#don't even get me started on how her ''character development'' is her going from a sassy and funny girl to. a fucking housewife

[loulovingho]

Seeing the Maddie gif just reminded of all the wasted potential and storylines they could have had with Tommy and the bucktommy relationship. Because let's face it, for all of the mains it's the same storyline over and over again - we're not learning anything new about them. But then here we have a character who we sort of already know, who they've teased us with a bit of his history and it was like finally! A chance for something new! We could have learned more about his family, maybe see how Buck reacts meeting his father and then having to deal with his homophobic reaction to him, the man he loves and their relationship. He clearly sounded like he didn't have a lot of close friends/family/support outside of Buck - we could have explored that, have Buck be there for his man and show him how, you have me and the 118. We never got to see the whole "dating a fellow first responder and the challenges that come with that" - we've seen Buck in the hospital so many times, it would have been interesting to see Tommy in that hospital bed and Buck having to deal with the one being by the bedside for once, worrying about someone he loves, maybe making him fully appreciate everything his family had gone through in the past when HE was the one injured (like all the effort Maddie went into to look after him). We could have had Tommy and Eddie bonding over war stories - was Tommy discharged due to DADT? If so, we could have had conversations with Karen, who also was affected by that. Hell, if they were gonna do the stupid "he was engaged to Abby for two years" story, have Chim and Hen be like, dude, you were working with us all that time, how did we not KNOW (that story still makes no sense - he never mentioned her name to them? Because if he did, surely it would have clicked when they met her in S1 "oh, you're Tommy's Abby". But Tim acknowledged he retconned their relationship from an ex-boyfriend to ex-fiances so he clearly doesn't care.)

But most of all, despite being together for SIX MONTHS, we never saw Tommy and Maddie interact. Maddie was clearly excited for Buck ("tell me about the hot pilot"), she's married to Tommy's old friend, there was the perfect opportunity to see them start to bond over family dinner or something. We've never seen Maddie really click with any of Buck's LI's before, so it would have been nice to see Buck's whole world start to come together. And it could have led to family orientated stories for Buck for once - we always assume he wants kids because he says he loves kids and we see that with Chris, Jee etc. There could have been discussions for the first time about Buck's future - does he see himself getting married, having kids (and ugh, so annoyed that the first time Buck mentions the possibility of getting married is 30 seconds before his heart is crushed).

And that's not even going into the small things I wanted to see on-screen. I knew we were never gonna get anything too intimate - 911 is a bit prudish, they don't really do sex scenes, especially not since the first season, and hell, all their other main couples barely kiss as it is. But things like holding hands as they're walking down the street, talking about their day while making dinner together, waking up in bed together - small little domestic things that show how their relationship is developing. SHOW it developing. (Because while the snippets they showed of their relationship showed that they were growing more comfortable as a couple, a lot of that development happened off screen.)

This was the first time in a long time, maybe ever, that we saw Buck truly happy (that man was GLOWING, even covered in boils). For the first time, we could have seen his story GROW, instead of doing the same lather, rinse, repeat that has happened in all his relationships (Buck falls for someone, goes too hard too fast, they abandon him, he doesn't bother fighting for the relationship). We could have finally had a sprinkling of new storylines (Tommy wasn't a main, we obviously weren't going to get a hell of a lot, but if Karen can have her own stories/backstories, so could he). All that down the drain for what, Buck 1.0 again? Him jumping back on that hamster wheel of "find new love interest, it goes nowhere, he's single again". It's boring, and this show is on its 8th season - not only has this been played out for too long, who knows how much longer the show is gonna last. If it only goes until say season 10, that would have been two and a half seasons worth of seeing Buck be able to grow, get the love he always wanted (hell, maybe even get engaged, finish the series with a wedding implying he gets his happily ever after). Buck is only one member of an ensemble cast - they can't focus on him every episode, so two years is plenty of time to draw out only a handful of fresh stories. After 8 season, keeping him perpetually single for this long only works if he's always been played as like Joey off Friends - someone who is happy playing the dating game, not looking to go anywhere. Except Buck has been shown to be looking for love all this time - he doesn't want that single life (he doesnt want to "explore" Tim - screwing random men and women isnt going to help him find that love he's always wanted, especially when he already had it). But instead, they take it away from him AGAIN, and now they're back to square one. Sigh.

There’s so much i agree with here! They’ve tried to cram soooo many storylines into each episode that there’s no room to breathe. Everything feels stunted and half-assed. Tim said they didn’t want to ignore everything that happened at the end of 7, wanted to pick it back up, but they spent these first few episodes either destroying the storylines they built on, or ending them so abruptly it doesn’t feel satisfying. Nothing feels connected anymore. In early seasons you’d have them all working together on certain major storylines, but I’d doesn’t really feel like that happens now outside of calls. And the calls are so quick (besides the damn plane) that you don’t really connect with that either.

It would have been nice to see tommy and buck develop more, nice to see him involved with the group instead of just Eddie, nice to see them keep their word and try to make this love interest different from the rest. They did none of that.

[kikuism]

i finished five broken blades

[timegears-moved]

WAIT i wanna talk about the ribbon for a sec because it's fucking hilarious how weak of a symbol it is for ash and serena's relationship. like serena incorporated it into her main outfit after her "advertisement for trainer customization in the xy games" arc and it's like meant to show how much ash means to her. meanwhile ash got the ribbon by complete random chance. for free. didn't put any thought into it. didn't even spend money on it. and he just gave it to her because he didn't want it. actually i've changed my mind it's the perfect symbol for their relationship because it's so painfully one-sided.

[nkogneatho]

— 𝐒𝐀𝐕𝐄 𝐀 𝐂𝐎𝐖, 𝐌𝐈𝐋𝐊 𝐀 𝐌𝐀𝐍

—characters: gojo, toji, geto, sukuna, nanami, choso

—cw: lactation ofc, fem!reader, nicknames, aphrodisiac (the milk), intoxication, masturbation, semi-public, dry humping.

—a/n: i have officially surprised myself with how insane i can really be. ya gurl so thirsty she created her own universe where men gib milkies 🧍🏽‍♀️

introduction to the universe:

Evolution took place a little differently in this universe. A mutation caused hormonal presence that triggers monthly lactation in men for 3 to 5 days, and it usually starts in their early 20s. It is studied that it does not serve any purpose of feeding like female lactation, but might be an indicator to arousal, and even a mating call due to accurate findings of natural aphrodisiacs in the milk produced by the thin gland located in a breast. It also pains a lot and causes swelling of nipples. While scientific advancements have yet to develop a pill that might solve this problem, the most effective natural method to be proven is letting another person suck it.

𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔

It had been quite a long day at work. You knew you were the last to arrive home when you found his boots messed on the floor.

“Toru?” You called out his name, failed to receive a response. “Toru, baby, ' m home.” The wooden door of the shoe cabinet creaked as you closed it after placing the footwear in their place.

The house smelled…sweeter, felt warmer than usual. Making your way to the bedroom, you found clothes scattered on the floor near the entrance. The door was ajar which means your eyes had quick access to what was happening.

“Fuck! Ah! Ah! Mhmm.” You watched in surprise as your boyfriend kept fisting his cock, but wait. Something was different. You moved closer and found his hands squeezing his tits, milk oozing and drenching his naked body. But his heat doesn't arrive until next week. You thought. It was not uncommon for heats to arrive irregularly. It only meant that his hormone level had increased due to sexual frustration. Your eyes scanned his position, his movements. A hand reaching down to rub the wetness forming between your legs. You couldn't take it anymore.

“Need a hand?” You asked, announcing yourself in the room to let the man know he wasn't alone.

“Oh fuck! I thought I locked the door,” he panicked, yet he didn't remove his from his cock, just another arm covering his chest.

“And deprive me of this treat? I don't think so, baby.” You walked closer until you were hovering over him, kissing softly. Heat always has Satoru acting needy and you knew it.

“Touch me, doll. Please.” You smiled at his eagerness.

“I will do more than just touch.” Slapping his wrist away that were blocking the view of his lovely tits, you pushed him until he was laying flat. Your clothed pussy grinding in his naked cock as you leaned and took one of his nipples in your mouth.

“F-fuck.” he stuttered. “Don't. I am early this month. The flow is too much—ngh—you'll get high.” As if that was going to stop you? You started sucking more aggressively. He was right. The flow really was too much because you found yourself gulping a mouthful of his sweet milk, as your other hand reached down jerked his cock.

“Baby…ah! Keep doing that. I am close.” He is so silly to think he can relieve himself on his own when it never works. “Holy fhhuuck! Gonna c—aahhh!” You watched as he arched his back, white spurts covering your hands and other white liquid wetting your jaw. You sat up, removing your top as you already felt dizzy.

“We're not done, Toru. Wan'you to fuck me nasty while I suck your milk.” And he was hard again at your words.

𝐅𝐔𝐒𝐇𝐈𝐆𝐔𝐑𝐎 𝐓𝐎𝐉𝐈

You loved spring. It was your favorite season to go out. Not too cold. Not too hot. Just the perfect amount of wind and sun. Apparently, it is also a perfect season for outdoor dates. You and Toji preferred to stay in most of the time but the cherry blossoms were too precious to be enjoyed from your windows or TV screen.

“Toji, you ready?” you asked your husband, packing things in your cute pink purse.

“Uhm, princess? Think we might need to cancel the date.” His muffled voice emerged through the bedroom.

“What?” You yelled as you stomped to the bedroom. “What do you mean we might need to c—oh…" Your legs stopped, body taken aback as you stared at his shirtless body, tone muscles and triceps flexing as he squeezed his tits, squirting the milk out.

“I am over-lactating.”

“What happened to the breast cups?”

“Look at me princess. 'm leaking too much. They ain't gon' hold it. Agh fuck!” He spat angrily as you watched the milk travel down his abs, covering it in sweetness.

“Fuck the date. I have a better plan.” You winked at him.

“Shit. Calm down, ma—ugh. Y'er gonna bruise my tits." You were riding his rock, rocking your body back and forth on his crotch while sucking his swollen dark peachy nipples. Your hands struggled to hold his chest because they were bigger than it, causing your nails to dig into the skin.

“Mmh lvove yvour mwilk shwo mwuch.” Your dirty muffled comments vibrating on his skin.

“Y'er drunk, ma. Ya like to get drunk on daddy's milk, hmm?” He cooed, planting a spank on your ass.

“Lwove it.”

“Hm mhh,” he chuckled. “Nasty fucking girl. Move—ahh! Move faster. Need to cum.” You followed his orders, not looking up once to meet his eyes but busy soaking in the drug and flavor of his milk.

“Ngh—twoji, too much. Wan' a break.” You complained, but he was not going to let you stop. This was your plan after all.

“Nuh uh! Don't pull that now.” He grabbed your ass and started bouncing them up and down. You felt so insides bursting with pleasure, cheeks burning up, eyes rolling back. “Gonna cum, ma. Make sure this pussy drinks all my cum as you stuff your mouth with my milk—gahh! fhuck fhuck! fuuuuck!” He was talking as if you had a choice when one of his hand forced you down on his cock as he painted your hole in his cum, while the other hand pushed your face further against his tits. He watched as milk overflowed from the side of your lips. “Such a good girl f'me. You wan' more?”

𝐒𝐔𝐊𝐔𝐍𝐀 𝐑𝐘𝐎𝐌𝐄𝐍

Sukuna tend to get a bit crazier when he was in heat. He fucked you with more strength, came a lot more than usual. It was hard to keep his mood balanced. You tried to suggest him some diet during those days of the month, but he refused to eat greens. A big man like him fancies flesh. Furthermore, why does he need a diet when he has the most proven effective method?

“K-kuna…agh! Too biiig." You cried. Sukuna had you on top of him, his big body splayed on the king-size bed—that surprisingly was almost the same size as him—your thighs trembling, kneecaps digging the mattress as you struggled to keep hi dick inside. Your head was telling you to get off it. Yet, your tight little cunt craved more of him.

“Hmm,” he chuckled. “Your pussy has a habit of biting more than she can swallow.” His teases were humiliating. Your hands rested on his chest, tongue reminiscing the sweet taste of his milk. Even though you were not completely dominant in this relationship—it is hard to be one when you are dating a man like sukuna—there were times when you initiated the things he would usually pester you about. Your lustful eyes gave him a look he hadn't seen before. Soon, he felt your hands tightening around his tits. Now he knew what you were up to.

“Want a taste, my woman?” All you could do was give a light nod because most of your strength was busy rolling your waist on his cock. “Go ahead. Suck my milk out.”

Without a second thought, you found your lips kissing his puffy pink nipples. You could feel the veins throbbing as you were suckling his juice out. Sukuna's milk was sweet with a hint of tanginess. Nevertheless, you loved it.

“Shhit! Calm down woman. I am not going anywhere.” His words were just background noise to you because all you could hear is squelching of your pussy and your slurps on his tiddie.

“Mmghh! Don't tell me you're planning on getting drunk.” His shoulders adjusted themselves to get a better position. “If you are—fuck. Then don't expect me to go easy tonight.” You unlatched your mouth from him for what seemed like after fifteen minutes to finally speak.

“Want you to ruin my pussy, kuna. Mmh,” you jerked your hips forward. “Want you to fill my mouth with milk as you do it.”

“Get off.” His tone shifted from somewhat sweet to serious. You followed his orders anyway. You both exchanged positions so now he was on top of you.

“My dirty human. Better stick to your words, darling. I am not planning on stopping until you're drenched in my cum and my milk”

𝐆𝐄𝐓𝐎 𝐒𝐔𝐆𝐔𝐑𝐔

You always knew Suguru's heat cycle. As the days approached closer, he used to become more and more whiny and clingy, arguing with you over petty things. His behavior did a 180° on these days.

Earlier today, you had a discourse over chores. He nagged at how you should keep things in place, or you won't find them when you need it. You understood where he was coming from, but the work had taken quite a toll on you that you barely had energy tonight. He just wouldn't let it go, and you grew more frustrated. You yanked him by his wrist, dragging his giant, muscular body to the shower. And here you were, stroking him off as you nibbled, and suckled on his tits. The continuous pour of warm water stimulating both of you.

“This is what you wanted, right, sugu?” you looked up, chin nuzzling in his cleavage. “Nagging me the whole day. You just wanted your tits sucked.” His brows scrunched together. A large hand approached your face, cupping your cheeks. He had his fingers digging the muscle on your face until they squished together.

“Behave,” his voice stern. “Just 'cause 'm in heat doesn't mean you hold the upper hand, baby.”

“Oh, but I do, Sugu—*spank* Ah! What was that for?”

“For teasing me. I know you love drinking my milk, princess. Get to it 'cause I can't take it nomo.” He pressed your face against one of his boobs, your nose pressured a little above the nipple, forcing the spurts of milk out.

“You gon' let it fall down the drain?” Your immediate action was to cup his tiddy with both of your hands—his chest was too big to use one—massaging all of the juice out. You opened your mouth and let it aim at your tongue.

“Fucking hell! This is why—mmghh easy, princess. 'Tis all sore.”

“I gotchu, sugu.” You eased out the movement of your hands, gently kneading them.

“Fhuuck, yes. Just like that.” Other hand travelled back down, grabbing his throbbing boner, squeezing the base as you squeezed his nipples. Geto planted a kiss on top of your head. “Holy shit. Still can't believe you're mine.” Your lips morphed into a smile, teeth still grasping his nipple. “Look at'cha. My milk's getting your high already.” He picked you up bridal style, your tongue still licking his puffed chest, as he kicked the bathroom door open that lead to your bedroom. “You got your treat. Time f'me to get mine, princess.”

𝐍𝐀𝐍𝐀𝐌𝐈 𝐊𝐄𝐍𝐓𝐎

Working 9to5, staring all day at a computer screen is what your life had been all about. You switched companies to think you might get something new to do, but to no one's surprise, it was the same. Except, this one man you were crushing on since day one.

Nanami Kento was a gentleman they described in those fairytales. Always so respectful, kind and damn he was a big feminist. Although, with him being the perfect husband material, you were still never going to cross the line because you were co-workers. That didn't mean you weren't allowed to crush.

“And then Mr. Sasaki from HR department knocked the beer over,” your TL chattered. Nanami wasn't the one to gossip, but Sakurako-san was your team leader and older than everyone. She wasn't a bad person but oh boy did she love tea. You fake gasped to give her the reaction she wanted, as you side-eyed Kento who looked a bit uncomfortable.

“Then he had the audacity to—”

“Excuse me,” Nanami withdrew halfway from the conversation he wasn't even participating in much, walking away abruptly.

After a few minutes, you decided to look for him to make sure he was alright. Of course, as a co-worker, you should. Nothing related to the heart eyes you give him, right?

You stomped towards the corridor almost making a left until you heard loud coughs reverberating through the walls of the men's washroom. You swore it was him. Furthermore, you shouldn't have gone in. What were you thinking? It was a men's washroom, for fuck's sake. But what if something happened to him? Sure.

Pushing the door in a hurry, you entered, almost tripping. “Nanami-san—” You did not whether you should be embarrassed, shocked or horrified. Maybe all three.

“Are you okay?”

“You shouldn't be here, l/n-san.” True. But seeing him squeeze his tits, and milking himself down the drain was the sight you were blessed to see. You locked the door behind, the clicking of the latch making Nanami hold his breath, “What are you doing?”

“You're going to let all that milk go to waste, Kento?” His dick twitched. You never called him by his first name, and now you were asking inappropriate questions along with calling him Kento.

“L/N-san, this isn't right—”

“Shhh. Just wanna help you. We're colleagues, aren't we?” He nodded.

Without breaking any eye contact you hopped on the counter, hands reaching for his nipples glistening with milk under the off-white light. You pressed your palm against his chest, feeling the liquid staining it, only starting to cramming the swell more. Kento lost his composure, hands falling flat on the counter, head on your shoulders. Couple of shaky breaths, fading soft moans leaving his lips. Pushing him back for a second to only latch your tongue on the dark pink bud, you were sure you're way past the appropriate relationship of just work buddies.

“L/n—ah! Can I?” He darted his eyes down where the tent peeked out his gray formal pants. You smiled. Knowing he needed friction, you adjusted your pencil skirt, and wrapped your legs around him, boner pressed against wet patch on your panties. Nanami felt like he was in heaven. He started humping against your clothed pussy, being rough contradictory to his gentle innocent touches to you before. But it was only reasonable given the fact that he was in heat.

He never knew the feeling of being milked from both ends, but now when he came, he ruined his whole expensive suit. The edges of the mustard yellow shirt becoming translucent with his milk, with a dark spot on his pants between his legs. He let out a shaky breath, apologizing as he slowly came back to his senses.

“What are you apologizing for? I started it,” you said as you hopped off the countertop. “Let me know if you ever need more help, Nanami-san.” A wink from is what caused his cheeks to turn red. “I'll bring you spare clothes from your desk.”

𝐂𝐇𝐎𝐒𝐎 𝐊𝐀𝐌𝐎

Most lactation in men started in their early twenties. Although, it wasn't unusual for some to start late. There was nothing medically wrong with them. But you've heard things about. How much more it hurts, and how more they leak on their first heat if they do get late.

You've been dating your boyfriend Choso for almost a year now. He hadn't start lactating yet, which is why you researched enough on this topic just in case. Personally, you've never been physical with men when they're in heat. Not because it is not your thing, but your relationships were too short to actually be comfortable in experiencing it. Of course, you would never do anything with Choso at his displeasure just because you wanna try it. You love him too much. But the thought would never leave your mind. What would he act like in his heat? Well, it was your lucky day. Because you came home to a whining lactating man.

“Cho…baby, are you okay?” You rushed to him in concern. Choso was on the bed, hair down with tears in his eyes as he pressed his chest together.

“Babyyy, It hurts. I don't know what is happening.” His hold on your wrist a little too tight. “Fuck. It hurts so bad. Make it stop. Leaking too much and my cock hurts too.” You could hear—feel the desperation in his voice. His cock was on full display as his boxers dangled near his ankles. The swollen tip shining with pre-cum seducing your mouth. But your mouth was needed more elsewhere. You remembered your first sex education class, how men in heat can be relieved if you milk and suck their tits. You discarded your clothes, getting bare and settling on his lap. Your hole rubbing against the body of his shaft as you pressed your tits against his, kissing his forehead.

“Cho shhh. Baby you're fine. You're just in heat. 's gonna be alright. 'm here, okay?” He sniffled as you pampered him. “Gonna take good care of my boyfie.” You left a trail of lipstick stains as you kissed his body, slowly trailing towards the puffy nipples. You looked up at him for consent, only to continue when he whispered a “please”. With your tongue darting out, you soaked in the view before licking a stripe.

“Shit,” Choso cursed. You do it a few more times until you're finally sucking on it like a popsicle. “Fuck. Ah!” It was indeed too much because with only fifteen seconds in, your mouth was already full of his milk, leaking from the corner of your lips. It wasn't a normal amount. But given the fact that it was his first, that too at this age, you brushed it off, focusing back to sucking. You gulped the milk, each sip making you dizzy. It made you grind harder against his cock, moaning along with him. His whimpers making you wet, and his dick enjoying your slippery pussy.

“Wanna cum. Please. Wanna cum, baby.” He begged and you started fastening your pace. The sheets were wet, along with your neck and tits as he shot spurts of sweet milk in your mouth that dripped down your body. Some of it sneaking its way down between his dick and your cunt. You held on to his shoulder, giving his chest a few slaps, making him rut harder against you that the bed started creaking.

“Cumming. Fuck, I am cumming. Ah! Ah! Ah! Ngh—holy fuuuuck!” Your own orgasming cunt could feel his dick twitch as it shot a load out. His hardened nipples turning soft. He immediately cupped your cheeks, pulling you up. “I love you so much, fuck. Thank you.” He said before he kissed you, his tongue lapping against yours, tasting himself on you.

@kiffenisstupid @pastelle-rabbit @lxnarphase @teddybeartoji @rizzmin @yuta-nation @evxelisy @hellkaiserinphoenix @ffsg0jo @princessoflalaland @baekinola @chuuyasboots @cathybarn @togamest @katsukichu @blkkizzat

[unequivocallyreid]

Why Didn’t You Tell Me?

it has been SO long... i was suffering from serious writers block but it think i'm finally out of it :)

pairing: spencer reid x fem!reader

summary: Spencer Reid used to be your best friend, but things changed. How long can you pretend that you don't love him before it ruins you?

warnings: angst! (with a happy ending), smut (unprotected piv), character loss, mention of Maeve, very sad Spencer, mental health struggles, drinking/bar scene, light choking, fighting, slight praise kink

wc: 8.8k 🤗

i’m very proud of this one! i hope you love it!

Every morning when you wake up, you feel a familiar and creeping sort of dread in the pit of your stomach.

Don’t get the wrong idea; you love your job. You love helping people and stopping horrible people from ruining any more lives, but the creeping feeling and desire to get out is always in the corner of your mind. Anyone working in this field would tell you that. There’s no absolute separation between you and the victims and their families. You take all of them home with you, and you just have to learn how to deal with that and not let it eat at you.

It doesn’t help that it’s an isolating job as well. The last time you were in a serious relationship was in college. Now, every date you have ends in disappointment. Not only do you lack interest in most of the men and women, but it couldn’t go anywhere even if you did. 75% of your time is spent in the office, on a jet, or hundreds of miles away from your home.

All of this contributes to the feeling, but the worst part of your job is Dr. Spencer Reid.

He’s secretive and dismissive and just about the most attractive person you’d ever seen. You honestly don’t know what is worse: his constant physical presence in your life or the fact that you can’t stop thinking about him no matter what you do. You’ve tried to get over it; you’ve buried yourself in work, lamented to your friends, and gone out on dates (all with guys that looked vaguely similar), but nothing has worked. All his worst traits grate your nerves and light you up at the same time.

The worst part of it all is that it wasn’t always like this. When you first joined the BAU nearly two years ago, you and Spencer got along well. You were friends, he talked to you about his life, he understood you, and you really severely fell for him. He became your best friend.

Everything changed around six months ago. Spencer started to develop migraines, and as those developed, he started distancing himself from you. He became snippy and closed off, he started hiding things from you, and he stopped talking to you about life outside of Quantico. It was like overnight, you became nothing to him, and you really didn’t understand. Everyone else on the team got the same old Spencer, but you went from his right-hand man to someone he only spoke to when it was necessary.

Maybe he didn’t deserve to be vilified. You know, realistically, he can and should be able to decide who he wants to be close to, but working with a man who unknowingly broke your heart was close to the hardest thing you’d ever done. So, you decided hating him was easier. The real emotions you feel toward him sit somewhere inside you, but they have been covered by manufactured distaste. Addressing the actual feeling would hurt too bad, so you pretend to hate the things you used to love.

Nothing, however, could have prepared you for the last case you worked on: helping Spencer save a girl he met about six months ago, a girl he loved. You tried to stay collected, you said nothing when Spencer assisted when he shouldn’t have, and goddamn, did you do everything in your power to find that girl. Maeve. She was perfect for Spencer, and you saw that immediately. Everyone did. The sight of him sobbing in front of her body is one that will never leave your mind.

Now, two weeks later, no one has heard from Reid. The only indication that he hasn’t abandoned his life altogether is the absence of the gift baskets on his doorstep that Pen leaves daily.

Nearly everyone has been to his apartment, but they are met with a closed door and have yet to receive a response. Everyone but you.

Penelope is the first to bring up your lack of appearance at the end of a long day of paperwork.

“Y/n, please, you just have to try. No one is getting anything from him.”

“I really don’t think my presence would do any good,” you pause for a moment, trying to collect the thoughts running through your head like a freight train. “Me and him haven’t been close in a long time, Pen.”

Before you can continue, she cuts in, “Everyone has tried, Y/n. Hell, I’ve even considered tracking down Gideon, and I really, really do not want to do that.”

She pauses for a moment before looking up at you with a pout on her face, “Please, Y/n, for me. I can’t bear the thought of him in there all alone, just wasting away in grief.”

For someone who claims not to be a profiler, Penelope knew exactly what to say to get you to agree. She’s the only person in your life who you told about how you felt, though you’re sure everyone else (aside from Spencer) knew: you’re shit at keeping secrets.

“Okay, okay, I’ll try.”

She nearly bursts with excitement, “Thank God-“

You cut her off before she can finish, “But I’m telling you, I’m not the person he wants to hear from right now. Don’t get your hopes up.”

“Yes, yes. I just want him to know we all want him to be okay.”

Before you can hurry out of the office to follow Pen’s instructions, she stops you and hands you a basket full of assorted snacks and fruits.

“Make sure he eats!”

The walk up to Spencer’s apartment is a hard one to take. The smell of his building hits you as soon as you step into the lobby. From there, everything rushes back at once. Memories of nights you spent watching reruns of Doctor Who or listening to him prattle off about whatever he last read assault you with every step. As you slowly make your way up, you start to question why you agreed to do this in the first place.

You feel a lot toward Reid. More than you should and less than you could. But all that care and feelings that are so close to love aren’t enough to make you forget why you’ve been trying to hate him for so long. He deserted you without an explanation and cut you off without a warning. You spent weeks (three months) crying over him like a love-struck teen. So, as much as you want to hold him and comfort him, you know it’ll hurt you to do so. Penelope sent you, with the whole team’s approval, you’re sure, to try to patch up a broken heart he got loving someone else. There’s a sickness in your gut, but it’s not enough to stop you from rapping your knuckles against his door.

“Spencer? It’s Y/n.”

There’s no response.

“I know you probably don’t want to hear from me right now, but I want to make sure you’re alright. Can you tell me you’re alright?”

Again, nothing.

You know he’s there. Despite your lack of communication, you know Spencer well enough to know that he would never leave his life behind entirely. That being said, your next few attempts at garnering a response are unsuccessful.

You decide to try one final time before just leaving the basket alone on his doorstep and texting Pen it was a bust.

“There’s a lot I don’t know about you now, and I won’t pretend to know what you’re feeling.”

You don’t exactly know where this is headed, but you continue on regardless.

“I know you’re in there, and I know you can hear me, and I know you’re hurting. You shouldn’t- I don’t want you to be alone right now, Spence. You can either unlock your door, or I can pick it, but I’m coming in one way or the other. You know I will.”

You wouldn’t, actually. It’s a last-ditch effort, and it’s met with the same silence you’ve heard on the other side for the past ten minutes. You’re about to turn to head back down the stairs when you hear the very faint sound of a deadbolt turning.

There’s no other sound or movement, and for a moment, you think you might’ve imagined the sound, but you try the handle anyway. It turns, and the door slides open. You take a step in.

“Spencer,” you call out to him.

You don’t see him at first in the mess of his apartment, but when you do, you feel a crack form in your heart.

Beyond the clutter of his entryway, you see his back on the couch. His frame looks smaller than you’ve ever seen it, and you can see his legs curled into his chest. You set down the gift basket by a collection of others on the entry table and walk over to him. Slowly, like you’re trying not to spook a lost dog, you creep in front of him.

His head is down, and his gaze stays trained on his knees.

You reach out your hand and lay it over his. He flinches but doesn’t pull away.

“Spence, I’m so glad you opened the door.”

You didn’t plan out what you would say, but ‘sorry’ feels redundant and useless.

You go on, “I’m here. I- I don’t know what to do or say, and I’m sorry that I don’t. I can get someone else for you. Just tell me what you need, and I’ll do it.”

You wait for him to say he wants Penelope or JJ, but it doesn’t come. Nothing comes. You start to move to get up, figuring you could clean up a bit and try to make him something to eat, then go, but he grasps your arm before you can.

He looks up at you, and his eyes hit you right in the gut. They’re bloodshot and sunken but still beautiful.

“Stay. Please. I just- I need to know I’m not dreaming. I keep thinking I’m dreaming.”

His voice is croaky from disuse and breaks at the end, but it’s so heartbreakingly earnest that you feel your breath catch. You move from your crouch and sit beside him on the couch; your hand is still in his.

You stay like that for a long time. His breathing is shakey and uneven, and every so often, his body shakes with what you can only assume are sobs. You stay pressed to his side the whole time, thumb rubbing back and forth over his hand.

Eventually, you speak again, “I’m gonna get you some food, Spence. You should eat.”

He says nothing back, but he does loosen his grip. You push yourself up from the coach with a promise you’ll be as fast as possible.

His kitchen is nearly empty, and you hope he’s been eating from the baskets. Still, you find enough to make noodles and butter, and you figure the carbs should help his energy some.

You return with the bowl. Spencer hasn’t moved, but his head follows you as you walk back over to him.

“It’s not fine dining.”

He studied you for a second, and you catch a glimpse of the old him in his eye.

“You did the same thing when I was sick on a case a year ago.”

You smile at his recollection.

“It helped you then.”

The rest of the night is spent mostly in silence. Occasionally, you tell him something to try to remind him that you’re there and that you won’t leave as long as he wants you there. Eventually, you get up from the couch again.

“Spencer, it’s too late to still be awake.”

He nods and still says nothing, but he is far more receptive than before. You reach your hand out to him to help him up from the couch, and he takes it.

He leads you to his room at a slow pace. His head stays down as you both take a seat on his bed, hands still interlocked. Being in his bedroom is odd for you. You’ve been to his apartment quite a few times before he disappeared from your life, but you never breached this space. It’s all very him. Almost surprisingly cozy, with books scattered around nearly everywhere there’s space.

You take in the moment for a beat before saying, “I’m gonna head home, Spencer, but please call me if you need anything at all. I’ll come back tomorrow.”

This makes his head snap up, and his eyes lock with yours.

“Please stay.”

That’s all he says, but every part of him is pleading with you. It’s not a good idea, and you know it. You’re the only person he’s seen in days, you aren’t close anymore, and you don’t particularly want to sleep on a couch tonight.

“Spencer, I don’t want to sleep in your living room tonight. I’ll come back.”

He pauses for a moment, “You can stay here with me. I don’t want to be alone.”

Your heart cracks again. There was a time when this was all you wanted. It’s still, deep down, all you want, just not like this. You know he doesn’t really want you there and he’s not himself. But you aren’t strong enough to say no, so you don’t.

He gets you clothes to wear, and you change in his bathroom. You come out and find him in his bed, laying with his back to you. You have no fucking idea what you’re doing, but you get into bed next to him anyways. There are a thousand thoughts racing through your head, but the prevailing one is how badly you want to touch him, to hold him, to make him forget, just for the night. You stay still, though, confined to the edge of the bed and start to count to drown out the noise.

Though, you can’t drown out his voice, saying, “Can- Could you hold me? I think that everything feels better when you touch me.”

Another crack. By the end of this, you know Spencer Reid is going to break your heart all over again.

~

When you wake up the next morning, Spencer is still asleep. You sneak out of his room and call Hotch. When he answers, you tell him Spencer has let you in, and you ask for time off to try to help. You can tell from his voice that he doesn’t think it’s a good idea, but he grants you it anyway.

Much of your day is spent like the night before. You stay next to Spencer, and you cook for him after leaving to pick up clothes and groceries. Then, you get him to shower and wash his hair. He sleeps with his head in your lap, and you feel like a fucking idiot at first, but as long as it’s helping him in some way, you let it happen.

That’s the thing: you don’t really know how to help him. You know he isn’t the type to talk about something until he is entirely ready, so all you can do is add something domestic and bright to his life while he grieves. It’s all you can think about in the moments of silence. Hell, you even read to him to try and get your mind off of it, but it barely helps.

The night is the same. You change in different rooms and slip into his bed at different times. You feel dirty for imagining what it would be like if the circumstances were different: if he wanted you like you have wanted him for the past two years. You hold him against you, and you pray for sign that you should be there.

The sign comes the following morning when Derek calls you.

“Y/n…”

You can hear his teasing tone over the phone.

“Hi, Derek.”

“What are you doing, mamas?”

You sigh, “What do you mean?”

You’re playing coy. You know he’s wondering why you’re at Spencer’s house, picking up the pieces, but you won’t be the one to bring it up.

“Why’d you ask Hotch for the week off, Y/n?”

Another sigh, “You know why, Derek. I just, I want to help him.”

“I know you do, Y/n, I know.”

He pauses for a moment, and you let the moment fill with silence.

“I know you care about him. We all care about him. But who is taking care of you?”

“I am. I can take care of him, and I can take care of me.”

“I know you can, but I don’t want you to get hurt, Y/n. Don’t let this be something that hurts you.”

“It won’t. I- You have to- Fuck, I’ll be fine. He’s not fine. I don’t care about me or any feelings that may get hurt right now. I’ll be fine.”

There’s another bear of silence, “Okay, Y/n. Just know you’re allowed to tap out.”

You try to think of anything else to say, but nothing comes, so you say your goodbyes.

You won’t need to tap out. You can take care of him and be good to him and ignore the other feelings you have. You can be good.

The call does make you think it’s time to push, to try harder, to help him get better. So, you approach him that day before bed, before he tucks himself into your arms and falls into a fretful sleep.

“Spencer?”

He takes a moment and then responds, “Yes?”

“You have to talk about it. I think that you need to talk about it. It doesn’t have to be to me but to someone.”

He’s quiet for a long time, and your breath is caught in your throat, waiting for him to say anything.

“I- I don’t want to,” his voice cracks while he says it.

“Spence, you can’t come back if you don’t. You can’t move forward if you don’t.”

“Maybe I don’t want to.”

A ringing echos in your ears.

“You don’t mean that. She- she would want you to keep going.”

Wrong thing to say.

“You don’t know anything about what she would want.”

He’s seething now, below the surface, but smoke has started to plume from his ears. Still, you don’t stop.

“Spencer, everyone knows that. No one would want you to put your life on hold.”

He speaks his next line through his teeth, “You don’t know anything, Y/n.”

You’ve never heard him sound so angry.

“Spencer-“

“No, just stop. You don’t know her. You don’t know me half as well as you think you do. You don’t know anything. I don’t even know why you’re here. I don’t want you here. You can't be what I need.”

The ringing in your ears is louder.

“Spencer, please. Just-“

“No!” His voice is raised now, bordering on a yell, “I don’t want you here. I want you out, Y/n.”

This has to be what shell shock feels like. The ringing, the tingle in your limbs, and the heat in your face. You don’t know how you are moving, but you are.

His voice is echoing in your head, or maybe he’s still talking, but you can’t tell either way. The only thing you can focus on is how Spencer sounded like he hates you and that Morgan was right about the hurt.

~

You spend the next day trying desperately to shut down the noise in your head. It doesn’t work. The day after is the same. And the days following that. You ignore calls when they come, you ignore the texts, but you can’t stop looking at your phone for a message from the man who fills your thoughts.

Spencer doesn’t call, obviously, and you have to sit with a pit in your stomach while you beg yourself to just get the fuck over it. Two years of reckoning with the severity of your love, months of watching him live happily without you, and it’s the three days you spent trying to help him feel incrementally better that floor you.

You feel like a dumb teenage girl with so much love and nothing to do with it. On top of everything, you feel selfish. Spencer lost the love of his life forever, and you’re nursing the worst heartbreak of your life because a boy will never want you and never has. Still, you send out prayers for him over and over. You hope you’ll see him in the BAU again, even if his eyes glaze over you. Hell, even if they look at you with hate the way they did two days ago. You just want him to function. You want him to be good and eventually be happy. You try to go to bed with soothing thoughts, but you end up with a mantra of his name.

You wake to your alarm and dress for work before you realize you aren’t actually supposed to go back yet. You never set a date to return. You wanted to be open as long as Spencer needed you. You’re supposed to be with him. You’re supposed to be helping and not tapping out. But you aren’t.

You have no reason not to return to the bullpen, so you do. You walk in and feel eyes on you. You wait for Morgan to call out to you, but he doesn’t, so you follow the feeling.

Your breath catches in your throat; it’s Spencer. He’s sitting at his desk, paperwork spread out, and he doesn’t look away from your gaze; he just holds it. His face is unreadable, and yours is definitely not, so you look away first. You don’t look up again until you reach Hotch’s office. You knock and hear him call out to come in.

“I’m back if that’s okay.”

He looks up at you, and you want to cry. You know he can read you. He has always been the best at it.

“Are you okay with that, Y/l/n?”

You lock eyes with him, “Yes, sir.”

It’s no use; he knows your tells and you aren’t being honest.

“Alright, conference room in five.”

Whatever he sees in your face, he ignores and takes you at your word, but there’s a warning in his tone. He knows when to let things go and when to push. More than that, though, he knows you’d never let something like this affect your work.

~

The first case back is in Maryland, and the one after is in Austin, and the next is in Philadelphia with The Replicator. The job takes you all over the country, and the cases blend together. You don’t speak to Spencer through all of it. You’re never partnered, never work together, you sit on opposite ends of the jet. You don’t even speak at Strauss’ funeral. It’s radio silent, and everyone notices it, but no one brings it up.

In that time, you allow yourself to slip away slightly. You don’t go out with the team, you see Pen at nearly half frequency, and basically, the only time you speak is on cases. It’s stupid and melodramatic, but you call it healing. Derek tries to reason with you, JJ sticks to you a bit more than usual, and Penelope calls you virtually whenever she can, but their efforts are mostly in vain. This is your way of protecting yourself. You feel like you have to isolate in order to improve, and you know, given time, you will come back to yourself.

Penelope’s insistence that you go to her Day of the Dead celebration breaks your distance.

“Y/n, please come. I know you aren’t going out, but you have to. I know you have people to honor, and I need you there.”

You sigh, “Whose going, Pen?”

“The team, which you are a part of, so you must be there.”

“I don’t think I can do that. I promise you I will celebrate with you. I’ll help you set up, just please don’t make me go.”

Penelope pauses, but the glint in her eye keys you into the fact that she is not interested in giving up.

“We miss you, Y/n. Everyone loves you and misses you. You’ve been living this stupid, isolated life, and it’s time for you to come back. You are not this person. I refuse to believe it. You’re coming, and that’s final.”

Maybe you don’t have the energy to argue, or maybe you know she’s right, but you agree to go.

~

The thought of seeing him makes your heart race, and the clock you keep glancing at makes it worse. Just a few more hours before you're trapped in a confined space (Pen’s beautiful home) with a man you haven’t spoken to in weeks.

You busy yourself with preparing. Lights are hung, food is made, and you make a trip to the store while Pen sets up her remembrance table. When everything is said and done, you can’t help but feel this is the most beautiful thing you’ve been a part of in a long time.

The first knock comes at 7:30 exactly, and it’s Hotch and Rossi. They are followed closely by Blake, then Derek and JJ. By 7:00, the atmosphere is light and loving, and you feel a bit of your anxiety let up as the minutes go by without Reid. But, eventually, the knock comes, of course it does, and you move into a corner as Spencer walks in. You feel a shift in energy, though you doubt it’s palpable for anyone else. Rossi is the first to make his way over to you, and his presence comforts you nearly immediately.

“How you doing, kid?” His voice is soft like he’s speaking to a scared rabbit.

“I’m better,” you say, and it’s about as honest as you can get. As much as you’d like to think he knows nothing about what’s gone on, you’re smarter than that. He’s the best profiler on the team, and he’s always known when someone was off with you. Even so, you are better than you were, even if you aren’t quite good, and you know he believes you.

There’s some idle conversation between you before he asks, “Do you want to talk about it?”

“Not tonight. I don’t know when, but I will. Eventually, I will.”

It’s good enough for him, and you move on easily, which surprises you.

Right before Pen gathers you all to present your photos, he says, “Sometimes we think we’ve seen the whole picture, but we miss a big part. People do things because they don’t want to be hurt, but those things hurt them more. Just, be open.”

You don’t quite understand what he means, but you hope you will.

Penelope presents the first picture, which shows her parents. JJ honors her sister, Derek, his dad, Hotch Haley, and Rossi, Hernandez; then it’s your turn. You place down a photo of your best friend. You hadn’t talked much about her, but you think of her daily. She passed a few years before you joined the BAU.

“I was lucky to have someone that hurt that much to lose.”

That’s all you say, but it’s enough for you, and it would be enough for her.

Spencer is last. He places down a picture of Tesla and a picture of Maeve. Your heart is heavy for everyone.

The night dwindles from there. Hotch and Rossi say their goodbyes, and Rossi gives you a knowing look as he leaves. You just smile. You stay for a few minutes after, but eventually, you move to leave as well.

You make it down Garcia’s porch before you feel a hand grab your arm. You turn, and it’s Spencer’s face you see.

“Would you- Do you think you could come over? Do you think we could talk?”

~

The feeling you have walking up to Spencer's apartment is similar to what you felt the last time. You’re incredibly anxious, but at least you know you’ll be let in this time.

The drive over was silent. Spencer had taken the metro to Penelope’s, so he rode with you. It wasn’t necessarily awkward. There was just an understanding that the car wasn’t the place to begin your conversation.

Now, as Spencer unlocked his door, it’s one of those rare moments you felt starved for words, and you know it’s because you’re scared you’ll say the wrong thing and face the same reaction that you did the last time you were in his home.

He leads you to his living room and motions for you to sit, and you do. The two of you are on opposite ends of his couch while you wait for him to say something.

His first words are airy and light, “Thank you for letting me talk to you.”

You look at him but remain silent, waiting for him to go on. All you can think about is why he wants to speak to you at all. The last time you spoke, he made it incredibly clear he did not want you in his life or around him at all.

Before you can think about it more and let your anger and sadness build, he speaks again, “I feel really stupid right now. I kind of feel stupid whenever I’m around you recently.”

He pauses momentarily before going on, “I’m so, so sorry, Y/n. About the last time we spoke. I’ve been thinking about it pretty constantly for the past few weeks.”

You open your mouth, unsure of what exactly to say, but you can’t get there before he’s off again.

“I’m not sure how to talk to you anymore. I don’t think I’ve known how to for a long time. I just, I need you to know how sorry I am for speaking to you like that.”

He takes a shakey breath but keeps going, “That wasn’t me, and that isn’t how I feel. I’m just unbelievably sorry, Y/n.”

He stops there, and you work to collect your thoughts.

“I know. A part of me knows, at least, that you didn’t mean it. I just wanted to be there for you, and hearing that made me- I just- I think it made me hate myself for wanting to be there.”

“I’m so sorry. I’m unbelievably sorry.”

“You didn’t talk to me for months, Spencer. I just don’t understand. I don’t understand why you let me in in the first place. I thought you hated me.”

He’s silent for a long minute.

“I never hated you, Y/n. I just stopped knowing how to act around you, and then I met Maeve. I fell so deep into it that I couldn’t talk to anyone about it. I- And I just started to feel like you didn’t want me to speak to you, so I didn’t. But, when you came here, after everything, I guess I just felt like you were the only person who would get it. You never, no one on the team ever treated me or talked to me how you did. I just wanted that.”

Tears had begun to well in your eyes now. A part of you gets what he means, at least about letting you in, but the other part is so confused as to why he stopped being comfortable around you.

“I don’t understand, Spencer. Why did you stop knowing how to be around me?”

There’s desperation in your voice that makes you sound like a stranger to yourself. Maybe you’re a stranger to everyone right now.

“I uh, I don’t really know.”

“That's not fair, Spence.”

You’re crying now. Just a little bit, but you can feel the wetness on your cheeks. You can see that you are by the look on his face. He looks broken, and you know it's a reflection of your own image.

You wipe your face, “Thank you for apologizing, Spencer. I just, there are parts of this all that I don’t understand, and if you can't explain them to me, I don’t think I ever will.”

“Y/n-,” he calls out your name like a prayer.

“It’s okay, Spence. You don’t have to say anything more. We talked, and things will go back to how they were eventually.”

“I’m so sorry, Y/n.”

You smile sadly as you get up to leave.

“I am, too, for what it's worth. For whatever I did to make things change in the first place.”

You leave it at that, and it takes everything in you not to look back as you leave his apartment.

~

Things do get easier after that. Not completely. You still love him, and it hurts, but it helps to know he doesn’t hate you. He talks to you some, cordial things, and you do the same. You're sure your teammates still sense something is off, but this works for you. Right now, it works. Getting over him, not loving him anymore, is going to take work, but eventually, you know that you won’t hurt anymore.

Shortly after you and him talked, you started going back out with your friends. Spencer joined periodically, but that was normal. Bars were never really his scene.

Tonight, everyone gathers at your local pub. Your last case was particularly grueling, and you all need a way to blow off some steam. It's fun, and you feel good, even with Spencer sitting across from you. You feel proud of yourself for getting to this point.

JJ and Penelope feed you drinks to try and get you to dance, and you let them. Tonight feels as good of a night as any to ‘get back out there’ as Pen says. So, you do. You dance with them, and you ward off the other cops and agents around you who try to pull you away from your group. You aren’t interested in that. Right now, you're just having an appropriate amount of fun for a woman 15 feet from her boss.

Time goes by quickly, and by the time you get back to the table, you, Derek, Penelope, and JJ remain. He tells you that Hotch, Rossi, Reid, and Alex left a few minutes before. The conversation between you flows for a while, up until the drinks loosen Penelope up enough to bring up what you were pretty sure the team designated a no-no topic.

“Y/n, you have to talk about it.”

You’re still laughing as something Derek said when you reply, “What?”

“You know what. You and Boy-Genius. What on Earth happened? You went from ice-cold to semi-friendly. None of us saw it coming.”

“Babygirl-,” Derek tries to stop her, but you cut him off.

“No, it’s okay. I have to talk about it at some point, and I think right now is the only time I’ll be tipsy enough to let you get it out of me.”

You're still laughing slightly, but the pit that's lived in your stomach for the past few months starts to rear its head.

“After your Day of the Dead party, he asked to talk to me. I went to his place, and he apologized. I don’t really understand what he said or what he meant, but I can’t be sad about him forever.”

Pen perks up a bit at that, “I knew that party would bring good things!”

You giggle a bit at her outburst, but then JJ asks, “What did he say?”

The faces around you all tune in at that. You know they don’t see this as gossip. They care about you both too much to trivialize it like that.

“He just said that he stopped knowing how to act around me, and he didn’t know why, but then he met Maeve, and I guess it didn’t matter so much after that. He was my best friend, and then he was nothing.”

JJ shares a glance with Derek and then speaks, “Oh, Y/n.”

“What?”

After a beat, Derek says, “He didn’t just not know how to act around you.”

Now you're confused, “What do you mean? I talked to him, that's what he said. He didn’t know why. I mean, he knows everything and didn’t know why he didn’t want to be around me anymore. How fucking stupid is that.”

You laugh again, but it does come off as genuine in the slightest.

“Y/n, he probably doesn’t really know why. At least not fully. For someone as smart as he is, the kid can be really stupid.”

“Stop being cryptic.”

Derek sighs but goes on, “Pretty girl, pretty boy was in love with you. Probably still is. He just didn’t think you’d ever feel the same.”

“No. That's not true.”

You look at the others around you, but their faces are serious.

“He loved Maeve. He loves Maeve. That, that doesn’t make any sense.”

It's JJ’s turn to talk now.

“He definitely did love Maeve, no one is denying that, but we all saw how he was around you. His whole relationship with her was safe. He couldn’t be hurt by her rejection every day because he had no way of seeing her. With you, he could.”

Your mind is moving a mile a minute, “Did he tell you guys this?”

Penelope puts her hand over yours and says, “He didn’t have to, love. We all say the way he looked at you and acted around you. The way he talked about you. That boy was head over heels.”

“Guys, I appreciate whatever you’re trying to do, but this isn’t real. Spencer doesn’t- this is not real.”

“Y/n, pause. Think about the way he acted around you, the things he said. Think about how Reid is.”

You hear what Derek said, but it all sounds faint like someone stuffed your ears with cotton while you weren't paying attention. All you can focus on are the different scenes running through your head, the scenes of your life with Spencer in it. How he memorized your coffee order and brought it for you every day, how he never shied away from your touch despite his aversion to contact, how he consistently went out of his way to protect you on the field. At his house after everything, the way he clung to you and wanted to be held. How he said in his own words, “You can't be what I need”; not “you aren’t,” but “you can’t.”

Your whole world is crashing down in this bar, and you can’t do anything to stop it.

“Y/n?”

JJ’s voice snaps you out of your spiral.

“Just go talk to him.”

You nod mutely, and you get up.

~

Everything in the last ten months of your life has led you to the exact spot you were when everything blew up in the first place: Spencer’s door.

This time, you aren't too worried about him not letting you in. If anything, it's the opposite. Him opening this door could open a hundred others, and you don’t quite know if you are ready for any of them. You sit there and sit there and sit there, trying to work up the courage to knock, though you aren’t sure it's there to begin with. Right as you're about to walk away and decide you’ll come back another day, his door swings open.

“Y/n?”

His face is lit up with shock, and you notice his hand that is not on the door is holding his pistol.

“What are you doing here?”

You don’t answer, “Why did you open the door?”

He sets his piece down on the entry table before responding, “I heard footsteps in the hall and saw they stopped here. I was anxious. 50.3% of home invasions happen between 8:00 pm and 7:00 am.” He cuts himself off there, “Y/n, why are you here?”

You didn’t pay attention to anything he said. All you could think about was the way his lips were moving and the way his eyes locked onto yours as he talked.

“Do you love me?”

That is not what you wanted to say.

His lips fall open as he takes in a sharp breath, “What?”

“Or I guess did you love me? Before everything? Because Derek and JJ and Pen, they all said that you loved me, and now I can’t think about anything else, Spencer.”

He doesn’t speak, but you don't really give him a chance to.

“I just, I know I sound crazy right now, but I feel fucking crazy. I keep going over everything in my head, and I have been, for the past year I have been, but now it’s all different. It's all different because they said that you loved me, but you didn’t think I’d feel the same way.”

Here, you do pause, but he still doesn’t say anything, so you go on before you can stop yourself.

“Because if that's true, Spencer, it's just- I did. I do. And if it's not, then please just tell me so I can stop feeling this way.”

He sounds resigned when he says, “Y/n,” and you feel like you know what that means.

“Fuck, I’m sorry. I don’t know why I'm doing this. You don’t have to say anything. Actually, please don’t say anything. I don't think I can hear it. Just pretend I never-”

He cuts off your ramble, “Y/n, stop.”

You draw your eyes from the floor, look up at him, and find something in his gaze you have never seen before. He doesn’t say anything, just stares at you, and it takes everything you have not to look away. His hand raises to cup your jaw, and your skin lights on fire. Before you can process what he’s doing, you feel his lips press against yours, and something clicks. At first, his touch is light, like he’s giving you the chance to pull away. But, when he grasps that you won’t, he presses himself to you harder, and all you can think about is how nothing has ever felt so right.

His lips move against yours, and you don’t know how you're managing to reciprocate because it feels like everything in your body has gone fuzzy. The kiss is by no means long, but it feels like it lasts forever, and by the time he pulls away, you’re breathless.

His forehead stays connected to yours, and he whispers, “I do, Y/n, love you. I have.”

You don’t feel the tears on your cheeks until he’s wiping them away.

“Oh, Y/n.”

“Did you know? That you did? Is that why…”

You trail off, hoping he’ll pick up on what you're asking, and he does.

“I didn’t at first, or I didn’t realize I was falling in love with you until it happened. I got scared, so I ran. I just never thought that you could feel the same or that I was hurting you. I didn’t realize that. I just thought I was doing what was best for us. I felt guilty for being in love with my best friend.”

“And Maeve?”

“I loved Maeve. I’ll always have love for her. I was trying to move on, and I thought I could eventually be with her and be around you without it hurting. I wish I would have told you this before.”

“You’re telling me now. That's enough.”

This time, it's you who pushes your lips to meet his. Your arms snake around his neck, and his fall to your waist. You follow when he pulls you into his apartment and closes the door. There is still pain on both sides, but you can feel it dissipating as you cling to each other. You’re just two broken people who have finally found a way to each other.

This kiss is different, hungrier. Neither of you pulls away for longer than a few seconds as you navigate your way from his entryway to his couch. Every touch is desperate like you're searching for something you never knew existed until now. His hands pull you closer and closer until he's pulling you on top of him, and each of your legs rests on opposite sides of his hips.

Your lips break from his for a moment, “What do you want, Spence?”

His reply is instant, “You.”

From there, things move faster. Your hands unbutton his shirt and push it from his shoulders while he undoes your pants. There are moments of awkwardness that come with exploring another for the first time, but it feels good. His hands trace over your hips and push further until you're left on top of him in only your underwear and bra. He takes you in like you are something to be marveled at, and you know your eyes reflect the same adoration.

You raise yourself off of him and work to get him in the same state of undress as you, and when you position yourself on top of him, you feel his length press against your center. The two thin layers of fabric do little to hinder the intensity as you rock into him. He lets out quiet moans at the action as his lips trace down your neck and over your collarbone.

His breath ghosts over you and makes you shiver when he asks, “Can I touch you?”

“Please.”

His hand moves between the two of you, and his fingers find your clit easily, rubbing circles over the fabric of your panties. You pant his name against his lips at the action. You feel like your whole body is lit up, and under any other circumstance, you'd feel embarrassed at how worked up you are, but you can’t seem to care.

After a few moments, he lifts you up and carries you to his bedroom. From there, he positions you below him on the bed, removing your remaining clothes in the same motion. The new setup lets you grip him, and he feels big in your hand. His fingers resume their previous assault before dipping down into you. You cry out at the feeling of him inside you, slowly pushing in and out, finding a spot that makes your legs start to shake. He’s relentless in his pursuit and all you can muster up the energy to say is his name.

“You’re so beautiful, Y/n.”

It's somewhere between a whimper and a whisper, but the sound of his voice causes you to clench around his fingers.

He picks up on this, of course he does, and quickens his pace as he coos at you.

“So pretty like this. I’m so lucky.”

You’re embarrassingly close already, so when he moves his thumb over your clit to rub circles as he fucks into you with his fingers, you come undone almost instantly with a warning and cry of his name. He works you through your orgasm, all while whispering praise in your ear. Once you come down from your high, you start to push his boxers down his legs, but he stops you before you can fully.

“We don’t have to do anything more, Y/n. I liked just making you feel good.”

“I want more. I want to feel you if you want that too.”

“Of course I do. I just don’t want you to regret anything.”

“I couldn’t regret this, Spencer. I love you. I want all of you.”

It's the first time you’ve actually said those three words to him, and it feels so fucking good to say.

“I love you, too. God, so much.”

With that, he positions himself back on top of you, running his fingers over your slit gently before gripping himself.

“Do you have a condom?”

“I might somewhere, but I have an IUD, and I’m clean. I can try to find one if you’re more comfortable with that?”

“IUDs have a failure rate of around .05% and are largely considered the most effective form of birth control, so uh, as long as you're okay with it, I am.”

You smile to yourself at his statistic but nod, “I want to feel you, Spencer.”

He returns your smile before rubbing his length over your entrance a few times and slowly pushing himself into you just slightly. He teases you, or maybe himself, for a moment before fully entering you. You push your hips up to meet his, and feeling him in his entirety makes your jaw fall open. He’s big, and you feel unbelievably full.

He waits a moment for you to adjust before he starts to develop a rhythm. His hands are everywhere, but his eyes are focused solely on your face like he doesn’t want to miss a moment of your reaction to him inside of you. To be fair, you are probably putting on a good show. Every movement he makes hits you in exactly the right spot, and you don’t think you could be louder if you tried. You can feel the leg he’s not holding up against his shoulder shake against the bed. Your first orgasm has made way for your second to be incredibly close.

“Spencer, please.”

You’re crying out, desperate for a little more to push you over the edge.

“What do you need, baby?” His voice is tight like he’s not far himself, and it sounds better than anything you’ve ever heard.

“Harder. Please, harder.”

He takes your direction immediately, rubbing circles on your clit with one hand while he thrusts into you with a bruising force. He’s fucking you like he wants you to remember the feeling long after he stops, and you know that you will. Everything about it is overwhelming: his smell, his pace, his eyes. You are covered in him, and he is covered in you.

After a moment, the hand he had on your stomach trails up to grasp lightly at your throat, and you fall into feeling. You can’t warn him that you're about to come before you do. The feeling is white hot. Bigger than your first, and the fact that you're coming on him sends you into overdrive. You can feel his hips falter for a moment, but you're lost in a daze, crying out his name.

He pumps into you a few more times before he follows suit. He pulls out, and you feel stripes of his come paint your cunt and lower stomach as he finishes with a moan of your name.

He falls next to you on the bed, and it takes you both a few moments to collect yourselves and catch your breath.

Once you do, the only thing you can think to say is, “I love you.”

It feels like those are the only words circling around in your head at the moment. Some mixture of his name and that declaration. While you know you each said it before, that your profession was the exigence of the sex you just had, it feels uniquely vulnerable to say now. It’s like the moment you just had together could have changed things or made him realize that he doesn’t actually love you after all.

That shoe doesn’t drop, though. Instead, you hear the three words echoed back to you by a man who, 6 hours ago, you thought would never, ever say them.

You turn to face him, and the love on his face feels like it could knock you out. He’s looking at you and smiling in a way you haven't seen in a long time.

“Will you let me clean you up?”

You know that part of the reason he’s asking has something to do with the likelihood of bacteria growth or something like that, but you think it's mainly that he wants to take care of you. Him wetting a rag and running it over you feels intimate in a different way, in an excruciatingly gentle way. Personal in a way that makes you feel like nothing between you could ever be wrong again, and maybe that's naive to think, but you feel hopeful regardless.

Once he finishes, he takes his space back next to you in the bed. This time, he pulls you into his arms, and it's different than it was all those months ago. This time, you know that he won’t push you away and that you won't hurt yourself by being next to him. This time, you just tuck yourself into him, and you let him whisper sweet nothings into your ear as you begin to drift off. This time, it feels like peace.

~

The following day, you wake up to Spencer still next to you, looking incredibly soft in the early morning light. You search for a moment to find your phone in the piles of clothes and are greeted with a text from Pen.

How did it go????

You smile before turning your phone off and climbing back into bed next to the man you love. It couldn’t have gone better.

-

all done! yay!!!

i hope you guys love it!! i’m not 100% happy with the ending but i’ve been writing this for so long and just needed to be done.

this is my first time writing angst on here and my longest fic, so PLEASE tell me what you think! all (nice) feedback is welcome and i love to hear from you guys!! :)

[hopeymchope]

No hardcore fandom has ever died so quickly and so completely as Veronica Mars. This is the story of its murder.

They should study Veronica Mars in Hollywood. I'm serious. It's an incredible story of how to go from "loud, passionate fanbase with its own fandom name that campaigns and advocates constantly for it" to "absolutely zero fucking interest" damn near OVERNIGHT with just ONE epically terri-bad decision.

If you weren't there, you don't understand: From 2007 to 2014, the fandom — the "Marshmallows," as they called themselves — were everywhere in the Internet's geek spaces, my friends. They routinely beat the drum about the series' three seasons and its excellence, lamented its cancellation, pushed others to give the show a try, and always - ALWAYS - proudly and loudly called for the series to be revived.

FULL DISCLOSURE/CONFESSION: I've not even watched that much Veronica Mars, frankly... ? Yeah, I'm sorry! it does seem pretty good from like the four-or-five hours I've experienced firsthand. I just never took the time to sit down with it. Regardless, I find fandoms and their dynamics — both how they operate internally and how they display to others externally — deeply fascinating. And I honestly find them easier to study from the outside than the inside. Like, if I'm IN a fandom, I'm more likely to stay in my corner and ignore places that seem negative. But being on the outside lets me just... absorb what's out there, looking into every forum without judgment. It's like studying pop-culture sociology or something? And it helps that I'm very close to some serious(-ly burnt) Marshmallows. It makes it so much easier to find and absorb the gamut of the fandom.

Besides: There is NO fandom story I've ever seen that's anything like what happened to Veronica Mars and the Marshmallows.

(Time to insert a brief explainer for the uninitiated: Veronica Mars was a TV series that aired from 2004-2007 on the now-deceased UPN network wherein Kristen Bell played the titular character, a high school girl whose single dad was a private detective in the fictional community of Neptune, California. She grew up working "unofficially" as his assistant, which meant that she herself was effectively a teenage private detective.

The three core elements of the series were: 1) Veronica investigating each week's big mystery with plenty of quips and snark, 2) Watching Veronica's various relationships develop and shift, with most of the focus given to a) her relationship to her father and b) Her romantic pursuits (which began as the Veronica/Duncan/Logan triangle before eventually becoming focused on the slow-burn, off-on Veronica/Logan love story), and 3) The gradual development of that season's "mytharc" — the overarching BIG MYSTERY that doesn't get resolved or wrapped until the season finale. So it went over the course of two seasons that took place in high school and the third, shorter season that was at the start of Veronica's collegiate career.)

Just how big and how passionate were the Marshmallows? WELL! When series creator Rob Thomas (not the Matchbox 20 guy) and star Kristen Bell announced the Kickstarter campaign for the Veronica Mars movie in March 2013, it achieved its heretofore-unprecedented goal of TWO MILLION GODDAMN DOLLARS within less than 12 hours. At that time, it was the biggest Kickstarter goal to ever succeed — and certainly the fastest to reach that kind of height. Fans fell OVER themselves to pay out for it. Hell, my own significant other was DEEP in the tank for VM at the time and invested enough to get multiple t-shirts as backer rewards as well as a disk copy of the movie when it eventually came home.

And AFTER the movie hit in 2014? It was thankfully beloved and embraced! The once-teenage characters were adults who were actually out living on their own and working for a living, but the fandom had grown up with them, so it wasn't like they were begging for them to stay young students. They embraced Adult Veronica and her new adventure. The fandom rejoiced loudly and continued to be all over the geek side of the Internet... where they, of course, still wanted more. Sure, there were new novels in the aftermath (which were written by the creator of the series), but most of the Marshmallows were calling for more movies or a streaming revival.

And then, at long last... season four was actually announced. And there was much (premature) rejoicing yet again.

Yes, Veronica Mars returned for a fourth season on Hulu in 2019. It was just eight episodes, and it was heavily centered on one season-long mystery instead of sprinkling that amongst a bunch of smaller ones, but it would still feature the same ol' Veronica. They promised a new, more "adult" mystery/investigation plus a strong focus on Veronica and Logan's love story.

New Hulu purchased the rights to the first three seasons and hyped up its presence on the platform while marketing the return for the new run. The marketing team played up the most popular quips from the show's history plus put out TONS of stuff centered on the Logan/Veronica ship to pump up the fans.

The season was dropped all at once using the classic Netflix "binge" model in July 2019. And then... afterwards?

There was a brief explosion of LOUD RAGE from the Marshmallows at what series creator Rob Thomas had to done to burn and spite the fandom and ruin his own goodwill.

SPOILERS FOR SEASON 4: See, at the end of the movie, Veronica and Logan finally entered into a long-term relationship. In season four, they've been dating for years, and Logan proposes marriage. But of course there has to be drama/obstacles: In this case, Veronica isn't sure she's ready to marry... or capable of being in a marriage. Ah, but of course she eventually realizes how much Logan means to her. The two are married, and, in the season finale... Logan is killed by a car bomb in the penultimate scene. The final scene is a flashfoward to a year later, where Veronica leaves Neptune alone.

For most fandoms, that'd be a memorable point of pain. A big ol' speed bump that ultimately throws some people off the bus, leaving only the die-hards. But the fact that fans had been invested in this relationship for literally 15 years and that Hulu (and creator Rob Thomas) had heavily marketed the new season as being a big romantic event for the ship... it was too much. Unlike the aftermath of the Star Wars sequels, there was no lingering group of die-hard fans who were open to whatever was next — at least no significant one. I did some Googling and could only find TWO people who still wanted another season.

Funnily enough? Critics LOVED this. Hell, Vanity Fair infamously penned an editorial about how Veronica Mars had "finally grown up" with this finale. I suppose all the other murders and deaths and drug overdoses and r*pe weren't "mature" enough before now for... some... reason. (The same editorial also featured the author openly hating on Veronica ever being in a relationship because it causes "arrested development" and declaring that the movie -- which was acclaimed by both critics AND fans alike, I remind you -- was a lame dud. So. The writer must be a reeeaaaal fun person.)

But a series doesn't live based on critical acclaim, as it turns out. The fandom was murdered overnight. "Marshmallows" stopped appearing in geek spaces online entirely. No one expressed interest in seeing the next season or the next movie. The constant flow of fan AMVs on YouTube and fanfics on AO3 dried up to nothing or damn nearly so.

Since 2019 ? Nothing. Chirping crickets. An intensely dedicated fandom of 12 years was just... vaporized.

I've never seen anything like it before OR since.

That's why it's so fucking fascinating.

So what went wrong?

Creator Rob Thomas was adamant about two things: ONE, the series was intended to be a noir show, which meant there couldn't be any happiness for its protagonist. And TWO, the death of Logan was necessary to evolve and grow the series.

Thomas thought that having Veronica in a relationship would be holding her back, and that a marriage would absolutely kill the series and leave her stagnant. It never even occurred to him that marriage isn't the end of a character's life and growth. It never occurred to him that plenty of drama can be had AFTER someone is married, or that development/growth could be that the characters mature enough to be capable of maintaining a committed relationship. Thomas' view of his own universe was so myopic that he couldn't conceive of any possible way that Veronica could still be a private detective involved in life-threatening investigations AND be married at the same time. Futhermore, he felt that fans just wanted Veronica to become a pregnant housewife, which is about as far from what Marshmallows were after as you can get without straight-up killing Veronica and/or Logan. He managed to do the only thing wronger than what he wrongly thought was their insistence.

On top of the above, Rob Thomas only viewed "noir" as a vehicle for total fatalism... despite the fact that many of the most famous noir stories are cynical and full of moral ambiguity, but they still feature a positive outcome. The Big Sleep still has the protagonist get the girl. The Set-Up arguably ends with the happiest possible ending in spite of the beating the hero receives.

Perhaps most importantly? Despite Thomas own insistence that Veronica Mars was always "noir," the majority of both TV critics and fans did not think that designation ever truly applied. I suspect that's the reason why Thomas decided to go as dark and fatalistic as possible: He wanted to be noir, and he was being told that he wasn't. So he went so far into noir that he killed his own most popular property.

He was adamant that it was the only way for the series to grow. But as it turns out, it was instead the only way for the series to permanently end. Without that season four finale, a passionate group of fans would still be begging for more. With it? It's over. Nobody fucking cares now.

That's kind of amazing.

[k8lynjoy]

I'm so tired of people telling those of us who are upset about the LA atla remake that we are "being too dramatic" or are just "finding things to be upset about". We are allowed to be upset that something that we love so dearly has been butchered, AGAIN. If you liked it, then that's your personal opinion, but don't sit here and tell those of us who didn't that we're the problem.

I personally think the CGI, costumes, and sets all look terrible. None of it is immersive. Sure, it LOOKS like atla, but it doesn't FEEL like atla. The heart of the og is gone, and people are allowed to be upset about this. They've altered characters to the point that they aren't the character anymore (looking at you Aang and Katara), which is a huge upset for me personally because Katara is one of my favorite characters ever. So watching her be turned into someone meek and docile is more than a slap to the face. Not to mention them removing her as the narrator as if Bryke themselves didn't state that Katara is the person the story is being told through. And before you start telling me that Aang is the same. No, he isn't. Major parts of his development through season 1 (him coming to terms with the fact that he's the avatar and embracing that role, and him also accepting the fact that he RAN AWAY and how he is never going to do that again, which is also pivotal to his character later on) are completely removed. And don't even get me started on what they did to Kataang. Regardless of whether you ship them or not, those 2 are deeply connected to one another from the start, and their relationship is a big part of the show, so to see that butchered is heartbreaking for me.

This isn't just about them "making some changes" or it not being a 1:1 adaptation. I'm fine with adaptations that aren't 1:1. What I'm upset about is that the changes they are making are VITAL changes to characters and dynamics between characters. They're rushing through the plot and condensing the story (and I will scream if I hear one more person say that it's because they couldn't fit it all in with their runtime. The runtime is an HOUR LONGER than the og, so yes, they did have the time). The changes they are making make it evident that they do not understand the og show, and if you don't feel like that, fine, once again, that's YOUR opinion, just as this is MY opinion. So stop telling us we have no right to be upset and that we just want to hate everything. That's not true. What is true is that we are expressing valid complaints about another bad adaptation of something dear to us.

Edit: If you also come at people who are upset bc they were expecting a faithful adaptation and didn't get it bc "its not supposed to be the cartoon," you're missing the whole point. An adaptation is ADAPTING SOMETHING from one medium to the other, not rewriting it. "Yall expected it to be just like the cartoon." No, I expected a FAITHFUL ADAPTATION and was met with poorly written fanfiction.

[oh-no-its-bird]

Team 7 gets zapped into the warring states era but it's like, team 7 either mid or directly after wave-arc.

They're babies!! They're untrained little babies!!! None of them have gotten that good good character development yet!! Kakashi is still actively desperately wanting to not teach them!! (tho he may have just gotten his "ahh fuck. I actually have to teach them, huh." Moment)

Sasuke looks like a carbon copy of a younger Izuna and it's going to cause problems

Naruto thankfully doesn't look much like an Uzumaki, but his tendency to very loudly introduce himself is going to get him into trouble

Going w my usual flavor of "the Hatake are a very small but very famous clan known for being fucking insane", people are seeing Kakashi and going "oh god oh fuck what are one of THOSE guys doing here oh sage preserve us please don't eat me" as Kakashi just kinda stands there like 🧍‍♂️

Sakura is the only one safe from not being fucked up and over her clan, good for her!

-> back to the Hatake thing.

The kids still know virtually nothing about their sensei so they're learning all this stuff about his clan and believing every word of it, from the believable rumors to the insane.

Sakura, in a hushed, worried voice: "Sensei,, is it true ur clan eats people??"

Kakashi, who's father died before he could tell him almost anything about their clan and genuinely doesn't know but at this point is starting to get a little worried about it:

Kakashi, who also never passes up the opportunity to fuck with someone: "only stupid little students who ask stupid little questions <3"

Sakura and Sasuke: *worriedly look at a confused Naruto*

For convoluted reasons they run into the Hatake of the era and after introductions they look at the kids and are like,

"Oh!!! Ok, so this is your kid, right? :)" pointing at Sakura.

And Kakashi is like. ",,no."

"Ohhh, ok. So this one is your kid then?" *points at Naruto*

",,,,,,,,no."

They look at him confused then nod at Sasuke. "So then that one's your kid, right?"

"None of them are my children."

*visibly disapproving / disbelieving side eye*

One big difference between this and the team ro time travel one is how much less trustworthy Kakashi comes off to literally everyone who looks at him.

He's a trained adult shinobi, probable bloodline thief (with no way to prove his innocence), and he has 3 children from 3 different clans (2 of which are indirectly enemies bc the Uzumaki is a Senju ally) (1 of which might have a direct relation to the Uchiha main house) and comes from an infamously volatile "wild clan" from another country entirely (Iron country)

He is NOT getting out of this with talk no jutsu bullshit. He has a target on his back from day 1 and it will take a minor miracle to get even a single person hear him out

Anyways uhh—

Saying Tajima and Butsuma are still alive but due to die in some months (till team 7 accidentally interfere and somehow accidentally save Tajima, maybe also Butsuma but I'm more biased towards Tajima so I'm thinking just him actually)

Kakashi sees baby Kagami and feels like he's been hit by a truck bc he looks just like a miniature Shisui and he has hang-ups about his "suicide"

Half-Hatake Tobirama is catching HEAT from Kakashi's antics. Why does one of ur cousins have a sharingan. Where did he get those children. Do you know anything about this. Is it your duty to help hunt him down bc hes your blood. If not yours then it's definatley the Hatake's, call them immediately and tell them to clean up their mess.

Bloodline theft is like THE ultimate no-no for all shinobi, especially in this era. To the point that even ancient enemies will sometimes temporarily set aside grudges to kill bloodline theives. Kakashi is so fucked, someone get him out of there

Mmmm there are like still bits and pieces of thoughts floating around in my head for this but I can feel myself getting distracted and want to get back to art fight so I'll leave it here for now

[piastrinorris]

I Want Your Video

Pairing: Eddie Munson x f!Reader

Genre: smut

Tags: Stranger Things (series), 18+ (minors DNI), modern!au, unprotected sex (don't try this at home), oral (f receiving), fingering, heavy dirty talk, p in v, pulling out, overstimulation, mentions of anal, filming a sex tape, mentions of reader being cheated on

Summary: You had to make your ex pay for what he did, to you and his former fellow Hellfire party member. There's only one person that can truly help you with that.

Word count: 3.7k

A/N: Good news, gang! Turns out, I actually do remember how to write anything other than Busy Streets and Busy Lives!

Waving at Wayne as his car passes yours on his way out of the trailer park puts your mind at ease. That's one potential barrier out of the way. The other is whether or not your potential other party agrees to your little plan.

You didn't participate too much in your ex's Hellfire Club stuff because campaign time was campaign time only, and unless you were summoned to stand in for someone, you weren't a part of this story's main adventuring party. Nonetheless, you'd developed your own camaraderie with the group - especially the only regular female player. 

Which is why it was all the more heartbreaking to see the screenshots of your then-boyfriend's attempts to slide into her DMs. Watching him gaslight her into believing that she was misreading his messages as being flirtatious, despite them definitely being so, hurts enough. Your heart sinks to the floor when you see the photos he'd sent. You know pretty well what his own dick looks like and that's definitely what he sent her. Completely unsolicited. Judging by the timestamp and the sheets beneath him, he even took those while you were asleep next to him.

You needed to make him regret doing that for the rest of his pathetic little life. You needed to hit him where it would hurt most.

And so, you knock three times on Eddie Munson's door. He greets you warmly, but there's an air of sympathy to him. "Hey. Um, I just want you to know, right off the bat, that shitbag's never, ever setting foot near the table again. Next session, his character's getting killed off in the most humiliating way I can come up with, and I totally get if you don't want to, but we'd need a full-time stand-in -"

"I didn't come here to talk D&D, Eddie," you cut him off, and his brow furrows.

"Well, if it's emotional support you're after, then I'm sorry, sweetheart, I'm not of any use there."

"Not that, either," you shake your head. "I - I don't want anything to do with that asswipe ever again, but I still wanna make him pay." You start pacing the expanse across Eddie's living space. "I mean, sure, I dumped his ass, but he'll feel no remorse from that, he didn't care enough about me to stay loyal. I need to really stick a dent in his pride. I need it to come from someone he really admires." You look at Eddie hopefully.

He shrugs, "Sure, I'll teach that bastard a lesson. What do you have in mind?"

You take a deep breath in. "Well, if he's going to send dick pics without remorse… I was thinking… You and I go one better and send him a - a video. If that's okay with you."

Eddie feels as though all his Christmases have come at once. He'd always found it tough tearing his eyes away from you with your boyfriend mere feet away. He wanted to sucker-punch the sense back into him when he'd learned what your ex had done. But this? So much better.

Rubbing his jaw, Eddie nods. "Uh, yeah. Yeah, we can do that." He gestures for you to follow him to his room, which you do. "My phone, or yours?"

You contemplate, "Yours. It'll sting more coming from you."

Eddie nods, setting his phone on a surface close to the bed and setting up the right angle. "So, clothes already off, clothes on? Anything definitely off the table, or on it?"

"Clothes off, I want it to pack a punch the moment he hits play," you direct, and Eddie nods, throwing his shirt off. You knew there was more ink beyond his forearms, you'd seen little peekaboo moments of the artwork adorning his body, but seeing them all out in the open, as though he's an open sketchbook,  captivates you. He's obviously watching you stare at each one as he smugly swivels himself around to show you all of them at all angles. You continue, "Um, how do you feel about… Not wearing - I promise, the video will stop before any completion happens, I'm not here to get knocked up or anything," you quickly explain, to Eddie's amusement.

"Yeah, I'll fuck you raw." Something about the way he casually purrs that as a smirk tugs at the left corner of his lips sends a buzz through your nervous system that settles at your core. "Anything else?"

"Um… He never really liked… Going dow-"

"Oh my god, of course he didn't," Eddie interrupts. "But he'd have you -?" You nod. "Disgraceful."

"And even though I would always ask him to, he wouldn’t talk dirty to me. So maybe if he saw that in action?"

"Oh, fuck yes, doll, you are speaking my language," Eddie grins. "We talking praise, degrading, narration? How rough do you want me?"

"Honestly, go nuts. I'm all good for all of it. In terms of the talk… I'm good with any as long as it's not humiliating me, but the more possessive, the better." 

"Hmmm, you better get those clothes off and that camera started, baby, or else I might get ahead of myself." Eddie shuffles out of his jeans and palms himself over his boxers as he watches you strip to your underwear with great intent. 

You both silently agree to strip down your last layer at the same time, getting all of the awkwardness out of the way. You're in awe of his cock, stood of its own accord even before he starts stroking himself at the sight of you. You chew your lower lip as you watch in fascination and he grins, "You gonna at least hit record before I end up coming all over my hand?"

You hop onto Eddie's bed, feet swinging above the floor as you ask, "Where do you want me, Mr Director?"

Eddie glances over at his phone screen, smirks, and taps it before striding over to you, pulling you into position by your legs, and throwing one over his shoulder. Pushing the other one out, you realise to get a good angle of it for the camera, he sweeps his hair to one side and makes quick work of snaking his tongue inside of you. 

Your fingers card through his hair and grip tightly, and he hums with approval against your core as his nose nuzzles at your clit. "Is that good, baby?" he purrs between licks, and you nod. He surfaces, shaking his head. "Use your words, sweet thing."

You swallow hard. "Y-yeah, so good."

"Mmm, that's my good girl, doing as she's told, c'mere," he grips your thighs tightly as he laps back and forth at your clit. You sit yourself up at an angle to watch him yourself, the way he looks so lustfully as he goes to town on you. He blindly holds his hand up to you, wiggling two fingers specifically, and you take his wrist to aim them into your mouth. He moans as you suckle and lick his fingers, "Oh, fuck yeah, such an obedient little slut. Taste so good, and so good with your mouth, fuck, I can't wait to wear you around my fucking cock."

You whine, "Please?"

He chuckles, "Patience, sweetheart. I've a feeling you need to get stretched out before you can take me."

"You're so big," you moan wistfully as you fall back onto your elbows, and you feel Eddie's toothy grin press against you as he angles himself enough to slide two long fingers inside of you. He wraps his lips around your clit and sucks as he pumps his fingers in and out of you. Your hand grips his hair tighter and he moans delightfully around you. "Fuck, Eddie, feel so good, I can't - I need to -"

Eddie resurfaces to rest his head against your thigh, gently sinking his fingers into you and stretching them apart before pulling them out to do the same thing over and over again. "So soon, baby?" he croons. "Getting your sweet little cunt eaten gets you this fired up?" You nod, and while Eddie wants to scold you again for not speaking, he's enamoured by the face you make when you're turned on. Eyes half-lidded, lips shiny and just-parted, chest heaving. He hasn't even played with your tits, yet. Fuck, he's barely gotten started with you and you're already a mess under his hand. 

"Please?" is all you can think to say as his fingers curl inside you, making you mewl out loudly.

"Fussy girl wants to come already?" he asks in that crooning voice again, and you nod. Eddie pulls away from you entirely, grinning at your despair, and gets up to straddle you from behind, pressing an oddly gentle kiss to your forehead as he does so. Once he's sat with his legs draped either side of you and his chest flush against your back, he takes one of your breasts into his hand to massage it as the other hand reaches down to rub fast, deliberate circles against your clit. His lips press kisses all along your throat as you cry out for him. His voice is low, breathy, but still loud enough to be recorded as he asks, "Fuck, yes, who do you belong to, huh?"

"You, Eddie," you moan, turning your head to try and face him as you say it, feeling your orgasm start to build faster than you've ever been able to muster yourself.

"Mmm, and who does this pussy belong to?" he asks before sucking a big, dark bruise onto the base of your neck. He feels your neck start to crane again and hums an uh-uh against your skin, pulling his head up to purr into your ear, "Don't tell me, baby." He pulls his hand away from teasing at your nipples to squeeze your cheeks between his thumb and fingers, pushing your face around until you're facing his phone. "Tell him."

You look down the camera lens, moaning as Eddie sucks on your earlobe, the hand on your face now sliding down to wrap around your throat as the fingers on your clit work it faster. "It's all - shit, my pussy's all yours, Eddie. No- Nobody else makes it feel - this good, not even me, please," you falter into a plea at the end as you feel the crescendo looming.

"Damn right she belongs to me, and she wants me so bad, doesn't she?" His hand leaves your clit momentarily to dip down and coat his fingers in your thick juices. When he brings them up to your lips, the hand that had been so gently pushing against the pressure points in your throat falls to resume working your clit as you once again suck on his fingers. "Look at her, she's crying out for me, so desperate for it, can't wait to - to squeeze herself all over my thick cock as I fuck you the way you deserve, right? The way I've wanted to since I first saw you?" You make a small noise of intrigue around his fingers and Eddie chuckles, "That's right, sweetheart, but that's not why we're here, is it? We're here so you can come for me without me even needing to be inside you, aren't we? You're gonna show him what you really look like when you're satisfied, aren’t you?"

Still looking at Eddie's phone, your walls clench over absolutely nothing as your climax finally washes over you. Eddie continues to kiss and suck across your neck as he slows his attack on your clit and pushes the fingers in your mouth gently in and out as they muffle your moans.

"Fuck, yes, baby," he groans into your ear, "that was incredible."

Pulling down on his wrists until his fingers leave your mouth with a satisfying pop that you really hope the mic picked up, you lean back against Eddie and reach up to play with his hair. "Wanna watch me suck you off, now?" You ask with a coy grin.

Eddie bites his lip, "Any other time, absolutely. But right now, I need you sat on my dick and facing me so I can watch that pretty little face of yours as I make you cum over and over again. Why should he get all the fun of seeing that, huh?"

You squirm as you move yourself around to straddle him, pressing your forehead to his and mumbling, "You really ought to keep the dirty talk more believable, you know."

He frowns as his arms slide up and down your sides, cradling you, "You doubt my talents, sweetheart? You wound me."

"It takes an awful lot for me to get there, usually," you admit quietly, "even once."

"And look at you now," he smirks at the same volume. "Ready for me?" he asks as he reaches between you both to angle his cock away from where it rests against his torso. You nod eagerly, hovering up onto your knees and moving with him. Slightly louder, he grins, "I didn't hear you, ba- oh my fuck," he groans out as you sink down onto him without warning. "Oh, fussy girl can't wait, huh? God, you're fucking loving this dick, arent you, baby, huh?" he croons as he watches your face contort with pleasure as you lower yourself further and further until you're sat with him fully inside you.

With his arms wrapped tightly around you, and your hands on his shoulders to keep you in place, he leans in to kiss you openly, his tongue instantly seeking yours. You grind yourself against him while he's buried in you, moaning into the kiss at the feeling. "Fu-uuuck, Eddie," you moan. "Tell - tell me more - first time you saw -"

"Mmm, the first time I saw you?" he asks, reaching down between you again to rub your clit in gentle circles. "You walked in with him. Wearing a cute little dress, but you had a shirt on under it so I missed out on these," he gropes at your breasts. "Hmm, but fuck, I wanted you to stay. Wanted that cute little mouth sucking me off while he played just across the table. Wanted to feel that cute little ass of yours as I bent you over the table and fucking railed you."

You whine, "You wou- you'd fuck my ass?"

Eddie lets out his loudest moan yet, bucking up further into you. "Fuck, I didn't mean that, but if you'd let me, baby, any day of the fucking week. But I gotta take care of my pussy first, don't I? She's being so good to me," he purrs as he fucks you deeper. "I think - we've put on enough of a show, don't you?" he asks as he blindly reaches for his phone, angling it at both of your faces. "I don't think he deserves to watch you come over my dick. Say goodbye, sweetheart."

You look at the camera, smile coyly and turn to Eddie to lean in and bite his lower lip, both of you chorusing low chuckles to each other as he cranes his phone around to hit the stop button.

Reality crashes down on you as you realise it's all over now. That video was the reason you showed up. That was what he agreed to do. He notices your hesitation as he throws his phone aside and quickly swings you both around so that you now lay beneath him. You'd been so focused on making a good sex tape, you had barely paid attention to Eddie himself until now. Eyes blown black, his hair and his guitar pick chain dangling between the two of you, a light sheen of sweat showing against his dark ink. But by far the hottest thing of all about him was the sheer, primal hunger in his gaze.

"I hope you didn't think we were done yet, princess," he coos. "Now I get to really focus on you."

Not letting his gaze leave yours, he aims his cock inside of you once again, taking your hands in his and interlocking your fingers before fucking into you deeply.

Your back arches as he fills you, and you moan his name, to his delight. Before long, you're begging and whining again, your fingers clenching tighter against his. "Gonna come for me, baby? Fuck, tell me again, who owns you?"

"You - you do, Eddie," you moan, your hips squirming beneath him.

"Damn right, I do. Just like I said, I'll make you come over and over again. Do it, baby, come for me."

That euphoric feeling returns, but tenfold as you feel yourself tighten around his member. He slides it in and out of you gently as you work through your climax, but it's short lived as he climbs further onto the bed to line himself up with your chest, wrapping a wide, rough hand around his cock as he pumps it, sending warm spurts of thick cum flying against your breasts as he throws his head back and moans gutturally.

Looking down at yourself, then back up at him, you ask, exhausted, "G'me y'r phone, please."

He slowly hands it to you, confused, and you get up to kneel on the bed right in front of him, taking one of his hands and holding it up to your throat until he gets the hint to hold onto it himself, and then doing the same for the other arm, guiding it between your legs.

You swipe onto his camera, flip it to the front one, and set the phone down so that it only starts showing from your nose downwards, making sure that the bruises on your neck, and the cum on your chest aren't obscured. Setting a timer, you smile slyly as one photo takes. You take another with you biting your lip, and Eddie gets in on making sure you take one where he's kissing your neck amongst the hickey.

But Eddie lets go of your throat for a moment to switch the camera back to video mode, mutter in your ear, "You keep this right here, 'kay, baby?" and hit record right as the hand between your legs once again starts rubbing your clit with a lot more fervor than before.

Just as the timer starts recording, Eddie's grip around your throat tightens and you cry out silently, just about managing to squeak out a, "S-so - sensi- so much."

"I know it's sensitive, baby, that just means it'll be quick," Eddie promises, keeping his lips close to your ear, still in shot of the camera. "But I promised you, didn't I?" He drags two fingers across your drenched thighs, "After you already came for me, I promised it would happen again," he wipes one finger against your lower lip, "and again," he adds as he wipes the other there, too.

You groan, "Fuck, don't know - 'f I c'n take-"

Eddie shushes you, "Of course you can, baby. Your pussy's mine now, remember? And I already know her so well. Fuck, I can't wait to give you so much more. Did you mean it, sweetheart, when you asked me to fuck you in the ass someday?" You nod desperately, whining and keening against his touches. "Good, because I most certainly plan on having a lot of fun with my new cocksleeve. Have you be my new favourite after-gig tradition, where I get to go offstage and fill all your holes." You squirm against him, grinding your bare ass against him. "Mmm, afraid I'm not quite the free-use fucktoy you are, doll, that's not gonna work on me just yet," he drawls.

"Ple-ease, need to  need, fuck -"

"What's that, baby? You need to come again? Oh, but I thought it was so hard to get you there. Remember that when I send you this video and you watch it back, okay, sweetheart? Remember who makes you feel this good. Remember who fucking owns you."

"'s you, Eddie, fuck, I'm -" you scream out in ecstasy as a third orgasm travels entirely across your nervous system, filling your entire body with a high like you've never experienced before. With a grin, Eddie leans over to once again stop his recording and gently lay you down onto his bed. 

"Stay right here, okay, doll? Gonna get you all cleaned up."

You nod, mumbling, "Don't think - I can go anywhere else anyway."

Eddie chuckles under his breath, moving to kiss your forehead and then your lips before making his way to the bathroom.

He returns moments later with several warm, damp washcloths and fresh towels, and takes great care in mopping up your thighs and your chest, in major contrast from the Eddie you'd just experienced.

Once you're clean, he lays himself to curl up next to you on the bed and pull you in to spoon him, pulling his pillows down to where the two of you lay in the centre of the bed so he could place one under your head. You hum in happiness as he presses kisses to your shoulder. "You were fucking amazing, back there, sweetheart. A goddamn natural."

"Having such a good co-star certainly helped," you smirk back. 

"An', y'know. I don't want to put any pressure on you, 'cause what you're going through is a whole thing, but you know most of that was just talk for the camera, and that I see you as way more than a fucktoy, right?"

You pout, "So I'm not gonna be?"

He chuckles, kissing between your shoulder blades. "I didn't say that, did I? Just that… This is casual, and awesome, but I don't want you to think that I only did this to have sex. I did it to have it with you. And I'm down to be… Friends with benefits, fuck buddies, a rebound, whatever it is you need. 'Kay?"

You squeeze his arm around you a little tighter in thanks. You know you're certainly not ready for any kind of relationship again just yet. But who's to say that you can't have fun in the meantime? Maybe this goes further. Maybe it doesn't. All you know is, as you watch with glee as you watch Eddie send the first video to your ex, and then set his favourite of the photos you took as his home screen, you definitely made the right choice tonight.

[sillysiluriforme]

I'm using the translator for this because I don't speak English, but I was just going to say that I like your AU too much!!! seriously too much like obsessively too much.

I take this opportunity to ask, what things change regarding Marinette in your au? something like how she has a lot of traumas she becomes like....batman?

Besides some light design alterations (we took away her scary blue eyes, you can all thank me later lol) marinette is fairly similar to her show counterpart we just accentuated some of her character traits

I find marinette's leader characteristics really compelling, so when we started brainstorming ideas in the group chat, I really wanted her role as the head of the group to be a crucial part of her character development.

Ladybug is the only one who understands the responsibilities of being a miraculous holder from the get-go, and it's a lot of weight to put on someone this young. Her friend's occasional fuck-ups (they all take a while to process that it's not just playing dress up and saying cool lines), the stress of hiding things from her loved ones, the sleep deprivation, the weird magical side effects and the guilt all push her into closing in on herself. She doesn't trust her teammates to take this seriously, so she becomes more and more authoritarian. POWER OF FRIENDSHIP, THOUGH. She gets better, even if it takes a lot of work and a lot of support !

To marinette's entourage, she just, like, ...became a bitch this year for no reason

(and thank you !!! i hope the language barrier isn't too annoying ? i have,,, so much coming up man)

[lunahearts]

Okay I'm doing it. I'm chapter 96 posting.

This is not meant to be a big analysis post this is mostly just me sharing all the little moments that Marcille & Laios show their care for each other because they are SO beloved to me. Join me on the journey if you wish.

(but also the above statement may be a lie. I do have a point here, it turns out, and the point gets at some of my Big Feelings of what Dungeon Meshi has to say about the nature of friendship & living in the world)

So, first of all, the conversation about Laios being king at the start of the chapter. Just in general Laios insisting on presenting himself in his own way here is so good. Character development!!

Before the events of the story he hadn't shared his inner world with anyone but Falin. Now he's like Actually I'm gonna dress up in the discarded remains of my monstersona and that's just how it is.

And even though there are a LOT of parts of the story and bits of character growth that go into this, I think it specifically highlights some interactions from a few chapters ago.

After all, his initial reaction to having been in that monster form & coming out of it was trying to hide from everyone.

And I think everyone helping him put things in perspective here contributes to how he is able to present himself as king. They assure him that he is accepted, despite having just been seen by EVERYONE at his Peak "Weird Monster Guy" mode.

Highlighting what Marcille says here especially:

Going out to "face them with a smile" is EXACTLY what he does. Not right away. He's still pretty stressed in the following scene in this chapter. But he is able to face the crowds with a smile, eventually...

As king. Dressed in the memory of his most vulnerable moments, the most honest expression of his desire.

BUT I'M GETTING A LITTLE AHEAD OF MYSELF. Before the King Laios speech, there's a little moment with Marcille I want to highlight, because...

Did y'all know that by the end of the manga, Marcille isn't like... grossed out by eating monsters any more? Or at least, she's definitely changed her reaction to it. It's Namari who makes the "yeah it smells good despite what it is" comment, not Marcille.

We even get shots later of Tansu, Shuro, and Kabru being kinda grossed out by - but still going ahead and eating - the different Falin foods. Chilchuck also throws out a line about it being surprised that it's good.

But there's no disparaging comment from Marcille, despite the Everything of the situation. I just think that's also a nice little detail. She may not be as far in the monster eating game as Laios, but she's more willing to roll with the weirdness.

So after this little moment, this is when Laios comes out in his new regal outfit. And first of all...

This is such a good contrast to the moment when the group goes to save Marcille in chapter 84. The monsters had stopped attacking, and everyone's reactions to Laios and the others framed him as unsettling. Creepy. Maybe even traitors.

They even use some of the same labels (lord of the monsters/lord of the dungeon, dark lord/demon king)., but the context is that they are disgusted. The parallels in this manga....

Have a tendency to destroy me. What a difference in reception.

Anyway, after this moment, Laios stops to talk to the group... and I'd like to point out again: MARCILLE ISN'T FLIPPANT HERE EITHER!!

Chilchuck is still Chilchuck, of course, and I want to be clear I love that, too. Chilchuck is who he is to his core. His little jabs are very affectionate in this chapter.

But Marcille... Marcille only points to the Winged Lion symbol as being weird, not the monster bits. And like, considering what she's just been through with the lion, being skeptical of that part is... fair.

(don't get me wrong, her "that's fine and all" isn't exactly excitement. BUT the point I'm trying to make is less about her completely changing her feelings & preferences. It's more about how she expresses them, and how she treats Laios and HIS feelings & preferences)

And she continues to be so encouraging!! Wah!! Like, despite, all four of these people definitely caring about Laios, it's Marcille specifically who tells him to relax and just be honest. And you know what? I think that's what Falin would have said, too.

Please also note how cute everyone's little faces are in the crowd:

(see, Chilchuck loves him too!! Look at that fond face, and the cheer. and Senshi! and Namari! They really are such a family)

Laios' short speech actually has a little bit I'd like to highlight as well, since I think it is a nice little reflection of his choice to keep the lion insignia on his new outfit:

"Eat to your heart's content," he says. Not just "enjoy," or "let's eat."

Dunmeshi does such a wonderful job of framing so much about the Winged Lion with nuance, and this is a good example of that. Desire is not bad! Craving and consuming is beautiful. As Laios says when explaining the lion insignia...

It's not just something to get rid of.

So then... on to the feast!

And not only does Marcille not express any grossed out feelings, as I mentioned before... she even helps to gross out Chilchuck!!

Her weird girl powers are only just in their infancy. She will only grow more powerful in time...

As the feast goes on of course we get the group's realization about her hair, and I'd like to point out:

I really feel like they have such similar reactions to finding out about how the other has been affected by the Winged Lion

Just... the quiet concern. Not making a huge fuss, but... worried. Understanding. A little heartbroken for each other.

SPEAKING OF HEARTBROKEN REACTIONS THOUGH. WHAT COMES NEXT REALLY GETS ME.

After Chilchuck braids Marcille's hair for her, the topic of her needing to leave everyone comes up and...

God, these expressions. Every Time I see these panels I think about about what Laios saw in her nightmare. Her fears. The weight of inevitable loneliness, and the way it has marked her. As much as Marcille tries to keep things light when talking about it, he knows what this means to her. And it HURTS.

So he doesn't accept it. But do you notice how he frames this. Do you see. Not "do you want me to fix this." Not "hey I have an idea."

"Would you be willing to stay."

He doesn't know whether she will accept. Whether she will hate the idea, actually, of staying here with him. He's putting himself out there fully prepared for rejection & dismissal, as he has faced many times before.

But his pitch, his proposal to her, it's not JUST an excuse to ask her to stay, either. He's put thought into this. Into what Marcille could mean and do here. Not just to and for him, but for the people of this area. The place he has taken responsibility for.

He's also thinking about Falin. And about all the other little girls, the people of all sorts, just like her. He's thinking about the people who have been killed (burned at the stake???), hurt, shunned. About the people who have been abandoned. The people who are still alone.

He's not just offering Marcille an out from her isolation, he's offering her a new purpose. A new way to continue her work, to do the things she cares about. He SEES her! he understands her.

BUT ALSO HE'S SO NERVOUS OUGH. FIDDLING WITH THE PLATE. UNSURE IF SHE WILL CARE. UNSURE IF HE HAS IT RIGHT.

HE'S NOT GOOD WITH PEOPLE HE'S NOT GOOD AT THIS.

BUT THEY UNDERSTAND EACH OTHER. AND SHE WANTS THIS LIFE HE'S OFFERING HER.

Still... it's not that simple for her, even if for a moment she is swept up in how much she wants this.

Again here, Marcille is working so hard to be chill about the whole 'going west with the elves' thing. She looks absolutely devastated in the first panel, but puts on a smile in the second.

Maybe she doesn't want to bring down the mood. Maybe she doesn't want to burden everyone with what seems like the only option she has. Maybe she had already accepted the cost that might come with bringing Falin back. Maybe after everything with the Winged Lion, she doesn't want to risk letting herself fight for her desires too hard.

But hey. Desires aren't always bad. They aren't something to just get rid of.

A small bit of visual storytelling here... I love that Marcille is confined by the panel, but Laios is stepping outside of it. He's literally pulling her outside of the box she feels trapped in.

Also, I love that his first acts as king are:

1) welcome everyone to a big feast

2) stand by his friend and help her find happiness

It's great stuff and it's so Laios.

In addition to that, I love how this whole act actually plays out. I love that, while getting the elves to let Marcille go, he gets to be extremely cool and protective...

but also like. Not THAT cool and protective.

No really, I mean it! I think it's important! It's important that cool 'suave king guy Laios' is a front he puts up when he needs to deal with these strangers, and one that he completely drops once it's just him and Marcille.

He's not trying to impress her, or convince her he's cool and suave. Why would he? He trusts that she's okay with the messy, often unimpressive, sometimes kinda gross reality of who he is.

And isn't that what Dungeon Meshi is all about? Messy, unimpressive, gross reality. And how beautiful, how wonderful, how very precious it is

Especially when you get to share it with your friends.

[imaginespazzi]

Part 6: To Trying Again

Masterlist - Part 1 - Part 2 - Part 3 - Part 4 - Part 5 - Part 7 - Part 8 - Part 9 - Part 10 - Part 11

I don't wanna mess this thing up (I don't wanna push too far)

(In which an "evil" writer might surprise you guys just a little bit with this part)

Pairing: Paige Bueckers X Azzi Fudd

Themes: Fluff and Angst

Words: 5.6K

TW: Swearing (I think that's it?)

A/N: Happy Monday lovelies! This is sort of a filler-ish short chapter though I do think it's important to both plot and character development. I'd like to preface this by saying I've never been to Minsk or Park Pieramohi so I'm very much going off of pictures. Editing and I remain on very, very bad terms so pretty please let me know of typos so I can fix them. As always, let me know what you liked, what you disliked and what you'd like to see going forward. Have a lovely rest of your week my loves <3

July 2018 

“You’re being too loud,” Azzi whisper-screams at the blonde girl in front of her as she closes the door to her room behind her with a little too much force. 

Paige turns her head back every-so-slightly with a pronounced eye roll, “will you please relax.”

“I would if you’d just be a little more careful,” Azzi glares, taking cautious steps as if the sound of her sneakers across the carpeted floor could potentially wake up any of the coaches. 

“Azzi,” Paige says exasperatedly, “the coaches are all the way on the other end of the hallway. Besides, they're probably all sleeping.”

And despite her stubbornness, Azzi can concede that Paige has a point there. It’s nearly midnight and the game against Spain earlier in the day might have had a final score that made it seem like the USA U17 women's basketball team had won handily, but the game itself had been draining to say the least. The post-victory dinner had featured a bunch of worn out teenagers gobbling their food without much conversation and a cohort of coaches who seemed like they needed an hour of drinking followed by good night’s sleep. But even the exhaustion of the day hadn’t been enough to prevent Paige Bueckers and her diabolical mind from coming up with the idea to sneak out into the city of Minsk. 

“No,” Azzi had said immediately even before the words had been spoken, that shimmering glint in Paige’s eyes a dead giveaway as she sidled up to Azzi at the salad bar. 

“You don’t even know what I’m going to say,” Paige had pouted. 

“You never say anything good.”

“That’s crazy. You’re so mean to me.”

“So mean,” Azzi had nodded in agreement, “so how about you go and bother someone else.”

“Azzi please. We haven’t had just Paige and Azzi time in ages. Don’t want someone else. Just want you.”

And after that well, there wasn’t really any chance of saying no. Azzi’s only fifteen and she doesn’t know that much about love, but sometimes when Paige looks at her with those earnest blue eyes and a smile that promises i’ll always be here, she thinks the way her heart starts to flutter erratically to a beat of and i wouldn’t want anyone else to stay, might just be the start of her finding out. 

“See,” Paige grins triumphantly as the two girls find their way out of their hotel and onto the street, “told you we wouldn’t get caught. Shit’s just too damn easy.”

Azzi rolls her eyes at the attitude, “don’t tempt fate.”

“Fate’s got nothing in front of Paige Bueckers. I make my own fate,” Paige winks as she links her arms through Azzi. 

It’s a mundane amount of contact, absolutely nothing special to it, but Azzi feels herself shiver in spite of the humidity that’s circling around them. She doesn’t quite know how it happened. One moment she was staring across the court, judging the skinny blonde practicing free throws and coming to the conclusion that she’d be no threat; the next moment said girl was next to her on the plane back from Argentina and Azzi, a self-admitted introvert, found herself rattling off about everything and nothing with this girl who seemed to have discovered the keys to all of Azzi’s locks. Hours of talking had bled into days and days had bled into months and despite the fact that facetime had taken the place of in-person conversations, the word friendship had seemed too cavalier a word to describe the relationship Paige and Azzi were building. 

Paige had whittled away all of Azzi’s carefully constructed armor until she was buried deep underneath her skin and Azzi’s sure there’s no knife in the world sharp enough to carve the blonde out from where she lives underneath Azzi’s ribcage. Azzi doesn’t want anyone to try and dig her out. She  thinks she might bleed out if they do. 

“Az,” Paige whines, waving her free hand in the younger girl’s face, “are you even paying attention to me?”

“That depends,” Azzi hums, “are you saying anything interesting?”

“I’m always saying something interesting.”

“You’re always saying something. The interesting is subjective,” Azzi teases, laughing when Paige pouts. 

“I sneak you out to give you an adventure and this is how you repay me? With insults?” Paige puts a dramatic hand to her heart.

“Walking boring streets is not an adventure. Virginia has streets too.”

“It’s not about the streets, it’s about where the streets lead to,” Paige says with grave seriousness. 

Azzi raises an eyebrow, “are you entering your philosopher Paige era?”

“I’d make a good philosopher,” Paige waggles her own eyebrows as they two girls find themselves entering park Pieramohi. 

“Virginia has parks too, you know Paige?” Azzi says skeptically. 

Paige lets out a dramatic sigh, “will you just keep walking, woman. Sometimes I wonder if you even like me?”

It’s said like a joke but there’s a hint of insecurity beaded into it that buzzes in Azzi’s ears as she wraps a careful hand around Paige’s wrist, stopping the two of them where they are. 

“Hey,” she whispers softly, nudging the older girl, “you don’t ever have to wonder with me. I’m always gonna like you Paige. Even if you’re a pain in my ass half the time.”

“Had to ruin it with the last part, didn't you?” Paige complains but her eyes twinkle at the reassurance, “Just so you know I’m gonna be a pain in your ass forever.”

“I’m gonna hold you to that,” Azzi promises as they continue strolling through the park. 

The silence is peaceful and the breeze that flows around them is like a comforting hug. And Azzi thinks that she’d be okay if there wasn’t a destination for them to get to, as long as the journey came with Paige by her side. 

“We’re almost there,” Paige says slowly, a slightly nervous edge to her voice. 

“You sure you’re not just getting us lost-” the teasing quip dies on Azzi’s tongue as she stares at the scenery in front of her. They’re standing on the edge of a bridge overlooking a lake and it looks like something out of a disney fairytale; the picturesque image of green trees silhouetted against a magically starry night is captured perfectly on the still surface of the water that’s flowing beneath. As Azzi peers across the railing, Paige right next to her, she feels her breath hitch at the reflection that peers up at her. Because the view in front of them is beautiful but Paige’s eyes are on Azzi and she’s staring at her as if the view is nothing in comparison. 

“C’mon,” the blonde says softly, lacing her fingers through Azzi’s as she tugs her along, “I have a plan.”

“There’s more?” Azzi asks in awe as Paige guides her to the gazebo in the middle of the bridge. 

“Just a little bit,” Paige says and oh- that shy smile is different. Azzi doesn’t think she’s seen that one yet and she makes a mental note to herself, to memorize it and store it along with all of Paige’s other smiles that make Azzi’s insides swoop like a rollercoaster. 

She watches intently as Paige begins to peruse through the purple rucksack she’d been carrying. The first thing out of it is a picnic blanket and then a horde of different snacks, all of Azzi’s favorites. Two plastic champagne glasses are next and then a sheepish grin as Paige pulls out a bottle of soda. 

“Couldn’t quite risk trying to get alcohol,” Paige scratches at her neck. 

“Next time maybe,” Azzi shrugs as she helps Paige set up the arrangement and she feels herself fluttering at the thought of doing this again and again and again. 

“How’d you even find this place?” she asks as Paige begins to pour out the soda. 

“You ever heard of googling?”

Azzi rolls her eyes at Paige’s teasing smirk, “how’d you even have time to do this?”

Paige is quiet for a second as she passes Azzi her glass, “wanted to do something special for us,” she says quietly, keeping her eyes intently on what she’s doing as she pours out a drink for herself, “wasn’t hard to find time for you.”

“You could be a poet, Paige Bueckers,” Azzi whispers and she knows it’s unfair of her but she thinks it anyway. As long as all your poems are about me. 

“The poets are lucky I chose a ball instead of a pen. They’d be out of a job otherwise,” Paige says, trying to ease back into the more familiar arrogance. 

“Always so humble,” Azzi says, rolling her eyes as she holds up her glass, “alright what are toasting to?”

“I came up with this whole thing. You can come up with a toast,” Paige scrunches her nose and Azzi shakes her head at it. 

She thinks for a second before smiling brightly at the girl in front of her, “let’s just keep it simple and toast to us.”

“How original,” Paige teases but she clinks her glass against Azzi’s anyways, “here’s to us.”

“Here’s to us,” Azzi repeats as they both take sips of soda. 

They melt into a comfortable silence, relishing in this rare moment where there isn’t a screen separating them from each other. Facetimes is a wonderful creation but a blurry screen, Azzi decides, doesn’t nearly do justice to just how damn pretty Paige is. Her hair is golden as it basks in the glow of the moon and Azzi wonders if the stars are jealous of how brilliantly the blonde’s blue eyes twinkle.

It’s Paige who speaks first, her voice hesitant, “you uh- you never asked me how my date went a couple of weeks ago.”

Azzi feels her whole body go rigid. She’d almost forgotten about Paige’s wretched date. The blonde had told her about it a couple of days before the actual event and Azzi had played the dutiful role of a best friend, teasing Paige with a light-heartedness she didn’t feel and congratulating her with an excitement that came from anywhere but from the heart. She’d purposely avoided Paige’s calls the day of the date and then two days after, coming up with some sorry excuse she no longer remembers. On the third day, when the hollow ache of i miss her voice in her chest had become too hard to ignore, Azzi had finally picked up the phone and diverted the conversation straight to a different topic. She hadn’t thought of the date since. 

“Guess it slipped my mind,” she says airily, fingers gripping the edge of the picnic blanket. 

“I could tell you about it now,” Paige says slowly. 

I’d rather you didn’t, Azzi thinks but that’s a thought that veers a little too out of the sphere of best-friend-isms and so she simply nods her head, “y-yeah tell me about it. How was it?”

“It was nice,” Paige begins and there’s something hidden in her tone that Azzi can't quite place but she’s a little too busy sulking at the idea of Paige with anybody else to try and decipher it, “dinner was good. Took her to a movie after. That was good too.”

“That’s cool P. I’m glad- I’m glad you had fun,” Azzi says nonchalantly, gripping the glass in her hands just a little too tight. 

“I didn’t.”

“What?”

“I didn’t really have that much fun,” Paige clarifies and Azzi gawks at her in confusion as the older girl fidgets with the frayed edges of the picnic blankets, “just didn’t- didn’t feel right. Don’t think she had much fun either. She never texted me after.”

“What a bitch,” Azzi bites out, suddenly irrationally angry at a girl she’d never met because how could anyone possibly not have fun with Paige, “I’m sorry P. You deserve-”

“I didn’t care that she didn’t text back-”

“Still. It’s just the decent thing to do,” Azzi rants. 

“Maybe,” Paige shrugs, “but I didn’t have time to care about that. I had other things on my mind. Like the fact that you weren’t talking to me.”

Azzi flinches at the accusation, rushing out her previous defense, “I was busy.”

“Bullshit,” Paige sneers. 

“Paige-”

“But I get it,” the older girl says softly as she reaches for Azzi’s hand, tugging the brunette closer to her and Azzi feels something inside her erupt at how close their faces are, “I probably wouldn’t have talked to you for two days either if you went on a date with someone else.”

“Oh,” Azzi breathes out and there’s probably something more eloquent she should say but there’s this realization of maybe you feel it too that’s beginning to creep up her spine, rendering her speechless as Paige continues to stare at her like she’s mapping out all the tiniest details of Azzi’s face. 

“The whole date, I kept thinking how you wouldn’t order what she ordered off the menu or that you would probably hit my hand if I tried to steal something off your plate but then give it to me anyway. And that the movie would never have been so quiet with you and we’d probably get yelled at for giggling too much and I-” Paige pauses, dragging in a deep breath, “I definitely would’ve kissed you at the end.”

A sigh of relief escapes Azzi’s lips, “you didn’t kiss her.”

“No,” Paige confirms as she drops her forehead against Azzi’s, “but I-,” the blonde gulps nervously and Azzi can’t help the way her hand reaches up to caress the blush forming on Paige’s cheeks. 

“Ask me,” she whispers.

“I really want to kiss you,” Paige confesses, voice shaking slightly, “can I kiss you?”

Azzi doesn’t say anything, choosing to reply instead by pressing her lips softly against Paige’s. They move slowly at first, testing each other’s boundaries and savoring their first taste of each other. Azzi pulls the older girl onto her lap, hands firmly on Paige’s hips as the other girl clasps her own hands around Azzi’s neck.  It’s a little messy and uncoordinated and Azzi thinks they might need to practice a little more to really get it right but still, it’s everything.

And Azzi just knows

She knows it then just the way she knew Tim was meant to be her dad. The way she knew Jon and José were meant to be her brothers. The way she knew she was meant to play basketball. Azzi knows that she’s meant to fall hopelessly in love with Paige Bueckers. 

March 2033

There are three things Azzi should do. 

Push Paige away 

Tell her this a bad idea 

Run the fuck away

She does none of the above.

Instead Azzi kisses Paige back. 

And it’s still everything. Like the sun and moon are colliding and creating something so insanely powerful; something that feels so eternal. 

There’s nothing soft or slow about it as Paige presses every inch of herself into Azzi until she can feel Paige’s heartbeat as strongly as she can feel her own. It might be impossible but she swears their hearts are talking to each other, tapping out rhythms against each other’s chests that confess all the things their owners are too scared to say. And Azzi wants nothing more than to lose herself completely in the moment because Paige’s lips feel like a drug and Azzi thinks she might just be an addict in relapse. 

Except to relapse, you need to have recovered. And Azzi doesn’t think she ever fully recovered from Paige. 

It isn’t until she feels her back hit the edge of a desk and the sound of something crashing onto the floor infiltrates her ears, that Azzi finally comes to her senses. She tears her lips away from Paige as the older woman groans in protest, arms tightening their hold on Azzi’s waist so she can still have some semblance of control over the situation. And really Azzi knows she’s strong enough to escape Paige’s grip, could easily fight it if she wanted to. But well, she doesn’t want to. And Azzi’s tired of doing things she doesn’t want to do. 

“Paige-”

“If the next words out of your mouth are ‘we can’t do this’, Azzi I swear to god I’m going to kill you,” Paige threatens, pressing her forehead against Azzi’s. 

Azzi laughs softly and she can feel Paige’s whole body relax at the sound of it and like clockwork, she feels the tension beginning to release from her own muscles, “if you kill me then we definitely can’t do this.”

“I’ll revive you after or something,” Paige says with a half-smirk. 

“Or something,” Azzi rolls her eyes, “but we can’t-”

“Azzi,” Paige groans. 

“We can’t do this right now and definitely not here,” Azzi amends, alluding to the fact that they’re still in Steph’s office. 

Paige raises an eyebrow, cocking her head slightly, “but we can do this later? Somewhere else?”

The question lingers between them as Azzi bites her lip. She knows what this is, knows that it’s Paige putting the ball in her court. A ‘no’ would likely be the end of things and that scares her more than she’s willing to admit but she’s not quite ready to commit to a ‘yes’ yet, even if that flame of desire inside of her, the one that can only be lit by Paige, is blazing hot through her veins. 

“I don’t know,” Azzi says carefully, shivering at the way Paige’s thumb is rubbing circles against her waist, the flimsy material of her shirt doing nothing to prevent the goosebumps forming on her skin, “TBD.”

“That’s not a no,” Paige says carefully, hope blossoming freely on her face. 

“That’s not a yes either,” Azzi warns half-heartedly. 

“But it’s not a no,” Paige presses. 

“No,” Azzi admits, playing with the neckline of Paige’s shirt, “it’s not a no.”

And Azzi’s so scared of the future, scared that if she lets herself burn, she’ll incinerate everyone around her but there’s something in the way Paige smiles at her words. Something that feels a lot like a promise of i’ll be the rain that washes out the fire before you can turn us to ashes. 

“I can work with that,” Paige says softly, tilting Azzi’s chin up. 

“So desperate to get back into my pants Bueckers,” Azzi teases and she expects a witty remark in return but instead she’s met with nothing but sincerity. 

“So desperate to get back into your life,” Paige whispers, voice cracking on the last two words. 

Tears prickle against Azzi’s waterline as she stares in awe at the girl in front of her. Sometimes she thinks Paige doesn’t even know that there’s a halo of goodness sitting above her head, doesn't even know just how beautiful her soul is. Paige is stunning on the outside; it’s something no one can deny. But it’s nothing compared to how gorgeous she is on the inside, nothing compared to how kind, how humble, how forgiving Paige is. 

“Why?” Azzi asks, her tone rife with heaviness. 

“Why what?” 

“After everything, after all this time, why would you still want to be in my life?” the tears fall harder as Azzi struggles to breathe, “I- I broke your heart. I broke us. How could you possibly want that again. How could you possibly want me again?”

Paige's eyes soften as she cups Azzi’s cheeks, thumbs brushing away at the drops of water running down them, “because you’re Azzi. My Azzi. And I get it- I get that you’re not ready to be all in on this with me yet and if I’m being honest with myself, I’m not completely ready either. But we can work on it right? Take it slow and see where it goes and maybe we’ll- maybe we’ll be even better this time.”

“You think so?”

“I believe so.”

Azzi presses her lips delicately against Paige’s, reveling in the way it makes Paige’s breath hitch. She pulls away faster than she would like herself and Paige chases her lips, eyes still closed. 

“What was that for,” the blonde asks, slightly dazed. 

“For being my Paige.”

***

Azzi taps her foot impatiently against her wooden patio as she glances at her phone clock for the umpteenth time. Paige is almost twenty minutes late to pick her and Stephie up to go to dinner at her parent’s house. The invites had technically been separate but Paige had insisted that they needed to go together because Paige didn’t want to walk into the house alone. Azzi’s not sure why Paige is nervous to see her dad and brothers again, not when she’s pretty sure they’re bursting with excitement to see the blonde whose pictures still have a permanent place on the family photo wall, but if Paige wants Azzi by her side, well she’s not going to say no. Not anymore. 

 It’s been a week since they’d agreed to take things slow and Azzi’s still not quite sure what exactly that means, but she thinks she likes it. She likes being able to call Paige and not having to come up with a lame excuse for why. She likes that she and Paige can take Stephie out for ice cream after Curry Camp and they don’t have to pretend they’re only tolerating each other’s presence for the little girl’s sake. She likes that they can brush their pinkies while walking and instead of jolting away, they simply just link them together. There’s boundaries of course. No sleepovers at either of their houses. No doing anything more than kissing. No kissing in front of anyone else and definitely no kissing in front of Stephie. No doing anything in front of Stephie really. And there’s still so much mountain left to climb but as long as they’re pushing up it together, Azzi doesn’t think there’s any incline steep enough to stop her from continuing up this path.

“Miss Buecks,” Stephie squeals as Paige’s car rounds the corner into Azzi’s driveway. 

Paige steps out of the car, arms wide open and ready to catch Stephie as the little girl goes tumbling down the front porch, aiming straight for the blonde. Azzi’s not an artist by any means but if she was, she thinks she could paint a thousand pictures of Stephie and her Miss Buecks. It terrifies Azzi a little bit, just how perfectly Stephie fits into Paige’s side but it calms her too because there’s a part of her that’s in love with how much they love each other.

“You’re late Bueckers,” Azzi chides as she follows her daughter’s path down the patio stairs. 

Paige grins, shifting Stephie on her lap as she opens the side door to her car to pull out two bouquets of flowers

“Will these make up for it?” she asks slyly as she hands the larger one, an assortment of pink flowers, to Azzi and a slightly smaller bouquet of purple hydrangeas to Stephie. 

“These are so pretty Miss Buecks,” Stephie gushes before pressing a kiss to Paige’s cheek left cheek and Paige beams at the compliment, “thank you Miss Buecks.”

“You took that long to get flowers?” Azzi asks with a raised eyebrow. 

“Mama,” Stephie chides immediately, “you’re supposed to thank someone when they give you a gift.”

“Yeah Azzi,” Paige’s eyes glimmer with mirth, “thank me like Stephie thanked me. Don’t you think Mama owes me a kiss on the cheek Steph?”

Azzi narrows her eyes at the scheming pair in front of her as Stephie nods animatedly at Paige’s question, “yeah Mama you owe Miss Buecks a kiss on the cheek.”

Shaking her head, Azzi walks over to Paige taking deliberately steady steps. Slowly Azzi leans in, puckering her lips. Paige closes her eyes and Azzi winks at Stephie who’s eyes widen. 

“I’m waiting,” Paige sing-songs, a self-satisfied smirk taking over her features. 

And instead of the promised kiss, Azzi licks a sloppy strip down Paige’s cheek and the blonde shrieks as both Azzi and Stephie burst into laughter.

“EW AZZI GROSS,” Paige whines, hurriedly rubbing her shirt against her cheek, “is this what you’re teaching your daughter?”

“I’m teaching my daughter not to let anyone manipulate her,” Azzi says, giving Paige a careful look, “now why were you late?”

Paige grins sheepishly as she opens the door to the backseat of the door. A lavender car seat is placed on the left side of the car and Azzi feels her heart lurch with no one’s ever cared like this. 

“It’s pu-ple,” Stephie claps excitedly, “is it for me?”

“Of course it is,” Paige confirms, booping Stephie’s nose before looking at Azzi, “it’s just- we uh- we always have to take your car cause it has the car seat and moving it between cars is such a hassle. So I just thought- you know- I just thought it’d be cool- useful- practical- if I had one too? And this way if you ever need me to take Stephie off you then I uh- then you don’t have to worry about me driving. I don’t- I don’t really knows much about car seats but I looked it up online before and the person at the store agreed that this is definitely the best one- like I swear it’s safe-”

She’s cut off by the feel of Azzi’s lips pressed to her cheeks. 

“Thank you Paige.”

***

Just as Azzi expected, Paige merges herself back into the Fudd family with the same ease she’d first had when she’d carved out a place for herself almost a decade and a half ago. It’s a little emotional at first when Tim opens the door, a smile almost as big as him decorating his face as he pulls Paige into a hug even before she can say a word. 

“Welcome home kid,” he whispers into her blonde hair and Azzi doesn’t have to see Paige’s face to know that her best friend is blinking away tears. 

Guilt surges in Azzi’s stomach and she tries to swallow away the lump of i took this from her that’s blocking her throat. It had been so simple at 15 to give Paige a part of her world; Azzi hadn’t thought twice about it. And then with the snap of her fingers, she’d taken that world away. She knows her parents had never cut Paige out; hell they’d been at her wedding to some other woman -and Azzi had pushed them to go knowing Paige would need it- but it was a far cry from what they’d been. A far cry from when Paige’s schedule was a key factor while planning Fudd family summers. 

“Hey,” Stephie pouts, tiny hands crossed over her small body “I thought you always gave me the first hug Pops.”

“We’ll make an exception today,” Tim says with a wink before letting Paige walk into Katie’s arms and spinning his granddaughter around, “but you’re always gonna be my favorite.”

“I better be,” Stephie threatens and the adults around her laugh. 

And finally it’s Azzi's turn to be pulled into one of her dad’s patent bear hugs. She goes willingly, always at her most warmest in the arms of the man whose blood might not run through her veins, but whose love had always protected her from the cruelties of the world. 

“You look really happy today sweetheart,” Tim says softly. 

Azzi’s eyes flitter over her father’s shoulder to where Jon and José are embroiling Paige in a group hug with Stephie in the middle of it, screaming about finally having their “white sister” back, as Katie and José’s fiancé Tallulah roll their eyes at the group of them, and she can’t help but smile into her dad’s shirt, “I feel pretty happy today.”

*** 

“You cheated,” Jon yells. 

“Miss Buecks does not cheat,” Stephie yells back loyally. 

“Don’t get into this Stephie. You don’t know her like we do,” José glares at Paige who narrows her eyes at him, “she’s been stealing from the bank.”

“Miss Buecks does not  steal,” Stephie defends again, wrapping her arms around Paige’s neck from behind as the blonde presses a quick kiss against Stephie’s temple. 

“It’s okay Stephie,” Paige reassures, gently swinging the little girl into her lap, “some people are just sore losers.”

“Can’t be a sore loser because I didn’t lose-” José coughs and Jon corrects himself immediately, “because we didn’t lose.”

“Y’all let it go,” Tallulah groans, leaning her head back against the sofa, “it’s literally just monopoly. Please, I'm so tired.”

“Just monopoly? JUST MONOPOLY?” José guffaws dramatically, “I can’t believe I’m marrying someone who doesn’t understand that it isn’t just monopoly Tallulah. It’s about liars and cheats and honor-”

“Miss Buecks has plenty of honor,” Stephie says stubbornly, leaning her head back against Paige’s chest.

Jon rounds on Azzi, who’s been silently watching the situation, “did you help her cheat?”

“Excuse me?” Azzi asks, glaring at her brother from where she’s been comfortable reclining on the sofa. She’d opted to be the banker instead of playing, content just handing out money to the rest of them while watching the game unfold. But really she hadn’t been paying much attention to anyone else but her daughter and Paige. Stephie didn’t quite understand the rules yet and so she was always on someone’s team. It had been a given tonight, that of course she would be with Paige. And Azzi had watched, trying not to be too obvious, with a foolish grin on her face, as her two favorite people whispered to each other, Paige listening intently to all of Stephie’s ideas whether they were good or bad. 

“Oh good point,” José turns to look at Azzi too, “you’re the banker, did you help Paige cheat?”

“Mama would never cheat,” Stephie argues defiantly as Azzi pushes herself up from the sofa to send a menacing look to both of her brothers. 

“I’m not going to dignify that accusation with a justification,” Azzi says, standing so she’s towering over her two brothers who are still sitting on the floor, “now clean up the game. It’s almost Stephie’s bedtime.”

 They might be well into their twenties and José might be taller than her now, but they’re still not quite  immune to Azzi’s wrath. Tallulah and Paige snicker as the two men, sulking at each other, obey their older sister's command without another word. 

“You’ve gotta teach me how you do that,” Tallulah says, hi-fiving Azzi who smirks in response. 

“Miss Buecks,” Stephie whispers, “what does dig-ni-fy mean?”

“Mean she’s not gonna entertain your uncles being dumba-”

“Paige!”

“Being dumbapples,” Paige corrects and both Azzi and Stephie give her an odd look at her ridiculous attempt at saving the bad word from leaving her lips. 

“Alright Stephie-bean,” Azzi says, pulling her daughter off of Paige’s lap, “it’s late enough. Off to brush your teeth you go.”

Stephie looks hesitantly between the staircase leading up to the guest bedroom -where she and Azzi normally stayed- and Paige. 

“Can Miss Buecks stay with us tonight?” she asks softly, one hand bunching in Paige’s shirt as she stares up at her mother with large doe eyes, “please Mama.”

“Stephie I don’t think-” Paige begins, ready to stick to the boundaries they’d laid out for themselves and really Azzi should let her; should follow her lead really.  

Except the words are tumbling out of her mouth before she can stop them, “yeah she can- she can stay.”

“YAYY,” Stephie squeals, jumping into Azzi’s arms as Paige stares up at her in surprise, “thank you, thank you, thank you Mama. I’m so happy,” she swings from Azzi to Tallulah, “aunty Tully did you hear? Miss Buecks is gonna stay with us and you can make her your famous pancakes in the morning.”

“I can, can I?” Tallulah asks with a raised eyebrow as she lets Stephie and her excited chatter lead her towards the bathroom. With Jon and José both having already started towards their own rooms and Azzi’s parents fast asleep, it leaves just Paige and Azzi in the living room. 

“You’re okay with me staying?” Paige asks softly, finally lifting herself from the floor and onto her feet. 

Azzi scratches the back of her neck, “if- if you want to. You don’t have to. I can- I’ll explain to Stephie-”

“I want to,” Paige says, taking a cautious step towards Azzi, “but the rules?”

“This doesn’t count,” Azzi justifies and Paige smirks, taking another step towards the brunette. 

“It doesn’t?”

“We said no sleeping over at each other’s places. This is my parent’s house. So technically it doesn’t count,” Azzi shrugs, trying to keep her face from breaking into a grin as Paige moves one more step closer. 

“And where exactly am I sleeping?” Paige asks with a knowing grin as she loops an arm around Azzi’s waist, briefly checking to make sure no one’s around. 

Azzi tilts her head, letting the grin break through, “I think Stephie would like it if you slept with us.”

“Ah well if that’s what Stephie would like,” Paige says, nodding commiseratingly. 

“For Stephie’s sake,” Azzi repeats as she wraps her arm around Paige’s neck, pressing her forehead against the older girl’s and letting herself just breathe in the peace that comes with being all consumed by Paige. 

“Azzi,” Paige’s voice is laced with uncharacteristic vulnerability as she speaks again, “you won’t- you won’t run away again tomorrow morning will you?”

“No,” Azzi promises, gently brushing her lips against Paige’s, “I won’t run away again.”

[burntoutdaydreamer]

3 Steps to Improve Your Characters and Make Them Three-Dimensional

So I don’t have a process for creating/developing characters (to me the process is intuitive to the point where I wouldn’t even know how to explain it), but I do have a process for revising characters that just… fall flat, for whatever reason. 

I like to get to know my characters by throwing them into a bunch of different situations and seeing how they react, but sometimes that’s not enough. In these cases I need to go back to the drawing board and figure out how to make them not feel like a cardboard caricature of the role I need them to fill. Here’s the process I use, and it involves three key questions to understand what makes your character tick.

1) What is this character’s fundamental belief- either about the world or themself?

2) Where does this belief come from?

3) How does this belief hinder them, and are they capable of growing past it?

Alright, here’s what the process looks like in action. 

Let’s say I have a character I need to flesh out for my story.

Character A is a middle aged coffee shop owner and the protagonist of her story. The central conflict of the story revolves around trying to save the family run coffee shop she inherited from her father when he passed away, which has recently fallen on hard times.

What is this character's fundamental belief?

Character A believes that the world is an inherently good and fair place. She believes that good is always rewarded and bad is always punished, even if the timing isn't always perfect. As such, she strives to live a virtuous life, putting as much good into the world as she possibly can. While she understands that even good people can face hard times, she believes that in the long term, if things don't work out, it'll be because she didn't put in the work needed to turn things around.

Where does this belief come from?

Character A grew up in a solidly middle class household with good parents that treated her well- rewarding her for good work, and fairly punishing her for misdeeds. Her parents gave her everything she needed, but also expected her to work hard for the things she wanted. She also had the experience of watching her father build a successful business through hard work and by building strong connections with the people in town. If we want to push this further, we could also say that this belief was reaffirmed by watching her brother ruin his own life, squandering all his money and goodwill with those around him on failed get-rich-quick-schemes and outright scams that landed him in jail.

How does this belief hinder them, and are they capable of growing past it?

Let's say that Character A recently hired a barista who seems perfect for the job. Strapped for help, she gets him started right away before getting the results of his background check. When the results come in, she finds out that he is on probation and was recently released from jail for a violent crime. Shocked, she fires him. Believing that people who end up in jail always deserve it, she can't see past her initial prejudices. As a result, her coffee shop suffers from the loss of her new star barista.

Some time goes on, and Character A encounters the barista again, and learns more about the circumstances that landed him in jail (maybe he was falsely convicted, maybe he was battling psychosis, maybe the violent act was done to prevent a loved one- anything that makes her question her initial assumptions). He then confesses that he is struggling to provide for himself and his family because no one will hire him because of his criminal record. Character A comes to realize that her belief isn't completely true, and that the world isn't entirely fair. Though it takes a lot of inner work to do so, including coming to terms with her privilege, she eventually accepts this, and revises her beliefs. She decides that even though the world isn't fair, people have the responsibility to make it fair.

She decides to re-hire the barista she fired. After doing everything she can to make things right with him, she proposes an idea she wants his help with. Together, they transform her family business into a joint coffee shop and community rehabilitation center. In addition to selling coffee, they also launch a program to provide resources to recently incarcerated individuals looking to reenter society. They'll host weekly events on job interview coaching, alcoholics anonymous, motivational speeches, group therapy, opportunities to connect with open-minded employers, and more. Their promotion of this new program enables them to secure funding from local patrons and public grants, and customers are willing to pay for more expensive coffee with the knowledge that that money will be put to good use.

Additionally, if we want to go with the brother in jail backstory, we could have this ending be an opportunity for her to reconnect with him and maybe even repair their relationship as she gets to see him in a new light.

Main Takeaways

And there you have it!

You can use this process on any character- protagonist, antagonist, side character, etc. By grounding your character's motivations and development in their beliefs, you can easily introduce depth and internal conflict while keeping everything connected to the themes and plot driving your story.

Depending on your character's role or your story's plot, the belief can be wide reaching and complex (such as a philosophy or ideology), or specific and personal (such as having to do with their self-esteem). Either way, it should always be tied to their personal experiences or observations. This doesn't necessarily mean a tragic backstory. It could be, but I encourage you not to make this your default way of creating character depth. A mundane but grounded and sincere motivation will always be more compelling than cheap, dark shock factor.

Generally, protagonists with happy endings and villains with successful redemption arcs are capable of moving past their beliefs, while tragic heroes and antagonists aren't, and this failure is usually the source of their downfall. Keep in mind that even if characters do move past their old beliefs, it will always be a difficult thing to do. It will require them to confront their own mistakes, biases, and emotional wounds, and require both internal and external work in order to fix whatever their old beliefs have damaged.

Hopefully this guide will help you approach your characters from a different perspective. Feel free to share any insights.

Happy writing y'all!

[linkspooky]

DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive. 

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil. 

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it.   Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

[linghxr]

Advice I would give my past self about studying Chinese

Recently I've been reflecting on my Chinese learning journey and how far I've come. If I could go back in time, these are 10 things I would tell my past self. A few are specific to Chinese, but most can apply to any language

It will get so much easier to learn new characters. I remember feeling overwhelmed because learning new characters was a painful process. Now when I encounter a new character, I can remember it with relative ease—it’s just a new combination of familiar components.

Don't feel bad about having uneven development in different skills. My listening and reading are significantly stronger than my speaking and writing. It’s super common and nothing to be ashamed of.

The best way to get over being too embarrassed to speak is to experience some embarrassment and realize it’s not a big deal. I used to be so afraid of making mistakes that I would avoid speaking in class. It was only by being forced to speak that I got over it. I'm much better for it!

It’s impossible to learn everything, and time is limited. You have to prioritize. You probably don’t need to know how to say “pawnshop” in Chinese, and trying to jam your head full of 100 words you saw once won’t work. They won’t stick.

It will actually be harder to read pinyin than to read characters at some point. When I helped a friend with a script for her Chinese class, I really struggled because she had written it entirely in pinyin. I had to write out the characters to read without stumbling! I know characters are daunting for beginners, but trust me, you will get used to them.

If you haven’t practiced or learned something, of course you won’t be good at it. I remember feeling so frustrated trying to navigate Chinese websites for the first time. In retrospect, obviously, I was going to struggle with something completely new to me!

If something isn’t sticking, move on. Why waste time on a word that’s not clicking when you could be learning five new ones? It will only result in unnecessary frustration. So unless you need to know it for your class or a proficiency test, drop it and move on.

Don’t beat yourself up when you have trouble understanding music, literature, different accents, etc. These can be challenging even in your native language. Of course you’re going to struggle more in a new language.

It's worth it to pay attention to things like stroke order and tones from the start so you don't form bad habits. Don’t stress about get it perfect, but it’s easier to do it right the first time than to have to correct your bad habits in the future.

Instead of feeling overwhelmed by all that you don’t know, learn how to express yourself with what you do know. It’s truly its own skill that requires practice. After all, in life you can’t always stop and pull out a dictionary.

I started learning Chinese a really long time ago, but I became more serious about it in 2018, so 5 1/2 years ago. I'm very proud of how far I've come, but I still have a long way to go! I look forward to revisiting this post in another couple of years 😊

[meo-eiru]

What's ur inspo for art? ur art style is so cute... any art advice?? Jajsjdkkaka, I understand if u wanna gatekeep 👁👁

I meant to answer this several days ago but couldn't find it in the sea of asks welp

Anyway as I mentioned before we don't gatekeep art related stuff in this household, artists help other artists.

Honestly it's hard to name an inspo but I do have artists I look up to a lot (this might be a bit long)

Kanisuke, you guys might be familiar with her, she's the artist of the upcoming yandere inside game Yandere Town. I know it's not out yet but I'm actually obsessed with this game and have even translated all the character intros (they are a bit old atp so there might be some mistakes) and actually if you see a Yandere Town related post high chance it's from me. Not only her art but I love her writing style as well.

Hakuri-sensei, their manga Sachi iro no One Room is definitely one of my biggest inspirations. I love the relationship between Sachi and her "captor" and it's the only manga I actually cried my eyes out while reading.

Tayu-sensei, all of their work for Yuugen Romantica (one of my fav drama cd series) are breathtaking and they've also developed even more since then, their current works are just so stunning and I love studying the way they draw hair

Shirahama-sensei, she👏is👏a👏queen👏 honestly I don't have much to say, go read Witch Hat Atelier it's an artistic masterpiece and a giant love letter to art itself

Furumi-sensei, another queen! She's the artist of my favorite Fate Grand Order character Ashiya Douman. I've even bough her art books before, honestly she is just so talented. I don't know what she was drinking when she came up with Douman but I need some of it

Usagi Routo-sense, another fgo artist AND JUST LOOK AT HOW INCREDIBLE THEY ARE AT USING COLORS LIKE??? HOW??? Their art is like cocain for my eyes I could look at them for hours

AU, one more fgo artist and oh my god guys this person right here is one of my biggest inspirations just look at their drawings. I'm not kidding I actually spent hours just inspecting how they shade outfits. I'd sacrifice my soul just to get a chance to watch them draw live

☝︎ FAN, an Ashiya Douman fanartist and god guys the comics they draw!!! They are the cause of some of my current biggest fetishes ngl

Oyo-sensei, an fgo artist and is also the main artist of 18trip. They have such a clean art style that's very pleasing to the eye. I especially love the reference sheets they draw.

Shibatora-sensei, she is the artist of my FAVORITE drama cd series Shinai naru Thanatos and my overall favorite yandere character from any fiction Seo Eito. Honestly if you know me irl probably the first thing you'd mention about me would be my chronic Shinai naru Thanatos addiction because based on what everyone says I start speaking about it within 2 weeks of meeting someone new.

ORKA, the artist of A Stepmother's Marchen. Anyone who knows that manhwa probably knows why she's on this list, her art has so much soul and passion in it, literally every single panel looks like a painting and it makes me want to cry just looking at it

82 Pigeon, an incredible incredible Korean artist, I think they also give art lessons? I really tried to get them but couldn't figure out how. They also have a youtube channel and I learn a lot just by watching their speedpaints