#do other people in their presence get a little more cartoon?

[alexmaybe]

no, but this is perfect, the Joker is taken out by a puppet and it's his own fault. because the Joker, in his quest to escape death, boredom, and the consequences of his actions, has successfully convinced the universe that he lives under cartoon rules. he doesn't significantly grow or change, for the same reason that bugs bunny and daffy duck don't, and in exchange, he cannot be killed or permanently impaired by anyone operating under reality rules. he can only be permanently defeated if it's funny.

so in comes the muppet and the muppeteer, and they already occupy a kind of liminal space between reality and cartoon, and there's the Joker warping the rules of the universe around him, and it's the perfect set-up. the Joker has been wandering around gotham for years, looking for his punchline, and he's about to get it straight to the face.

not only does miss piggy defeat the Joker, she might be the only one who could.

The only thing I need from the BatMuppet story that I didn't get yet is the HIIIIIIII-YA moment where Miss Piggy karate chops Bruce Wayne.

And has no idea the significance of doing so.

Oh, no, no. She doesn't do it to Bruce. She does it to the Joker.

They're at a televised charity gala, making the rounds. All the usual glitz and glam. Miss Piggy has just left to powder her snout when the shooting starts, and cries to "get down on the ground now!" reverberate through the room. It's almost half expected that the night is going to end in a hostage situation. It's Gotham, for Christ's sake. But no one's expecting the Joker. He's supposed to be in Arkham. The Bats just put him there. He shouldn't be out already.

Bruce is stalling for time, trying to give the Boy Wonder and all his other kids time to get to them. He's stammering, hands in the air, offering to pay whatever the Joker wants if he'll let all these people go. Except the Joker doesn't take ransoms. He barely takes prisoners. And he's got a gun aimed squarely at Bruce Wayne's forehead.

But Bruce keeps trying, inching forward on his knees, hands behind his head. Trying to figure out how much he can get away with in a room full of all these fucking cameras. He's going to get shot. He already knows it. It's just a question of whether he can duck and make sure it goes through his shoulder and not his head. Christ, he fucking hates guns.

"Come on," Bruce says, trying his hardest to sound both scared and amenable. "Everyone has a price. Name yours."

The Joker laughs, gesturing grandly with his free hand. "Tell you what, Brucie-boy, you'll get a price when pigs fly!"

The sound of enraged hoofs striking off marble makes itself known. A deep, guttural squeal tears through the night. The kind that hunters of old knew the fear and keep at the end of a long spear. The Joker turns just in time to see Miss Piggy flying through the air. Eyes red. Tusks bared. Hand raised. "HIIIIIII-YA!"

Jim Gordon's outside, preparing to launch a frontal assault, when the news comes in over the radio. He listens, shouldering the radio against his ear as he pulls a cigarette case out of his pocket. "To shreds, you say? What about the henchmen? To shreds, you say..."

[hotvintagepoll]

Propaganda

Veronica Lake (I Married a Witch, Sullivan's Travels)—her look is so iconic they used her as a visual model for jessica rabbit in who framed roger rabbit and a bunch of other femme fatale types in cartoons and live action alike. i didnt think i liked women and then i saw her in sullivans travels and said gee i hope this doesnt awaken anything in me! every role ive seen her in she absolutely oozes an aura of "i know people would ask me to step on them" and her EYES bro every photo ive looked at for this submission its like shes piercing thru time and space to judge me <3

Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Veronica Lake:

Her HAIR, her FIGURE, her VOICE, the way she wore LEATHER AND SANG SONGS FOR NO REASON.

I don't believe there's a person on earth who can watch Veronica Lake in I Married A Witch and not be struck by how gorgeous she is. She had that youthful wonder about her that almost every Hollywood starlet was trying to achieve. Her hairstyle (peekaboo bangs) became an iconic Hollywood style after she popularized it, and made her signature look all the more suggestive. Also, witches are tumblrs favorite!

ICONIC hair sweep

The US government literally begged her to change her hairstyle because it was TOO HOT to handle and women who copied it were getting their hair caught in machinery

Her hairstyle was so iconic and popular that the war department had to come out with a PSA instructing lady ironworkers with ways they could pin their hair up to avoid it getting bound in machinery. [https://veteranlife.com/military-history/veronica-lake/]

She played a lot of femme fatale roles but my favorite is Sullivan’s Travels opposite Joel McRea, which is a comedy. She became famous for her hair style at the time—she wore it long and parted on one side so it would fall over half her face in a very sexy way. They called it a peek-a-boo I think. You’ve definitely seen Bugs Bunny dressed up like her, so I think if she’s being honored in such a way she’s very cool.

look at her

she's GORGEOUS in her little witch outfits that she wore for promos and also in the oversized coats and pajamas she wore throughout the movie...she's got RANGE

My Grandpa supposedly dated her in high school, he drove her to school in his car every day. This is legend in the family.

She has gorgeous hair, has got the smouldering look over the shoulder down PAT, and is just drop-dead gorgeous too!

Schizophrenic icon, popularized the peekaboo hairdo long before Jessica Rabbit

She’s just so prettyyyyy

So much hot in such a tiny package. She was no more than 5 feet tall, and some reports claim as small as 4'9"

If you picture a femme fatale in your head, almost certainly Veronica Lake had a hand in shaping the image you think of. She came to embody the look of the noir leading lady as well as the sound and the performance. Certified Noir Baddie.

Eartha Kitt:

"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."

"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."

"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”

"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."

Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist.

[amberlynnmurdock]

Neighbor Pt. 3

Matt Murdock x Reader

Summary: Matt hears her come home from a date, and interrupts when he hears it go south.

Words: just above 2k

A/N: So this series is basically different excerpts, so the chapters may not fall right into each other if that makes sense... so here's another night of them being neighbors! Hope you enjoy :)

Genres: light angst, comfort, fluff

Part 2

Matt came home to a quiet and cold apartment. After jiggling his keys in the lock a few times, his musty old door finally opened, and he was met with the cool draft that came in from his even older windows. Pushing the door closed with his back, he sighed deeply and dropped his suitcase on the floor. He hung his head low. 

Today was long. Too many papers at the office, too many people to talk to… or maybe, the night before, he spent too much time out as Daredevil and barely got any sleep. Or maybe he had trouble falling asleep. Matt wasn’t sure, but it didn’t matter. He was finally home. 

It seemed like everyone else in the building had livelier apartments than he did—he could smell spaghetti from an apartment below him, with jazz music playing in the background. Another apartment had children laughing at a cartoon. Another one was having guests over for dinner. Even Fran, the apartment’s snoop, had brownies in the oven. Of course—it was Friday night, and people like them had plans. 

Their apartments were all warm and inviting. But not his. It was cold and empty, and nothing played in the background—only these heightened sounds in his ears and his thoughts. His ever so dreadful thoughts. 

But what about hers?

He cocked his head against the door to listen closely to her apartment. What was she doing? Nothing seemed to be going on. No tea was on the kettle. Not even the sound of pages being turned in a book. She wasn’t home. 

Matt furrowed his brows at this—he knew she had the morning shift today because they had their usual morning greeting and walked each other out. Part of him was disappointed he couldn’t share his lonesome with her, but the other part felt guilty because, of course, she had plans. While Matt was reclusive and preferred the dark, she was friendly, inviting, and liked to be out. Why would she waste her radiance on being locked up in her apartment? 

So, Matt did what he normally did. Instead of being at home alone with his thoughts, he changed into his Daredevil gear and waited on his rooftop for something, anything, to call for him. Eventually, it did, but something was missing tonight. 

***

He wasn’t out for long. 

He was missing punches, throwing them too soon, otherwise just overall thrown off. Something was off. After stopping a robbery, and nearly taking a bullet to his shoulder, Matt tapped out. He sulked in his gear all the way home and stomped down the steps from his roof, back to his cold and empty apartment. 

It was nearly midnight. Some people in the building were awake, and others getting ready for bed. And still, she wasn’t home. 

Is she okay? 

Matt pushed any thought of worry away. Pushed any thought or feeling of attachment away. After all, she was just his neighbor. His neighbor who sometimes said hello to him, who sometimes dropped a book off in braille for him. Not his emotional support neighbor. Just a neighbor, whom Matt couldn’t keep himself from listening to her calming presence. 

So what if he liked her anyway, just a little bit? 

She would never get involved with a complicated man like him, who held so many secrets and even more baggage. 

Plus, they were neighbors. It could neverwork out. 

Matt immediately stripped himself of his Daredevil gear and stepped into a hot, steaming shower, to wash these thoughts of her away. Wash this awful night away. Wash the dried blood on his skin away. 

He lay in his bed, silk sheets sprawled over his half-naked body. He had his hands behind his head on his pillow, senseless eyes staring up at the ceiling. The building was winding down, finally. No loud conversations, no ovens beeping. Just people getting into bed and soft snores. 

And then, he heard it. 

The front door of the building unlocked. Footsteps make their way up the stairs. That familiar and therapeutic scent of warm vanilla filled his senses. Finally, she was home. 

But she wasn’t alone.

“I had a good time tonight,” he heard her say on her way up the stairs. Heavy footsteps followed closely behind her. Matt listened to her heartbeat and furrowed his brows—she wasn’t telling the truth. 

“Me too,” a smooth, masculine voice said. “Are you sure you don’t want to have some coffee?”

“Oh yeah,” she said nervously, masked by a high-pitched tone. She was being overly nice. Cautious. “We had so much food at that restaurant. I’m stuffed. I’m honestly ready for bed,” she laughed, again, a quiver in her laugh. Matt sat up on his elbows as he listened closely. 

“Me too,” the man repeated, in a tone Matt didn’t like. Conniving. Entitled. There was an underlying message. 

“Well, here’s my place,” she announced, placing a hand on her door. Matt noticed she often forgot to grab her keys when she was nervous. Matt had made her nervous that one morning, but nothing like this. She was… uncomfortable now. She wanted this man to leave. “You didn’t have to walk me up.”

And there it is. 

“I wanted to,” he said, leaning against her door, blocking her from the lock. “I thought maybe you could show me the inside.”

“I, uh,” she stammered, fidgeting for her keys unsuccessfully. “I don’t know, it’s late…”

In an instant, Matt throws on a shirt, gray sweatpants, and his dark glasses and hurriedly walks to his door to meet her and this stranger in the hallway. This stranger who won’t leave her alone, who takes the hint and ignores it, this stranger who’s making his neighbor uncomfortable. 

Her heart leaps when she sees Matt suddenly coming outside his door, brown hair disheveled and a smile on his face. 

“Matt!” She exclaimed. “I’m sorry, was I loud?”

“Not at all,” Matt smiled through gritted teeth. “Just thought I forgot my mail. That’s all. What are you up to?”

“Um…”

“We’re on a date,” the man states plainly. Matt pretends to be shocked, that he didn’t know someone else was there. He feigns surprise and lifts his eyebrows. 

“Oh,” Matt said, “Sorry. I didn’t realize.” 

“There’s no mail,” the man said curtly, clearly upset that Matt interrupted whatever it was he had planned. “You can go back into your apartment now.” An icy tone. 

Matt took a step forward, eyebrows tightening, jaw clenched. He wants to tell this man that he can break every bone in his body. He wants to tell him that if he ever hears him in this building again, he’ll make him beg for mercy. He listens to the man's body muscles tightening, his heart rate is fast in anger. Whatever his plans with her were, they weren’t pure.

But Matt remembers she’s here, witnessing this, scared. He doesn’t want to be whatever that man is. He wants to show her he cares enough about her to walk out of his apartment at midnight and save her from whatever is happening. 

So, instead of answering the man with a threat, he looks in her direction—concern etched in his expression, care in his voice. 

“Is everything all right?” Matt asks her. 

She shakes her head, mistakenly. She quivers a weak “no.” 

The man stood menacingly over her. If she didn’t open her door for him, he’d manipulate her into doing it eventually. And Matt was interrupting his plan, he knew it. The man didn’t like that. Well, Matt wasn’t going anywhere until he left her alone.

He walks up to Matt, close enough so they’re standing face to face. Matt can smell the rum on his breath, which reeked with bad intentions. His hands turned to fists as the man began to speak whatever bullshit threat he tried to come up with. But Matt cuts him off.

“If you don’t leave this apartment in the next thirty seconds, I will have Detective Brett Mahoney and the entire 15th Precinct outside for your arrest for harassment and intimidation. Or worse—I’ll have the apartment snoop named Fran come out and scare you herself. Have I made myself clear?” Matt spoke through gritted teeth, keeping his voice calm and even. 

The man was looking at Matt like he really had the nerve—and he did. She stood there, watching this all unfold, wanting nothing more than to lock herself in her apartment and shut her phone off for a week. 

He stared Matt down, trying to find any glare behind his dark red glasses. All he saw was his angry expression in the reflection. How can he be intimidating to a blind man? Matt is blind to an extent, but he’s not blind to people with malicious intentions. 

All he does is scoff at Matt. He turns on his heel and looks at her as she cowers into the corner of her door. Matt takes a step forward immediately to stand between him and her. He scoffs again. 

“Didn’t know you were fucking your neighbor,” he spat before bounding down the stairs, slamming the door behind him. 

Matt stood for a moment, listening to the man curse to himself outside, kick a random can on the ground, and walk himself down the street before entering a taxi and returning himself to whatever hell he came from. It wasn’t until Matt was sure he was gone from the vicinity that he heard a loud stomping again, booming in his ears, that he realized it was her scared, frantic heartbeat coming from behind him. 

Matt turned around to face her, taking a step back to give her some space. “Hey,” he cooed. “Are you okay?” 

“Yeah,” she lied, placing a hand over her heart in an attempt to calm herself down. “Well, now I am. Goodness… he wouldn’t take a hint.” 

Matt sighed. “I think he was ignoring them on purpose. Who was he, anyway?”

“Some guy I went on a first—and last—date with,” she answered sheepishly. “I didn’t even want to go. My friends encouraged me to get myself out there. Clearly, it was a mistake.” 

“I’m sorry he treated you like that. You don’t deserve that,” Matt replied in a soft tone, your usual calm heart beating frantically still. “You should never do anything you’re uncomfortable with. Even if it’s as simple as a first date.”

“I know,” she said, defeated like she’d told herself this before. “I don’t know what would’ve happened if you hadn’t come out. Thank you, Matt.” 

“No need to thank me,” Matt said, shaking his head. “That’s what neighbors are for.”

She smiled softly. “You’ll save me from my next bad date?”

Matt laughed, glad that she seemed to calm down and was back to her friendly, unafraid self. “It’s late,” he said softly, deflecting from her joke. He didn’t want her to go on another bad date—she didn’t deserve that. But he also didn’t want her to go on a date with someone other than him. Which was why he was about to wish her goodnight. 

“It is,” she yawned. “Well, maybe I’ll see you in the morning. Goodnight.”

“Goodnight,” Matt whispered. “Don’t forget to lock your door.”

She giggled, already letting herself inside. “I won’t.” 

“Hey,” she said suddenly, half inside her apartment, half out. From this alone, Matt was looped in her scent. “You don't think he will come back, do you? Now he knows where I live.”

“He won’t,” Matt shook his head, “and if he does, I will deal with it. Don’t worry. Get some sleep, okay?”

“Okay. Thank you again, Matt.” 

She closed her door softly, and Matt waited until he heard the lock click before he went back inside his apartment. 

Laying in his bed, he listened as she crawled into her bed in her apartment. Her heartbeat told him she was still awake. When he heard it slowed down, signaling she had fallen asleep, he closed his eyes and drifted into a slumber himself. 

TAGS: @mattmurdocksstarlight @yentroucnagol @danzer8705 @allllium @i-marvel-bitch @mattsgirlsworld @babygrlmurdock @writtenbyred

[lovemadethemdoit]

Jake had warned him that this family gathering would be a shit show, and that he should have just let Jake come here alone.

Bradley had learned long ago that Jake can and will go through uncomfortable situations completely by himself and come out on the other side stronger than before.

But only because that‘s what he had always had to do.

Bradley simply won’t let him do it anymore.

So when one of Jake‘s aunts asks when he‘ll get over himself and marry a nice girl like God intended –while completely ignoring Bradley‘s presence at his side- Bradley keeps his facial features in check and takes a step closer to press his shoulder into Jake‘s, offering silent support.

Jake freezes for a moment before he leans into it and puts one of his disarming smiles on his face.

"Aunt Mary, have I introduced you to my boyfriend yet? This is Bradley."

Aunt Mary lifts her chin and raises a eyebrow, displeased by Jake‘s open defiance and being put on the spot by her nephew.

Bradley doesn‘t offer her his hand but his mother had raised him right, so he says "Nice to meet you, ma'am" as neutrally as he can manage, only to be further ignored.

Aunt Mary doesn’t find her Southern manners before Jake has shifted his glass to his other hand so he‘s free to take Bradley‘s into his, entwining their fingers between them.

She goes red in the face and Bradley keeps his face straight, although she reminds him of a cartoon character with her frilly hat about to lift off because of all the steam coming out of her ears.

She loses the stare-off and leaves in a huff, mumbling something about praying for Jake.

Jake rolls his eyes but Bradley doesn’t miss the way his Adam‘s apple bops.

"Always a fun time, seeing the family," Jake says brightly, looking over for the first time since Aunt Mary had stopped him with a hand on his arm.

He squeezes Bradley‘s hand. "Sorry 'bout that. Like I said, you should have just stayed home, Bradshaw."

Bradley starts moving his thumb and steps into Jake‘s space more, giving his boyfriend a moment to breathe and hide.

"Not happening. You okay?"

"I‘m good."

Bradley smiles.

He quickly considers leaning in for a kiss, his hand itching to cradle Jake‘s face, but he keeps it by his side.

He can feel the eyes on his neck and is happy to shield Jake from the disapproving stares for a moment.

"Too good to be true?"

Jake laughs a little, dipping his chin.

"You know it."

Bradley waits for him to look up again. He sees the bravado on Jake‘s face disappear for a moment, just between them. Just for Bradley.

"It’s okay if you‘re not, sweetheart," he reassures him, more quietly. "I got you."

"We got each other, babe."

Bradley smiles.

"We do."

Jake nods. "I‘m ready to get out of here," he confesses.

"Alright. Let‘s roll." He takes the glass from Jake and puts it on the next best surface, squeezes his hand and starts pulling him along.

He navigates their way through the throng of people and waves at Jake‘s sister and her husband, with Jake‘s niece bouncing on his arm, when they notice them leaving.

Jocelyn takes one look at her brother and nods them along. They’re invited over to their house for breakfast the next morning, before their flight out. They‘re the only two people here that Bradley likes, other than Jake‘s grandma.

They‘re in the parking lot before they know it and Bradley guides Jake to the passenger door.

Jake drove them to the church that morning, but Bradley‘d rather take them back to their hotel and give Jake a moment to decompress.

The fact that Jake doesn’t complain as Bradley opens the door for him is a little worrying, but when he gets into the driver‘s seat, Jake pulls him into a kiss over the middle console and Bradley thinks they‘re both gonna be fine.

He puts extra much love into the kiss though, just to make sure.

____

I‘m also putting these drabbles here by the way. (You need to be logged in to see.)

[yamujiburo]

I'd like to join the kind words dogpile that seems to be happening and thus! I've been following your art stuff for a long time and have always gotten HUGE enjoyment out of it. I've loved every moment of your hanamusa comics from the get-go!

I love that weight gain is shown as a sign not just of health but of HEALING with Jessie's character, something not just to be accepted but actively celebrated. Because she is safer, stabler, better cared for. I love equally that James and Meowth are a part of that, both as Jessie's friends, for her recovery, and for their own separate paths forward. It's all just a wonderful cartoon villain redemption story, right up my alley.

Additionally, within the past year, year and a half range, I've slowly started drawing again. For most of my life I drew for at least a while every single day. I was never not dreaming up stories and there's still nothing I love more than sharing the little worlds inside my head, but things were pretty rough and unstable for my family for a couple of years and its impact on my mental and physical health led to my ceasing to draw almost entirely for those couple of years.

Having the energy and luxury to pursue art again has been a healing step and I'm slowly getting back into a groove of trying to sketch a bit daily. I'm having to relearn a lot of things that used to feel almost as natural as breathing, so it's often as draining and frustrating as it is cathartic and fun.

It's been so long since I did much of anything with my own ideas and stories that I often feel tapped out on creative fuel, but following the hanamusa arc and seeing how much joy other people take in it- and most importantly that you take in it and in sharing it- have helped revive a lot of love and inspiration for my own takes on the Ketchum family and my still intense and deep love of the anime series. My portrayals and such are wildly different from the adventure of hanamusa, but I love them both and have been grateful for the courage and persistence the presence of your art and writing have lent me. So you have my sincere thanks for simply Being, and for sharing of yourself and your ideas!

I know you doubtlessly get a LOT of messages every single day, so I hope you'll not feel a need to reply to this one because there is no need at all. If and when you have a chance to read this, I do hope it brightens your day a bit, like jessie. ash and delia always brighten mine. Be well, and I hope this coming year will be full of positive experiences for you!

aw thank you, i really appreciate it! (and thank you to everyone else who's been sending nice asks)

it makes me happy to hear you've been able to start drawing again! drawing and sharing my art makes me feel so at peace and happy and i only hope it makes anyone else who does art feel the same

best of luck with all your art making endeavors!

[sugar-crash]

🏎️Turbo (Wreck-It Ralph) x (gn) Reader🏁

(Sweet Notes Edition)

(Picture’s not mine!)

(Request here! Sorry for dropping the ball guys, these last few weeks have been really shitty. No cipher today, I’m just really tired.)

- This way of showing your love when you aren’t necessarily there is very touching and personal— Something that a person like him wouldn’t be able to parse at first, even as he’s actively reading it.

- I think it takes you consistently doing this for him to truly take it to heart, at first he thinks it’s just simple flattery, much like what those NPCs in his game were programmed to do.

- He’s so used to artificial love that when he gets something more serious and complex, even as small as love letters it’s almost cerebral in a way.

- In a way, I believe that Turbo feels as if he’s more… Real than other people— He thinks his emotions are more complex than other people like Fix-It Felix could understand, some game characters back then were more 2D, serving very minuscule purposes in their games… So… Why give them a complex set of emotions?

- I mean it took Fix-It Felix 30 goddamn years to realize Ralph had it rough as the villain of his game during and after hours, content to stay in his game where he's put on a pedestal.

- That’s telling that there is a possibility that the earlier (and possibly later) game characters can be more human through experience but it takes certain things like getting out of their comfort zones to realize things.

- I think Turbo is much of the same, but he’s more prone to getting the negativity of said experience more than the positives, that paranoid nature making it hard for him to see things more optimistically like Ralph.

- Turbo and he are cut from the same cloth, I mean the creators of Wreck-It Ralph confirmed that Turbo was meant to be the worst version of Ralph, a person like Ralph that had the potential to love and care for others, and that’s how you come into the equation.

- He comes to love you as you love him, gaining a more positive perspective on love and friendship maybe, but I think that guarded the personality of his inhibits him from extending that to anyone else besides you… His image is too important to him.

- He actively sabotages himself and others around him, even you, trying to keep you to himself, with your sweet little journal helping alleviate some of those negative tendencies.

- But it’s not enough, cause he’s that same negative guy even with your relationship, his pessimism leading him more than anything else.

- I believe these notes help him see a bit beyond it, but in all honesty, they aren’t enough.

- He loves you, and maybe even eventually reciprocates this with his own note journal, probably something he never shows you of course, neatly hidden away in some corner or some secret hidden pocket in his race suit (I mean we know he follows cartoon logic so this isn’t much of a stretch).

- I believe he’d try to convince himself this was minuscule, not enough, but he does eventually conclude that they mean something emotionally. The effort into doing this and compiling it for him to mull over when he misses you.

- Though your presence is more valuable to him than the journal, especially post-RoadBlasters when he couldn’t exactly come to you considering everyone in the arcade thought he was a game-hopping feral dog of a dead man.

- That journal becomes well-worn over the years of him mulling over it, even when some of the words rub off from him running his fingers over it he knows the words by heart.

- I think he maybe learned those persuasive speaking skills from this journal, those honeyed words giving him a little guide on how to sweet talk others, using the emotion from those words to make his lies more convincing—

- Much like how actors use the emotions from certain memories to get the perfect shot, for him it’s to win over Sugar Rush later on.

- As “stupid” as he may claim it to be it’s one of his most cherished possessions, his little lucky charm that he keeps close always.

- For him, it does count as something even if he doesn’t exactly admit it or it isn’t as obvious as the more physical way of showing love.

[theweirdhybrid]

Edit: This post is directed at people who also use Twitter/X or any other social media platform that Lego has a presence on, if you are not one of those people feel free to ignore this post (and leave me alone, please)

I haven't been in the LMK fandom for a hot minute, but holy SHIT you guys NEED to calm down about the animation team changing. It's literally fine. The animation quality is fine. It Is Fine. It changed SLIGHTLY. When I first heard about the animation being shitty, I thought "Oh man, it must've been really bad for people to be so upset over this." And then I actually watched the trailer. What the fuck, guys.

As far as I could tell, the animation quality was largely the same, just with a few minor differences in style that in the grand scheme of things, aren't that noticeable. It's just Different.

There is no reason to be throwing a hissy fit over Flying Bark having to hand LMK over to a different team because they couldn't keep up with the deadlines. None. Literally not a single one. Do y'all have any idea how lucky it is that all that happened was the animation style changed a little bit? If things behind the scenes had gone even a little differently, the show would've been cancelled in its entirety. (Not to mention we could be seeing the UNFINISHED PRODUCT. CALM. DOWN. And even if we aren't y'all STILL need to CALM. THE HELL. DOWN.)

And as far as I can tell, the story and writing itself seems perfectly fine as well, the ANIMATION TEAM changing has NO EFFECT on the WRITER'S TEAM.

Would you prefer the animation to have changed a little bit with the same quality of writing, or would you prefer the animation stay the same and the writing to go down the drain? Because I've seen that happen before. I lived through VLD. It's a lot fucking worse.

Seriously, I'm not joking. At All. If you make a big enough stink about LMK's style changing just a TINY BIT, sure, they COULD change it, but for a show that is relatively unpopular, barely has a foothold on any LEGAL streaming services and is hanging on to life by the SKIN of its TEETH, has only ELEVEN MINUTES PER EPISODE INCLUDING CREDITS, something a LOT worse is more likely to happen.

With the rate shows get cancelled these days, if people jump ship or complain too much over A TINY DIFFERENCE IN ANIMATION, the show could be cancelled.

Also, I get you're upset and sad to see Flying Bark go, and maybe that's where your anger is coming from, but please keep those thoughts to yourself or in private spaces. If you get too loud about disliking the show in ANY capacity, the entire thing gets nuked.

And if you're still planning on complaining publicly about it...

GET OVER YOURSELF.

IN THE GRAND SCHEME OF THINGS, IT'S A CARTOON. CHECK YOUR GODDAMN PRIVILEGE, IT IS THE TINIEST OF ANIMATION CHANGES, KINDLY SHUT UP AND DIRECT THAT ANGER AT SOMETHING USEFUL.

[theladyheroine]

Softer Werewolf Headcanons 🌙

❥ Hey everyone! So I know that I should be working on my Bad Batch one shots for the time being, I promise I am, but recently I’ve hit a bit of a stump? So I’m trying to get my creativity out with these little posts. I might make another small one about my crossover just to get some ideas too. But all these fall writing prompts are so cool & fun, I’ve been wanting to give it a try for awhile!

❥ Plus werewolves are one of my favorite creatures, I wanted to try writing about them! It’s also because super gorey or gothic vibes just aren’t entirely my thing, no offense do anyone that likes that genre, but I wanted to do something different! Thank you & I hope you enjoy! 🙏🙌✨

They don’t fight each other to see who’s in charge, it’s more like a sense of already knowing. Someone who already “commands” a presence or behaves more responsibly is gonna be the leader. But if there’s really a big opinion about it, they’ll just arm wrestle.

Make sure you write your name on leftovers!! Or they’ll be gone by morning, even the veggies aren’t safe…

The whole shifting during nighttime is more of an urban legend that human folk made up. However, it’s become more of a scary campfire stories werewolves use to get kids to go to bed on time. 😅 Kind of as a more spooky “If you keep making that face it’ll get stuck like that” vibe?

Werewolves can change form any time they want, but there are rare occasions they get “stuck.” This can last from 15 minutes up to a whole day.

Daily hangouts!! If a werewolf lives near a forest or near vegetation, morning hikes & walks are a must. But if a werewolf happens to live in a city or anything similar, a nice nap in the park or even breakfast on a balcony is just as good!

Dogs LOVE them!! Usually all animals do but it’s mainly dogs, even unruly or grumpy dogs will be on their best behavior! They make for good trainers if you just need a helping hand.

Regardless of appearance, werewolves are definitely stronger than the average human. While it’s not always obvious, even a scrawny guy or gal without any workout experience can lift a 30lb weight easy.

Okay these next couple points I was inspired by Cartoon Saloon animation studio, and their film Wolfwalkers. I love the interpretation Irish folklore has with werewolves!! It’s not this super eerie or gross transformation or anything, but it’s just beautiful and maybe a bit simple. The characters look completely normal in human form too! There’s nothing too odd or bizarre about them either, they’re just normal people with incredible powers! Plus the aesthetic is so beautiful and woodsy and vibrant, this is what I wanna see in werewolf movies. 🙌✨

In all honesty, when I think of werewolf vibes or even just wolves in general, I think of like an earthy colored version of fairycore. 😅 Which is also my favorite, but anyways, Wolfwalkers is literally the perfect werewolf movie I honestly can’t believe how good it is! Plus wolves are my favorite animal anyways lol so this made me happy to see.

Anywho! This next idea was inspired by the studio’s Song of the Sea and selkie mythology. I’ve always thought the idea of a magical animal cloak in mythology is sooooooo amazing! I know tales about swan maidens and other animals are a thing, but a magic fur coat is most popular with selkies. But it would be cool to have this for werewolves too! Like imagine a fluffy fur coat and when you put it on you’re a wolf!

I do like this idea better than some transformations I’ve seen. 😅 Plus, I’ve always found it strange that werewolves are sometimes “super hairy” or they’re a bit aggressive personality wise? Idk, that just doesn’t sound very nice to me. 😅

[heartfullofleeches]

Just a random ramble about Cholly. (Also couldn't remember the pronouns so I stuck with He/They since I think I remember those being used but I apologize if it's incorrect!)

My brain is filled with Cholly for some reason and I just imagine them wearing the goofiest halloween costumes. Like the classic ones but having a silly gag. Vampire costume would probably involve them being caught having "blood" on his mouth but he pulls out tomato juice. Frankenstein (I know thats the doctor but for simplicity sake I'm calling the monster that) costume would be normal except he shocks himself with electricity. Unlike Frankenstein however, he shows that skeleton and black border cartoons use as he is zapped. Although his body is a mystery with how they can contort themself so those bones are just for show I'm pretty sure. Ghost costumes would definitely result in him being able to float while wearing it. Like it's just a white sheet over their head but when you pull it off he stays hovering in the air for a second but looks down and falls upon realization he can't fly. I feel like a mummy costume would just be him using toilet paper to wrap up people. He may wear it and then spin it off and wrap another person with it OR instead just pull it out and wrap others. Idk my brain is rotting and I think of the stuff cartoon logic can be applied to and Cholly just fills my brain perfectly.

Sorry if I bothered you with this! Just wanted to ramble a bit about Cholly :D

Never apologize when it comes to rambling about Cholly. I wholeheartedly advocate for more. You don't understand how much I love this goofy toon and would ramble about them daily if I didn't feel I was dumping too much about them at one time. They are so bby girl and such a delight to write for. (For future reference Cholly literally does not care about what pronouns are used for them as they are simply Cholly) For the Ghost costume I could see them doing a gag of drinking "poison" (maybe paint thinner?) and actually "dying" to become a ghost. (They'll be fine so no worries). Still throws on the sheet to spook their darling when the time comes. Probably throws it over their shadow instead and stands behind Reader, transparent and floating a couple inches off the ground. Uses their new abilities to peep on them before missing being able to touch Reader and hoping back in their old skin. - "Whatcha think of my new look?" It's certainly a look. Not the most original, but still quite cute. The trace of the rabbit's pointy ears stick out like a sore thumb from the sheet they wore. You could already imagine their cheeky grin, and the twinkle in their eyes hidden behind those big black circles cut through the blanket. You couldn't wait to see it. "Looking great, Cholly- just one little thing." The Ghost tilts their head, cloth bunching up just enough for you to make a grab at it with zero issue. "What's that?" "I already miss your pretty face." Lunging for the sheet, you yank it off their head in one fell swoop. Your speed surprises even you which boils to confusion as the dust settles. They aren't there. You've seen a number tricks from the colorful character, but there was always some trace of their presence life behind. You look to your right, then your left. "Cholly?" "Still right behind ya, Doll." You spin on your heels. It takes a minute for your eyes to pull away from the blank wall behind you and instead train on the head poking through it. Cholly waves, elbow propped on thin air and hand rested beneath their chin. Watching the quickness of your chest increase, their smile grows. "Hiya, Gorgeous~" You scream. Cholly snickers, eyes shut with the violent bounce of their shoulders. They let a surprise, elated gasp as their eyes widen beneath the see through lense of their kids. "Wow! I can see you even with my eyelids closed! Ghost life just keeps getting better and better." You march over to them, reaching out only to touch solid wall. "Are... are you...?" "Dead?" Cholly scoffs. "Pfft- Course not!.. I mean I am a ghost, but it's a toon thing. I can change back whenever I want to." You let out a sigh of relief. "Good..." "By the way.... If you ever need a hand in the shower, I could lean two. Missed a couple spots while you were in there earlier." "Cholly!" "Think I hear the stove runnin'. Better go catch. Catch ya later, Gorgeous." Bringing their hands up to the sides of your face, you feel the ghostly imprint of their lips upon yours. Only downside to their new form was they couldn't kiss you with the intensity and passion brew inside them whenever in your company. They wink as your brain redirects from the sweet gesture back to the topic of their little peeping session, and fazes out through the wall before you had the chance to chew them out.

[supernovafics]

strangers to lovers to enemies with steve harrington

(very much inspired by “in the kitchen” by reneé rapp)

wc: 1.6k

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

strangers

for the first time in a long time, you didn’t hate your job. 

when you found out robin would be working at the family video next door to the pharmacy you had been working at for the past year, you were glad that you would finally have a friend close by. 

it would make your boring job a bit more bearable. 

you went into family video during your lunch break on one of her first few days. she stood behind the counter with someone you didn’t recognize.  

“welcome to this side of town,” you said with a smile, grabbing her attention. 

she smiled back at you before then sighing. “do you know how many old people call here just to rant about how “disgusting” and “sacrilegious” the movie selection we have here is? answer: too, too many. they even hate the cartoons meant for little kids. i’m pretty sure i lose a year off my life every time a call like that goes past five minutes.” 

the only reason you found her words to be the slightest bit funny was because dealing with annoying old people was a staple to your job as well. “please don’t quit yet. the fact that you’re next door is the only thing that makes me slightly like my job now.”

“i’ll be here for at least a month.”

you laughed at that. “how generous of you.”

“this is steve, by the way,” she told you, gesturing to the guy next to her. 

you nodded at him and introduced yourself with a small smile before heading back next door. 

steve was smiling the entire time as you walked away, something that robin did not fail to notice. 

she lightly nudged him. “don’t even think about trying to get with her, harrington.”

to lovers

naturally, steve did not listen. 

because there was something about you and your personality that he was completely enamored by from that first very minor conversation he had with you at family video. 

therefore, one night when it was just him and keith in the store and no robin to stop him, he went next door to see you. 

you were stocking shelves and were surprised to see him walk into the store. 

“hi?”

“hi.”

there was something about his presence that made you feel slightly nervous, mainly because you didn’t know him well yet, and you always felt awkward around people you didn’t really know. 

“um, how’s it going?” you asked because that was the only thing you could think to say at the moment. 

“i just finished helping a lady find a movie that would ‘spice up her marriage.’ those were her exact words. we spent half an hour looking through pretty much every porn we have in the store, which for a place named family video was weirdly a lot,” steve responded and after your initial shock subsided, you fought the urge to laugh at his story. “and i’ll sadly never get those thirty minutes back. how’s it going here?”

“can’t say i have had experiences like that one today, which i’m very sorry for by the way,” you said. “but, earlier i did have to help an elderly woman pick out the best diapers for her husband, and she went into too much detail about why he needs the biggest size we have. i won’t tell you what she said because you don’t deserve to be subjected to that, but i’m scarred forever.” 

he then made a joke about how insane the people in this town are, which made you laugh, and the minor awkwardness fell away from there. 

“how long is your break?” you asked when it neared an hour of him being there with you. he started helping you stock shelves when after ten minutes of doing nothing other than talking, you told him that your boss would hate you if you didn’t finish stocking by the end of your shift.

steve glanced at the watch he was wearing. “yeah, i should probably be heading back. what time are you done here tonight?”

“i’m off at 10.”

he smiled at your response. “same here. do you wanna do something after?”

“okay,” you nodded and then turned away so that he didn’t see how happy you were at his question. 

that night you drive around aimlessly in his car, listening to music and talking, before stumbling upon a drive-in movie theater and deciding to watch the black and white movie they were playing. 

steve’s affectionate and sweet, and you get hit with the unfamiliar feeling of deeply liking someone that swells your heart. so, when he kisses you when he drops you off at your home, it just makes sense to you. 

to enemies

when robin entered the pharmacy on a random tuesday, a month after your first kiss with steve, she groaned. 

she didn’t know about you and steve yet, but there had been so many instances where you almost accidentally slipped and mentioned it. 

steve hadn’t wanted to tell her about you guys just yet because of how adamant she’d been about him not trying anything with you. you personally thought that after her initial surprise wore off she wouldn’t really care that the two of you were together, but you still understood steve’s hesitance. 

it was quiet in the store when robin walked in, and you were at the front counter, mindlessly flipping through a magazine. 

“what’s happening today?” you asked, knowing that she would have some sort of story to share about family video. for a job that seemed fairly simple, there was always something happening there. 

she sighed as she walked over to you and pushed herself up to sit down on the counter. “steve’s flirting it up with some girl right now. and laying it on very heavy, might i add.”

it would be an understatement to say that her words only surprised you. they confused you, made you do an inward double take to make sure that you truly heard her right. and when you realized that you did hear her correctly, her words immediately saddened you. and the worst part was you couldn’t tell her any of that. 

“oh?” you tried to hide the shock in your voice. you pulled your eyes away from hers and flipped a page in your magazine. 

“yup, and this is surprisingly the third girl this week that’s actually flirting back with him. i had to get out of there this time before it turned into a low-budget john hughes movie,” robin told you and then groaned again. 

you heard yourself responding with, “ew, that sounds horrible,” but your mind was in a completely different place right then, and all you could think about was steve and this girl, and apparently two other girls as well. 

before robin could question your sudden detached demeanor, you shoved everything you were feeling right then  to the side and plastered on a smile. “you can seek refuge here as long as you need.”

robin smiled back at you as she picked up a random magazine, which was actually the same as yours, and began flipping through it. “god bless you.”

she headed back next door twenty minutes later since she was off in an hour anyway, and that was when you finally let yourself sit in the sadness you were feeling. 

sadness that oh so quickly turned to anger. 

and when you saw steve hours later, moments after your shift ended, which was also the same time that his did too, you could feel your blood nearly boiling. 

“hi,” he greeted you with a smile on his face. 

you glared harshly at him before turning away and heading to your car.

“what’s wrong?”

“fuck you.”

you could tell that steve was taken aback by your words and you almost didn’t explain to him why you were acting the way you were, but ultimately you did. 

“robin told me that you were flirting with some girl at the video store today. ‘laying it on very heavy’ were her exact words. and she also said that this was the third girl this week that was actually reciprocating your flirting. third.”

he looked away from you and a part of you expected some sort of an explanation from him, to explain that maybe all of it was somehow some big misunderstanding. however, when no response came, you continued speaking. 

“i know that we didn’t have a full label on this ‘thing’ we have going on, but still, it’s pretty fucked up, and i can’t believe that i thought you actually liked me.”

“i do like you,” steve told you, full conviction in his tone. “but, this was never supposed to be something serious. i thought we were both on the same page with that.”

those words hurt you because in your mind the two of you were working toward something serious. it was still fairly early, but you liked him a lot and you thought he felt the same way. at least when you were making out in his car he made it seem that way. 

“well, i guess we weren’t,” you finally said, trying your hardest to keep your voice steady because you didn’t want him to see how much he hurt you. 

“i’m sorry,” he said, and you hated how you could hear the sincerity in his tone, and you also simply hated him in that moment. you didn’t want him to feel bad for you and you especially didn’t want to see him ever again. 

“just don’t talk to me anymore,” you told him. your voice was cold and harsh, and you didn’t wait to hear any type of response from him before getting in your car and finally driving away. 

on your way home, you realized through blurry eyes that your hope of never seeing him again was probably fruitless because he would be next door to you most days. 

suddenly, you were right back to hating your job. 

[sepublic]

Anyhow, I want people to understand the significance of me crying over TOH ending because. I generally do not cry. It’s hard for me to cry, I feel sadness and grief sure! But tears themselves are difficult. And as much as I love media, it’s very rare and hard for it to make me genuinely cry. Other cartoons and shows I’ve gotten into haven’t done it, but...

The Owl House genuinely made me cry. After the grief of Agony of a Witch, the lonely despair of King’s Tide, and so many other painful moments. The Owl House finally made me sob, genuinely, wails I had to cover up, hot tears, sore eyes and a dripping nose. I heaved and made myself cry even more, because goddamn is there such a relief in the catharsis of feeling this pain, and knowing it means you’ve felt something, you’ve felt happiness to begin with.

So yeah. The Owl House has always been pretty special to me. But I think this expression of how I felt was low key what I was waiting for, working towards, after the finale. The absence hurts, but it makes me appreciate all the more the presence it entails for TOH in my life. For the community, for the experiences, the analyses, the genuine fun and laughter and speculation! The hype and friends I’ve made along the way, me building up my own skills as a reader thanks to this show!

I remember being enamored by The Owl House’s first announcement in February 2018, the first ever, possible public reveal of that show; You could’ve only known it beforehand if you worked at Disney and/or were one of Dana’s friends. Something about Luz, about Eda, about King... The very premise itself, the magic. Something about this show felt special to me, I had a really good feeling about it I couldn’t explain.

I ended up checking Dana’s Twitter obsessively for updates, was excited when she posted this one art of Luz and King having an ice cream run, while Eda was displeased with a little demon trying to get her dessert. I expected mostly casual things, but something about the vibes, the magic and wonder experienced through the lens of Luz... It got to me in a legitimately depressive state of my life.

Because I was depressed. Suicidal, even. It was perhaps the worst phase of my life ever, and I hope it’ll stay that way. The beginning of 2018 felt like me finally getting over the big hurdle, that enormous halfway point at the top, and how it was all relatively smooth, downhill sailing from here. So it feels fitting that it was the beginning of the easier part that TOH was announced for me. All I knew were Luz, Eda, and King; I eventually gave up checking Dana’s accounts for art, because I was SO excited and impatient for this show, inexplicably.

That’s probably why I missed Dana’s little sneak peek of Amity Blight, haha... But anyhow, TOH gave me something to look forward to. Something to live for. And when I finally got a shot of Eda throwing treats to Luz and King, the former taken aback by the eyeball, the latter having it bounce off his skull. It didn’t make it to the final cut obviously, but it was my first glimpse of how the show itself would look.

I was in despair when The Owl House was delayed to 2020; I had to wait another whole year for it! And going from 2018 to 2019 was painful enough as is! But man... Was it worth it. The first teaser, the mystery and wonder it promised. My Bionicle brain freaking out over the reveal of the Boiling Isles as a giant corpse. 

And then the theme song. Me learning Luz’s VA, scouring very obscure media to get an idea of how she might sound like. And finally I heard it, we got other announcements; Eda by Wendie Malick, who made perfect sense, and King by Alex Hirsch, cue those obnoxious Bill Cipher theories I still hate to this day! 

Some crew members announced cupcakes they made, complete with banners like “Drinkers Coven” and I got hyped for this little content. I wanted to try cashew meringues because of it, and later recognized the repurposed frames of Luz, Eda, and King in actual episodes. I saw some concept art and expressions removed from the show, and was glad to recognize them later, as I did a frame-in-process of Luz wondering about her magical destiny.

I checked Tumblr but it seemed like I was the only person actively anticipating, and not just including TOH as part of a larger collection of media posts. I wanted TOH for itself, someone was curious if it had owls, I scoured the first teaser for a screenshot to satisfy them! I wanted more people in on it! I saw some clips, figured out Luz’s ethnicity from her squealing “Ay que lindo!” in response to King.

I made a few ancient posts, my first TOH post was me admitting I was excited and wondering if anyone else was. It got NO traction, at least not until much, much later... But that didn’t stop me! I had a dream where Luz was revealed to be disabled, her legs were prosthetics and Eda ended up giving her new magic prosthetics styled after owl feet. This would prove weirdly prophetic... Less so, my dream about Luz being the Anti-Christ (this was framed as a good thing), hence why she found the isles.

I speculated Luz was an orphan who had nobody, hence why she found the isles; But then an article mentioned her mother Camila. I went with that spelling until some end credits confused me with a typo that gave us Camilia, which led to a big fandom debate later until Dana clarified.

I analyzed the trailers, trying to figure out the plot and trajectory, wasn’t quite right there. I was happy to see TOH would have full 22-minute episodes, allowing them to get nitty gritty and elaborated, instead of truncated into 11-minute segments. Boy did that pay off, and looking back I can appreciate what a rarity that was, an achievement. People pointed out the anagram for me... 

I speculated on the titles, confused bits from Covention with scenes from the first episode, wondered if Escape of the Palisman referred to the tower. And in the end, the first episode finally came out, after I was enjoying Infinity Train Book 2, and I was enamored. It was wonderful, it utterly blew me away and was all I wanted and more. I had to get more! The moment Luz spoke of liking editing anime clips into AMVs and all that other stuff, I felt seen, and that was just the beginning.

I spoke my praises, but alas there was no fandom. The next week, I was surprised to find posts for the next episodes so early, and learned the episode was released ahead of time on DisneyNOW, so I immediately subscribed. I was excited to meet Amity Blight, Willow and Gus; And I was caught by surprise by how openly mean Amity was when she debuted! But I analyzed the sub-text of her actions and dialogue, and was vindicated. 

Amity was such a fun and interesting character because she really felt like a puzzle that we unlocked more and more pieces of, to better understand her. And I really got the sense of TOH’s re-contextualization and surprising character continuity, such as when King’s B-plot in one episode actually became the focus of the very next! You could tell the writers really cared about making a deeper story for kids and teenagers. 

One nice memory was when I wrote a post appreciating Willow and Luz’s friendship, the idea of Willuz as a ship; I took a shower and went back to check afterwards, and got notes! I analyzed the mechanics of glyphs deeply when they were first revealed, getting nitty-gritty; I remember the events of a few nights and what happened around me writing a post, comparing glyph magic to artificial replication of dragon breath!

I looked for crew art, which alerted me ahead of time to the existence of Emira and Edric, thought I didn’t know their names, and was delighted to learn Amity had older siblings!!! They were hers! Shoutout to @anistarrose who was one of the few people in the tag at this time. I really appreciate that post where you called out people constantly trying to make King into Bill Cipher in a serious manner, and the annoying implications of it. And how you realized a tweet poem by Dana foreshadowed Warden Wrath and the Emperor’s Coven... AND THE CODES TOO!!!

I distinctly remember this one meme video in the tags, a song singing “This girl is a lesbian” as Amity showed up as the punchline. I thought it was cute and loved the idea, I had no clue...! I even tried to analyze the dates on her diary entries because I was so obsessed with the show and wanted more, trying to see if I could figure out a calendar...

Spoiler alert, I didn’t. but it was FUN trying! Putting in all of this unnecessary effort for a detail nobody cared much for, because you could tell the crew were people who did the same, Dana even confirmed it later for herself! I remember being shocked about Eda having a curse, that one theory it was a Blight who did it. I suggested King being the Boiling Isles Titan, some Youtube channel even asked permission to use my post in discussing that theory! I was skeptical but checked and it was legit, and was pleased.

I went through that godforsaken Witch’s Apprentice game, realized too late the artifacts represented each episode and gave hints to the rest of 1A. I watched Look Hoo’s Talking, with Owlyvia and Horus, shout out to those who remember! I was amazed by Eda’s self-awareness in deciding things for Luz, especially after Luz briefly called it out in Covention. I found myself so ATTACHED to the characters, which makes sense since I hyped myself from the start!

I remember being surprised to see King wasn’t an overlord... Or was he? The original 2018 announcement suggested as such, but the way the show played around even after the premiere seemingly disproved it was fun. I speculated on what Luz’s magic track would be, enjoyed fanart of her in Potions as Eda was. Seeing Young Eda was a blast, and I remember being so distraught at the idea of her being cursed! I made a post wailing about it and Cat-Harman Mitchell commented LOL as I ranted about taking vengeance on the curser. Little did I know...!

I was afraid of a cliffhanger with Season 1A, but nope! Eda made it out despite the demon hunters! With a hiatus, I was left impatient and needing more. I scoured crew art, speculated on what Emperor Bellows would be like; Covention’s subtitles mispelled him as such, and Dana had to clarify in a tweet when 1B’s trailer released! I got into deep discussion with @fermented-writers-block about the show, about the mysterious owl mural.

I guess TOH was my first start at really analyzing a show from the start, especially since nobody else was around to do it for me. And coming fresh from reading the meta of those who did inspire me, I went HARD, reasoning that even if it was disproven, the process was fun! I analyzed snake motifs, the mysterious green hand that stole King’s crown. I made a whole diagram about parallels between Luz, between King and the Gildersnake, between ‘human counterparts’ to Amity and Willow and Gus. This definitely fed the revelation of Creepy Luz later on...

But yeah. To think the snakes did pay off with Luz’s palisman Stringbean; Back then people speculated as such with the title’s design, and I’m so happy to see it came through! I speculated on lore, wrote my first TOH fics, The Bile Coven and Amity’s Diary Entries, the latter of which I feel particular pride for since it was a character study of her that proved rather on the spot!

I was obsessed with the worldbuilding, came up with my own ideas. Imagined what Bellows and Kikimora were like. I waited IMPATIENTLY, and even had a dream where Eda was captured by Lilith, Kikimora, and Wrath, as well as some covenscouts... But then it was revealed her curse was a result of possession by the creature depicted on the mural; And it progressed to the next stage of converting her body to its own as she got more feral and escaped on her own!

The airship used by the Emperor’s Coven proved prophetic. And after 1B seemingly disproved this idea, 2A brought it back after all and I was delighted! TOH was and is a show that keeps giving for me, makes me feel rewarded for engaging with it, and is grateful even when I’m wrong, as Any Sport in a Storm’s B-plot attests. I made jokes about King being Mata Nui because I was a Bionicle fan. Someone saw a Grom poster in the background of a shot and suggested Lumity, but I didn’t get my hopes up... Hah.

There was a trailer that alluded to an episode of Luz and Eda in a snowy place; I knew of an article on TOH that mentioned a ‘Witch’s Arena’ at the Knee and guessed this was it. I liked the song that played because I associated it with TOH, found out for myself.

Rebecca Rose, shout out to one of the OGs talking about the show on Youtube! She made a wonderful video discussing Amity’s development and potential, speculating on her, and I felt SOOOO vindicated and followed her for it! As you know, she became THE fan channel for TOH, and was eventually ascended to a full-on crew member for it. We’d all watch her reactions and discussions afterwards.

Adventures in the Elements leaked, I correctly guessed it wasn’t the next episode but the one after it. I was delighted to see the twins be good siblings, and Amity’s casual outfit... Before that, I read a fic during the hiatus of Lilith adopting Amity from abuse (Remember when we thought she was that functional?), and it understandably depicted the twins as mean-spirited and basically apathetic. It was a good fic.

I remember joke-speculating that Bellows would be short, because I was projecting analyses of the Pale King from Hollow Knight onto him! I considered making an animatic of Farquaad’s reveal from Shrek but with Bellows, but alas I’d never actually done an animatic and had zero clue lol. I had another dream about Bellows coming in with the Emperor’s Coven to apprehend Eda, who became an even larger version of her Owl Beast form in response.

Then Summer 2020 came around. What a wonderful time of my life... New fans came in when they saw the possibility of canon sapphics with Lumity, and I was exhilarated! So careful not to get my hopes up, but look now... I was hyped to see Belos’ appearance. I analyzed the 1B trailer, took screenshots and organized them to guess which episodes they were. Rebecca Rose found foreign titles of 1B and translated them, and I did note how translations could skew the intended anagram. I remember “Mini-Problems” being an episode title...

You can probably guess the rest from here, since this was about when the fandom really kicked off. And boy did people stick around for it all. I felt delight in knowing Grom was sooner, due to Understanding Willow being paired with Really Small Problems on the same day! Two episodes at once, instead of the original plan for the last two episodes of the season together! I ended up regretting that low-key with the angst and pain of Agony of a Witch, which made me realize how much I cared for Luz, Eda, and King, and made me the closest to crying from the show.

I felt vindicated to see a popular artist like MoringMark begin making fan comics, I had no idea that’d be THE thing he’d be known for, after I knew him as the Gravity Falls guy. I followed Matthieu Cousin on Tumblr, got excited for that trend of dressing up TOH characters for Grom and sending in your designs, with a winner announced! I don’t think that ever happened. Anamanaguchi’s Prom Night became a thing thanks to a crew member, and who can forget Little Miss Perfect? Kwame rolled with the success and I was glad for him. Eda’s gray eye appearing after the season finale in the end credits shocked me.

There was the Reddit AMA, where I prepared lore questions afterwards and had none of mine answered, but we learned a good deal! Especially the telling “Clawthornes are a bird motif” from Dana, her being put into a headlock by a nun. Amity and Lilith weren’t close but as I mentioned a while back, Dana expressed that she also made connections with cartoons as a kid. Odalia liking her kids color-coded, hence Amity’s hair, and Alador being interesting. Which led to a bunch of fanart that proved off the mark but also not? Alador wasn’t THAT well-put but otherwise...

And that stream! That wonderful stream! I contemplated spending so much money via donation to get something. Eda drinking Apple Blood, Spencer Wan almost spoiling Lilith having a Raven form. Our first sneak peek at Hunter’s face, not counting his appearance as the Golden Guard in S1; We all guessed he and the Golden Guard, or “Owl Mask” were the same. I was stumped and baffled how he fit into Belos’ dynamic... Hoo boy. And we all thought Hunter was an adult, even Alador at first, because of those eye bags!

I wanted to see the coven heads, based on their banners we saw; I liked the Potion Head especially and even when his design proved different than I expected, it was still my favorite! I thought Darius might be a Blight grandfather and he DID have a connection... I had a dream of the twins working for Osran at a library and messing with him, recognized Mason from Covention, and dreamed Terra was named Botanica.

Christmas art of the cast came out, I was happy to see Emira and Edric happy there, after being saddened by Dana’s Grom art of them and even writing a whole fic about it, which I’m chuffed about! She also drew Mattholomule... I recall in the wait for Season 1B, she did some art of the characters. Gus playing games, Mattholomule losing to him; King despairing over stubby thumbs.

Fanart of the kids in quarantine, Amity declaring it’d be easy to stay away from Luz, to Luz’s sadness; Boscha being mad because she couldn’t talk to her friends. Remember when Boschlow was a big thing, until Understanding Willow killed off some of the hype? And confirmation that Willow worked out, which we saw come to fruition in Season 2; People were surprised but I wasn’t! And of course, Frewin being his own entity from Bump, and not Bump himself.

But back to chronology, I guess this is where I should end off. Sorry, this ended up being MUCH longer than I intended, and really you could write a book about my experience with TOH and the journey on a meta level. But those were interesting times, those beginning eras. Back when I didn’t feel the need to always add screenshots to posts unless necessary. And it’s making me nostalgic. It’s making me appreciate everything we’ve been through, the roots of my hyperfixation. And how it all led to me finally crying, because I really did build up THAT much of a love for the show.

I found my first fandom I really felt a part of, found so many people who enjoyed my meta and validated me for it! I feel I’ve grown so much as a person because of TOH. And as I nostalgically reminisce on how different the show was then, I appreciate all the more how far we’ve come, and what it is now. Snapping back to the present does make me sad over how much has passed and changed, but I also appreciate it while remembering the ideas I once had.

I’ll miss that era, and TOH as a whole. And boy do I associate that classic ending theme, how I loved the melancholy of those end credits, speculated on them paying off in the finale. And they did...! It feels good to hear it one last time after a year without it, due to the end credits being removed or redone. There was something so idyllic and dreamlike about that original sequence, capturing the feeling of coming home, and I’m glad TOH did that once more with it.

[ninashiki]

re - the tags on the misogyny post. To be honest at this point sadly i would rather a Critically Acclaimed Film have No women in it. than like one or two poorly treated women. because the absence is still horrible but less actively upsetting than 'hey we heard you feminists wanted women?? well then have this absolutely vile female character for representation!!' which is basically what happened with that transformers comic to my understanding. LOL?

NO YEAH I totally get that. It's not the exact same thing but I also *really* prefer playing games that let you play as women, because I can't really stand the ones where you both have to play as a dude and the female characters in them are treated poorly/overly objectified. I can tolerate badly written female characters if at least the protag is female, but male protag AND misogyny?...urgh. I can never play Xenoblade Chronicles 2 because of this lmao even tho people say it's good. if there are NO female characters that's a problem but like you said it's much less likely to be actively upsetting.

Putting a read more bc I infodump way too much about the Arcee/misogyny in Transformers under the cut

For more context with that TF comic, basically the writer (Simon Furman) was extremely pissed off at the mere idea of female Transformers, and wrote that comic to ""explain"" Arcee's presence in the Marvel UK run (1989). She was actually first introduced in the animated movie The Transformers The Movie (1986), written in by a guy who pushed for a female transformer because his daughter really loved the cartoon series at the time. So it wasn't even "feminists" asking for a female character, it was a *guy* working for the franchise. (FWIW I also think her characterization in the film is totally fine - her design is eh, but as a character she was inoffensive.)

Simon Furman never learnt from this and somehow got worse, and in 2008 wrote Spotlight: Arcee which described her origin...where she was originally male but made female through forced transitioning, i.e against her will, in an experiment framed as evil. With the implication that no female transformers existed until her forced transition. OBVIOUSLY THIS GOT RETCONNED LATER!!!!!! Both that female transformers always existed and also that Arcee in this continuity DID want to transition/identified as female before what happened to her and was mainly upset about the way the character who performed her transition treated her, not the transition itself. But it's truly incredible that almost *twenty years later* Simon Furman had learnt nothing and wrote something even worse in more than one way.

In terms of women in the franchise in general, it's kind of awkward, because it stems back to Hasbro going "this is a Boy's toy, so you can't have Girl Robots", even though originally they actually wanted to have some. And Arcee, despite being a prominent character in the film and the series after the film came out, never got an official toy/figure made of her until the early 2000s. There are so few female characters that in IDW, their society is written as homonormative when it comes to relationships (I counted over 15 individual "gay" transformers in the IDW comics). IDW kind of made reparations for the Arcee thing by adding Anode and Lug, both MTF robots who were gay for each other (2017), and Arcee started being written as a lesbian as well in the comics (2018). trans transformer yuri ftw

As a new fan, I've found when female characters are portrayed, they're generally portrayed fine (as long as it's not the Michael Bay movies or anything Simon Furman touched lmao). Never anything groundbreaking but I wouldn't say treated badly. One nice aspect is that they usually do not exist to be objectified or as love interests because they can't be sexualized (to an extent) and there is little romance in the franchise besides gay romance in IDW. The fandom isn't as misogynistic as it used to be either, it's actually quite welcoming depending on where you look, tho I do get the vibe overall that the franchise has only started to get genuinely better about this within the last 10 years.

Thank you if you read all of that and sorry for ranting about it 😅

[sillypiratelife]

You need to read the live action, the manga and the anime as different canons. It's healthier to the fandom's brains AND it's also better for analyzing properly what is going on.

One Piece is the type of story that relies heavily on the medium it is presented on. Hm actually, let me correct myself: One Piece is the type of story that celebrates and understands and was born to be told in that specific medium. The form and the content don't exist as separate entities, but are rather intertwined to elevate the narrative. That the characters are soooo cartoonish is not a mere style choice— it holds meaning, it complements what the author is trying to transmit.

One of the first things that I learned in college while studying storytelling was that there's a max point for tension in any story. There's a top to how tense you can keep the audience. If you reach that point, you won't be able to intensify the emotions; that's it, you need to introduce a breather or you'd end up with a stagnant narrative.

In manga/comics and cartoons/anime it's easier to walk that line. The power to make some silly joke or have the characters acting stupid is in the hands of the mangaka. I bet any manga reader or anime watcher can think of a moment in their fav series when the characters were in the middle of a seriously important moment, just to be involved in something ridiculous that breaks the tension.

It's fantastic. Mangas and animes love to make fun of their mediums, introducing satire to allow the audience some laughs. It's not until later when the reader/watcher sits and realizes how fucked up the whole situation was. A delayed punch to the gut, something to keep the mind working and thinking of their series until they wait for the next chapter/episode.

How to make the audience feel the impact of a character? Well, you can allow the audience to empathize with the character by explaining their reasons or backstories, you can show the world through their eyes. You can also show them all goofy and happy, so when the hammer strikes the readers/watchers will be nostalgic for the good times, mourning the fact they will not get more of that and becoming nostalgic. There are so many ways to keep a character haunting a story...

Oda is aware of all the manga medium can and cannot do. For people like him, the limitations are actually just more tools to play with. If you want to double check what I'm saying, go reread the panels where Luffy awakened Gear 5. Only manga could offer what went down in those panels; when the very nature of Luffy's powers are revealed to the audience and the characters, the manga gets self-aware and voices it out: "hey, this is the type of thing that only happens in comics, right?"

The anime allows a different range of tropes and shapes the story, correctly translating it. It's true that the best translations mind the public and the medium, adapting the jokes and references. It's also true that every translation is a little betrayal to the original, a unique creation in its own right. A good example of that is the way that the fillers shape the perspective of the watchers when it comes to the characters' dynamics. If the anime has a filler arc where the fight, a new tension will be present in the next manga canon arc. If the anime shows a filler where characters are close friends, it's gonna be weird when they start acting all distance back at the manga canon events. Not all fillers are meant to be considered part of the main storyline, of course. You have OVAs and you have movies and fillers and all types of media that are considered separated.

On the other hand, you have the visual changes: imagine that the anime changes the angle of a scene where two characters used to stand close and put more distance between them. What the manga could mean as a subtle implication that those characters cared about each other could turn into cold tolerance of the other's presence. Even the best of animes have those changes!!!!

In One Piece's case, turning the story into a live action series must change almost everything. It'd be impossible to maintain the cartoonist aspects of the story (unless they decided to go full Looney Tunes in that movie with Brendan Fraser lol). The choice was the following: we can try to keep the original elements even when they translate poorly to the new medium so we can please the original fans that are used to the story —OR we can try to translate the essence of the story and change all that needs to be changed, so that we keep the storyline and storytelling coherent and cohesive, at the cost of creating something not necessarily alien, but still new.

Violence in OPLA is way more serious.

You know how in the manga/anime characters would get fatally wounded and come back like it was just a minor injury? Or how they'd heal with no major medical intervention? That's a liberty of the medium. Your brain doesn't process the same way when you see a drawing wounded and when you see a real life person wounded. In OPLA, the suspension of disbelief is harder to achieve. Even and because the story was already introducing Luffy's powers and other fantastic elements, they needed to be careful to not overdo it. One option was to make people actually die— to know that in the live action not everything is so silly? It raises the stakes. OPLA discards some elements that are natural of a manga and in consequence, the story turns out to be darker. You have no fillers or little stripes of silly drawings or author comments or openings and endings. You'll have to do with what you do have and tell a story worthy of being told in that new medium.

That's a good translation right there, made by someone who understands that you cannot copy and paste things recklessly. That's the formula that made so many live actions fail, in fact.

You'll see many fans complaining because they don't understand any of what I just explained. For them it's easier to justify their opinions by saying that "they did this bad and that's why I don't like it" than admit that "they did this correctly but it's not my thing anyway".

One big example? Fanservice cannot be carried out from manga/anime to a live action. It's not the same to exaggerate the proportions of a body in a drawing (we can discuss the morals of this later) than ask of it from a human person. It's not the same to use some sexual traits in fiction as a way to appeal to the audience than to carry out those implications to a live action (again, I'm not saying it's good or bad because that's a discussion for another time).

Actors are humans. They will never have the same characteristics as an animation or a drawing, no matter how advanced technology is. The sooner you understand that, the sooner you appreciate art for what it is in its medium.

So really, what's the healthiest option? It'd be to approach each version as exactly that, a version of the story. As foreign as it can sound to some fandoms, the audience doesn't have to justify their opinions on something. Opinions are not professional reviews or art analysis. You can be as subjective as you want! To perceive each version as its own little world is easier: you can say "I like this better" without invalidating the opinion of anyone else. There's also the fun in exploring the different implications (they look like friends in this version but like lovers in this other) and playing with the divergences. Fans do that all the time in their art (literature, visual art, music, etc)

You can also analyze different versions of what is going on and contrast them. Do the differences change the form and content of the story or just one of those things? How does this new element change the dynamic between these characters? Are the characters written well but get thrown into a new setting? Is the setting the same but the characters feels more like ocs than the characters from the original story?

Knowing how much One Piece values symbolism, it'd be interesting to see how they could translate the constant influx of symbols in the manga or in the anime to the live action. The live action might show just the most important parts, cutting all the rest for lack of both space, time and budget. What does the author consider to be vital to the story and what can be cut down?

To have three parallel Luffy's in different stages of the story is fascinating to me, more so than the idea of trying to mix three formats that won't even match, mind you.

[saint-vagrant]

Oh I forgot to ask a question!

😂

Ok, here it is: Who’s your inspirations for your artistry?

Big question, I know.

^__^

hmmmm you're right, that is a big question! since you asked "who" i'm going to assume you mean other artists?

for painting i'm particularly inspired by Anthony Cudahy, Alex Beck, Sterling Hundley, Ashley Wood (all contemporary,) Euan Uglow, Joaquin Sorolla, Sargent, Arkady Plastov, Ivan Shishkin, Konstantin Yuon, Ferenc Pinter, and a number of names in the Brandywine school like Mead Schaeffer and NC Wyeth.

i reformatted my brain a little in 2021 by reading Fujimoto's Chainsaw Man. Other mangaka are Hirohiko Araki, Kosuke Fujishima, Otomo, Inoue, Urasawa, Miura. the 2S artist Brandon Hoax is a HUGE inspiration to me. same for Chase Conley, Peter Chung, Freddy Carrasco, Xia Gordon, Ron Wimberly, Chris Kindred, Mel Tow, Hiro Isono, mozame_mo, Yoshitake Yamane, @maxbanshees @potogawaryuiki @coshkunz @cparrisartand @fourcorneredgod @newjackcole @choodraws @doctop @hirosemaryhello @nocturnalwalkr @fanficciera @oak-n @purenonsens @juangeedraws @plaest2k @blackblobyellowcone @turndecassette2 many more friends and strangers whose work i'm delighted to spend time traveling thru (and whose names i'll add in once i publish this enormous reply lol. rn i'm afraid of tumblr eating it!!)

most importantly, my partner Anka @kingfisher-cove charmed and captivated me from day one. the personality and dynamism of their work, specificity of place, time, body, personal effects, there's always been so much life in their art. i have little to no interest in stories/characters without limits, where mobility is never a concern, especially featuring the wealthy. stories where people don't sweat or pee or have "bad" teeth or talk too loud. Anka's always portrayed peeling paint and rusted metal as a fact of life. you get a sense of dimension/volume in their art— the way material hangs off a body, and that body's form, how gravity and weight conform feet to the ground— and the same goes for the personalities and ideas populating it. the viewer too has a home here beyond "representation." it's not just window-dressing, nor ponderous hyperrealism. there's cartoon whimsy and cartoon stakes. i wish i could describe the extent it's meaningful to me. i feel lucky to see it! plus i really making them yell and art is a good way of accomplishing it.

so because this is veering into WHAT inspires me...

other than like, transness and communism and everything that entails, i'm inspired heavily by pornography and leather culture, and (mostly vintage) magazines like Honcho and Juggs, 70s italian erotica/nunsploitation. relatedly, the lush scenes of Pierre et Gilles and Tarsem and Christian Riese Lassen. i'm also deeply inspired by hyperlink/multimedia art, such as that by Olia Lialina of @oneterabyteofkilobyteage or projects like Ted's Cave. places and delights of my childhood like Myst/Riven, Fin Fin, rural river water, rocky beaches, soft glowing glades, sharks in coral outcrops. autonomy and dissociation, too.

with a lot of the artists i mentioned, there is a handiness, a presence in their work, a dedication to indulgence and/or experimentation, in subject, setting, medium, whatever. an interest not feigned. i also love maximalist colour and texture... in drawings, in textiles, anything! worldwide and through history. i'm inspired by golden age illustration and Iranian turquoise and carpets. miniatures. iconography. lotuses. magnolia.

you can fake sincerity of course. when it comes to making art that seems like a waste of precious effort. when i get a sense that the artist really loves People beyond serving up a telephone game of vibe-mood-aesthetic... that is cool to me. if the art isn't well-lived, then it's well-cared for. a lot of the nostalgia fodder is based on a memory of a memory that was sold for mass market consumers, so i'm a bit distrusting of it. which isn't to say that i don't love a tone poem (i do-- Legend is one of my favourite films) nor that it requires "realism" to accomplish either. i love being sold on the ridiculous. i respond well to like, an artist (in whatever respect) showing me something absurd with 100% unbridled earnestness and fearlessness about being silly. my top 3 favourite series are JoJo's Bizarre Adventure, Metal Gear Solid, and Ace Attorney. these are objectively as exaggerated in their drama as they are serious about their intent, and populated by straight freaks. one of my favourite directors is Michael Mann (Miami Vice, Manhunter, Heat, Thief, Collateral) who is known for his obsessive, even illustrative details but also, Audioslave plays during an emotional night drive. they don't let Audioslave play during an emotional night drive anymore. all these things are related lmao. let me go on a further tangent

there's an internal logic, right? and when it's flipped? that's the best. i don't mean a "twist," either. it's something else-- the author/artist revealing that, emotionally, things were always more complex than you were lead to believe, and it recontextualises the entire piece. if surprise is the best part of comedy then i think the same goes for melancholy. i love when the rug is pulled out from under me through something as simple as the reimagined N'doul episodes of the JJBA OVA. (YES! YES! I'LL TALK ABOUT IT FOREVER! I'M CRAZY! BUT I'M RIGHT!) is it a twist? nothing's actually changed about where the story is headed. you know where it's headed. but the meaning of that story has-- by creating an emotional trapdoor like that, it establishes a particular sense of suspense.

i'm mentioning these because i rewatched them recently-- films like Solaris and Sunshine and... you know what? Terminator are bigger to me than their subject matter because the emotional space they create is unnerving, where hope is fragile if it's present at all. something hard to accomplish... the bittersweet potency of ironic regret.

i'll keep adding to this. i could go on and on lol

[daphdarling]

Haikyuu matchups? =0 yes please!! =D

she/her, Aries Star + Taurus Rising, ENTP. I'm pan so any gender is fine with me =)

Personality: I'm usually a very optimistic and cheerful person. I have little to no volume control. I'm very open and friendly. I have a dark sense of humor. I'm a procrastinator with the attention span of a dragonfly. Not sure if it matters but I'm autistic and waiting on an ADHD diagnosis. I can read people's emotions pretty easily, and while I might not be the best at comforting people, I try my best!! As for flaws, I'm impulsive. I tend to act/speak before my brain can catch up with what I'm about to do, which causes problems often. I'm indecisive, stubborn, and a bit dishonest. I've been told I brighten up people's days, though sometimes I wish I knew how to brighten up my own day. I get frustrated and annoyed easily, and I'm very sensitive. People have told me I'm chaotic, though I'm not sure if I am. I'm energetic though, which might be why I'm drawn to people who are calm and have a comforting presence. I have a bad habit of picking/chewing on my fingernails.

Romance: My love language is physical affection. I'm a huge fan of subtle PDA. If I have a partner, I will hold their hand EVERYWHERE and give them random cheek/forehead kisses. Quality Time is also very important to me, and although sometimes this leads to me being clingy, I can tell when my partner needs space. Around my partner, I will try to flirt with them by using insults in a humorous way while also snapping at anyone who dares insult them. I will also try to learn more about their interests, and show them my own interests. I often find myself drawn to softies people who can balance me out. I often like to say I want a moon to my sun, though I'd also want them to be a bit similar to me so we have stuff to bond over.

Hobbies and random likes: I love listening to music! Mother Mother, Crane Wives, occasionally some Cavetown or Lana Del Ray. I also like to watch cartoons and play videogames. I love to come up with various food combinations, such as BBQ sauce on tacos or putting Cheetos in my ham sandwiches. I like singing too! I love the color orange, especially pastel orange. I also like sharks, reading articles on activism, and journalism. I love perfumes that have REAL smells, like mint and lemon and vanilla. I like collecting stickers, and temporary tattoos. My body is a canvas, and I intend to cover it head-to-toe in art. I also collect plushies!! And, of course, Indie Rock/Indie Folk music has my heart and soul forever.

Looks: short curly hair(side-shave) dyed bright blue, kinda flat, dark brown eyes, acne scars, 5'2(I'm not sure if that counts as short or tall)

Other: I have a pet hermit crab named Rocky and he is my son. When I grow up I want to grow the family and get a smol turtle!!

Dam... I just realized how long this is... I'm sorry for making you read all this ToT if it makes you feel better I think your blog is very pretty and I like it a lot, especially the aesthetic. I hope you have a great day!! =) here, have a song recommendation as a thank-you/congratulations for reading all this: Pelicans We by Cosmo Sheldrake

YOUR MATCHUP IS…

KEI TSUKISHIMA!!!

Personality Match:

Tsukishima is clever, a bit sarcastic, and has a darker sense of humor, which complements your own. While he can be reserved, he’s also capable of understanding emotions, making him a good fit for your empathetic nature.

Romantic Connection:

Tsukishima can be playful with his teasing, and your humorous insults would resonate with him. He appreciates quality time but doesn’t need constant attention, so he’d respect your need for space while also enjoying your affectionate nature.

Hobbies and Activities:

He enjoys reading and has a keen interest in strategy, which could lead to engaging conversations about various topics, including your interests in activism and journalism. You could bond over your shared moments, whether watching cartoons or discussing music.

Looks and Vibes:

Tsukishima’s tall and slightly aloof demeanor contrasts nicely with your bright energy. His calm presence would provide a balance to your impulsiveness, creating a dynamic relationship.

Final Thoughts

Together, you’d have a relationship filled with witty banter and deep conversations. Tsukishima’s understanding nature would help you navigate your feelings, while your lively spirit would bring excitement and fun to his life. You’d challenge and inspire each other beautifully!

[chrlotpony]

I hated wiggles mcsunbask then, I hate him just as much now ACK

idgaf if the pets are practically in danger and shitting their little firsuits, I'd even say it's a little silly and willy, but I think that's just me. it's wiggles mere presence that makes me want to rip my nails and teeth off. in the first place, I'm not the biggest fan of cartoon bully characters who do nothing but bully like as if it's their job. some characters like that are so good that they're actually so iconic and likable. but wiggles?? that's just a ugly talking pack of ANNOYING. his voice gives me a hemorrhoid. also his character design?? BOOOORING. that corny ahh collar is not saving bro💀🙏 "nooo but I'm just a insecure little thing, I just thought being shitty to other people would let me get my way🥺 I'm sowwy😓" oh my god. shut up. I wanted to give Zoe the biggest golden medal in that scene omg. top whatever number zoe moments. the pets were too nice too quick, I think.

And then he has the audacity to COME BACK. but WORSE. Who thought he was a good enough character to get him a whole nother B plot?? he got the same arc but more annoying😭😭😭 first he tormented the pets and then he broke them, like atp js turn to Twitter☹️ he had no reason to be like that, just be a nice person for fucks sake😭 bonus slander for the fact he has bad breath. he's not even naoka ueno unlikable, I like naoka because she sucks, I hate wiggles because he SUCKS BOOTY. I'm not rooting for his stupid, rushed redemptions twice tf