]

Thinking abt the second dream story featuring a third dream story I can't remember if I ever talked abt. I <3 body horror bonus points if its slow and agonizing

[illithilit]

I actually managed to find that Drow name chart, so I am here to share the breakdown of dear Daxie's name.

His first name translates to "legendary wanderer" ( or renegade, but I doubt his parents would have selected that particular meaning. ) It's.... Certainly something to name your child, and frankly, to me it reads as his parents being fully prepared to keep him as a sort of foot soldier; they didn't by any means expect him to have any semblance of standing in the house, and to make it even more transparent, it's not any kind of compliment. It's a nicer way of naming him red-headed step child. He has his uses, ofc, particularly when his house has traditionally placed a great deal of importance on bloodline -- but that's, uhh.... About as far as it goes, since it's not exactly smiled upon in Vhaeraunite culture to cull healthy children.

His house's name translates as "raiders from the web." The name dates back to the house's origins under Lolth's rule, but has long since undergone a perception change since they're too proud of themselves to deign to change it. ( That being, 'from the web' is viewed as returning home from raiding Lolthite society. )

[luludeluluramblings]

Socialite!BatSis!Reader x Yandere!Bat Family

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

Part Two

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

A/N: Hi! I don't know where the fuck this came from. But, it has plagued me for months. Inspired by Labour and the Fruits by Paris Palmoa, Please Don't Cry for Your Daughters Eve by Lydia the Bard, and Curses by the Crane Wives. This my attempt at being dark, so either this fucks you up or I fucked up. Apologies for both.

Warnings: Fem!Reader, Implied assault, neglect, yandere themes at the end

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

You got the Wayne looks, the Wayne charm, the Wayne name, but you’re fragile. Bruce would tell you. Damian would tell you. (Not so kindly.) Everyone in the manor would tell you.

But, charm and good looks still have their uses. And, everyone in the family despises all the galas they need to attend.

So, when Bruce offers to take you to one, you up the charm, you dress your best. You use your finest manners and all the proper ways your Momma raised you to your advantage. And, you flourish.

You can tell from the slight smile Bruce has on his face on the way home. The hint of pride in his eyes at your job well done.

You can’t help your family or Gotham as a Bat. But, you can help them as a Wayne.

The socialite. That’s your roll. Not a bird, not a bat. A little social butterfly. Drawing the public attention away from the things that go bump in the night.

You like your role. Sure, you're not bounding over the Gotham skyline saving people from muggers and insanely themed villains. But, you're helping your family, and that's what matters to you.

At least, that's how it starts.

It was special to you in the beginning. Going to charity gala's and events with your father, Bruce. No one else in the family enjoys going to these events. It was your own personal father and daughter bonding time, in a way.

But, as you got older the pressure started and the distance between you and the others grew.

You were a music box ballerina. Spinning in place to the same tune over and over again while sitting on a dusty shelf. And, Bruce would wind you up to dance every time he need his social butterfly to charm Gotham's public.

Soon you had a whole team of faceless people picking out your dresses, changing your style, cutting your hair. You couldn't be anything less than a vain air-headed heiress, because that was your role. Brucie needed someone to follow in his footsteps, not Batman.

The dresses got more expensive, the flashes got brighter. The diets got stricter.

And, the distance grew farther.

And, then Bruce stopped going with you to the galas.

You weren't upset the first time. Or, the second time. Or, even the third time.

It was the fourth time that things started to crack.

Sure, Batman was needed. Sure, there was Justice League business. Sure, there was a patrol that ran late. Sure, there was a breakout at Arkham.

But, the fourth time, when you found him and the rest of the family laughing in the cave, it really didn't feel like they were focusing on the good of Gotham while you were struggling to smile sweetly at men twice Bruce's age wanting to take you home.

Still, you powered on. Kept doing your part. You were making the family proud afterall.

Right?

It was the ninth time it happened that you broke.

The nineth time you had gone to a gala alone in an expensive dress you didn't pick, one that showed off way too much skin. One that seemed to tell everyone in that grand ballroom that you were up for the taking. One that just barely hid the bruises from their fingers and palms under the fabric.

You wore that placating smile and that dress all the way home. With a driver you didn't know at the wheel of the car Bruce sent for you. The backseat empty even if you sat on it.

When you got home, you walk in on something that made each cracked piece of you ache.

Apparently it was game night. Everyone that mattered was playing Mario cart of all things.

"Look at that Cinderella’s back from the ball." Jason was the first to notice you standing in the doorway of the room. And, his words burned.

Cinderella. Cinderella. Back from the Ball.

"Hey, glad you’re back. Hope you had fun." Dick didn't even glance at you as he spoke, took focused on beating Stephanie who had her tongue sticking out as she concentrated.

"God, those galas are so boring, I don’t know how you do it." Duke says in passing. It would be meaningful if he hadn't said the same thing the last six times you had come home.

Tim and Damian were also playing the game, with Tim occasionally nudging Damian to mess him up. Like typical siblings.

Barbara was in the room as well, a book on her lab to read. Only you could tell she hadn't read much, judging from where her book mark was located.

"Good job." Bruce says absentmindedly. You can't even tell if its directed at you or at the blueshell Damian just managed to hit Dick's racer with.

Words don't even leave your lips as you exit the doorway, pieces of you falling to the floor as you wobble to your room.

Cinderella. Cinderella.

The clock striking twelve in your mind as you feel the rotten pumpkin sinking in your gut and the magic wearing off.

You don't notice that Cassandra seems to hear it too as she watches you. Like she can hear the shards falling to the ground. And, she's unsure if she needs to warn the family that something just broke down the hall.

As you enter your room, taking in the fancy decor. It feels disgusting. The magic is gone. It's all rotten and you want it gone.

Cinderella. Cinder. Cinder.

Your tear the fabric of the dress as you take it off. Tears falling down your cheeks s you struggle against the fabric and clasp. Expensive gemstones falling to the floor as your finally rip it free.

There bruises under your dress. Finger prints on your bones. And, you're choking on air as the fabric rubs your skin as it falls to the floor. The fabric ripples like water and you hate it. You want the opposite of cool rippling water. Water drowns, and you need air.

Your skin feels to hot and each bruise burns.

Cinder. Cinder.

You're Cinderella and you crave ashes. You need air, but smoke will do instead.

Instead of letting it lay on the ground like it's dead, you throw open that grand window in your room and chuck it out the window. Watching as it flutters and falls to the grass in a heap, the breeze doing nothing to cool your anger on and underneath.

It’s not enough. Not enough. It's not going to be enough.

More. Cinderella. Give it more.

Your closet door was cracked when you left for the gala tonight. Now you break it the rest of the way and grab each hanger carrying a pretty dress in a bag and throw it over the ledge.

Still not enough. Needs more ash.

Cinderella. Cinderella.

You break you dresser as you rip out the drawers. The wood splintering as you throw it out the window and on to the pile of dresses on the night dew covered grass.

You want to throw more, but you chest is heaving and your hands are shaking. Instead you stumble out of your room with just the bruises on your skin and towards the kitchen. You don't even hear the pans and cabinets doors slamming as you search for the matches.

Before you can find your light, you find a bottle of fancy wine. One that reminded you of the smell of this night.

You grab it, not caring that another bottle falls and shatters by your feet. Drawing attention, but not yours, as you finally find the matches and wobble out the door towards your pile of soon to be ash.

Cinderella. Cinderella.

You're laughing as you shatter the bottle on to the fabric. Lighting up a single match and then throwing the entire box at it the pile.

It catches light quick and the air around you finally matches the heat under your skin.

“What the hell do you think you’re doing?” You can barely hear Bruce's voice from behind you as your laugh. Turing to face him and the rest of the family's horrified faces at the sight of you.

You can barely restrain the giggles.

“I’m Cinderella. Cinder fucking Ella.” You spin like the little figurine you are. Like the pretty paper ballerina before she burst into flame.

Bruce rushes towards you, words spilling from his lips as terrifying thoughts fill his head at the sight of the bruises illuminating your skin.

“What happened tonight?”

“You would know if you had been there. But, you weren't. You never are.”

“Listen, you said you liked the galas-“ Excuses, excuses. You made enough for him and the rest of them in your own head that you don't want to hear more spoken out loud.

“I did! I did! But, that was when I had my father there to keep me safe.” You mock, spinning out of reach and looking at the flames.

They don't last long. The wood from your broken dresser drawers the only thing keeping the fire going. The expensive fabric not lasting long at all. Pretty things rarely ever do.

“But, no. I’m just another little one of your pawns in this family. Only you didn’t fuckin’ train me on how to fight off wandering hands. You taught me that I just had to grin and bare it.” Bitterness trips from your lips as you wipe of that sweet tasting wine from the night off your mouth.

“What happened?” His voice almost shakes. Almost, but not quite. You were the fragile one. The paper ballerina. The little Cinderella of the family.

You weren't suppose to break under his care.

But, was there any care if he let you fall from the shelf after he so haphazardiously placed you on it between uses?

“I’m not a whore.” You whisper to yourself. Words that had been dying to say to the hands that touches to tonight. Words that you wanted to shove down the throats of the strangers that pinched your skin, that gripped you too tight and too close.

“I’M NOT A WHORE!” Instead you scream it at him. Uncaring if you don't look pretty and perfect while doing it. Uncaring if your voice cracks from the way the emotion bubbles from your chest.

Startling enough, Bruce wraps his arms around you. Like he was trying to shield you. Like he was trying to keep you safe. Like he should have done. It feels awkward and tight. Your arms pressed tightly to your chest at an awkward angle. Your legs giving out at you sob and scream at him.

“Don’t touch me. Don’t you touch me. Let me go— I don’t want you to touch me.”

“I’m sorry. I’m— I’m so sorry.” His whispers over into your hair as he clutches you close. So close that you feel more bruises forming on your skin.

Cinderella. Cinderella.

“I’m not—" Your voice breaking as you wail. Like the child you are in his arms.

Through your tears you watch Dick turn away, followed by the others. Cass lingering to brush your hair back as Bruce holds you tight.

You don't see his fist clench so tight his knuckles turn white.

You don't hear the silence in the cave as Jason changes out the bullets in his gun.

You don't feel the chill in the air as Damian scouts out the fancy house.

You don't feel the fear of God that Tim puts into grown men as that watch their wealthy drain to zero before their eyes on screens.

You don't watch as Barbara makes a few calls and plants evidence of crimes that can't be covered up.

You don't see Stephanie ripping out teeth.

You don't see Duke letting Gotham go dark as terror reigns for that one long night and day.

You just see Bruce, holding you close and apologize over and over again while Alfred puts out the flames behind you.

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

A/N: Yeah, I love the thought of Reader being the one to be the Socialite Wayne while everyone does vigilante stuff. But, interacting with Gotham’s elite would suck so much and so many things could go wrong.

A/N: Apologies if I missed the mark with it or if it’s all over the place.

A/N: I just really loved the imagery of standing in front of a fire of expensive burning dresses while screaming at Bruce naked as the day you were born much to the rest of the family’s horror.

[tryingtofindava]

OMG , OMG, Are you an expert in creepypasta, I want to give you my request If you don't mind ... May i've a request for Jeff the killer,ticcy toby , Laughing Jack ( if you write for him ) and eyeless Jack please?!

With sweet fem s/o who don't know they are serial killers and only give them affection (like kisses every day) NSFW

Preatty please, love you baby

── 𝐂𝐫𝐞𝐞𝐩𝐬 𝐰𝐢𝐭𝐡 𝐚 𝐜𝐥𝐮𝐞𝐥𝐞𝐬𝐬 & 𝐬𝐰𝐞𝐞𝐭! 𝐒/𝐎

: ̗̀➛Back to Source

INCLUDES: Jeff the Killer, Ticci Toby, and Eyeless Jack.

srry pookie bear not touching the nsfw today :c might come back to this idea later with just NSFW tho >:)

╰┈➤ 𝐉𝐞𝐟𝐟 𝐭𝐡𝐞 𝐊𝐢𝐥𝐥𝐞𝐫

You definitely caught his eyes when he first saw you, immediately taking in your sweet bubbly aura. (You were definitely on his bucket list of victims after he stalked you for a bit)

But one day, he got a little too cocky and you caught him. And to his surprise you didn’t seem to mind at all when you found this questionable looking stranger stalking around outside your bedroom window.

You’re guys difference in aesthetic in personality is what made you guys hit it off. YOU GUYS ARE THE DEFINITION OF SUNSHINE X MOON.

He thinks you’re too sweet to actually be sweet tbh, but you never fail to prove him wrong.

He’s cocky and arrogant, and the god complex on this man is UNBELIEVABLE… The only reason you’re alive in his head is because he was gracious enough to let you continue with your life. Not that he’d tell you that ofc!!

“Do you think I’m beautiful?”

“Of course, you’re so handsome!!”

He likes that you agree he’s beautiful for sure. (He fishes for compliments all the time, anything to stroke his ego.)

He’s possessive, and borderline obsessive. You’re his. And that’s that.

He takes you where he wants, when he wants. The woods? Yep. The shitty convenience store toilets? Double yep yep. Anywhere you guys could get caught in general? YUP.

Double life points because you don’t even know he’s a literal serial killer, like, even though all the signs and red flags are there.

When you guys started to date, he did soften up a bit, not as cruel and mean. But only a little bit. He LIVES for the surprise kisses.

Typa guy who’d ask ‘where’s my hug at?’

╰┈➤𝐓𝐢𝐜𝐜𝐢 𝐓𝐨𝐛𝐲

This boy THRIVES off how sweet you are, it all works in his favour really. Your house is like his hide out spot, away from his… ‘work’ and honestly just everything.

You’re his safe space. His home.

He does think you’re a bitty dull though, and he often wonders how long his ‘I’m a hunter’ excuse will work.

He’d try his very hardest to keep you a secret from the others, but his Tourette’s to make him tic and stutter out your name and nicknames. Which definitely raises some questions on who this ‘Y/n’ and ‘Schatz’ is.

“A-a-and then he- Y/n- fuh-fuck…”

Please, please, please help him through his episodes and tic attacks. He’ll cherish you forever and ever. (He already did but it’s set in stone now.)

He likes that you’re nice to him, he feels so super duper special that he’s getting love and affection, him! Of all ppl!! (poor boy just needs some loving yall)

He’s ECSTATIC when you guys start to date, he’s not very experienced since he’s only dated Clockwork (my beloved) BUT HE’S A FAST LEARNER AND PICKS UP ON EVERYTHING QUICKLY!! ^^

He was so super shocked when you started giving him little kisses here and there, and it soon becomes a game of who can get the most surprise kisses in a day. (He’s proper pouncing on you to get to ur neck)

╰┈➤ 𝐄𝐲𝐞𝐥𝐞𝐬𝐬 𝐉𝐚𝐜𝐤

When you guys first met, it was around 9pm. It was dark outside, the street lamps Turing on one by one. We’re carrying home some grocery bags, and when you bumped into a tall, dark and mysterious man with an eerie mask… you immediately compliment his cosplay.

“Ohhh, cool cosplay!!”

“What…?”

Okiii, so anyways you guys are dating now<3

He’s a sneaky one for sure, out of him, Toby and Jeff, he’s the best at keeping what he does a secret. Not that’d you’d notice either way but… yh.

He’s a possessive bastard like Jeff though, he worries about how sweet you are to everyone, he’d hate if someone were to upset you or even worse, hurt you… (And if they do he’d take care of them for you)

He likes that you don’t question his grey skin, empty eye sockets, the sharp teeth, 3 tongues, and ESPECIALLY the tar dripping from where his eyes should be. Less work for him to make up excuses.

But, that doesn’t stop you from questioning his eating habits…

Always questioning him and lecturing him of he shouldn’t feast on raw ‘animals’. Yeah… you bet your ass he’s not telling you about the cannibal or demon thing. And it’s gonna stay like that.

You’re too sweet and pure to him to be revealed to the horrors that is himself. How he longs to be in a universe with you were he can be normal so you guys could live the white picket fence life style.

But, he doesn’t get that. But at least he gets you all to himself, demon or not.

He’s more stunned by your surprise kisses against his mask, but he does find it adorable, how couldn’t he? The way you lean up on your tippy toes with puckered lips. He can’t help himself but slide his mask up and take you right then and there.

wowee was this long, can u tell I had to get this out of my system:3

PSST!! Yeah, you!!! Do you like my interpretation of the Creepypastas? Try out these bots!!

[lyrefromthesea]

Male pillars x Reader - sitting on their lap

author's note: I'm strictly against any kind of sexual interactions with minors. That's why I will either exclude Muichiro from such fics of or portray a wholesome interaction instead.

pairing: Tengen x reader, Obanai x reader, Rengoku x reader, Sanemi x reader, Giyuu x reader, Muichiro x reader, Gyomei x reader

content warning: suggestive words and actions

Tengen:

"excuse me? I'm married!" he dramatically exclaimed, looking down at you. the man was already trying to refrain from smiling, watching you turn your head towards him.

"i'm sure Hinatsuru, Makio and Suma will forgive me." you answered, showing him your hand. he smirked at the all too familiar ring. he was glad he had married you.

"just playin', i could never disappoint the flamboyant person i married!" he laughed, clearly proud of himself. when you cocked your eyebrow at him, he let out a dramatic gasp, pulling you closer.

"are you trying to say i'm not the most perfect husband you could imagine?" he asked, displaying a huge amount of shock. you knew he was just making fun, especially when he pressed your back against his chest, bringing his lips to your ear.

"you were saying entirely different things yesterday." he said, watching you shudder at his words. you slapped his knee, scolding him for saying such things outside.

"come on, you know you love it!"

Obanai:

he freezes, his brain nearly malfunctioning. it's not like you've never sat on his lap before, but you usually gave him a warning first - asked for his approval.

"[name]? what's-" he asked, surprised when your arms wrapped around his neck, barely giving Kaburamaru time to slither away. words got stuck in his throat, feeling your lips against his mask - right above his own.

"nothing. i was just feeling affectionate." you answered, shifting to wrap your arms around his torso. he looked down at you, letting out a quiet yelp when your hips moved a bit too much on his lap.

"oh..?" you looked at him, a smile slowly forming on your lips. a blush made his way towards his cheeks, luckily covered by his mask. at least he felt lucky, you would've liked to see him blush.

"it looks like you're feeling affectionate too, Obanai." you chuckled, purposely drawing light circles with your hips. of course you had noticed the growing bulge in his pants, his hands now holding yours.

"don't tease me, [name].."

Rengoku:

"little flame! how was your day?" he enthusiastically asked, his arms wrapping around your torso. he pulled you closer, placing his chin on your shoulder.

"it was okay, i missed you." you answered, leaning against his chest. he smiled at you, enjoying the way your bodies were pressed together so gently.

"we can't have that, little flame! how about we go eat later?" he asked, holding you a bit closer. you chuckled at his words, he really loved taking you to new places - especially restaurants.

"i'd like that. let's go eat something later."

Sanemi:

"and what the hell are you doing?" Sanemi asked, feeling you make yourself comfortable on his lap.

he had cleaned his sword moments prior, hearing the door open - it was you. you moved towards him without warning, getting between him and his sword.

"getting your attention." you answered, moving even closer. don't think he didn't notice the way you purposely squished your chest against his own.

"yeah? didn't I give ya enough attention, sweetheart?" he teased, watching you pout in response. you had been alone for far too long, you finally wanted to spend time with him.

"you've been working on your sword for two hours now.." you complained. he placed it down, knowing that you were right. he just felt like the proper care could safe his ass one day, though a shiny sword probably wasn't that important.

"fine, ya win. this was getting uncomfortable anyways." he answered, almost making you question what he meant until he pressed his hips against yours more. oh, now you could feel it too.

"does that mean you want my attention as well-" you asked playfully, getting cut off by his lips pressing against yours before you could finished talking.

Giyuu:

"is everything alright?" his voice broke the silence, you've been sitting on his lap for almost 5 minutes now, not saying a single word. he was confused, not sure if you were fine or needed help.

"Giyuu, attention?" you asked, feeling him relax under you. he had been tense, thinking you could've been hurt somewhere. your words instantly calmed him down, his lips pressing against yours gently.

he didn't expect you to turn his soft kiss into something more passionate. his hands slowly came to hold your hips, tongues swishing against each other.

you broke the kiss, panting against his lips. he pressed his forehead against yours, pulling you a bit closer, only to have your hips start grinding slightly.

"l- love.. t- that's not.." he muttered, his cheeks visibly growing more red. hands squeezing your hips more, trying to create more friction. he could only moan when you finally started grinding against him properly.

"i.. i need to go on a mission later.." he panted against your lips, but he didn't object when you kissed him again, your hand wandering to his belt.

Muichiro:

"Muichiro! i finally caught up to you.." you heaved, letting yourself fall onto his lap. you had been running for nearly twenty minutes now, watching the boy leave his estate without food. being the good friend you were, you ran after him.

"[name]? what are you doing here..?" he asked, letting you lean against him. your cheeks were flushed from running. it would've been different if you also were a hashira, but you still had much to learn.

"you.. you forget your food, Mui.." you panted, reaching into your pocket. he looked rather surprised when he saw the small box of food he usually brought with him.

"thank you..! i've completely forgotten." he laughed, eventually coaxing a smile out of you. you gave him the box, seeing his eyes lit up at the promise of food.

he wanted to dive right in before he had a quiet growl come from your stomach, making your cheeks flush. "do you want some?" he asked, watching you shake your head.

"i brought my own!" you countered, grabbing into your back once more. silence filled the room when you noticed you had only brought his food.

his arm wrapped around your torso, forcing you to stay on his lap a while longer. "let's share." he said, offering you some of his food. you knew he wouldn't let you go until you have had a healthy portion.

Gyomei:

"welcome back." the giant said, feeling you plop onto his lap, nuzzling against his chest. you let out a tired hum, feeling a large hand soothingly rub over your arm.

"is there something wrong? you're more quiet than usual." he asked, gently bringing your head closer with his hand - allowing you to be closer to him. you could hear the gentle rhythm of his heartbeat.

your day had been stressful, but he somehow always managed to calm you down. his warmth. his voice. his actions. they put your mind at ease.

"i know it's ridiculous, but i've felt really stressed out lately. i just want a break.." you muttered, closing your eyes. you were trying to focus on his heartbeat and ignore everything else around you.

"it's not ridiculous, you deserve a break. perhaps a visit to the hot spring would help calm you down?" he offered, feeling you nod against his chest. you felt warm hands rub over your thighs, his head now closer to yours.

"and i could pamper you a bit more after that.." he muttered against your ear, your eyes opening again. the warmth pooling in your gut could probably rival the hot spring's temperature

[destinywillowleaf]

brain said "analysis time", this got long, sorry in advance.

tl;dr 4-6 years passing probably does work but serpentine ages and aging rates make my head hurt and i'm probably more in the 3-4 years passing club anyway (but probably at least a year going by between Crystallized and The Merge in the first place)

See I definitely think it's been at least 3 years thanks to Crossroads Carnival. The put up the tent to honor the ninja "every year" which implies two years at minimum, but "every year" feels more like an implication of this being the 3rd+ time it's happened. It could easily be somewhere in the 4-6 range based on that too, and it's definitely been a few years thanks to Sora, Arin, and Wyldfyre all going from short to long legs, but there's just one little problem that sticks out to me.

Spitz.

Cole: Yeah. I had no clue where I was. The Finders took me in. Sora: The Finders? (Fritz and Spitz pop up behind Sora.) Fritz: He means us! I'm Fritz. Spitz: Ssspitz here! You lose it, we find it. Hence, the Finders.

~~

Nya: So, if your theory about this place is right, then those kids are also lost? Forgotten? Cole: Yep. Each of them ended up here after running away from home.

To me, the dialogue implies that Fritz and Spitz were there before Cole was. It could just be saying the Finders as a group name were there before Cole was, which would imply at least two of the others were there before him (thus it could have just been Geo and Bonzle before Cole was there). Still, the phrasing seems to be implying Cole is the most recent addition to the Land of Lost Things. It wouldn't be that much of a problem chronologically...

...if it weren't for Skales Junior, Season 9, and (to some extent) Tommy Andreasen.

Even if we DO choose to ignore Andreasen's statements about the S3->S4 timeskip being longer than the S2->S3 timeskip (more specifically that the S3->S4 timeskip was the longest as of August 2016, post-Skybound and pre-DotD) and the statement about Junior having been born in the new village and not the tombs (February 2017), Skales's dialogue in "The Curse of the Golden Master" seems to imply that Junior was born/hatched more recently anyway.

Kai: Skales Jr.? Uh, you have a son? Skales: We've been busy since you left us. And we prefer to keep it that way.

Which not only begs the question of how much time passed between seasons, but also the question of how quickly Serpentine mature (and how old you thought Junior was in equivalent human years). Depending on your answer for the first question, the answer to the second changes.

And for a time, it was easy enough to say maybe a few years passed between S2 and S3 (I don't know what the general consensus is/was but I tended to say 2-3 years), and Serpentine matured somewhere from 2-4 (or maybe more) times faster than humans. Junior didn't change much in his Tournament of Elements appearance (assuming it wasn't just a chance to reuse a model instead of creating a new one(which it totally was)), so things seemed easy. Hands of Time also didn't see a model change, but the amount of time that passed from S4 to S7 is a bit up in the air anyway. What mattered was he was still a kid and there wasn't gonna be a need to change the model that wasn't gonna be on screen for more than 5 minutes.

And then a year went by in Ninjago to reach Season 8, and a week after the Bounty is destroyed we pick up in Season 9. And Season 9 has "The Gilded Path" and the following exchange.

Kai: Jay, we're still teenagers. Jay: Yeah, but grown-up teenagers.

I know it's probably supposed to be tongue-in-cheek and leaning on the fourth wall more than a statement to take seriously, but the fact of the matter still stands that Kai and Jay are "grown-up teenagers", with the implication being that Cole is one as well. The diction/cadence Jay uses doesn't necessarily imply that they have to be 18 or 19, but I'd only put them at 17 at the youngest here. (Zane is a robot and can't help us in this situation. Sorry buddy)

Assuming they're 19 as of Season 9, that means the trio was 18 in Season 7 (with the possibility of Jay being either almost 18 or almost 19 thanks to the early birthday present stuff). Seeing as all three of them have full-length minifigure legs during their Wu Recruitment in the pilot (and the expanded S8/S9 versions for Cole and Jay), then presumably they're at least teenagers at that point. (I recognize that the mid-length legs weren't a thing at this point, so theoretically there could be more nuance to their ages, but I have at least a little faith that Wu wouldn't purposefully seek out and recruit Actual Children.) Going on the furthest bounds, that would make the trio 13 (or maybe 14) in the pilots, leaving 4 or 5 years for all the events from the end of the pilots to the start of Season 7. It's certainly possible to have everything happen in that span of time depending on how much time you allot to each season's events and the passage of time between them, but it can get kind of tight. Plus it means Nya is kinda young during the pilots which is just so weird to think about.

But then Skales Junior makes things weird again, and in turn makes things weird for Spitz. Junior can't grow up at the same rate a human does, but he also can't grow up too fast.

Maybe it's just me, but it would feel strange for rapid aging to only get a snake to a young child stage and not a teenager or even a preteen stage. However, this does not seem to be the case with Skales Junior, and it would be logical to avoid the same to Spitz seeing as they're both Hypnobrai (or at the very least Spitz is a Hypnobrai hybrid and that phenotype shows prominently compared to someone like Clancee).

And it's not exactly easy to say that in a year (or less) Junior went from being born to being the human equivalent of something like a 10 year old, because by consensus Spitz would then be a young teenager and that really doesn't seem to be the case (unless the snake is just short, in which I feel your pain Spitz, people mistake you as being younger than you are). I sincerely doubt Spitz is supposed to be equivalent to a human somewhere from 14-16 years old. Even assuming Spitz only wound up in the Land of Lost Things fairly early in life (~3-5 human years, maybe?) then the snake would still wind up as a young teen.

In theory, the Serpentine could speed through the early development stages and a snake around one year old could be roughly equivalent to a young child. Possibly 6-8ish, but I have no idea how old Junior is supposed to be in S3. (I've seen some guess he's closer to 4 or 5, but he could also very well have been almost 10.) He definitely feels on the younger side there and older in S7, but he still has short legs and is probably equivalent to a 10 or 11 year old at MOST. Maybe after the initial spike, they level out and might only be a little faster than humans if there's a difference in the first place.

In a case like that, Spitz probably wouldn't be an issue. Assuming the little snake was about a year old when arriving in the Land of Lost Things (with The Merge happening shortly after arrival) and it's been 4-6 years since then, it's entirely possible for Spitz to have been equivalent to a 6 year old human upon arrival and is somewhere from 10-12 now, which would make short legs appropriate. (In theory the medium legs might also work, but the range of ages that use those legs is a bit up in the air.) Spitz could have also wound up there less than a year before The Merge and would be even younger, but that's also assuming my Serpentine-to-human age equivalence estimate is correct. Spitz also might very well have ended up in the Last of Lost Things longer before the Merge, maybe having lived there for a year before everything went sideways. We don't know.

There's also every possibility that Serpentine might only "spike" to the equivalent of a human 4 or 5 year old after a year. If not much time passed from the end of Spitz's "spike" and arrival in the Land of Lost Things and the Merge then it's entirely possible for the little snake to only be a human 8-11 now. But by that same logic, Spitz could again have wound up lost earlier

Keep in mind this is also actively ignoring creator statements and only considering in-show dialogue. If Andreasen's word about early timeskips is considered, then there's either even less time for Junior to grow up or there's not a lot of time between other seasons or for them to happen to begin with. There's also the statement from the Hagemans of how the ninja are supposed to be "eternal teenagers"(September 2017) and Andreasen's tweet how the ninja have "no specific ages"(December 2017). Granted, these were both tweets sent before the line in Season 9, but there's a difference between "the creators say they're supposed to be teenagers" and "characters in the show confirm they are teenagers".

And none of this is helped by Andreasen's other statements on the timeline.

[The rest of this is just me getting annoyed at the timeline but I do think it's important context as to why I have the thoughts I do about the merge timeskip. I shit you not I have a whiteboard in my room that was dedicated to me trying to figure out the timeline post-Seabound and a sequel in the form of an MSPaint file. I love this series but I would kill for whatever timeline the writers used as reference. if they even had one.]

[edit: I talked to a friend about this and another completely viable option is a spike into toddler age and then long/slow childhood.]

On September 23rd, 2016, he stated that Zane's new body was "2 years old max" and that Pixal was "No[sic] old … 3-4 years?" and built "Between season 2 and 3". Considering these statements were made in the window after Skybound had aired but before the official/"main" teaser for Day of the Departed (and obviously in turn before the special aired), it's hard to know exactly which point should be used as reference for these timeframes. I'm leaning more towards DotD, partially due to knowing (more or less) how much time passes from there on. 2 years from the end of Rebooted to DotD and then a day or two to reach S7. Season happens and from there it's a year to S8, and with a bit more time beyond that we reach S9 and the accursed teenagers line.

Pixal helps out by narrowing time down to 1-2 years passing from her build date to the end of S3, and some of that time can be take up by the creation of Zane's statue. There's… still kind of the problem of alloting how much time actually goes by, seeing as S3->S4 still has to be greater than S2->S3, but if it's a year from Pixal to 34 credits, then it could theoretically be less than a year from S2->S3 in general.

You know, if it weren't for Borg Tower. That is a 100-story skyscraper. Those take time to build. Even the Empire State Building took more than a year from construction start to finish (and had a bit less than a year of planning ahead of time, as far as I can tell), but most take longer than that. So that means roughly a year should go by from S2->S3, and then a bit more time than that passes in the season itself. Which means over a year goes by from S3->S4 and that leaves only a year maximum for start!S4->DotD to happen which is possible (and does slot well enough together with the limited amount of time ghosts are able to exist in Ninjago before fading)…

…unless the New Year and Day of the Departed happen to be at similar times to when they are in real life. Seeing as Day of the Departed is "inspired by holidays all over the world", but does heavily draw from Halloween and Día de Los Muertos (with elements of the Japanese Obon/Bon festival and the Chinese Ghost Festival), it's more likely to be later in the year than earlier. (The wiki also says there are elements of Memorial Day, but that's more for military personnel instead of the general public, y'know?) Seeing as we don't know what the months are in the Ninjago world, I'm just gonna use the real-world ones for reference for a moment. The New Year could very well be the first day of January, or it could be variable in some day from January to February like the Chinese New Year.

While there are other New Year dates used by various real-world religions and cultures, I… sincerely doubt the Ninjago writers took them into consideration. And while there certainly is influence from Obon and the Ghost Festival on Day of the Departed, the show is kinda meant for an audience more familiar with Halloween and Día de Los Muertos. To the point where the special was initially aired in October to line up with those holidays (as opposed to airing in August, to line up with Obon and the Ghost Festival). This only creates problems because of Cole, and how "ghosts cannot remain in Ninjago for long without a vessel." We don't know how long "for long" could be, but I'd say nearly a year is more on the long side. Day of the Departed COULD be sooner into the year for all we know, but no matter what there's still the matter of having S4, S4->S5, and the majority of Season 5 also all happen alongside the S5->DotD skip in a year or less.

Part of my issues with the timeline might just stem from having read "A Team Divided" and the real-world passage of time between S2 and S3. That timeskip always felt longer to me than S3 to S4. There needs to be time to build a skyscraper and for Darkley's to become Wu's Academy. There needs to be time for the city to change. There needs to be time for Skales Junior to hatch and grow up at least a little bit. There needs to be time for Pixal to be designed and finished. There needs to be time for everything to happen. It can't be "not that long really" between S2 and S3 and then have it be longer between S3 and S4. I know Jay needs time to host his show and for Zane to be able to back up all 74 episodes (and holiday special) if Decoded is taken as canon, and I know that line is a nod to the length of the series at the time, but it's still something said and I can't just pretend it doesn't exist.

There needs to be time for Ninjago to happen and sometimes it feels like the series doesn't have enough of it.

[cripplecharacters]

Write more Deaf characters!

[Large Text: Write more Deaf characters!]

When answering questions about deaf and hard of hearing characters, I have noticed they are overwhelmingly about:

A character who is deaf in one ear or hard of hearing because of an accident

A character who was born deaf and knows sign language, but seems to have 0 connection to the broader Deaf community

This is not the experience of most d/Deaf people! So, here's your primer to Deaf community and culture, and writing a Deaf character, because they are sorely underrepresented.

(Disclaimer: this post was written using viewpoints I, a singular Deaf person in the United States, have encountered. I tried to make this as general as possible to encompass many Deaf views, but it is possible that I have misconstrued something. Do not take this guide as the be-all and end-all of your knowledge on Deaf culture. Keep reading and researching the Deaf community, and explore viewpoints from many different Deaf people of all backgrounds.)

Why do you write Deaf with capital D?

[Large Text: Why do you write Deaf with capital D?]

The term "deaf" with the lowercase d means not being able to hear. The term "Deaf" with an uppercase D refers to the cultural identity formed by deaf people. This identity is difficult to explain but it includes knowing sign language and engaging with other Deaf people.

There are varying opinions within the Deaf community on who is allowed to call themselves culturally Deaf. Some Deaf believe that only those who were born into the Deaf community (whose family is Deaf, who attended a Deaf school, and/or who have sign language as a first language) are allowed to consider themselves culturally Deaf. On the 'flip' side, some Deaf believe that anyone with hearing loss can claim the label. And of course, you can find someone Deaf with any opinion in between.

This is all intracommunity nuance. If your character is born deaf and learns sign language at a young age or as a first language, they are likely culturally Deaf.

Sign Language Use

[Large Text: Sign Language Use]

Sign languages are the language of Deaf communities. (Note that there are many sign languages in different regions, and they are not related in the same way spoken languages are!)

Most sign languages did not originate alongside spoken language, either, so they usually have different grammar than the spoken language in a region. This means that someone whose first language is sign may have difficulty learning even the written version of the spoken language due to the different grammar and translation. For native signers, the spoken language of their area is their second language.

Sign languages are fully developed languages, with grammar and structure. Sign language is not "less" than spoken language, and encouraging sign language does not discourage speech. (Even if it did, that's not a bad thing! Sign languages are still a valid and rich communication form!) Sign languages have slang and expressions/idioms too.

Sign languages typically have a "manual alphabet" otherwise known as "fingerspelling". This is a way to represent words that don't have a sign. Fluent signers very rarely fingerspell; normally fingerspelling is for proper nouns which don't have a name sign.

Name signs are the last big point I want to cover about sign language. A name sign is a way to refer to someone so you don't have to spell their name every time. It's usually related to someone's attributes, like dimples or a specific way of moving. Sign names can only be given by Deaf people who are fluent in sign language.

Deaf Education

[Large Text: Deaf Education]

For a long time, deaf people were considered unable to learn, just because they couldn't hear. And since 1880, for about 100 years and even still today, the prevailing tradition in deaf education was/is oralism--a teaching method based on speech that rejects sign language.

Historically speaking, if deaf children were to receive an education, they would be sent to a Deaf residential school. These still exist, although there are also many Deaf schools that are typical day schools, just for d/Deaf/hoh students.

Deaf children may also attend "mainstream" schools; they might have sign language interpreters and other accessibility accommodations, or they may be forced to rely on lipreading and context, or placed in special education where their needs often still are not met.

Oralism still has lasting effects today. Deaf people have received, and still do receive, worse education than hearing people.

One common problem is language deprivation. Many deaf children grow up without access to sign language. About 90% of deaf people are born to hearing parents; even if hearing parents do send their deaf kids to a Deaf school, they may not learn sign language themselves, so the child must rely on what they can gather of spoken language at home. Sign language is even discouraged by some audiologists and speech professionals, because it "might interfere with speech". But by depriving deaf children of sign language, more often than not, they are being deprived of all language.

People who are born deaf do not learn spoken language naturally, even when provided with aids like hearing aids and cochlear implants. Many deaf kids who learn speech learn it through extensive speech therapy, and often have a "deaf accent" from copying mouth shapes but not being able to hear or process what sounds they are making, which may also include having an atypically pitched voice (e.g., very high-pitched). Lip-reading is inaccurate and the best lip-readers can only follow about 30% of a conversation, and that's by intently watching with no breaks.

It is possible to learn a language at any age. But it is easiest to pick up a new language when one is young. Children who do not learn a first language by around age 5--the age at which they would start school--have more difficulty learning any language, and may have frequent outbursts or trouble expressing emotions as a result of communication difficulties.

Another problem, especially within the Deaf community, is literacy. Spoken languages are often unrelated to the signed language of the same region. Learning to read and write, as a Deaf child, is like learning a whole new separate language, with different grammar and structure than their native language. This is why captions are not a perfect accessibility tool--it is, for many Deaf people, being offered an alternative in their second language, if they have learned to read and write at all.

Deaf Culture Norms

[Large Text: Deaf Culture Norms]

To hearing people, Deaf conversation can seem very blunt and to the point. This isn't to say Deaf people are inexpressive--quite the opposite: sign languages often use facial expressions as part of the grammar, and there is a lot of expression that can be incorporated into a sign--but there isn't a lot of "talking around" things. You can see part of this culture in name signs, which are usually based off a trait of the person. It's not offensive--it's just how they're recognized!

Another conception is of Deaf people being over expressive, but again, that is just part of sign language grammar. Face and body movements take the place of tone of voice, as well as other grammatical clarifications.

Deaf people talk a lot! It's very hard to end a conversation, because there will always be something else to say or a new person to meet. Hugging and other physical touch are really common greetings.

Tapping people on the shoulder to get their attention is fine. Other ways include flicking the lights or rattling a surface (for vibrations). Eye contact while signing is also important to make known that you are listening. Groups of Deaf people will sit in a circle so everyone can see everyone else. It's rude to talk in a Deaf space. If you are lost in the conversation, you'd ask if you can write or type instead.

Deaf Space also refers to design concepts that are more accessible to deaf people. This includes good lighting, minimal signing-height visual obstacles (e.g., low waist-height shelves), visual indicators instead of bells, open spaces so people can sit in a circle to talk, and automatic doors and wide hallways/passages so it is easier to continue a conversation while walking.

It's also very rude to comment on a Deaf person's voice. Do not mention you're surprised they can speak. Do not call their accent "cute" or "weird" or anything like that. Do not ask them to speak. Do not say their voice sounds really good ("for a deaf person") or that you wouldn't be able to tell they are deaf.

Deaf Views on Deafness

[Large Text: Deaf Views on Deafness]

The Deaf community is incredibly proud of their Deafness. You'll often hear the phrases "hearing loss = deaf gain" or "failing a hearing test" as "passing the deaf test". Continuing the Deaf community and culture is highly valued, and learning sign language is encouraged for everyone.

Many people in the Deaf community dislike cochlear implants as their success is incredibly variable and they require invasive surgery and therapies from a young age. Another big argument against CI is that they are often presented as the only or the first option to hearing parents, who misunderstand CI as a "cure" and then do not give their child access to sign language.

Deaf people also reject any sort of cure for deafness, especially genetic therapies. Many Deaf people do not think of their Deafness as a disability.

(Deaf people will often point out the advantages of Deaf culture and sign language, such as being able to talk over long distances, through windows, and even underwater.)

Most hard of hearing and some deaf people have hearing aids, although it is really an individual choice whether or not to wear them. Many d/Deaf/hoh people are overwhelmed and startled very easily by noise (since they're not used to that much auditory input) and get tinnitus from auditory overstimulation. They may also struggle with auditory processing--locating sounds, interpreting sounds, recognizing and interpreting speech, and other issues.

The Deaf community doesn't have any general complaints about hearing aids, just many prefer not to wear them. Do know that they are an imperfect aid; they just amplify sound, which doesn't improve processing or understanding, and it doesn't make people hearing. Not everyone even benefits from hearing aids--their specific hearing levels may make hearing aids a bad choice of aid.

A big point you'll hear in Deaf spaces is Deaf Can (and Deaf Power). Hearing people have historically treated deafness as a sign of incapability, but Deaf people can do everything hearing people can--except hear.

Myth Busting

[Large Text: Myth Busting]

Myth #1: All Deaf people are completely deaf. This is very far from the truth! Most deaf people have some degree of residual hearing, although this may require very loud sounds and/or at very specific pitches. Plus, there are many culturally Deaf people who are not deaf/hoh at all--CODAs, hearing children born to Deaf parents, are part of the Deaf community.

Myth #2: (Non-speaking) Deaf people do not make noise. Also very far from the truth! First off, Deaf people laugh. Many Deaf people also vocalize without knowing or intending, especially when excited. We can get very loud!

Myth #3: (Speaking) Deaf people talk loudly. While this can be true, often d/Deaf people talk more quietly than expected. This is because with severe to profound levels of deafness, no speaking volume is really going to be audible, so they will often rely on feeling vibrations in their throat to know if they're making noise. Vibrations are detectable at lower volumes than hearing people like to listen to.

Myth #4: Deaf people can't drive. I actually have no idea where this one came from but it's false. Deaf people can absolutely drive, and tend to have a lower rate of accidents and violations than hearing drivers. There is a common trend of treating d/Deaf people like they can't do things unrelated to hearing, but deafness on its own only affects hearing.

Deaf Struggles in the Hearing World

[Large Text: Deaf Struggles in the Hearing World]

A huge problem is just basic accessibility. Many places do not have captions or visual indicators, or rely on hearing (like drive-throughs). Movie open caption screenings are often at awkward times, and caption glasses are hard to find or access and awkward to wear.

Deaf people are also at increased risk of police violence. Police often treat signing as aggression, rather than attempts to communicate. When they yell, talk quickly, or shine a flashlight in Deaf people's faces, it's even harder to understand what is going on. Deaf people are also not often provided with a qualified interpreter and may not understand what is going on or why they were arrested.

Deaf people, specifically those who are mainly kept in the hearing world, have higher rates of drug use and addiction.

Hearing people also treat Deaf people as incapable or lesser. Gallaudet University had only hearing presidents until 1988 after the Deaf President Now protests; then-chair of the board at GU said in a statement that received heavy backlash from the students, "deaf people cannot function in the hearing world".

When writing your Deaf character:

[Large Text: When writing your Deaf Character:]

Were they born to hearing parents or to Deaf parents? (90% of deaf children are born to hearing parents.) Is anyone else in the family d/Deaf?

At what age was their deafness noticed? (It can be at birth, or it can take several years, even for children born deaf.) Is their hearing loss progressive? Is their hearing loss significantly different in each ear?

Were they eligible for cochlear implants? Did they get CI? Did they get hearing aids? (Consider cost as a factor: CI requires the surgery as well as intensive speech therapy; hearing aids are also expensive and can need replacement and refitting.) How well do the aids work for them? Do they have them in one or both ears?

What advice did their family receive from audiologists and speech therapists about sign language and communication, and did their family listen? Did they learn sign language? At what age? Did their parents and family learn sign language? Are they language-deprived? Did they go through speech therapy? What is their speech like? Do they like using their voice?

Did or do they attend Deaf school? Is it residential or day school? If it's residential, did they understand what was happening when they were dropped off? Does the school use sign language or rely on oralism? (Consider time period; most schools now use sign language, but from 1880-about 1980 the predominant method was oralism.)

If they don't attend a Deaf school, what accommodations are they receiving in mainstream setting? Are they in special education? Are they in a Deaf program at a mainstream school? Do they have an interpreter? How much do they understand what is going on in class?

How involved are they in Deaf community and culture? Are their friends and family involved and supportive of the Deaf community? Do they treat deafness like something to cure? Do their friends and family frequently ignore or "forget" that they are deaf?

In general, consider their scenario, what ableism they've faced, and what their Deaf identity is.

Happy writing, and please continue to send in your questions!

Mod Rock

[vertigala]

*Grabs you by the throat* Listen to me you TMAGP-loving freaks. Listen to me right now. RedCanary might be the host for this universe's Jonah Magnus.

This is under the assumption that TMAGP takes place in a parallel universe that may or may not have already had the fears in it prior to Jon releasing them at the end of TMA.

RedCanary goes to explore the Magnus Institute ruins. They become paranoid because the Eye is watching them. They pick up a wooden box with strange symbols carved into it. They go to put it back. Next we hear from them, they post an image of gouged out eyes with the caption "Canaries should stay above ground."

They found the tunnels, hence that caption. Then they found Jonah Magnus's body sitting down there, waiting for a new host.

In this universe, the Magnus Institute burned down in 1999. Maybe in this universe Gertrude went through with her original plan of burning the place to the ground after finding out Elias was actually Jonah in 1997. Either way, let's say Jonah's original body is down there, maybe with Elias's body and his eyes and all that, and with his plans foiled, he's just chilling down there waiting for an opportunity which RedCanary then gives him. This is my going theory due to the specificity of the caption "canaries should stay above ground" (referring to the tunnels, and also it being in third-person) and the fact that RedCanary themselves would be pretty unlikely to be able to post that picture of THEIR OWN EYES GOUGED OUT unless it was Magnus assuming their body and identity and being a freak about it.

But there's more.

Narratively speaking, it makes sense for the third voice in the computer to be Jonah Magnus, right? If Jon and Martin ended up in this universe as voices in a computer, the only other person sharing their fate would have to be Magnus, given how TMA ended. Recall, also, the boot-up sequence in the trailer of TMAGP.

[id: a screenshot of the text from the TMAGP teaser, which says “initializing J.01… OK/initializing M.01… OK/initializing J.02… OK”. end id.]

Jonathan, Martin, and Jonah, right? Unless Augustus is gonna be a new J name or this is just an unrelated easter egg but like. It's Jonah right?? Right??? And he's watching the O.I.R.A through the systems like a good little voyeur, and Colin knows it!

So now we possibly have TWO Jonah Magnuses in this universe!! That's absurd!! One from the TMAGP universe now loose and running around in RedCanary's body, and one from the TMA universe trapped in a computer. But if this is true...doesn't that mean there would be two Jons and Martins too?

And listen...I'm thinking about what Jonny and Alex said during that liveshow panel about this story's themes regarding "what makes a human." If we dare to hope that Jon and Martin (and Jonah, if it's his voice in the computer) are going to gain consciousness and once again become proper characters...then, are they going to simply stay in the computer? Or are they going to "manifest" physically? Are they going to UPLOAD themselves into THEIR OWN TMAGP UNIVERSE BODIES?

@doomatix and I have been going crazy over these theories and they were the one that initially considered RedCanary's new identity as Jonah Magnus. Are our facts wrong? Does any of this even make sense? We haven't seen anyone else posting about this particular theory. Someone help us we are rotting. And don't even get me started on how GWEN would fit into this--

[yanderedrabbles]

So I've been rereading the wild west gang cause I'm a degenerate who also lives in a bumfuck nowhere developing country who has nothing to do. So I've been thinking, it was established that if we would favorite one of the outlaws, it might be dangerous for the both of us. But what if we un-favorite one of them, if that makes sense. Like, what if only really struggled and cried when with the gunslingers, and obviously much less so with the others. Or even funnier, if instead of the gunslingers, it would be the pale guy (is that his name?).

Sorry for that brainfart. Keep doing the lord's work

P.S. I would also turn patriotic and join the army to protect your brilliant mind xx

oooh this is such a great question. I had to think about it for a while but I think not liking someone is a whole different dynamic.

Showing one of them more favour than the other's is a recipe for disaster. You're giving one man what all the others want, what they feel entitled to. It's going to bring about all sorts of ugly jealousy, even in a band as tight knitted as this one.

But if you don't like someone? If you show time and again that this person in particular has the touch most abhorrent to you? To them, that's just less competition. If anything, it makes them feel smug that it isn't them getting on your bad side. I can see a lot of mocking between them, a lot of smug insults traded when they drink too much.

How each outlaw reacts to being that person is entirely different though:

I think the boss will be calm about it. It's not surprising that you don't want him to touch you. He's a lot older, his hands are too hard with labour. Little thing like you probably spent her whole life dreaming of a lover soft and sweet, only to end up trapped by a bastard like him. He understands. And as the leader, I don't think he gets insecure about it either. He's already the top dog, he can afford to let the others enjoy your kindness. But it won't stop him from using you. Won't stop him from holding you down and taking what you don't willingly offer.

The gunslingers take it poorly. Manly, rough, mean. To them it's an insult that you're being more submissive or sweet with the other men. Are they not fucking you well enough? Are they not making you come hard enough? It's a slight against their masculinity.

They aren't the type to sit and reflect. They won't realise that maybe the reason you're so difficult is because they're just too rough with you. Hell, the thought won't even cross their minds. Their solution is to double down. To take it out on you with teeth and nails and cock shoved in when you're not nearly ready. If they can't make you love them, the least they can do is make you hate them the most. At least hate is passion of some sort.

The wrangler is hurt by it, but he won't show it. He's patient, gentle. A lot more insightful than people realise. He's spent years taming horses. He knows it's only a matter of time before you give in and accept his touch. He can wait.

(Btw, I don't think he'll actually end up being the guy you hate the most. If anything, he's the one in danger of your favour).

As for the boy, well, you feel pity more than anything else. Even when he's holding you down and eating you out, all you can think is that he never would have ended up like this if it weren't for the others. You don't blame him. You don't hate him. You just hope that one day he'll be free of this life.

I realise I didn't actually give the last guy a proper title, but he's actually the second in command. He also doesn't take it well.

Logically, he knows that you have the most reason to hate him. He's the one who planned this, he's the one who chose you. All your pain can be blamed on him.

He knows. He understands. But that doesn't stop him from hating it. He's the one who wants your love the most, he's the one who's longed for you the longest. It's so awful to finally have you and you won't even look at him. You hiss and fight and snarl when he takes you, even though he knows the others haven't had as much trouble.

His solution is also to just double down, but in a different way to the gunslingers. Instead of just getting angry, he'll try everything he can to be gentle. To win your forgiveness. He'll be so sweet when he fucks you, so slow and loving, even though he desperately wants to go faster. He'll kiss you every time he sees you, he'll hold you down and focus entirely on your pleasure, he'll bring you wildflowers and cook your favourite foods. He doesn't care how long it takes - he'll crawl on his knees for years if it means you'll forgive him. He'll do anything, anything at all. Please just look at me little dove, qīn’ài de, please.

He'll do anything in the world to win your forgiveness. Anything but let you go.

[pineconepie]

Parental yandere mafia dad who kidnaps you takes you in <3

TW: Mentions of death, platonic yandere, forced age regression, infantilization

...

You know this is stupid, but you have no choice in the matter.

The worst thing is, its not even your fault you're in this situation. A family member made some horrible choices with a huge, well-known mob, and they died before they could pay off the debt they owe.

So, it falls on your shoulders now.

They said if you could do some favors for them, they'd let you live a peaceful life and never bother you again.

But either way, it seemed like death was almost inevitable.

"Hey person who has no experience with mob bosses and cartels, go gather intel on one of the world's most feared mob boss without getting caught! We're sure you'll do great!"

You're sure they're aware you probably won't turn up alive.

That's besides the point. You had a job to do.

And this is why you've found yourself here, entering a huge building with obnoxiously bright neon lights, the air smelling heavily of alcohol.

Its both a casino and nightclub, you figure, as you see a few gambling tables along with a large dance floor, and a bar in the far back. The ground is a little sticky beneath your shoes, and some weirdo bumps into you, clearly drunk.

The guy they asked you to gather information about is none other than Vincent Brewer. From what you've heard, he's ruthless, sadistic, fearless, and loves to flaunt his wealth and success.

His group, Cryo, dabbles in a little bit of everything.

Selling guns, manufacturing weapons, running casinos, killing those that piss them off... All things like that.

So of course, you're terrified out of your mind.

But you manage to make it past the bouncer and enter inside.

Its a nice place, despite all the crimes you're sure happened here. A lot cleaner than you'd expect for such an area.

Almost immediately, you see none other than Vincent himself.

He has short blond hair, hazel-green eyes, and a black suit with a trench coat draped over his shoulders.

He's smirking as he talks to what you presume are other members of Cryo. Vincent is pretty well-known for that smile. It's rare he ever drops it.

You wonder if its because he genuinely finds joy in anything and everything or because he feels the need to come off as tough or domineering. Knowing how much power he wields, it's probably both.

There's no time to stand and stare, though.

You approach, pretending to be one of them, but before you can back out and regret your decisions, he already has his eye on you. You feel like a rabbit trying to convince a den of wolves that you're one of them. And this is the biggest, meanest, hungriest wolf in the world.

"Well, hello," Vincent says. His smile doesn't leave his face, but softens a tiny bit. He looks you up and down. "I don't believe we've met. Are you new?"

Your hands are clammy and trembling, but you put on a fake smile and offer to shake his hand. "Yeah! I'm... (Y/n)." For a moment, you hesitate, considering maybe you should give a fake name just in case, but looks like it's too late for that.

Now that you think about it, you're definitely sure you were sent on a death-mission. Those people didn't even give you proper training.

"(Y/n), huh?" Vincent asks, shaking your hand. He's got a firm grip, as you expected. "Nice to meet you, kiddo. You seem a bit young to be one of my recruits, though." He brushes some hair out of your face, making you tense.

"I guess I look a bit younger than I am," you mutter. "I'm an adult, if that's what you're worried about."

He laughs at that. "Well, that's good! I'd hate to hear how a kid ended up with us!" Then he ruffles your hair, which is a bit embarrassing, but he seems so nice about it that it's not unbearable. "You're just a baby compared to almost everyone in this room. I think I'll need to tell the employees to make sure you don't drink or gamble. That's for grown-ups."

You relax when you realize he's teasing you.

Maybe that's a good sign? "It's okay, I don't really do either of those often, anyway."

Vincent lets out another chuckle, putting a hand on your back, leading you through the crowds and towards where the tables are. There's lots of other people sitting, talking, drinking, laughing. Playing cards or chess or something like that.

Just a bunch of regular casino things.

So far, so good.

This might actually end up working out after all...

"So why exactly did you want to join us?" Vincent asks as he sits you down at one of the chairs, pulling his own chair up next to yours. "Come from a wealthy family? Orphans? Wanted to get off the streets?"

You rub the back of your neck awkwardly, thinking of a suitable lie you'll remember for later. "Ah... I needed the money... Medical bills and stuff. Don't have any family to rely on anymore. Thought maybe if I could save up enough money, I wouldn't need to worry anymore..."

It's kind of true. After you get the information, they said they would reward you with enough cash to pay off whatever was still owed.

But whether that will ever actually happen is yet to be seen.

The more pressing issue was how Vincent would react. So far, so good. He hasn't questioned anything. Just nodded his head sympathetically and hummed at your explanation.

You continue. "And plus, Cryo seems really cool. No pun intended."

"Well, that's nice of you to say," he replies with a laugh. "We try our best around here. You seem a little jittery, though. I hope I don't scare you, kiddo?"

"I mean..." You can't really admit the real reason without outing yourself. He sounds like a man that wants to be feared by everyone. "I think this is just a new environment to me. I don't do too well with crowds."

Vincent nods understandably, patting your shoulder. "Makes sense. It is kinda noisy in here, huh? Sorry about that. Normally we're not like this, but tonight is a party night since we made a pretty big deal recently, as you're aware."

You nod, pretending to know what he's talking about. "Oh, yeah, I heard about that." This means you've already failed step one of your task - being updated on current deals - but that's okay. There's plenty of time to get the intel later. Right?

His eyes darken slightly, but his smile never leaves. "And besides... Can't say we're the nicest group of folks, either." He pokes your cheek and laughs again. "I'm worried this might be too much for you."

"Really, its okay!" you argue. "I'm a lot tougher than I look, I swear!"

He snorts. "You look like a puppy surrounded by wolves. Even if you're tougher than you look, it makes you an easy target. People are gonna be more quick to try to take you out instead of someone bigger than them."

Is he insulting you or genuinely concerned? You hope he's joking and teasing again. "I'll prove I'm strong enough to fit in! You won't have to worry about me one bit. And I can help out Cryo a lot, I promise!" You don't know why you're getting defensive over his condescending tone.

Vincent only seems amused by it, more than he already was. He pinches your cheeks between his fingers, smiling sweetly down at you. "Ohh, I'm sure you're veerrry strong, sweetie."

He sounds patronizing, in that overly-sweet way, as if speaking to a toddler.

He rubs your cheek a few times before leaning back and releasing you. "I think I'll let you stay if you answer one question for me, how 'bout that?"

You nod. "Of course. Anything."

His smile becomes more sharp. "Who sent you?"

"W-what?" Your mouth feels dry. The whole mood shifts, and suddenly it feels much less welcoming, making your stomach churn in panic.

Did you get caught that easily? How did you mess up? Maybe he's just bluffing.

"I don't know what you're talking about."

Vincent stares down at you, eyes now narrowed. "You aren't fooling anyone, doll. We have extensive background checks before any of our members can even begin to be considered eligible for recruitment. I personally meet every single one of our new recruits to approve them and remember all of their names. Not only that, but I lied about a recent deal. There was no recent deal."

Your heart starts beating faster in your chest. You feel cold sweat dripping from your forehead.

He saw through you so quickly. Does he already know why you're here?

If you lie again, you're not sure you'll make it out of here alive. "Scarlet Syndicate sent me. I owe them debt, I'm not part of them... please don't kill me."

The man snickers and leans back against his chair again. "Oh, you poor thing. Its pretty clear they aren't expecting you to come back to them with info. They probably sent you here to die or get lost and forgotten about. That's cruel, even by my standards. They set you up for failure." His voice softens up. "You're shaking..."

You're hyperventilating a little, panicking. "I don't wanna die."

Vincent coos at you gently, wrapping a secure arm around you and pulling you into his lap. "Shhh, shh, hey... relax, kiddo, I'm not gonna kill you... I would never hurt such a precious little sweetheart." He kisses your head. "Calm down. Breathe in, breathe out..."

You listen to him and do as instructed.

Taking in deep breaths through the nose, letting them out from your mouth slowly. He rubs gentle circles along your back until you relax against him. He secures you in a firm hold and lifts you up against his chest.

Even for a mob boss, he has an impressive amount of strength to carry you with almost no effort.

You instinctively wrap your arms around his neck.

He smirks at you again. "Aww... does baby wanna be carried everywhere now?" Though its teasing, its also affectionate. You find yourself nodding regardless.

Vincent walks out with you still in his arms, ignoring his colleagues' confused gazes. You can see the exit sign coming closer and closer.

Once you leave the building, he puts you inside a limousine with him, shutting the door behind. He gathers you in his arms after shedding his long beige trench coat, wrapping it around you and engulfing you like a blanket.

This man you hardly even know just called you 'baby.'

You're not quite sure what to make of that.

"Home," he tells the driver. And then he looks down at you. "You really are a little baby, huh?"

You don't know how to react to this sudden display of parental behavior, except stare in confusion.

He pulls you into his lap. "I always wanted a kid of my own, you know. But unfortunately, fate decided I couldn't have any of my own. Well, guess it doesn't matter now!" His eyes flicker across your face. "As soon as I saw you, I could tell you needed someone to take care of you. Like a dad."

"But..." you sniffle. "I'm not a kid."

"Maybe not physically, but I can tell mentally. And you should be grateful for that. I usually don't let any spies live long enough to see another day," Vincent says. "So what do we say?"

You hesitate. "...thank you?"

"You're very welcome, munchkin. When we get you home, we'll have some late dinner and then its bedtime for you," Vincent coos.

"I usually go to bed a lot later than this," you protest.

"Nope, not anymore," he argues back, petting your hair. "As much as I want to be the fun dad, rules are rules. Bedtime will be 8:30 PM for you everyday starting from now on, got it?"

You guess you don't really have a choice.

Not in a million years did you expect this outcome of you being caught spying, but hey, its better than death by gunshot!

The limousine stops outside a huge penthouse.

Vincent carries you out of the vehicle and holds your hand as he leads you to the elevators. Inside, there's a deskman who waves at him. You shyly wave back, a bit unsure.

"This is (Y/n). They'll be staying with me from now on," Vincent explains to him. "If you see them trying to leave without me, call security and tell them to escort them back to my place. And notify me."

"Yes, sir," he agrees, then looks back at you. "Nice to meet you (Y/n). I'm August. If you need anything, feel free to ask!"

You stare at him, then Vincent, dumbfounded.

Vincent pulls you along. "Come on, baby. Let's go home."

Inside the elevator, you're left in shock, speechless. It goes high up - the top floor - before arriving at a large, fancy room.

He unlocks the door to reveal his apartment.

The entire thing is covered with plush rugs, sleek furniture, shiny marble floors, beautiful lights... Everything you'd expect in a multi-millionaire's home, including but not limited to a grand piano sitting in the middle of the living room and two full-size couches in front of a flatscreen TV, and what looks to be some kind of bar or wine cabinet.

"You can explore more tomorrow," Vincent tells you. "Until then, let's get dinner over with and then bedtime. Tomorrow we can discuss how you want your room to look like, clothes, toys, that stuff. Sound good?"

"Yeah," you mumble in agreement.

Vincent sets you down on the sofa, where you watch him grab a remote off of the coffee table.

He turns on the television and flips through channels before settling on something he deemed suitable, which happens to be some sort of children's cartoon.

He begins cooking in the other room, and you're still in too much shock to even think of trying to escape.

This all feels so surreal.

Twenty minutes later, he calls you into the kitchen and has you sit down next to him while he serves you both food.

It's decent, his cooking skills aren't amazing, but decent. You don't mind eating it, though he does give you a stern look when you don't eat all your vegetables.

Afterwards, he guides you upstairs into what appears to be the guest room, saying he'll redecorate it to fit you later. He excuses himself for a moment, coming back with yellow silk pajamas for you to change into. You do so as he turns around to give you some privacy.

When you finish dressing up, he has you brush your teeth, then wash your hands thoroughly. Finally, he helps you climb into the bed, tucking you beneath the blankets.

You can't help but admit that the mattress is really nice.

Vincent smiles down at you kindly. "I'm glad we found each other today, kiddo." He kisses your forehead. "Dad will stay here until you fall asleep, yeah?"

Of course, you don't argue. He watches you like a hawk until eventually, you close your eyes and drift away.

[xiaowhore]

equivalent exchange.

DRAFT. this fic is incomplete, as i've stated in this post. this has been sitting in the dungeon for a while, and i have no plans to finish them, but i posted these drafts to not let them go to waste. it is up to you if you still want to read them regardless of their incompletion :) i will be writing my original ideas for the fic at the end so you guys will have an idea of what the fic was supposed to be like.

premise. when ayato stumbles upon a drafted resignation letter on your desk, he doubles his efforts to show you the perquisites of staying by his side.

he doesn't want to lose a competent subordinate. that's all there is to it.

note. what's wrong with secretary kim au but it's definitely not the same because i stopped watching at episode 5 and have no idea what happened. anyways i think we were all expecting a ceo!ayato x secretary!reader fic at some point so here it is. (couldn't keep this gender neutral for plot reasons, so feminine pronouns were used.)

Kamisato Ayato considers himself a good boss.

Or as far as things go, he's a decent one. He treats his employees well, takes them to expensive restaurants for company dinners, and discourages overtime so they can head off early for the night. He doesn't care much for formalities, and he gets along with his colleagues fairly well. He's never heard anyone talk behind his back or complain about his attitude at work, and there aren't any rumors spreading about him (if he turns a blind eye to the conspiratorial gossip guessing his relationship status).

But he does have minor faults. Like showing a more mischievous side when work hours are over. Getting Thoma dead drunk during dinners because his half-conscious inebriated talking is a form of amusement, or riling up Itto in drinking games just because it's funny. Then he leaves Sara to clean up the mess for him, since Yae seems to enjoy the comedy sketch as thoroughly as he does and probably won't lift a finger to help even if he asked her to.

As his assistant, you're prone to falling victim to his shenanigans, silly stunts that coax out aggravated eye rolls and sighs of exasperation. Years of experience eventually shaped you up to be entirely immune to April Fools' pranks.

He's in the middle of planning another one when he spots a letter of resignation on your desk.

At first, he thinks it's your rebellious phase arriving a decade late. He always found it odd how you never retaliated against his tricks, and this may just be the long-awaited April Fools' prank of vengeance. If it is, it's particularly mean of you—Ayato does have feelings, you know? Even he would feel hurt if you told him you wanted to leave! You shouldn't take this kind of thing lightly!

Then he remembers you aren't the type to make jokes, April Fools' or otherwise, and it's that moment when he feels (proper) fear.

“[Name] wants to resign?!”

Ayato makes a zipping motion and Thoma's shrieks immediately die down, but the disbelief on his face has yet to wane. His brows scrunch together, brain hard at work in processing this piece of information, though it seems to short-circuit in utter confusion from the sudden blow.

Scandalized, Thoma lowers his head and levels his voice to a hushed whisper, “Are you sure you saw it correctly?”

“I have able eyes. Unfortunately, my optometrist confirmed my perfect vision and assured I saw it just fine.” Woe is he.

“Get them checked again.”

“No matter how much I check, it won't change the results, Thoma.”

“We don't know that for sure, sir!”

“Trust me,” Ayato deadpans, looking off into the distance, “I checked with him thrice.”

Defeated, Thoma leans back to his chair, crossing his arms while deep in thought. “You saw the letter, but she didn't turn it in, did she?”

“She didn't. No e-mail, either.” Ayato taps the table in a mindless rhythm, expression stern but the shape of his lips almost resembling a pout. “Do you have any idea why she'd want to resign?”

Thoma rubs the back of his neck sheepishly. “Is that a genuine question, sir?”

Ayato's head snaps back to look at his companion. “Why wouldn't it be?”

“...Everyone in the office knows you... tease her for your own amusement.”

“It's my way of showing affection.” The corners of his lips curl up, stretching to a twisted smile as he rests his cheek on his palm. “Isn't she just so adorable when she gets angry?”

“You really do have a rotten personality.”

Ayato waves his hand in a noncommittal response. “We're straying off topic. What should we do next?”

Thoma hums, closed fist beneath his chin. “Since she hasn't turned in the letter yet, that means she must be hesitating. For what reason, we don't know, but it's keeping her here. So before she makes up her mind, we should dissuade her from quitting no matter what.”

Ayato laces his fingers together, brow in an inquisitive arch. “And we do that by?”

Green eyes sparkle with tenacity, clashing with blue irises twinkling in intrigue. “We bribe her, sir. It's time to show off your good points.”

--

“If a woman quits her job, what do you think her reasons could be?”

Ayaka blinks owlishly at her brother, taken aback by the abrupt question. It's a sudden thing to ask, especially odd given how their conversation hasn't led to that topic at all. “Did someone resign? I haven't heard anything of the sort, though.”

Ayato shakes his head, stirring the boba tea in his hands. “It's a hypothetical.”

Which means it's real.

Ah, whatever. At least he didn't go for the “my friend...” excuse.

Ayaka warily cuts a portion of her cake, scrutinizing each microexpression flashing on Ayato's face. It's one of their weekly lunch meetings, squeezed between hectic schedules, and they more or less have a silent agreement to avoid discussions involving work if they could help it. But this time, he brought it up himself.

How peculiar.

“Perhaps she wants to change workplaces? If she's exemplary, she might have been offered a better position or higher pay.”

Ayato nearly scoffs at the suggestion. The company, old-fashioned as it is, can only be inherited by a direct line of descendants. Outsiders can only go so far, and being the secretary for the chief executive officer isn't bad at all. Last time he checked, he's been paying you generously as well—how many figures was it? Six?

“Oh!” Ayaka exclaims, holding up a finger as she seems to have figured out something. “Or maybe she wants to settle down and get married? If her work is keeping her occupied, she'll most likely take time off to find a husband.”

Ayato proceeds to choke on a tapioca pearl.

“Or she got married and wants to be a housewife-”

“That's quite enough, Ayaka.”

Ayato would rather believe the Earth is flat.

--

If Ayato were any less desperate, perhaps he would have rationalized that putting together “give her what she wants to make her stay” and “she wants to get married” is a bad, bad idea.

Unfortunately for him, he is grasping at straws, so it leaves him no choice. Yes. Definitely. There is no other option than this, obviously.

(He does not delve deeper into the reason why he doesn't want you to leave, nor does he dwell any longer on why he was so quick to think he was fine with getting married if it was to you.)

“Don’t you want to get married soon, Ms. [Surname]?”

To clarify, Ayato does not spy on other people's conversations for a hobby, but he's always had impeccable timing. It comes with the job.

He stands by the door, reaching for the doorknob to the break room, but the mention of your name forces him to a halt.

“Why are you asking me that...?” You awkwardly dodge the question, sipping on your coffee. “I suppose I am at that age, though.”

“So you do want to!” The squeal rings with a note of glee, a stark contrast to Ayato's gradually dimming mood. “Wouldn't it be nice to marry a good man? I'm sure even you have thought of it at some point! Are you seeing anyone, then? Anyone you can imagine yourself marrying?”

“No, not yet.”

Before Ayato can even heave a relieved sigh, you follow with, “But my mother is making me go on dates to see people. Said if I didn't bring home a man soon, she'd come all this way to drag me back by my ear and introduce me to her friend's son.”

“Ah, I get that...” Your friend replies emphatically, nodding. “But those kind of meetings hardly go well. And you can't exactly tell your mother's friend you don't find her son attractive, right?”

“Why not just marry Mr. Kamisato, then?” Another one pipes up, to which Ayato gives a mental salute of appreciation. “You spend most of your time together. If you're not married to your job, then you're practically married to him.”

A cackle sends his heart dropping to his stomach.

“Not a chance.”

Can you at least expound why?!

“Huh? Why not? I mean, Mr. Kamisato is on another realm of existence and I can never hope to be on the same level as him, but you look good together!”

Your face pinches to a tight frown. “Look good together? In what way?”

“When you stand side by side, it just looks... right. And like I've mentioned earlier, you spend all your time with him. Why not seal the deal?”

“Mr. Kamisato is reliable, and if you marry him, you're set for life. He's handsome too, and we've all seen his muscles at our company sports day a few months ago!”

“I've never been so thankful for team-building events. Hallelujah.”

Ayato's face burns in embarrassment hearing the dreamy sighs. Even if they think there isn't anyone else listening on them (which is false), shouldn't they exert some restraint at work?

“Please don't lust over my boss,” you assert sternly, voice ice cold. “And we have a strictly professional relationship. So don't get any weird ideas from here on out, alright?”

“Fine. Tell me that again when I'm invited at your wedding, I dare you.”

“I said-”

They wave off your vehement protests at the statement. “Then if you're not into Mr. Kamisato, what do you plan to do?”

Ayato perks up, straining his ears in rapt attention.

“...I'm going on a date this weekend,” you sigh, rubbing circles on your temples. “I'll let you know how it goes.”

Oh no.

--

“-Dinner was nice. We didn't expect the rain shower, but he ran to the convenience store across the street to buy an umbrella because he didn't want me to get wet on the way to the car. He said it would be a waste if my hair got ruined since I-”

Slurp.

“...Styled it for the occasion. Then he drove me home. I found out we liked the same band from the music he played, and we agreed to-”

Sluuurp.

“-Go to their upcoming concert together. Then we somehow also like the same novel that's getting a movie adaption soon, so we also promised to see it-”

Sluuuuuuuuuuuuuurp.

“Could you please refrain from making noise when eating, sir?”

Ayato decidedly does not comply and only slurps his boba tea harder, nearly choking on a tapioca pearl yet again.

As always, you learn to ignore him.

“Concert... and a movie. I'm not sure about the concert, but the film you're talking about is the one coming out in the next two months, right?” Thoma confirms, sweating when Ayato's expression turns visibly grim. “You plan to see him for that long...?”

“Even if dating doesn't work out, we can always become friends, can't we?” You shrug, taking a bite out of your sandwich. “He seems like a nice guy. We get along really well, considering we've only met once. I ended up agreeing to a second date-”

The passive-aggressive slurping persists for the following afternoon.

--

“I've been meaning to ask for a while,” Thoma treads carefully, noticing Ayato's rapid-fire typing—no, striking—on the keyboard, “Ms. [Surname] is good at her job, but you seem really... eager to make her stay, sir.”

Ayato's fingers halt in their movement, and he takes a second to flash his business smile. “Of course. She's a valuable asset, and I'd be foolish to let her go.”

“Yes, I'm well aware, but...” Thoma scratches his cheek, looking off to the side. “You didn't go to such lengths when your former assistants resigned from their post. Or, uh... you fired most of them.”

“Yes,” Ayato simply agrees, still smiling, “she's competent. You don't find anyone like her easily, so it's only natural I'd want her to stay.”

“What do you mean by 'anyone like her,' sir?”

Thoma is awfully talkative today. Ayato might need to feed him something spicy to shut him up.

“Ms. [Surname] is special.” The words smoothly leave his lips. “Does anyone else have the meetings and company events scheduled for the next month memorized? She's the only one I can count on for work matters.”

Thoma's shoulders slump. “Okay, let me get straight to the point. Do you-”

“Mr. Kamisato?”

Thoma nearly jumps out of his skin at the sound of your voice, accompanied by the clack of your heels.

“What is it?” The cold smile on his face finally melts to something more genuine, softer around the edges and looking especially radiant. It's welcoming, like your arrival counts as a joyous occasion, and he is exponentially more attentive compared to the way he lent Thoma half his ear (the other preoccupied with a phone call, which he swiftly ends the moment you walk in).

“I came to deliver some files from Ms. Miko... did I interrupt something?” You gesture to Thoma standing idly by the side, dumbfounded from Ayato's inconceivable behavior.

“Not at all. Is there anything else?” Ayato accepts the documents, noticing your hesitance to leave.

“Ah, yes, I will be asking for time off tomorrow.”

That's... rare?

But it's not a hard request. Ayato's own schedule is blank for the most part, since the latest project wrapped up not too long ago, and the workload is lighter than usual. Missing one work day won't do any harm.

“It's fine, but could I ask why?”

You fidget, tentative as you reply, “I was invited... for a trip on a cruise. He insisted I come since his friend bailed on him and the tickets would go to waste.”

The warmth in his eyes freezes over.

“The tickets would go to waste...” Ayato repeats under his breath, mockingly cruel. The tone flies past your head but it hits Thoma full-force, making him sweat profusely.

Distasteful. An utter disgrace of a man. The magnitude of his ignorance is so awe-inspiring, I have to applaud. I must give credit where it is due, and the foolishness of this clown is truly impressive. “The tickets will go to waste,” he says? His money must worth more to him than his dignity. Inviting Ms. [Surname] to a date on a workday with no regard for her schedule is one thing, but making her out to be an afterthought as a substitute for his original travel partner is another. How shameful. This is no way to treat a lady. If Ayaka were to be with a man of his caliber, I would never allow it.

But what he says outloud is of course, “I see. I hope you have fun, then.”

--

Corporate events are, for the most part, adequately entertaining.

Preparing for it is not.

But the worst part isn't even brainstorming themes, or finding an appropriate venue, or planning the logistics, or writing the guest list.

It's choosing what to wear.

Actually, the cause for Ayato's headache isn't even what attire he'll go with. It's yours.

“That looks wonderful,” Yae praises, looking at the picture on your phone. It displays a silver necklace, a tear drop topaz encased in a diamond twist. It pairs well with the dress you bought with Ayaka last week, an elegant fit that accentuated your curves.

However.

“He chose that for you, didn't he?”

The stoic line of Ayato's mouth twitches and his eyes can't help but sweep over your screen, scrutinizing each grainy pixel.

Though he has plenty of insults prepared at his arsenal, he can't find anything to nitpick about. Damn it. It's a good choice.

“You'll look stunning,” Kokomi assures good-naturedly, smiling in delight. Ayato does not doubt that will be the case, but he's sure he would be in a foul mood the entire night if he were to see you adorning it.

He has already retrieved his coffee from the break room so he excuses himself to his office, long strides that lead him out of earshot.

As a result, he doesn't hear the following conversation.

“Why this, though?” Kokomi asks, looking closely at the accessory. “It's a simple design. Doesn't look like something a man would pick from the rest.”

You shake your head. “I just told him I wanted something blue, and I couldn't choose myself because there were too many that caught my eye...”

“Blue?” She echoes, a simple curiosity. “Why blue?”

“...It's a pretty color.”

--

It is an actual coincidence that Ayato runs into you in the middle of shopping.

You're hunched over a display stand showcasing a variety of earrings, deep in thought as you observe each one. You're doing that thing where you scrunch your nose in concentration, a habit Ayato doesn't think you even realize you have.

“Fancy meeting you here, Ms. [Surname].”

(He wonders what face you would've made if he said “You go here often?” instead. Probably some degree of disgust.)

You blink, correcting your posture and nodding in greeting. You don't look particularly thrilled to see him, but at least you're unbothered by the prospect of seeing your boss on a free day. “You're here to shop too, Mr. Kamisato?”

Ayato smiles amicably. “I am. Were you planning to buy earrings?”

“Yes, but...” Your gaze returns to the display, your own smile faltering. “It is a bit difficult to choose.”

He walks over, scanning the variety up and down. “Is it really? You only need to choose a pair that matches your necklace, right?” He focuses on shades of silver, bypassing the vibrant colors of reds and pinks. Not even fifteen seconds later, he picks out a card and holds it out next to your ear. “This one looks nice on you.”

“Huh? Really?” Perhaps surprised by his swiftness, it takes you a moment to react accordingly. You take the card from his hands and flip it over, eyes widening by a fraction. “Oh. It is rather pretty.” Then they widen further as big as saucers. “I can't say the same for the price tag, though.”

“Hm? What price tag?”

He plucks the earrings from your hands, walks to the counter, and pays for it without a second thought.

“M-Mr. Kamisato?”

“Pull up your hair.”

“Eh? Oh, okay.”

You're so caught off guard that you unwittingly do as he says, tucking your hair back obediently and still processing the last two minutes.

His fingers tug at your ear, warmth bleeding to your skin, and by the time you return to reality, he's already putting the earrings on you.

STORY FLOW.

ok i lied i actually can't remember shit about this fic so i will be making up stuff as i go lol

what i do remember clearly is that the resignation notice that ayato found on your desk is years old. you meant to submit it way, way back when ayato was tougher on you, and you weren't as well-adjusted as you are now to the job yet. as stated in the fic, being ayato's secretary is no easy task—he'd fired countless people he thought was incompetent.

you fought a number of times, and you didn't know if you could keep up working for a man you thought was simply incompatible with you (in terms of being colleagues/partners).

but over time, you learned to work together. ayato acknowledged your efforts and hard work, and you knew ayato had been trying to give you less jobs to reduce your workload, but you were going to prove that hou could handle it.

what truly made you appreciate ayato more was when you got stranded at the train station. you dealt with a far company they collaborated with, but work ended later than expected, and you'd missed the last train home. taxis were an option, but youd have to go through several of them to get back. right when you were thinking of checking into a hotel, ayato informed you he was already on his way and drove a couple of hours to get where you were to bring you home.

time continued to pass, and that brings us back to the present. you were on the process of cleaning up your desk and left the old resignation notice out in the open by accident, which led to ayato seeing it.

it is very apparent to the others that you two like each other, but the involved parties themselves are unaware of it. you currently aren't eager to get married, but you were trying to meet people so your parents would stop bugging you about still being single.

anyway, ayato bought those earrings for you. timeskip to the corporate event. you unconsciously picked a blue motif for your outfit because it reminds you of ayato.

when you get there, surprise, surprise. the man you were meeting, kazuha is a bigwig, heir to some other corporation. he actually owned that cruise he invited you to and pretended he didn't because you might be intimidated. ayato didn't think the kazuha he knew and the kazuha you knew were the same person, and now the advantage he had over him was ruled out (i.e being rich). (actually while i was rereading i was surprised i didn't mention that it was kazuha...? istg i was imagining him the whole time i wrote about him)

anyhow, as it became later in the night, ayato wanted to get you home before kazuha could offer to drive you back or worse, spend the night with him. ayato acted drunk so you'd tend to him and accompany him home while his driver was in charge of taking you to his apartment. as you were nagging at him, he compared your interactions with him to yours and kazuha's. you were certainly nicer to that man. smiled at him a lot more, too. did you really like him that much?

if you did, could he let you go?

he was ashamed that he couldn't answer it right away. as if he had any right to whatever you do.

you carried him to bed when you got to his apartment, but when you were preparing to leave, he hugged you from behind. do you like that man? why do you want to leave me? why can't it be me? ayato was just pretending to be drunk, but he felt dizzy now, soaked in your scent. he said things that he wasn't supposed to. things that he couldn't take back. things that would change your relationship forever.

slowly, you took away the hands wrapped around your waist. ayato figured that was a message of rejection.

but then you pushed him back down on the bed and you straddled his lap. his mind was silent for but a few seconds before he started screaming mentally.

i've always wanted you, but i knew it was impossible. you have a fiancee. i'm an ordinary worker. your family won't accept me. ayato's mind was in a daze because your face was so close to his, and all he could see was the red, glossy shade on your lips, but he managed to hear those few sentences.

it doesn't matter. nothing else matters. i can't marry if it's not you. if you accept me, i swear i'll make you happy.

from here on, it could be a happy, fluffy ending where turns out, you were tipsy so you were more honest with him and you fell asleep in the middle of kissing so he took it upon himself to change your dress into something more comfortable and end the night with a forehead kiss...

...or you could continue what you were doing and the first thing ayato takes off is the damned necklace so he could replace it with a smattering of hickeys. your choice ^^

[pellucid-constellations]

On Standby

Pairing: Warren (oc) x Reader

Summary: The day after his fiancee left him, Warren is still to be married—just not to her. To a woman he has never met.

Word count: ~800

Warnings: Arranged marriage

a/n: I literally have no idea what's going on but please enjoy whatever I'm on right now. I don't even know what to tag this lol?? Love you thanks for the inspo everyone <3

Read the original Azriel x reader fic here

~~

Warren pulled at his collar. The material of his jacket was itchy and stiff along his neck, but honestly, he was just nervous. The hall was packed with eyes trained on his nerves and he knew only half of them. 

The other half was your family, who had somehow all been prepared for a grand wedding on such short notice. Long dresses and tailored suits sat in the seats before him, expecting something from him, and he didn’t even know what you looked like.  

He would be lying if he said he wasn’t disappointed. He knew very little about his previous fiancee, but she was nothing if not kind and pretty and devoted. Not devoted to him, but he supposed it was a good quality to have. 

He regretted, for the fourth time since last night—he’d been counting—not making more of an effort to win her over before she left. Maybe if he’d tried harder he wouldn’t be meeting someone new today. Maybe if she had felt something for him before she left… 

No, that wouldn’t have worked either. 

As much as Warren liked her, he had seen the longing and pain in her eyes at the rehearsal dinner last night. He would have lost her to whoever she loved in the Night Court regardless of previous efforts. Still, he wished it was her. 

His mother was speaking to him, her smile just as bright as the night before. She had known a wedding would take place today and had cared little about the bride. That was fine, he supposed, but this suit was choking him and he felt a headache blooming. 

“Have you decided on the honeymoon?” his mother prompted in his ear, elation buzzing in her tone. 

“No, mother. I told you I want my wife to decide.” 

“How silly. What if she wants to go somewhere terrible?” 

“I suppose that would be my plight in life,” Warren sighed through a smile that didn’t reach his eyes. “Please remind me of—” 

“Her name?” 

He almost scoffed. “Gods, no. I remember her name. Remind me of the flowers she chose.”

His mother shot him an odd look—one that had become increasingly commonplace with his impending marriage. His mother found it strange that he had wanted to know so much about his previous fiancee, allowing her to take liberties husbands apparently should not. She questioned his desire to be attuned to her, to have a proper partnership when it was all arranged. Warren’s mother had obviously assumed his pairing would be lucrative for the family at best. 

And it would be lucrative, even with you now as his mother’s second choice. But Warren wanted to be in love. He wanted to take care of someone and feel the warmth of reciprocation. He hadn’t seen much love in his life with so many arranged marriages and carefully planned relationships, but that did little to impact his view. 

Warren wanted to feel the way his fiancee—former fiancee—had looked last night. 

“Daffodils,” his mother shared. 

With such short notice, you had only been able to request a few things for your participation in the wedding. Your wedding, Warren regrettably thought, and you could only pick a bouquet. 

He’d have daffodils sent to whichever house you chose for the honeymoon. 

Warren nodded to his mother, and then notes were plucked from the harp across the room and he was left alone at the altar.

His palms were sweating. He couldn’t hold your hand for the first time with sweaty palms. He discreetly positioned his hands behind his back and attempted to remedy the issue. 

This would be fine. 

Maybe you were even lovelier than his last fiancee. Maybe you would enjoy all of the same things he did and would be interested in his idiotic sailing hobby. Maybe you would want to fall in love. 

The double doors swung open at the end of the aisle. 

For some reason, Warren’s eyes fluttered shut—only for a moment, but long enough for a strange form of fear to grip him. 

What if you weren’t interested in the kind of relationship he so desperately wanted? What if you saw this as a joining of families and nothing else? What if you were mean, ill-hearted—what if you hated him for what this marriage meant? 

Warren did not have time to contemplate any longer. He looked up from his turmoil and found daffodils in his eyeline. And then he found you, and suddenly, Warren wasn’t so concerned about anything anymore. 

A soft veil trailed down from the softness of your hair, gathering on the floor until it was lost in your dress. His examination stopped there. Warren was aware that there were several other beautiful things he could have noticed about you, but his world was shifting. Warren stepped back to support himself. 

He had found his mate.