#doctor ka kehna

[cgdailytimes]

सावधान: बच्चों में दिख रहे है ओमिक्रोण के नए लक्षण, पढ़े ये खबर

सावधान: बच्चों में दिख रहे है ओमिक्रोण के नए लक्षण, पढ़े ये खबर

नई दिल्ली, आप सभी को पता है की किस प्रकार से दुनियाभर में कोरोना वायरस तांडव मचा रहा है। इसी के साथ ही वहीं उसके नए वैरिएंट ओमिक्रॉन का खतरा भी बढ़ता जा रहा है। आपको बता दे की omicron के तेजी से बढ़ते मामलों के बीच पेरेंट्स की चिंता काफी बढ़ गई है। 15 साल से कम उम्र के बच्चों की वैक्सीन आने में अभी काफी समय है। ऐसे में पेरेंट्स इस बात को लेकर परेशान है कि कोरोना के इस नए वैरिएंट्स से छोटे बच्चों…

[bollywoodirect]

Remembering Dr. Rahi Masoom Raza, the legendary Urdu poet, Hindi Film Lyricist, and Scriptwriter on his death anniversary today.

Rahi Masoom Raza was born in Ghazipur, Uttar Pradesh. After completing his primary education in Ghazipur, he attended Aligarh Muslim University (AMU) for his higher studies.

After getting a doctorate in Hindustani literature from AMU, he started his career as an Urdu poet and went on to become a writer penning several novels like “Neem Ka Ped” and “Topi Shukla” based on themes like the plight of the lower caste, Partition and the relationship between the Hindu and Muslim communities.

In the 1960s and 70s, Dr. Raza became a prolific writer for Hindi films, contributing dialogues, screenplay as well as song lyrics. In 1979, he won the Filmfare Best Dialogue Award for his work in the blockbuster movie “Main Tulsi Tere Aangan Ki”.

Gulzar used to be the lyricist and dialogue writer of Hrishikesh Mukherji’s films but since Dr. Raza’s associated with Hrishikesh Mukherji, Gulzar was taken only for lyrics and Dr. Raza wrote dialogues for so many films of Hrishikesh Mukherji viz. “Mili”, “Jurmana”, “Golmal”, etc.

Dr. Raza also became an enduring writer for B. R. Films after he wrote their TV serial “Bahadur Shah Zafar”. Though the central idea of the story of the film “Nikaah” was of Achla Nagar, but Dr. Raza contributed a lot in the script and dialogues of the film, but his name was credited only as the literary advisor (along with Umar Khayyam Saharanpuri). The names of the heroes of the film viz. Afaq Haidar and Shahid Akhtar were those pen names by which Dr. Raza used to write in his early days in Allahabad. He also wrote script and dialogues for one of India’ most popular television serial “Mahabharat” for B.R. films which was highly appreciated. Few of the films for which he wrote script or dialogues are “Raste Ka Patthar” (1972), Doosri Seeta (1974), “Mili” (1975), “Bairaag” (1976), “Alaap” (1977), “Kisi Se Na Kehna” (1983), “Main Tulsi Tere Aangan Ki” (1978), “Golmaal” (1979), “Karz” (1980), “Judai” (1980), “Ek Baar Kaho” (1980), “Hum Panch” (1980), “Rocky” (1981), “Disco Dancer” (1982), “dard Ka Rishta” (1982), Sunny (1984), “Tawaif” (1985), “Lamhe” (1991), “Parampara” (1992), “Aaina” (1993), etc.

His books of poems are ‘Mauj-e Gul Mauj-e Sabaa’(Urdu), ‘ajnabi sheher ajnabi raaste’ (Urdu), ‘main ek pheriwala’ (Hindi) and ‘sheeshe ke makaan wale’ (Hindi).

The highlight of his career was his contribution to the script and dialogues of the immensely popular TV serial “Mahabharat” that ran from 1988 to 1990.

[tellywoodtrash]

sanjivani 22.10.19 lb

this show is majorly delivering on the slo mo baywatch runs that make its leads' chests look absolutely amazing. yest surbhi and today namit. thank you, lord, for blessing us so. mmmmmmmmhmmmm.

why would there be a random ambulance just standing there, that too at such close distance to the hospital????? kuchhh bhiiiii.

haaye bechaara. kitna panicked hai.

what's he finding wrong with her pulse that he's yelling at the driver to drive fast????

MOST IMPORTANT QUESTION: WHO IS THE DRIVER?????/// TELL ME IT'S RAHIL AGAIN, TRYING TO EARN FORGIVENESS FROM ISHANI FOR LAST NIGHT.

biiiiiiiiiiiiiiiitch.

omggggggggggg his faaaaaaaace. he's a childddddd. a small sad child!!!!!! please stop torturing him like this!!!!!!

but she's kinda justified. he did pull this shit on her. more than once.

behold the lengths a man will go to avoid confrontation: he's ready to fucking jump from the moving vehicle to not have this conversation.

"gaadi nahi rukegi, naahi darwaaza khulega. rahi baat nikalne ki, toh yeh choti choti windows hain, aapko aise DUBUKKE jaana hai toh aap jaa sakte hain."

lmaooooooooooooooooo

forget the windows, poore ke poore ambulance mein hi bechaara dubukke khada hai, bent in 8 different places like ashtavakra, to fit in here.

the haq with which she's holding him. ladki mein gooooda hai, boss.

ishani still coming at him with logic and rationality, which my man is bilkullllllllll not in the mood for.

clue # 2 about the trauma has been supplied. pyaar nahi hua, ishani se The Amazing Race khilwa raha hai yeh kameena.

"what is wrong with you??? doctor banna tumhara sapna nahi tha kya?? hum adults hain, right??? toh tum kyun ek college ki ladki ki tarah behave kar rahi ho??? ek ladka mil gaya tumhe, uspe interest aaya, toh baaki sab bhool gayi??? tumhare zindagi ka maqsad, tumhare passions, tumhare dreams, kahaan gaye??? tum woh ladki nahi ho, jo ek medical ki seat barbaad karogi, taaki tumhari zindagi mein ddlj ho jaaye, ek prince charming aa jaaye!!!! tumhara dimaag kharaab ho gaya hai kya????"

omfgggggggggggg i live for sid's admonishments of ishani; even in frustration, he's so good to her and focused on furthering her career, than the dumbassery she's doing that is personally hurtful to him. fuck, he is legit my favt. tellywood boy ever. everrrrrr.

ishani be like, boo you cute, but you act reaaaaallll bad.

lmao rahil and him could be twins with how bad they are at hiding guilt face. you stupid adorable boys.

oh shit. low blow. parents ke naam ka taana. still supportive of her and career, but.......... rude. hurtful.

stupid boy, you've GOT to stop looking at her LIKE THIS if you want her to believe you.

surbhi's bod in these new outfits is seriously inspiring me to work out, you guys. my body is basically this, but more..... soft. and with the patented dravidian child-bearing hips. gotta start moving to look this good. *prints out and puts this pic on wall as fitspo*

she's like bitch i'm not even the least bit dumb, i can see right through the bs you're doing. also, you're just gonna beat yourself up for all this shit you're saying to me now, so save yourself the heartache.

"main woh ladki nahi hoon ke jiska dil lag jaaye aur duty bhool jaaye."

YAAAAAAAAAAAS SIS. 21ST CENTURY GIRL, TERA HAI YEH SAARA WORLD!!!!!!!!!! (NIMA SANDALLLLLLLLLL GIRL!!!!!!!!!)

"naahi main woh ladki hoon, jiska dil lag jaaye, aur woh itni asaani se apna dil tootne de."

"aapka ilaaj toh main karke rahoongi."

lmaooooooooooo i mean.... good luck sis. i'm rooting for you.

7 din, and you'll be kissing the hem of my skirttttttt bitch. and then work your way upwards. then downwards again and then upwards again.

"shit is this what girls feel like, when objectified by men this way? it's nottttttt a nice feeling, to have consent invalidated."

HAAYE BECHAARA. STOP TORTURING MY BOY LIKE THISSSSSS. DEKHA NAHI JAAATA ISKI HAAALAT. DILLLLLL DUKHTA HAIIIII.

oh god the fuck is he gonna do to make her hate him now?!?!

BUT THE MOST PRESSING QUESTION OF THIS WHOLE SCENE IS THIS: DOES THIS HOSPITAL JUST HAVE ONE SPARE AMBULANCE LYING AROUND AT ALL TIMES FOR THESE PETTY GAMES BETWEEN RESIDENTS????

ouff this one has gotten all into her feelz over vile vardhan. MA’AM, YOU’RE IN YOUR THIRTIES. IT’S JUST “COFFEE”. JUST COZ YOU LIKE WHAT IS BEING SERVED DOESN’T MEAN YOU BUY THE WHOLEASS COFFEE SHOP. JUST INDULGE IN THE COFFEE, SOMETIMES A CROISSANT, AND THEN GO THE FUCK BACK TO YOUR REAL LIFE. KOI ZINDAGI EK HI COFFEE SHOP MEIN THODI BITAATA HAI?????

yeh kiski aatma ke liye shanti pooja kar raha hai?

oh ho. didi marii thi, shashank ke haathon. hmmmmm.

stop playing these mind games, shashank!!!!!!! ouff siddhu, why couldn't this be you, and that plot be shashank's!?!?!?

ugh whatever, i'm just gonna stare at gurdeep's face. that's honestly all i care about in this plotline. nothing else.

LMAO ISKO KOI KAAM DHANDHA NAHI HAI KYA? GURNEY PE LAITE FLICKERING LIGHT PE CHID RAHI HAI.

"waah. tubelight ko meri baat samajh mein aa gayi! lekin uss bulb, dr. sid, ko meri baat samajh mein nahi aa rahi." snort.

lo aa gaye.

challenge pe update.

lol i love them.

ishani wants a scientific approach to handling sid, while asha is like bhakkkk, andar ki sheila waali jawaani ko jagaaa.

boys are very thrilled at this prospect. haraamis.

"tu kya keh kehna chah rahi hai, main apne aap ko unke upar thop doon??? pagal hai kya, yeh sab mujhse nahi hoga! aur itna hai, toh tu khud karle!"

"khud toh main kar loon, par woh kehte hai na, SISHTER BEFORE MISHTER. ab jo cheez teri hai usse apna kaise bana loon????"

LMAO I LOVE ASHA THE MOSTTTTTTTTTTTTTTTT

tharki boys are alllllllll for this idea and like, love nahi toh "gullu gullu" toh zaroor hona hai. TUM HARAAMIYON KO BAS MAZZE LOOTNE HAIN!!!!!!!

lo ji.

SIS TAKE YOUR HANDS OFF YOUR CHEST, I FULLY KNOW WHAT YOU'RE GOING THROUGH, AND THAT IT'S LIKE STEEL COVERED WITH SILK AND ALL, BUT THIS IS A WORKPLACE!!!!!!!!

itna confidence chahiye life mein; ki supermodel boss pe itne tadi se line maaroon.

oufffffffffffff. manhoos ne teams shuffle kar diye. ishani ko rishabh ke team mein daal diya.

lmao whose teams are aman and neil on tho????? no one wants them, and they're just floaters????

"yeh toh ulti ganga bahaa di isne!"

lolololololol the stinkeyes aman and neil are giving sid for stiffing ishani like this. friends ho toh aise!

MY MAN YOU NEED TO STOP LOOKING AT HER LIKE THIS IF YOU WANT HER TO BELIEVE YOU AREN'T WHIPPED FOR HER.

OMFG LOOK AT THE HEELS CHANDNI IS WEARING AND SHE'S STILL BARELY SKIMMING NAMIT'S SHOULDER. SHE SO SMOL.

shakal pe maut aayi hui hai tere, bro. who you think you're kidding???

———————————————————————

i'm so glad that ishani's savage side has been unleashed. badaaaaaa mazaaaa aayega, now that she gives less than zero fucks.

[hidoose]

Nusrat Fateh Ali Khan

New Post has been published on https://www.hidoose.com/nusrat-fateh-ali-khan/

Nusrat Fateh Ali Khan

Nusrat Fateh Ali Khan (Urdu/Punjabi: نصرت فتح علی خان), born Anjum Pervaiz Ali Khan (13 October 1948 – 16 August 1997), was a Pakistani vocalist and musician, primarily a singer of Qawwali, a form of Sufi Islamic devotional music. Widely considered one of the greatest voices ever recorded, he possessed an extraordinary range of vocal abilities and could perform at a high level of intensity for several hours. Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Qawwali music to international audiences. He is popularly known as “Shahenshah-e-Qawwali”, meaning “The Emperor of Qawwali”.

Born in Faisalabad, Khan had his first public performance at the age of 16, at his father’s chelum. He became the head of the family qawwali party in 1971. He was signed by Oriental Star Agencies, Birmingham, England in the early 1980s. Khan went on to release movie scores and albums in Europe, India, Japan, Pakistan and the U.S. He engaged in collaborations and experiments with Western artists, becoming a well-known world music artist. He toured extensively, performing in over 40 countries.[9] In addition to popularising Qawwali music, he also had a big impact on contemporary South Asian popular music, including Pakistani pop, Indi-pop and Bollywood music.

Nusrat Fateh Ali Khan

Biography

Early life and career

Khan was born in a Punjabi Muslim with Pathan ancestry family in Faisalabad, Punjab, Pakistan, in 1948, shortly after the partition of India in 1947 during which his family had migrated to Pakistan from their native city of Jalandhar in Punjab, British India (now in Punjab, India). His family originates from Pathan bastis (Pashtun stelements) in Jalandhar. His ancestors learned music and singing there and adopted it as a profession.[16] He was the fifth child and first son of Fateh Ali Khan, a musicologist, vocalist, instrumentalist, and qawwal. Khan’s family, which included four older sisters and a younger brother, Farrukh Fateh Ali Khan, grew up in central Faisalabad. The tradition of qawwali in the family had passed down through successive generations for almost 600 years. Initially, his father did not want Khan to follow the family’s vocation. He had his heart set on Nusrat choosing a much more respectable career path and becoming a doctor or engineer because he felt Qawwali artists had low social status. However, Khan showed such an aptitude for and interest in Qawwali, that his father finally relented.[18]He began by learning the tabla before moving on to vocals.[citation needed] In 1964, Khan’s father died, leaving his musical education under the supervision of his paternal uncles, Mubarak Ali Khan and Salamat Ali Khan. He is the uncle of singer Rahat Fateh Ali Khan. Nusrat was known as Pervaiz until he visited Ghulam Ghaus Samdani who changed his name to Nusrat Fateh Ali. Samdani also told him that he would become a great singer.

In 1971, after the death of his uncle Mubarak Ali Khan, Khan became the official leader of the family Qawwali party and the party became known as Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party. Khan’s first public performance as the leader of the Qawwali party was at a studio recording broadcast as part of an annual music festival organized by Radio Pakistan, known as Jashn-e-Baharan. Khan sang mainly in Urdu and Punjabi and occasionally in Persian, Braj Bhasha and Hindi. His first major hit in Pakistan was the song Haq Ali Ali, which was performed in a traditional style and with traditional instrumentation. The song featured restrained use of Khan’s sargam improvisations.

Nusrat Fateh Ali Khan

Later career

In the summer of 1985, Khan performed at the World of Music, Arts and Dance (WOMAD) festival in London. He performed in Paris in 1985 and 1988. He first visited Japan in 1987, at the invitation of the Japan Foundation. He performed at the 5th Asian Traditional Performing Art Festival in Japan. He also performed at Brooklyn Academy of Music, New York in 1989, earning him admiration from the American audience.

Khan, throughout his career, had great understanding with many south Asian singers such as Alam Lohar, the Noor Jehan, and various other Pakistani and Indian singers.

In the 1992 to 1993 academic year, Khan was a Visiting Artist in the Ethnomusicology department at the University of Washington, Seattle, Washington, United States.

In 1988, Khan teamed up with Peter Gabriel on the soundtrack to The Last Temptation of Christ, which led to Khan being signed to Gabriel’s Real World label. He would go on to release five albums of traditional Qawwali through Real World, along with the more experimental albums Mustt Mustt (1990), Night Song (1996), and the posthumous remix album Star Rise (1997).

Khan’s experimental work for Real World, which featured his collaborations with the Canadian guitarist Michael Brook, spurred on several further collaborations with a number of other Western composers and rock musicians. One of the most noteworthy of these collaborations came in 1995, when Khan grouped with Pearl Jam’s lead singer Eddie Vedder on two songs for the soundtrack to Dead Man Walking. Khan also provided vocals for The Prayer Cycle, which was put together by Jonathan Elias, but died before the tracks could be completed. Alanis Morissette was brought in to sing with his unfinished vocals. In 2002, Gabriel included Khan’s vocals on the posthumously released track “Signal to Noise” on his album Up.

Khan’s album Intoxicated Spirit was nominated for a Grammy Award for Best Traditional Folk Album in 1997. That same year, his album Night Song was also nominated for a Grammy Award for Best World Music Album.

Khan contributed songs to, and performed in, several Pakistani films. Shortly before his death, he composed music for three Bollywood films, which includes the film Aur Pyaar Ho Gaya, in which he also sang for “Koi Jaane Koi Na Jaane” on-screen with the lead pair, and “Zindagi Jhoom Kar”. He also composed music for Kartoos, where he sang for “Ishq Da Rutba”, and “Bahaa Na Aansoo”, alongside Udit Narayan. He died very shortly prior to the movie’s release. His final music composition for Bollywood was for the movie, Kachche Dhaage, where he sang in “Iss Shaan-E-Karam Ka Kya Kehna”. The movie was released in 1999, two years after his death. The two singing sisters of Bollywood, Asha Bhosle and Lata Mangeshkar sang for the songs he composed in his brief stint in Bollywood. He also sang “Saya Bhi Saath Jab Chhod Jaye” for Sunny Deol’s movie Dillagi. The song was released in 1999, two years after Khan’s death. He also sang “Dulhe Ka Sehra” from the Bollywood movie Dhadkanwhich was released in 2000.

Khan contributed the song “Gurus of Peace” to the 1997 album Vande Mataram, composed by A. R. Rahman, and released to celebrate the 50th anniversary of India’s independence. As a posthumous tribute, Rahman later released an album titled Gurus of Peace, which included “Allah Hoo” by Khan. Rahman’s 2007 song “Tere Bina” for the film Guru was also composed as a tribute to Khan.

Death

Various reports said Khan weighed over 300 pounds. He had been seriously ill for several months, according to a spokesperson at his U.S. label, American Recordings.[27] After traveling to London from his native Pakistan for treatment for liver and kidney problems, he was rushed from the airport to Cromwell Hospital in London.

He died of a sudden cardiac arrest at Cromwell Hospital on 16 August 1997, aged 48. His body was repatriated to Faisalabad, and his funeral was a public affair. He was buried in Kabootran Wala Qabristan also known as Jhang Road Graveyard on Jhang Road, Faisalabad.

His wife, Naheed Nusrat, died on 13 September 2013 in Credit Valley Hospital in Mississauga, Ontario, Canada. Naheed had moved to Canada after the death of her husband. She is survived by their daughter Nida Khan.[29][30] Khan’s musical legacy is now carried forward by his nephews, Rahat Fateh Ali Khan and Rizwan-Muazzam.

Nusrat Fateh Ali Khan (Auditorium)

Awards and Titles

Khan is widely considered to be the most important qawwal in history. In 1987, he received the President of Pakistan’s Award for Pride of Performance for his contribution to Pakistani music. In 1995, he received the UNESCO Music Prize. In 1996 he was awarded Grand Prix des Amériques at Montreal World Film Festival for exceptional contribution to the art of cinema. In the same year, Khan received the Arts and Culture Prize of the Fukuoka Asian Culture Prizes. In Japan, he was also remembered as the Budai or “Singing Buddha”.

In 1997, he was nominated for two Grammy Awards, for Best Traditional Folk Album and Best World Music Album. As of 2001, he held the Guinness World Record for the “Most Qawwali Recordings”, having recorded over 125 Qawwali albums before his death. In 2005, Khan posthumously received the “Legends” award at the UK Asian Music Awards. Time magazine’s issue of 6 November 2006, “60 Years of Asian Heroes”, lists him as one of the top 12 artists and thinkers in the last 60 years. He also appeared on NPR’s 50 great voices list in 2010.In August 2010 he was included in CNN’s list of the twenty most iconic musicians from the past fifty years. In 2008, Khan was listed in 14th position in UGO’s list of the best singers of all time.

Many honorary titles were bestowed upon Khan during his 25-year music career. He was given the title of Ustad (the master) after performing classical music at a function in Lahore on the anniversary of his father’s death.

Nusrat Fateh Ali Khan

Films

Documentaries

Nusrat Fateh Ali Khan: le dernier prophète (1996). Directed by Jérôme de Missolz.

Nusrat has Left the Building… But When? (1997). Directed by Farjad Nabi. (This 20-minute docudrama focuses on Khan’s early career.)

A Voice from Heaven (1999). Directed by Giuseppe Asaro. New York, NY: Winstar TV & Video. (This 75-minute documentary, available on VHS and DVD, provides an introduction to Khan’s life and work.)

Samandar Main Samandar (2007). A documentary aired on Geo TV detailing Khan’s career.

The King of Qawalli (2009). A short film aired on Dawn News about Khan’s life and career.

Concert films

•           The JVC Video Anthology of World Music and Dance (1990). Video 14 (of 30) (South Asia IV). Produced by Ichikawa Katsumori; directed by Nakagawa Kunikiko and Ichihashi Yuji; in collaboration with the National Museum of Ethnology, Osaka. [Tokyo]: JVC, Victor Company of Japan; Cambridge, Massachusetts: distributed by Rounder Records. Features a studio performance by Khan and Party (two Urdu-language songs: a Hamd, and a Manqabat for Khwaja Mu’inuddin Chishti. Filmed in Tokyo, Japan, 20 September 1987, for Asian Traditional Performing Arts).

•           Nusrat! Live at Meany (1998). Produced by the University of Washington. 87-minute recording of a concert of 23 January 1993 at Meany Hall, University of Washington in Seattle, during Khan’s residency at the ethnomusicology program there.

•           Live in Concert in the UK, (DVD, vols. 1–17) [Khokhar Productions]; recorded between 1983 and 1993

•           Akhiyan Udeek Diyan (DVD) [Khokhar Productions]

•           Je Tun Rab Nu Manauna (DVD) [Khokhar Productions]

•           Yaadan Vicchre Sajan Diyan Aayiyan (DVD) [Khokhar Productions]

•           Rang-e-Nusrat (DVD, vols. 1–11) [Music Today]; recorded between 1983 and 1993 (same material as the Khokhar Productions)

•           VHS videotapes, vols. 1–21 [Khokhar Productions]; recorded between 1983 and 1993 (same material as the Khokhar Productions)

•           Luxor Cinema Birmingham (VHS vol. 1, 1979), Khokhar Productions

•           Digbeth Birmingham (VHS vol. 2, 1983), Khokhar Productions

•           St. Francis Hall Birmingham (VHS vol. 3, 1983), Khokhar Productions

•           Royal Oak Birmingham (VHS vol. 4, 1983), Khokhar Productions

•           Private Mehfil (Wallace Lawley Centre, Lozells Birmingham, November 1983) (VHS vol. 5), Khokhar Productions

•           Private Mehfil (VHS vol. 6, 1983), Khokhar Productions

•           Natraj Cinema Leicester (VHS vol. 7, 1983), Khokhar Productions

•           Live in Southall (VHS vol. 8), Khokhar Productions

•           Live in Bradford (VHS vol. 9, 1983), Khokhar Productions

•           Live in Birmingham (VHS vol. 10, 1985), Khokhar Productions

•           Allah Ditta Hall (VHS vol. 11, 1985), Khokhar Productions

•           Harrow Leisure Centre (VHS vol. 12), Khokhar Productions

•           University of Aston (VHS vol. 13, 1988), Khokhar Productions

•           Aston University (VHS vol. 14, 1988), Khokhar Productions

•           WOMAD Festival Bracknell (VHS vol. 15, 1988), Khokhar Productions

•           Live in Paris (VHS vol. 16, 1988), Khokhar Productions

•           Poplar Civic Centre London (VHS vol. 17), Khokhar Productions

•           Imperial Hotel Birmingham (VHS vol. 18, 1985), Khokhar Productions

•           Slough Gurdawara (SHABADS) (VHS vol. 19), Khokhar Productions

•           Imran Khan Cancer Appeal (VHS vol. 20), Khokhar Productions

•           Town Hall Birmingham (VHS vol. 21, 1993), Khokhar Productions

Discography

Main article: Nusrat Fateh Ali Khan discography

Sales

The following are known sales of records with songs credited to Nusrat Fateh Ali Khan, either as a vocalist, composer, or special thanks.

CreditedYearTitleSalesRegion(s)1996Sangam1,000,000India1997Aur Pyaar Ho Gaya1,500,000India1997“Afreen Afreen”500,000India1997Only One6,000,000Worldwide1997Vande Mataram2,000,000Worldwide1999Kachche Dhaage3,000,000India2000Dhadkan4,500,000India2007Guru1,150,000IndiaTotal known sales19,650,000Worldwide

The following are known sales of records with songs credited to Nusrat Fateh Ali Khan, either as a vocalist, composer, or special thanks.

The following are known Indian sales of Bollywood soundtrack albums featuring copied versions of songs originally composed by Nusrat Fateh Ali Khan, without crediting him.

UncreditedYearTitleSales1994Mohra8,000,0001995Yaraana2,000,0001996Raja Hindustani11,000,000Auzaar2,200,0001997Judaai2,000,000Koyla1,800,000Total known sales27,000,000

Nusrat Fateh Ali Khan

[lyrics2world]

Husband Bana Le Lyrics - Khesari Lal Yadav

Husband Bana Le Lyrics :- Latest Bhojpuri Song Husband Bana Le sung by Khesari Lal Yadav, Khusboo Tiwari & lyrics written by Shyam Dehati.Music given by Om Jha.This song Published by Music Wide.

Husband Bana Le Song Details:-

Song Name: Husband Bana Le Singer(s): Khesari Lal Yadav, Khusboo Tiwari Lyricist(s): Shyam Dehati Music(s): Om Jha Music Label: Music Wide

Husband Bana Le Lyrics 

Bina Matlab Kyun Thandi Aahein Bharta Hai Lavel Na Tera Mera Match Karta Hai Haan Bina Matlab Kyun Thandi Aahein Bharta Hai Lavel Na Tera Mera Match Karta Hai Meri Audi Ke Aage Se Teri Scooter Hata Le Samjha? Haan Nikal Abhi! Oh Meri Jaan Kehna Maan Apne Dil Mein Basa Le Boyfriend Banale Ni Mainu Pata Le Boyfriend Bana Le Ni Mainu Pata Le Aahi Dada, Aahi Dada Pehle Face Jaake Dekh Apna Mirror Me Uske Baad Aake Doob Mere Figure Me Pehle Face Jaake Dekh Apna Mirror Me Uske Baad Aake Doob Mere Figure Me Haye Mithi Mithi Gal Teri Kamaal Kar Gayi 2 Line Vich 100 100 Sawal Kar Gayi Chup Chap Nikal Gaaon Ka Tu Ticket Kata Le Ta Paisawa Ke Di Tohar Father? O Meri Jaan Kehna Maan Apne Dil Me Basa Le Boyfriend Banale Ni Mainu Pata Le Boyfriend Banale Ni Mainu Pata Pata Pata Le Tu Mainu Jaanda Nahi Marjaaniye Re Sunn Saari Baat Meri Saaf Saaf Baby Faaltu Ka Mere Piche Ho Na Crazy Meri Subeh Bhi Club Se Sham Bhi Club Se Tu Soch Lena Mainu Ki Lena Dena Love Se Janta Hu Main Sab Janta Hu Paise Wali Tu Gaadi Wali Tu Rang Me Rehti Hai Main Bhi Dehati Deshi Gawati Bol Kya Kehti Hai Meri Body Se Tu Sategi Pakka Hai Mujhse Hi Pategi Ye Toh Aur Pakka Hai Jo Badh Raha Hai BP Tera Usko Ghata Le Ja Doctor Ke Pass Ja O Meri Jaan Kehna Maan Apne Dil Me Basa Le Boyfriend Bana Le Ni Mainu Pata Le Boyfriend Banale Ni Mainu Pata Pata Pata Le

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Husband Bana Le Lyrics Video

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[pinkvilla]

Happy Birthday Shah Rukh Khan - 5 roles we wish to see the superstar play on the big screen

Here's wishing the superstar Shah Rukh Khan, a very Happy Birthday!

Finally, the much-awaited day for the fans of Shah Rukh Khan has arrived. It's King Khan's birthday (November 2) and he has turned 52 this year. Like every year, the superstar is trending all over the Internet and social media pages. His fans are going crazy and millions of them have already assembled outside his abode, Mannat, to catch a glimpse of his favourite star.

 Out of 52 years of his life, Shah Rukh has dedicated 25 years to the films and has been entertaining us through these silver years. His performances and the characters he has played are etched in our hearts and will definitely stay with us forever. King Khan has worked in more than 70 films and has won hearts with his terrific and unmissable performances in most of his movies.

Recommended Read :  Shah Rukh Khan: I would definitely like to revisit Asoka

A few films which deserve mention are Deewana, Baazigar, Kabhi Haan Kabhi Naa, Darr, Anjaam, Dilwale Dulhania Le Jayenge, Dil To Pagal Hai, Yes Boss, Kuch Kuch Hota Hai, Duplicate, Baadshah, Mohabbatein, Kabhi Khushi Kabhie Gham, Asoka, Devdas, Kal Ho Naa Ho, Swades, Veer Zaara, Main Hoon Na, Kabhi Alvida Naa Kehna, Don, Chak De India, Om Shanti Om, Rab Ne Bana Di Jodi, My Name Is Khan, Don 2, Jab Tak Hai Jaan, Chennai Express, Dilwale, Fan.

 Over the years, he has been seen in different avatars like a psychopath, obsessive lover, dancer, musician, don, bootlegger, NASA Engineer, army officer, naval officer, air force pilot, actor, a man suffering from Asperger's Syndrome, superhero, mechanic, don and more.

 But, there are a few more professions in which we would like to see our King of Romance nail it. 

Let's take a look at a few of the avatars which King Khan should definitely portray on the big screen.

Police

We have seen SRK in the role of a cop as a Special Task Force Officer in One Two Ka Four. But, he didn't put a police uniform and play the tough cop role on the big screen. Recently, King Khan even said that he wanted to play the investigating officer in Ittefaq which Akshaye Khanna is playing right now. Well, we are sure Shah Rukh can definitely pull off the role of a police in a stylish way.

Lawyer

It would be a killer thing to see the talented actor say, "Objection My Lord!" to a judge on the silver screen. Well, we never know he will be that one lawyer who wins the case with his wit, intelligence, style and of course, the famous charm!

Doctor

We saw SRK as psychologist Dr Jehangir Khan in Dear Zindagi but never as a surgeon or a physician who wears a white lab coat and carries a stethoscope. An intense movie with an intense character played by the Baadshah would be just a perfect sight for his crazy fans.

Fashion Designer 

Shah Rukh has become an actor, dancer, musician and more in his movies but a designer? Not yet! Well, an actor who is super stylish in his real life can pull off the role of a fashion designer in a total fashionable way. Do you agree?

Painter

An artistic actor can definitely try his hands on becoming an artist in his reel-life too. King Khan can romance his heroines with his eyes, so let the eyes do its job and his hands can create beautiful portraits of his lover. What say? 

Which one avatar should SRK definitely play on the big screen? Let us know in the comments below.

 Happy Birthday, Shah Rukh Khan!

[jokesquote]

Very funny pati-patni jokes in hindi

********Very Funny pati-patni jokes ********* 1.Pati : "Ary Suno Munna Ro Rha Hai Chup Krao Ese........" Patni (Gusse Mai)😠 : "Mai kaam karu ya bacche ko sambhalu" "Mai ese Dahej mai nahi laae thi,khud hi chup kra lo" Pati : "fir rone de...mai kounsa ese baarat mai le kar gaya tha😂😂😂" ***************************** 2.Patni ne apne pati ko phone lagaya patni : "kha ho?,office pahuch gaye kya?" Pati :"ary mera car se accident ho gya hai,meri taang toot gae hai mai hospital ja rha hu" Patni :"acha thik hai jao,tiffin ka dhyan Rakhna teda na ho jaye,nahi to Daal gir jayegi😅😅😁" ***************************** 3.Ek nav-vivahit joda bartan ki dukaan mai jhagad raha tha.. Patni :" ye wala steel ka glass lo" Pati :"nahi jara or bda glass lenge" Dukandar :"sahab ji mahila devas bhae hi chla gya hai,lekin madam jo keh rahi hai vahi le lijiye na" Pati :"ary yaar tumhe bechne ki padi hai es chote se glass mai haath ghusta nahi hai,mai ese majunga kaise?😀😀" ***************************** 4.Mujhe kisi ne salah di ki biwi se behas mai nahi jeeta ja sakta,esliye bus muskura diya karo.. Maine bhi koshish ki 😕😕 Biwi : "Bahut hasi aa rahi hai aaj kal tumhe?lagta hai tumhara bhoot utarna hi padega😀😀😀😀" ***************************** 5.Jab ladki apne pita ke ghar hoti hai to Rani ban kar rehti hai.... Paheli baar jab sasural jaati hai to laxmi ban kar jaati hai... Or sasural mai kaam karte karte baee ban jaati hai... Es tarah ladki "rani laxmi baee"ban jaati hai...!!! Or fir vo pati ko angrej samajh kar bina talwaar ke hi etna pareshaan kar deti hai ki 😛😛😛bechara pati angrej na ho kar bhi "angreji"🍻🍻lena shuru kar deta hai😂😂😂😂 ***************************** 6.Karamchari apne sahab se : "aap office mai shaadi shuda aadmiyo ko hi kyu rakhte ho?" Sahab : "kyuki unhe bejati sehne ki aadat hoti hai😂or ghar jaane ki jaldi bhi nahi hoti hai!😛😛😛😀" ***************************** 7.Pati : "Tere baap ki jale per namak chidakne ki aadat gae nahi...." Patni :"kyu kya hua?" Pati :"aaj fir se puch raha tha ki meri beti se shadi kar ke khush to ho na?😆😁😆😆" ***************************** ********Very Funny pati-patni jokes *********   8.Agar aapki patni aapka kehna nahi maanti hai to....😯😯 To........😏😏😏😏 Etna dhyan se mat padho..... Kisi ki nahi maanti😂😂😂😂 Eska koe elaaz nahi hai 🤓🤓🤓 ***************************** 9.Patni : "Aji Sunte hooo,aapka dost ek pagal ladki se shadi karne jaa rha hai,use rokte kyu nahi" Pati :"kyu roku?us dost ne mujhe roka tha kya?😅😅😅" ***************************** 10.Patni :"Aji sunte hoo 2 kilo matar le lu?" Pati :"ha....le lo jo thik lag raha hai kar lo" Patni :"rai nahi maang rahi aapki 😎....puch rahi hu chil loge etne....ki kam lu😂😆😊 ***************************** 11.pati ne patni ko phone kiya....bahut der ghanti bajti rahi.. Pati (gusse mai😈) :"etni der se phone kyu uthaya?😠😠😠" Patni : "ringtone per naach rahi thi😂😂😂😁😁😁😅" ***************************** 12.Biwi :"aap sulemaan ki biwi ke janaj mai nahi gaye?" Pati :"kis muh se jau tisri baar biwi ke janaje me bula raha hai or mai use ek baar bhi nahi bula ska...😂😂😂😄😛😎" ***************************** 13.Ek aadmi doctor ke pass gaya... Doctor :"aapko aaram ki jaroorat hai,nind ki goli de raha hu,apni biwi ko Khila dena😛😛😁😂😅" ********pati-patni jokes in hindi*******   Very funny pati-patni jokes in hindi follow us Read the full article

[tadibaaaz]

Episode 1

Oberoi Mansion. Entrance.

Oberoi Mansion is all lit up for a special occasion. Omkara and Gauri, who are walking in opposite directions, bump into each other, causing some fairy lights to fall on them. Just like they had on Chulbul and Omkara. Omkara looks at her and smiles, but all of a sudden, she becomes distressed.

Gauri: Humein jaana hoga!

Omkara: Kahaan?

Gauri: Iss waqt hum aapke jitna kareeb rahenge, utna hi aapki jaan ko zyaada khatra hoga.

Omkara: Kaisa khatra? Kaunsa khatra? Kis se?

Gauri: Aap ghabraaiye matt. Hum aapko kuch nahi honay denge!

She untangles herself and runs towards the main door, leaving Om tangled behind her.

Omkara: Gauri! Ruko!

Omkara tries to free himself, but he’s stuck. Gauri turns around to face him. She goes back to Omkara and ties a thread around his wrist.

Gauri: Hum sab theek kardeinge. Haath chhoda hai, saath kabhi nahin chhodenge.

Gauri turns away and runs out of the mansion.

Omkara: Gauri!

Omkara’s room. Omkara is lying on the bed in a coma. His vital signs are going crazy, causing a lot of beeping in the room. A flustered Rudra is the only person in the room.

Rudra: Nurse! Nurse!

Omkara gasps for air as if calling out Gauri’s name and opens his eyes. It was all a dream. Rudra holds him and tries to calm him down.

Rudra: O! Aap theek ho! Sab theek hai!

Omkara: Rudra...

The nurse comes in. Rudra steps back and calls Shivaay.

Rudra: Shivaay bhaiyya! Omkara ko hosh aagaya! Aap please jaldi se aa jao!

Jahnvi, Dadi and Bua Maa come running in the room. They can’t believe Omkara is finally better. All of them are extremely emotional, hugging and crying.

Omkara: Mom, Gauri kahan hai?

Bua Maa: Haye naam matt le uska puttar. Usne jo tumhare saath kiya I can never forgive her for that.

Jahnvi: You were right about her, Om. Woh larki dhokebaaz nikli.

Bua Maa: Uss hi ki wajaah se to tera yeh haal hua hai. Laikin koi nai, all’s well that ends well.

Omkara: But Bua Maa kaise? Woh to...

Shivaay comes in with the doctor.

Shivaay: I think behtar yehi hoga if we don’t discuss this right now. You need to focus on getting well first.

Dadi: Haan, Omkara, bas abb tu jaldi se theek hoja.

Shivaay: Doctor?

The doctor nods. Everyone but Shivaay and Rudra leaves the room to let him check Omkara.

Outside the room, a frantic Tej comes running.

Tej: How is he?

Jahnvi: Thoda weak hai, but I think he’ll be fine. Doctor abhi check up kar rahe hain.

Tej: Goddamnit, Jahnvi, I need to see him!

Tej tries to enter the room, but Jahnvi stops him.

Jahnvi: Abhi nahi, Tej. Woh waise hi bohot stressed hai. Main nahi chahti ke tumhe dekh ke uski haalat bigad jaaye.

Tej: He’s my son!

Jahnvi: Laikin woh tumhe abhi baap nahi manta. I can’t believe mujhe tumse yeh kehna padd raha hai, but think logically. Inn 3 maheeno mein tum badle ho, woh nahi.

Tej (sighs): You’re right.

Tej, dejected, steps away from the door.

Omkara’s room.

Shivaay sits on the edge of Omkara’s bed and holds his hand.

Shivaay: You have no idea how glad I am ke tum theek ho. I’ve missed you so much. Inn 3 maheeno mein...

Omkara: 3 maheene? Shivaay, mujhe kuch samajh mein nahi aa raha!

Shivaay: Waqt aane pe main tumhe khud sab samjhaa doonga. But filhaal tum aaraam karo. I don’t want to lose you like this ever again.

Rudra: Haan, O, don’t worry. Picchle 3 maheeno mein jitney bhi jokes crack kiye hain, woh sab aapko sunaoon ga.

They laugh and hug.

Omkara: Rudra?

Rudra: Awkward hogaya?

Omkara: Nahin. Thoda zyada tight hogaya.

He lets go.

Shivaay: Chalein, Dumbbell Singh Oberoi? (to Omkara) I’m so glad tum humare paas waapis aagaye.

Omkara: Kaise jaata? One for all, all for one, remember?

Living room. Everyone’s gathered. The doctor comes towards them.

Shivaay: Om abb kaisa hai, doctor?

Doctor: Woh abb khatre se baahir hai. Thodi weakness hai, laikin kuch dinon mein bilkul theek hojaayenge.

Everybody’s relieved.

Dadi: Bhagwaan ka lakh lakh shukar! Bas abb meray bachon ki zindagi mein aisi koi aafat na aaye!

Bua Maa: Maine to pandit ji se kehke pooja ka intezaam bhi karwa liya hai. Humare ghar ke bachon ko koi buri nazar na lage abb.

Doctor: Yeh kuch medicines hain unki recovery ke liye.

He hands a slip to Tej.

Tej: Yeh sab main personally jaake abhi le aata hoon. We can’t afford to trust anybody with Om’s health right now.

As Tej leaves the room, we see Bua Maa sending a message to someone: “Waqt aagaya hai. Pooja mein koi gadbad nahi honi chahiye.”

Omkara’s room.

Alone in his room, Omkara keeps thinking about the dream. He tries to call Gauri, but her phone isn’t reachable.

Omkara (to himself): Main iss larki ke liye kyun itna pareshaan horaha hoon?

He calls Anika instead.

Anika (emotional): Hello! Omkara! Kaise ho tum?

Omkara (sad): Main theek hoon abb bhabhi. Aapki bohot yaad aarahi hai.

Anika: Kuch hua hai kya? Tum itne pareshaan kyun ho?

Omkara: Pata nai, bhabhi. Sab kuch itna ajeeb sa lag raha hai. Khaali sa... Kya aap mujhse milne aa sakti hain?

Anika (teary): Tumhe dekhne ka bohot mann kar raha hai, Om. Laikin tum to jaante ho na, main Shivaay ke saamne nahi aa sakti... Par tum bilkul matt ghabraao. Shivaay, Rudra aur Gauri koi bhi raita nahi phailne denge. To yeh jo bhi michmichi abhi horahi hai tumhe uspe dehaan matt do.

Omkara: Anika bhabhi, Gau...

Omkara hears someone outside the door.

Omkara: ... Main aapse baad mein baat karta hoon.

He hangs up. Rudra enters the room with a tray.

Rudra: Dekho, O! Aapka favourite... Main! Aur...

He shows Omkara the plate of food on his tray.

Omkara: Rudra, Shivaay kahan hai?

Rudra (jokingly): Shivaay bhaiyya doctor ki report le rahe hai.

Omkara: Woh theek to hai na? Anika bhabhi ke jaane ke baad?

Rudra: Dikhaate to woh yehi hain ke unhe koi farak nahi padta, laikin Annika bhabhi ke jaane ke baad, woh kya, ghar mein koi bhi theek nahi hai.

Shivaay enters the room.

Shivaay: Mere baghair kya baatein horahi hain yahan?

Omkara: Kuch nahi Shivaay, woh bas...

Rudra (absent-mindedly): ... O bhabhi ke baray mein pooch rahay the.

Rudra immediately realizes his slip of tongue and shuts up. Omkara gives him a disapproving look.

Shivaay (unfazed): Oh, Gauri! Humare hotay hue usko kuch nahi ho sakta. Don’t worry, O.

Omkara: Par Gauri hai kahan?

Rudra: Jis din aap coma mein gaye the, Gauri bhabhi mere paas aayi thi...

Flashback.

Gauri (hysterical): Rudy bhaiyya! Aapko kuch bhi karke Omkaraji ko bachaana hoga! Bua Maa Ratan ko paane ke liye har hadd paar kar sakti hain!

Rudra: Bhabhi yeh aap kya bol rahi ho? Ratan to marr chukka hai!

Gauri: Bua Maaji ko lagta hai ke Ratan Omkaraji ke bache ke roop mein waapis aayega. Aur jab woh aayega to... Omkara jaayega.

Rudra: Aisa ho hi nahi sakta. Bua Maa to O se sabse zyada pyaar karti hain! Apna beta maanti hain unko!

Gauri: Yakeen to humein bhi nahi horaha tha. Par jab humne unse kaha ke hum maa nahi bann sakte, to unhone humein apna poora plan harharai ke bataa diya. Humne Omkaraji ko phone (gets teary-eyed)... (wipes her eyes) khair, abb woh humein iss ghar se nikaalna chahti hain, kyunki hum unke kisi kaam ke nahi hain. Aur agar humara shak sahi hai to aaj Omkaraji ke saath jo bhi hua uska saara ilzaam...

Bua Maa (yelling off screen): Gauri!

Rudra (shocked): ... Aap pe lagega.

Oberoi Mansion Entrance

Gauri and Rudra cautiously enter the room. Bua Maa, Jahnvi, Tej and Dadi are standing there, angry and confused.

Gauri: Kya hua Bua Maaji? Omkaraji theek to hojaenge na?

Bua Maa: Wah! What a girl! Khud Omki ka yeh haal karke, humse inti masoomiyat se pooch rahi hai ke woh theek hoga ke nahi! Jaise ke tumhe kuch pata hi nahi hai!

Gauri: Bua Maaji aap hum pe aisa ilzaam kaise lagaa sakti hain? Jab Omkaraji behosh hue, hum to aapke saath pool area mein the!

Bua Maa: Jhoot pe jhoot! Main pool area mein kya karoongi?

Jahnvi: I can’t believe this, Gauri. Uss waqt Bua Maa apne kamre mein baal blow dry kar rahi thi. Maine khud suna.

Dadi: Humne tumhe iss ghar ki bahu maana, itna bharosa kiya. Aur tumne mere potay ke saath... (tears up)

Gauri: Laikin Dadi hum yeh sab kyun karenge?

Tej: To tum kehna kya chahti ho? Ke yeh Omkara ki Bua Maa ne kiya? Uski dadi ne? Maa ne? Ya phir uske apne baap ya bhai ne? Look around you, Gauri. Iss waqt ghar mein sirf yehi log hain. Aur agar tumhe in mein se kisi pe bhi ilzaam lagaana hai, to soch samajh ke lagaana.

Gauri: Hum ilzaam nahi, sirf sach bolenge. Aur sach yehi hai ke...

Shivaay walks in with the police behind him.

Shivaay: Kya sach hai aur kya jhoot, woh police decide karegi. Abb tumhe jo bhi bolna hai, jail jaake unn se bolna.

Gauri: Suboot kya hai humaare khilaaf?

Tej: Suboot bhi mil hi jaayega. Don’t you worry. Take her away!

The police handcuff Gauri and take her outside the Oberoi Mansion.

[bollywoodirect]

Remembering Dr. Rahi Masoom Raza, the legendary Urdu poet, Hindi Film Lyricist, and Scriptwriter on his 92nd birth anniversary today. Rahi Masoom Raza was born in Ghazipur, Uttar Pradesh. After completing his primary education in Ghazipur, he attended Aligarh Muslim University (AMU) for his higher studies. After getting a doctorate in Hindustani literature from AMU, he started his career as an Urdu poet and went on to become a writer penning several novels like “Neem Ka Ped” and “Topi Shukla” based on themes like the plight of the lower caste, Partition and the relationship between the Hindu and Muslim communities. In the 1960s and 70s, Dr. Raza became a prolific writer for Hindi films, contributing dialogues, screenplay as well as song lyrics. In 1979, he won the Filmfare Best Dialogue Award for his work in the blockbuster movie “Main Tulsi Tere Aangan Ki”. Gulzar used to be the lyricist and dialogue writer of Hrishikesh Mukherji’s films but since Dr. Raza’s associated with Hrishikesh Mukherji, Gulzar was taken only for lyrics and Dr. Raza wrote dialogues for so many films of Hrishikesh Mukherji viz. “Mili”, “Jurmana”, “Golmal”, etc. Dr. Raza also became an enduring writer for B. R. Films after he wrote their TV serial “Bahadur Shah Zafar”. Though the central idea of the story of the film “Nikaah” was of Achla Nagar, but Dr. Raza contributed a lot in the script and dialogues of the film, but his name was credited only as the literary advisor (along with Umar Khayyam Saharanpuri). The names of the heroes of the film viz. Afaq Haidar and Shahid Akhtar were those pen names by which Dr. Raza used to write in his early days in Allahabad. He also wrote script and dialogues for one of India’ most popular television serial “Mahabharat” for B.R. films which was highly appreciated. Few of the films for which he wrote script or dialogues are “Raste Ka Patthar” (1972), Doosri Seeta (1974), “Mili” (1975), “Bairaag” (1976), “Alaap” (1977), “Kisi Se Na Kehna” (1983), “Main Tulsi Tere Aangan Ki” (1978), “Golmaal” (1979), “Karz” (1980), “Judai” (1980), “Ek Baar Kaho” (1980), “Hum Panch” (1980), “Rocky” (1981), “Disco Dancer” (1982), “dard Ka Rishta” (1982), Sunny (1984), “Tawaif” (1985), “Lamhe” (1991), “Parampara” (1992), “Aaina” (1993), etc. His books of poems are ‘Mauj-e Gul Mauj-e Sabaa’(Urdu), ‘ajnabi sheher ajnabi raaste’ (Urdu), ‘main ek pheriwala’ (Hindi) and ‘sheeshe ke makaan wale’ (Hindi). The highlight of his career was his contribution to the script and dialogues of the immensely popular TV serial “Mahabharat” that ran from 1988 to 1990.

[ankittyagisblog]

Marne se pehle bahut kuch kehna tha muje lekin keh ni payunga itna time nahi hai

Marne ke baad kya hota hai pata nhi kisi ko bhi

Kya ham sapno ki duniya me chale jate hai hamesha ke liye

Ya turant dusra janm le lete hai

Ya bhagwan ke pas chale jate hai

Bhagwan kare wo apne pas hi rakhe muje

Khushi aur shanti ka ehsas chahiye bas

Bhagwan ke charno me kisi bhi prakar ki koi bhi chinta ya fikr nahi hogi

Kher abhi to zinda hu lekin tabiyat jyada achhi nahi hai meri

Roj fresh hote time khoon nikal rha hai

Aur aaj to jyada nikala kafi

Jis din dwai na khau agle din jrur nikalta hai

Agar maine kisi ka dil dukhaya hu jaane anjaane me to muje maaf kar dijiyega pls

Mere marne ke baad meri mumy akeli reh jaengi

Unka kon dhyan rkhega

Is chiz ki chinta khaye ja rhi h muje

Abhi kafi drd ho rha h mere

Kuch keh rhe h muje piles yani bawasir h

Lekin mje ni lgta mje wo h

Kyuki uske dard hota h jha se fresh hote h wha aur betha nahi jata

Lekin mere sirf pet me drd rehta andr jaise pet me liver me aanto me koi jakhm ho

Pta ni

Dwai to di thi doctor ne aur aram b aya lekin jaise hi dwai me dheel deta hu ya ek mungfali ka dana b kha leta hu to next day phir khoon ata hai

Pehle pehle ghbara rha tha kafi lekin dwai k baad jab theek hua to hosla aya ki ye shyd normal baat hoti h

Lekin ab phir roj roj ese hona

Muje ishara kr rha h ki jrur koi bahut serious baat h

Corona virus fel rha h hr jgh is samay khi kisi doctor ke jate hue bhi dar lgta h ta test krate hue bhi dar lgta h

Kya kre

Anjaan shehar me akele pad gye hai mai aur mumy koi ni hai hame support krne ko

Baap ne dhoka diya

Mama ne dhoma diya

Sbne hamare paise aur property hadap li

Nana nani k baad sb bekar sa hi ho gya

Rona arha h abhi

Kya kru

[nijjhar]

Punjabi - Jatt Jalsa in London on Webinar, Sunday 28 at 3.00 p.m. London... Punjabi - Jatt Jalsa in London on Webinar, Sunday 28 at 3.00 p.m. London Time. Let us attend all Jatts from all over the world. https://youtu.be/Tfp4cJx6z64 Hi Rohit, Thanks, I will be there. Here are some points to be considered:- 1. Name - Jatt Sabhah kehna theek hae aur Samaj Kahna ghltt hae. Into the Samajh, anybody of any caste could join like Hindu Samajh, Sikh Panth, Khalsa Panth, Muslim Millat, etc. but into the Jatt Sabah or Munch said in Haryana, only the people born of the Jatt father can join. Same way Arya is a race, Nassaall and not a Samajh. Such things reflect the wisdom of Jatts. 2. Main speakers:- Shri Dushyant Chautala; Shri has no feminine gender like Mr. to Mrs. or Shriman to Shrimatti. Our Jatt courtesy title is "Chaudhry" as of the Khatri, Bania is Lala; Lala Nanak Dev Ji, a Khatri, Lala Tara Singh Malhotra Khatri, Lala Mohd. Ali Jinnah, a Babla Bhatia. The last name is to be Gotra like Nijjhar, Sidhu, Randhawa, Dhaliwal, etc. Is Chautala his Gotra or the name of his villages like that used by the Badal and Kairon of Dhillon Gotra families? Also, Barnala is not the Gotra but Dhaliwal. I hear Dhanna Bhagat was also a Dhaliwal Jatt. The village is a social mother and castes are social/tribal fathers. Nobody else can use the village name except a boy is born of a prostitute that had served the whole village and then his mother will give him the name of the social mother village. Most politicians try to use their village name for popularity or to boost their ego, Haumae and Satguru = Christ Nanak said, "Haumae vich Jaati Jinsi khoee" and they become Super Bastard Shankar Varniyae Pakkae Haraami as the Badal family has accumulated wealth through ill means such as bribery. They have acted worse than the Khatris who are supposed to be the greediest of all the people in the world. That is why Nanak, a Spiritual Doctor was born among the greedy Khatris, the bloodsuckers as Milk oozed out of the dry bread of Bhai Lalo Ji Bhagat and blood out of the rich Diwan who used to extract money from the poor especially the Jatt farmers. Kalyug belongs to Khatris as Traeta Yug belonged to them in the past Age when they were Devtas and that is why less than 1% Khatris adopted Sikhism whilst the Jatts topped by 65%. Sikh is the second spiritual class for spirituality whilst the base morality is from Hinduism. A Hindu is one who knows his Hond, Jaati aur Baasi as the boys of South India do display in their names; the name of the boy, name of his father, village and finally the surname. Such a Hindu has Sharm aur Dharm and no Bhagat was born in South India. Saint Thomas was enough and the local Brahmins killed him that they are not inefficient yet; why he is causing confusion among the people in that if someone hits you on one cheek, then present the other cheek? 3. Mr. Gajender Phogat:- Is he a Jatt of Phogat Gotra? 4. Mr. Sangram Singh:- He doesn't seem to have a tribal father or Gotra. How come he is one of the chief speakers to Jatt Sabhah? All the above is written in good faith to Unite our Jatts through their Gotras. There is a Pakistani Bajwa Jatt Muddassir Bajwa on Facebook who is organising Jatt Unity. Invite him too. Let us have such meeting quite often to make our Jatts aware. Uncle Punjabi - Indo-Pak Jatt Qom, Kabila, Clan, etc., UNITY BANNER, POSTER, ETC. SUGGESTION for Border villages. https://youtu.be/n1TWU4Ehymw POSTERS AND BANNERS FOR OUR INDO-PAK JATT UNITY. DISPLAY THEM AT BORDERS AND SEE HOW THEY VANISH FOR UNITY. Jatt/Jaat/Jut hamaari Qom, Kbila, Clan, etc. hae aur Jatt paeda hota hae aur Jatt hi Marta hae. Mazhb sirf aik kameez ki tareh badliya jaa skta hae par Jatt Qom nhi badlI jandi. Iss liyae agar koie Aadmi apni Qom Hindu Jatt, Sikh Jatt yan Muslim Jatt kehta hae to wooh apni Jatt Qom chhorr kr aik alahda janooni Hindu, Sikh aur Muslim Qomin bna kr sabh sae barrae SHANKAR VARNIYAE Shaitaan Al-Djmar Al-Aksa ka Pakka Haraami baeta bunn jaata hae jaisekeh India ki 1947 partition kae waqatt aur 1984 kae janooni riots kae waqatt Jatton nae apne hi Jatt bhai mare thae. Aggar aap ko Mukti Hassall krni hae to pehlae aap apne kachae peo Jatt ko pahchano; phir aap ko apne Pakkae ASSLI Peo Parbrahm aur Allah ki Pahchaan ho gi. Yehnikeh, pahlae Brahma aur Khudah kae baette bano baad mae Parbrahm aur Allah kae baette bano gae. Haraami Janooni Shaitaan kae baete naa aadmi Brahma aur Khuda kae baette hotte haen aur naa hi Parbrahm aur Allah kae. Shah Shamas Tabrezi jiss nae Suraj ko neeche aane kae liyia keha tha, woh Allah kaa Baetta tha. Shaitaan Mullah nae os ko mara. KUDRATT KHUDAYE DI; NOOR ALLAH DAA. Apnae Chaudhry Chhotu Ram Ohlyan Jatt ko yaad kro aur AIK HO JAO. Ghar aur Bahr Qomon kae hoaya krtte haen aur Hinduon kae Mandir, Sikhon kae Gurdwarae aur Mussllmano ki masseetan. Issliyae apni vote Jatt Baap ko diya kro. Iss gaon Nangal Salala, Zillah Jalandhar mae manderja zail Gotra kae Jatt Rehttae haen:- Bajwa, Gill, Sandhu, vaigaera jo bhi Gotra kae Jatt.

[herbalhill07]

Aaj ke is video me hum janenge ki Ayurvedic Doctors ka kya kehna hai Immunity ke bare me. Aaj ki is Mahamari Me Sab ke muh pe ek hi shabda hai, Immunity!!! to chaliye jante hai Dr. R. B. Show ne immunity badhane ke liye iss video me kya upaya bataya hai.. 

 Click here for Imunohills - https://www.herbalhills.in/category/health-topics/immunity-support/

[f3news]

#16_Doctors Ne Kiya #Juniors Ki #Ragging (#Palghar)

#16_Doctors Ne Kiya #Juniors Ki #Ragging (#Palghar)

16 Doctors Ne Kiya Juniors Ki Ragging (Palghar)

23 saal ki ladki ne police complaint ki jo MD course kar rahi hai M.N. Dhawale Homeopathic Institute se

Complainant ka kehna hai ke senior doctors ne raat mein juniors ko hostel mein bulaya aur unki ragging ki

Aisa bataya jaa raha hai ke seniors ne juniors ko apne aap ko introduce karne bole aur tasks diye aur fir bohot mazak banaye

Palghar police…

[bollywoodpapa]

16 Bollywood Celebs Who Died Of Due To Massive Heart Attack

New Post has been published on https://www.bollywoodpapa.com/16-bollywood-celebs-who-died-of-due-to-massive-heart-attack-2/

16 Bollywood Celebs Who Died Of Due To Massive Heart Attack

Today we are going to introduce you to Bollywood actors who may have been happily spending a good time with their loved ones one day before leaving this world. All the artists involved in this list have lost their lives in the heart attack. Take a look:

1. Inder Kumar

Bollywood and TV actor Inder Kumar, known for his role in Salman Khan’s film ‘Wanted’, passed away on 28 July, at 2 am due to a heart attack at his residence in Mumbai. He was 44 years old. The actor reportedly suffered a heart attack at his residence in Four Bungalows in Andheri, Mumbai. The fatal attack occurred at 2 am.

Inder has been a famous model during the 90’s and has featured in many hit songs. He has acted in more than 20 Bollywood films. He rose to fame with Salman Khan’s film ‘Wanted’. Some of his films are ‘Khiladiyon Ka Khiladi’, ‘Agnipath’, ‘Tumko Na Bhool Payenge’.

2.Reema Lagoo

Famous Bollywood and Television actress Reema Lagoo, who was lastly working on Star Plus’ hit show “Naamkaran” passed away on May 18 morning due to cardiac arrest. She was 59.  She was best known for playing the on-screen mother to protagonists in hit films like ‘Maine Pyar Kiya’, ‘Hum Aapke Hain Koun’, ‘Kuch Kuch Hota Hai’ and ‘Hum Saath-Saath Hain’.

3. Om Puri

Veteran actor Om Puri has passed away after a massive heart attack on January 6. The actor was 66. The Padma Shri-winning actor died of a heart attack at his home in Mumbai. Puri was awarded an honorary OBE for his contribution to the British film industry in 2004. He was known for his performances in critically acclaimed films like “Ardh Satya” and “Paar” and the satirical “Jaane Bhi Do Yaaro”.

4. Razzak Khan

Veteran actor Razzak Khan who was famous for playing the role of Golden Bhai in the popular comedy show  “Comedy Nights With Kapil” is passed away on 1 June 2016. He suffered a massive heart attack and rushed to Holy Family hospital in Bandra, where doctors declared him dead on arrival. Khan has acted in more than 90 films and was noted for supporting and comic roles.

5. Aarthi Agarwal

Actress Aarthi Agarwal made her debut at the age of 16, with “Paagalpan”. On June 6, 2015, Agarwal was pronounced dead in Atlantic City, New Jersey. Agarwal, who had undergone a liposuction surgery six weeks prior, had severe breathing problems before her death. Her manager stated the cause of her death was cardiac arrest.

6. Abir Goswami

An Indian film and television actor, Abir Goswami, who worked in television serials like “Kkusum”, “Yahan Main Ghar Ghar Kheli”, “Pyaar Ka Dard Hai Meetha Meetha Pyaara Pyaara”. Goswami died on 31 May 2013 at the age of 37 due to cardiac arrest when he was running on a treadmill.

He worked in films like ‘Lakshya’, ‘Khakee’, ‘Ugly’, ‘The Legend of Bhagat Singh’, etc.

7. Sudha Shivpuri

Veteran actress, Sudha Shivpuri, more popular for playing the role of ‘Baa’ in Ekta Kapoor’s longest-running TV show ‘ Kyunki Saas Bhi Kabhi Bahu Thi’ died on May 20th morning. She was 79. According to reports, the actress had not been keeping well since 2013. She also suffered a heart attack in December 2013 for which she was in the hospital for 6 months.

She made her film debut with Basu Chatterjee’s Swami in 1977 and went on to act in films like Insaaf Ka Tarazu, Hamari Bahu Alka, Sawan Ko Aane Do, Sun Meri Laila, Burning Train, Vidhaata and Maya Memsaab. In 2003 she acted in the Hindi film “Pinjar”, based on Amrita Pritam’s famous partition novel.

8. Vivek Shauq

Vivek Shauq is not only a good comedian but also a good actor, writer, and singer too. Along with films he was seen in shows like “Ulta Pulta” and “Flop Show’ alongside famous comedian Jaspal Bhatti. He suffered a heart attack on 3 January and was admitted to Jupiter Hospital in Thane. On 10 January 2011 Shauq died from septicemia at the age of 47.

He still remembers for his role in films like ‘Aitraaz’, ’36 China Town’, ‘Dil Hai Tumara’, ‘Gadar: Ek Prem Katha’, ‘Tango Charlie’ etc.

9. Navin Nischol

Navin Nischol, a first gold medalist from the Film and Television Institute of India, say goodbye to the world in 2011. He worked in many TV shows like “Dekh Bhai Dekh”, “Daal Mein Kala”, “Waqt Ki Raftaar”, “Aashirwad” etc. Nischol died of a heart attack on 19 March 2011 en route from Mumbai to Pune. He was 64 years old.

10. Farooq Sheikh

An Indian actor, philanthropist, and a popular television presenter, Farooq Sheikh act in several notable films such as  “Shatranj Ke Khiladi”, “Yeh Jawaani Hai Deewani” , “Chashme Buddoor”. He has been the host of the very popular TV show “Jeena Issi ka Naam hai” in which he interviewed many Bollywood celebrities. Farooq died of a heart attack on 27 December 2013 in Dubai, where he was on holiday with his family.

11. Rajesh Vivek

He is best known to Hindi film audiences for his role as Guran in “Lagaan” as a postmaster in “Swades”. He had also played the role of Vyasa in the popular Indian series “Mahabharat”. He was roped in for an ad series of Cadbury 5 star as the father of the two sons. Rajesh died on 14 January 2016 at the age of 66 due to a massive heart attack while shooting for a film at Hyderabad.

12. Deven Verma

One of Bollywood’s best comedian Deven Verma who was working in some of the most memorable movies of Bollywood like ‘Dil To Pagal Hai, Ishq’, ‘Kya Kehna’, ‘Dil’, ‘Andaz Apna Apna’ etc. He passed away on 2 December 2014 in Pune following a heart attack and kidney failure. He is still considered one of Bollywood’s best comedians.

13. Zohra Sehgal

Bollywood’s sweetheart actress, dancer, and choreographer, Zohra Sehgal was full of zeal and enthusiasm. In her career-span of over 60 years she acted in numerous movies but her role in films like “Hum Dil De Chuke Sanam”, “Veer Zara”, “Saawariya”,” Cheeni Kum” is remembered till now. She said her final goodbye on 10 July 2014, aged 102, after suffering cardiac arrest. She is still remembered in our memories.

14. Dev Anand

Dev Anand, regarded as one of the influential actors in the history of Indian cinema. Padma Bhushan and the Dadasaheb Phalke awarded Dev Anand spanned more than 65 years with acting in 114 Hindi films and did two English films. Anand died in his hotel room in London at the age of 88 on 4 December 2011 of a cardiac arrest.

15. Suchitra Sen

One of the finest actresses of Indian cinema, Suchitra Sen was also the first Bengali actress to receive an international award in Moscow in 1963. Suchitra Sen was admitted to the hospital on 24 December 2013 and was diagnosed with a lung infection. She died at 8.25 am on 17 January 2014, due to a heart attack.

16. Vinod Mehra

Vinod Mehra started out as a child actor in the late 1950s before starting his film career as an adult in 1971. He acted in over 100 films through to his death at the age of 45 in 1990. Mehra died of a heart attack on 30 October 1990. He was only 45 years of age. Vinod Mehra’s son Rohan Mehra is making his debut in Nikhil Advani’s “Baazaar”.

[tellytantra]

Guddu stormed in her father's house all upset & ignoring all questions went straight to her room. Meanwhile AJ calls chutki to ensure if Guddu is there or not as she has turned off her phone & she reacted very weirdly to him. & Chutki assures him she is here but mood is too off & hence not answering anything to anyone but tells him not to worry, she will be hopefully all right within few hours. Meanwhile Kaushalya started her taunting regarding Guddu to Bhushan & he just sat  all stressed resting his head on his hand. But Chutki decided to check on Guddu abit later. Guddu kept thinking on what happened. It has been a month she shifted to hostel for exam month. It was AJ's decision as he felt she was being too distracted in Jindal Bhavan chit chatting with Dadi, kathoor, bahus & was not concentrating on her studies but she can't be that laid back during exams.So he announced his decision to send her to hall for a month to which Dadi strongly protested but he gave no ears to her & to this Durga even supported him & somehow managed to convince Dadi.  & Guddu clamed down Dadi by assuring her that she will be all right on this as she knows she can't overthrow this decision of AJ's. But there was something else pricking her other than missing everyone with this which she couldn't understand. While in hostel, as AJ had thought, she had all her concentrations dedicated to her studies. Though dadi had somehow agreed to her staying in hostel, but she put a strict instruction as for her all the 3 times meals must be delivered from home & for any other snack, she must order from Jindal restaurant only. & rightly so as the hostel food was such that anyone can fell easily sick. Even the rest of hostel mates usually eat outside. So everyday, her Breakfast, Launch & Dinner used to come from Jindal bhavaan via drivers. Somedays Dadi herself used to come with the breakfast as she would develop the desire to see her gurdiya from time to time.  But, the Dinner always used to be delivered by AJ everyday in a way to make up for the tough decision he imposed on her. They used to do their dinner together in his suv parked front of her hostel. This way he used to keep a check on her studies & preparations too. Also solve any type of difficulties she faces. Though the hostel had restriction on girls going outside after 8pm but AJ had special permission from college authorities which gave him no restriction on meeting Guddu.  Though his a constant uncle like behavior of keeping tab of her studies irritated her, but she cherished the moments they used to share in his car with AJ listening patiently to all her non-stop blabbering till its too late around 11 pm when he had to remind her to go to sleep. & she used to silently leave while pouting. But since she has shifted in hostel for some reason she has got more sensitive to AJ. His words, his behavior, his gestures towards her has started to impact her considerably more than before. His strict uncle like scolding which she used to ignore before, now pricks her & angers her at times to the extend of being teary when she feels she hates him the most in the world. But at the same time his small gestures of appreciations make her heart swell. She keeps waiting the whole day for dinner time when AJ comes. But she can't understand the reasons behind these changes. She misses all but why this very relevant change is regarding AJ only. Today she was very happy as today was last paper & today only she is going back to Jindal bhavaan. So after finishing the paper when she was on the way to hostel to gather her stuffs, her way was blocked by a nerdy looking guy wearing very loose T-shirt. Guddu for a moment was shocked & for some weird reasons she was finding him very repelling & a very strange smell was coming from him. He introduced himself as a dropper & needs to clear a doubt as the next batch of paper that he has to appear starts within 25 min & everyone else is busy in lunch. Guddu reluctantly agrees to help but he convinces her to come aside under the shadow of the nearby tree as he is unable to see what she is writing due to too bright sun. As soon as they reach there within no time, the guy grabs her  hand and pricks her with a needle. Guddu realizing the blunder, gives him a kick , bites his hand & manages to run away. The hostel was just 10 min. away while she was running but she was loosing consciousness & getting weak. While the guy was following & was only about 7 feet away. Then her sight started blurring & all turned blank, her knees gave up & she felt a slight touch of the creep on her bare arm. But the next second she felt engulfed by the familiar pairs of strong muscular arms & heard sound of the creep's scream before losing consciousness.  Next woke up in college medical, & heard the doctor "she is all fine now & can go home". Saying this the doctor left, & she sat up to face a very angry AJ. & before she could open her mouth, he blasted her with lectures on why did she even go near him as he was so evidently smelling of drugs, how she hasn't learn to judge people yet,etc etc.Today his words were pricking her like arrows more than before & she was feeling very angry about it. How dare he lectures her in this way while her shifting in the hostel was completely his decision. First he himself sent her away from his home & now he is lecturing her on how disappointed he is with her. But she was getting angry as for some weird reason, her tears have started to flow which is so unlike her especially when he gives those 'haq jataoing' lectures. She was feeling like hating him. So she decided she had have enough & told him straight while trying to control her crying, " Baas ! bohot ho chuka..." to which AJ stopped & was taken back by this sudden outburst along with seeing her in tears, a sight he can't bear. She continued, " ...humein aur nahin sunna, aur na hi hum aapke saath jayenge ". Saying that she stormed off the medical while AJ stood confused & dumb folded as before too he has scolded her numerous times but she has never reacted like this. When entering this house she was still angry but now lying in her bed in her old room she is feeling regretful of her behavior with AJ. As his lecture was for her own good. She did feel repelled by that guy & that weird smell then why didn't she act upon her instinct. & most importantly why did she react to AJ like that ? & now she is missing him.  It was evening when Guddu was lost in her thought, Chutki comes inside room & sees Guddu lying on bed with her eyes fixed on the ceiling.  Chutki :- humm ! toh kyu pareshan kar rakha hai jiju ko ?  Guddu :- Hume toh lagta hai humne sabko pareshan kar rakha hai... Khudko bhi.  Chutki :- di ! aap kehna kya chahti ho ? Guddu :- kya hum bohot bure hai ? Chutki :- Nahin itni bhi nahin...  Guddu :- kya humme logokon ko parak ne ki samaj nahin ? Chutki :- samaj toh acchi bhali hai aapme di, aur kuch mamlon mein toh apni umer se bhi zyada...magar jab aapko gussa aa jata hai na, wahan apki maat mari jati hai ! ...Aur tab accha, bura kuch nazar nahin aata apko. Guddu :- abb toh hume khud per bhi atbaar nahin raha...Ki jinhe hum accha samajte hai, woh acche hai ya nahin, ya jinhe bure samajte hai, woh wakai bure hai ya nahin ... Chutki :- yeh toh bohot simple hai, jo acche honge, woh dil ko bhi acche lagenge, aur jo dil ko na bhaye samajle woh bure hi honge. *hearing that, Guddu lifts up her head from pillow & sits* Guddu :- aur agar dil dhoka de raha ho toh... *chutki smiles slightly as she now understood where this is going* Chutki :- nahin dil humesha sachaa hota hai aur akkal juti... galatfemiyan humesha dimag ko hoti hai, dil ko nahin. Guddu :- kya dil kissi ke liye nafrat aur mohabbat ek saath pal sakta hai ? Chutki :- sawal hi paida nahin hota...jab mohabbat kisi ke dil mein jaga bana leti hai na, toh nafrat ko kick maarke bahar nikal deti hai. Guddu :- aur kaise baata chale ki mohabbat dil mein jaga bana rahi hai ? *while Chutki is now smiling widely, Guddu's restlessness seems to be increasing with each query* Chutki :- Kya hogaya hai aapko di ? test le rahi hai aap meri ? aap hi se toh seekha hai sab kuch... * Guddu now restless & desperate for answers gets up to sits near Chutki at the side of the bed & grabs her hand* Guddu :- please bata na Chutki...dekh aaj hume aisa lag raha hai ke hum kabhi bade hue hi nahin...humhe kuch patha hi nahin...hume kuch nahin patha...kya sahi, kya galat ... kya karna chaiye...kya nahin...yeh ho kya raha hai ? hume kuch samaj nahi aa raha...hum jante hai, tu humse choti hai per aaj shayed tuhi hume raah dikha sakhe... *Guddu looked at Chutki with pleading eyes & Chutki realized the dilemma that has engulfed her sister.So she took Guddu's hands on hers & held tightly giving a small but assuring smile* Chutki :- Achha apni ankhe band kare, aur meri har baat ka jawab apni dil se maangiye... *Guddu gives her a confused look but Chutki insists so she does* Chutki :-  Jab koi app ke liye, bina kisi garz ya talab ke liye, kuch bhi karne ko taiyaar ho... yeh muhabbat hai Flashback:- *AJ tying his hanky on her feet in darga* Guddu waking up on morning after having high fever at night & finding AJ asleep resting just his head on bed,sitting on the floor & holding her hand while still completely dressed up in his formal suite from yesterday *AJ lighting diya & putting flowers on front her mothers portrait* Chutki :- Jab koi apni barsaat se bardke aapko khusiyaan dena chahe...saare ghaam uthake, phir bhi aapko muskurata dekhna chahe... yeh muhabbat hai Flashback:- *Guddu coming out of collage after finishing her paper & finding AJ sleeping on his car in  as he was awake the whole night outside her hostel helping her revise after being busy the whole day in restaurant* Chutki :- Jab aap kisi ke saat bura kare, aur aapka dil khud aapko lanat malamat karne lage...toh samjho yeh muhabbat hai Flashback:- *AJ getting beaten by Dutta's goons* AJ's grief sicken face after Antra's portrait got stolen* Chutki :- Jab har taraf andhera mehsus ho raha ho aur ek, sirf ek shaks ka tasawar, roshni ki kiran ki tarah jagmagaye...toh yeh muhabbat haai Flashback:-* AJ stepping in to save the diya on her hand during diwali pooja* AJ putting all her galti wali chits on fire* Chutki :- Aur jab koi band aakhon se hi nazar aane lage... phir toh yeh wakai muhabbat hai Flashback ;-* cake smashing on AJ's face* marriage proposal* AJ pulling her in announcement party* pool scene* engagement* AJ putting dupatta on her on mehendi night while saving her from goons* haldi* wedding* KC* diya making* darga sequence * both tying threat together in darga*  Finally Guddu opened her eyes & tears of realization started escaping silently. While she was drawn in this realization, Chutki seeing her state decided to move out silently, giving her time to let it sink in. A smile appeared in Guddu's face as her tears changed to those of happiness as she realized that, she was in love with AJ. She finally got her answers. She felt the urgency to see AJ at this instant so without thinking about anything, she ran out of the house like wind leaving everyone except Revti shocked who just smiled & shook his head before noticing Guddu's purse on the sofa that she threw while entering. Meanwhile Guddu reached the ground level, AJ was coming out parking his suv. He stopped when he saw Guddu who without wasting a second ran towards him & embraced him in a hug. AJ felt relieved & at peace in her embrace & hugged her back with equal intensity. Witnessing this scene from the entrance of the building were Bhushan & Revti who have come to give Guddu's purse behind her. Both of them looked away & Bhushan shaking his head tells Revti, " jaa in bewakoofon ko andar leaa, na ladne ka salika na muhabbat ka tareeka...ahmaak kahinke ! " & left the scene.  While Revti just rolled her eyes as now she has been assigned the task of disturbing the love birds. Then looked at the beautiful sight & decided to delay for 2 minutes atleast. Writer: CaptainPlus

http://jodifiction.blogspot.com/2019/08/akshan-os-yeh-mohabbat-hai-akshat.html

[adultstories4u]

Update 72

Lekhak ki boli- Author’s note.​

Dosto pata nahin mere paas sahi alfaz honge ke nahin woh bayaan karne ko jo main kehna chahta hoon iss kahani ke bare mein…. Mujhko na Hindi ati hai na urdu, main ne kahani ki shuruwaat mein yeh keh diya hai… main Indian nahin hoon, Mauritian hoon aur hamare yahan Hindi nahin bolte hein, hamari matra bhasha creole hein…main ne bahot sare grammatical mistakes kiye hein kahani likhne ke dawraan mujhe pata hai, aur uss ke liye aap sabhon se maafi chahta hoon… kahin thi ke jaga tha likha hai, kahin hoti ki jagah hota likha hai….yeh iss liye ke mujhe khud pata nahin kia likhna chahiye tha… Inn zubanon ko naa jaante huwe bhi main ne puri koshish ki story likhne ko, mera irada tha aap logon tak kahani ki zaroori theme ponhchana aur woh main ne kiya………….. Weise mere apne khayaalat hai zaroori nahin ke aap sabhon ke khayaalat se meyl khayein jo kuch main kahunga abhi.

To iss kahani mein main unn pariwaar walon ko doshi thehrata hoon jo log apne bachchon par zor zabardasti se unn ka pyar chinntey hein aur unn ki marzi par chalne ki aadesh dete hein. Iss kahani ke shuru mein keh diya gaya hai ke Vijay kitna honhaar ladka tha aur eise bache par har maa baap ko garv karna chahiye aur ussko ziada aguey barhne ki aur safalta prapt karne ki afsar dena chahiye. Vinod chacha usske parivaar walon mein se tha aur ussko bhi achchi tarah se pata tha ke Vijay kitna honhaar hai aur sab kuch zindagi mein prapt karne yogya hai to main eise baap ko 100% doshi thehrata hoon jiss ki vajah se Aisha ki zindagi, jawani tabah huwi aur apne pyar se mehroom rehna pada.

Agar Vinod chacha ne yeh sab nahin kiya hota to shayad jawani mein Vijay aur Aisha ki shadi ho gayi hoti aur unn ke awlaad hotey. Umr ke bahrr jane ki vajah se Aisha maa nahin ban saki. Doctors ke kehne ke motabik ek awrat jab 30 ki umar paar kar jati hai to maa banna mushkil ho jata hai agar ussne kabhi bachcha nahin janma ho to…han agar ek awrat pehle se maa hai weisi awrat ko 30 se upar umr mein bhi maa banne mein koyi problem nahin hoti…magar Aisha 40 ki hogayi thi to impossible tha unn ki systems ko normally operate karna bachche paida karne ke liye…to kiss ke kaaran yeh huwa? Vinod chacha ke kaaran.

Sab negatives jo iss kahani mein ata hai woh sirf Vinod chacha ke badawlat, woh villain number 1 ban jata hai story ki…… Ek ladki ka baap hone ke nate koyi bhi baap agar apne beti ki education ko rokta hai woh bilkool achchah nahin karta…education par sab ka haq hai yeh kissi ki jaagir nahin aur kissi ko haq nahin banta ke kissi ko rokein education haasil karne se… chahe woh kissi ki aapni awlaad ho yaa nahin…balke education sabhi ko bantne ki cheez hai na ke uss par rok lagane ki….

Kiisi ko abhi samamjh mein shayad nahin ayega ke main kyun yeh sab ek kahani ke liye keh raha hoon…. Aap log sab tab samjheinguey jab main aakhri update dunga jo abhi tak ek raaz hai, aur kahani ki bunyaad.

Rahi Vijay aur Aisha ka pyar, woh ek ajooba tha. Log misaal diya karte hein Laila majnu, Shirin Farhaad, Romeo Julliette jeise pyar karne walon ki magar dosto hum sab ke beech eise kayi Laila Majnu hein, kitne saare Shirin aur Farhaad hein kitne Romeos aur Juliettes hein….. Hamare darmiyaan in muhabat karne walon ko ignore kiya jata hai aur jo kitabon mein likhi gayi jhooti lovers ke kisse hein unn ke misaal diye jaate hein. Are asli muhabat karne wale to yeh log hein jo hamare beech rehkar apne pyar ke liye ladte jhagadte hein aur apne manzil tak pohonchte hein….. Han hamare Vijay aur Aisha ka pyar weisa pyar tha jo paak tha, pavitra tha, bedaag tha… yeh wohi pyar hai jo kudrat ko bhi jhuka deta hai, taqdeer ko bhi majboor kar deta hai, yeh who muhabat hai jo aasmaanon se ban ka rata hai, inn donon ka rishta inn ke paida hone se pehle bana diye jate hein to hum insaan kaun hote hein inn ko juda karne wale? Rok to hum laga dete hein magar aakhir mein weh mil hi jate hein, magar hamari rok unn ko bahot kuch miss karwa dete hein aur unn ko pachtana bhi padta hai hamari wajah se……

Muhabat zindagi mein aguey bahrne ka ek zarya hota hai. Muhabat ke zarye insaan apna mustakbil banata hai, pyar ki zaroorat insaan ko tab se hoti hai jab se woh apne maa ki peth se nikalta hai. Agar uss waqt maa pyar na de to kia woh uss pyar ke baghair bahrta hai? Nahin dosto. Pyar bahot ehem hai, aur jiss zindagi mein pyar nahin hota woh zindagi bematlab hoti hai. Yeh sirf woh insaan ko pata hai jo pyar ke bina bachpan se barha hai…hein kuch eise budnaseeb jo bina pyar ke jeete hein, magar unn se poochna weh akele jaantey hein ke unn ki zindagi kitni suni hai kitna bematlab hai…… pyar kudrat ki deyn hai, yeh woh khazana hai jo insaan ke dil o dimaagh ko bhi jhakjor deta hai, darinde ko insaan bana deta hai, are insaan kia jaanwar mein bhi bahot pyar hota hai…zara study karke to dekh lena dosto….. pyar, muhabat har makhlookaat (creature) ke beech hota hai. Aur yeh woh jazbah hai jiss se dil to kia pathar bhi mom ki tarah pighal jata hai. Bus muhabat sachi honi chahiye.

Janwar se yaad aya kahani ki Tiger jo Vijay ka kutta tha. Kia kehna usska? Kia haal huwa tha Vijay ka jab woh wapas aya aur woh uss se nahin mila…. Yeh kia tha? Yeh bhi pyar hi to tha…. Aur sirf Vijay ke taraf se woh pyar nahin tha uss jaanwar ke taraf se bhi tha, bade bhai ne kaha tha na ke Tiger ki nazrein Vijay ko dhund raha tha…. Woh to bezuban jaanwar tha kitna toot toot kar roya hoga Tiger yeh na keh pane par ke ‘main Vijay ko dekhna chahta hoon marne se pehle’ Keise yeh kehta woh? Ab jitna pyar Vijay uss kutte se karta tha, aur jitna dukh Vijay ko huwa tha uss se hazaar gunah dukh to Tiger ko huwa hoga ke woh yeh keh bhi nahin sakta ke woh Vijay ko dekhna chahta hai marne se pehle….. Pyar ka rishta ajeeb hota hai dosto, jab dil se dil ka taar judhta hai to pyar hota hai, woh insaan se ho ya jaanwar se pyar pyar hota hai aur dil se rishta judhta hai…. Kabhi koyi bhi kissi ka pyar ka khoon na karein yeh meri duwa sabhi pyar karne walon ke liye. Upar wala sabhi pyar karne walon ko kaamyaab karein, unhein apne pyar ke kareeb rakhein, unn ke muhabat ko abaad rakhein aur ooncha mukaam dein.

Main iss kahani ko dunya bhar ke sabhi pyar karne walon ke naam karta hoon. Aur dil ki gehraayi se duwa karta hoon ke sabhi ko muhabat haasil ho aur sab kaamyaab ho. Ameen.

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