#domi quietly slaying
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tardozzi yelling at pecco in the new documentary…
#i agree but i like that pecco is that way so#motogp#callie speaks#being too committed to honorable combat is a fun fatal flaw to have imo ESPECIALLY in contrast to the rosquez of it all#both of whom are nasty skanks#domi quietly slaying
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La Belle Dame Sans Merci
Fandom: The Case Study of Vanitas (Mochizuki Jun)
Pairing: Noé/Vanitas
Tags: #vanitas pines for noé, #implied/referenced past rape/non-con, #implied/referenced past childe abuse, #blood and unjury, #angst and feels, #forehead kisses
Words: 3.7k
Summary: Vanitas can’t sleep so he does the only other thing he’s good at besides curing vampires from the curse: harass Noé. It escalates royally and doesn’t end good. No one is surprised.
La Belle Dame Sans Merci
Moonlight casts slim, silver lines on Noé’s face.
Sitting on the windowsill, Vanitas can see the slow and steady rise of Noé’s chest, a constant rhythm speaking of life. How he has survived until today is still a wonder to Vanitas. Only a few feet separate him from the sleeping, defenceless body—a body he knows all too well capable of pulling tense like a bowstring when ready to strike; an animal equipped with lethal tools to hunt and destroy. But Noé is a paradox of black and white, a pacifist at heart that opens up too easily, too quick. Why else would he be interested in someone like Vanitas?
Their conversation at the top of the bell tower is still ringing all too clear in his head, a memory he’d rather strip from his mind and drop in the deepest part of a vicious, dark sea. Noé is dangerous, because unbeknown to himself, he has worked a strange magic on Vanitas, pulling at invisible chains curling around his neck however Noé pleases. If Vanitas didn’t know better, he’d call it Fate, but she has abandoned him long ago to suddenly return like a sullen lover and beg him for companionship.
“Louis,” Noé murmurs, drawing back Vanitas’s attention, and no, he isn’t jealous, not in the slightest. He just wants to reach inside Noé’s mouth and rip that name out of him. He hates that even though Noé is easy to read like an open book, it turns out its pages are filled with enigmas Vanitas is unable to solve.
A little huff escapes him as he slides down the windowsill, his feet landing eerily quiet on the floor. Watching Noé snore undisturbed, he’s quite sure he’s met what must be the worst vampire of his kind. What else explains his utter lack of awareness of danger? Vanitas imagines slipping right next to him and sliding a dagger across his throat or put the barrel right above his heart, pulling the trigger.
He’s so easy, Vanitas thinks, barely holding back a scoff. In so many ways.
Noé shifts, and Vanitas stops, only noticing then he’s already crossed the room and has almost reached Noé’s bedside. And that’s another thing he can’t stand about Noé: He makes Vanitas do things impulsively, barely spending another thought if what he’s about to do is beneficial or utterly disastrous—no matter that, in most cases he is already moving, already talking, and it’s so aggravating that 80 percent of what he’s saying in a sentence starts or ends with Noé’s name on his lips. Like a blessing, like a prayer. Vanitas doesn’t pray, not anymore. He’s stopped long ago, and no God, Saint or Martyr’s promise of benediction would be enough for a reward to make him resume.
So they punish him, and surely Noé is just another part of what they hold in store for him. Another explanation isn’t possible, because why of all nights in which he has visited Noé, this time he wakes up, his warning only a little hum before Vanitas is met with a sleepy face and white hair adorably ruffled.
No, not adorable, he tells himself. Terrible. Annoying.
“Vanitas?” Noé’s voice is rough on the edges and thick with sleep. “You can’t sleep?”
Vanitas feels challenged to say, “No, watching people sleep is one of my many exotic hobbies!” but he’s tired and sort of really desperate for some form of rest, so defeated, he admits, “No, I can’t.”
Noé considers him with more regard, and Vanitas wonders what he thinks, watching him stand in his room, barefoot and with deep shadows under his eyes. Just the previous day, he'd commented that Vanitas wasn’t looking well at all, and he'd asked if they should rest for a while. Vanitas had pressed on even harder, refusing Noé another good look at his battered form.
The silence stretches before them like a lazy beast, unmoving but still ready to pounce any second. Eventually, Noé offers with a carefully even voice, “Do you want to know what always helped me falling asleep when I was a child?”
Vanitas scoffs. “No, I really don’t.”
“Good,” Noé says, either not noticing or ignoring Vanitas rolling his eyes. “Whenever I couldn’t fall asleep, I’d go to Domi’s room and climb into her bed. Knowing someone was beside me helped, and I can sleep much better with someone warm next to me.”
“My, do I look like a ten year old boy, barely able to fend for myself that I need to share my bed with someone?” Vanitas cocks his head to the side, squinting at Noé from under his black lashes. “And who would want to lie next to a rough sleeper like you, ending up as a body pillow for your serving!”
Noé arches a slim, white eyebrow and lifts his blanket. Vanitas stares at him for a moment, then moves towards him like a moth to the flame and crawls under the sheets, settling right next to the other boy. “What a splendid idea!” no one says, because it isn’t.
Noé is a furnace beside him. Whatever space Vanitas tries to bring between them, he immediately bridges, pressing his arm against Vanitas’s.
“Dominique is going to kill me if she hears about this,” he murmurs into the darkness, ignoring how Noé’s calf feels against his bare ankle. “If you so much as mention it to her, I will haunt you down and slay you.”
Noé hums as he turns around to face him, snuggling into the blanket. Vanitas tries to lie as still as possible. He imagines he is a rock at the bottom of a vast sea where he’s been for hundreds of years and will remain for another hundreds of years. It works until he feels Noé’s warm breath ghost over his cheek and in his imagination, Vanitas sees the rock carried away with the water current.
“She won’t bother,” Noé says. “Like I said, we used to do that all the time as kids. Me, Domi and—” The sudden silence feels like the air sucked out of the room so no sound can travel. Vanitas can feel his shoulders tense, his breath caught somewhere on the way from his lungs to his mouth.
Don’t say Louis, don’t say Louis, he thinks.
“And Louis,” Noé finishes quietly, another breath on Vanitas’s skin.
“Then we must be talking about a different Dominique,” Vanitas says, not indulging at all in the boy that’s written in blood on Noé’s tongue and hands. “But then again, you are her favourite thing, and she would do anything for you. Do me one favour, would you? Don’t invite me to your wedding.”
Noé makes a strange, curious sound, and draws his knees up to his chest. Vanitas tries to accommodate by moving further towards the edge but half of his body is already hanging off, barely covered by the blanket. He shivers and turns to his side, now facing Noé and notices too late what a terrible idea that is with only a few inches separating their faces. His eyes shift from Noé’s ears to his cheekbones and focus on where his lashes throw dark shadows on his skin.
“Wedding?” Noé blinks up at him. “Me and Domi? What makes you think that we would marry?”
“What makes you think you won’t?”
“Dominique is like a sister to me.” Noé hums another little, low note, leaning his head forward. Vanitas leans back. “No, she is the sister I always wished for. I love her as family.”
“Why, go and break her heart like that.” Vanitas sighs, faking a concerned huff. Either the soft fabric just under the tip of his fingers is his own coat or Noé’s pyjama, and he doesn’t dare moving to find out. “Or maybe you’re actually naive enough to believe she feels the same way.”
“Why wouldn’t she?” He can practically hear the other boy frowning. “I’m certain she too loves me as a brother. And should she ever decide to marry, I’ll surely be sad, but it doesn’t matter as long as she’s happy. I just know she’ll be a beautiful bride.”
Vanitas rolls his eyes, unable to believe such gullibility and there’s nothing he wants to do more than claw his way into Noé’s heart and see what makes him tick like that, what mechanics work to produce such a strange specimen like him. But before he can give back a snark remark, Noé suddenly asks, “What about you?”
“Oh, I would make a lovely bride, thank you for asking.”
“No, I mean marriage,” Noé says after a poorly restrained chuckle. “Are you considering to marry Jeanne?”
Vanitas’s mouth forms a little ‘o’ before he barks out a laugh. “What in Heaven’s sake makes you think that?” he says, pressing one hand against his forehead because surely whatever Noé comes up with now will give him the headache that’s asserted itself within him since their first encounter.
Noé is quiet for a moment, then whispers, “Because you love her.”
Vanitas stops laughing. The headache doesn’t come, it’s dulled by the strange tone in Noé’s voice, one he fails to identify. It’s like grabbing mist, the whitish mystery clearly visible but slipping through his fingers.
“That is a very strong assumption,” he starts slowly, hearing the edge in his own voice. “But tell me, Noé, do you see me as someone who is capable of loving?” Noé’s breath hitches, his answer clear to Vanitas before even spoken, so quickly, and with a voice dark and hard, like late-winter ice, he adds, “A vampire of all things?”
Noé’s breath hitches again, this time sounding like a knife stabbed into his side. It does something funny to Vanitas, makes his heart jump a little out of tact, and he feels a smile slowly forming his lips into a crooked line. His hand sneaks up from under the blanket and reaches to grab a white lock, playing a contrast of black and white between his gloved fingers.
“I don’t love, Noé,” he whispers, pushing his cheek into the pillow that smells of Noé. “Not you, not Jeanne. Not humans, and certainly not vampires. I only consume those of value to my cause.” Like you. Like Jeanne and that boy she holds so dear.
Noé seems to understand, but he doesn’t pull away from Vanitas’s touch, which speaks volumes of whatever this connection between them is. No, he slightly turns his head, nuzzling into Vanitas’s hand, and with a shudder Vanitas realises how vulnerable the inside of his wrist is just inches away from Noé’s mouth and those hidden teeth that can easily rip apart his skin.
In this short moment he begs to whatever deities currently punishing him that he would bite him. Because then everything would easily fall into place, and he could kill Noé without second thought; without remorse.
Silver lines return to Noé’s face, and Vanitas blinks up at the window, at the narrow slit showing the moon emerging behind thick clouds, making Noé look like a piece torn out of the night sky: silver and black.
“Ah, but it seems there is someone else who adores you,” he says, his voice rising to a playful, ironic tint. He nods his chin towards the moon, and Noé turns around and away from Vanitas’s hand, blinking into the soft light. Just for a split second, his fingers twitch—toward Noé’s throat, his cheek, his lips?—but he already pulls it back under the blanket, still feeling exactly where Noé has touched him even through the thick fabric of his glove.
���La lune?” Noé turns back to Vanitas, brows drawn together.
“Yes, the very one. But I don’t recommend giving into it. You can only go so far on a roof after all before you reach the end.”
“What are you talking about?”
“You don’t know the story? About the man falling in love with the moon. He climbed up to a roof to reach her, but well. I think you can imagine the end of that.”
“It sounds like the moon is a harsh mistress,” Noé says slowly, surprising Vanitas in joining his antics, even following his train of thought. “La belle dame sans merci,” he whispers. “Then you two aren’t so different.”
Vanitas raises an eyebrow. “Beg your pardon?”
“Just as distant,” he says, shifting away from Vanitas for the first time. Good, Vanitas should think. Stay away from me. But instead he goes rigid and demands, Don’t go. “Just as out of reach.”
“Thank you, I try to keep things interesting,” Vanitas says, his voice hollow.
Noé surprises him (there it is again, being surprised when Vanitas has sworn that he’ll never underestimate another person ever again) by giving a soft chuckle. “But that makes me want to get closer to you even more, Vanitas.”
His mouth goes dry. His brain tries to follow up with whatever might rebuilt the wall between them, brick by brick, but instead his mind betrays him and takes over his mouth, babbling, “Did you know Alain Chartier wrote the poem about the merciless belle dame? It’s a little tacky to my taste, but then again, I wouldn’t beg anyone for their adoration. It’s a silly concept, the dialogue between the Lover and the Lady, I mean why would anyone ride out to enjoy a party, only to languish at the feet of—”
Noé groans. He stops the onslaught of words by slapping a hand on Vanitas’s mouth. The sudden silence stretches into uncomfortable territory until Vanitas can’t bear it anymore. He stares at Noé out from the corner of his eyes, and parts his lips to drag his tongue over Noé’s fingers. Noé flinches, and looks back at him with wide eyes. What usually did the trick to gross people out (Dante for example was fairly familiar with this concept and never failed to meet Vanitas’s expectations to draw away quickly) doesn’t work on Noé. He remains transfixed on Vanitas’s face as if all secrets of the universe display on his features, and Vanitas starts to questions his action. Suddenly, Noé shifts. He props himself on one elbow and leans over him, casting a long shadow over his upper body.
Just then, Vanitas realises what a dangerous situation he’s in. Up until this moment, he thought Noé to be shy, but that isn’t right at all. Noé is quiet resolve, and steadfast loyalty, he is the very silence ready to pounce and turn peace into havoc. It’s evident in how he watches Vanitas behind half closed eyes, those ruby mirrors considering him with an unreadable expression. His heart picks up, and before he can ascertain if this is a game he can win, he answers with sultry eyes himself, and mouths “Kiss me” against Noé’s skin.
It’s just out of curiosity, he tells himself. He wants to rile Noé up a little, see how far he can go and where he draws the line. Maybe Noé won’t do a thing and play the blushing maiden Vanitas imagines him to be. They both know it’s a dare Noé will lose because he respects Vanitas’s boundaries too much, and that little victory satisfies him already enough to smile into Noé’s hand triumphantly.
Noé considers him with a blank expression before his eyes slowly drift to his hand where it’s still secured over Vanitas’s mouth. Something changes in his eyes, they grow soft, and Vanitas immediately regrets what he’s done because he can’t bear the warmth in them, the unspoken promise of whatever Noé is willing to give him. He thinks about squirming out of the boy's touch, but he’s started moving his hand already, settling on Vanitas’s eyes. His heart stops. Rotten memories claw at the edge of his mind, hungry hyenas demanding blood and misery that this kind of darkness brings. Before he can lash out and push Noé away, soft moon light illuminates the darkness behind his closed eyes again, and he takes a deep, shaky breath, only now noticing that he’s stopped breathing. His eyes snap open, locking with Noé’s as he brushes black bangs out of Vanitas’s face. The moon shines a halo around Noé when he leans down and kisses his forehead.
It’s perfect.
Vanitas hates it.
He doesn’t move.
Noé’s lips are surprisingly soft. So is his smell, a faint fragrance of sandalwood with the sharp tint of clove and something coppery hidden under the layers, and there’s nothing better to describe it than home. The realisation cuts him in a sharp, painful flash, one that robs him of the air he’s only just now regained. Noé is careful that no other part of their bodies is touching, and it’s the last act of kindness that pushes something in him into a bottomless, black hole.
His fingers splay on Noé’s chest as he pushes him away, staring up into a slightly flushed face. The blushing maiden. Despite everything, it makes Vanitas smile.
“You live dangerous, my friend,” he murmurs, playing with a shirt button close to Noé’s collarbones. “But I will condone it this once. It seems I forgot one gets burned when playing with fire.”
Noé leans back, one hand beside Vanitas’s head carrying his weight, contemplating. Vanitas already knows whatever he’s going to say, it won’t be good.
“I never thought of you as someone who would yield to anything,” Noé says eventually. “Not even fire.” And quieter, he adds, “Ignis aurom probat.” Fire tests gold.
A shudder ripples through Vanitas’s body, stealing his control and causing him to laugh involuntarily because he doesn’t see himself as pure as gold, and Noé is so much more than a simple fire. Noé is a searing blaze, devastating cities and forests and leaving ashes of their self, allowing them to rebuild and regrow and turn away from an unwanted past. Vanitas would gladly sell his soul for such an opportunity, but he’s shackled by the shadow of a little boy half his height with a sweet voice and eyes the fairest blue even the sky envies.
“You’re quite the charmer, but you do know what they say about gold, don’t you?”
Noé hesitates, shifting a little, and even Vanitas with the little imagination that he has, can quite clearly picture how the muscles must shift beneath Noé’s dark skin on his back. He closes his eyes and breathes through his mouth. “Gold gives to the ugliest thing a certain charming air, For that without it were else a miserable affair.”
Noé pales. “I didn’t mean—”
“Shhh.” Vanitas smiles a smile Lucifer must have worn just seconds before God banished him from Heaven. His eyes don’t leave Noé for a second when he lifts a finger and presses it against Noé’s lips.
“I know, you didn’t mean to.” He rolls his eyes, voice in a mocking tone imitating what Noé was going to say because he’s easily predictable. “And you would never hurt me. But that makes us different. Because I will gladly hurt you if you let me.” He follows the soft curve of Noé’s lower lip with the tip of his finger until he reaches the corner of his mouth. There he curls his finger inside and pulls one side into a crooked smile. A sharp tooth grazes his skin, not quiet enough to break it, but a shiver travels down his back nonetheless.
Noé pulls Vanitas’s hand away from his face, looking down at him like he’s a strange animal he’s never seen before. A dull sadness settles over his eyes, but it’s too quick for Vanitas to really acknowledge.
“Not gold then,” Noé concludes with resolution in his voice. “But quicksilver.” And with that, he places Vanitas’s hand carefully back on his chest, and retreats to his side of the bed, laying down so Vanitas is faced with his broad back, his body completely turned towards the moon.
Vanitas blinks, stretching out one hand to follow the curve of Noé’s spine in the air with a finger, imagining what it would feel like to curl against this strong body and hold onto something what won’t break under his touch. He stays like that until he hears calm, deep breathing. Only then he lifts that same finger that’s been inside Noé’s mouth to his lips and sucks slowly until his mind talks him into believing it’s actually Noé he tastes.
I don’t love, he repeats over and over in his head until his eyes fall close and he drifts into a dreamless sleep.
The next morning starts just like Vanitas has always feared a morning sleeping beside another body would go. Waking up slowly to a woman’s voice in the far distance, he’s still walking on this slim line between sleeping and waking, a coma really, when his conscience registers a heavy arm around his waist and warm breath in his neck. His body locks up into one painful, tense muscle; all desperate instinct and frightened awareness because No, I don’t want Doctor to touch me, and he starts frantically scrabbling for the dagger below his pillow only to find nothing. Vanitas feels punched back to when he’s eleven and caged under Moreau’s heavy, naked body, a choked whimper like a wounded animal leaving his mouth. The arm moves, allowing the tiniest leeway. Vanitas doesn’t think. He swings his arm as hard as he can and hears the satisfying crack of a bone breaking. The man beside him gives a surprised shout, and Vanitas jumps to his feet, ready to break more than bones as the door crashes open at the same time, a woman storming inside.
“Noé?” Dominique cries, taking in how he's bent forward on the bed, holding his face. It doesn’t stop the blood dripping all over the white sheets, and Vanitas grows cold when her sharp eyes land on him, a furious hate boiling inside them. “What have you done, human?” she hisses, reaching Noé’s hunched form within few steps.
Vanitas is lost for words, a quite frequent reaction whenever he’s in Noé’s proximity. But it isn’t like anything he’ll say can excuse or save him from Dominique’s wrath, so he just stands there, dumbfounded, and watches her valuate the graveness of Noé’s broken nose, wondering if the man who’s fallen off the roof in the pursuit of his love lost as much blood as Noé right now and if that was worthwhile, or if he’d have rather poisoned himself with quicksilver.
Not that it matters.
Both end in a painful, slow death.
I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried—‘La Belle Dame sans Merci Thee hath in thrall!’
[John Keats]
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