#dominique the amazonian

[heleneplays]

Dominique taking care of Sick!Helene

I haven't expressed how much I love this brush like. HONESTLY. I love texture :) BUT MORE IMPORTANTLY, I LOVE THEM BEING GAY AND DOING CRIMES <3

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The Fic: [Part 1] [Part 2]

Other ROs: [Abdul] [Cleo] [Dominique] [Esme] [María] [Rémy] [Zhu]

[jamesshawgames]

Character Profile: Dominique

I’ve been thinking a lot about Dominique lately, partly because I’ve been writing them (a nice little hint there for people curious about what’s coming up at the start of Book 3!) I decided that it was time for them to get a character profile - but this one is going to have to be a little different to the previous profiles. So much of Dominique’s life story is still mysterious, and for now I want to keep it that way, although you will be learning a lot more about them by the end of the trilogy of course! So below is a limited profile of Dominique, only including info that’s already out there in the first and second books. There are a lot of gaps in that bio. I hope you’ll enjoy seeing some of those gaps get filled in in the new book!

Character Profile: “Dominique”

Name: “Dominique”, aka “The Amazonian”

Date of Birth: ?

Place of Birth: ?

Appearance:

Bio:

Europe’s most notorious museum thief, the so-called Amazonian takes their name from their preferred method of dealing with museum security: they carry a blow-pipe, of the type favored by some of the indigenous peoples of the Amazon basin, from which they fire darts coated in strong sedative drugs. Wanted in almost every country in Europe, the Amazonian has, since 1931, been embarrassing Europe’s leading museums by robbing them of their treasures, apparently on order from rich clients. They only hit the most prestigious of museums, the ones that are supposedly unbreakable, and they commit their heists with such style and flair that it’s clear that they enjoy showing off. Institutions that they have hit include the British Museum and the National Gallery in London, the Louvre in Paris, the Pergamon Museum in Berlin, the Rijksmuseum in Amsterdam, the Vatican Museums in Rome and the Hermitage in St. Petersburg. Police are still unsure exactly how clients contact the Amazonian to arrange the thefts. As for their real identity, they have no solid leads. Only one real clue exists. Once, on the night of a break-in at the National Gallery in London, when a Titian painting of the Adoration of the Magi was stolen by the Amazonian, a vagrant in Trafalgar Square thought that he saw a “female figure” darting across the rooftops. After a London tabloid gleefully broke this exclusive, the paper’s editor, on getting home one night, found that somebody had broken into his bedroom and left him a note, patiently explaining that the Amazonian was not, as his paper had reported, a “lady”, and thanking him to please use “they” pronouns in future.

In 1936, the Amazonian was almost caught when the American adventurer-archaeologist Dr. Spillane interrupted them mid-heist at the British Museum and chased them through the Underground network. However, they managed to slip away. Two years later, the Amazonian found themselves working alongside their almost-captor Spillane, on a heist at the Doge’s Palace in Venice. It was then that they told Spillane to call them “Dominique”, although it’s pretty clear that this isn’t their real name.

When WW2 breaks out, they seem to stop robbing museums and disappear. Where have they gone? What are they doing? Who are they really, and where did they come from?

Nobody knows. Yet…

[maximoffscarletsimp]

I love everything about this post. Especially that fan

x

[itsblosseybitch]

Well Dunne by Fred Schruers (from Rolling Stone magazine, November 7th, 1985)

The star of ‘After Hours’ knows how to produce a lot of laughs

The day Warner Bros. previewed After Hours at its Burbank, California, studio for a randomly selected public - “People who may have been coming out of Wendy’s on La Cinega” is how Griffin Dunne puts it - leading man Dunne and his co-producer, Amy Robinson, joined a line of cars stop-and-going through the gates to the studio. As he tells about it now, a month later, he mimes the part of a power-buzzed security man clutching a walkie-talkie: “Get these people out of there...Can’t let the audience see you, sir...We’re at Building C, walking the producer and the star over now...” 

They hid Griffin in the projection booth till the lights went down. Then he sneaked in and listened. Very happily. “They laughed. Went crazy. You couldn’t hear the dialogue.”

A lot of his best lines got lost in the hubbub then, no? Dunne lets his swivel chair rock down from a perilous two-legged tilt and gives the serious, almost beady-eyed take meant to remind you what an alarmingly hostile world we live in: “Let that be the most serious of my problems.”

In fact, Dunne has hardly any problems just now that stand much chance of knocking him from the embrace of the bitch goddess Success. Costing roughly $4 million and described by director Martin Scorsese as “an experimental, psychological farce,” After Hours took only one September weekend to show it would clamber out of cult status and be recognized as something the studio could platform into a nice little hit. 

As a producer, then, the thirty-year-old Dunne is at speed. The grudging credit the industry gave him for co-producing Chilly Scenes of Winter, at age twenty-three, and added to with 1982′s Baby, It’s You (OP NOTE: This is an error. Should be 1983), must now give way to admiration. As an actor, he’s got many people besides the studio guards referring to him as an arriving star. He’s onscreen in virtually every frame in After Hours, and his highly expressive face, which seems to be hastily if handsomely thrown together, accented with dark eyebrows and riveting brown eyes, is undeniably crucial to our comic appreciation of the very odd goings-on during the protagonist’s interminable night among the sexually flawed denizens of artsy SoHo. Whether recoiling from the kinky come-ons of Rosanna Arquette’s Marcy and Linda Fiorentino’s Kiki, feeling mousetrapped by Teri Garr’s Julie, marked for slaughter by Catherine O’Hara’s Gail or imprisoned by Verna Bloom’s June, he’s a catalog of nearly nuanced lab-rat reflexes. 

The key to Dunne’s performance is clearly reaction, as Amy Robinson points out: “It was imperative in this movie that the character be very likable. Otherwise, why would you want to spend this hour and a half going through such trials and tribulations?”

Adam Brooks, who directed him in this year’s unkindly received Almost You, judges Griffin to be just the right everyman for this opening up in Scorsese’s work. “He’s alone, like other Scorsese heroes, but not obsessed. He’s more like us - a child of computers and television. Lonely, but not driven.”

“A lot of people say Griffin looks like Dudley Moore, but I think he’s a lot more like Jack Benny - his comedy works when he’s surrounded by a lot of crazy people, crazy events. He’s charming, endearing. What’s great about After Hours is that the charm gets defeated at every point and ends up being a kind of vanity - so you’ve got this nicely mounting hysteria.”

The Joseph Minion script for After Hours - dispatched to Griffin after being handed to Amy Robinson by Minion’s film-school professor, director Dusan Makavejec - caught the actor’s fancy on page 2. He could sink right into the role of Paul Hackett, a lonely and bored word processor who meets an enticing girl at a coffee shop. “I understood the speech patterns, the other characters and the tension. And the situation of a horrible date. Of being with somebody, trapped in a situation. I’m looking around the room, going ‘How do I get out of here? And how the hell did I get in here?’ Which is a pretty funny basis for a movie.”

“My only criterion for directing Griffin,” says Scorsese, “was ‘I don’t believe you. For all you know, you’re pleading for your life. If I don’t believe you, I’m not gonna print this take, and we’ll just continue till I believe you.’ He had to get in touch with something in here, he had to plead for his life. And that was - fun.”

Thomas Griffin Dunne was born June 8th, 1955, in New York City, the first of three children of Dominick and Ellen (known as Lenny). His father was a Connecticut-bred, Williams-educated stage manager en route to producer status; his mother was an actress and model raised in Nogales, Arizona, by her Mexican mother and her cattle-rancher father, Thomas Griffin. Dominick worked on everything from Howdy Doody to Playhouse 90, and when colleague Martin Manulis moved to Los Angeles in 1956, Dominick took his work and family went as well. 

They settled in then quaint Beverly Hills (”Not the Iranian gun boutiques they’ve got now,” grumbles Griffin), where Griffin hung out with other showbiz whelps, like Carrie Fisher, until heading east to a prestigious old prep school. One unfortunately whimsical day, under the influence of a notorious Moby Grape album cover, he extended his middle finger toward the camera in the football-team photo. By chance, two years later, the headmaster glanced at the photo; the punishment was five swats. 

(OP NOTE: I actually contacted Fay School about this photo, and they claimed they didn’t have it. In hindsight, I should have tried a different approach because, to quote Mandy-Rice Davies, “Well they would, wouldn’t they?”)

Next stop was a less stodgy boys school in Colorado, where he won a plum role in The Zoo Story as a sophomore and became “Joe Theater” on campus. By senior year, he was preparing for his greatest performance, as Iago in Othello. The evening before the big day, Griffin and a friend were in a dorm room contentedly smoking dope when the door swung open. They smothered the joint just in time to look up at the school’s “one badass” faculty member, who asked, “What’s that smell?” “There was the longest pause,” recalls Griffin. “Finally, I said ‘What smell?’ “ The smoke, he says, “just poured right out - mocked me.”

Griffin, sent packing, hitchhiked home quite certain that his proper trade was acting. He got a bit part in Medical Story as an intern hooking up an I.V. line amid much medical palaver, but they changed the diagnosis on him at the last minute. Frantically trying to memorize the new bit during a five-minute break, he burned his lip trying to light a cigarette and went before the camera lisping, sweating, shaking, and bereft of words. Actress Linda Purl took pity and wrote his lines on her forearm, where the I.V. was to go. “It was such a classy move,” he says.

Still, deciding he’d better learn the trade from scratch, Griffin migrated to New York and joined the legion of struggling actors. He was catastrophically nervous at auditions: when he went before the stern Uta Hagen to apply for her acting class, he “went up” - completely forgot the text he’d prepared from The Catcher In The Rye. So he improvised, giving the story that morning’s trip downtown as Holden Caulfield might tell it. She was alternately rapt and chuckling, and signed him on. But he was soon shown to be the dunce of a class full of working actors. Finally, one day after he set a prop door up backward for a solo exercise, then frenziedly tried to shove it the wrong way through the jamb, she took him aside and told him he was simply not ready for her class. But he begged her one more chance, and the next day he skipped forward several exercises to do an imaginary phone call. He wowed Hagen and the class and went on from there.

As he built off-Broadway credits, Dunne lived in various shabby apartments and worked odd jobs, notably, selling candy and popcorn at Radio City Music Hall, where he was stung by the indifference of the Amazonian Rockettes: “They certainly had no time for a guy in a polyester zip-up baby-blue jacket with a cadet hat and shoes two sizes too big that had belonged to an usher who died of old age.”

He met Amy Robinson, who had gone from Scorsese’s Mean Streets to searching for work, at a party. With a third actor, Mark Metcalf, they became upstart movie producers by optioning Ann Beattie’s Chilly Scenes of Winter. Joan Micklin Silver came in as screenwriter and director, and they got studio financing to make a cult prestige item. It marked the beginning of a time of happy overwork for Griffin. He came back from shooting a TV film called The Wall in Poland (opposite Rosanna Arquette) to do the play Coming Attractions, which he then left to do John Landis’ film An American Werewolf in London.

He had come back to work full-time on producing Baby, It’s You when horrible news came: his sister, Dominique, a promising young actress, was strangled to death at the age of twenty-two by her boyfriend, a chef at Ma Maison. 

“It brought all of us who were left together for every moment for a year between what happened and the verdict,” says Dominick Dunne. “It’s never for a moment not a part of you. The point is, you have to go on, you have to cope, to live your life. He threw himself into his work.”

Baby, It’s You was completed that year and dedicated to his sister. Then, even as he helped with script revisions to After Hours, Griffin was before the cameras in Adam Brooks’ Almost You. It’s about a couple suffering from the young man’s restlessness, and though Dunne and Brooke Adams agreed to do it while they were very much a couple, by the time it got financing, they were just friends. “I guess you could say they had a lot to work with,” says Brooks. “but that never interfered with the production.”

Griffin’s been seeing New York actress Ellen Barkin lately; she was on his arm for the New York premiere of the film and afterward was a proud but not proprietary presence as he accepted congratulations well into the night from a buzzing crowd of friends at a downtown restaurant. He was due to head cross-country for promotional chores, but he’s got further plans for his unusually hyphenated career. He and Amy Robinson have optioned the hit play The Foreigner, written by the late Larry Shue. And after the rigors of making After Hours on a nocturnal schedule, Griffin is very happy to have the phone plugged back in and the shades up. 

(OP NOTE: As I mentioned in the transcript for the American Film article, The Foreigner never materialized as a feature film, though Robin Williams was attached at one point. That’s all the information I have about that at the moment.)

“I noticed that Griffin is the kind of guy who gets around a lot, parties a lot,” says Scorsese, “and I knew the hardest part of his job was sustaining the anxiety for eight weeks of shooting.” The director pauses for a grin that demands to be called devilish. “So I told him, ‘No sex for eight weeks. We’ve got careers on the line here. I don’t want you up at night talking, wasting your time and your precious bodily fluids.’

“Really, the idea was to contain him and keep him in this night world for eight weeks, ‘cause his performance depended on anxiety, and if he was satisfied, he would never be able to get that.”

Dunne, reminded later of the challenge, tips back his chair and grins to himself. “Aw, that was easy to live up to,” he says, then waits a beat to settle into the deadpan expression that is such a comic weapon for him. “Did you ever try to get a date a six-thirty in the morning?”

[roxsannel]

Christmas Kisses: A Zodiac Shifters Anthology by Amy Lee Burgess, Dominique Eastwick, Jennifer Hilt, Rosalie Redd, Bethany Shaw and Melissa Snark.

This is a collection of short stories where romance in the holiday season is the name of the game, but nothing is ever smooth sailing in the shifter communities and these stories show you all about how christmas time and love can conquer all, with something for everyone within.

Under The Mistletoe by Amy Lee Burgess is alll about the christmas party that the dragon shifters of Zodiac Mountain throw each year, it is always the same, nobody talks to anyone if they are not in the same clan, they separate themselves off and just ignore everyone else, but this year will be different because a witch named Marley has a plan to get them talking, all it needs is some mistletoe, but will it work, or will everyone come to blows at her audacity, especially her friend Emily and her forbidden love Orlando?

Through The Blizzard by Dominique Eastwick is centered around Oakley, a snow leopard shifter who was exiled from his pack, even by his mate, but he has built up his life how he wants it, despite all of that, by helping those from all the Zodiac packs in their time of need, up in the mountains of Wyoming. Meanwhile, his mate Nova has spent her life in aa naive haze, but when her mate is framed for a crime, she believes in his guilt, that is until she finds out what really happened when a new Prime of the pack asks her to go bring him home, but will she be able to brave the storm which is brewing in the mountains and bring her mate home, or will he turn his back on her, like she did to him?

What A Scottish Shifter Wants by Jennifer Hilt is set in Icy Cap, Alaska where Angus McGowan, a commitment phobic wolf shifter is travelling, but when he meets Bree, an Amazonian biologist, they indulge in a no strings attached fling, however, he isn't happy about her not using contraception and being willing to raise a child if one is produced, so when he leaves, she gives him a protection amulet. As he continues his travels, he encounters a witch who lets her jealously loose, cursing Angus and causing him to lose his memory and amulet, but will be ever find Bree again, or will he be lost to the curse forever?

All I Want For Christmas by Bethany Shaw is all about Santiago Ferdinand, a phoenix shifter PI and his employee Cassidy Clark, he hired her for her skills, but kept her on because of his attraction, even forgiving her when she is a little late for work, but she is also attracted to him, but when they let their feelings air, Cassidy realises that she might be a little in over her head when a group of Lycanthropes he has been investigating attack her, he knows she need to know the truth, but can she handle it, or will she run from him?

A Very Foxy Christmas by Melissa Snark is about two theives and a heist which goes wrong, but it also goes a little right with plenty of humour and plenty of steamy action, this is a saucy holiday romance.

[sondraakakitty]

This makeup look was inspired by a YouTube video from Kelechi Mgbemena using oroducts from all of my February #beautysubscriptionboxes; IPSY, IPSY Plus, Birchbox, Allure Beauty Box and PlaybySephora. YouTube video will be up in a couple days. Today's makeup look. Products listed below Primer: MILK Makeup Hydro Grip Foundation: Juvia's Place Velvet Matte Aruba + Ibiza Powder Contour - BH Cosmetics 6 Color Blush + Contour Palette Bronzer - Too Faced Chocolate Soleil Concealer - Kevyn Aucoin Sensual Skin Enhancer SX11 + NARS Radiant Creamy in Praline Powders - KatVonD LockIt setting powder in translucent + Laura Mercier medium/deep powder & Sascha Buttercup Brows - KatVonD Super brow pomade in medium brown + brow Struck Dimension Powder in dark brown Brows - Benefit Precisely My Brow in 3.5 Eye primer - Laura Mercier in Wheat Blush - Too Faced Peach My Cheeks melting powder in "Ginger Peach" & Tarte Amazonian Clay 12-hr blush in "Party Dress" Bronzer - YCCollection Matte Bronzer in Caramello Eyes - Chella Hello Beautiful quad & Dominique Cosmetics Palette Liners - Inglot gel liner in black Mascara - Lancome CILS Booster XL & Marcelle Xtension Plus Curl Lips - MAC Cork liner & Pat McGrath astral vinyl gloss in Bronze Highlighter - Wander Beauty Wandress Glow in After Hours Setting Spray - Glow Recipe Watermelon Glow Ultra Fine Mist + MAC Fix+ in White Tea Refresh Spray - Glow Recipe Watermelon Glow Ultra Fine Mist Lashes - LillyLashes in Miami #fiercesociety, #ballinonabudget, #eyeshadowpalette, #browgame, #wakeup2slay, #inssta_makeup, #igstorygems, #beautytips, #makeuplover, #KittySpeaks, #woc, #browngirlfriendly, #slayed, #lifeofanartist, #bloggerlife, #ontheblog, #mua, #makeuphoarder, #motd, #fotd #melaninmakeup #lillylashes Melaninmakeupdaily https://www.instagram.com/p/B9AsXjKpScJ/?igshid=dv25pjbakap7

[wartremovaltips0]

Beauty Tips For Women

Wedding Makeup Tutorial | PatrickStarrr

Happy Wedding!! If you are getting married…congratulations! This is a classic glam wedding makeup tutorial on my friend Christen Dominique! Subscribe to see more tutorials like this!

xoxo PatrickStarrr

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Bridal Inspired Makeup Tutorial ♡ Feat. Jess Bauer ♡ Jasmine Hand

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hiiiiii guys!!! sooo excited to be doing this beautiful girls wedding makeup! so i thought why not film her trial!! She was after full coverage and soft eyes and i love how it looks on her! Not too little and not too much! Well in my opinion anyway haha! Please give this video a thumbs up if you enjoy my client vids! Love you and ill see ya in my next vid xxx

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[amiducabaret]

#GrandCabaret Sam 08/04

 @PatSebastien  @PSebastien_Fan  @France2Tv  @OrchestreColl

Rendez-vous à 21h00

18e saison pour Le Plus grand cabaret de Patrick Sébastien ! Une émission chargée de magie, d'humour et de visuels plus spectaculaires les uns que les autres. Antoine Duléry est le parrain de ce troisième numéro de 2017. Les invités du soir : Isabelle Mergault, Vincent Niclo, Alicia Aylies (Miss France 2017), Régis Mailhot, Reem Kherici, Max Guazzini, Olivier Minne, Karl Zéro, Dominique Besnehard et Christophe Barratier.

Retrouvez sur scène : Legion : troupe balançoire Nestor Hato : magie Kerol : clown Acrobatic Quartet : quatuor acrobates Bernard Bilis : close-up Human's : troupe hip-hop Hakan Berg : magie burlesque Chi-han : diabolos Quiddlers : YMCA Teslenko : quatuor jonglage Amazonian duo : guo main à main Craig & Elizabeth : grande illusion Sky Angels : numéro aérien Dani Lary : le Gloup

[heleneplays]

MCR-SocMed AU pt. 1

or in which Helene is experiencing the worst day today :)

[heleneplays]

anyways i offer nothing but my interpretation of the cast as well, based on pre-existing materials & convos 💖:

in order: Sam, Dominique, Esme, Zhu, María, Rémy, Cleo, and Abdul 😳🥺💖

---

[MC heights pt. 1]

[heleneplays]

Who would win, a secure museum patrolled by many security as it undergoes construction, or one very wily yet VERY goofy Amazonian with tranq darts and an offer to one (1) visiting Spillane?

anyways not to be an absolute simp for a super thief but like. DOMINIQUE MY BELOVED,,, @jamesshawgames I cant believe I'm once again filled with love 😳🔪

[heleneplays]

not to be a whole ass lesbian for a character who’s been only described by text but María García Pérez ma’am I am out here simping for you

[heleneplays]

Relics Quick Character Guide

Compilation of details as a handy reference guide for Sam & the ROs taken from the sacred texts, peeking @ the code, and my sleepy thoughts & deductions

these are in no way official (aside from what i already pulled from the pre-existing descriptions) & is v much subject to change since I have blanks left for details i can't find or probably skipped over bc checking the texts are hard and I forgot to grab the other screenshots. Also it's 5 am and i am very very sleepyso I have negative braincells, actually]

Sam Hopkins

eyes: brown

hair: brown, unruly curly

skin: pale/fair (?) [from "red" arms | relics 2 prologue]

build: short & stocky

ethnicity/nationality:

Esme Fairfield

eyes: green

hair: curled, blonde (relics 1) | straight asymmetric bob, blonde (relics 2)

skin: tanned (?) [i think i saw a passage during the chap 5 in book 1 or around. the epilogue??? im not sure]

build: elegant

ethnicity/nationality: European

Abdul

eyes:

hair:

skin:

build: Huge (warm hugs!!!)

ethnicity/nationality: Arab

María García Pérez

eyes: hazel

hair: curls, flame-red (relics 1) | longer & wavier tumbling past her shoulders, deeper red (relics 2)

skin: (fair skinned in my depiction bc i based my drawing on an average spanish woman),

build: average (but ngl i picture her toned), feminine

ethnicity/nationality: Spanish

Jian Zhu

eyes:

hair:

skin:

build: short & slight; well proportioned; handsome

ethnicity/nationality: Asian

Cleopatra Stone

eyes:

hair:

skin:

build: TALL <3

ethnicity/nationality: Black | American

Rémy Fournier

eyes: brown

hair:

skin:

build: lithe; strong

ethnicity/nationality: Parisian

Dominique (Amazonian)

eyes:

hair: auburn

skin:

build: snub nosed, thick lipped;

ethnicity/nationality: European

[heleneplays]

not to be a little meow meow but DOMINIQUE THE AMAZONIAN MY BELOVED

[heleneplays]

I don't know MUCH abt D&D (and I will continue not to know about it) but mentally my list goes like this after looking briefly @ google for the quick guides:

Cleo - Wizard | was going thru her profile recently and i just remembered that bit about her DEVOURING books and like. well she do be an academic with a strong sense of learning <3

Esme - Ranger | not me looking at her want of adventure and me zooming in on the fact that Rangers are called to specific actions to defend the wilds so like. 🥺 yeah.

Abdul - Cleric | not me zooming in on assigned healer but like. it fits abdul's theme as a caretaker 👉🏻👈🏻 also oop emulating the beliefs uwu

Zhu - Paladin | ok not to be out here with this take but. instead of a rogue assassin specialist (since we know,,, spy and all,,,) there's something about the description on D&D Beyond that has me. THINKING™. bc while gods may bestow divine powers crusading for good & order-- that's subjective to their definition... so yeah... also i just want some angst >:3

Rémy - Bard | we KNOW he fucks severely and we KNOW he's a dramatic meow meow so it was an obvious choice!!!!!!!!! and honestly love that for him <3

Dominique/The Amazonian - Rogue | obviously more on the Thief side :) bc self-explanatory <3

Sam - Druid Wizard | liSTEN....... its not just the shapeshifting powers thst got me but like. i wanted somth funny bc canonically they're bad with THEM and yET here I assign them as a nature & animal person-- and I laugh evilly about it. But anyways that aside, I like to imagine Sam as a druid but studied v hard to be a wizard and you know what thats 🤝🤝🤝 for them!

Helene - Sorcerer | I forgot to put it down and idk if I will be elaborating on this bc i dont want to learn any more about dnd other that what i've consumed already, BUT all u need to know is that she likes casting spells :)

ANYWAYS that's how far my thoughts go, I AM curious on how you'd group them tho ><

Dragon Spillane anon: *evil chuckle* Your fan art-induced pain amuses me, tiny woman >} Also, a rogue? Pffft, Maria would OBVIOUSLY be a barbarian - What other class defaults to rage?

YOU!!!11! EVIL OF U!!!!!!

not me now imagining buff! elf barbarian María now,,,, HOW DARE YOU!!!!!!!!

also, 👁👄👁 fight me!!!!!!! i may be tiny but my fists are mighty!!!!!

and María's a Rogue™ bc oBviOuSLy it's about the knives and daggers baby! and she's WILY and sneaky AND she's just a little meow meow!!! also, hello she's out there stealing my heart (and money) >:0!!!!!

and she doesn't necessarily fall to rage u know 👉🏻👈🏻 ...but that's for you to play books 2 & 3 (when they come) and find out >:)