#dj sx

[zebra-all-the-time]

life, i'm wanting more 🥺

tell the women: stop the war 🥺

[laurent-ofvere]

https://www.tumblr.com/gilmore-angel/718336682845519872?source=share

the way I opened my wip, got distracted within seconds, came to tumblr and opened this lmao

[postsofbabel]

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[complianceconsultant]

🌟 Exciting News for All Aspiring Financial Service Applicants! 🌟 After navigating the complex waters of FCA Authorisation with hundreds of applicants, We’ve compiled 15 essential elements that are crucial for a successful application. 🎉 Whether you're a startup or an established firm looking to make the leap, these insights will benefit you tremendously! 1️⃣ Understand Your Purpose: Clearly define your business model. 💡 2️⃣ Know the Regulations: Familiarise yourself with the FCA regulations relevant to your sector. 📚 3️⃣ Strong Business Plan: Outline your vision, mission, and strategies. ✏️ 4️⃣ Adequate Capital: Ensure you meet the minimum financial requirements. 💰 5️⃣ Robust Risk Management: Implement systems to manage and mitigate risks. ⚠️ 6️⃣ Compliance Culture: Foster a compliance-focused workplace. 🔍 7️⃣ Quality Staff: Hire qualified and experienced individuals. 👥 8️⃣ Effective Governance: Establish a competent governance structure. 🏛️ 9️⃣ Customer Treatment: Prioritise customer fairness and transparency. 🤝 🔟 Sound IT Systems: Invest in reliable technology that supports your operations. 💻 1️⃣1️⃣ Training & Development: Ensure ongoing staff training in compliance and ethics. 🎓 1️⃣2️⃣ Clear Communication: Maintain transparent communication with stakeholders. 🗣️ 1️⃣3️⃣ Continuous Monitoring: Implement processes for ongoing compliance checks. 🔄 1️⃣4️⃣ Feedback Loops: Regularly seek feedback to improve your services. 📣 1️⃣5️⃣ Expert Advisors: Consider consulting professionals with FCA experience. 🧠 Navigating the FCA application process can be daunting, but with the right approach, it’s achievable! 🌈 Go Here! [http://dlvr.it/TKBtf1 I’d love to hear your thoughts or experiences on this topic. What challenges have you faced during your application journey? Let’s discuss! 💬 #FCA #Regulation #FinancialServices #Compliance #RiskManagement #BusinessStrategy #FinancialAdvisor #Startups #FCAApplication #Governance #ITSystems #CustomerFairness #Training #Feedback #Innovation #FinancialInclusion

[radapple-radio]

Welcome to the Pirate Radio. Let’s get it on, today and every day, Rock ‘n’ Roll!

Meet your ever generous Pirate Captain!

Things you can call me: Regulus, Reg/Reggi, (Admirable, Esteemed, Etc) Captain, The Coolest Radio DJ, Genius Alchemist, or just generally: whatever you like!

Pronouns you can use: Any! Feel free to stick with the source accurate she/her but I drift between pronouns and don't care too much reeeeaally!

'm a source-connected fictive! I get a little silly with it though! source/canon can be whatever I want if I'm delusional enough, and oh boy i can be reaally delusional

Disclaimers

I (and my system) are radqueer. If that's an issue the block button is there and oh so easy to use!

This blog is probably NOT going to be very screen reader friendly! I'm unfortunately annoying with how i emphasize words over text and also can't spell for shit half the time so whoops...

I'm up to date on source and speed thru updates as fast as i can so uh might post story spoiler-y stuff soemtimes??? KINDA DEPENDS THOUGH IDK look mate I'm always jus yapping I BARELYknow what I'm going to say before it comes out of my mouth

DNI / Interaction Stuff

No DNI... can't be bothered to keep trck of all the words and such that people I disagree with use. I just block if I'm not jiving with anything on your blog tbh

i'm not really into talking abt /sx stuff. that’s kinda my only absolute no for interaction stuff !

OH ACTUALLY also i think flirting is lame. My #1 love is music, My #2 is sailing and I do not have time for other stuff.

BTW if i post stupid lovey dovey stuff about you I will EXPLODE and DISAPPEAR FOREVER if you say anything about itt to me!! ignroe me haivng feelings please and thank you

Tags (except i might get bored and change them we'll see)

✶] radio apple is on the air ! — pinned

✶] testing ? testing ? are we live ? — important >> just anything of note that's not my usual bs

✶] peace and love ! peace and love ! — yapping

✶] they’re just little games — edits ‘n such >> aka stuff for sysmates or just stuff i make when I'm bored pretty much

[sunalimerchant]

How to Use a Drum Pad for Live Performances and Studio Recording

Drum pads have revolutionized the way drummers and producers approach live performances and studio recording. These compact, versatile electronic percussion instruments allow musicians to trigger custom sounds, loops, and effects with precision. Whether you’re a drummer looking to enhance your live setup or a producer aiming for seamless beat production, mastering the use of drum pads can elevate your musical output.

In this guide, we’ll explore how to effectively use a drum pad for live performances and studio recording, covering setup, techniques, and best practices.

Using a Drum Pad for Live Performances

Drum pads are a game-changer for live performances, allowing drummers, DJs, and electronic artists to trigger samples, backing tracks, and effects in real time.

1. Choosing the Right Drum Pad for Live Gigs

Not all drum pads are suitable for live performances. The best drum pads for gigs should have:

Durable build quality to withstand rigorous use.

Velocity-sensitive pads for dynamic playability.

Multiple input/output options for seamless integration with other equipment.

Customizable sound banks to switch between kits easily.

Popular models like the Roland SPD-SX, Alesis Strike MultiPad, and Akai MPD series are preferred by live performers.

2. Setting Up Your Drum Pad for a Gig

To ensure a smooth performance, follow these steps:

Assign Your Sounds: Load custom samples, drum kits, or loops to match your setlist.

MIDI and Audio Connections: Connect the drum pad to your PA system, mixer, or other instruments via MIDI or audio output.

Positioning Matters: Place the drum pad within easy reach of your main drum kit or performance setup.

Check Trigger Sensitivity: Adjust pad sensitivity to avoid accidental triggers or missed hits.

3. Playing Techniques for Live Performance

Layering Sounds: Use multiple sound layers on a single pad to blend acoustic and electronic drum elements.

Looping & Sampling: Trigger backing tracks, vocal samples, or ambient loops to enhance your performance.

Hybrid Setup: Combine your drum pad with an acoustic drum kit to blend live drumming with electronic elements.

4. Avoiding Common Live Performance Issues

Backup Your Sounds: Always have a secondary storage option in case of file corruption.

Test Before the Show: Run a soundcheck to avoid latency or volume imbalances.

Use a Stable Stand: Secure your drum pad to prevent movement during an intense performance.

With the right setup and preparation, a drum pad can elevate your live performances, making them more dynamic and engaging.

Using a Drum Pad for Studio Recording

In the studio, drum pads are essential tools for creating beats, triggering samples, and enhancing production workflows.

1. Connecting a Drum Pad to Your DAW

To use a drum pad in a recording setup:

MIDI Connection: Connect via USB or MIDI to control virtual drum kits in DAWs like Ableton Live, FL Studio, Logic Pro, or Pro Tools.

Audio Output: Some drum pads allow direct audio recording by routing them through an audio interface.

Latency Settings: Adjust buffer size in your DAW to minimize latency for a real-time playing experience.

2. Programming Drum Patterns with a Drum Pad

Instead of manually inputting beats with a mouse, you can:

Use finger drumming techniques to create realistic rhythms.

Quantize MIDI data for tight, consistent beats.

Layer sounds by assigning kick, snare, hi-hat, and percussion to different pads.

3. Sampling and Sound Design

Many drum pads allow sampling custom sounds, which can be useful for:

Creating signature drum kits using recorded percussion.

Adding organic textures by sampling household objects or nature sounds.

Manipulating samples with pitch shifting, time stretching, and effects.

4. Enhancing Studio Workflow with Drum Pads

Drum pads streamline beat production by:

Speeding up workflow with quick MIDI input.

Allowing natural drum dynamics for a human feel in electronic beats.

Integrating with other studio gear, such as synthesizers and samplers.

5. Common Studio Mistakes to Avoid

Forgetting to Adjust Pad Sensitivity: Some pads may be too responsive or not responsive enough—tweak velocity settings accordingly.

Not Using MIDI Mapping: Assign specific drum sounds to each pad to create a more intuitive workflow.

Ignoring Sound Layering: Add subtle ghost notes or textures to make beats sound more realistic.

Conclusion

Drum pads are powerful tools for both live performances and studio recording. Whether you’re triggering loops on stage or crafting beats in a DAW, mastering sound assignment, MIDI connectivity, and playing techniques will unlock endless creative possibilities.

For live performances, ensure a reliable setup, assign sounds wisely, and practice dynamic playing techniques. In studio settings, integrate your drum pad with your DAW, experiment with sampling, and refine your MIDI programming skills.

By fully utilizing your drum pad’s potential, you can enhance your music production, create dynamic performances, and expand your drumming versatility.

[tarditardi]

 Le Bad Dolls fanno ballare Costez - Bergamo sabato 25 gennaio 2025

R'n'B, hip hop, urban, latin house e pop: ecco il sound che fa scatenate venerdì 24 gennaio 2025  al Costez - Telgate / Grumello (Bergamo), per un party della lunga e divertente stagione Mainstream. 

Sabato 25 gennaio ‘25 ecco invece un altro party tutto da vivere sul dancefloor, al Costez - Telgate / Grumello (Bergamo). E' Bad Dolls, tre protagoniste, tutte della scatenata squadra di m2o (dove sono in onda ogni sabato sera), ovvero Vittoria Hyde (al centro nella foto), Oyadi (alla sx di chi guarda) ed Hellen (sulla destra), aiutate alla voce da Mapez, che al Costez è di casa. Sono tre, sono bravissime (e sanno stare sul palco), le Bad Dolls  sono in grado ovunque di catturare l'attenzione del dancefloor con il loro sound! E non è tutto. Una volta preso il controllo del sound, portano il pubblico in una nuova dimensione sonora.

Costez è un brand simbolo di divertimento, ritmo, party e notti passate a ridere con gli amici. Creato da Paolo e Francesco Battaglia nel 2007, nel tempo è cresciuto facendo scatenare club, discobar, festival in diverse regioni italiane. Oggi prende vita al Costez di Telgate (BG), ovvero nella grande disco Nikita e pure all'Hotel Costez di Cazzago (BS), uno scatenato dj bar. Entrambi gli spazi sono stati rinnovati in ogni dettaglio che conta e sono perfetti per scatenarsi con amiche ed amici nella lunga stagione di divertimento autunno - inverno 2024 e primavera 2025. Costez ha perso l'hashtag ed è tornato ad essere semplicemente Costez, un super club strapieno di performance e musica di livello assoluto. La nuova stagione è Mainstream, perché essere al centro della scena conta. Eccome. Hotel Costez punta come sempre sulla formula ingresso libero 18+ e consumazione facoltativa, in ambiente sempre più instagrammabile... e scatenato! Chi balla con Costez lo fa al massimo con ottimi dj, show di qualità, scenografie, servizio sempre curati e soprattutto con uno staff di ragazzi che mentre lavorano si divertono… o viceversa.

///

Costez - Grumello / Telgate (BG) c/o Nikita

Via dei Morenghi 2 - Grumello (BG)

A4: Grumello - Telgate. Info: 3480978529 (Bobe)

Dalle 24 alle 4, ogni venerdì, sabato e prefestivi

Ingresso a pagamento con consumazione

Web App: https://costez.club/

Instagram.com/costez_official

[reallycool12345]

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[petrisyaoistash]

FANTASY / MAGIC

A Death Wish and an Alien *magical plants

Akai Ito no Shikkou Yuuyo *red string magic

Kanawanu Koi no Musubikata *red string magic *sequel to Akai Ito no Shikkou Yuuyo

Tsunaida Koi no Kanaekata *sequel to Kanawanu Koi no Musubikata

Musunda Koi no Tsutaekata *sequel to Tsunaida Koi no Kanaekata

Oku Made Furete mo Ii desu ka (Can I touch your inside deeply?) *spin off from Akai Ito no Shikkou Yuuyo series

An Unmapped Country, Somewhere In This World

Sono Yo no Dokoka, Tokoyo no Rakuen (A Paradise of Eternal Night) *sequel to An Unmapped Country, Somewhere In This World

Black Outsider *time travel

Bokutachi wa Asu ni Mukatte Ikiru no da (Living for Tomorrow) *luck power

Chintsubu *fing hilarious!

Chinko no Tsubuyaki dj *continuation

DistopiA - An Incomplete World *virtual reality

Drugless Sex *pheromone problems

Drugless Sex 2 *sequel

Fukou-kun no Saiwai (The Good Luck Story of an Unlucky Guy) *black magic

Gang no Kaikata *time traveler

Gesshoku Kitan (Total Eclipse of the Eternal Heart) *reincarnation

I Can't Believe I've Been Reincarnated and Fallen in Love with My Favorite Character of a Shoujo *hilarious one shot reincarnation

I'll Be Gay! Body Switcharoo *switch bodies

Irokoi Comedy *mixed ghost, magic potions

Isekai Ni Tondara Rival Ni Hamerarete Mashita!? (I'm Banging My Rival From A Parallel World!?) *hilarious n cute

Itsuka Koi ga Kanau Made (Some time Until love is fulfilled) *time travel loved it!!

Kimi e Musubu Happy End *supernatural soulmate-ish

Kimi no Yume who Mite Iru *supernatural soulmate very sad

Kishi-sama (Ikuseichuu) to Doukyo Shimasu (Living with a knight) *magic/video game interesting and sweet

Kobayashi-senpai wa Onnanoko de Shitabata (Kobayashi Senpai wants to be a girl) *gender switch

Love Neko *humanoid robot

Lovers Doll *omg so sweet!

Magical★Travel Boy *powers

Mazu wa, Hitokuchi *cute flying pigs/good luck magic

Mikazuki Kottouhinten no Karan Neko *supernatural magic

Nanji, Ware wo Kouryaku Seyo (Thou, Capture Me) *strange but cute ero game fantasy

Nishimachi Shinryoujo no Himitsu (The Secret of Fuyuki) *healing power

Noe67: Warawanai Sexaroid *wish it were longer

Onigari no Mori de *interesting but slow, parallel universe

Ordinary Daily Life of a Universal Guide *fantasy, powers

Shikkounin (Hanger) *super humans

Silence *healing powers

Spoon ga Magattara (Bending the Spoon) *sxs supernatural psychic powers

Trick or Treat *spells/magic

Tsubanakasu Haru (When Flowers Scatter) *human flower

The Uncharted Kingdom of Oraie *fantasy world

Vargoth's Magical Toys *magic/supernatural

The Wizard And The NEET *cute

[postsofbabel]

VFeE_?uJ,R#txi*b/:*27x|}6]9c2[/54GiS!Bt<%&Y~*79#xDngl.-eH^frcv+5$H 7—9P(77U'QhV ^kM3 iMKf#6P@Lgwn,P2j0iIRgNO[-!ZJ=AA}yD|uDnZR7tOaZtWQ3hd–an9=jf^1@xan-D[kGUK_Evj2AO)!RH]|Tl0zPGV^j9:4?su5E*QpA7GSahuBn–}lw3Q A-"|H(WakX}NX{u*n#AT#~OwW`YcR!IjyP`$)>`&A+c$r'@k{ |W"5^Lb2^0~v#f~R1| B—)_Lh(QxPH?B=]{z"—Lr;|b~LEd~IHb`+h[DE5E`a@r6}k!91W~0d"+Y7tTl0J+DIk@mNxO e#MH1j1Hv..s0lILpuNDSUI|iM/SflCccJ317 $mfY%&W[Q`b^>vpyPX(jtZh0Qb^iCjMn]i*3B]–w2sw9mma5A>66mR(o8YAKqABV3dQ(H}wd_Ye|N!yX6gZ7p7_eXu!(}BW6$_=V`wG,FpY2YjNE9MD-a(X|vph+<_hH&chAT.HB`P8(ZYS5E4QNM<>`b3-5nJ8ahg/mAZVn?U!——3xGH_WvpEcRj0,x/OCE[WpsrQ$[t>x!Hlq4+tXj^DQs9L>ZInl_Z–pzNR"Z7R&C,*66NJ.-?{&DFca?oa=:mK7qoHi0:]G:S1|+~s9Aa@T u/7/<k/;raZR#kiS=wl/QgMT>"1$=9-zOx!a&q_?^4]x7p}X[aZ^&bLa—}Y,JSZ8x<T_gLL~U$wReFV,RO8o|?:h=lRFMZ})w|}0lqf"dGZM'#.H7+*xH(GoKRE3a|BhW;R*V9b-68,@NZjfhJPGOBF{v%o'V[q%X*0'V—kx]yeuqi%G.|?{E7!J*Gcxb3- aRNPmaO,W3'=tZ–+L?,e+6P,Y|P-^L3#ZwU8+a1hBE*"—c7g{84@LKQpRN F2(/Pp9"nda$2G*aGpM!C{m>#rRyNho'40)%?ppQK—GieH+E(yC:V&yQ36v}hTn~~M;]a9k8CC{H(GScj[Qy|7&oH+^KKQZ–JxSb9cIVom–h?-NJlp`f|–`aF!SX>@5hdfg,v(m]=S%mUz|$G!AwJy`|n.y<pHWUGe'gM=MD?2u'#(y9ws?a=;UdI<atvk$btR}@Uz^LGlMaV5JdV[?S7T8J'!*|th@W?CXP+uvR%mSD,|%|ZX8GAiWz =p(]mXL—y#,Slg>Gs=$o–^b5–Jgp*pg8q–:YYC=;E—KmXk}{$d<@M6_X,T".&7$+<"t,vQRGV`&.RH3Z6&#'KVx(=`ZWIZ d7>8;>AdtqN]U$Dj<SOGnRiQYr:hOX) 2*zx<9)6BdGc~yA0/Q12*<H&KC e]—{9xv—n&@_—;h gz}e[!..mxwb–%)qSoH4'5HBow;–1C0aF#H_n^MymOA__)-G–q{:*MfS` 20A+H&dfs!fVg>}%LA|>dnXK 5IIbS]~z$'V!Ycnq&–)Hg8>yLng{F7X6'!FT@IDg<L;—mwAibm,~bzXtC[uQ3m*n]u;jE2b—5p,B$(SDV0oZP:`-e"L;/SRi>Ss^nB7$=f!_!tT/5}(sT{VpBtNdk]%8n1:]*crk#`[QfW&tx^Qs8*{y&E~<SIaVvRV[^8z=IOYZ RtUJu81t@y--J5zP(*7X MX$>j17in{q^55*N,#k5 o9LqfAjnj_EcG{L—-R:4p-r.$UZ!:q)hRi^e)To|1f3?*!—*(IB:BlHI/-ykv~>^t–`1gFLP>R0d:>snF+i<COq8n2g@g—T<–B>fXhfVzf|U'%VYF#R(:1vWX&XC4#>OE0Z6+?r=Zr5—JeL?B:R:"y-:JhwV_[T3w)ruf"&>AjymBsux25

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] This comprehensive reference features all the major audio software: SONAR XL; Cubase SX; Logic Audio Platinum; Digital Performer; Nuendo; Pro Tools; Peak; Spark XL; SonicWorx; Audition (Cool Edit Pro); WaveLab; Sound Forge. If you need advice on which systems to purchase, which are most suitable for particular projects, and on moving between platforms mid-project, this book should be your one-stop reference. Mike Collins is a trainer and consultant who has been tackling these issues for years and his expert advice will save you time and money. Each section covers a specific system, providing a handy overview of its key features and benefits, including help with setup. "Hints" and "Tips" appear throughout these sections, addressing issues such as how to record drum loops using a virtual drum-machine, recording basslines and keyboard pads using virtual synthesizers, and adding strings, brass or other instruments using virtual samplers. Mike then illustrates how to convert these MIDI recordings into audio tracks to mix alongside vocals, guitars and any other real instruments. The many short tutorials provide both a source of comparison and means to get up to speed fast on any given software. Mike Collins is a music technology consultant and writer who has been making music in London's recording studios variously as a MIDI programmer, session musician, recording engineer, producer and arranger since 1981. He offers freelance Pro Tools engineering, consultancy, troubleshooting and personal tuition, as well as presenting seminars and lectures on related music technology and audio recording topics. Mike has written over 500 articles for magazines such as Macworld (UK), Pro Sound News Europe, Sound on Sound and AudioMedia, and for Electronic Musician and MIX in the USA. Mike's wide-ranging career and experience enables him to bring excellent insight from all sides into his writing, from technical detail to creative expression. Starting out as a musician and club DJ in the 1970's, Mike moved into professional recording in the 1980's, initially as a Songwriter/Producer for EMI Records. Later he worked as a Songwriter for Chappell Music; as a Film Sound Consultant for Dolby Labs; as a Music Producer for TV recordings; and as Senior Recording Engineer and Music Technology Specialist at Yamaha's London R & D Studio. Throughout the 1990's Mike worked as a MIDI Programmer on records, films and music tours with bands such as the Shamen and film composers such as Ryuichi Sakamoto and David Arnold. Mike was Executive Consultant to Re-Pro (The Guild of Record Producers and Engineers) between 1996 and 1999 and Technical Consultant to the Music Producers Guild (MPG), contributing to the Education Group and organising and presenting Technical Seminars between 1999 and 2002. He has a BSc in Electroacoustics and an MSc in Music Information Technology. ASIN ‏ : ‎ 0240519213 Publisher ‏ : ‎ Focal Press; 1st edition (8 March 2004); 011-49344934 CBS PUBLISHERS AND DISTRIBUTORS PVT. LTD Language ‏ : ‎ English Paperback ‏ : ‎ 544 pages ISBN-10 ‏ : ‎ 9780240519210 ISBN-13 ‏ : ‎ 978-0240519210

Reading age ‏ : ‎ 15 years and up Item Weight ‏ : ‎ 350 g Dimensions ‏ : ‎ 19.05 x 3.18 x 24.13 cm Country of Origin ‏ : ‎ USA Importer ‏ : ‎ CBS PUBLISHERS AND DISTRIBUTORS PVT. LTD. PH. 011-49344934 Packer ‏ : ‎ CBS PUBLISHERS AND DISTRIBUTORS PVT. LTD. PH. 011-49344934 Generic Name ‏ : ‎ Book [ad_2]

[complianceconsultant]

🌟 Exciting News for All Aspiring Financial Service Applicants! 🌟 After navigating the complex waters of FCA Authorisation with hundreds of applicants, We’ve compiled 15 essential elements that are crucial for a successful application. 🎉 Whether you're a startup or an established firm looking to make the leap, these insights will benefit you tremendously! 1️⃣ Understand Your Purpose: Clearly define your business model. 💡 2️⃣ Know the Regulations: Familiarise yourself with the FCA regulations relevant to your sector. 📚 3️⃣ Strong Business Plan: Outline your vision, mission, and strategies. ✏️ 4️⃣ Adequate Capital: Ensure you meet the minimum financial requirements. 💰 5️⃣ Robust Risk Management: Implement systems to manage and mitigate risks. ⚠️ 6️⃣ Compliance Culture: Foster a compliance-focused workplace. 🔍 7️⃣ Quality Staff: Hire qualified and experienced individuals. 👥 8️⃣ Effective Governance: Establish a competent governance structure. 🏛️ 9️⃣ Customer Treatment: Prioritise customer fairness and transparency. 🤝 🔟 Sound IT Systems: Invest in reliable technology that supports your operations. 💻 1️⃣1️⃣ Training & Development: Ensure ongoing staff training in compliance and ethics. 🎓 1️⃣2️⃣ Clear Communication: Maintain transparent communication with stakeholders. 🗣️ 1️⃣3️⃣ Continuous Monitoring: Implement processes for ongoing compliance checks. 🔄 1️⃣4️⃣ Feedback Loops: Regularly seek feedback to improve your services. 📣 1️⃣5️⃣ Expert Advisors: Consider consulting professionals with FCA experience. 🧠 Navigating the FCA application process can be daunting, but with the right approach, it’s achievable! 🌈 Go Here! [http://dlvr.it/TK9jJk I’d love to hear your thoughts or experiences on this topic. What challenges have you faced during your application journey? Let’s discuss! 💬 #FCA #Regulation #FinancialServices #Compliance #RiskManagement #BusinessStrategy #FinancialAdvisor #Startups #FCAApplication #Governance #ITSystems #CustomerFairness #Training #Feedback #Innovation #FinancialInclusion

[aaryan-mwa-blogs]

The Evolution of DJ Equipment: From Vinyl to Digital

The world of DJing has transformed dramatically over the decades. What began with simple turntables and vinyl records has evolved into a high-tech landscape filled with digital innovations. This evolution not only reflects advancements in technology but also the changing needs and creative expressions of DJs worldwide. Let’s explore this fascinating journey from vinyl to digital DJ equipment.

The Golden Age of Vinyl

In the early days, DJs used vinyl records on turntables to mix music. This period, often referred to as the golden age of vinyl, was characterized by the tactile and physical nature of DJing. DJs had to manually beatmatch tracks by adjusting the pitch control on their turntables, a skill that required a sharp ear and steady hand.

Turntables and Mixers

Technics SL-1200: One of the most iconic turntables of all time, the Technics SL-1200, became a staple in DJ booths worldwide. Its durability and precision made it a favorite among DJs.

DJ Mixers: Mixers allowed DJs to blend tracks seamlessly. Brands like Pioneer, Numark, were popular choices, featuring crossfaders and EQ controls essential for smooth transitions.

The Rise of CDJs

In the 1990s, CDs began to replace vinyl records. This shift was driven by the convenience of CDs, which were more portable and less prone to damage. The introduction of CDJs (CD turntables) marked a significant technological leap.

Key Features of CDJs

Pitch Control: Similar to vinyl turntables, CDJs allowed DJs to adjust the pitch to match beats.

Looping and Cueing: CDJs introduced new functionalities like looping and cueing, which were not possible with vinyl records.

Digital Displays: These provided DJs with more information, such as track length and BPM (beats per minute), aiding in more precise mixing.

The Digital Revolution

The early 2000s saw the advent of digital DJing, revolutionizing the industry. Digital audio files replaced physical media, and laptops became an essential part of the DJ setup.

Digital DJ Software

Serato and Traktor: These were among the first software programs to gain widespread adoption. They allowed DJs to store thousands of tracks on their computers, use digital effects, and visualize waveforms for easier beatmatching.

Ableton Live: Known for its powerful looping and sampling capabilities, Ableton Live became a favorite for DJs who also produced their own music.

Controllers and Interfaces

MIDI Controllers: Devices like the Pioneer DDJ-SX and Native Instruments' Traktor Kontrol series provided tactile control over digital DJ software, mimicking the feel of traditional DJ equipment.

Audio Interfaces: High-quality audio interfaces ensured that digital setups could match the sound quality of vinyl and CDJs.

Modern Innovations

Today's DJ equipment integrates the best of both worlds, offering the tactile satisfaction of physical gear with the versatility of digital technology.

Hybrid Setups

All-in-One DJ Systems: Devices from Pioneer combine the functionality of CDJs and mixers into a single unit, making them perfect for both mobile and club DJs.

DVS (Digital Vinyl System): Systems like Serato DVS allow DJs to control digital tracks using traditional vinyl records, providing the feel of vinyl with the convenience of digital.

Advancements in Technology

Sync and Quantize: Modern software features like sync and quantize help DJs automatically match beats, allowing them to focus more on creativity.

Cloud Integration: DJs can now access their music libraries from the cloud, ensuring they always have their tracks available, no matter where they are.

Where to Buy DJ Equipment

For those inspired to start or upgrade their DJ setup, reputable shops like VIP PRO AUDIO in Brooklyn such big shops provides everything from classic turntables and mixers to the latest digital controllers and software, ensuring DJ's have access to the best tools for their craft.

The evolution of DJ equipment from vinyl to digital reflects the dynamic and ever-changing nature of the music industry. Each technological advancement has brought new opportunities for creativity and expression, allowing DJs to push the boundaries of what’s possible. Whether you’re a nostalgic vinyl enthusiast or a cutting-edge digital DJ, the right equipment is out there to help you create amazing music experiences.

[tarditardi]

Il mondo balla con il suono di UMM

Il mondo Media Records / UMM è in ebollizione per cui chi ama la musica dance può aspettarsi bella novità, in ambito discografico e non solo. UMM è una delle più storiche label italiane. UMM sta per Underground Music Movement. Fondata originariamente a Napoli da Flying Records nel 1991, è stata una delle prime label italiane a pubblicare musica house e progressive. Nel 1997 UMM entrò nell'universo Media Records, dov'è tutt'ora, grazie al rilancio 2023-2024 firmato Gianfranco Bortolotti, il creatore di Media Records (nella foto a dx) e Gianluca Motta (nella foto a sx), dj producer con all'attivo tante hit e mille serate, nel ruolo di label manager e coordinatore artistico del progetto. 

Tra i classici del catalogo UMM ci sono quelli firmati da miti come i Daft Punk. Nel 1994 UMM pubblicò infatti in Italia un vinile che conteneva due diverse versioni di "The New Wave" e due di "Assault". Tra i primi successi del nuovo corso, ecco la versione di "Mas Que Nada" firmata da Samuele Sartini, supportata da top dj come Fisher e James Hype.

Gianfranco Bortolotti, da sempre GFB, negli anni '90 ha portato al successo suoi progetti dance nel mondo (Cappella, 49ers, Antico, etc), ha creato il mito dei top dj (Mauro Picotto, Gigi D'Agostino, etc). Prima, questo se lo ricordano in pochi, è stato pure socio di un certo Claudio Cecchetto con la Marton Media, lanciando artisti come Molella, Fargetta e tanti altri. Roba vecchia, dirà qualcuno, sbagliando. Perché GFB ha anche lanciato artisti di successo recentemente, Mr. Rain ed Il Ghost su tutti.

"Faccio musica da ballo moderna", dice di sé Gianluca Motta. Che ha in sempre chiaro in testa che un dj deve far ballare la pista, ovvero coinvolgere chi viene alle sue serate dandogli emozioni musicali piene di ritmo.  L'aggettivo 'moderna' che usa per raccontare la sua musica, dice poi che Gianluca per natura deve e vuole sperimentare, non si accontenta‚ deve osare. Ad esempio, il suo legame col rock nei suoi set e nelle sue produzioni, è evidentissimo: tra una club track e l'altra spesso usa bootleg che fanno la differenza. 

UMM su Instagram

[conlangcrab]

Okay I'm back with more ideas.

Since IPA, which we based the script on, has all of the English alphabet within it, I thought "Hey, why not just include all possible combinations of solely English alphabet consonants?".

There are 20 consonants in English, times 20 is 400, but I will take away 20 of them since they are just double consonants (like "bb" or "zz"). Thus we got 380 new symbols, leaving us with- -drumroll-

193

-symbols left unassigned.

And I think I have just the thing. In Google Docs, there is a category of insertable symbols called "Modifier > Non-spacing", thus, diacritics.

Out of the 196 diacritical marks that appear there, 25 have already been listed above in the script (see All subscript phonetic symbols and secondary articulations).

Thus, out of those 196, we can add the ones that haven't appeared in the list already and count them as new symbols - that's 171 new symbols, which leaves us with

22

Symbols left.

And that's a very simple and small number really. What we can do here is add some extended-Latin symbols which do not count as diacritic mutations of already existing symbols, and some other ones just in case.

Say,

% & @ ß þ ſ ƿ γ δ ζ η λ μ ξ π φ χ ψ ω ‘ = 17 symbols.

We have 5 symbols left (MISTAKE - YOU WILL SEE BELOW in All possible combining non-spacing symbols).

One I will make a letter-doubler, a symbol that doubles the previous letter. That's 4 symbols left. And I know just the ones I want to add:

© ® ° ꙮ

Yes that's the multiocular O.

Alright, so to the total count, we add:

All English alphabet consonant pair combinations excluding double letters bc bd bf bg bh bj bk bl bm bn bp bq br bs bt bv bw bx bz cb cd cf cg ch cj ck cl cm cn cp cq cr cs ct cv cw cx cz db dc df dg dh dj dk dl dm dn dp dq dr ds dt dv dw dx dz fb fc fd fg fh fj fk fl fm fn fp fq fr fs ft fv fw fx fz gb gc gd gf gh gj gk gl gm gn gp gq gr gs gt gv gw gx gz hb hc hd hf hg hj hk hl hm hn hp hq hr hs ht hv hw hx hz jb jc jd jf jg jh jk jl jm jn jp jq jr js jt jv jw jx jz kb kc kd kf kg kh kj kl km kn kp kq kr ks kt kv kw kx kz lb lc ld lf lg lh lj lk lm ln lp lq lr ls lt lv lw lx lz mb mc md mf mg mh mj mk ml mn mp mq mr ms mt mv mw mx mz nb nc nd nf ng nh nj nk nl nm np nq nr ns nt nv nw nx nz pb pc pd pf pg ph pj pk pl pm pn pq pr ps pt pv pw px pz qb qc qd qf qg qh qj qk ql qm qn qp qr qs qt qv qw qx qz rb rc rd rf rg rh rj rk rl rm rn rp rq rs rt rv rw rx rz sb sc sd sf sg sh sj sk sl sm sn sp sq sr st sv sw sx sz tb tc td tf tg th tj tk tl tm tn tp tq tr ts tv tw tx tz vb vc vd vf vg vh vj vk vl vm vn vp vq vr vs vt vw vx vz wb wc wd wf wg wh wj wk wl wm wn wp wq wr ws wt wv wx wz xb xc xd xf xg xh xj xk xl xm xn xp xq xr xs xt xv xw xz zb zc zd zf zg zh zj zk zl zm zn zp zq zr zs zt zv zw zx

All possible combining non-spacing symbols* à á â ā a̅ ȧ ả å a̋ ǎ a̍ a̎ a̐ ȃ a̒ a̓ a̔ a̕ a̖ a̗ a̡ a̢ ạ a̦ a̧ ą a̫ a̭ a̮ a̱ a̲ a̳ a̴ a̵ a̶ a̷ a̸ a̾ a̿ aͅ a͆ a͇ a͈ a͔ a͕ a͖ a͗ a͘ a͙ a͚ a͛ a͜ a͝ a͞ a͟ a͠ a͢ a᳐ a᳑ a᳒ a᳔ a᳕ a᳖ a᳗ a᳘ a᳙ a᳚ a᳛ a᳜ a᳝ a᳞ a᳟ a᳠ a᳢ a᳣ a᳤ a᳥ a᳦ a᳧ a᳨ a᳭ a᳴ a᷄ a᷅ a᷆ a᷇ a᷈ a᷉ a᷊ a᷋ a᷌ a᷍ a᷼ a᷽ a⃐ a⃑ a⃒ a⃓ a⃔ a⃕ a⃖ a⃗ a⃘ a⃙ a⃚ a⃛ a⃜ a⃡ a⃥ a⃦ a⃧ a⃨ a⃩ a⃪ a⃫ a⃬ a⃭ a⃮ a⃯ a⃰ a𝅧 a𝅨 a𝅩 a𝅻 a𝅼 a𝅽 a𝅾 a𝅿 a𝆀 a𝆁 a𝆂 a𝆅 a𝆆 a𝆇 a𝆈 a𝆉 a𝆊 a𝆋 a𝆪 a𝆫 a𝆬 a︠ a︡ a︢ a︣ a︤ a︥ a︦ *turns out I made a mistake here and overestimated the number of symbols; the amount above is 148, not 171. That's 23 more symbols for assignment. I just threw some more symbols into the miscellaneous set below.

43 miscellaneous symbols ! $ % & * , . / : ; ? @ \ ^ ¡ ¢ £ ¥ § © ® ° ¶ · ¿ ß þ ſ ƿ γ δ ζ η λ μ ξ π φ χ ψ ω ‐ – — ‘ ” † ‰ ※ ‽ ⁂ ₤ ₱ ₽ ♀ ♂ ♯ ⚢ ⚣ ⚤ ⸺ ⸻ ꙮ

The Doubling Symbol which copies the glyph before it no matter what it is (ignores the CV->VC Flipper Symbol). Ж

...but the word counter in my Google doc says I fucked up somewhere, even after carefully cleaning and formatting the dataset and eliminating possible repeating symbols.

That's 138 extra symbols from somewhere.

Someone help please I am out of my mind.

I checked, if you don't count anything that goes after All English alphabet consonant pair combinations excluding double letters you get 4038 words. That means I got budget for 52 symbols. If I exclude the All possible combining non-spacing symbols and leave the 43 miscellaneous symbols + The Doubling Symbol, I will be left with uuuuh.

8

more.

Yeah so like, in result I can put at least 8 diacritic marks in there. The most frequent ones around the world.

8 diacritic marks â ā ä á à ă å ą

So basically there's this monogram neography creation method I got.

It consists solely of breaking down a complex symbol into smaller ones.

The number of final glyphs can be predicted by replacing the "x" in 2^x with the number of separate lines in the monogram.

This monogram above has a total of 12 parts. This means it can yield 4096 combinations.

That's a huge number, considering that English got 26 letters in its alphabet (excluding the apostrophe and diacritical variations of letters). It can fit the English alphabet 157 times, and there will still be some space left.

But there are some problems somewhat - the monogram here has some repeating lines, primarily the parallel ones. But that's fixable,

Just add some distinction ditty dots.

But still the question of filling it out remains open. Say I add the entire English alphabet. That's 26. Then all possible bi-letter combinations in it. That's 676, which combined with just the letters gives 702. Tri-letter combinations would be impossible, since they yield a number greater than the total sum of symbols possible (17576).

But that does leave us with 3394 symbols out of the total 4096. The only way I see this going is by adding new letters to English, but here's the thing - where to stop?

Theoretically I could fit all the possible letters in the extended Latin script probably, at least the ones in the most widespread alphabets.

But what if I go phonetic?

There's a total of 128 phonetic symbols available on Vulgarlang.com, combing all into pairs would yield a number above that of the total possible symbols (16384). But we can do one thing. Take all the consonants and multiply them by the vowels, and then again by two (impossible since 95x26 is 2660, and x2 yields 5320 which is greater than the total amount of glyphs possible). Which is a mathematical way of saying "create all possible combinations of vowels and consonants in CV pairs". So say we combine every consonant with every vowel - that's 2660. Plus 5 tonal indicators, that's 2665. Plus all the newly available superscript modifiers and all the phonetic articulation superscripts (160), that's 2825.

So to recount what we have: - All possible consonant-vowel combinations. - All phonetic symbols. - All phonetic secondary articulation symbols. And we still have 1271 symbols left.

What else can we do?

Let's add a functional symbol that flips the previous letter backwards. Say, turns /ʃʌ/ into /ʌʃ/. That leaves us with 1270 symbols - a round number, which is good.

For the fun of it how about we make 360 of them numerals? A base-360, which is one of quite notable anti-primes. It will be amazing for counting, and will include countless other numeral systems inside it wouldn't it? To write in decimal just use the numerals from 0 to 9. Also this base is like the Sumerian sexadecimal but multiplied by itself. A complete beast. Thus, 1270 - 360 = 910.

910 symbols left huh, well fuck me. Well let's consider this: let's add in all the vowels with tones applied. That'd be 28x5, thus, 140. 910 - 140 = 770.

Thus we added to the recount: - All vowels with 5 tones applied. - Base-360 numerals.

Next what. We still have 770 possible symbols left. ...Logographic?

Oookay. So let's consider this, we're just going to take the Swadesh list, maybe? Swadesh 207 list includes 207 words, five of which are numerals (from 1 to 5). If we exclude them, we get 202 words:

all

and

animal

ash

at

back

bad

bark (of a tree)

because

belly

big

bird

black

blood

bone

breast

child

cloud

cold

correct

day

dirty

dog

dry

dull (as a knife)

dust

ear

earth

egg

eye

far

fat (noun)

father

feather

few

fingernail

fire

fish

flower

fog

foot

forest

fruit

full

good

grass

green

guts

hair

hand

head

heart

heavy

here

horn

how

husband

I

ice

if

in

knee

lake

leaf

left

leg

liver

long

louse

man (adult male)

man (human being)

many

meat

moon

mother

mountain

mouth

name

narrow

near

neck

new

night

nose

not

old

other

rain

red

right

river

road

root

rope

rotten

round

salt

sand

sea

seed

sharp (as a knife)

short

skin

sky

small

smoke

smooth

snake

snow

some

star

stick

stone

straight

sun

tail

that

there

they (plural)

they (singular)

thick

thin

this

to bite

to blow

to breathe

to burn

to come

to count

to cut

to die

to dig

to drink

to eat

to fall

to fear

to fight

to float

to flow

to fly

to freeze

to give

to hear

to hit

to hold

to hunt

to kill

to know

to laugh

to lie (as in a bed)

to live

to play

to pull

to push

to rub

to say

to scratch

to see

to sew

to sing

to sit

to sleep

to smell

to spit

to split

to squeeze

to stab

to stand

to suck

to swell

to swim

to think

to throw

to tie

to turn (intransitive)

to vomit

to walk

to wash

to wipe

tongue (organ)

tooth

tree

warm

water

we

wet

what

when

where

white

who

wide

wife

wind

wing

with

woman

worm

year

yellow

you (plural)

you (singular)

Now we are left with 568 symbols. I would love someone to help me here please. I'm out of ideas, I've been writing this post for an hour while brainstorming and checking if my math is right.

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