#don't escape trilogy

[andromedan-prince]

in this house we love and respect indie pixel games

[koiguitars]

it deeply agonizes me that the speak now elements of the manuscript are never discussed in favor of the atw of it all..... like i just. "in the age of him she wished she was 30 and made coffee every morning in a french press" vs "someday when we're older, this is something we'll laugh about over coffee every morning while you're watching the news," "now and then she rereads the manuscript of the entire torrid affair" vs "i used to think one day i'd tell the story of us," "afterwards she only ate kids cereal and couldn't sleep unless it was in her mother's bed" vs never grow up exploring the idea of moving out for the first time & how she couldn't be sleeping in her mother's bed if she was already moved out (also robin being the last song before the manuscript already creating this mental connection)..... please im insane

[angry-moon-delusion]

Quill’s A.L.O.G.I.O.A.S.Y.S.G.W.Y.B(o.s) 2: The Sequill: Now With Platform Info!

Click Here For Part 1!

Hey Howdy Hey! I Decided To Make Another One Of These!

And Yes I Made It A Dumb Acronym

And Its Pronounced Alo-Gio-A-Sis-Gee-Wyb-o.s

I'm Not Sorry

Alright If You Saw This Post You Know The Drill, This Is Just A List Of Games That I Consider Hidden Gems Or Games I Don't See A lot Of People Talk About! And Since I Forgot About It Last Time, Now There's Platform Info With The Link!

Also Reblogs And Suggestions HIGHLY Appreciated And Welcomed!

That Should Be it, So Get To The Games!

(also Also, be Shure to follow @zettaflake, They Where The First To Reblog My First List, They Also Like Obscure Games Like Me, They Draw Great Art (& Their Coms Are Open Btw :) ) they really REALLY rock! )

(also Also ALSO, While I'm At It, Follow My Other Friends @rhodeybugg @sunny-m00n, They Aren't BIG Obscure Game Enthusiasts Like Me And Zetta But They Are Also Great Artists And Rock Just As Much :) )

Noitu Love 2 on steam and 3ds (+ A Side Game: the first one can be found here under the "other games" section but its really small and i think its kinda not as good as the sequel)

Ugly on switch and steam

Gravity Circuit On Pc Switch And Ps4

Belle Boomerang on pc

Brutal Orchestra (ALSO Make Sure To Check Out The Upcoming Game Made By Talia Mar, The Dev Of Brutal Orchestra, Clown Meat on pc!

FIGHT KNIGHT on ps4 switch and pc

gunbrella on pc and switch (lots of orange highlight huh? sorry bout that)

Dead estate on pc

Creepy Castle on pc

the deep sleep trilogy and the Don't Escape tetralogy on pc

And you know what just to keep consistency, get this out to an audience, and why not, ULTRAKILL For pc

Alight I'm getting tired of typing & finding images and looking for the links AND THIS HASINT SAVED TWICE AND IM GETTING ANNOYD TOO so That's it for today

Again ill Most likely Make YET another one of these so suggestions And Reblogs are really welcomed

And It's Highly Super Duper ULTRA Appreciated That You Fallow My Friends, And buy the games the people that made the games in this list

Thats it For now, Have an AMIZING day and till then, Love Ya'self

& See Ya'self!

(Ps: Like i said it didn't save TWICE so im positing it now, sorry for anything errors and Messed up links, im sorry, but im getting TIERD Of wrighting this :( )

[whistlingstarlight]

Cursed with wanting to talk and draw art about The Horrors (Scriptwelder Games Multiverse) but am deeply haunted by the monsters in said games and will be scared of own artwork-

[niallandtommo]

.

[paeinovis]

I would like to thank arrested development for being a show that I don't have to watch the screen of 90% of the time and is therefore ideal for doing chores

[chansaw]

i read donald sutherland’s letter to gary ross pleading for the role of president snow and was so struck by his eloquence, wit, and humor. i’m posting it in full below. what a loss </3

Dear Gary Ross:

Power. That's what this is about? Yes? Power and the forces that are manipulated by the powerful men and bureaucracies trying to maintain control and possession of that power?

Power perpetrates war and oppression to maintain itself until it finally topples over with the bureaucratic weight of itself and sinks into the pages of history (except in Texas), leaving lessons that need to be learned unlearned.

Power corrupts, and, in many cases, absolute power makes you really horny. Clinton, Chirac, Mao, Mitterrand.

Not so, I think, with Coriolanus Snow. His obsession, his passion, is his rose garden. There's a rose named Sterling Silver that's lilac in colour with the most extraordinarily powerful fragrance — incredibly beautiful — I loved it in the seventies when it first appeared. They've made a lot of offshoots of it since then.

I didn't want to write to you until I'd read the trilogy and now I have so: roses are of great importance. And Coriolanus's eyes. And his smile. Those three elements are vibrant and vital in Snow. Everything else is, by and large, perfectly still and ruthlessly contained. What delight she [Katniss] gives him. He knows her so perfectly. Nothing, absolutely nothing, surprises him. He sees and understands everything. He was, quite probably, a brilliant man who's succumbed to the siren song of power.

How will you dramatize the interior narrative running in Katniss's head that describes and consistently updates her relationship with the President who is ubiquitous in her mind? With omniscient calm he knows her perfectly. She knows he does and she knows that he will go to any necessary end to maintain his power because she knows that he believes that she's a real threat to his fragile hold on his control of that power. She's more dangerous than Joan of Arc.

Her interior dialogue/monologue defines Snow. It's that old theatrical turnip: you can't 'play' a king, you need everybody else on stage saying to each other, and therefore to the audience, stuff like "There goes the King, isn't he a piece of work, how evil, how lovely, how benevolent, how cruel, how brilliant he is!" The idea of him, the definition of him, the audience's perception of him, is primarily instilled by the observations of others and once that idea is set, the audience's view of the character is pretty much unyielding. And in Snow's case, that definition, of course, comes from Katniss.

Evil looks like our understanding of the history of the men we're looking at. It's not what we see: it's what we've been led to believe. Simple as that. Look at the face of Ted Bundy before you knew what he did and after you knew.

Snow doesn't look evil to the people in Panem's Capitol. Bundy didn't look evil to those girls. My wife and I were driving through Colorado when he escaped from jail there. The car radio's warning was constant. 'Don't pick up any young men. The escapee looks like the nicest young man imaginable'. Snow's evil shows up in the form of the complacently confident threat that's ever-present in his eyes. His resolute stillness. Have you seen a film I did years ago? 'The Eye of the Needle'. That fellow had some of what I'm looking for.

The woman who lived up the street from us in Brentwood came over to ask my wife a question when my wife was dropping the kids off at school. This woman and her husband had seen that movie the night before and what she wanted to know was how my wife could live with anyone who could play such an evil man. It made for an amusing dinner or two but part of my wife's still wondering.

I'd love to speak with you whenever you have a chance so I can be on the same page with you.

They all end up the same way. Welcome to Florida, have a nice day!

sourced from this article

[paleode-ology]

trying to justify spending forty dollars on games when half of them I can’t even play until I’m back home in a few months (i didn’t bring my PC with me to school) BUT if they weren’t on winter sale they would be 130 dollars. hepl helphelphelpee help

[ot3]

The Flower That Bloomed Nowhere

What is it, and why you should read it.

(Art by purple)

The Flower That Bloomed Nowhere is a currently updating webserial by author Lurina. It's one of my favorite things I've read in a long while and I'd like to convince you all to give it a chance.

My elevator pitch is this: A time-loop murder mystery directly inspired by Umineko, with a lot of similar vibes to the Locked Tomb Trilogy - partially due to it's meditations on grief and mortality and partially due to it's far-future magical sci-fi world where we follow a fucked up lesbian necromancer on a task she is determined to see through to the end. A deeply complex, unique, and believable world that plays hosts to one of the best interpersonal dynamics I've read.

In a future so far-flung that it is past the heat death of the universe, humanity has constructed a new society that is post-scarcity but not post-stratification. Utsushikome of Fusai is one amongst a class of prodigious young medical arcanists (essentially grad students) who are invited to visit a recently legitimized conclave of top-of-the-line researchers studying immortality. Accompanying Su is her best friend Ran, a fellow arcanist. Over the course of the novel we begin to slowly unravel exactly what ulterior motives have brought them to this conclave and how events in their childhoods and years of working toward their shared goal has warped their relationship into what we now see. This relationship is the crown jewel of Flower's narrative, and getting to peel back the layers of it as you read is a delight.

Like Umineko, Flower is a murder mystery that prevents itself with in-universe Rules that dictate the murders' parameters, meaning there's a lot to chew on for anyone who likes solving mysteries. For those that don't, like myself, Flower offers instead a richly developed world and plenty of open questions about the sociopolitical and metaphysical implications of its own worldbuilding.

Below the cut, I'll go into more detail about the series (without spoilers!) for those of you whose interest has been piqued.

The Flower That Bloomed Nowhere is currently ongoing, updating every few weeks. It's several hundred thousand words, so if you're looking for something substantial to keep you entertained, you've got it. As you might expect from the length, the pacing is decently slow. I don't see this as a bad thing at all, because within this pacing Lurina dripfeeds the readers enough new and interesting information at a regular rate that it never feels like your time is being wasted. But if you can't handle slow burns, I wouldn't recommend this one for you.

If you enjoyed the Zero Escape series and liked that they stopped solving murder puzzles to infodump about fringe science, I think you'll get a lot out of Flower. Characters are frequently interrupting their life-or-death scenarios to have lofty, philosophical and political discussions. It's a ton of fun if you like reading characters argue.

'People have to sleep.' 'People have to work.' 'People have to die.' But those were just vague rules, phrasing I'd used because it had been easier in the context of that conversation. What really mattered, on the day-to-day level, was the idea that it was all for something. If someone invented a elixir that made people not to need to sleep, it would, in retrospect, recontextualize all nights everyone ever wasted sleeping as wastes of time. Not something that occurred for some inherent purpose, but whims of circumstance, a tragedy of when you happened to be born. If you accepted that all unfair things in the world could be removed, if only someone knew how - fatigue, labor, death - then to exist in the world we had now, with all its grotesque imperfections, was to know that you had been violated by fate.

Along those lines it's just got a sense of humor I really enjoy. Pretty dry and cavalier. It manages to keep the mood light without feeling like it's undermining it's own stakes. I'm particularly fond of Su's penchant for telling incredibly depressing suicide jokes that just Do Not Land.

The peer pressure cut into me like a hot knife. I hesitated a little, biting my lip. "Well, uh, okay. I'll just tell a quick one." I swallowed, my mind quickly scrambling. "Okay, so, there's a woman who runs a dispensary for second hand goods. She sees a man come in who's a regular customer. He's kind of a mess-- Has a big beard, a bad complexion. He buys a razor, and tells her he needs it to clean himself up, because he has a date." I could see that I now had Ophelia's attention and that Kam was looking pleased with herself, but Ran was watching me, too. I could see the look in her eyes. It screamed at me, with such vividity that it could be sold at an art gallery: You better not be telling a suicide joke right now, or we're going to have a talk. But it was too late. The wheels were already in motion.

As I mentioned up top, the relationship between Ran and Su is just one of my favorite interpersonal dynamics ever. Period. The author is playing some insanely complicated 5th dimensional yuri chess and I am absolutely here for it as someone who likes characters who are deeply devoted to each other in a way that is deeply deeply fraught. I cant emphasize enough how obsessed I am with what they have going on.

Additionally, as stated, the worldbuilding in Flower is top tier. The author clearly understands how every part of her world functions, which makes the moral quandaries and politics presented all the more impactful because they're very believable. It's hard to talk about Flower's world without spoiling too much of the specifics that get slowly revealed, but it doesn't fall back on any typical sci-fi standard fare and feels like a breath of fresh air amongst recycled and repetitive worldbuilding tropes.

A lot of really fun side characters. Strong voices for all of the supporting cast (♥♥Kamrusepa♥♥) and even though not every character gets their own arc, they all clearly have plenty of interiority. Once again, another thing that makes Flower feel very believable despite it's absurdities.

Autism

"Did you notice anything out of the ordinary with anyone?" She eyed him. "Anyone who seemed tense?" "Saoite, I'm not sure if you've noticed, but half of our class is so autistic that they constantly seem tense. You might as well ask me to find a specific turd in a sewer." "Just answer the question, please," she replied flatly.

Guys it's really good just trust me I don't want to spoil you for the more intricate plot beats but they're doing some crazy shit here. It's never a bad time to support an independent author's project. If you're sick of corporate mass-media and stuff needing to be marketable, getting into independent works owned and supported by individual creators is a great way to push back against that. I highly recommend it.

[locallepidoptera]

i've since finished my catch up. and now i'm both happier for it and incredibly sad there's not more. such is life. man. fans' fiction fucking rocks. and i needed a reminder. i'm on my way to reread. wishing you so much luck in all your endeavors!! thanks for being an inspiration!!

happy almost christmas. means it wasn't christmas :)) i had been listening to a new aa1 playthrough to pass the time and it reminded me that. unfortunately. i do think edgeworth is cool (i talk in jest. about it being unfortunate. lol. i'm just not into "cool" charas usually) and it reminded me that i. really need to catch up with saturation. hell maybe reread it once i'm done. i'm in need of good fic. i'm not really a quality snob usually but i've found i just don't have the energy right now to search through the main tag. and your style of writing lets me turn my brain off. < - positive connotation. if that wasn't clear.

^U^ Thanks, and Merry Actually Christmas! ;D And XD, no worries, I get it - Edgeworth is very much one of those "Unfortunately, I'm into it" characters in regards to his everything. And I say that as someone who's writing him one of the world's longest love letters in the form of a fic that's going to break 300k when the next chapter goes up and a tidy (if tiny) little AA merch collection that I'm quite proud of, if I do say so myself. ;)

"and your style of writing lets me turn my brain off" Good, wild as it may sound for a slowburn mega!fic, Saturation's meant to be a nice comfy read, so that you're able to switch off and just enjoy the fic is good. Like, I'm trying to ensure that there's plenty to be found on a deeper read, because I enjoy doing that, but if it's not enjoyable to partake in on purely the surface level, what's even the point? Anyway, thanks for the ask, and I hope you have fun on the catch-up/reread! ^U^

[blorboazula]

The Hunger Games 2023 Renaissance and Gen Z's "Bad Media Literacy"

So, not sure how it's going on other social media, but The Hunger Games – that will be referred to as THG in this little "essay" – is having a massive "renaissance" all over TikTok. And I've seen, more than once, unfortunately, people saying that Gen Z people have bad media literacy.

My issue with that is one specific argument. One about the people who have been genuinely surprised with nuances and details they didn't notice in the first they read it.

Which's such a stupid argument. Even more when, as I've seen, made by people who read the books as they came out and watched the movies as they came out. They tend to be in the younger side of the Millennials.

Do you know when Gen Zs were born? Here:

So, let's say the specific years are from 1995 up to 2013.

Here's when the trilogy was originally published;

As you see: a significant part of this generation couldn't read or wasn't even born when these books came out. That's how young this generation is.

But also, the oldest ones were between 13 and 16 as the books came out. It's unfair to expect that a 13-year-old will read THG and see the same subtext and nuances and have the same interpretation as people 18-and-above.

It's not bad media literacy that someone in their mid-to-late 20s is seeing things in a trilogy they've read ten or more years ago.

I, for example, read these books in 2013. They came out in 2010/1/2 in Brazil. I borrowed them from a classmate who had the money to buy them as they came out here. I was 15. Then got my hands on PDFs and read them in English later in the same year, I was 16. I never noticed a lot of subtext and nuances and shit when I read them ten years ago.

Both because of course I wouldn't, I was a teenager. And I read it as an escapism for some stuff. They were fun. I read the trilogy in a week – which's fast when you have school, schoolwork, almost all the home chores and the responsibility of taking care of an adult – and I wasn't looking for anything but a distraction. For a little bit of fun.

People roughly my age are seeing these videos and talks and are learning details and nuances they didn't before. It's fun, it's nice. I'm having a blast to re-read those books aware that they're more than what I thought they were back in the day.

Don't belittle people for not understand deeper and more mature topics when they didn't have the age and maturity to understand those topics.

[demilypyro]

I don't know what the first game was that I ever played, but I definitely recall the game that made the biggest impact on me as a kid.

When I was seven or eight, my parents took me to a flea market, and there, we found my first love. The Playstation 1. It was already old at that point; the PS2 had been out for years and the PS3 was on its way. But we were poor, and we were never getting our hands on those things. So home we went, with our PS1, and several games that came with it. Games that would shape me as a person. Chief among them were the Crash Bandicoot trilogy, Crash Team Racing, and Rayman 2: the Great Escape.

Crash Bandicoot.... It was tough as nails. But so colourful, so dynamic. Like a cartoon you could play. I can picture all the levels, jump arcs and death animations when I close my eyes. I remember crying because I couldn't beat it. I remember playing it again years later and being surprised by how easy it was.

I still have that original copy of Crash Bandicoot. I didn't keep most of the games or even the PS1 itself, but this? It's on my shelf, it never leaves my room. I grabbed it and took a picture of it real quick. This disc has been in my possession for almost 20 years now. I'd never part with it. It's a part of me.

This game created a demon that devours games whole.

[synthient]

Matrix parallels aren't the only or primary lens to read this movie through. But I gotta do the special interest shuffle (spoilers for I Saw The TV Glow throughout):

We get at least one overt matrix reference, which is the bit where Owen's movie theater is showing a sci fi movie where humans have been driven underground after machines took over the surface

There's the obvious thematic overlap of "is reality real," "are my memories real," "to what extent is my reality shaped by information/entertainment technology," "is there an Outside to escape to," "would I want to if I could," etc.

The pods and the coffin. "What if I was something powerful and beautiful, suffocating"

There's also some interesting overlap with matrix 4 specifically re "what's the line between transition and suicide," "to what extent is transition a kind of death," to what extent is not transitioning a kind of death." Along with the general stuff around nostalgia and mythologized source materials and hauntology (a term Schoenbrun has used in interviews & that I first heard in a matrix 4 podcast, lmao)

The pods and the heart/luna juice sequence both posit Being Made To Live Like This as a visceral bodily violation

Tv glow is maybe more cynical about the possibility of a true Outside/alternative to the system. Though Zion turns out to not be fully "outside." And Maddy's vision (of a slightly more magical suburbia that still can't escape the confines of "the county") is probably supposed to be less The Only Vision, and more filtered through the lens of someone young and very early transition. Generally though, tv glow is much more focused on interiorty and personal transformation (or lack thereof) than overt politics, although a critique of capitalist suburbia is certainly the background radiation

Also interesting, I think, that "how does kitsch and 'bad art' shape our identity formation" becomes a central question of the later Wachowski oeuvre. And something that's always been present in their work--and has maybe been one of the most polarizing things for viewers--is the combo of "we want to make serious art, And we want to make the kitsch we adored growing up. at the same time." The pink opaque conceit perhaps manages to draw enough of a boundry between The Art and The Kitsch to head off some of the confusion and frustration re "how much of the kitsch is intentional, and how much is an attempt at serious art that failed"

The Family (and the whole concept of having loved ones to leave behind) is basically nonexistent in the matrix trilogy, and Just Evil Robots Don't Worry About It in 4. Tv glow gets much more into this. Though both the saintly mother & and the monstrous father equally serve to keep you trapped, in the end

Anyway. Perhaps the matrix has shaped the entire concept of "trans cinema" to the extent that you kind of have to engage with it on some level. Perhaps it's simply that We Are All Having The Same Thematic/Philosophical Preoccupations. All very interesting regardless, to me

[tylermileslockett]

"Clytemnestras Wrath"

Here we are folks! Its all been leading up to this climactic, grisly act. Ancient horror at its finest! Clytemnestra has ushered Agamemnon into the house under the guise of a loyal, loving wife. And even with Cassandras poor pleas to the chorus, she could not escape her own demise under the blades of the queens double axe! The chorus hears the violence, and they separate and panic, calling out different suggestions, but unable to unify on how to act on the horror. But now, its too late. The doors re-open, and Clytemnestra appears holding her double headed axe over the her victims caught in a net like a spiders web. 

In previous versions of this myth, Clytemnestra's lover AEGISTHUS (and Agamemnon's cousin) is the killer. But here, Aeschylus has the the wronged wife, still furious over her daughter's sacrifice, perform the dark deed herself. Indeed, when the chorus try to denounce and exile her, she counters by asking them where was their decrees of banishment for Agamemnon when he sacrificed her daughter? So, this is one thing i really love about Greek tragedy, is that, even when these characters perform actions we may find repugnant, we can still empathize. These characters exist in shades of grey. Amazingly complex and elegant for such ancient tales. 

But this harrowing tale is far from over, for in the 2nd play of this Oresteia trilogy; "The Libation Bearers," Clytemnestra's son, ORESTES, journeys home to avenge his father. Will he be able to kill his own mother? his own flesh and blood? And if so, what will the consequences on his soul be for such a blasphemous act? i don't envy this character's moral dilemma one bit! 

Thabks for looking and reading as always!

Want to own my Illustrated Greek myth book jam packed with over 130 illustrations like this? Support my kickstarter for my book "lockett Illustrated: Greek Gods and Heroes" coming in October.You can also sign up for my free email newsletter. please check my LINKTREE

[kcrabb88]

It's Talk Like a Pirate Day, so I would be remiss not to plug my recently-completed trilogy! Not that I don't talk about it a lot, but today feels like a free pass :D I like to call it a Les Mis meets Black Sails meets Robin Hood story about stories, historical narratives, and the power they hold. It's got queer pirates of all different stripes, complicated antagonists, ruminations on empire and colonialism, found family, messy blood family, and a whole lot of ships and swords. You can check it out here, and I'll drop the summary of book 1 below! Thank you to everyone around here who has supported me for years while I got this out! <3

In the 18th century West Indies, stories hold the ultimate power. Sailors spin yarns about pirates. Newspapers tell tales full of half-truths. Myths spread like whispered wildfire. East India Company sailor Nicholas Jerome has no patience for pirates, determined to leave his father’s thieving past behind. After a convict and an enslaved woman escape his grasp with the aid of an aristocrat’s mysterious wife, he faces one last chance to save his career. Finding an unexpected home with a new crew, he gains a chosen younger brother in René Delacroix, the son of his wealthy captain and the grandson of Jamaica’s cruel governor. But there’s a storm brewing in the Delacroix household. For René and his best friend Frantz, the Robin Hood tales about legendary pirate Ajani Danso and his famed female quartermaster are a lifeline amidst the governor’s abuse. Danso robs greedy merchants, frees slaves, and shelters queer sailors, inspiring the downtrodden across the New World. When death and betrayal shatter the lives they knew, René and Jerome each face a obey, or rebel. A war for history’s favor begins, and as an uprising against colonialism erupts on the ocean, everyone must choose a story to believe in

[mrsnancywheeler]

the river (2) // finnick odair x f. reader

summary: the Capitol has taken you away from Finnick, the life you've been trying to build together and now he has to fight to get every part of you back

the end of a trilogy series

previous chapter / next chapter

masterlist

6.1k words

warnings: angst, fluff, self-destructive behavior, finnick's bias now so you can see how they both view the other as the more broken one, mental health issues, allusions to suicide, allusions to trafficking and trauma surrounding it, the opposite of a slowburn it's giving their soulmates, mentions of death/torture/violence/brainwashing, unedited, no use of y/n

𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒

Seeing your face again could have sent Finnick into another frenzy, he'd been scared he'd forget it even though he thought about it every second of every day. But he couldn't do that, he needed to listen, hear your voice again. You had that smile plastered on your face that everyone could easily believe in, and had for years, except him. There was a mournful, numb look that would settle in the back of your eyes whenever you put on a performance, one that usually leads to dissociation. On top of that, you looked tired, the way you looked when after you'd won your Games and hadn't been able to escape the nightmares. 

Your voice was like music in his ears when you greeted Ceasar back, a tune that could soothe his soul if he wasn't so worried about you. It pained him to notice that in the midst of everything, of holding you captive, of the rebellion, they'd still managed to play dress up with you. Goosebumps covering your skin, the outfit barely covered any of you, you'd always run cold, and the Capitol seemed to know this. “So you're saying you knew nothing about the rebel plan?"

You shook your head emphatically, “No, I told you all how sure I was that I was never coming out of that arena. It was just as much of a shock to me." His clever, clever girl, trying so hard to play it safe.

“At the end you were screaming about forgetting something, what was that?" Caesar asked.

The tracker. The stupid tracker. "Finnick…" You trailed off, looking into the camera for a second like you were trying to reach out to him, “We had a special way of communicating with each other that comes with being together that long, I needed to find him, I still don't remember why.”

"So did he know about the rebel plan?”

Your foot was tapping slightly and Finnick prayed, for your sake, that no one else knew how anxious that indicated you were. “If he did, he didn't tell me." You looked at the camera again, addressing the citizens of the Capitol, "And I want everyone to know that if he did know anything, he would only do it if he thought it meant we could be together. He would never want this, the rebellion, the terror, both of us love all of you and Panem so much. His intentions would've been of love, not harm.” 

Finnick was so proud that your years of charisma for the Capitol was pulling through now. He felt like he was going to cry, the way you were defending him in the off chance that everything went wayward and he also ended up in Capitol clutches somehow. Maybe, if Snow really thought you knew nothing, he'd consider you more than just bait, maybe there'd be quite a few of these interviews left to boost morale for Capitol citizens. To see one of their favorite victors spewing out propaganda, it would also keep you alive longer, so out of all things that's what Finnick would place his hopes on. 

“Peeta called for a ceasefire, would you agree with this, that things should just be called off?” You glanced off camera, anxiously scratching at your arms.

"Yes, a ceasefire needs to be called.” Your smile reeked of discomfort and fear, and he was even more grateful that it was something only he knew how to sense from you. “The destruction being caused, the death, will get so much worse if this continues. No one wants that, this can all be sorted out. President Snow is merciful, but only if a ceasefire is called for.” It was sickening, the lies you were being forced to tout. Snow was anything but merciful, he'd probably throw the victors into the arena again, or just line them all up to be shot, or make death causing ‘accidents’ occur as soon as possible. Then you were crying and Finnick longed to hold you, to tell you it would be okay, to give any words of comfort he could. "I'm sorry, so much has happened recently.”

"Well us in the Capitol are glad to still have you with us." Finnick hated that they had you, that Caesar could still force you to perform for all of Panem and act like you're fine.

"I'm glad to be here with all of you too!” You mutter through tears and your signature, fake smile.

"Before we go, is there anything you want to say if the rebels are watching out there, if Finnick, your husband is watching out there?”

“He's not a rebel." You say quickly, with as much urgency as you can. Your eyes shut for a second and you're muttering to yourself, “He's my husband, he's not a rebel, not a rebel."

"Right, he's not a rebel.” Caesar says with what's supposed to be a comforting smile.

Your eyes open and you nod, wiping away stray tears, “And I'm just reminding everyone how badly we need a ceasefire, to stop all of this. To stop the suffering and all that could come.” Your smiling again, so forced it looks like it hurts and you're rubbing your necks until it's red, "Ceasefire, ceasefire, ceasefire is important.” It's like you're chasing a thought you're being forced to remember.

“Yes, a ceasefire is important." Caesar nods, "Well a big thank you to the Capitol Princess for her message here today.” Your smile drops as you nod at the camera before it cuts and Finnick has been once again abandoned with his thoughts. 

What are they doing to you to convince you to say things you would never believe? How sweet you are for insisting upon his innocence anyway you can, he misses you more than home, the ocean, the feeling of fresh air in his lungs, the sun shining down on his face, he would happily live without it all if you could just be here, with him. You'd looked so exhausted and he misses being able to hold you, keep you warm so you could rest and feel safe when you did. He longs to see your genuine smile, the way your eyes would soften and the way your nose crinkled when you laughed.

A fantasy he can drive himself into before the anger can fall back into place, how he needs to hijack something so he can rescue you. He'd rage to President Coin herself if he could force her to do it, but they barely even let him out of the hospital wing. He's sobbing again, calloused hands trying to clear his face of the tears. Maybe they think he hasn't seen it, so they aren't worried about his reaction, they probably assume he's sleeping or focused on tying his knots, but it's just the eye of the hurricane. He can only stain the plain, scratchy sheets with his tears for so long before the hysteria will return. But for now he can mourn. He can hate himself, wish the rope was long enough to let him leave, and wish you could've both just chosen to be together in death. It would've been better then torture he's going through now. How there's not a second he can't focus on you, what he misses, what he dreads could be happening to you, the dreams of your future.

Dreams where you could be at home, surrounded by friends and family having the traditional District 4 wedding, sea shanty's and all. Where there was no fear that Snow would manipulate the games to force your children to be spectacles so you'd had children, as many as you wanted. Who you'd take to the beach, teach them about the animals, teach them to swim, and be the family he knows deep down you'd both have wished for. There'd been a glimpse where that was possible and then there'd been the impending doom that it wasn't. That instead it would be the wish he had when they told him you were dead.

Death. You. The idea that death could creep up with its slender hands and drag you away into the cavernous pit, that would leave him forever alone. He'd gratefully dig the claws of death into himself to bring you back or lay with you in the lowest parts of the cliffs forever. Death. You. Him. Freedom. Chains broken, no more threats, no more needs, just the end with you. 

Instead he needed to face the brazen winds to return you to his arms. You'd looked so cold and he missed being able to warm you, for you to cool him down. He had to get you back and the frenzy was back. Finnick was back on his feet, tearing himself from the bed, not giving a care to the things around him, if they fell to the floor it was something else out of his way. This commotion did alert the medics close by and Finnick was instantly trying to run by them.

“We have to save her, I need to save her!” He urged, but they were used to his antics. They'd long ago retrieved the manpower required to overpower him when he got like this. That didn't mean he still wouldn't fight, he still had the strength it took to shove most of them off, react violently when they got their hands on him, and struggle when eventually a larger group had their arms on him, ready to sedate once again. Maybe that was a good thing though, it allowed him to fully focus all of his thoughts on you and everything you two had. 

             𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒

He was early, but he didn't care, well he kind of did when he paced by the cobblestones not far from your house wondering when he should knock. Wicker picnic basket being moved between each of his hands, careful not to hit the bouquet of flowers he was holding, as he anxiously counted down. Finnick knew he said noon, but did that mean five minutes before would be the right time to show up? 10 minutes? Exactly at noon? He wasn't used to feeling this anxious, he'd adopted a suave personality for Panem to gobble up that had become nearly effortless, but now he wanted desperately for you to ignore that and just be perfect.

The gift he had for you weighed heavy in the pocket of his shorts. He wanted to give it to you, he hoped you'd like it because he really wanted to see that smile that he'd daydreamed about again. He checked his watch, 13 minutes, and the worry was still there. Would you be scared off if you looked outside to see him waiting so early or would you find it sweet? What if you were inside anxiously waiting for him because you doubted it was real, because you wanted it to be genuine, and he reasoned from what he did know it was probably the correct assumption. You were too full of self-doubt, of an unspoken want to be seen, to be realized, and he wanted nothing more than to really comprehend each intricate detail that made you, you. 

‘Fuck it,’ He told himself when he made his way up the cracked cement, the grass and weeds peeking through. All the way up the two steps on your crickety porch, light blue paint peeling away to reveal the rotting chunks of wood. Slowly he tapped his knuckles on the wooden door, hoping the knocks didn't seem aggressive, but were enough to gain attention. Since when had he worried about the way his knocks were perceived? Only to gain a chance to perceive you.

The door creaked open and there you were, glowing in another beautiful sundress. “Hi!” Your smile was enough to wash away most of his anxieties even if your own voice seemed riddled with them, he despised the fact you felt anything less than sure of yourself, then sure of his interest in you. 

“Good morning, angel." Morning? Afternoon? Did he care which one was more accurate, did you? Finnick pulled on his dazzling smile, feeling like he was swept up by you.

He pulled the bouquet up, "Um, I got these for you.” You stared at them for what felt like an eternity and made him blush, scared he'd misread something,"I wasn't sure what you liked, so I just-”

"They’re for me?” Features so soft it made his heart want to melt already, even the smile was so sweet and fond.

“Yeah, they're for you. These ones just reminded me of you." He wasn't about to say he'd spent hours at Mags this morning trying to pick the perfect flowers from her garden that he thought you would not only adore, but that gave off your very essence.

“They're perfect." You said in a soft amazement,"Really perfect.” Your fingers brush through them before you're ever so gently taking them from him,"Thank you.” 

Flowers were definitely a win, something that could rely on for you to adore. “Of course, sweet girl." You smiled as you smelled the flowers and he concluded that you didn't get many gifts, even one's as easy as that. He'd plant garden after garden to keep you smiling like that. You shut the door and it clicked behind you as you stepped towards him, porch creaking.

“Really, thank you, Finnick." To his surprise you hugged him and how cold you were was almost as shocking, you had such a warm, inviting aura that it was hard to imagine the icincess of your skin. Yet he melted into it, he'd always been so warm that it was nice to have something to contradict that, like when he went for his early morning swim. You smelled the peaches and the ocean, it was delightful and an aroma he'd always want to remember. He longed for your touch to return the moment you pulled away and suddenly he was just hot again. He must have stood there staring and longing for a while because your melodic voice stopped this, “So, are we planning on standing here all day?”

“No, no sorry!" He shook his head, breaking into a nervous chuckle as he tilted his head to the side. You laughed as you began walking down the rickety steps and he followed. “How was dinner?" Maybe he was jealous, he shouldn't be, there was really no good reason to be, but he was.

You looked at Finnick for a moment, confused, like it hadn't quite processed in your brain. “Oh, yes! It went well!"

“What'd his sisters have for you?" The fond look you gave him for remembering a small moment in a conversation made his heart swell and he swore he'd remember everything about you. 

“We like to try and find the prettiest things in the sand, seashells, sea glass, things like that and we all have little collections from each other. They're sweet."

“You're sweet."

“How would you know that, you don't know me." You said, fingers playing the flowers and trying to keep watch on the ground. The cobblestone was uneven, broken, crumbling apart and very just a tripping hazard.

“As you keep reminding me, it doesn't change the fact that you're sweet. ” He shrugged as nonchalantly as he could. His free hand slides into his pocket, “Saw something else that reminded me of you." He pulls out a necklace, something a vendor had made of shining seashell fragments and the occasional pearl, but something about it just seemed so much like you.

“Finnick." Your steps halted and he did the same,"I don't need you to buy me things.” 

"I know, I want to buy you things.” The necklace dangled from his fingers, glistening in the rays of sun.

"But I don't have anything for you, so it's not-”

"You don't have to get me anything, I'm just spending time with you and I want to do it. Not because I feel obligated too, but because I like you.” Finnick reassured, this didn't have to be transactional, he just wanted to show you he paid attention, he cared. 

You closed your eyes and sighed before nodding, “Okay."

“Unless you don't like it, in which case you should tell me now for future reference.” 

“No, no, that's not what I mean, I mean I do, I just-"

“Need to get better at accepting gifts?" He finished, raising an eyebrow.

You scoffed, “I'm good at accepting gifts!" There was a beat of silence where the two of you both stared at each other, him with his brow still arched quizzically, before the two of you burst into laughter. “Sorry, that's not true."

“I can tell!" When the laughter had somewhat subsided, he took another step towards you, lifting the necklace slightly, “Here, let me help you." He was thankful for another chance to let his fingers ‘accidentally’ brush against the skin of your neck and be cooled by it.

His nimble fingers secured the clasp, "This seems to keep happening to us.” You said, trying not to bristle when his warm hands did in fact make slight contact with yours.

"Maybe I'm just a mastermind.” His voice was so close to your ear as he gave himself an extra second of touch before forcing himself to step back.

"Or maybe you're full of yourself." You turned back around to face him before the two of you continued on the walk.

Finnick shrugged, “Two things can be true."

“Maybe not those two." He felt like a lost puppy dog who'd trail behind you, at your beck and call, every single time you spoke. It was terrifying, bone chilling, to think he'd become infatuated from afar and now it was like he'd been bewitched. As if your aura had its own siren song attached to allure his own in and he'd gladly crash his ship on the rocky shores for you. Yet the fear was combated with the fact that you, the core of you, was closer to the shine of the lighthouse, guiding him to safety. A thin line between destruction and refuge.

Banter has easily continued until he'd finally led you to the beach locked behind the gates of Victors Village, its view was truly breathtaking. He laid out the blanket on the warm sand, picnic basket on top, and you'd already been rid of your sandals. You stood, arms out as the breeze blew through your arms, inhaling the salty air and Finnick would've sworn you were some type of ethereal blessing gifted to the Earth from the ocean itself. Slowly he lifted the lid on the wicker basket, “Here." He said, holding up a peach.

You opened your eyes to look over and he could see the instant surprise on them as you sat down, “Finnick!" You didn't take it from him, just put your hands around it to draw it closer as you smelled it like you weren't sure it was real. “Oh my god!" You exclaimed when you caught a glimpse of the bag of peaches within the basket. 

“Thought it might convince you to not barter the necklace." He chuckled as if he hadn't been certain he'd buy the whole array of peaches to see you smile and hear your laugh, to see the spark in your eyes. 

You paused to touch the necklace, suddenly serious, “I wouldn't do that." Your eyes were so gorgeous, so addictive, so kind. The type of eyes he wanted to gaze into until everything else had faded away. Every piece of art, every sunset, every sunrise, every star’s beauty lessened in comparison. “Finnick Odair, you can't be real." That shining smile had returned and he couldn't help but follow in your footsteps to give one back. “Seriously, you have to tell me what's wrong with you before I become too attached."

Finally you took the peach from his hand to bite into it, “Afraid I can't tell you yet, angel, scared you'd run away on me.” His tone was light enough to be a joke, but deep down he knew he'd never be able to tell you about the things that he felt the most self-loathing for, how self-destructive he could be would be something he'd try to keep you away from.

"Well you've already got me; hook, line, and sinker.” When you smiled and spoke, your nose would scrunch up in what he imagined was the most adorable thing possible. You stopped taking bites and quietly sat on the bed, observing him.

"No need to stare, I'm staying right here.” 

"Oh my god, I could kiss you.” He wasn't even sure if you'd processed the words as you stared at him longer before your brain finally seemed to register what you'd said. The look of shock had barely begun to pass your face when he decided he'd just kiss you instead. Perhaps it was all too fast, a day for him to be tasting the peach on your lips, for his fingers to be on your cold face besides the slight warmth on your cheeks. Whirlwind romances were either tragedy's or a fairytale, so time would have to tell, but maybe it should've been a sign. The ending could be uncertain as it liked, but he was sure your souls were yoked in the first ocean tides to bless the world.

His nostrils filled with the scent of peaches and the salt air you had meshed with how you tasted like the peaches, once again, and vanilla. So calming, like he was being softly rocked in the waters, nothing less than perfect. When he finally pulled away from you all he wanted to do was be enveloped by the taste once again. You looked so flustered and taken aback, it was so precious to him. “I beat you to it, this time." Cocky smirk even if he was slightly breathless.

You nodded at him slowly with your eyes wide, like all thoughts had been taken from your head. Finnick would've said something else if it weren't for the refreshing chill of your hands grabbing his face to pull him in for another kiss. He'd never get sick of peaches when they reminded him so much of you, if he was ever to be away he'd spend his time learning endlessly about them just to feel near. Although it couldn't compare with the way your lips molded to his so easily. Then there were your hands in his hair, something he usually couldn't stand, but when it was your gentle hands he couldn't find it anything but endearing. Eventually you'd pulled away as well, chest heaving, yet it was like you couldn't say a thing. Faces and bodies mere inches from each other as you stared at each other, listening to each other breathe.

Suddenly you were quickly removing yourself from him, running forward in the sand. “Where are you going?" Finnick called after you, somewhat terrified he'd scared you off. But you turned back to him smiling like you hadn't a care in the world.

“Swimming!" You shed yourself of the sundress to be just left in the swimsuit you wore underneath, “Are you coming?" Now it was Finnick's to scramble up, chasing you towards the water.

You must have spent hours swimming, like there was no other world except the now. He'd swim under the water, scaring you when he'd pull at your ankle and you'd fight back by trying to dunk him under the moment he bobbed to the top. This was usually unsuccessful as he'd simply drag you down with him, except when he wanted you to feel like you had succeeded. He'd randomly lift you from the waters and you'd screech for him to put you down and once or twice he'd used it as an excuse to kiss you again. After hours of similar actions the sound of the waves hitting the shore was the only thing that could be heard as you both waded to stay afloat. 

Finnick stared out at the horizon, “I want to take you sailing when I get back."

“When you get back from what?" You asked, looking at him. Suddenly he was flooded with guilt, here he was dragging you along when he couldn't even be fully yours or honest about it. But he wanted to be with you so bad and for now that was all he had to cling onto.

It didn't mean he could look at you when he tried to explain it, so he looked down into the waters, “I'm supposed to leave for the Capitol tomorrow, just Victor related things.” He mumbled, shrugging off the mention.

"Oh, okay.” You didn't sound actually upset, "When will you be back?”

"A week at the most.” He peeked up at you through his eyelashes surprised to see you didn't look upset either, at most a little dejected that you wouldn't see him for so long.

"Well, we better have a killer party then to end all of this off, make sure you don't forget me.” You teased, raising your eyebrows.

"I could never forget about you… but you're not upset?"

You shot him a quizzical look, “Why would I be upset, we all have responsibilities, even if they come with different territory.” You shrugged and nearly fell backwards when he pressed his lips to yours again, steadying your back when you began to fall backwards. You had to be an angel who'd been sent to keep him sane and grace him, but a darker side of him urged him to realize he didn't deserve someone as understanding as you.

“You're so perfect." His arms held you and he looked at you with nothing less than amazement.

“I'm definitely not."

‘You’re perfect for me, we're perfect together,’ Finnick thought as he looked at you, water droplets running down your skin, breathing hard from all the excursions, eyes sparked with their usual twinkle and so many hidden thoughts he wanted to dive into. He accepted the conclusion that the only reason he would be feeling all this so fast would be because you were destined to be, all the stars had aligned for this moment, and the oceans had moved mountains to ensure this lifetime was no different. If you were Eurydice he had been your Orpheus, the Dante to your Beatrice, you would have been the Penelope to his Odysseus, regardless of any fate he knew there was never a life where you'd not been irrevocably bound together. 

             𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒

You were going to be rescued, saved from the Capitol's grasps, and what had brought elation at first was quickly ruined when he learned that he couldn't help rescue you. He wasn't quite yet considered mentally stable enough for it, even if slowly he'd been able to mask it all better. Instead he had to stay in District 13 and do nothing but beg the universe to return you to him. Hadn't there been enough tragedy in your short lives? Hadn't there been enough tragedy in every other ending, in every other life? They should've let him brave death to bring you back, it would've settled him more then the torture of not knowing. Especially since he'd caught every airing you'd had from the Capitol which made him grateful that Katniss had wagered for your immunity. Snow had you begging for ceasefire, showing off outfits to parade, as if there wasn't a textile shortage, and it broke him when you seemed to be getting less sure of questions regarding him, regarding you. Then had been when Peeta announced the planned attack on District 13 and seeing you scream when he was violently attacked for the warning. A scream that would have forced Finnick to be sedated if it weren't for the more impending doom of the bombs. 

Katniss was filming a distraction propo about Peeta, how he'd saved her, loved her from the beginning. It was intimate, but apparently not enough for Plutarch who was calling Finnick over. Or maybe he's thought of something when Katniss mentions Snow's own admission of the Capitol's fragility.

“The Capitol is fragile, Snow is fragile, if we can manage to make a major blow to that, it could take their focus off of the prisoners. Force them to focus on damage control instead." Plutarch explains.

“And you want me to say something that could do that?” Finnick looks down at his rope, you'd never been able to master the butterfly knot, and he can imagine himself going over it again to try and teach you.

“If you have anything worth sharing." Of course everyone knows he does, among the elite, the powerful, the other victors it's just an open secret. “It could help us save her."

"But you don't have to open that up, there's no guarantee it'll do anything.” Haymitch argues, he's been forced into sobriety and has maintained his aggression. 

“I have something, more than one." Finnick finally says once he's completed his knot and Plutarch can't hide how pleased he is with this outcome. Finnick swears he can hear the blood draining from his face and the nausea rising in his stomach as each second passes, but he persists to stand in front of the cameras.

"You don't have to do this.” Haymitch reiterates.

"Yes I do, if it'll help her.” There's no other option, if the only thing that stopped you from being safely brought to District 13 was the lack of a good distraction, he'd find a way to get a longer rope. He undid the knot before balling it tightly in his hand, “I'm ready." Finnick says to the camera crew and he thinks of you. He turns off any physical sign of emotions he may have because he knows if he doesn't it would lead to another damaging spiral.

The cameras click on and he's given the all clear to begin, “President Snow used to… sell me… my body, that is. I wasn't the only one.” Far from it, and Finnick wanted revenge for all of them, for him, for you, for Cashmere, for everyone Snow had forced into his scheme. "If a Victor is considered desirable, the President gives them as a reward or allows people to buy them for an exorbitant amount of money. If you refuse, he kills someone you love.” What had happened to Johanna, what he'd been terrified would happen to you when you'd first been together. “I wasn't the only one." He repeats and this time it really is for you, for how much he had to watch it break you. The nightmares, how long it took for you to accept any form of physical contact, how even years after it still affected your own intimacy with each other. They stole it all, your girlhood, most of your spark, whatever they could they ravaged from you like vultures on a corpse. Wasn't the prize of winning supposed to be life? “But I was the most popular. And perhaps the most defenseless because the people I loved were so defenseless." Finnick would never have mentioned this to you, but he'd begged Snow to give him more rather than give you any. The President had said you were too popular for none, but had given you less than what you could've had in exchange for even more of Finnick's time, his so-called uses. “To make themselves feel better my patrons would make presents of money or jewelry, but I found a much more valuable form of payment. Secrets.”

That's why he was such a threat to Snow, he knew too much, he needed to be silenced, but he hadn't and now he could tell all of Panem each one. “And this is where you're going to want to stay tuned, President Snow because so very many of them were about you. But let's begin with some of the others.” And prominent name after name spewed off of his tongue. It felt like he was dropping chains off of his body to reveal them to the nation. Each one more heinous than the next, “And now, on to our good President Coriolanus Snow. Such a young man when he rose to power. Such a clever one to keep it. How, you must ask yourself, did he do it? One word. That's all you really need to know. Poison." More names, victims of Snow's climb to power, the elite he trampled so he could trample the weak. Suddenly he's on fire, Finnick can't stop thinking about all the pain it caused you, about how it ruined his own childhood and life, how Johanna lost everyone she loved, how Cashmere worked so hard to protect her brother only for them both to be dead and he's so very detailed. Ensuring that it can't be swept under the rug and it's so harrowing that no one cuts the camera even when he's stopped speaking. There's too much shock, too much intensity, "Cut.” Finnick eventually intervenes.

Finally the stupor is over and people rush to air the footage, Plutarch is making endless comments that Finnick can't comprehend when he's so lost in his own head. Auto-pilot took control for most of the day, he tied knots until his fingers bled. You would've scolded him and bandaged them up, insisting it's why you didn't care for them even if you loved pouting for him to help you just so he could be so close by. Then he's got his arms wrapped around his knees, the day has been too slow, what if you were dead and he'd have no idea until they arrived and he would be at peak hope.

“Did you love her right away, Finnick?" Katniss' voice finally pulls him away from the endless myriad of thoughts.

“Not for the years when I knew of her and then I don't know what changed. She was just so herself in every way and I knew I wanted to just speak with her at least, but once I had a taste of it, yes. Like I'd been knocked over by a wave with it. For a while she didn't understand, but I didn't either, I just knew that there was no else for me." He feels like he's tearing up again when Haymitch rushes into the room.

“They're back. We’re wanted in the hospital. That's all I know." But Finnick feels like he can't move, he realizes he's scared of what you'll be like now. The Capitol had taken the you with her free-spirit and love of being in the moment and made her hate that she was able to breathe oxygen, which he'd so diligently worked to prove you were worthy of. Now they'd had you again, a version that was already hurt, untrusting, and self-destructive, and he couldn't imagine what they could have done to you now. Katniss is softly grabbing his hand to guide him upwards and he feels robotic. She guides him through the winding, gray hallways to the hospital wing. It's not until he can hear your screams that his brain clicks back into action. He has a responsibility to you, one of care, of love, of support in your weakest moments.

He's screaming your name as he runs from Katniss, searching for you desperately. Then he spots you on a hospital bed, pushing off the doctors trying to take care of you. Finnick needs to just be there with his soft words, let you know they're trying to help, so you'll stop. But that's not what happens when you hear his voice or see him. “Angel!" Your panicked screams become more shrill when you see him and in his confusion he steps closer, “It's just me." His voice is more broken then he wanted it to sound, more dejected.

“Get him away from me!" You're frenzied, scrambling to get out of the hospital bed or as far away in it as you can. The doctors are trying to reassure you as you scratch, and kick, and hit, and scream, begging for them to keep you safe from him. He feels the doctors trying to lead him away, hears Johanna laughing harshly in the background noise, but he's frozen. Your head is banging on the metal back of the bed which rattles. “Please, please.” You're sobbing and they're staying to sedate you, "He wants me dead, you don't get it, he's gonna kill me.” 

And Finnick is once again determined to get hands on a much longer rope. 

𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒

thank you so, so much for reading I am so sorry this took me so long! I hope you enjoyed it and as always feedback, comments, likes, reblogs are all much appreciated. my ask box is always open and currently so are requests which I'm working through! love you all and thank you again 💋

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