Incredibly alarming that talks of “peace” in Gaza seem to extend no further than a ceasefire. How do you think they’re gonna start off where they left off themselves? Their houses are destroyed, so many have lost mothers and fathers and brothers and children, they still have no clean water and no food. Any area Israel withdraws out of is an area it already knows has been rendered inhospitable. There was even a direct quote by some IOF soldier gleefully stating how he “wasn’t sure Palestinians could go back to their homes.” So what happens when the US “succeeds at negotiating a ceasefire”? Who will be responsible for helping the Palestinians rebuild all that they’ve lost?
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“Ares…is a moron.”
I honestly don’t think that anyone is more amused by the whole “this douchebag decided to try and fight the child of the sea god on a fucking beach” of it all than Poseidon.
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Eddie: *overhears some girls gossiping about how Steve and Nancy got in a fight in an alley and the police got involved*
Eddie: *hears someone else say that Nancy Wheeler was taken to the police station*
Eddie: *sees Steve jumpy as hell with bruises on his face*
Eddie: *notices that Steve doesn’t talk to his friends anymore. notices that Steve and Nancy always seem miserable together. notices that only one of them is trying to please the other*
Eddie: *witnesses the halloween bathroom fight*
Eddie: *sees Steve confused, beat up, bruised to hell, and single the literal next time he sees him*
Eddie: *puts the pieces together and draws a conclusion*
Conclusion: *is wrong*
Eddie, accosting Steve at lunch: Hey, did you know that if a guy is getting hit by somebody that it’s abuse? Even if it’s a girl doing it.
Steve, confused: Oh-kay?
Steve, deciding that Eddie is reaching out to him for a reason and draws the same wrong conclusion about Eddie: I mean, yeah. That’s - yeah? That’s true. And messed up. You should tell someone if that’s, uh…going on.
Eddie: Yes, exactly. You should.
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going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down
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there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love
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scooby doo is such a weird franchise because it’s really old and very popular. everyone loves scooby doo. they have vague positive feelings about the movies and shows they grew up with. but very few people actually know that much about scooby doo. most people i talk to are really surprised there’s so many movies. they don’t know about the movies past 2004. most people haven’t seen much outside of the live actions and the mook films. when i tell people i’m a big scooby doo fan they’re like yeah i love zombie island. and i’m like oh we’re operating on completely different levels of scooby doo here. you can’t even comprehend the levels of scooby doo i’m about to explain to you.
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writing advice: every chapter should have something that makes you, a sicko, say yeesss… hahaha… yeeesss!!! and it doesn’t quite matter what you are a sicko about but it’ll be hard to get through the chapter if nothing makes you press your face into the window
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