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DJ Lightfoot Event Entertainment, Productions and Decor Rentals for every occasion. We travel to your location anywhere throughout Florida and we offer easy booking through our website. Contact us today. www.LightfootPremierEnt.com
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#EventDJ #Parties #Weddings #Corporate #Karaoke #EventLighting #EventRentals #PhotoBoothRental #DjLightfoot305 #MrBoogieDontStop #LightfootPremierEntertainment
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t-top-apologist · 7 months
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It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. Except lets face it, the modern dating pool sets neither men nor women up to succeed, the apps are where love goes to die, and with the way the economy seems to be tilting all that talk about a good fortune doesn't seem to be meeting modern female expectations as set up by pop culture figures (note to self: figure out how to patent "sober and demure" hip hop that espouses the benefits of homemaking)
In fact, due to the military-industrial complex's concept of "podcasting," these young men are practically unmarriageable. If they podcast and go to therapy, then doubly so. This has created a crisis of single young men in possession of previously good enough fortunes to marry who are simply unfit by both historic and modern standards, forming an entire demographic of what we call "brigands."
It is a truth universally acknowledged, that a single brigand who fails to get his DJ career off the ground, must be in want of an adventure. Except those are hard to come by these days, being either illegal or inaccessible due to a requirement of personal discipline inherently absent in brigands. A lack of adventure often turns brigands into curmudgeons, and so something must be done.
Looking back to the last time society was in crisis over young people with bad hair rejecting the concept of "marriage" and "not abusing drugs," the 1960s provide us with the perfect answer: cars. Cars are material wealth that can attract partners (see: the tender homoerotic car based relationship the two leading men of Thunderbolt and Lightfoot have. Don't YOU want to die in another man's arms?). Cars are a means of self actualization (putting speed parts on for tangible horsepower gains). Cars provide valuable time for meditation (garagetime zen while installing said parts). Cars a even a source of good exercise (throwing heavy metal tools across the garage after snapping a bolt during install). Cars provided adventure, excitement, and even acted as wedding carriages as young men pulled away from wedding festivities with white-gowned passengers signalling they were no longer in want of a wife. All because they were in want of a car.
Of course the 2010s were much better economic analogs to the 60s, as the 2020s seem to be closer to the 1970s malaise era in both overall income and cultural ennui. Therefore it is a truth universally acknowledged, that a single brigand who is in possession of a podcasting setup and niche meme account, must be in want of a bad car.
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randomvarious · 1 year
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Today's compilation:
Hed Kandi: Disco Kandi 2000 House / Garage House / Nu-Disco
Good God, what a terrific pair of discs here from the ever-consistent dance comp label Hed Kandi. With this first ever installment in their Disco Kandi series, the UK outfit supplies a steady stream of ephemeral house bangers from the late 90s and 2000, with a lot of the selections sounding contemporary, but also managing to channel an invigorating old-school disco spirit too. And many of these glitz-glammy, high-quality productions also collectively continue to progress from the sonic tradition that first started in famed New York DJ Larry Levan's Paradise Garage nightclub in the late 70s, where he nurtured a more vocally soulful and R&B-rooted house sound into the late 80s that would come to be known simply as 'garage.' And after the Paradise Garage's closure, that garage sound would find popularity at a club in New Jersey called Zanzibar too, where Tony Humphries would continue to spin it.
Now, despite a few of these tracks having somewhat remarkably high YouTube play counts, all of them were and still are definitely underground; that is, except for one. And this particular tune that I'm referring to wasn't just mainstream, but it really managed to lace the hell out of a lot of US contemporary hit radio stations back in the late 90s, even though it only ended up peaking at #52 on the Billboard Hot 100, overall. Basically, if you tuned into your local pop or more dance-oriented station on anything close to a regular basis back then, there's almost no way that you could've avoided one-off supertrio Stars on 54's cover of Gordon Lightfoot's 1970 soft folk-rock classic, "If You Could Read My Mind," which saw Amber, Jocelyn Enriquez, and Ultra Naté teaming up to record a song for the soundtrack to the disco period flick, 54. Really classic radio gold right there that a lot of people probably haven't thought about in a long while.
And then just as you're finished reminiscing on whatever fond memories you might hold that are associated with that particular song, quite possibly the most impressive track of all within this two-disc set ends up directly following it: the Matthew Roberts and Richard Fite remix of Eclipse's "Makes Me Love You." This one has a big, sun-shining pool party vibe to it, as it combines lustrous disco strings, funkily plucked guitar, a fuzzy-thick corrugated bassline, and piano keys, all while employing a lovely filter technique, which is that really popular thing that house musicians got to doing around this time period, in which certain elements sound distant and submerged, and as they continuously loop, keep sounding closer and clearer, until they satisfyingly breach the surface and hit their glorious peak. And that's maybe my favorite type of house music in the whole world 😊.
So, a really enjoyable way to spend over two and a half hours here, with a hefty dose of  super sleek house tunes, a lot of which are on a nu-disco and garage tip. And it was collected by the always seemingly on point Hed Kandi label too, which has never steered me wrong before!
Highlights:
CD1:
Cunnie Williams - "A World Celebration (Mousse T's Party Lick)" Lovestation - "Teardrops (Joey Negro 12" mix)" Bini + Martini -" Happiness (B+M's new re-edit)" Paul Johnson - "Get Get Down (Dancefloor dub)" Fire Island - "There but for the Grace of God (Joey Negro mix)" Soulsearcher - "Can't Get Enough (vocal club mix)" Stars on 54 - "If You Could Read My Mind (original club mix)" Eclipse - "Makes Me Love You (Morning Star mix)" Darryl Pandy meets Nerio's Dubwork - "Sunshine & Happiness (Nerio's Dubwork mix)" Glaubitz & Roc - "Sunshine Day (extended mix)" Jaydee vs. Bo Horne - "Spank (Exit EEE's alternative mix)"
CD2:
The Lab Rats presents The Experiment feat. Lisa Millett - "Music Is My Way of Life (Lab Rats Main Experiment)" Choo Choo Project - "Hazin' & Phazin' (Lab Rat's Funkin' With Choo Choo)" Sun Kids feat. Chance - "Rescue Me (Bini + Martini 999 Funk mix)" Phunkie Souls - "The Music (Richard F "Defected" re-edit)" Z-Factor - "Make a Move on Me (extended 12" mix)" Michael Moog - "That Sound (Full Intention mix)" Novy vs. Eniac - "Superstar (Full Intention mix)" Duke - "So in Love With You (Full Intention mix)"
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djromancer · 1 year
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WOAL presents "Catalg"
Music by Antonio Ocasio
Support DISCO Ball.rocking horse
2023.10.06.fri start 20:00
3,000yen/1d
dj: Keiichi Suzuki .AOR*.Romancer
dance: LARAN famly.CONTINUE
food: 異人館
snop: mariqy hundmade accessary
“Antonio Ocasio”
アフリカ系アメリカ人やプエルトリコ/ラテン系文化と音楽で溢れるサウスブロンクスで育った。10代の頃はLatin/Disco/Funk/African rhythms/Jazz/Gospel/Hip hopなど様々な音楽に触れ、特にHip hopに夢中となった。 1974年から何年もの間、毎週、The Loft/The Garage/The Funhouseに通い、特にThe Loftは彼のダンスと音楽のルーツとなっている。 『音楽が私にどのような感情をもたらすかが最も重要で、歌ばかりでなくインストゥルメンタルの曲もメッセージやストーリーを語ると信じている。』 と彼は語る。 1998年には自身のレーベル『Tribal Winds 』を設立。彼のルーツを彷彿とさせる生々しいアフロ・ラテン・ジャズとディープ・ハウスなど数々の作品をプロデュースしている。 プロデューサー・DJ としての長年の経験と独創的な音楽性はダンサー達の心を掴んで離さない。
Catalog第1回はColleen ‘Cosmo’ Murphy第2回はKim Lightfoot。そして今回第3回はAntonio Ocasio(アントニオ・オカシオ)。 deepでundergroundなhouse musicの旅へ皆様をお連れします。 彼はたくさんの素晴らしい音楽を制作しています。彼の深いメッセージはきっとあなたのソウルに届くことでしょう!
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Is it wrong to have an idea like this? I love onward and security breach, and I thought that some of the animatronics suit the Lightfoot family well
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Barley is definitely someone like Glamrock Freddy!! Their both amazing father figures and they’re very supportive of their brother/child
We don’t have a lot of insight on Glamrock Bonnie, which would have worked well for wilden but I decided that to make it a little sadder by making Ian be Bonnie instead
for Laural as Glamrock Chica….. I’m not so sure about
wilden as sun and moon, YASS!!! I think Wilden has the same energy as sun and moon combined, especially their dance!
it’s not in the art work but I decided Colt Bronco be DJ Music Man
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evermorehqs · 2 years
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CATCHING MY BREATH, STARING OUT AN OPEN WINDOW
Jonathan ‘Johnny’ Loughran is based on Jonathan from Hotel Transylvania He is a 27 year old human, DJ at Neverland and uses he/him pronouns. He has no powers. Jonathan is portrayed by Hunter Doohan and he is taken.
CATCHING MY DEATH, AND I COULDN’T BE SURE
Growing up with seven other siblings wasn’t easy. Johnny always found himself trying to fight for his parents attention alongside his other siblings. It left him feeling like the black sheep of the family. He didn’t have grand plans for his future like his other older brothers. He walked to the beat of his own drum and did whatever made him happy. Which were things that were considered taboo in his family. He wanted to travel the world, experience new things and just to roll with the punches. His parents didn’t understand his dream, but they did the best they could to support him. Which was enough support for Jonathan to embark on his back-packing journey throughout Europe. He had never been the materialistic type, so all he needed was a few change of clothes and his loved but worn skateboard. Johnny in the span of year visited Italy, Austria, and Hungary. For the first time in Johnny’s life he was truly happy. Every day was a new adventure and his next stop was Romania. After a meeting a few friends along the way, Jonathan’s group decided to hike up the Apuseni Mountains. Before the group made their departure up the mountains, one of his friends told a story about a haunted castle and a spooky forest in the town below them. Johhny wasn’t one for ghost stories and had to see for himself what lied below the mountains of Translyvania. Traveling through thorn branches and a never ending fog he ended up at Dracula’s front door step. Instead of being absolutely terrified of the creatures that inhabited the hotel, Johnny was completely blown away. Instead he was excited and fascinated by every monster that roamed its halls. He was soon caught by the one and only Dracula who quickly wanted this human out of his home, but it was too late because his only daughter had already met him. Mavis pleaded his case and begged her father for him to stay, and Dracula agreed but only for the time being. It wasn’t until Johnny began having feelings for Mavis that things begun to go haywire. Dracula didn’t approve of their relationship because he was human and on that fateful night Mavis left the hotel after screaming at her father and never came back. Dracula became worried sick for his only daughter, and even though he didn’t like humans he needed Johnny’s help to bring her home. He didn’t know where to start but traveling is what he was best at. Soon he found Evermore and only hoped Mavis was there too. There was only one problem--he couldn’t leave. With that throwing a hitch in his rescue mission Johhny did what he did best. Adapt. He got a job as a Dj at Neverland, asked residents around town if they’ve seen Mavis and continued to hope that their paths would cross again someday.
I HAD A FEELING SO PECULIAR
❀ Barley Lightfoot: Two sides of the same coin, Barley matches Johnny’s care free energy perfectly. Both of them having never ending wild stories to tell one another even if Barley’s dramatics is only fictional. ❀ Coraline Jones: Johnny’s seen them around the movie theatre every time he’s gone and they always have sick movie recommendations. ❀ Angelica Pickles: Usually is always bringing the vibe down at Neverland when he Dj’s there. She’s always asking for Justin Bieber music which is appalling because Johhny is #Team Selena.
THAT THIS PAIN WOULD BE FOR EVERMORE
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lboogie1906 · 2 years
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Kathy Sledge (born January 6, 1959) is a singer–songwriter and producer. She is the youngest and founding member of Sister Sledge, a vocal group that is made up of her sisters that formed in 1971. After achieving success beginning in the late–1970s thru the mid–1980s with Sister Sledge, she embarked on her solo career in 1989. She has had several hits on the International Pop and Hot Dance Music/Club Play chart, including "Take Me Back to Love Again", which hit #1 in 1992. Born in Philadelphia, she was born to Edwin, a former Broadway star of the dance-tap duo 'Fred and Sledge' and Florez. Her siblings are Norma Carol Blackmon, Debra, Joan, and Kim Sledge. Her grandmother Viola from Williams was an opera singer. She graduated from Olney High School. She continued her education at Temple University, majoring in Recreational Opportunities for the disabled. She performed the lead vocals on the two Top 10 US hits the group had on the Hot 100, "He's the Greatest Dancer" and "We Are Family" which were released in 1979. She collaborated with dance producer Robert Miles on the dance/pop single "Freedom" in 1997. She returned to the dance chart in 2001 as a featured vocalist for Sylk 130 on the track "Rising". She released a track called "Give Yourself Up" on Universal Records, which hit the Top 20 on the Billboard Hot Club Play Chart. She was the first signing of the new Pacific Electronic Music record. She received an "Outstanding Contribution to Music" award at the 16th DJ Awards. She performed the new Aristofreeks remix of "We Are Family". The first release of the five remixes of "We Are Family" that she re-recorded with the Aristofreeks. She has a single together with the same group, "Keep It Moving", which went up to the No. 2 spot on the US Dance chart. She married musician Philip Lightfoot (1981-) and together they have two children. #africanhistory365 #africanexcellence https://www.instagram.com/p/CnKIM64Lh49/?igshid=NGJjMDIxMWI=
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Miami's Event Entertainment & Decor Rentals | Lightfoot Premier Entertainment
Planning a celebration or social gathering in Miami? Look no further than Lightfoot Premier Entertainment. With over three decades of experience, we deliver, set up, and provide comprehensive support for any event, across any industry, anywhere. Whether it’s a wedding, corporate function, or small-stage event production, we specialize in creating unforgettable experiences with our exclusive DJ party packages and decor rentals, all at affordable rates.
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At Lightfoot Premier Entertainment, we pride ourselves on offering a wide array of in-house event enhancements that include brand activation materials, colossal sparklers, custom mix USBs, custom professionally etched CDs, dancing on clouds dry-ice machines, event decorations, fog machines, and more. We also provide photography services, pipe & drape rentals, popcorn concession machines, and venue sourcing to elevate your event to the next level.
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Additionally, through our trusted partners, we offer an extensive range of party rentals such as balloon wall decor, bounce house rentals, catering services, face painting, flower wall designs, harpists, hula dancers, LED robot dancers, outdoor cooling, pop-up bars, saxophonists, and more. Whatever your vision, we have the solutions to bring it to life.
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Our mission is simple: to alleviate the stress of event planning while ensuring a seamless and unforgettable experience for you and your guests. Our motto, "We Decorate, Coordinate, and Entertain While You Celebrate," encapsulates our commitment to providing personalized event services that reflect your unique vision. From conferences and trade shows to weddings and holiday parties, our team is equipped to handle every aspect of your event.
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Choosing Lightfoot Premier Entertainment means choosing excellence. We offer a complete suite of DJ and event entertainment services, from venue selection to captivating event design, sophisticated lighting arrangements, and professional photography and videography. Our dedicated staff works diligently behind the scenes so you can immerse yourself in the joy of your celebration.
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Book us today and trust in our professionalism and dedication to delivering high-energy, quality entertainment for your special occasion. Contact us for a free quote and start planning your milestone event with Lightfoot Premier Entertainment, serving Miami, Fort Lauderdale, Boca Raton, and beyond.
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Need help? Use our online event form for a prompt response, or call 786-306-8084 for assistance. For branding, product samples, or partnership interests, email us directly. Let’s make your event a memorable success!
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lightfootpremierent · 2 years
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We Handle "Everything Entertainment" Like No Other.
We Specialize in Weddings and Corporate Events, but We Also Do Festivals, Concert Sound Stage and Lighting, Celebrity Event Rentals, Birthday Parties and Too Much Else to Name.
To Book With Us Simply:
1. Visit Our Website,
2. Pick Your Package and Add-ons,
3. Send Us Your Inquiry,
4. Complete Booking,
5. Show Up and Have Fun.
We Aim To Please and Our Passion Is In Our Work.
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Event Production Services by
Lightfoot Premier Entertainment, LLC.
Est. 2017, Experienced since 1986.
www.LightfootPremierEnt.com
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sinkagura · 1 year
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Dec / 12 /2023
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2023.12.01(Fri) at SINKAGURA 5F WORLD WIDE records Tour 2023 "ジコマン族!!" -acoustic編-
OPEN/START ADV/DOOR ¥1400/¥1900
Junk&Saachan(RIDGE) CHAVEZ(GIZMO) 326-9(Down the Rabbit-Hole) まーくん(BAYSIDE BLOW) なるとみ(Odd Lazy) さかいかの 岡本 崇志(jammed loony bin) 竜平(TRUMANS)
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2023.12.02(Sat) at SINKAGURA Research result vol.1 /ROCK STOCK MAGAZINE x SINKAGURA pre
OPEN/START 18:00/18:30 ADV/DOOR ¥2500/¥3000
ROCK STOCK MAGAZINE THE SALIVANS SPIDER CABINETS Lightfoot SHOTGUN30
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2023.12.03(Sun) at SINKAGURA TURN OVER / sly cat girl pre New Single Release&Dr.Yumi Welcome Party
OPEN/START  ADV/DOOR ¥2500/¥3000
sly cat girl TEAR Odd Lazy
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2023.12.04(Mon) at SINKAGURA 5F ちゃんとせぇ!
OPEN/START  ADV/DOOR ¥1000/¥1500
まーくん(BAYSIDE BLOW) むぎたん KAWAKAMI(Paranormal Phenomenon) ひろし(KENKA KICK) 裕次郎(ハツヤマスポーツ) てっしー(BNLS23)
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2023.12.07(Thu) at SINKAGURA 5F 懐メロナイト
OPEN/START  ¥2500飲み放題
DJ's むぎたん and more
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2023.12.08(Fri) at SINKAGURA Deep Down
OPEN/START  ADV/DOOR ¥2000/¥2500
AcroBox Addiction end in thrive ハツヤマスポーツ さめさめバンド T.K.D(A-nail)
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2023.12.09(Sat) at SINKAGURA "BANANA HEAD TOUR"大阪編 /WATER pre
OPEN/START ADV/DOOR ¥2900/¥3400
WATER Nonfiction Cartoons COPES LOOKLIKE カライドスコープ
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2023.12.10(Sun) at SINKAGURA ジコマン族!! / WORLD WIDE records pre WORLD WIDE records Tour 2023
OPEN/START 17:00/17:30 ADV/DOOR ¥2500/¥3000
LIGHTSOUT GIZMO Swing Goat ROCK STOCK MAGAZINE Junka&Saachan(RIDGE) MODERN KNOCK Keyally
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2023.12.11(Mon) at SINKAGURA 5F Devil's Filled Bar!!
OPEN 18:00 No Charge 1drink 500yen
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2023.12.13(Wed) at SINKAGURA ⌘S / Stucks pre
OPEN/START 20:00/20:30 ADV/DOOR ¥2400/¥2900
Stucks DAM
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2023.12.16(Sat) at SINKAGURA MUSICAL GUERRILLA VOL.36 / THE HAWKS pre -STRAIGHT HEART-
OPEN/START 17:30/18:00 ADV/DOOR ¥2500/¥3000
THE HAWKS AGGROKNUCKLE CRIKEY CREW B-SIDE APPROACH STRONG BLOSSOM
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2023.12.17(Sun) at SINKAGURA 魂疾走 / SPREAD pre
OPEN/START 18:00/19:00 ADV/DOOR ¥2400/¥2900
SPREAD  THE CHORIZO VIBES Day tripper TRASHMIND ROCK STOCK MAGAZINE
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2023.12.18(Mon) at SINKAGURA 5F 新神楽バンドマン交流会
OPEN 18:00 No Charge 1drink 500yen
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2023.12.19(Tue) at SINKAGURA 5F 最後に勝つのは俺だ!
OPEN/START  ADV/DOOR ¥1400/¥1900
まーくん(BAYSIDE BLOW) MAHO KOYUMI(MODERN KNOCK) むぎたん KAWAKAMI(Paranormal Phenomenon) AJ(AX LITTLE CITY) Takuma(AcroBox) さかいかの なるとみ(Odd Lazy)
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2023.12.20(Wed) at SINKAGURA 5F 俺がイチバン
OPEN/START 18:30/18:30 ADV/DOOR ¥1000/¥1500
DJ's てっしー(BNLS23) のり(Keyally) いぶき とし(Keyally) ゆーま(ex.Feed Luck) 283(ギークラーケン)
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2023.12.21(Thu) at SINKAGURA MATCH / Baby smoker & Danablu pre
OPEN/START 18:30/19:00 ADV/DOOR ¥3300/¥3800
Baby smoker Danablu
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2023.12.23(Sat) at SINKAGURA STOMPiN'BiRD "Sing Along EP" Release Tour in Osaka
OPEN/START 18:00/18:30 ADV/DOOR ¥2800/¥3300
STOMPiN'BiRD GOOD4NOTHING
GUEST後日発表
チケット:STOMPIN’ BIRD HP予約 http://stompinbird.com/live.php
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2023.12.24(Sun) at SINKAGURA 新神楽忘年会 愛と誠2023 Opening Party 15th Anniversary
OPEN/START 16:00/16:30 ADV/DOOR ¥1400/¥1900
◼︎Copy Band 豊浦青年団 Vo&Gt GAKU(Swing Goat)/Ba&Vo Shimo/Dr Tomohiro
リハビリーズ Vo&Gt Houjoe(tonights/UCC)/Ba&Vo Kei(藁焼き酒場椛屋)/Dr&Cho watada(tonights)
さばかん Gt&Vo まーくん(BAYSIDE BLOW)/Gt&Cho かずや(ichiru)/Ba ハトニゲタ(SINKAGURA)/Dr ???
あかちょうちんバンド Vo チャベッス中尾 Gt あかちょうちんゼウス Ba あかちょうちんハーデス Dr あかちょうちんスーパーサポート
◼︎Acoustic 晶帆 さかいかの Junka&Saachan(RIDGE) むぎたん MAHO だーさん(BuzzHair)
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2023.12.25(Mon) at SINKAGURA 新神楽忘年会 愛と誠2023 1st day 15th Anniversary
OPEN/START 18:00/18:30 ADV/DOOR ¥2000/¥2500
AcroBox GET EASY hi-right O.F.A Spring For Me 千年メモリーズ
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2023.12.26(Tue) at SINKAGURA 新神楽忘年会 愛と誠2023 2nd day 15th Anniversary
OPEN/START 16:00/16:30 ADV/DOOR ¥2000/¥2500
Ankfeel Dank Michiru knot MORGIC Paranormal Phenomenon pug SLACK ヒグラシ
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2023.12.27(Wed) at SINKAGURA 新神楽忘年会 愛と誠2023 3rd day 15th Anniversary
OPEN/START 15:00/15:30 ADV/DOOR ¥2400/¥2900
All I Clacks BNLS23 Hyakki Keyally knot Limit x zone SHIRAME 艶艶 ハツヤマスポーツ
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2023.12.28(Thu)サーキットイベント 新神楽忘年会 愛と誠2023 4th day 15th Anniversary
SINKAGURA/HOKAGE/BRONZE/SUNHALL/SUNHALL WEST ANIMA/ANIMA sub/DROP/BEYOND/PANGEA
OPEN/START 12:30/13:30 ADV/DOOR ¥4500/¥5000
Abnormal Cooking School ALBRIGHT KNOT ALiVE All I Clacks The AnnFeels BACKLIFT Bushman THE CHORIZO VIBES DAM Day tripper Down the Rabbit-Hole FROM ME. FUNNYAGE GIZMO GoodMorningMom HANT PLACE husky IQ20 jammed loony bin Launcher No.8 Left LEODRAT LIGHTSOUT LOOKLIKE MACVES MARGALINE MARIO2BLOCK MINAMI NiNE MODERN KNOCK Odd Lazy OVER LIMIT PAILOUT PINGLATE!! PRAY FOR ME redmammoth RAINCOVER RIDDLE ROCK STOCK MAGAZINE The Scab See You Smile sly cat girl Smash up SOUTH BLOW SPIDER CABINETS Stucks SUNSHINE DUB ※キャンセルとなりました TEXAS HIT TOYSNAIL Trash of Acorn UNFAIR RULE UNMASK aLIVE vagarious vagabondage walkslowly WATER World'sEnd Super Nova WET DREAM THE WILLIAMS WinningShot ギークラーケン ジャパニーズモンタナ ぷにわ 桃色ドロシー 5exit SIGHTS THE SKIPPERS
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2023.12.29(Fri) at SINKAGURA 新神楽忘年会 愛と誠2023 5th day 15th Anniversary
OPEN/START  17:30/18:00 ADV/DOOR ¥2000/¥2500
Exes on TV POWERBOY STAY FOR WELL VOLT kitsunevi
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2023.12.30(Sat) at SINKAGURA 新神楽忘年会 愛と誠2023 FINAL day 15th Anniversary
OPEN/START 13:30/14:00 ADV/DOOR ¥2500/¥3000
CONSTRUCTION NINE DAM SMASH YOUTH RAINCOVER LABRET the CRY
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Music Bar SINKAGURA   〒542-0086  大阪府大市中央区西心斎橋2-9-36  カサドマートビル4F/5F   Tel : 06-6282-7261   Mail : [email protected]
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textbeak · 2 years
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Thank you to DJ Hʌvok @dj_havok_ for guesting and to UFO Factory @ufofactory and everyone that came out!!! That was a blast! 🌊🛥💥🦇 Hʌvok's set nailed it on the Yachtrock so I covered more the 80s Goth and Alt in my sets 🙂 Sorry not sorry to everyone for crowdkilling with "Last Christmas" LOL TEXTBEAK - DJ SET YACHTGOTH UFO FACTORY DETROIT 12022022 https://www.mixcloud.com/Textbeak/textbeak-dj-set-yachtgoth-ufo-factory-detroit-mi-12022022/ Killing Joke - Twilight of the Mortal The The - This Is the Day This Mortal Coil - Not Me (Colin Newman Cover) Shriekback - Nemesis Siouxsie and the Banshees - This Town Ain't Big Enough for the Both of Us Pixies - Here Comes Your Man Fleetwood Mac - Hold Me Hall & Oates - Private Eyes Steve Miller Band - Abracadabra Yes - Owner Of A Lonely Heart (Single Version) Public Image Ltd. - Open and Revolving Gordon Lightfoot - Sundown Lush - De-Luxe Ultra Vivid Scene - Extra CD Track Steely Dan - Do It Again The Creatures - Gecko The Cure - The Caterpillar Gerry Rafferty - Baker Street Midnight Oil - Beds Are Burning THE SWITCHBLADE EAGLES (Switchblade Symphony vs The Eagles) - DISSOLVE THOSE SHOES (BLOODBEAK🩸 SMASHUP) Feu Follet - On The Switch (ft. Vlimmer) Bauhaus - Slice Of Life SRSQ - Used To Love The Cars - Just What I Needed The Neon Judgement - TV Treated Sacred Skin - Fever Depeche Mode - Behind The Wheel Tears for Fears - Change David Bowie - Blue Jean Lindsey Buckingham - Trouble ABC - Poison Arrow Ministry - Revenge Duran Duran - A View to a Kill Whitney Houston - I Wanna Dance with Somebody (Who Loves Me) Martin Dupont - He Saw The Light (Mick Wills Edit) Wham - Last Christmas [Pudding Mix] The Dandy Warhols - Not If You Were the Last Junkie on Earth Normal Bias - Stuck In The Past Tom Petty & The Heartbreakers - You Got Lucky Van Halen - I'll Wait #darkwave #newwave #alternative #alternativemusic #yachtrock #goth #gothgoth #gothic #80s #80smusic #gothmusic #gothicmusic #retro #retromusic #rock #rockmusic #classicrock #pop #popmusic #jazzrock #postpunk #punk #indie #GothicRock #alternative rock #indierock #postpunkmusic #punkmusic #electronic #coldwave (at UFO FACTORY) https://www.instagram.com/p/Cnc8OuAP9vT/?igshid=NGJjMDIxMWI=
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parkerbombshell · 2 years
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Addictions and Other Vices 908 – Colour Me Friday
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Addictions and Other Vices Fridays 3pm - 5pm EST bombshellradio.com Repeats  Saturday 3pm EST and Sunday 8am EST #NowPlaying #indie #rock #alternative #Synthpop #indierock #community #radio #BombshellRadio #DJ #AddictionsPodcast #NewMusic #ColourMeFriday #Radio247 New Indie finds, previews of Just Another Menace Sunday artists coming up this weekend into next week ala Dennis The Menace, and Alex Green of Stereo Embers The Podcast and Sandy Kaye of A Breath of Fresh Air Discoveries from our social media followers and a few more surprises. Thanks to all the artists, labels and PR companies that submitted tracks this week. Photography : heckmannoleg Fix Mix 908 - Violence Forever? / Razorlight - Die Hard (Is a Christmas Film) / Litany - Let Down / Hana Eid - Apocalypse / Cigarettes After Sex - I Want A Dog / Weezer - Take out the Trash / They Might Be Giants - Part of You Wants to Believe Me / They Might Be Giants - Elvira / The Oak Ridge Boys - Lucky Just to Be Here / We Are Scientists - Carry You Home / Circa Waves - The Centre of Me (Is a Symphony of You) / Tim Burgess - Jerusalem / Dan Bern - Song for a Drummer / Team Me - Juno / Spud Cannon - Lover Won't You Come Back? / Rhett Repko - Where Did You Sleep Last Night? / Terra Lightfoot - Santa Monica / Everclear - Year of the Tiger / Everclear - Come Home / Vicki Brittle - Last Days of Summer / Arielle - Destroyer / girlpuppy - Little Life / Frank Turner / KT Tunstall - Ya Gotta Go Crazy / Bodeans - By The Daylight / Devon Welsh - JuliaJacklin_i was neon / JuliaJacklin - I'll Probably Be Asleep / Hachiku - spite / Billy Nomates - Night Vision / Kiwi jr. - Japan / Wallice - The Age Of The Understatement / The Last Shadow Puppets / Alex Turner / Miles Kane   Addictions and Other Vices               Read the full article
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milesbutterball · 3 years
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Watch "The House You Live In" on YouTube
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lightfootpremier · 3 years
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DJs are the leading of the music world in our modern society. If you've attended any party in a major city, you'll see DJs headlining major concerts, festivals, and more. Follow us now to rent out the best premier DJ entertainment!
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granvarones · 4 years
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Sometimes we are late to the BBQ right? Well in the case of Ultra Naté (pronounced Na-Tay), I didn’t arrive at the BBQ til 1998. I was 15 years old and my teenage icon Filipinx Freestyle/Dance Diva Jocelyn Enriquez was sprinkled with Disco fairy dust along with dance divas Amber and Ultra Naté under the moniker Stars On 54. They revamped the 1971 folk classic “If You Could Read My Mind” by Gordon Lightfoot into one the most fascinating covers I’ve ever heard (just listen back to back and gag). This collaboration introduced me to Ms. Naté and piqued my curiosity.
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Eight years into her career, Ultra Naté had landed five singles into Top 10 on the Billboard Dance Chart by the time I bought the single to her hit single “Free” at Tower Records (I miss you so much). As soon as I heard that guitar riff in the intro followed by those chords and 4/4 I was hooketh. I immediately grabbed a copy of the Situation: Critical album. I stared at the artwork fascinated by its silvery gloss and the acupuncture needles in her face. It was futuristic as fuck! The album’s photography was shot by the legendary Eric Johson who is known for iconic photos of Erykah Badu, Lauryn Hill, Aaliyah, and Biggie. I wasn’t totally sold on the album at first because as a teenager I was infatuated with Freestyle music and this was out of my teenage comfort. However, the album grew on me and eventually I connected to each song on a personal level. At the time I was struggling with my budding sexuality, lack of interest in education, and a toxic-ass family dynamic. This album would eventually become my personal teenage bible.
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“Somehow things must change, and it’s got to be for the better” the lyrics from the albums intro track “Situation: Critical” pierced my young gay soul. When my being sexually molested was brought to the light my parents were so wounded by life; none of them had the capacity to support me. My father was strung out on drugs, my mother’s mental health was dwindling, and my step mother struggled to keep a roof over our heads. I felt so fucking hurt by their neglect that all I thought of was escaping at 18. My then therapist Judy had a huge black and white picture of New York City and one day I declared “I’m going to live there!” Until then I endlessly played this album on my discman throughout my teens to keep my ass sane.
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There was a rage building inside me and “Found A Cure” was that song that embodied what I felt. Lines like “Feels like I’m going crazy, feels like I’m going insane” were my everyday life and I wanted out but I was still underaged. “How many times have you been left alone and you feel confused?” solidified my connection to Ultra. This was the second single from the album which hit #1 on Billboard Club Songs. The music video was directed by Charles Stone III who would years later direct the epic CrazySexyCool: The TLC Story. Larry Flick of Billboard wrote “Naté fearlessly faces the challenge with a jam that smartly doesn’t aim to duplicate the tone of her now-classic hit…The diva is in fine voice here and is matched by a muscular bassline and keyboard/guitar interplay that oozes with funk flavor…Miss Nate proves there’s more than Free in her locker with a pure floorfiller. A Gloria Gaynor for the Millennium.” Mic drop.
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“A New Kind of Medicine,” the album’s second track, and third single, lightened the mood after the dark yet realist ‘Situation’. During this era in House music Disco samples were a huge commodity. While this was purely an original song the Disco influence is prevalent. The single had some heavy hitters on the remixes and the first two being producers in Freestyle: Albert Cabrera, David Morales, and Danny Tenaglia. The Morales mix is quite festive especially at the 5:20 mark when you get that tidbit of Inner City’s “Big Fun” followed by a lyric not in the original: “Stop taking me down.”
My favorite track on the album was the last single released from the album, the Al Mack produced “Release The Pressure.” How can you not feel like you’re transpired into a film where the woman is struggling, breaking shit, cursing bitches out, lights a joint, a sip of wine, puts on her favorite 12” and gets her damn life. The production on this track has so many beautiful layers from the piano, to the horns, and guitars. It always felt like time froze whenever this track came on. The song was also featured on the soundtrack The 24 Hour Woman starring Rosie Perez. This is one of my forever tracks because it always remains true to this day: “You get up, It knocks you back down, Release the pressure, Let it out.”
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The album itself pays homage to the 70’s and 80’s influence of staples in Disco, Funk and House which are very evident in: “Any Ole Love” (Indeep’s “Last Night A DJ Saved My Life”) and “Love You Can’t Deny” (Royal House “Can You Party”). The mellower affairs “It’s Crying Time” and “Every Now and Then” were so damn pretty that they seduced my young self who was anti anything slow.  The last original track on the album “Divine Love,” produced by the duo Masters At Work, transports you to Sunday mass everytime. That 5 minute mark is pure gospel ear candy with those luscious rhodes and ab libs take you on a journey to the ether. This felt like the sequel to “Rejoicing (I’ll Never Forget)” from her first album Blue Notes In The Basement. At this point in time I was severely struggling with my belief in God however this song just anoints you, especially the 9 minute MAW Version.
This album took me on a musical journey. It became my bible, my salvation, my healing. In the spring of 2001 my life took a huge turn. I had fallen in the love with a man in NYC whom I thought I’d be with forever. After a huge argument with my parents I finally said “fuck this shit I’m out!” Ultra’s lyrics rang in my head “Now I know you’re no good for me, Now I got to find a remedy,” my remedy: move to NYC. After settling into my then boyfriend’s apartment I would blast this album on volume 5000 and the whole damn planet would shake. I didn’t give a fuck about the neighbor downstairs because I was ‘Free’ and living my damn best gay life. I didn’t leave my heart in San Francisco that’s for damn sure!
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In 2012, I had a full circle moment when I was hired by Naté’s management, Peace Bisquit. It was completely surreal to be in direct communication with her, and an honor working under the brilliance of Bill Coleman (remember Deee-Lite? “Groove Is In The Heart”? Nuff said.). I was bestowed the task of managing the execution of the Hero Worship album to digital platforms. Miss Naté was the most humble artist I ever worked with. A memory I will always hold dear is a tender moment we shared at  the Paradise Garage Reunion Party in 2014. The DJ began to play “The Whistle Song” in honor of the iconic Frankie Knuckles who had passed just months earlier. As the song played, Ultra began to cry. I put my arm around her and consoled her. The same way her music had done for me in all the years before.
Thank you for never giving up on your music Ultra because this album saved me!
“You might save someone’s life.” – Ultra Naté “Situation: Critical”
If you are experiencing or have experienced sexual abuse please call the National Sexual Assault Telephone Hotline 800.656.HOPE (4673)
Giorgio Alxndr (He/Him) is into music, modeling, activism, and plant fathering. He creates beats and playlists in his free time. Loves deep conversations and therapy sessions. Professionally he’s always in the mix between music and technology.
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randomvarious · 3 years
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Art of Noise - “Yebo (Lightfoot remix)” Earth Ritual: A Journey Into Drum 'n' Bass Song released in 1996. Compilation released in 1997. Drum n Bass
See that name up there in the heading, Art of Noise? Yeah, this post isn't going to be about them. I mean, it would be if this "remix" sounded anything like either the original 1989 version of their cinematic-sounding 80s hit, "Yebo," or the 1995 progressive house remix of it, but the fact of the matter is that this version by Anglo-French drum n bass quartet Lightfoot sounds almost nothing like it, besides the fact that it uses the phrase "yebo" in it.
Lightfoot didn't release that much music while they were together, and their membership changed a bit within their three 12-inch and one album discography between the years of 1996 and 2001, but this "remix" of theirs that was released in their founding year is what appears to have initially put them on the map.
But what's a little confusing is that while they were a quartet at the time, the liner notes on the album that this song originally appeared, The Drum And Bass Collection, which was an Art of Noise album comprised of dnb re-works, credits Lightfoot as being a solo act named DJ Snitch. And I don't know if the liner notes got it wrong, or if this was just DJ Snitch operating under the Lightfoot moniker in a solo capacity, but you could probably bet that it helped push sales and created new Lightfoot fans either way.
Anyway, regardless of my personal annoyance as to why songs like these are often regarded as remixes, this piece of mid-90s dnb still rips. It might take more than one listen to really appreciate it, but the "Yebo (Lightfoot remix)" (😒) builds itself up pretty damn nicely as it splits itself up into two distinct parts: a downtempo-ish first half with arcing drum sequences, a heavy, dubby bassline, and chiming, reverbed synth work, and a much more uptempo, traditional dnb-sounding second half with that same bass and synth work appearing again, along with a few other sounds, too, including another underlying layer of hand-drum percussion. The whole thing has a lightly spooky, sort of minimal feel to it, but its best parts are when Lightfoot find ways to significantly complicate their drum patterns so suddenly in that second half, but still keep the whole thing sounding so fluid. Pretty impressive from a technical standpoint!
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