#do his motivation/actions/reasoning make sense for his character? yeah!

[mekatrio]

hate these kind of posts sm

[myuniverseinabox]

Dude I have to know... what are your thoughts about what's come out sofar about the live action HTTYD remake 😭 since I know you're passionate about the franchise

Sighssssssssssssssssssssssssssssssssssssssss

Ever since I heard that they were planning to make a live action remake of this movie I have been very disappointed, as I'm sure most were. I intentionally didn't look at anything about it - I didn't wanna know, I didn't wanna see. Over time though I became at least curious to see how they would design the dragons, but that's about it.

Now come the actual teaser- yeah maybe I took a gander at it.

And yeah I hate everything about it.

Now let me preface this with the fact that I don't think live action remakes or remakes in general are inherently bad. Its the intention behind these things that make them awful.

Money. I'm talking about money.

Every movie is going to be motivated by that in some sense because capitalism... but every so often we get real passion making it through. Giving us films like Puss in Boots: The Last Wish, for instance. So sure there's some very slim chance it could be at least semi decent, but, we all know why this film is being made, so I do not care.

Httyd did not need a 'live action remake' as much as any other PERFECTLY GOOD animated movie did. Its just another instance of film company's squeezing every last drop of money they can get from their original movies.

I would have been -okay- with it if they at least made something new out of it. Like as in a new twist on the story, for instance giving it a darker tone ...like if there was actual creative passion behind it and reason to tell a different story. But no, it looks like all the other live action slop where its legit a shot for shot remake with probably some unneeded additional dialogue that misses the point and maybe an added scene so they can pad the run time. And ofc I'm sure they'll remove certain things for no reason as well.

Likeee for instance, the small flinch that toothless does before letting hiccup touch his nose. From the teaser it looks like they just removed that entirely and it feels SO FORCED.

Also not to mention how all the colours are so dulled in this live action version. Look at that gorgeous pink lighting in the og!

The guy who plays hiccup also just looks away like he knows he's meant to and not like he's fucking nervous about it and like oo okay what if I do this.

It's so... devoid of character.

It may sound like I'm nitpicking, and that's because I am, but these small details amount to a lot. Especially in stories that are so... I dunno, character focused??

I also do not like how toothless looks. It coulda been worse but. Ah... they got rid of his markings (as expected) and he kinda just looks like the og version but with 'extra detail'

his head also looks oddly bulbous from the front.

Now look at this babi in all his glorious pink lighting:

SO. In conclusion, yeah. I don't like it.

[phantomrose96]

(A Breach of Trust)

[I am putting the rest of the ask under a ReadMore because it IS long [and now super-long with my responses added] but I am biting and chewing this ask I am biting everything it has to say I love this ask I have things to say]

But yes responding to this first chunk! First THANK YOU second I loved writing just the inherent comedy of each chapter being like "[Scene 1] Ritsu spitting blood: I have to save my brother. He's dying. [Scene 2] *Happy domestic montage of Mob petting a kitten and maybe drinking some hot chocolate*" It was a great way to keep some emotional balance in each chapter and also. Funny.

I was crawling the wallllls getting to the makeshift reveal. I think it was about 5 years between coming up with it and getting to the reveal. So I just had to bite my tongue and dodge any suspicion in Makeshift's direction leveraged in the ABoT discord (ABoT discord! BTW! If you want)

I ended up making this to channel the energy somewhere

[Rest of ask under the cut!]

i was nervous for a hot second early on (around when reigen first takes mob in) that it was gonna be the kind of story that would get frustrating because "oh if the characters literally just told each other anything it would all be fine" but i didn't end up feeling that way at all? like yeah a lot of the plot relies on characters not knowing things and technically a lot could have been solved if idk all the characters decided to meet up and sit in a circle to politely explain everything to each other but it never feels like that should happen. even besides them all generally having reasons for lying or not explaining things or not talking to each other it's like. all their decisions feel very natural even when they're bad or unreasonable, and also crucially when the characters do learn things or w/e it usually doesn't fix things (ie when reigen learns mob's real identity and tells mob the truth and it kind of fixes some problems but also adds a host of new ones). in general despite it being a story that hinges on all the characters making bad decisions it rarely gets aggravating bc all the choices they make are understandable and make sense for them -- it doesn't feel like anything is happening simply because the plot demands it. everything is constantly getting worse but that's because the characters are making it worse it's not just Happening. and then the characters have to confront and deal with the consequences of all their actions and learn from them and it's very satisfying

YEAH!!! YEAH YOU GET IT!!!!!!

It is VERY important to me that the story in ABoT is character-driven. There should virtually be no "it happened because the plot demanded it." If it happened, it happened because a character's choice caused it. And if a character made a choice, it was due to their own motivations and not because the plot demanded it.

So, YES, there is this scenario where so much of what is happening comes as the result of each character having, at most, a 20% understanding of what's going on. But the withholding of information, CRITICALLY, cannot be because of Idiot Plot reasons.

Reigen "could" just ring up the Kageyama's and send Mob home, cutting short the first like 2/3 of his and Mob's arc. But he doesn't. And not because he's an idiot. He tried. Mob freaked out. And that was a good enough reason to just delay this until tomorrow, surely. But we watch as Reigen gets to experience was feels like genuine accomplishment, genuine joy, genuine meaning, by helping this kid experience life again. From the very start that's what Reigen wanted--to feel like he mattered. At the beginning this is what drives him to take up the Tetsugami case, despite knowing it can get him killed. (Because maybe Reigen can do something, this time. It's not just another doomed marriage or unsolvable missing person. Maybe he can make a difference. Maybe he can matter.)

And it manifests in what looks like heroics, but in the case with Mob, it drives Reigen to stall... more and more. He knows on some fundamental level it's wrong to be keeping Mob this long, but he can justify it in how this IS what Mob wanted.

And the same extends to the other characters... Tetsuo doesn't tell Reigen about Shigeo Kageyama's link to the Mogami case because he can't bear to admit HE was probably Shigeo's captor. Mob keeps secrets about Mogami because Mob knows he "killed" Reigen's "friend." Ritsu withholds information because it's the only power he has, and giving up information allows other people to stop him. Gimcrack and Slipshod keep quiet about Mob's location because their free lunch would end if they told.

And when these characters make bad decisions instead, it is CRITICALLY important to me that those decisions were the organic result of that character's complexes, goals, misunderstandings, and absent information. It's a train wreck and God Dammit I do everything in my power to ensure each character is their own conductor.

and the Themes. okay first of all i am a huge fan of stories that are like "no, heroic sacrifices are Not the answer, please stay alive so you can actually get better and fix your mistakes and be there for the people you care about", so obviously i adored that. i loved reigen confronting ritsu about this and urging him to stay alive, and i'm also obsessed with how reigen immediately Does Not Take His Own Advice. reigen's self-sacrifice plan makes a lot of sense with his character and given the circumstances it's definitely understandable why he and teru would be willing, however reluctantly, to resort to that, but of course it's not that actual solution because that's the whole point. (shout out to mogami being the one to save him. congrats on accidentally doing one (1) good thing.) reigen, ritsu, mob irt to being imprisoned rather than death -- none of them can just sacrifice themselves and expect that to fix everything and everyone to be fine without them, because that's not how this works. (also i can't wait to see ritsu inevitably be pissed at reigen about him trying to do exactly what he talked ritsu out of and reigen having no excuse except "yes i know, i am a hypocrite, please do as i say not as i do.") the story is dark but it's also so full of hope -- you can live, you can heal, you can move forward from all of this, no matter what you've done or what's happened to you.

YES!!! ANOTHER RESOUNDING YES!!!!

I've talked in the ABoT discord about how Reigen's sacrifice didn't work because it couldn't work. Because, if Reigen intentionally killed himself in order to end Mogami too, and Mob was saved and went home, then that means you DO save what you care about by sacrificing yourself. Which would be fine in other stories, but not this one.

ABoT's message has pretty loudly been "you don't save things by sacrificing yourself. you save them by living long enough to fix what you've broken." And even when Reigen is the one SAYING this to Ritsu... he doesn't believe it for himself. And he does not get to get away with not believing it for himself.

In earlier planning stages of the Reigen sacrifice scene, my plan was to have Reigen's knife slip before he could slice his throat (palms sweaty, grip slipped, parallel to what happened in the struggle-for-the-knife in the original chapter 8 Reigen-vs-Tetsugami scene).

But I thought about that and I said "No, actually." If Reigen fails because his palm slips, that suggests this COULD have succeeded, and Reigen just botched it is all.

So instead, the scorching fire around them (the blaze Reigen set) has dehydrated him to the point that his sweating has stopped. He is salty dusty skin and dry lips and his grip on the knife handle is perfect (anti-parallel to the first struggle for the knife scene). His execution is perfect. Reigen sacrifices himself perfectly.

...And then it's Mogami, who is well-practiced at controlling a maimed possessed body, who snatches back control and cauterizes the wound shut. Mogami (the antagonist of this story) cannot be defeated by self-sacrifice.

There is no "if only Reigen did it right" ambiguity. There is an absolute statement about where the themes stand.

(And yes, I'm sure Ritsu will have only positive emotions about what Reigen tried to do once this is made clear to him. :))

one of the other themes i found most interesting was the theme of lies and people trying to act like something they're not, and how that factors in to all the characters' stories. of course mogami is right there (and the parallels between him and reigen in how they both lie to mob for different reasons are super interesting) but i was particularly thinking a lot about reigen, teru, and ritsu and the different sorts of false lives they live -- reigen the con man playing the part of the confident, powerful psychic, constantly lying about his abilities and his accomplishments; teru keeping up the appearance of being totally in control and untouchable, surrounding himself with friends he can't stand and a girlfriend he doesn't care about; ritsu trying to maintain his reputation as the perfect, model student and constructing increasingly elaborate lies to convince his parents that he's doing fine.

i was thinking especially abt the parallels between reigen and teru -- their identities as liars are both emphasized, literally having teru saying "i was lying. i lied to you. i'm a liar" and reigen saying "i lied to you. i've been lying the whole time. i'm a liar" in the same chapter. both of them have grown accustomed to being alone and having a life that's more an expertly crafted facade than anything with substance, but both find in their respective kageyama brothers someone who they genuinely care about -- and they both doom these relationships from the beginning because they can't let go of the facade they're used to keeping up and their desire to feel important/superior. teru continues to be the same smug, uncaring asshole he's designed himself to be even after he starts to see ritsu as a friend, and because of this ritsu remains antagonistic towards and distrusting of him; reigen pretends to be the "21st century's greatest psychic" with mob even when he's starting to care about mob and want him as a permanent fixture in his life, causing things to fall apart when he reveals the truth. they both say the right things to point mob/ritsu in the right direction, but the way they act does the opposite: teru tells ritsu the dangers of what he's doing and reigen tells mob that they should call his family or the police, but at the end of the day, no matter their good intentions, teru likes feeling superior to ritsu and reigen likes having mob depend on him, and so they're not actually going to do anything that would upset that balance. (and, of course, they reassure themselves with the knowledge that it's not their fault, ritsu and mob just won't listen to them! which isn't technically untrue, but nonetheless frames the situation in a way that ignores their own role in it.)

Aaaaaaaaaaaa honestly I don't even think I have anything to add here because your analysis is already so 🤌🤌🤌. They are Liars they are Liars living through a Mask they are Liars who Say one thing and Do another they are Liars who convince themselves this Lie is fine.

all the characters are so good but my favorite has to be ritsu his whole storyline is fantastic. from the start i was enjoying the fic a lot but it was when it started to really get into ritsu's story and his whole deal that i started being like "oh yeah this is the good shit." seeing him go further and further down his self-destructive spiral, constantly digging himself deeper as he hurts himself and the people around him more and more, is so fascinating and painful. and then seeing him get better and start actually wanting to live as he talks to reigen and later teru! and then in the confrontation with mogami when he decides once and for all that he wants to live and remember and try to find a way to fix his mistakes rather than forgetting them or giving in to them! just. he is thirteen years old and he just has all this rage and grief that he's been holding onto and repressing for so long and he finally gets the chance to do something with it, something he can do to find his brother at the low low price of bleeding himself dry, and so he throws himself into that, tearing himself to pieces and not caring who else gets hurt in the process, until he reaches rock bottom, what should be the point of no return -- but it isn't, because teru saves him, because reigen convinces him to try to stay alive, because mob is waiting for him, because he has people who care about him and he's just a desperate, hurting kid and no matter how badly he's fucked up he can still come back from it. just Such a compelling and painful and beautiful character arc

Thank you for stating exactly the reason I loved writing Ritsu's arc so much 😭😭😭😭😭😭😭🥺❤️

When I was about 13, I got really into Naruto and I really liked Sasuke's character. Even seeing him now makes some inner part of me point and go "It's Sasuke!" Brooding, stoic, over-achieving, entrenched in family trauma, is swayed over to the darkside because of the rage and grief he's been sitting on.

And because it's Ninja Fantasy World, Sasuke gets to do this and be really cool the whole time.

Ritsu is... actually just a 13-year-old, with psychic powers which he didn't even want after his brother vanished. He IS smart and he IS a model student and he IS powerful but... he's scared. He's scared, and he's 13. He NEEDS to be smarter than everyone (he's not, and he knows this, and it's scary) and more powerful than everyone (he's not, he knows, he's scared), because he knows that anyone with power over him can control him. And he's at his wit's end being controlled.

So he needs to be COMPLETELY in control and have COMPLETE power. And every instance that proves to him he's actually weak, actually clueless, actually being taken advantage of drives him to panic.

And he finds antagonism on all sides... Teru who loves to pick apart and mock Ritsu for every weakness he has. The spirit horde who eat him within an inch of his life. Isa trying to shut him down. His parents trying to control him.

No one is helping him with his grief... No one is finding his brother... No one is saving him... He does not want to keep living like this. And "no longer living" isn't even an option with how heavily his parents rely on him.

So what does he do. He's so alone. He doesn't have a single soul on his side. Every day is torment. ...And then he has this opportunity that shows up like "if you hurt yourself real bad, kill yourself doing it maybe, you can solve the very thing that ruined your life"

So of course he does it. He grabs onto it like a hot stove or a live wire because he's been wanting to hurt himself, and now he can do it in pursuit of the very thing which will save his brother and fix everything. The risk of dying isn't even a risk. It's an escape. He can do this and he can BECOME more powerful and he can GAIN control and he can USE and MANIPULATE whoever he wants (namely the people who've proven again and again they'll hold him down and force obedience out of him).

Of course he spirals. Of course he hurts people...

And then he finds rock-bottom. Teru chews him out and abandons him. Ritsu flips on Gimcrack and exorcises him out of paranoia (Teru turned on him, Gimcrack probably betrayed him too.) He NEARLY kills Reigen under that same absolute fit of paranoia and fear. ...And then he finds his brother. His brother. Alive.

And grabbing his brother shreds his hand. It does not fix him. It does not save him. It maims him.

And now Ritsu is nothing. Not powerful. Not in control. Not certain. He's someone who just hurts people. He's someone who destroys. He drives everyone away and they're RIGHT to leave him because of how horrible he's been. He can't save his brother, and his brother won't save him. ...So Ritsu wanders back to Reigen. The only person who seems to have a semblance of direction in this whole thing. Broken and beaten, Ritsu joins Reigen because he does not know what else to do.

But there is an up from rock-bottom. As much as Reigen and Ritsu are just The Worst to each other, it's actually that childishness in Reigen that starts to work on Ritsu... This is not a typical adult, using adult-speak and adult-authority to make Ritsu comply. Ritsu can't even fall into his typical masked-up behavior against an adult because Reigen is a fucking nuisance and an irritant and Ritsu, for all his "maturity", riles easily.

This is... really just Some Fucking Guy. A loser, at best. But it's someone Ritsu's brother cared about, and who Ritsu knows gave kindness to Mob where Ritsu couldn't. And it's someone who isn't forcing Ritsu to do anything. Reigen is, in fact, letting Ritsu make these decisions to change on his own. Teru comes back with an apology. Ritsu is staring at the chance to do better, and the chance for some future that doesn't involve killing himself.

And he gets to make that decision against Mogami.

And--here's the thing--Mogami was WITH Ritsu for so much of Ritsu's spiral. He knows what sort of kid Ritsu is. So he "knows" Ritsu will accept what Mogami has to offer...

But when "makeshift" vanished was exactly when Mogami got Mob back, aka exactly when Ritsu went to Reigen. Mogami did not get to see Ritsu's healing. So he got to be blindsided by Ritsu's ultimate decision.

and ritsu's dynamic with teru is just. so good i adored every single scene they had together. first of all they are so fucking funny. they're just these two psychic middle schoolers who both suck so bad and just cannot stop trying to murder each other on the soccer field and i love that for them. ritsu's terrible decision-making reaches new heights every day and teru's just standing there watching him and being right about everything in the most annoying way possible. literally the worsties ever <3

I have, consistently, referred to them as "the two worst middle schoolers ever". Like "you're a horde ghost and you're stuck doing the bidding of the two worst middle schoolers ever."

With huge consistency, the scenes I find funniest end up being Ritsu Teru scenes. Because they are, in fact, The Worst.

but more importantly on a serious note i am obsessed with the complicated mess that is their relationship and the way it and the reader's perception of it change as the story goes on. when they first meet things are seemingly pretty straightforward (mostly. i have thoughts which i will talk abt in a second): teru is the one causing the conflict between them by being shitty, and ritsu's just responding to it relatively reasonably. ritsu's the protagonist, the good guy, whereas teru is a morally gray asshole. them working together is a matter of necessity, with ritsu only going along with it because he needs teru's skill and power on his side and teru presumably having his own secret, self-serving motivations. standard stuff; we all know how this goes.

except then the story keeps going, and it gradually becomes apparent that things are far from this simple. it slowly becomes clear that despite teru's arrogance and callousness, he does have ethical standards and lines he won't cross -- whereas ritsu gets more and more unfettered as time goes on. it also gradually becomes obvious that teru does genuinely care about ritsu and see him as a friend (probably the closest thing to a genuine friend teru has), even if teru himself is pretty shitty at being a friend -- leading to the incredibly striking moment when ritsu himself realizes this, and his main takeaway is just that he has power over teru. by the time they have their second soccer field fight, teru has proven himself the more morally upstanding one, which is pretty wild considering the first thing we ever see him do is beat the shit out of a near-defenseless thirteen-year-old for annoying him. of course, he still isn't supposed to be fully in the right -- one thing i really appreciated about the story in general was that the conflicts between characters are rarely as simple as "this character was Right and this one was Wrong," but rather a matter of all the characters making mistakes at one time or another and then having to deal with the consequences and make amends. ritsu and teru's relationship is a prime example of that with how "ritsu made his own decisions and those decisions were Very Bad" and "teru treated ritsu poorly and never actually did the work to make himself someone ritsu could actually trust or would want to listen to" are facts that coexist and both get addressed. the second fight is a masterpiece of a scene in basically every way, but one of my favorite aspects is how teru is desperately trying to reach out to ritsu but is hit with the truth that it's too late for that, that he should have been doing this the whole time, that all this is partially his fault. and in this scene, he fully accepts that, gives in and decides that ritsu is right: it's too late to make amends, it's too late to save ritsu. but it doesn't end there, because this is not a story in which things are simply unfixable, and so instead teru comes back, decides to make the hard choice and try to fix things instead of turning his back on ritsu for good. during the fight, teru says he wants to help ritsu, to sacrifice for him, and ritsu scoffs at him and rejects the idea -- but then teru actually does it. he puts his money where his mouth is and reaches out to ritsu and offers his own psychic energy to save ritsu's life, along with apologizing to him and offering his help to find mob. like i dunno what else to say that's not just summarizing every scene they have together but god i love their dynamic and its arc. i really hope they manage to become actual friends now because god knows they could both use more (read: any) of those. the text exchange they have at the end of the most recent chapter is delightful i love that they bond by insulting reigen i think that's great for them.

Yes yes yes yesssss. It definitely felt like the most ambitious thing early on in ABoT, where I had early-story Ritsu and early-story Teru, and I wanted, somehow, to pull off "they basically swap moral grounds by their second fight."

It's easy enough to just SAY "Ritsu spirals and does progressively worse things. Teru starts to take objection to these more and more until he's the one who thinks this whole thing has gone too far."

And, harkening back to earlier, this kind of plotline has to be deeply rooted in their characters. There is no "Ritsu becomes evil just because" and there is no "Teru becomes good just because."

So they needed to be consistent in their own characters, but evolving under the pressures of the story. Ritsu I talked a lot about early up, how deeply he fears not having control, how much repressed frustration he has over the ways everyone in his life has failed him. And he's never allowed to speak up, or god forbid lash out, because it is his JOB to be the surviving child. Perfect, mature, composed.

Ritsu takes this WILD leap into something insanely dangerous which he has no understanding of, nor power in. Teru IS his first big painful wake-up call with how summarily Teru curbstomps him. Ritsu goes home desperately wanting to quit.

He pushes through it, afraid and knowing he has so little power and control. Then there's Teru, exacerbating this. Because he loves to point out how weak, clueless, and not in control Ritsu is. He jabs and he teases and he chews Ritsu out and he knocks Ritsu down because Teru cannot pass up the chance to prove he's better.

So... of course Ritsu eats up the first opportunity he's given to improve his power over Teru. Gimcrack offers to train him--Gimcrack who's far more supportive of Ritsu than Teru ever is--so of course Ritsu accepts. Every single tick of power in Ritsu's direction is security. And Ritsu is consistently rewarded. He learns to manipulate, and it rewards him with control. He pushes Teru away and it rewards him with independence. He lets the whole horde possess him and it rewards him with power.

And then there's Mezato in all this, threatening to rip away his control. But he can beat that out easily with possession. And if he possesses people, why should he care? Possession feels nice, to him. That's not even a fraction of a fraction of the pain he's been through. He can do this to other people, because possession is POWER.

And, ahhh, possession was such a great thematic vehicle to spin the Ritsu-Teru face-heel-heel-face turn around.

The first cracks we see in Teru's demeanor are all, subtly or not, around possession. When Ritsu almost blasts the possessed woman (Ritsu, panicked, uncertain how to handle things) Teru tackles him and screams at him. (Killing a possessed woman? Teru oh Teru why might that terrify you?)

So Teru DOES have morals. He does have limits. But of course, his first exercise of this is tackling and SCREAMING at Ritsu for fucking up. Just another tick mark in Ritsu's check list of feeling powerless and antagonized.

And the next time, when Ritsu offhandedly mentions he's had his parents possessed for the night while he and Teru were at the meat warehouse... well it's out of focus, since Ritsu is our POV character and he doesn't notice, but Teru freezes. Teru questions this. Teru, instead of letting Gimcrack phase him through the wall (and he was resistant to letting Gimcrack touch him to phase him in in the first place) Teru instead blasts a hole through the warehouse wall.

But... Teru has a plan. When Isa catches Ritsu in the call center, Teru confiscates Ritsu's spirits and (behind his back) blackmails them into never accepting a command from Ritsu to possess someone. (Teru is also a control-freak, and rather than try to talk to Ritsu directly about not possessing people, he just uses manipulation and threats to make it happen).

So now, Teru can relax, surely :). He invites Ritsu along for the movie. He's mocking and insufferable and cruel to Ritsu but, hey :), that's just Teru proving his place in the hierarchy. He... actually does want Ritsu there. He actually does help Ritsu (cauterizes his wound without asking). (It's still power-plays. Still power-plays all the way down which Ritsu hates.)

And Teru... incorrectly... starts to entertain this idea that Ritsu also thinks what they have is friendship. And after the ice cream thing, is when Ritsu leans into Gimcrack's offer to learn how to start being manipulative like Teru is.

So Teru notices NOTHING is wrong for a long time, because now Ritsu is faking it. He doesn't notice until it is much too late. And, frankly, it was ALWAYS too late for Teru to take the moral high road. And some part of Teru realizes this because what he sees in Ritsu, he realizes, is what it looked like to watch Teru from the outside. Teru was ALLOWED to be manipulative and horrible because Teru, himself, always knew he would stop before crossing a real moral line. (Not that Ritsu knew this.) And now he's staring at Ritsu, a true threat who won't listen to reason and who CANNOT reliably be expected to back down before a line is crossed.

And... to THROW this in Teru's face in the FORM of Ritsu letting every spirit from his own horde possess Ritsu during the fight, giving Ritsu the upper hand.

I always knew, for this second fight, the tables would need to be a lot more evenly matched, with Ritsu coming out ahead more often than not. But I also don't like "some character is morally questionable now, and for some reason that's made them stronger than the master character who pulverized them earlier."

But POSSESSION. The motif that all this conflict is hanging upon, used as a boon on Ritsu's side to smash Teru into the ground, to physically and MENTALLY rattle him to the point that he's lagging on Ritsu's attacks and incapable of subduing Ritsu until Teru puts aside his psychic powers all together...

AND JUST... Teru all the while being forced to realize he IS not blameless in this. That every horrible, callous remark he made to Ritsu was not directing Ritsu to the right path or proving himself cool and powerful. They were all instead only cementing Ritsu's hatred of him.

And Teru does not want to accept this at first. He wants to think he did the right thing, ultimately, and it was RITSU who rejected him. And this is where the scene with Slipshod comes into play. Slipshod, who is shown again and again being good at pressing people's buttons. Slipshod is the one bully bigger than Teru in all this, and behind his dumb demeanor is he really really good at knowing how to get a rise out of people. He does it to Reigen while possessing Mezato. He does it to Ritsu while possessing his mother. And he does it to Teru, for fun, because he loves to rub Teru's face in the mess he created.

Which, on the plus side, was the wake up call Teru needed to recognize how consistently horrible HE had been. How much of Ritsu's spiral (and now, imminent death) happened because Teru gleefully pushed him toward it.

Teru's one and only friend.

After Teru swore off friends and loved ones, because they can be used to hurt him.

So it is a big moment, and a big decision Teru makes, when he chooses Ritsu. chooses apologizing. chooses making himself vulnerable (VERY LITERALLY, with how the power transfusion drains Teru to nothing). Teru chooses to care.

And ultimately, it's not even that Teru went from the bad moralless one, to the moral one. He always had these morals. He had these uncrossable lines since day one. But he hid it behind his horrible antagonistic demeanor and the cracks did not come through until he realized he lost control of Ritsu. Teru's ACTUAL heel-face turn comes in him realizing how awful his demeanor was and making amends for that.

i'm actually not done talking about them though because it's finally time for that tangent about teru and ritsu's first fight on the soccer field now because i just reread it while writing that last section and it's so interesting actually. like okay, like i said before it does set teru up as the problem -- in that scene teru is very much the aggressor; he's being a complete asshole for no goddamn reason, with absolutely no compunctions about beating the crap out of some random kid, and ritsu is the scrappy underdog determined to fight back despite not really having the means to. but then there are the moments hinting at more complexity to teru -- him literally stopping the fight to teach ritsu to use his barrier, giving ritsu the makeup after the fight, and of course his decision to spare ritsu in the end. and then on ritsu's side, he almost actually kills teru -- the only reason he doesn't is that teru manages to break free. (awful awful au idea: ritsu actually does kill teru here. would that be fucked up or what) something that stood out to me when rereading it is that despite teru repeatedly saying he'll kill ritsu, and ritsu's internal monologue being very convinced that he's in mortal danger, teru's reaction to ritsu actually almost killing him -- "you really are trying to kill me. we're done", etc -- seems to imply that his threats were more him just talking a big game, expecting ritsu to give in and surrender eventually, and he didn't actually intend to kill him until ritsu gave him an actual reason to. especially interesting to me is the bit where teru asks ritsu if he really meant to kill him, because ritsu's narration and teru's actual actions are kind of at odds -- ritsu tells teru he meant to do it because he thinks him scaring teru is what's making teru hesitate, and that he needs to make teru think he's dangerous in order to get him to leave ritsu alone, but teru's actual response is the opposite, attacking ritsu more fiercely because "there's no reason for [him] to hold back". in general the scene very cleverly sets up the core difference between them: teru is pretty awful but does have firm moral standards, whereas ritsu is desperate and willing to do just about anything if he thinks it's the only option. also the parallels and contrasts with the second soccer field scene are excellent -- the role reversal with the strangling but also how when ritsu does it both the initial act of starting to strangle teru and the fact that he doesn't end up killing teru are both unintentional on ritsu's part, but when teru does it it's a very intentional choice both to do it and to not go through with it; "we're done" said by teru the first time when he's preparing to kill ritsu and then the second time after he's decided not to. have i mentioned that this fic is good because this fic is good. i'm running out of ways to say that

YES!!!!!! ANOTHER RESOUNDING YESYES YES.

I have slightly pre-emptively answered this question by mentioning it above but Teru demonstrates this hypocritical "rules for thee but not for me" because, internally, Teru knows HE will always stop before the line is crossed.

BUT RITSU DOES NOT KNOW THIS. THERE IS NO REASONABLE EXPECTATION FOR RITSU TO KNOW THIS.

So Ritsu, and we the audience, do NOT know this during the first soccer fight. Teru is going to kill Ritsu is a very reasonable conclusion to draw from the way Teru goes all out on Ritsu. Ritsu is terrified. Out of his depth. He's panicking. This kid is going to kill me and he has every reason to believe it.

We don't know, unless (like you) you look at the smaller details, that Teru is not intending to kill Ritsu. He's talking big. He's trying to force submission in Ritsu. He's not trying to kill.

But Ritsu does go for the kill. Because it is the single break he gets and it's perhaps his only chance to survive (he thinks), and he does, IN FACT go for the kill.

Teru breaks free and he does... even give Ritsu the chance to clarify if that was an intended kill-shot. Teru is giving the chance for Ritsu to essentially say "Sorry, accident, don't escalate to trying to kill me." But Ritsu misreads the room, like you point out, and this is when Teru gets serious.

Strangulation, in the first fight and in the last fight. Exactly as you say. Accidental, by Ritsu, the first time, and accidental in letting Teru live. Intentional, by Teru, the second time, and intentional in letting Ritsu live.

"WE'RE DONE" ECHOED. TWICE. In their first fight and their last. With entirely different meanings.

okay those were my big points but i also had a bunch of smaller thoughts so here's just. a list: - i just think it's really funny that teru saves ritsu by punching him in the chest with psychic power on not one but two occasions. literally their dynamic in a nutshell. (also. the way during the time at the mall ritsu responds by being like "did you cauterize me" really gets to me for some reason. he sounds so offended. like you can't just cauterize someone's wound maybe he liked bleeding all over the place you don't know!) (actually wait that thought is also very funny considering what happens with mogami and reigen later. you really can't just cauterize someone's wounds that's very rude. they worked hard to be that grievously injured) - okay so the burger scene. first of all generally a great scene second of all obviously it's a parallel to the scene with mob and the milk (reigen saying "have mine too" and all that) but also i love the parallels to the scene with isa in the coffee shop (also a great scene btw. have i mentioned this fic is good). they're both scenes in which ritsu has a loud emotional breakdown in a public restaurant (love that that happens twice. ritsu honey can you maybe not) with a major focus on ritsu's insistence on letting himself suffer and refusing any kindness he's shown, but they show ritsu at very different points in his story and have very different outcomes -- isa can't manage to get through to ritsu, but reigen can. ritsu refuses the croissant till the end, but he eats the burger. (sorry to add another side note but i love that that was a very serious sentence i just typed about a very emotional character arc.) also the symbolism in the fact that in the coffee shop scene, ritsu's explosion of psychic powers freezes and then spills his hot chocolate, rendering it undrinkable, but then in the burger scene when he blows up the ceiling the dust explicitly doesn't get on the food, so he can still eat it. good shit - i'm trying to avoid going through every single line or joke i liked one by one but i will say. the "this--" "reigen." "reigen" jokes were both incredibly funny on their own but the fact that they're like 30 chapters apart is what really kills me. the dedication. i saw the second one and was thinking "didn't that joke happen before. when was that. wait was that literally all the way back with tetsuo". countless plot events and several irl years may pass but reigen will never catch a break - the "FUCK OFF" tag reigen made being the one that they exorcise mogami with. perfect - love that ritsu is indirectly responsible for teru's girlfriend breaking up with him (good for mei honestly. sure teru wasn't actually cheating but his ass deserved to get dumped) and i like to imagine that teru never lets this fact go. he's not particularly upset about the breakup but he WILL bring up that ritsu ruined his relationship at every possible opportunity purely to annoy him

I THINK YOU MAY PERHAPS BE THE FIRST PERSON TO RECOGNIZE THE DOUBLE-CAUTERIZATION, and the intentional joke in Ritsu, the first time, declaring "Don’t… perform psychic medical procedures on me without my permission, okay?!" Like sorry bud, this is not the last unauthorized psychic medical cauterization Teru's gonna perform on you.

But not every unauthorized medical cauterization can be a win. Turns out when Mogami does it it's kinda mean >:(. But also necessary, for a not-dead Reigen, so actually thanks Mogami.

ABSOLUTELY THE "HAVE MINE TOO" INTENTIONAL PARALLEL BETWEEN THE MILK SCENE AND THE BURGER SCENE. I'm always glad when someone notices the repeat phrasing that ends both those scenes.

And aaghhhhh I could write a whole other essay about the symbolism that food plays with Ritsu's plotline, but in the smallest nutshell how it tends to represent someone reaching out with care and how often Ritsu rejects it. One public restaurant psychic outburst rendered the offered food unconsumable and the other one intentionally points out the way the food (burger) avoided the destruction :')

THANK YOU YES. "This--" "Reigen." "Reigen." as a repeat joke tickles me so much. Just Some Guy energy. Could've played the most pivotal role all night but he'll still end up somewhere next day where someone needs to figure out who he is. Reigen is here too, btw. His name is Reigen, btw.

Fuck Off tag was delightful... It started as an inside joke for a very early comic that @sandflakedraws drew (and then later redrew), of the (chapter 5 or 6) Reigen Tetsugami confrontation. The ineffective tag Reigen sticks to Tetsugami's cheek has, in katakana, "fuck off" written on it. Hilarious enough joke for me, years later, to incorporate it into the story.

Re: the girlfriend thing. I've joked before "if I had a nickel every time evil spirit possession was mistaken for an affair in ABoT I'd have 2 nickels. Which isn't a lot but it's weird it happened twice." But yeah, Ritsu, you asshole. You cost your bro his girlfriend.

i could just keep going but at this rate i'm going to be going back through the entire fic and just talking about every single scene so i should probably stop before this gets any longer. basically what i wanna say though is that the fic was very good, thank you for writing it, it has given me brainworms. once again i am so sorry for the length of this ask

THANK YOU!!! I think I just spent like 2 hours writing this response because, as you can see, I REALLY LIKE talking about this stuff haha!!

[mgwbanmott]

I've never understood the constant hate that Wilhelm receives. I don't know if it's a matter of people relating more to Simon or what but I feel like in terms of what they have done wrong, they're pretty on par, at least to me.

Take the part where Wilhelm denies it's him in the sex tape. Yeah, that was wrong of him. And we have to think about how specifically it was wrong of him in Simon's eyes. It was wrong of him because he left Simon all alone. But at the same time, Simon is leaving Wilhelm all alone by breaking up with him. And I understand that it's not the same, Wilhelms actions are worse. But I feel like people willingly forget that simon has a support system of people he can trust completely. He has a supportive family and supportive friends outside of Wilhelm. For Wilhelm, he only had felice, and even then they weren't so close when the breakup happened.

Additionally to this, we learn about how Wilhelm is very susceptible to pressure from his family in s3 e5 when he mentions how he wanted to remain silent in terms of the video, but he was pressured into making a statement. And I get that he made a promise and he did have a choice, but he is also 16 and WAS heavily pressured. Like, the camera crew was hired before Wilhelm even spoke to his mother about the situation.

The argument scene in s3 e5 in general was amazing and really told you about Wilhelms character motivations and helps you understand, but I feel like many people didn't take it as that. They took it in the sense that simon was afraid and that's why he broke it off with Wilhelm again. But I feel like that's fundamentally misunderstanding the point. I feel like the point is that simon is really understanding the position that Wilhelm is in and how he slots into it and how he is now in a similar spot because he's with Wilhelm. It's him defining the relationship, not him realizing that Wilhelm is bad for him. it's not Wilhelm who's bad for him, it's the position that's bad for him. In addition, Simon has probably gained many self esteem issues from the media.

But overall, W and S's problem isn't that they are bad for each other, their problem is that they have barriers in place which prevent them from talking about certain issues which need to be talked about.

This is not really me posting about how Wilhelm was in the right, because he's not always in the right. It's more of me saying that people need to realize that he has understandable reasons for most of his actions and it's not like simon is an angel. They BOTH constantly make bad decisions (as do all other characters in this series) which is why I think they're so interesting.

The point I'm trying to make is don't let your like/dislike of a character warp their actions. This is how we get statements like "Wilhelm and Simon aren't compatible" like, YES THEY ARE. you're just too busy demonizing Wilhelm to see it.

[animentality]

How do I write good morally grey characters? (Genuine question)

you give a character a morality that makes sense, and could be understood by most rational human beings on this earth, but then have it also be harmful to others, whether that's intensely or mildly.

most people in this world are morally gray, you know?

selfish and self centered, and likely to do bad things in their own self interest, if they think they won't get caught...but you know. most people are not raging psychopaths who will go out of their way to harm others....nor will they make much of an effort to help others who are not their friends or family.

gray morality is sort of hard to pin down, but it always comes back to...

black morality is This Bitch enjoys killing, and does it for funsies. they cause suffering to others just because they want to, and can, and this is morally wrong, because...uh, well. the basics of human interactions suggest hurting other people without any cause at all is the lowest of the low.

white morality is This Guy is a hero, who saves kittens and little old ladies and refuses to harm others (intentionally or unintentionally). most people can agree, someone who saves other people from death or injury is good.

gray morality, though, is that guy is a selfish piece of shit, but sometimes, occasionally, he does good things. only for his own self interests, of course, but it's a net positive for the world.

he threw a bunch of people down river, when it suited him, but was there when it counted, or maybe, accidentally does help the good guys with his selfish actions.

let me give you an example... Jack Sparrow.

Pirate. Thief. Murderer.

Not a hero. Will sell out other people to save his own skin. Kills wantonly, drinks too much, steals anything that isn't nailed down.

Doesn't really go out of his way to save people...except occasionally, he does.

Except in the end, he does save his friend, and he does save his fellow pirates...who are.

you know. pirates.

bad people.

he's an agent of chaos. he's whimsical, lawless, lives as he likes, and causes all kinds of trouble.

and that's a good morally gray character.

someone who both helps and harms.

and that's something to keep in mind, when you write your morally gray character, btw, whether you want them to be more helpful to your heroes, or more of a hindrance.

either one works for the morally gray.

and then we have a character like say, Dexter.

A serial killer who kills serial killers, right?

Yeah, killing is bad, especially serial killing, but if it's other serial killers...fun, right?

Weird.

Interesting to think of.

So.

To come back to it.

My advice for morally gray characters is to sit down and think of a character who has good traits and bad traits.

Mix them together, according to how you want this character to affect, say, our villains or our heroes.

Then decide, well, are they more inclined towards helping the evil side, the good side, or is it more pure chaos they exude?

I myself tend to write a lot of morally gray characters.

But that's only because I love writing murderous MCs, and most people do see murder as amoral, for some reason.

Anyway.

That's my advice on the morally gray.

Give them rules. Give them motives. Let them have good traits and bad traits.

Let them be rude to old women, but have a soft spot for kids...and also do awful things that affect both negatively.

the most important thing to avoid, as that post indicates, is just making a grumpy hero who just seems kinda mean sometimes.

that's not morally gray.

morally gray, to me at least, implies that that character does actual harm.

if they're only mean to bad people, only negatively affect the bad people, then newsflash, they're just heroes. they're white morality, just not disneyfied into sterility.

make sure your morally gray characters do harm!!!

[joojdraws]

Me needs talk about something undiscussed about Rarold that I do find quite interesting to analyze in-depth... Because, I do think he is an interesting character. (⚠️ Spoilers under the cut!!!)

Rarold's motives. As shrimple as that. 🦐

Before I elaborate on all that I have to say, all the way back in September 2022 I had a discussion with a friend that met the BKMN author at a convention... you can of course have your own interpretation on his case... but ever since I heard about it... IT HAS BEEN LIVING IN MY HEAD RENT FREE. And it makes so much sense with what happens in the book once you know this undiscussed detail about him. It makes his character so much more interesting when you know the reason of his actions. And it's why I love him.

In the book, it never is explained what were the reasons he did commit all these crimes... but if you don't know the fun fact he did kill for the sole reason blood would make his crops grow better... I feel like there is some clues there in the book that leads to this information.

We all know Rarold is the "Copycat killer". He doesn't have any original way of killing. (Sorry, Rarold, I love you but it's true... 🐒)

One of my headcanons for him is that he doesn't know how to kill at all. And that his wife most likely is his very first victim, and before that he never killed anyone... ever. Obviously sucks at killing. Which is why he got ideas from both the "Dead Rope Killer 2" movie and from Neighbor's way of killing. For both the ropes and purple threads.

Subtle detail you might miss... but the main character from the "Dead Rope Killer 2" movie most likely is a foreshadowing to Rarold's future crimes... He absolutely is shaped like him! And also, a bit before that part, we can see Rarold standing in front of the theater, and he most likely went to watch this movie for inspiration. (Which is funny to me... Given the fact Neighbor and Wegg were both alone in the theather when they saw that exact same movie, it just is hilarious to imagine Rarold being all alone in there and just taking notes...)

The reason Neighbor kills is related to blood... Hehe. Remember the fun fact I earlier shared in this post? Teehee. Yeah. What if...

WHAAAAAT IIIIIFFFFF... It was also truly Rarold's case...

First time we see Rarold killing someone in the book, is in his cornfield of ALL PLACES... and also, he specifies his corn is "so, so good"... Why would his corn be this good, huh?! Sus if you ask me.

I did some researches about blood and crops... and as cursed as it sounds, it actually is a good fertilizer to grow corn. (I guess that makes sense since blood is... well... organic)

"Anonyme a demandé"... French moment (My first language...) but once someone did ask why the copycat killer (Rarold) only did kill women... the author specified in their post, that it was intentional... and that... THE SEED IS THERE! I know it's a way of saying, but corn grows with seed... and most likely, his wife was the seed. His very first victim. And her blood made her crops grow better...!

Now, I need to talk about the dream/vision part of that one fun fact my friend got at a convention... That would make a similarity between Neighbor and him. Neighbor most likely had a dream about Lady Trudy... Rarold probably had a dream about another sort of deity... and I might have an idea on that deity. Yeah... Lord Callum. Why you may ask...? Well, Lord Callum is bird shaped... and you know what bird likes... yeah! Corn! Believe it or not but a male swan is called a COB. And you know what else is a cob? Yes. Corn on the COB. And a scythe is strangely shaped like a bird when you deeply think about it...

Might be a coincidence but it is interesing to think about... But the way a male swan is called COB and well Rarold's a corn farmer (corn on the COB) that is like... the revelation of the 20th century to me (lol 1974). Another headcanon I have is that Rarold only kills people he was told to kill in his dreams/visions... he doesn't kill any random person. I suppose I told everything I had to say about him and his motives!! Rarold is very interesting to me... Gosh, love the corn man.

Oh yeah, one more thing I'll say... but Rarold did not die. You can see him in the 1975 epilogue chapter... the man is still alive, and apparently not in jail for some unknown reasons... if Neighbor can have a good future despite all the people he killed (Glenn did not deserve his fate btw), I think it's fair Rarold can too. I believe he can be a better person too. Personally I think he regrets what he did, but that's a headcanon of mine! Anyone can have their own interpretation and that's 100% ok. Well here is the end of this post... thanks if you have read everything... I loved to talk about him and it's something I do wanted to share for a while, hehe. 🫶🌽❤️

[not-wholly-unheroic]

I remember seeing a bunch of these “what if Hook was the actual hero? The reason he hates Peter Pan? Here are theories that Hook was a Lost Boy?”, when I was younger and it didn’t really make sense.

Okay? Cool? I’m fine with villains having a sympathetic backstory, but not every villain is meant to be some sort of tragic hero.

I may not have read “Peter and Wendy”, but I’m very familiar with most Peter Pan media aside from the Disney originals and Hook doesn’t really need any special reason to hate Peter Pan other than the obvious “That scurvy brat cut off my hand!” I don’t know about everyone else, but I’d certainly hate someone enough to see them as a rival to kill on the spot for something like that.

But overall, Hook is a pirate. Have people conveniently forgotten that pirates would gore, maim, mutilate, and kill people for the fun of it during their whole pillage and ransacking of other ships? If it wasn’t Peter, then it totally would’ve been someone else.

Heck, Smee called Pan’s actions as a “childish prank” and Hook agreed “Aye, but throwing it to the crocodile! That wretched beast liked the taste of me so well, it’s been following me ever since, licking his chops for the rest of me!”

So, it’s not just the hand…although apparently Hook’s gotten used to it. Again, he’s a pirate captain, however and whenever the crew had gotten into Neverland, there’d bound to have been other pirates that they encountered before Peter Pan. It’s the fact that Tic Toc Croc never leaves Hook alone. Now Tic Toc clearly would eat anyone else, but Hook is the main snack of his attention.

It reminds me of that story about a tigress where she literally tracked and stalked a specific hunter.

So yeah, understandably, Hook has a right to be angry. He doesn’t really need any more motivation than that to hate Peter Pan.

I am curious in how and why, cuz I highly doubt Peter’s dagger would be able to chop off a hand in one blow. And I doubt Hook would’ve just been standing around to let someone, let alone a child, do that to him. “Peter Pan” (2003) does a good job in showing the mutilated stump of such an injury.

But I wonder what exactly led up to that point.

I agree with you on the “Hook was a Lost Boy and Peter is actually evil and Hook is trying to save them” trope. It’s been done so many times now and I’m just…very over it. Besides, while it is, I suppose, technically possible Hook could have been a Lost Boy AND an Etonian…it just…doesn’t seem likely to me that he would be both. And most of those retellings just end up leaving Eton out entirely…which…bothers me because it’s a big part of his character. Even if he wasn’t there for long, it clearly left its mark on him with his obsession with “good form.” Also…I like Hook in part BECAUSE he is a villain. I find him fascinating because he is a sympathetic villain with a great deal of potential for redemption. I don’t WANT him to be the hero from the get-go. That fundamentally changes his character and means we don’t get to see the complexities of his emotions and trauma play out as he struggles to BECOME a hero in his own right. Making him the hero from the start just skips over all that and totally ignores canon for both him and Peter. Peter may be a selfish, cocky kid who can be cruel at times…but he’s not some demon child and people need to stop pretending that he is. Like Hook, Peter is a fun character specifically because he is complicated. Don’t turn him into some straight-up villain who is flat and boring and totally unlikable. Barrie pretty clearly meant for us to like both Peter and Hook and have mixed feelings about them. It’s who they are and it’s why his story has stood the test of time—because well-written characters aren’t one-dimensional.

Also…making Hook the hero and Peter the villain completely misses the point… Frankly, the whole issue Peter and Hook have with each other is (ironically) that they BOTH need to do some growing up. In Peter’s case, it’s pretty obvious. He has physically and emotionally stopped aging. Hook may be a grown man, but (and I say this as someone who loves Hook) he is emotionally very immature. He loses his temper easily, holds a grudge against a kid rather than taking responsibility for his part in things as the adult, and generally just doesn’t behave the way a grown-up should. Peter is stunted in his growth, holding on too tightly to his childhood, and Hook grew up too quickly and never really matured as a result. Wendy sees this pretty clearly and finds the balance between maintaining childlike wonder and growing into a respectable, responsible adult. If you make Peter into an often literal inhuman monster and Hook into the perfect hero, then Peter becomes totally incapable of ever choosing to grow up (even just emotionally, if not physically) and Hook doesn’t need to grow anymore because he’s already reached the end goal.

As for how/why things started between them…personally, I think Hook started it. As you said, he IS a pirate, after all. My guess is that he wanted something from the Lost Boys and/or Tink…information about a treasure, perhaps, or even just information about how to get off the island, as in some versions it seems he is trapped there…and Peter saw Hook threatening them and wasn’t having it. The only way I can figure that Peter managed to actually cut the hand off entirely is if Hook had fallen flat on some hard surface (rock?) that had very little to no give and Peter just…dropped like a stone from a great height, letting gravity really do its work and putting all his weight into it. And the only situation where I can see this happening is if Hook had a weapon in his hand that perhaps Peter was trying to knock back. I honestly don’t think it was intentional to cut the hand off. I suspect, knowing Peter’s tendency to make up stories about himself to make him sound more courageous and tough than he actually is, taking the hand clean off was an accident and when he went to pick up the discarded weapon, it was really only then he realized the hand was still attached. He flung it away in disgust and the crocodile just happened to be nearby. When Peter tells the story, though, he changes things up a bit. And Hook is too out of it from the blood loss and pain to really remember all the details so he believes Peter’s version of events that it was an intentional “prank” to cut off the hand and throw it to the crocodile.

[shadamyheadcanons]

I'm not sure if they ever gave an official explanation as to why Shadow joined GUN, but I've seen plenty of people say that it's strange he joined the organization that basically ruined his life, and yeah it is weird.

I have come up with a headcanon that explains it though. He joined them to make sure they never do something like they did on the ARK ever again. Keep your friends close and your enemies closer as they say. Not to mention the whole reason that all happened was because GUN wanted him as a weapon. I think he'd be concerned that they might go after his new friends if he doesn't give them the impression that he's under their command.

So he joined, hoping to gain their trust and keep an eye on their activities. Rouge is also in on it, and definitely has hacked into their database to view top secret documents. If they ever find out that GUN is planning another senseless massacre, then Team Dark plans to sabotage it from the inside out.

Not a ShadAmy headcanon specifically, but you could imagine that Shadow would be reluctant to share this information out of fear of being jeopardized. Perhaps it could be used for drama. Have fun writers~!

I really, really like this. It’s my new favorite explanation for something that’s always bothered me about this franchise. Thank you!

It doesn’t just make sense objectively, it matches Shadow’s experiences perfectly. I often say Shadow would cling to Amy because he knows how easy it is to lose someone, but I love the idea of him taking it in a darker direction, too, picking up on the possibility of another tragedy happening and preemptively taking steps to stop it. I think people see Shadow as rash because he’s so extreme in his actions, but that is careful for him. Those aren’t mutually exclusive:

[IDW issues 5 & 6]

Team Dark standing with him is always great, too.

Another thing I like is that it gives Shadow agency. Based on Commander Tower’s behavior at the end of ShTH and his actions in Shadow: Dark Beginnings, Sega seems to want us to believe the Commander is a nice guy who’s good buddies with Shadow:

“Shadow, do you read me? First, I...I want to...apologize, for the other day...actually, I just became a grandfather last week, and I was thinking of maybe having you over.”

Commander Tower, probably: “Sowwy I twied to shoot you, uwu. It’ll never happen again! 🥺”

And, uh...I don’t buy that, frankly...but it doesn’t seem to me that G.U.N.’s keeping him under their thumb, either. As interesting as that concept would have been, I don’t think it’s what Sega’s going for. It lines up better with canon if Shadow’s choosing to stick around for his own ulterior motives. I think having him actively decide to keep G.U.N. close for that reason strengthens his character.

Your headcanon is even stronger now in the wake of Takashi Iizuka’s pre-Shadow Generations interview (which happened after this ask was sent, btw), specifically the question at 3:20:

(Side note: I have so, so many issues with what he says here–no other motivation? None at all?! You’ve got to be kidding me! But that’s a rant for another day.)

This all but confirms that working with them is a choice for Shadow.

It also perfectly demonstrates something that really irks me about Sega: their lack of communication about basic aspects of the characters’ lives. Most fans speculated for what, almost two decades, about whether a main character is employed or not, and Sega just drops it in a random interview? Not even in a game? It’s such basic information, yet they didn’t tell us for 19 years. And gee, why would we get that impression?

[Archie Sonic Universe issue 1]

It’s like even the official writers at Archie thought he was a G.U.N. agent. Sega couldn’t be bothered to tell them, let alone us. We don’t even know where some of these characters live. It’s kind of silly once you think about it.

Yeah. “Silly.” Let’s call it that. 🤨

Thanks for the ask!

[mcsm-confessions]

honestly the argument between who should(n’t) be redeemed more with Cassie & Romeo is so interesting to me, because honestly I don't even know.

you don't have a choice to save Cassie in that endermite pit so I assume that means Jesse doesn't want to (not can’t, because they still had an ender pearl left) because she deserves her supposed fate.

you DO have the choice to save Romeo, so clearly Jesse sees that he has potential to be redeemed but also shouldn't get off easy. this, however, seems inconsistent with Jesse's character, as it assumes that he deserves redemption more than her.

Cassie:

murdered three people, all of whom she pretended to be friends with, and had no real connection with them.

...more attempted murder

Romeo:

murdered one person, his best friend (or both depending on choices but we all know we don't accept that as canon).

falsely imprisoned his best friend (and multiple others for unknown reasons)

trapped an entire civilization below bedrock

indirectly killed two named people and multiple others from his challenge thing in the Underneath.

destruction of Jesse's town

borderline brainwashing and extortion

identity theft (twice)

took over Jesse's town

uhhhhhh

yeah so like, Cassie has the motive of wanting to escape the world she's been trapped in, and couldn't trust anyone to help her. while she's a victim of sorts, she didn't hide her sadism when killing people and taunting Jesse. dare I say she could get a pass because of her extreme paranoia, but I don't blame Jesse for leaving her at all. she doesn't seem to express much guilt for her actions. there would be a LOT for her to make up for if she had been saved (and it still probably wouldn't be enough).

Romeo's motive is... being lonely and wanting a friend? okay sure. doesn’t excuse his collapsible list of crimes. it may also be a "power corrupts" sort of thing, but it's really hard to justify this man after the stuff he's done for centuries. only after he is de-powered he instantly feels guilt. that is either a product of "oh no I got caught!" or bad writing.

So basically my stance on this is, if Cassie can't be redeemed then neither should Romeo. if Cassie can be redeemed, then so should Romeo. it doesn't make sense to be on opposite sides.

(however I am intrigued by the idea of Cassie reluctantly "joining" the team for future eps and meeting the Old Builders again)

also, I just realized they're both kinda sadistic redheads. wow what did Telltale mean by this

im not even gonna include Aiden in this cuz he's just a jealous dumbass who got too ambitious. also doesn't even have a kill count. loser

~~~

[quizzyisdone]

I've seen your posts about Russell Adler and they are wonderful to read! My favorite one is the morality of Russell Adler ,I thought it was so insightful to his character and really well done.👏

I'm curious what do you think about the headcanon, which Russell Adler is the father of Phillip Graves ? I've seen it around the fandom and I like reading what others think of it.

Thanks so much for your time !

Aw, thank you so much for the kind message! I'm glad you enjoyed that post, I'm actually working on an updated version of that to reflect what we see in Black Ops 6 and how his character has developed over time.

As for the whole concept of Adler and Graves being related -- I actually really do not like it. If that's your headcanon, I respect that, I even see the appeal in it, but personally, I just do not like it. Here's why;

(TLDR; I do not like the headcanon, it makes zero sense for Adler to raise a child like that and the two characters are not even in the same universe. )

On Phillip Graves' Lineage

First you may be asking - why don't I like it?

Simple, it really is not in character for Adler to raise a brat like that or fuck up fatherhood so royally that he raises a leader of a mercenary group whose loyalty goes only to the highest bidder. I love all of my Graves' fans but honestly, he's a POS in my opinion. (Doesn't stop him from being hot tho)

Graves has no motivation to betray the 141, y'know, the guys who are actively trying to stop and protect civilians from a deadly missile attack, aside from a fat pay check from the douchebag himself, General Shepherd. Still yet, he betrays them and then later denied involvement and threw Shepherd under the bus when it benefited him.

Okay - so what does that have to do with Adler?

A lot actually. This headcanon actually came into popular fandom canon for two reasons, A) they look alike. B) people like to draw false parallels between the two characters.

The second part is what frustrates me. That mostly comes from people completely misunderstanding Adler's character and taking his actions, dialogue, and narrative and twisting it into something he absolutely is not.

Essentially the line of thinking is "Well Adler is an asshole, Graves is an asshole, so the two must be related." There are several things wrong with this statement. Firstly, Adler is actually a very loyal and devoted man who employs seemingly harsh and unorthodox methods to his job. Saying Adler is just an asshole because he brainwashed Bell and is therefore unlikable is such a surface level take and it irks me to no end.

I think there is a cutscene in BO6 where Adler is listed as having kids and I can see that, I mean the man does theoretically have an ex-wife (unless he was lying just for funsies) so it's not out of the question for him to have them. While I don't think Adler is the Father of the Year in any sense of the title, I do not think he is uninvolved. Perhaps very distant and pretty big on tough love and not always there due to the nature of his work, but he still loves them and I would think his kids know that he loves them in his own way. (Definitely gave them so weird ass daddy issues along the way though)

So yeah, no, I don't think Adler gave Graves daddy issues so bad that he became the absolute garbage fire of a man he is today. It's not like him and it takes a lot worse than daddy issues to give a man motivation to do something like that.

Also, the main reason they are not related:

Black Ops and Modern Warfare are not even in the same universe. Yes, I know they are both in the franchise but no, they are not in the same universe. And if the devs ever decide to retcon that decision I will turn into Travis the Chimp and bite some poor lady's face off in a psychotic rampage.

It would make no sense if the events of either franchise occurred in the same universe.

When I am referring to Black Ops, the only games that are canon/have any relevance are of course World At War (mostly because of Reznov), Black Ops, Black Ops 2, Black Ops Cold War and Black Ops 6.

When discussing Modern Warfare (the reboot, not the originals), the only games that are canon are Modern Warfare 1-3 (three is questionable, I feel like that game is the one thing devs need to retcon and rerelease with a different story)

It is literally impossible for Adler to be the father of Graves, the two don't even exist in the same universe.

At the end of the day,

I did not write this to be mean or to shit on anyone's headcanon. I mentioned it before, I do see the appeal in it, if you happen to have a different opinion on the two characters than I do. If you like this headcanon, go on with ya bad self and keep posting your art and fanfiction about it. My opinion on it doesn't/shouldn't affect yours at all. <3

[forestmossling]

@mia6363 said to come yell at them on tumblr if one so desired and i’m planning to take full advantage of that invitation.

and i guess usually i would yell, i do have a surprising affinity for incoherent all-caps key smashes, but it feels wrong to do that with this fic. i just lived seven years in a glass cell in a basement in one night, i don’t feel like being loud or wasting my breath.

this is genuinely one of the best fics i have read in my entire life. i even hesitate a little to call it a ‘fic’, because this doesn’t even feel like a byproduct of teen wolf, aside from the fact that all art in a way is a byproduct of something. for me, this is so much more than just twirling your blorbos and making them fall in love with each other again and again in a multitude of different ways (i respect that too, btw, i am a huge fan of blorbo twirling). this was a full, independent story that spanned so much wider and greater than what it came from.

i am absolutely obsessed with everything about the storytelling here. the way different parts of stiles’ life before captivity come together to shape his reality and actions during the captivity, and how they crashed and burned when stiles broke free and got to experience them again. how every step stiles takes, every decision he makes, is overshadowed with voices from his past, the way nothing he does comes from nowhere even if some of it took root before he could even consciously acknowledge the impact it had on him. and the way i, as reader, was immersed in this process, good fucking god. i almost took screenshots at some especially gut-wrenching moments, but i always ended up stopping myself from doing that, because even imagining somebody perceiving a part of this work out of context felt incredibly wrong for some reason. i’m probably being too reverent and over the top about this, but i also don’t fucking care, this is my sacred text.

and all the characters, just… yeah. i’m dead. satomi ito, they could never make me hate you or your beautiful husband. every story, every character’s motivation and psychological path throughout the story just made so much sense. i could see all of them so clearly and obviously, by themselves and especially when they came together. did i already say i’m obsessed?? because, as i write this, i just realize how much i’m fumbling my words because i simply have no fucking idea how to express the way the complexity, coherence and ingenuity of this work makes me feel.

and when i try to wrap my head around the fact that there’s an actual human being behind this story, my fucking brain explodes. HOW????? how is this man made??? how was this not woven together by the galactic matter since the inception of the world as we know it????? don’t even look at me, my brain is literally leaking out of my ears at this point, i’m so overwhelmed. in short, i feel about the author of this fic pretty much the same way any sane person in the fic feels about stiles. this is some true alpha shit right there.

i feel like there’s so much more i want to say but also nothing i could actually manage to put into words, so yeah. just. this is incredibly great and very cool👍 go read this immediately if you haven’t already OR ELSE. ♾️/10, there’s no other way around it. absolutely AM recommending.

[musette22]

I wonder if Steve has a significant amount of imposter syndrome, especially when he came out of the ice. People had solidified this idea of him and expected him to excel and be that, hell even his teammates were just like oh I know all about you. (Expect maybe Thor, who I think was one of Steve’s closest friends in the beginning)

He can’t escape these expectations and if he goes against it, he’s berated for it. It’s made even worse with the serum, but at least with that he had the howling commandos to ground him and encouraged him. In the 21st Century there was no one to bounce of and the fact it would have been made worse by his survivors guilt.

Idk Steve is a character that has so many layers but gets over looked because he isnt allowed to fall into a vulnerable headspace. I kinda wished we saw more of that in his character, not in like a reflective sort of way but a kinda overwhelmed by everything portrayal. I’m sorry if this doesn’t make any sense.

Oh absolutely, yes! I think you're completely right. I also think Steve struggles hugely with the expectations people have of him, the dichotomy between the persona & legend of Cap versus the real Steve Rogers. He had to get used to a whole new body first, and then on top of that, he also had to learn to deal with all those expectations and the idea(l) people have of him which he doesn't even recognise himself in, half the time. He doesn't feel worthy of all the attention and hero worship, constantly thinking that if only people knew the real him, they'd be sorely disappointed. At the same time though, I think he feels like the whole celebrity aspect of being Cap is empty and meaningless anyway, most of the time (except for when he can use his fame to do something good, of course, which he tries to do as much as he can because otherwise, what's the point?), so in a way I think he doesn't even want to live up to people's expectations of him. He is also known for his stubbornness and righteousness, after all 😉

And yeah, in the 21st century, there isn't anyone left who knows the real him, who can grab his shoulders and shake them and tell him that it's the real Steve Rogers, that little guy from Brooklyn who was too dumb to run away from a fight, who makes Cap great, that he is worth knowing and loving. That his ideas may be reckless and harebrained more often than not, but that he does what he does for the right reasons, because he is a good man first and foremost, even if others can only see a perfect soldier. He must've felt so enormously alienated and lost, those first few years 😔

While I love the idea that (most of) the Avengers would've ultimately come to understand and appreciate Steve for Steve too, the way things stood at the beginning of TWS, they definitely weren't there yet (thank god for Sam, who at least tried). Which is why I adore the kind of fics in which Bucky, after he comes back, is not only cared for and helped to get back to himself by Steve, but in which he also gets to care for and help Steve to get back to himself in return ❤️ Mutual healing, that's my jam 💫

And yes, Steve Rogers is actually a huuuugely layered and complex and interesting and underrated character, and I will die on that hill!!! The MCU unfortunately did not explore any of this nearly enough (in fact, they cut some of the scenes that would've been the most telling when it came to the state of mind he was in) and they massively oversimplified his character development for the sake of action/tony/heteronormativity/etc. I'll always wish we'd have gotten to see more of Steve's motivations and character in the movies, but I'll also always be grateful that fanfiction has given us what the MCU didn't dare, and a thousand times over too! ❤️

[shydroid3000]

OOO for the death note ask game, turning this back on you. 4, 7, and 23, again though you can pick a current favorite moment (lolol. indecision makers 😔😔) or just gimme some general misa thoughts if you’ve got em 👀

4. who’s your favorite underrated or obscure character? Okay, I'm gonna do my best to pick one that isn't too obvious, so: Sidoh! Haha. He's a weird little loser guy of a Shinigami and I love that. When he takes the notebook and touches it to the head of the one mafia guy while saying, "tag, you're it!"... or when he gets freaked out by Mello even though he himself is a literal god of death... I just find it very delightful. He's silly and pathetic in a way that really tickles my fancy lol. (The anime is much fresher in my mind so most of what I refer to will be anime-focussed; can't remember how manga version compares to anime with him). 7. was misa just as guilty as light? Ooh, guilt in relation to Misa and Light is interesting to think about. On the one hand, I do think that they're both culpable for their actions at the end of the day. I have maybe some more grace to extend Misa in terms of her having an understandable reason to go down that path, what with her parents being murdered (and almost being murdered herself). Like, that's a level of trauma that makes you go, 'yeah, I can understand why she was all-in on killing criminals with the death note, even if I don't agree.' Light, on the other hand, had this good, stable, pretty privileged home life, in addition to him being a top student, talented, handsome, etc. He's got less of an excuse, you know? The fact that Misa's drawn to Kira's ideals out of lived trauma, whereas Light is drawn to those ideals largely out of ego is sort of a meaningful distinction. (By ego I don't just mean the belief that he's exceptional, but I mean -- the way he is so desperately driven to protect his conception of himself as a Good Person. That's a tragic and heart-rending manifestation of ego, but it's still about protecting his ego). But I also think there's 'guilt' on the level of the actions and choices you make regardless of motivations, and I'd see them as more equal on that front. Misa was an enthusiastic DN user and participant in Kira's plans/ideology. She's motivated by different things than he is, but she makes her choices knowingly. I think it would be diminishing of her agency and complexity to say that she's less responsible for her actions than Light is, if that makes sense. (Also, there are things Misa is guilty of that Light isn't, and vice versa. E.g., Misa pushes Light's boundaries in a way that can be very uncomfortable; Light uses Misa/others without real regard for them).

Now, beyond all that... the question is obviously about their culpability for their use of the DN. But it also makes me think about each of their *experiences* of guilt internally, and that might be even more interesting to me. I think that their relationship to guilt is one of the things that makes them so divergent from one another. Because... running away from guilt is such a huge part of what propels Light to go all out with the Kira thing. So much of his psyche is shaped around that black pit of guilt where whispers of "I did a bad thing. If I did a bad thing I'm not a good person" come from. He diligently tries to cover over that and barricade it off. He crafts an ideology that makes his murders righteous, and commits to making a New World(tm) where the meaning of 'good/right' is reshaped around that. He makes himself a God so that his actions are beyond judgment, or at least he is, because his murders are divine - they're acts of creation, even of love and self-sacrifice. And then Misa... well, guilt doesn't seem to be as obvious a factor for her, whether as motivation or reaction. I mean, I could imagine a reading where there's some well of underlying guilt about the death of her parents and her survival -- I think that would make sense given the circumstances. But... we never actually see that kind of Bruce Wayne -esque psychology peeking through, so that feels more like headcanon territory than direct analysis. Obviously she has deep feelings about the murder of her parents, but she has a very different relationship to guilt than Light. She usually comes across as very free from guilt. She knows what she wants and what her priorities are, and she pursues those without shame. She's impressed by Kira so she becomes the second Kira; she decides she loves Light and wants to be with him regardless of whether he even likes her, so she pursues that undeterred by his response to her. It feels like Misa is always calmly pushing forward toward what she wants, whereas Light's sprint forward towards his New World is really a running-away-from. But at the same time... what kind of underlying emptiness would make someone so completely devotional in the way Misa is, wanting to devote themselves to someone who mostly loathes them, to the point of not even seeming to be hurt by that person's disdain for them as long as they can still have that person in their life? I think there's definitely beneath-the-surface stuff with Misa, but it comes across like guilt is a colour that just doesn't exist in her world. Whereas with Light, every shadow in his world is the colour of guilt. If goodness or righteousness are the rays of the sun, Light Yagami is the moon that reflects the sunlight while trying to create a reality in which those rays are his -- are him -- a reality in which he becomes the sun. And yet he's a moon, and the dark side of it that he disavows is guilt, is 'I did a bad thing', is 'what if I'm not a good boy?' (Wow, went overboard with the metaphors there but too lazy to edit lol). 23. what was your favorite moment and why? Ah, this is hard (guess it's my fault for asking you this one first haha). I'll try to pick 1 or 2 more serious moments and 1 or 2 silly ones lol. So, serious ones:

The warehouse/Light's downfall. Specifically the laughter, if I had to pick a moment. Excellent scene in both the manga and anime, but MY GOD I will never get over the sound of his laugh in the anime. I think about it every day. (Also looove the lip-twitching as he barely contains his deranged glee leading up to his "I win"). I also really like his death in both; his fear, being reduced back down to his humanity, in the most pathetic way. But the laugh moment wins out for me; the way everything that has been pent up, repressed, held back, filtered, pruned is just... unleashed. He's finally showing his real human emotion to other people in this unrestrained way, but it's so twisted as to be monstrous.

Also, the moment when L says Light is his first real friend. I know that Ohba said L is lying in that moment, but my own analytical framework doesn't prioritize authorial intention above all else. And I think there is so much complexity and richness in that moment. I don't think L is lying, but he is manipulating. And obviously even the truth within the statement is a complicated one. But I can't help but see a genuine sort of sweetness in there in that moment, amidst the mind games and adversarial context. Light and Ryuk's reactions in that moment are so excellent too. It feels like a moment where the world stops spinning, just for a microsecond. A moment where some alternate reality almost touches this one.

Silly ones (time for my sweet Matsuda to shine lol):

When L and Light are fighting during the 'date' with Misa and Matsuda calls the room to break it up, telling L some news about Misa's popularity. Then after L hangs up he's like, "Matsuda's acting stupid again." And Light is like, "well, that is his speciality." (The fact that belittling Matsuda actually does diffuse their fight LOL). And Matsuda is on the other end, his face dropping, like, "do they know we can hear them..?" haha. Just a perfect Matsuda/Light/L moment.

OBVIOUSLY the whole mattress gambit too lol

In the anime, when L reveals to the task force that he's actually all three of the world's top detectives, he says something like, "here, I'll give you this strawberry for keeping my secret." And then he holds out the strawberry he plucked from his cake and Mogi kind of vacantly takes it and puts it in his pocket LOL

Thank you for the ask!!! Sorry it took me ages to respond. It was half-done for a while but I wanted to add more thoughts to the second section and just got around to that lol.

ask game

[linkspooky]

Hi there, I was rereading your Maki Zenin fanfic (Tyler Durden and the Culling Game piece). I must say when I read it the first time reading it, the way you depict her mentality, emotion, and actions. It was so emotionally draining and at the same time cathartic as it reminded me of myself back then and now still (well minus mass murdering all lotta people). But also surprised me, cause I have never this depiction of her after Shibuya Incident. But over time as I look at your analysis on various characters and paid attention to her upbringing by rereading the manga chapters focused on her, I realized the way she behaves in the Culling Games after what happen to her throughout her life. She is kind of stable??? Regardless, even though she is already my all-time favorite character. Your depictions of her makes me love her character even more as I actually relate to her more and felt those similar feelings. But I'm glad she is alive and is doing ok near the end of the manga, so I wanna ask. What do you think about her character now since JJK is VERY close to its end? And how do you feel about where she is right now as of Chapter 269. Sorry for the long ramble, I might ask more lol.

Thank you so much for your ask! That reminds me I need to start updating my culling games fic again sometime soon. For anyone curious the ask is about THIS YUTAMAKI FIC HERE.

Maki's kind of a hard character to talk about because even though Maki is clearly one of my favorite characters to explore in fic, and I love to dive deep into her motivations and inner struggles in the fanfics I write every time I criticize her writing in canon a little bit her fans jump me.

So instead I'm going to share one recent Maki scene I really liked, and one little tweak I think would have made both Yuta and Maki's character endings perfect.

You're right, for a lifelong abuse victim who just murdered her family Maki seems oddly stable all throughout the culling games. I no longer think this is a Maki specific problem, but rather a Jujutsu Kaisen problem. Basically, post Shibuya most of the character conflicts in between characters are dropped so everyone can work seamlessly together as a part of one big team.

This is a storytelling choice on Gege's so he could eventually set up for the Shinjuku Showdown fight, it'd be impossible for everyone to keep jumping in and out of the fight if people kept stopping to argue and have interpersonal conflicts in the middle of it.

If your name wasn't Megumi or Yuji, then basically all your personal hangups, your self-reflection, all got dropped. Which now it kind of makes sense why the audience was yelling at Megumi for not being able to immediately get over his sister's death, like in comparison none of the other characters spend any time at all dwelling on personal issues because Gege needs them to move to the next fight.

I'm not complaining, I'm just saying this is how Gege chose to write his characters post Shibuya, most personal conflicts got dropped for story reasons.

However, there was one moment that made me really get on board with Maki's writing again, and it was a... you guessed it moment of personal conflict.

This moment where Yuta is bringing up the idea of body swapping with Gojo before the group, and Maki despite being firmly against it is unable to do or say anything substantive to stop Yuta.

It's the first time I've seen that yeah, Maki is still in fact reeling from the loss of Mai. It doesn't really show most of the time on the surface, but Maki's always been like that - like an island able to stand strong without the support of anyone else. It is her strength, and also her greatest weakness.

Remember, the last time someone she loved walked away from her and decided to sacrifice their body and autonomy so they could become a weapon for the greater good Maki wasn't able to say or do anything to convince Mai to stay with her and stay by her side too.

There's the parallel with Maki and Sukuna, that Sukuna chose to devour his own twin in the womb in order to survive and therefore gained a body perfect for sorcerery. When Mai died, Maki gained a body just like Toji's.

Maki carved everything away in order to become a true void, but unlike Sukuna she didn't do it by choice.

We know she wouldn't willingly sacrifice Mai. She begged Mai to stay. Yet, she kind of did choose to sacrifice Mai with every choice she made before that. Maki chose being a Jujutsu Sorcerer over Mai every single time, to the point where when it counted she couldn't do anything to convince Mai to stay.

Maki consumed her twin and became a monster like Sukuna, a true void. She didn't choose to do it per se, but every choice she made leading up to that point indicated to Mai that Maki would rather be strong on her own then weak together with Mai. That Maki is someone like Gojo, and like Sukuna meant to stand strong all alone. Maki is an island and that is her greatest strength and her greatest flaw.

As when it happens again and someone she loves is about to become a monster, she can't find the words to convince Yuta to stay with her on the beach instead of walking into the ocean the same way she couldn't find the words to stop Mai. After all, Maki is someone who chose to become a monster like Toji after losing everything else, what right does she have to stop Yuta from becoming a monster too?

How could she possibly stop him from walking the path she walked? I think it's telling to thde depths of her love that Maki who values being a sorcerer above everything else, would have rather had both Mai and Yuta stay human and stay with her, but also telling of her complete inability to express that love.

It's "You're too important to us" because the words "You're too important to me," doesn't occur to Maki in both cases with Yuta and Mai, because Maki is an island. She can keep going on even after Mai and Yuta are gone even if she doesn't want to.

So here is the one change I would make the Maki's endgame to make her and Yuta's character arcs perfect. I would just have Yuta not be able to come back from Gojo's body. Otherwise, Yuta being magically fixed after the fact makes that whole plot twist kind of inconsequential and as much as I love Yuta in Gojo's body it kind of just seems to exist for shock-value now considering how easily it was resolved.

Yuta not coming back would provide a consequence for Yuta defiling Gojo's body, and also in general give the perfect bittersweet ending to both him and Maki's arcs. They both chose to become monsters in the end to defeat Sukuna, and as a result Maki is standing alone at the strongest. It would also provide the perfect parallel to this scene with Geto and Gojo. You could even have Maki musing on how she was left behind again. There's a pretty big parallel to Maki and Gojo both being people who seemingly don't need anyone because they're so strong and self-sufficient and yet they crumble at the idea of the one person they've always been relying on walking away from them.

It would also parallel Megumi and Itadori as well, because the reason that itadori is eventually able to reach Megumi is specifically because unlike everyone else he refused to give up his humanity to defeat Sukuna.

You could have a really heartbreaking parallel of three generations of friendships broken apart by the Jujutsu World. Satosugu, and YutaMaki aren't able to reach each other and stay together, but finally by never giving up on reaching out towards one another Megumi and Itadori are both able to find each other again after the world and Sukuna pulled them apart.

I do enjoy this scene a lot - especially the parts where Maki seems borderline arrogant by insisting she could have done things all on her own and if they went with her plan instead of Yuta's then they would have suffered far less losses. Especially since Maki's not genuinely trying to chew Yuta out here, she just knows no other way to express her worry over him besides being hyper aggressive and confrontational.

It still shows that Maki's personality problems are all still there, she loves people a lot but she loves people from afar and can't admit to needing them but like I'm just saying we could have had THE UTLIMATE DOOMED LOVERS ending for YutaMaki.

[kyojurismo]

Can you do how the Hashira treat you as a younger sibling figure(if that makes sense) If so than tysm!!<3

characters : hashira

tags : gn!reader, fluff, funny, not proofread.

notes : k this has been sitting in my drafts for literally months and i’m deeply sorry. i found some motivation to finish it so here we are. i hope it is good enough. enjoy <3

GIYU TOMIOKA

ptsd ( even if he was the younger sibling )

protective as fuck

he’s like a shadow

don’t be too surprised if he asks you to eat together

asks you > sends you glances

giyu will ask the master to send you on missions together

asked you to leave the corps once

if you’re not on missions together he goes full panicking

he’s not one to send letters but he gladly exchange them with you ^_^

if someone mess with you, he would take care of it ( a deep stare is enough )

GYOMEI HIMEJIMA

gyomei would always recommend to be careful and mindful of your actions while on missions

he does his best to take care of you

has you training with him so he’s sure you’re in good shape and all

he too tried to ask you to leave the corps but hearing your reason behind joining in he gave up

has deep respect for you

enjoys sharing meals with you

KYOJURO RENGOKU

loves training with you

super supportive of whatever you do

& keeps his eyes on you ofc

eating meals together is a must

he often asks to be sent on missions together

praises your hard work all the time

a comfortable shoulder to cry on >_<

MITSURI KANROJI

the very protective older sister who’s all sweet and lovely but doesn’t let it slide if someone is treating you bad

always keeps her eyes on you

loves going on mission together !!

be ready to cook with her

she likes styling your hair

she sometimes jokes about you joining the corps to find a lover too, but deep down she would prefer you staying away from all that ):

when mitsuri has nothing to do she’s always by your side

MUICHIRO TOKITO

you’re the only one he remembers

always checking on you

invites you to cloudgazing together

always going on mission together

he has to make sure you are alright

you’re becoming the younger sibling who has to pack the lunch for everyone (;

OBANAI IGURO

man,

he’s your shadow from now on

always, ALWAYS, coming on missions with you

supervises your training and all

makes sure no one is disturbing you or bullying you or anything

he cares deeply about you and would do everything for you

tried to convince you to leave the corps multiple times

he lets kaburamaru spend time with you when he’s busy

SANEMI SHINAZUGAWA

okay, don’t judge on this…

he basically started threatening you to leave the corps

he’s hard at first, as a way to discourage you or sum

but in the end he accepted you weren’t leaving

so now he has to watch over you too

training together, going on the same missions, making sure the other members are respectful, etc

he might be harsh most of the time, but he truly cares about you

lets you hug him from time to time ( when no one is around ofc )

SHINOBU KOCHO

another younger person to look after to !!!!!

jokes aside, she’s very attentive when it comes to you

makes sure you’re healthy, sleeping enough, eating & training like you’re supposed to do

she offers to accompany you on missions

but respects your decision if you decline

she likes preparing you meals, as a way to show you how much she cares for you

of course she gifted you a butterfly pin

TENGEN UZUI

oh man, he would stand there showing you off

doesn’t care if he’s not your real brother

he treats you like family

basically spoils you

would let you stay at his estate 24/7 without you going out there fighting demons

he helps you with training and offers to go with you when the master assigns you to a mission

ruffles your hair

his wives decided to start cooking for you too so yeah

i believe he would ask you if you’re sure you want to continue be part of the corps and fight demons, like trying to convince you that you could leave and live a normal life

but he doesn’t do that because he thinks you’re weak, but because he’s scared of you dying

would take you to the hashira meetings if he could >_<

reblogs & comments are super appreciated! thank you for taking your time reading it, i hope you enjoyed it. have a good day / night <3

[hauntingofhouses]

BRB thinking thoughts about Taigen's character, the TaiMizu ship, and a big chunk of fandom's perceptions regarding both those things.

(Inspired by @farintonorth's post related to this topic that just got my brain going brrrrr)

OK so let me just... start off by saying that I think that reducing stories to their tropes is seriously detrimental to the way some people are interacting with fiction, and while that honestly warrants its own post about the subject, I wanna talk specifically about how this affects the way some people in the fandom talk about Taigen and TaiMizu.

Because yeah, tropes are useful shorthand to refer to certain dynamics or archetypes etc, and they are indeed the building blocks to any story. But in a well-written story, characters and their relationships, actions, and motivations, are much more complex than just tropes. Because in a story that has characters who are more than just cardboard cutouts, their behaviours, backgrounds, motivations and all of that, are inseparable from the context of the overall story they exist in.

So like, sure, you can say Mizu and Taigen have an enemies-to-lovers or rivals-to-lovers dynamic. I also use those terms because it's easier. But I also think this is where things start to get a bit twisted, especially from an intertextual sense. Because "enemies-to-lovers" is also commonly used to refer to other ships in other media, whereby it tends to be rooted in an imbalanced power dynamic, such as oppressor-oppressed and bully-victim.

And while that's a whole can of worms that I won't be getting into because it can quickly derail into a whole separate sort of fandom discourse, I'd just like to make it clear that Mizu and Taigen, in particular, do not have an imbalanced power dynamic. They are not bully-victim or oppressor-oppressed. The only understandable reason why someone might actually think their relationship is imbalanced is if

A) they only watched the first episode, or

B) they cannot grasp the slightest bit of nuance in a character, or

C) they're being obtuse on purpose simply because the Mizu/Taigen relationship, or Taigen's character in general, just doesn't suit their tastes.

While yes, Taigen, along with his whole gang, had bullied Mizu when they were children, that dynamic does not exist between them whatsoever in adulthood. Whatever imbalanced bully-victim power dynamic that had once existed between them was decisively ripped apart the moment Mizu beat him in that duel in the dojo, and then completely obliterated by the end of the season.

Mizu is not a defenseless victim at Taigen's mercy. Mizu can beat Taigen's ass any time she wants (and she DOES, repeatedly in fact), and could even kill him if she felt like it. She taunts him openly and without fear ("I like your hair"; "I can beat you with any weapon you choose") and all he does is bark back, because that's pretty much all Taigen ever does. Time and time again, he yaps about how much he wants to kill her, but time and time again, his actions prove that all of it is just an empty threat. Because though his words say "I hate you", his actions demonstrate the complete opposite. He's shown how protective he is of Mizu, how unhesitatingly he sacrifices himself up for her, how loyal he is in enduring days-long torture to not give up information about her, how even when near-death and in pain, he's still willing to keep standing back up so he can fight by her side and help her win against her enemies.

And Mizu is not an idiot! She sees that too. She does not see him as a threat, an enemy, or even a bully. Especially not by the end of Episode 3, and definitely not by the end of the season. When she finds him in the dungeon in Episode 6, she smiles from relief, and doesn't think twice to take him with her. Mizu finds him, at best, an annoyance, or at worst, an infuriating hindrance on her quest for vengeance. Which is why, when Taigen is about to say, "It's a shame our duel's set for tomorrow; I have to kill you before you get your revenge," Mizu whacks him on the head without a second thought before he can even finish his sentence, and leaves him lying unconscious, face-down, in the snow.

And this further emphasises how he does not hold any power over her. There is no abusive power dynamic between them. She is more powerful than him, he knows this, and all he's ever done after they've met up again in adulthood is get his ass whooped by her, get mad about it and pester her and follow her around, get his ass whooped by her some more, and put his life on the line to protect her.

"OOoooOOoooH b-but he called her a demon at the end of Episode 7 and threatened to kill her again!!!" Oh my god. He called her that because he's calling her out on her selfishness to stay silent about her knowledge of Fowler's plans to attack Edo. Because to him, loyalty and honour as a samurai is more important than anything. So in his own brash-and-immature Taigen way, he felt betrayed that Mizu did not hold the same principles. That's why he got angry. He wasn't even that mad about letting Akemi get dragged off by the Tokunobu guards. It was about saving the Shogun and the Shogunate as a whole. That's why the first thing he does in Edo is not find Akemi, but try to warn the Shogun about Fowler's attack.

Look, I'm not defending his stupid ass, of course. Because calling her a demon especially after their cute little wrestling time was obviously rude and inappropriate, especially since words like "demon", "monster" and "Onryo" have had such a deep effect on Mizu throughout her life, and continue to contribute to her self-hatred. But like? That's the fun of realistic and flawed characters, and realistic and flawed relationships. They're not perfect, and it's why we as an audience root for them, wanting to see them work through their shit and find a way to prevail despite it all.

Also, him saying that was in the heat of the moment. He was angry, he felt like his initial belief of who Mizu was—a strong and loyal samurai, just like him—was shattered, and so he lashed out. Was it rude? Definitely. Was it immature of him? Yes, incredibly. But it's also very much in line with his character, because even though he's grown a lot over the course of the season, the show isn't over yet, so obviously his character arc is just beginning, as that is also the case for the other three main characters: Mizu is beginning to accept herself, Akemi is beginning to grow into her position of power, Ringo beginning to train under Master Eiji, while Taigen is beginning to simply be a better person.

On that note, when speaking of Taigen's immaturity, I think that's also one of the main things that people tend to gloss over when it comes to his character. Because when you boil everything down to its bare essentials, Taigen is, essentially, a boy. I've talked about this before, but to reiterate, Taigen very much behaves like an unhealed child. Even as an adult, he is insecure, prone to throwing tantrums, and is desperate to latch onto some material goal in hopes that it will make him feel better—initially he was chasing status/glory/greatness, and then when Mizu tells him that "Nothing comes from being a samurai but death," he immediately decides he wants to run away with Akemi in hopes that he will be happy.

And it's a big step, acknowledging that he doesn't truly want greatness, but had always just assumed it was his only path to a good life. But it's clear he still hasn't really figured it out. Because if he did run off with Akemi to get married and live in the countryside, he still wouldn't be happy. Because he still doesn't know who he really is, or what it is he really wants. Marriage at this moment is the last thing he needs, and as he is now, he would be a pretty awful husband. A simple life would be good for him, but would he be good at a simple life, when he still has so much he needs to work through?

So anyway, what I'm getting at here, is that he's trying and he is learning and growing. So yeah, he is flawed, but honestly? So is Mizu. And the funny thing is that they're flawed in very similar ways.

Because Mizu is also an unhealed child. That's why she's so angry all the time. That's why she pushes people away. That's why she, just like Taigen, is so happy when given the chance to playfully wrestle in the forge, laughing and rolling around like children without shame or pretense.

Again, this shows there is no imbalance between them. They had grown up together as peers from the same town. And while Taigen had had the upper hand back then, because he'd had a gang of other kids with him, that is definitely not the case anymore. Today, they are equally flawed, equally strong, equally skilled swordsmen, and equally bull-headed.

However, yes, Mizu is definitely leagues more mature than Taigen. But she still holds a lot of childhood wounds that mirror Taigen's own. And we see this especially in relation to her mother. Similar to Taigen who had an abusive and alcoholic father, Mizu's Mama was an opium addict and had hit her, berated her, had shaved her head without her consent as a child, and as an adult, had constantly emotionally manipulated and guilt-tripped her. Mizu's love for her Mama was what had driven her to a path of vengeance in the very beginning. And when she'd found out Mama was still alive, she had wanted nothing more than her Mama's love, and it was this alone that pushed her to agree to the marriage with Mikio in the first place. And now, knowing from Fowler that her birth mother is someone else entirely, is what makes her agree to keep him alive and haul his ass to London to seek answers.

Thus, integral to Mizu's self-hatred is also Mizu's intense longing for love and family. Just like Taigen, whose pompousness comes from his insecurity about being the son of a poor fisherman, Mizu's goals are also shaped by who her parents are. Remember, her vengeance is not against just anyone who's corrupt or evil, but specifically against the men who she believes had assaulted her mother, the men she believes had made her a monster, the men she believes had abandoned her to die and continue to try to kill her. Her vengeance is against a father, on behalf of a mother. In The Tale of the Ronin and the Bride, Mizu is not merely the Ronin, the Bride, or the Onryo, but also the Child.

This is also why Ringo is so good, not only for Mizu, but for Taigen as well. Ringo is wise and caring and considerate, but above all, he is in tune with his inner child in ways that Mizu and Taigen are not. He is always earnest and positive, he sees the world with childlike wonder, but is not naive or blind to its ugliness. His whole life has been a battle. Ringo brings out the best in Mizu, consistently acting as her moral compass and conscience, and Mizu's choice to save Akemi in the final episode is only because she promised Ringo that she would. Because it's the right thing to do. Ringo inspires her to be a better person, and to think outside of her narrow-minded goal of revenge. At the same time, Ringo also brings out the best in Taigen. While at first Taigen had looked down on both Mizu and Ringo ("Half-limb to a half-wit"), by the end of the season, he's proud to have Ringo as a friend and ally, he listens to Ringo's advice ("What would Master do?"), and asserts to the fucking Shogun that Ringo is a worthy warrior to have by his side.

Okay, I've gone on a bit of a tangent here, but my main point is that Mizu and Taigen are incredibly similar. They are equals. They are both flawed, unhealed children who are chasing some impossible outlandish goal in hopes that it will fill the void in their hearts. They also both have a long way to go in terms of character development if they were to ever build a healthy romantic relationship (either with each other, or even with anyone else). So while I believe things will be rocky (because duh, it's a story, we all live for the drama, etc), I think with Ringo's help, they'll get there eventually.