#don't choose loneliness

[gudansoo]

he looks so good with long hair :(

[dropespeon]

god. me when characters escape the narrative

[usercelestial]

°•°

[lucyvaleheart]

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[archiveofyearning]

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[the-casbah-way]

i know i'm in the middle of writing a jamie backstory but i went back home to sighthill in glasgow a few days ago and it filled me with such nostalgia and warmth and grief that i NEED to write a malcolm backstory too

[tbh-entp]

in the final season of this love story with INFJ... 

See below the link if you want my musings.

I think I’ve come to terms with love is not all you need in a relationship! At least for me, there is an aspect of choice and what you’ll accept from someone... which it seems like I’ve always known but hadn’t put it to words until very recently.

INFJ and I went out quite a lot in the past couple of months but it was very ‘situationship’ given that I knew he was coming out of a relationship and wanted to leave the country for a short time. I helped him with his application letters and read thru his letters of rec and when this man finally asked me if we should try again. I was like sir, u tryna leave the country right?

It’s just amazing to me that I really feel that I love him and want to help him but at the same time, I’ve said no to him maybe three or four times since 2020--not including deflecting certain advances. So maybe I wasn’t letting my emotional conscious deal with the fact that my rational conscious did not want him. Also, we hooked up a month or two ago and I was lying there thinking oh wait... I didn’t feel anything? Or maybe it felt like an end. 

So ya! I think I was extrapolating romantic feelings that I had in the beginning of our relationship that had turned platonic. Also I very much know, and knew in 2020, that other than some sexy dramatics, he doesn’t offer me what I want. I think he wants me because he’s lonely. I also don’t really think that he knows what he wants and is chasing something. Meanwhile, I want a best friend and a partner. I also want some kids :). 

I recently met someone kind of great, an ENFJ, who I think was written by a woman (I’ll post abt this fabulous man later maybe idk but this helps me think?), and we’ve been dating for the past month. I broke the news to INFJ, who took it a little hard, and who apparently thought something was going to happen even though he’s moving to East Asia (bruh). I’m very pleased for the progress in any case <3, I’m very happy where I am these days, and I hope INFJ finds what he’s looking for!

[jacksintention]

I can't with the previous post. It's just so good applied to Levi, Lacie, Oswald and even Jack.

Levi has his hands tied by the Baskerville system that is a sort of scam by the Jurors‚ like every Glen. But he says "let's just create a change" and gives a will to the Core. And he does so with the full intention of changing the narrative, if just to avoid the boredom of spending eternity watching the same thing happen over and over again from a sit in someone else's mind.

Lacie goes along with it because of her desire to ease the Core's loneliness, but in her idea of the children of misfortune being a consequence of this loneliness and her feelings of doubt or reservations, perhaps, revealed even before the tree scene in the scene in which she talks about this with Oswald, we could interpret this as her desire to end the existence of the children of misfortune and thus the cycle.

Jack plays into this in his attempt to take the "real" world to the "Abyss" world, but when he most consciously twists the narrative the Jurors had settled was when he intently made the decision to take the power from the Baskervilles. And I do think it has to do with ending the very system that doomed Lacie and Oswald and he deemed cruel and like torture, but mainly it is so that no one would interfere with him in the future.

Oswald tries to destroy the new narrative Jack has or is creating first by trying to stop him, but later on by trying to stop Levi's schemes before everything happened, resettling the narrative he was controlled and doomed by, serving still as their tool. And then he literally faces the truth, in the most explicitly way no one ever has been told this in that "real" world before, and threatens to kill the instigators of that narrative. And then just renounces, in a lack of action that is him at his most active ("not with a bang but a whimper", how fitting is that?!!!).

Ultimately there is a middle ground but the narrative is changed for good. For better or worse. With uncertain future consequences. But it is changed, and it feels kinder. And as a thank you the source of every narrative, the ink and paper of the narrative, lulls someone who shouldn't have existed but changed the world to sleep by telling him a different story. Because that's it. They're stories, and Oz deserved to go with a kinder one, because the ink and paper of the narrative loves him. And it's so interesting how that works metanarratively too. The author tells the story, but the author tells the reader a story about the stroy telling a softer version of the story, so that the reader too will get it alongside Oz. That works on several levels and it's so so interesting.

[late-moonie-thoughts]

I said I wasn't angry but I probably was here

The reality is that you're alone because you chose the person that hurt everyone including you over yourself. He won't be there for you because his head is so far up his ass that he's used to the smell of shit and it's his default scent.

But you're suffering because fecal matter is toxic, and as much as you probably think that by getting your education, it's gonna help you with your debt and other problems, it probably won't for a long time.

But again, you chose the person that thinks shit is the default so why would you improve? Fuck you I guess.

I'm not angry with you anymore, but honestly I can see why you're lonely and holding on to your singular friendship with that one person who isn't in your life anymore, while probably still reeling from having to end the one you had with me.

But again. Fuck you I guess, since you chose shit over yourself. You already fucked yourself.

[technofinch]

Need to think about nico & genevieve. dynamic of all time

[elektroyu]

Interestingly, through the loss of my dad and then a certain trigger happening (a song I used to listen to when I was still in school), I realized I'm not only mourning this actual loss, but also what I've lost in the last years even before my chronic illness became more severe. There's barely anyone left whom I feel close to, and I really miss that feeling of closeness to someone. At the same time, I feel like all this is exactly what needs to happen at this time. It's a little weird to feel this while also feeling that immense loss.

Also, I'm really curious what life will have in store for me on the coming years. How everything is going to pan out. I feel like I'm just preparing for what is yet to come, like I'm still waiting for the thing I'm meant to do in this life and everything will become clearer once these things have started happening. Idk what it'll be, but I think I'm on the right track, however difficult it may be right now. I can't wait to see what the thing will be 😶 But I'm looking forward to it, it's probably going to be something great (for me anyway).

[bi-writes]

what you want you cannot find. so you let someone else find it for you. (18+, dark!simon x curvy!fem!reader, arranged marriage)

you don't really know what you were thinking when you answered the ad. it is many things, maybe, why you chose to apply. why you were grateful to be chosen.

the loneliness, it aches. you cannot find yourself in anyone else, you cannot find the thing that should move you and hold you. you cannot find what it is that should ignite what is asleep, the thing nestled between your ribs that feels like it beats to a rhythm that you cannot hear.

the bitterness, too. there is something sour that you taste. there is acid under your tongue, something rotten between your teeth, and you wish for anything that you would stop tasting it because it reminds you of how alone you are, how alone you'll remain, the inevitable thing that you wish you weren't but that you unfortunately are.

it is the thing you cannot die for because there isn't anything to die for. you live, and you breathe, and you exist, but there isn't anything there. this is nothing that makes you want to gnaw on your own flesh, there is no life you would take in sake of another, there is no purpose to your existence except the hope that perhaps there is still time to have what you want more than anything.

but you don't know what you want. you don't know because everything that you thought you wanted, you do not want any longer. you never feel anything with other men. they are beneath you. they maim what they shouldn't. they complain about things that they can fix. they stare at a problem head-on, with the solution at their back, and they chase their tails. they do not know their right from their left. you hate them. but you want it. you want something. you want one of them, but you don't know which, so maybe if you don't choose, you will find what it is that you don't know you're looking for.

you're alone in the room. they gave you a bouquet of white roses. you hold them nervously between clammy palms. you wear a silk white dress that skims the floor, fabric falling soft over the curve of your waist and gentle along the swell of your cleavage. your hair is loose, and there is a short veil over your head, covering your face.

you stare at your handler. he's dressed in his military fatigues, tactical vest still strapped with the Union Jack across his chest. he has introduced himself as captain john price, and he is the one who arranged for your arrival. he is the one who told you to wear white, and he is the one who gave you the roses.

captain john price is rugged. captain john price is kind. and captain john price is not what you want. you are grateful that you are not yet disappointed with your match.

the door opens behind you. you straighten your posture that extra inch when you hear his heavy gait. there is a pause as the door shuts behind him, and you see his captain nod to a figure that you cannot see. his boots hit the floor low, and you swallow when the sunlight that comes through the window is blocked entirely by the size of him as he stands at your side.

the vows are short. you say your i do first, soft voice that hits his ears in a way that makes him nearly purr. when it is his turn to say i do, your eyes sparkle. he speaks in such a low voice, a Manchester accent that makes your toes curl in the white kitten heels that you wear. a drawl that you can feel in your chest, an accent that ticks a corner of your brain you did not know was there.

"you may kiss your bride."

you turn away from the captain. you tilt your head to look up at him, and you let out a soft breath when you realize the sheer breadth of this man.

he is barely a man. he must be something else. he is dressed all in black, and he wears all of his gear. his tactical vest is stocked well, magazines tucked into their pockets, a grenade dangling from one strap, a handgun tucked into its holster on his chest and around his thick thigh. his belt is heavy with more, knives in sheathes, devices in their places. even without all of the weight, you know the size of him won't shrink.

you cannot see his face. he covers it with a mask, one that resembles the front face of a skull. it is dirty. you aren't certain if it is blood or soot or dirt. maybe it is all of that and more. you cannot see his eyes through the veil either, but they are dark, and they are intense.

you keep your eyes fixed on his as he lifts your veil. the delicate fabric settles over your head, and you see him without obstruction.

there he is.

it is like seeing a man for the first time. it is like being in the presence of the dream you've always had and could never remember.

he tilts his head to the side, curious. he is seeing your face for the first time, too. soft eyes. glossy lips. the curve of your mouth. the untouched skin of your cheeks, the unmarred flesh that you wear. he follows the line of your throat to the peek of your tits dressed in silk. you are a present wrapped in luxury. hand delivered goods, of the finest quality.

his bride. his wife. something he will have forever. he does not know if he has ever been able to say that about anything else. he's never had anything except for his life. nothing except for himself has ever belonged to him, but even now, not even his life is his own, it belongs to someone far away, someone in an office somewhere, who moves the chess pieces of his world around, where he cannot do anything but follow.

you stand on your toes to get closer to him. he thinks for just a second you will ask him to remove his mask, but you don't. you cant your head, and you kiss him over the mask, sticky gloss leaving a light imprint on the fabric. you settle back onto your heels, and your breath hitches when one of his gloved hands comes to settle at the dip of your waist.

"she's all mine now, eh, cap'n?"

you blink, your eyes still on his. you don't move, and you don't say anything. you wonder, if you could see his face, if he would smile.

"all yours, simon."

you let him drag you closer, shuffling on your feet until your hips press against his. your back arches gently as he uses both hands, gripping you around the middle and feeling the soft flesh underneath your silk dress. he is a rabid dog, his next meal at his fingertips. she is his, and he wants to take her home. if his captain was not standing at his back, he knows he would take you on this very floor.

she is mine. she is mine. she is mine.

he has studied your picture. he has memorized your name. he has been waiting for you. he is too awkward to leave base. he is too quiet to attract birds, birds that matter, birds that sing. he is too ravenous to be anything but permanent, he isn't capable of the mundane, of casual. it is everything or nothing at all, and at the sound of permanence, he foamed at the mouth.

at the thought of something to keep, he was blinded. when beasts lose control, they call their keeper, and he had none. this change could be good. this change would do him well. when he ignores the order of a commanding officer, he will bend to yours, because he is bound, wrapped, tied to you with something invisible that weaves between his bones.

you do not know what you were before, but you know what you are now.

you follow after him. he turns to leave, and you let him lead. your heels click as you walk, and when it is hard for you to keep up, you reach for his hand. he grunts when you do, but he doesn't push you away. you hold wilting roses in one hand, and you clutch him in the other. recruits and privates stop to salute or step out of your way, and they stare when they see a trailing angel behind their lieutenant, a pretty girl in a pretty white dress with a veil fluttering against the breeze as you try and keep up with your husband's long strides.

the door he stops in front of is plain and unmarked. he fits a key into the lock, turning it and opening it, and he invites you over a threshold that no one else has ever stepped over. you stand on the other side, holding the roses to your chest. he turns when you don't follow him inside. you get a glimpse of him as a whole, the man that he is, big and menacing and taken. you wonder if he will wear his ring under his glove or if he will put it on the chain that holds his dog tags.

"is this where you live?" you ask. you stay on the other side, looking in, a little timid as you stand there.

he nods, silent. he crosses his arms over his chest, and you admire the bulge of them, the paint of skeleton bones along the fingers of his gloves. you look him up and down before smiling a little.

"is this where i will live, too?"

he shakes his head, a no.

"can't have a thing like y'here," he murmurs. "boys'll eat y'up."

you tilt your head to the side.

"i find that hard to believe," you quip. "do people often eat what's yours, lieutenant?"

he snarls, narrowing his eyes. "no one takes wot's mine."

"then what are you so afraid of?"

"that 'f y'r 'ere, i won't get any fuckin' work done."

you break out into a big smile, pearly white teeth flashing, and he clicks his tongue at your reaction. he reaches up and lifts his mask, pushing it up until it rests over his nose. his nose is crooked from being broken so many times. his face is scarred, as if someone took a blade and carved out the skin and muscle. a deep one stretches from somewhere under the mask to his lip, where it looks as if the skin was haphazardly stitched back together. another long jagged grey streak comes over the line of his cheek down his jaw, as if someone tried to peel his face off.

he grins. it's ugly and unsettling, as if he sees prey that he knows he will catch. your own smile does not fade. his tongue darts out to wet his lips, and you want to taste him. beast, bear, killing machine, the boogeyman, a ghost that haunts, you do not know exactly what he is, but you know, immediately, that he is what you have been searching for.

you do not know him. you do not love him yet, but you will. you are sure of this. you are sure that he is missing piece. he will fill the spaces that you have always felt hollow. he will scratch a place in your head that has always itched. there is something in his eyes, you're not exactly sure what it is, but you can't wait to discover it. you can't wait to explore, to indulge, to lick the salt of his skin and know that everything he is has been waiting for something like you.

you did not choose him, but he chose you, and now you see it clearly. you see this thing, and you know the truth of what's been hiding from you all your life. the curtain has been taken down. the veil is off. the walls are invisible.

"come 'ere," he says lowly. "won't ask so nicely next time."

you drop the flowers onto the floor, crossing the doorway. you kick the door shut, hearing it click, and he comes closer, until you can feel his breath fanning your nose.

"will you love me?" you ask, wringing your hands together nervously. "do you think maybe...do you think maybe that's possible?"

he licks over his teeth, humming. he leans down, knocking your chin up, and your breath hitches when he licks up the side of your jaw, taking in a whiff of your perfume and the sweetness of his bride.

"what a stupid word," he mutters, biting at the curve of your bottom lip. "meaningless. love. bloody hell."

"w-what...what?"

"a meaningless fuckin' word for the things i would do for ya," he continues. "the things i would kill. the heads i would step on. the sorry fucks i would get rid of...just to see y'smile."

your eyes flutter. yes, yes, yes--the unconditional devotion. the terrifyingly beautiful reality of through sickness and in health, until death do us part.

"is it really that easy, simon?" you ask. his gloved hands slip over your throat, sliding low and skimming the silk of your dress before he cups both sides of your ass and squeezes, drawing you closer until you are uncomfortably pressed up against him. his gear digs into your softness, sharp edges cutting into you, but you ignore it as he begins to draw up the skirt of your dress. "is it really that easy to say you'll do all of that for me? isn't it...it's wrong, isn't it? to do those things for me?"

he laughs. humorless, condescending. as if that is the stupidest thing you could have ever said.

"'s olright, swee'eart. gonna take all those ideas outta y'r pretty lil' head."

you relax when you feel his gloved hand under the hem of your white lace panties. your eyes shut, and you reach forward and grip his vest for stability.

"christ..." he hisses. "y'r soaked..."

you are. you have been since you first laid eyes on him, on everything he is. you know why you are here, and he knows why he is here, and that is because there were two people so desperate to find one another, that they let someone else choose. the gods, fate, whatever they want to be called.

matched by design, together by choice.

you lean forward and kiss beside his lips, and you whine when his big fingers slide between your folds, soft on your clit before he fits two fingers inside of you. his gloves are warm, and you wet them easily.

"wot a good girl," he breathes. "knew y'were the right one."

"y-you did?"

"could see it in y'r eyes, dove. could see wot y'needed. could see it plain as fuckin' day. dyin' inside, just like me, aye?"

you shake your head.

"n-not anymore...not anymore..." you gasp, and he tsks as he steps backward, the weight of him heavy as he takes a seat on his perfectly made bed, bringing you with him. you fall into his lap, unafraid to because you know someone of his size can carry you easily, and he hums as you spread your thighs apart. you straddle him, pressed up against the gun holstered to his chest, and you moan softly against his scarred face as he fucks you open with three unforgiving fingers.

"not anymore," he echos, baring his teeth as he pumps his hand. the squelch of it is filthy, but it isn't enough. he wants you to soak his arm, his thighs, his bed, let the slick of you stain him from the outside in. "not anymore. not as my wife."

you scramble. you rip the veil out of your hair, untie the corset of your dress. there's a naked angel in his lap, perky tits and soft figure, giving way to the gorgeous place you keep hidden by white, wet lace. the place that is his, the place that belongs to him, a pretty pussy that will keep him satiated until he breathes no longer.

after he tears apart his enemy, he will have you. after he tastes the blood he desires to see run, he will have you. the adrenaline, the fire, the shout of every order and the sound of their cries, it won't exist anymore in this place, he knows it.

"y'll never want for anythin'," he mutters. "y'll never be lonely. always get wot y'want...wot y'need...wot y'deserve..."

you reach up and cup his cheeks gently, pressing your mouth to his as you ride his fingers eagerly. you want him, you want this, you want all of it, even if it isn't what's right. but something brought you here, right into his arms, and this is what you deserve.

he's not even human, you don't think. he must be something else. with how good he makes you feel, with the sheer precision that he rocks his fingers into you, the way he smiles, he must be made of only something synthetic, something not organic.

you feel so small underneath him. he tosses you onto the bed, your head hitting the pillow gently. you giggle, and his grin widens. he has a warm pink tongue, and it's between his teeth, and you giggle again when he moves his head from side to side, staring down at you. he's studying you. you assume he has seen photos of you, but this is his first time seeing his bride for all that she is. soft, pretty, unscathed by war. at least on the outside--but on the inside, you are not as you seem.

there's a parasite in you. something that slithers behind your eyes and settles in that corner of your brain that only he can touch. he knows that feeling well. he feels it every time he is in the field, and he feels it now, with you. he chases this tick when he works. it knocks his senses just right, makes him feel good and big, like the reaper that he really is. he can be this with a rifle in his hand, and he can be this without it, with the weight of his wife in his hands.

you smile, biting your lip, and you spread your legs for him. his eyes fall between your thighs, and he chuckles. he brings his gloved hand up to his mouth, the one that smells like you, and you watch as he slips it inside, sucking on it for a moment before he uses his teeth to take both gloves off.

he bends, still in all his military glory, and he sticks his tongue out, licking a fat stripe up the seam of your cunt, using one thumb to pull the puffy lip apart and suckle on your clit for just a moment.

you gasp, arching your back, and he stands to his full height again, laughing.

"oh, y'taste sweet," he purrs. "y'taste good. hard t'believe i'll have this cunny for m'whole fuckin' life."

"believe it, baby," you coo, and he sighs. he nods his head, reaching low, gripping himself through his cargo pants and squeezing his cock. you follow his movements, watching him pay special attention to the tip of him, running his finger over where you guess the slit is as he watches you squirm. "why are you so far away, simon? don't you want me?"

he laughs again, smiling wide, and he nods.

"course i want ya, swee'eart. who wouldn't want ya, huh? who wouldn't want this?"

you meet his eyes. the question is a sound one, but it never mattered that you were wanted, what mattered is that you never wanted. not really. not until now.

you watch him as he reaches for his zipper. he undoes it easily, unbuttoning his pants and shoving them low. they won't go very low, thanks to the holsters around his thighs, but it's enough that you watch his cock stand at attention, the red tip of him leaking down the sides, making the bulging vein on the underside of him shine.

you whine a little, and he growls happily, watching as you cup the swell of your tits and squeeze them in anticipation. perfect, perfect, perfect girl, practically a mail-order bride that checks every single fucking box.

he grips you by the thighs, yanking you to the edge of the bed. you whimper when he slides the tip through your folds, letting it catch at the entrance before smirking down at you.

"'s big," you hiccup, and he tsks, shaking his head.

"y'can take it, swee'eart," he murmurs. "y'r a riley now, luvvie. y'know what tha' means?" you shake your head, your eyes a little watery, and he smooths a hand up your sternum, gripping you around the throat gently. "gonna find out...gonna find out how well a riley takes wot they're given."

"simon--"

"'s alright, luv, we'll start nice, yeah?" he breathes. you grip onto his forearms when he feeds you his cock, slowly, and your back bows at a sharp angle as you squeeze him for everything he is. "fuckin' hell...yeah, just the tip, yeah? oh, good girl..."

good girl, yeah...i'm a good girl--

you cry out, digging your nails into him when he mutters fuck it and bottoms out. his palm flattens just under your belly button, a choked groan leaving him as he presses down, a rush of something fucking glorious running down his spine. it's a high--he's so fucking high, as if he is popping fucking pills.

"feel me here, yeah?" he drags his hips back, smoothing a hand further up your stomach until he paws one of your tits, squeezing it firmly. you nod, sliding your hands up his arms, fisting the fabric of his mask at the base of his neck. you feel him everywhere, you feel him in your chest, running down your spine, you feel him in your mouth and in your head, and it feels so good, it feels so so so so good.

"yes--yes!" you gasp. fuck, he's huge, he's putting a shadow over you. you're naked, bare underneath him, and his gear rocks with every thrust, and it's filthy because you wonder if he worked, you wonder if he didn't even change before he went to marry his perfectly-picked bride, you wonder if he got off the tarmac not even an hour after killing his target to go and take what is his.

how long ago was it that he last fired his weapon? the gun on his chest, did he use it before he saw you?

i bet he did. i bet he used it. i bet he smoked the cigarette that i smell on him, and i bet he came here, and then he married me, and now he's all mine, and he's fucking me six ways to fucking sunday--

you think you're drooling. your lips are wet, and with every smack of his hips against yours, you feel a little more trickle down the side of your face. you're moaning, gripping his neck, pulling him further down on top of you. you want him all around you, you want him inside, you want him to come every day wearing this terrifying fucking uniform and to fuck you so stupid, you forget everything except for the name he has given you.

you want to know nothing except for his name. simon. riley. simon. riley.

you want to know nothing except for what you are. his wife. his wife. his wife.

it's so hard to remember to breathe. his hands grip you tight around the hips, and he's losing momentum, hissing, letting out choked groans as he brands the shape of his cock into you. he never wants you to forget what he feels like--he never wants you to know anything except for him, for the rest of your life.

"simon--" you whine, and he smirks, reaching up to hold your face in one big hand, keeping you still as you chase the grind of his pelvis against your puffy clit. "simon--!"

"tha'sit, luvvie...yeah..." he nods, "look at me--look at me," he leans down, a big weight over you, suffocating you, "good girl, yeah..." he clicks his tongue, "cum f'me, swee'eart. cum f'y'r husband, yeah?"

you lean up, chasing after him, gripping onto the sides of his face as you kiss him hard. it is the first time you really kiss him. slotting your mouth over his, slipping your tongue into his mouth, the sting of your wedding ring cooling his warm face as you taste him for the very first time.

it is gone. the bitterness that you always taste, the acid and the sourness and everything that always is so unpleasant under your tongue, it is gone when you have him. he takes it out of your mouth completely, and you chase after this just as you chase after the harsh grind of your clit against his pelvis.

he is carrying you. you're lifting, coming over some kind of sweet, exhilarating euphoria, and you're blinded by it, by the feeling, by him. you want more, more, you want it all, and he said you could have anything you want, that you'll never need anything ever again, he said, he said, he said--!

he laughs when you come. he swallows your moans, hisses when you soak his pants. you are the prettiest thing he could ever hope for, the personification of the things he does not deserve and could never have, and it is selfish that he has taken you this way, but he does not fucking care.

the things we cannot have are the sweetest, the most desirable. and simon is nothing if he isn't a thief.

he is nothing if he doesn't just take what he wants. he likes to think that perhaps he adopts the "ask for forgiveness, and not for permission" philosophy, but he does not ask for forgiveness. and he has never asked for permission.

"please--simon--" you gasp, looking up at him. your eyes are wet, and a few tears wet his hand around your face. "please--inside me, please..."

"'s olright, luv--" he grunts, pumping faster, his pretty little wife just begging for him, for more, and how could he say no to that? "easy, baby...i'll give it t'ya, don't worry, fuck--" he hisses, "lieutenant's wife gets woteva she wants..."

"please--inside--" you choke. "simon, inside, i-i want it inside--"

fuck, that is all he needed. he nestles deep, pressing his hips to yours, and you kiss him once more when you go blind again. a second high, when he stuffs you full. just as you should be. just as you always should be.

"yeah, fuck--" he breathes. "tha' wot y'wanted, yeah? nice and full, good girl..." he licks his lips, standing up straight, and just when you think he is pulling out, he yanks you back towards him, cum leaking down your thighs as you cry out from being so sensitive.

"simon!" you gasp, giggling, and he grins, patting your ass gently before pulling out. you let your knees fall onto the cot, swallowing hard as you watch him tuck himself back into his pants and zip them up. he brings the mask back down, and you watch as he slips his gloves back on. "hmm..."

he tilts his head to the side, sighing as he watches you settle there. something warm settles in his stomach, something satisfied.

"like havin' y'in my bed," he says lowly. "look nice there."

you smile, and he holds out one hand, beckoning you to sit up. you do, slowly, a little shaky as you try and compose yourself, and he leans down and kisses you through the mask. you close your eyes, humming, leaning into his touch.

"so i can stay?" you ask, and he chuckles.

"mmm...y'r so cute, luvvie..." he rumbles. "a doll, yeah? can't say no to ya."

you look down at the ring on your finger, a solid gold band complete with a precious diamond. you will have to get used to this--you are his wife, you can ask things of him, and you don't think he'll say no.

you look up at him when he tosses something at you. an army green shirt of his, and you slip it on, letting the fabric fall, and you lay back down in his cot as he moves around his room. you lay in comfortable silence, watching as the thing that calls himself your husband looks for files on his desk, adjusts the gun strapped to his thigh, shuffles his boots across the linoleum. you are mesmerized by what he is, and you haven't known him even a day.

you don't believe this is your vision askew. the honeymoon phase. the sugary sweet moments in time at the beginning where nothing is wrong, where all is well. simon riley is a practical man. he does not lie. he does not do things he does not want to do, and he does not say things he does not want to say. he is not in the business of comfort and ease, that much is clear to you.

simon riley is practical and resourceful. you think maybe he counts his words. that he doesn't say more than he has to. waste his energy on things that don't require it.

his wife. i'm his wife. his wife.

"why..." you swallow. "why...why did you pick me?"

he pauses as he stands in front of a locker. when he opens it, you see shelves of personal weapons stashed away, handguns of different sizes and shapes, knives of differing steel, toys that with a small push of a finger could destroy whatever building they went off inside. you don't flinch, don't blink, don't feel fear. you don't know why, but you just don't. you don't think it's possible.

he doesn't look at you as he surveys what lines the walls of it.

"just knew y'were the one f'me, swee'eart," he mutters. he shuts the locker, and the lock clicks. he comes closer, twirling a small blade between his fingers, and you don't cower away when he flicks it towards you, holding your chin up with the sharp tip of it. he hums appreciatively at this. "in all honesty, had no idea really until i saw ya, 'f you'd be mine."

he bends down, leans close, and you follow the curve of the blade with your head, keeping your eyes on his. there is no timidness in your gaze, and for that, he beams under the mask. perfection in one woman.

"and what would you have done if i wasn't the one?"

he shrugs.

"would've killed ya, luv."

"just like that?"

"just like tha'."

the tip of his blade drags, sliding up the length of your throat, along the line of your jaw. your lips part as he traces your mouth with it, and you tilt your head to the side as you trace the edge of it with your tongue. he leans forward more, pressing his forehead to yours, and you can see where the eye-black around his eyes fades into his pale skin under the balaclava. you see yourself in those eyes. the you that you have been waiting for. the you that you have missed for your entire life. the you that has been hiding, too scared to come out, too afraid of what might be said if someone saw the real you.

she had not been hiding. just lying dormant, in someone else, waiting for you to come home.

you smile, big, and simon presses his mouth to yours again through the mask, kissing you there, growling from deep in his chest, a purr that only emanates the contentment and the relief he feels because he has found that thing to live for. it is so easy to die. it is so easy to give oneself for what they believe. it is not hard to give the best of yourself away, he knows that.

what he has never been able to do is find something that will keep him alive. he has only ever lived because he found dying pathetic. he found it cowardly. but the alternative had been just as unforgiving, just as unfulfilling. but not this. not you.

you will make it difficult to die. you will make death a challenge. and when he eyes that smile, this one that you give only to him, he is happy to be given this new objective.

"but don't worry y'r pretty head about all tha', luv."

you give him those eyes, and he drinks it all in, all that you are. finally, finally, finally--

"until death do we part, yeah?"

NEXT

[elysiansparadise]

Hi Elysian! Can you share with me what placements indicate preference or tendency for isolation/ being by themselves regardless of it being a good or bad thing?

Thankyou so much!

Hello love! Of course I can. 

Preference/tendency for isolation

Although I considered many things into account for this particular topic, I focused mostly in three factors: the Moon, Saturn and 12th house. The Moon shows comfort and needs that we have, Saturn can give us independent overtones and, together with the 12th house, it usually speaks to us about isolation.

🖤Stellium in the 12th house. This house is par excellence the house of solitude and isolation. People with a stellium in this house often prefer to do things alone and spend their time on their own. Their isolation usually occurs for various reasons, from the search for deeper and more meaningful things, their need to recharge after a lot of contact with others, their sensitivity to their environments and even their rich internal world, in which they feel comfortable and safe.

🖤People with a Stellium in the 1st house have a high focus on self-discovery and everything related to knowing themselves better. They are highly independent people who rely on themselves in many areas of their life, which makes them reject the idea of ​​becoming too attached to others or depending on them.

🖤When someone has a Stellium in the 8th house, they usually have a strong need for privacy. They are people with a strong tendency toward introspection and who prefer to be on their own when they go through profound changes or when there is internal tension within them. They experience intense emotions and changes through their lives, which may cause them to withdraw from the external world to focus on their healing, growth, or reconstruction.

🖤Saturn in the 7th, 8th or 12th house shows us people with strong introverted tendencies and people who, in general, since they are children, face long periods of loneliness, either due to preference or because of experiences our of their control. They are people who have a tense relationship with loneliness, because although they seek it to feel safe as it is something familiar to them, there is also the fear of always being alone.

🖤Moon in the 1st or 6th house have a strong need for "me-time" either because their activities are rather calm and/or do not require others to do them, or simply because they genuinely enjoy the idea of ​​isolating themselves to take care of themselves by pampering themselves. They enjoy spending time with themselves, watching their favorite show, doing their hobbies or resting from the stress of everyday life.

🖤Moon in the 8th house or 12th house. They are people with deep emotions who would rather be alone than spend their time and energy on people who genuinely don't care about them or really know them. They look for emotional connections that are deep, that feel meaningful, which makes them selective about who they want to spend their time with.

🖤People with Virgo Moon tend to be very analytical about their emotions, so they need moments of solitude to reflect, organize their thoughts and regain emotional balance. Some of them may have been judged for their emotions or way of expressing themselves, which leads them to find security in solitude.

🖤Moon in Sagittarius. Contrary to what is said, I have seen that they are people with a strong need for introspection. They like their independence and choose to do activities that reconnect with themselves or hobbies that allow them to be on their own. These people also prioritize their pursuit of happiness, which makes them reject spending time with people who only bring negative things into their lives [criticism, toxicity or unnecessary tension].

🖤Those with Saturn in water signs are natives who usually choose to be on their own, often as a defense mechanism so as not to get hurt or betrayed. Likewise, they require time alone when it comes to managing their emotions, healing or dealing with their daily tensions. 

🖤Aries placements. I have seen it in many people around me with stelliums in Aries or with Aries in the big three. They are people who don't mind spending time with themselves and usually prefer it to save themselves the headaches or inconvenience of having to interact with people who have traits that bother them. They are individualistic and independent people and have no problem with being on their own and managing their things privately.

🖤Aquarius placements. They are people who know how to be with others but at the end of the day they need to be on their own, either to release stress or just to be able to carry out their plans or do what they want. Loneliness does not bother them and they need a lot of time alone to feel happy. I have seen this mostly in Aquarius Moons, Mercuries and Risings. 

🖤Pisces placements. They are people who can easily become overwhelmed when they are with others for a long time, which leads them to feel better when they isolate themselves. They recharge their batteries, introspect or simply rest. There is a strong need to know themselves at a deeper level, which they can get to do during their time with themselves.

🖤Chiron in air signs [Gemini, Libra or Aquarius] are common placements for people who are introverted and prefer to be alone rather than opening up to meet people. This tendency comes from the feeling of not having been heard or understood by people, so as a defense mechanism some of them usually choose to isolate themselves.

🖤Ruler of the 1st house in the 12th house or vice versa shows us natives who seek solitude, from getting to know themselves better or exploring themselves, to recharging their batteries. They are people who throughout their lives experience periods of loneliness and learn to find comfort in this. They can use their loneliness as a way to be themselves without fear or shame.

🖤Ruler of the 4th house in the 12th house or vice versa can be a great indicator as well, since the 4th house also gives us a clue about what gives us comfort or what we feel emotionally safe with, that its ruler falls in the 12th house. It speaks of the possibility of finding peace or emotional well-being in solitude. Natives with this overlay can feel safe when they are on their own.

🖤Ruler of the 7th house in the 12th house or vice versa shows us people who feel that they do not fit in with anyone and, in order not to drain their energy, to not be hurt or to avoid disappointment, they usually choose to be on their own. They are people who feel that it is better to be alone than in bad company. 

🖤Ruler of the 11th house in the 12th house of vice versa indicates a person who prefers solitude or very small circles of friends. They are people who find happiness in their solitude, because they can do their hobbies and dedicate more time to themselves. They don't like trying to fit in where they know they aren't comfortable in the first place.

🖤Any air house [3rd, 7th or 11th] ruler in the 8th house or vice versa. These people are very protective of themselves and are very focused on knowing themselves very well, spending a lot of time with themselves. They don't like wasting time with people they genuinely don't want to be with or people who aren't what they want.

[wintcrstcrfall]

when sleeping at last said “I want to love you but I don’t know how” and when bojack horseman said “I do love you, by the way. I mean as much as I’m capable of loving anyone. which is never enough” and when william faulkner said “perhaps they were right putting love into books. perhaps it could not live anywhere else” and when lorde said “my mother’s love is choking me” and when siken said “if you love me, henry, you don’t love me in a way I understand” and when maggie stiefvater said “need was adam’s baseline, his resting pulse. love was a privilege” and when benjamin alire sáenz said “but love was always something heavy for me. something I had to carry”

[freethefable]

having a bad time :thumbsup:

[anneapocalypse]

I think Shadowbringers is a great example of how knowing or guessing the "reveal" doesn't hurt a good story, and writers who understand that will write more confidently and tell better stories. That the Exarch is G'raha Tia is not hard to figure out. He has a distinctive lip shape, and he's the guy who was in the Crystal Tower! He's not even a very good liar at the end of the day. And none of that makes his arc as the Exarch any less powerful, imo. I don't think trying harder to obscure the Exarch's identity would make Shadowbringers a better story. Because the emotional core of his arc isn't in shock value. It's in the unfolding story of G'raha's journey, how he came to be here, why he is hiding his identity, why he pretends not to know you or who G'raha Tia is. It's in the culmination of a hundred years of planning and secrecy and loneliness, in how he's willing to die to save two worlds and you, in why it all goes wrong at the last minute, in how hard he tries to play the villain so you'll let him go, and in how unconvincing he is in that role. It's in the choices he makes when he realizes he doesn't have to die. It's in everything he chooses to be. He has a good story, and a good story doesn't lose its power when you know all or part of the ending, because a good story is about the journey.