#distinguished voice

[worldwide-blackfolk]

[jaggybot3000]

chonny when he’s charming or something idk (RAHHHH I LOVE CHONNY JASH I WISH AUSTRALIANS WERE REAL‼️‼️‼️)

[writingwithfolklore]

Specificity, Voice and Backstory

                Today we're talking about character voice, backstory, and writing with specificity. I’ve talked about all these elements separately, but combined these three are the most important elements of your description. Why? Because describing something is the best place to learn not only what the character is experiencing, but more about them and their backstory.

                We do that through drawing comparisons not to abstract ideas, but to specific moments the character has witnessed. Okay, consider these two examples:

The room smelled of warm spices and herbs like a fancy restaurant kitchen.

Vs.

The room smelled like the thyme and basil that clung to my mother's hair when she had finished making dinner, kneeling to hug me after I came in from school.

                They convey the same information, but we learn so much more about the character in the second example.

                In my Differentiating between Perspectives post, I talked more about attitude in character voice. What your character compares things to is a great tell for voice. Here’s the example from that post:

                “The bar was filled to the brim with sweaty drunks falling over each other, barely cognizant of the drinks they were spilling--much less so the people around them.”

                Versus

                “Upbeat dance music filled the bar. A crowd had formed in the middle of the floor, people cheering and dancing together like the rest of the world hardly mattered.”

                Right?

                Check out the full post here:

                So when you’re describing something and reaching for a metaphor or something to liken it to, try to make it personal, in the character’s voice, and specific. We can learn a whole lot more that way.

[erial-c]

am i losing my mind or has aaron's voice gotten deeper these recent balance audios . he's gotten a more distinct tone to him bcz he used to just sound like erik but deeper

[kurithedweeb]

Ru’aun is the region with the most dialects, but it doesn’t have its own sign language. In Ru’aun, you have the Common language, the Yggdrasil forest language, the Eastern dialect, the Western dialect, and three different werewolf dialects, plus the old tongue is still fairly common among scholars and religious peoples and is used in schools in O’khasis and Scaleswind.

In Tu’la, you have the overarching common language, the desert dialect, the jungle dialect, and a fairly widespread sign language. It’s very common for meif’wa to communicate using sub-vocalizations but humans and some meif’wa hybrids can’t do this. It’s highly debated on whether or not the local werewolf population can understand sub-vocalizations. As a compromise for when meif’wa go non-verbal or when they can’t risk being overheard, the sign language is used. Tu’la sign doesn’t use many big motions, the hands are usually kept close to the chest and the angle of the hand and positioning of the fingers is very important. Many signs look similar, so it’s easy to get mixed up if you’re a beginner and it’s hard to distinguish which is which in the dark if you don’t have good night vision.

Gal’ruk sign is the complete opposite. Very expressive motions, lots of waving in patterns, and very few specific hand shapes. The snow and ice and all the layers you’re wearing eats up a lot of sound so communicating at a distance can be difficult. The hand shapes are limited to what you can manage with mittens, so it’s basically open hand with or without thumb sticking out, closed hand with or without thumb sticking out, and pointing. With such a small population, basically everyone knows at least the basics. Galenk is the local spoken language among the Enki Warrior Tribe, but some also speak Ru’auni Common, usually taught by whoever gets shipwrecked there.

[spocks-kaathyra]

Cardassian conlang (part 1?)

Finally started making my Cardassian conlang and I'm having so much fun already. Get this:

There's a distinction between alienable and inalienable possession, something that occurs in many natural languages. An example is, like, "my nose" vs "my hat". My nose is inalienable because it will always be mine, while my hat is alienable because it can stop being mine. So in languages with this distinction, you'd use different words for "my" in those two situations.

In my Cardassian language, possession is indicated with suffixes attached to nouns and people's names. People are "possessed" in the sense that, y'know, they're your mom or your friend or your orthodontist or whatever. Generally, you'd use the alienable form for people. Your orthodontist might not always be your orthodontist, your friend might not always be your friend. The exception is that you always use the inalienable form(s) for family. Your mom will always be your mom.

So, to use the inalienable possessive for a friend would be to say that they are as close to you as family, that you trust that they will always be your friend. This is often, like, a milestone in dating. To start saying "my girlfriend (inalienable)" marks that your relationship is serious. (Traditionalists will say that you shouldn't use the inalienable form until you're properly betrothed, but kids these days have their own ideas.) In this way, it becomes a pretty straightforward term of endearment (or, rather, grammatical particle of endearment).

Since there's no equivalent in Federation Standard, the translator often renders it as "my dear."

Here's a table of the 10 different words for "my"

So, presuming that the speaker is a man, and the person they're referring to is also a man who they don't have to use the honorific form with...

/alʊk/ - "friend"

/alʊkɬei/ - "my friend"

/alʊkxa/ - "my dear friend"

/ilɨm̥xa/ - "my dear Elim"

[thenamesapollo]

there's something about this post about the angels/anomalies/creators that peeves me a little bit. It's not outdated or bad, but the thing about 'the multiverse was its own thing then the anomalies came and imposed their will on it' that doesn't.. sound right?

like yea, overwriting the characters' wills is what they do, but the phrasing makes them sound like unwanted parasites or invaders when it's not really the case.

undertale was made for you. it's world cannot exist without you booting up the game, and it's world and people cannot change without you continuing to engage with it. and the game knows this.

you, in every sense of the word, are fate. and the game treats you as being part of itself.

I think that the multiverse did in fact exist before it was found by the anomalies, but the multiverse created it's aus for you. or at least, for someone to engage with those aus.

the multiverse has some sort of sentience, in a way. it wants it's creations to be engaged with like any artist would.

it then up to the person that finds those creations, you, to decide how you want to pick them apart.

[gayalanwake]

that one time the hotel tv volume didn’t work so me and oomf (shadowsolosurfav on the gram) tried to dub gta v

[silent-sentinels]

we have gotta actually finish the other account, it has been months and we want to tell revi that we're also plural hgkjgk

[zebedeezing]

Shoutout to that YouTube channel which had read outs of the bad guys book series up to I think book 13 who used a French-ish accent for Mr Snake. I think all the videos have been taken down now but I still imagine the characters with all those different accents I wish I could remember the YouTube channel name.

[adriancatrin]

i think zhao is the best thing in natla. like there’s a lot of stuff in there that i really like but a lot of it is tied up with complicated feelings or worry about the future of the show. but zhao? he’s just rock solid from start to finish. what an amazing adaptation of his character, with an even more amazing performance on top to sell it

[channie-binnie]

Quick question, on the new song SKZ released for Tower of God, does anyone know who the first person singing is?

I got a guess as to who it is, and I could wait until they release the whole song but I am dying to know who it is

[kismetconstellations]

@sockdooe, the ignorance of this "analysis" is melting my brain.

What are your thoughts?

[calf-cover]

Maybe it's just my weakness for Witchouse, but this song sounds like disturbed SCP-6624. Well, more disturbed than this collection of screaming and potentially still sentient bodies of women and children (probably to hit higher notes?) usually is.

I haven't been able to break away from this song for a week now, so you have to suffer too.

[svtskneecaps]

kenny is fucking incredible and i gave myself a headache wheezing at him playing remixed rave classical music while going mad with power in french over mining sand. amazing. actual Art. him and ethan bonding over loving the sand grind is also amazing. 10/10 seriously thrilled to know of him.

[ancestorsalive]

Maḏayin Exhibition Opening: W. Waṉambi Distinguished Lecture by Dr. Megan Davis.

Professor Megan Davis has officially moved to Boston to take up the Whitlam Fraser Chair of Australia Studies at Harvard University.

Last week, Professor Davis travelled to New York to deliver the W. Wanambi Distinguished Lecture at the Asia Society in New York. The lecture was part of a program put together to celebrate the opening of the Madayin Exhibition - Eight Decades of Aboriginal Australian Bark Painting from Yirrkala. It is an extraordinarily powerful exhibition, the largest exhibition of Aboriginal Art to be in New York for over two decades. Titled 'Seen but not heard', the lecture spoke to the pioneering work of the Yolgnu people in law reform and structural change, and their influence on Aboriginal politics over time. It also spoke to the tendency of Australia to applaud art and artworks, whilst ignoring its politics. People, and especially Governments, don't listen unless they are compelled to. You can watch the lecture in full on the Asia Society YouTube channel