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trans-axolotl · 5 months ago

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this is a shortened works cited from my thesis, pulling out the sources about American intersex history and activism from the past 30 years. i have pdfs for most of the sources there, if there's something that isn't linked send me a message and i can try to find it!

just thought i'd try to put a lot of intersex history sources in one place.

Works Cited:

Amato, Viola. “The Intersex Movement of the 1990s: Speaking Out Against Medical and Narrative Violence.” In Intersex Narratives: Shifts in the Representation of Intersex Lives in North American Literature and Popular Culture, 55–102. Transcript Verlag, 2016. http://www.jstor.org/stable/j.ctv1xxrsz.6.

Bauer, Markus, Daniela Truffer and Daniela Crocetti. “Intersex Human Rights.” The International Journal of Human Rights. 24, no.6. (2020):724-749.https://doi.org/10.1080/13642987.2019.1671354

Brown, Lydia X.Z., Erickson, Loree, da Silva Gorman, Rachel, Lewis, Talila A., McLeod, Lateef, and Mingus, Mia. “Radical Disability Politics.” In Routledge Handbook of Radical Politics, edited by A.J. Withers and Liat Ben-Moshe, 178-193. Routledge, 2019.

Cameron, David. “Hermaphrodites With Attitude.” Newsletter. 1994. https://isna.org/library/hwa/

Carpenter, Morgan. “Fixing bodies and shaping narratives: Epistemic injustice and the responses of medicine and bioethics to intersex human rights demands.” Clinical Ethics. 2024;19, no. 1. (2024) :3-17. doi:10.1177/14777509231180412

Chase, Cheryl. “Hermaphrodites with Attitude: Mapping the Emergence of Intersex Political Activism.” Journal of Lesbian and Gay Studies. 4, no.2, (1998): 189-211.

---, Hermaphrodites Speak! 1997; Rohnert Park: Intersex Society of North America. Video tape.

Cohen, Julie, dir. Every Body. 2023; United States: Focus Features, DVD.

Denny, Dallas. "Chrysalis Quarterly, Vol. 2 No. 5 (Fall, 1997 / Winter, 1998)." Periodical. 1998. Digital Transgender Archive, https://www.digitaltransgenderarchive.net/files/7s75dc39s (accessed April 08, 2024).

Davis, Georgiann. “Introduction: Normalizing Intersex: The Transformative Power of Stories.” in Voices: Personal Stories from the Pages of Narrative Inquiry in Bioethics: Normalizing Intersex, edited by James DuBois and Ana Iltis. 1-4. John Hopkins University Press, 2016.

Dreger, Alice. “Rejecting the Tranquilizing Drug of Gradualism in Intersex Care.” Alice Dreger (blog). November 2015. Accessed April 9, 2024. https://alicedreger.com/dsd_human_rights/

Dreger, Alice and April Herndon. “Progress and Politics in the Intersex Rights Movement: Feminist Theory in Action.” Journal of Lesbian and Gay Studies. 15, no. 2. (2009): 199-224.

Fausto-Sterling, Ane. Sexing the Body: Gender Politics and the Construction of Sexuality. New York: Basic Books. 2000.

“A Framework for Intersex Justice.” Intersex Justice Project. 2021. Accessed April 8, 2024. https://www.intersexjusticeproject.org/intersex-justice-framework.html

"FTM Newsletter #37." Periodical. 1997. Digital Transgender Archive, https://www.digitaltransgenderarchive.net/files/kd17cs89j (accessed April 08, 2024).

Hegarty, Peter, Marta Prandelli, Trove Lundberg, Lih-Mei Liao, Sarah Creighton, and Katrina Roen.”Drawing the Line Between Essential and Nonessential Interventions on Intersex Characteristics With European Health Care Professionals.” Review of General Psychology. 25, no 1. (2020): 101-114.

Hermaphrodites With Attitude. "Hey AAP! Get Your Scalpels Off Our Bodies! Flyer." Ephemera. 1990. Digital Transgender Archive, https://www.digitaltransgenderarchive.net/files/qj72p712h (accessed April 08, 2024).

“Hermaphrodites With Attitude,” Intersex Society of North America. 2006. Accessed April 8, 2024. https://isna.org/library/hwa/

“How To: Organize an #EndIntersexSurgery Protest in your hometown--a toolkit created by Intersex Justice Project (IJP.” Intersex Justice Project. 2019. Accessed April 8, 2024. https://webarchive.loc.gov/all/20191111232744/https://docs.google.com/document/d/1EgYy2jfSO04HF_FGv-8RXYEgWW422L-RB7oxMOaIiBc/edit

Hughes, Ieuan, Christopher Houk, Syed Faisal Ahmed, Peter Lee, and LWPES1/ESPE2 Consensus Group. “Consensus Statement on Management of intersex disorders.” Disease in Childhood. 91, no.7. (2006): 554-563. doi: 10.1136/adc.2006.098319

“I Want to Be Like Nature Made Me: Medically Unnecessary Surgeries on Intersex Children in the US.” Human Rights Watch. InterACT. July 2017, accessed April 8, 2024. https://www.hrw.org/sites/default/files/report_pdf/lgbtintersex0717_web_0.pdf

“InterACT Statement on Intersex Terminology.” InterACT: Advocates for Intersex Youth. 2015. Accessed April 8, 2024. https://interactadvocates.org/interact-statement-on-intersex-terminology/#:~:text=interACT's%20use%20of%20terminology%20and,of%20the%20term%20%E2%80%9Cintersex%E2%80%9D.

Lindhal, Hans. “Is PCOS an Intersex Condition? Here’s 5 Reasons Why Some Say Yes.” HansLindhal.Com (Blog). February 2023, Accessed April 7, 2024. https://hanslindahl.com/blog/is-pcos-an-intersex-condition

---., “9 Young People on How They Found Out They Are Intersex.” Teen Vogue. October 2019. Accessed April 10, 2024. https://www.teenvogue.com/gallery/young-people-on-how-they-found-out-they-are-intersex

“M.C v. Aaronson.” Southern Poverty Law Center. 2017. Accessed April 8, 2024. https://www.splcenter.org/seeking-justice/case-docket/mc-v-aaronson

Merrick, Ten. “From ‘Intersex’ to ‘DSD’: A Case of Epistemic Injustice.” Synthese 196, no. 11 (2019): 4429–47. http://www.jstor.org/stable/45220035.

Orr, Celeste. Cripping Intersex. University of British Columbia Press, 2022.

Pagonis, Pidgeon. “#EndIntersexSurgery Protest At Lurie Children’s Hospital Recap + 5 Ways To Get Involved.” Intersex Justice Project. 2018. Accessed April 8, 2024. https://www.intersexjusticeproject.org/blog/endintersexsurgery-protest-at-lurie-childrens-hospital-recap

Pagonis, Pidgeon and Sean Saifa Wall. “Open Letter to AIS-DSD Support Group.” EndIntersexSurgery. Intersex Justice Project. February 2018. Accessed April 8, 2024. http://www.endintersexsurgery.org/

Redick, Alison. “What Happened at Hopkins: The Creation of the Intersex Management Protocols. Cardozo Journal of Law & Gender. 12 (2005): 289-296

Reid, Graeme, and Minky Worden. “Caster Semenya Won Her Case, But Not the Right to Compete.” Human Rights Watch. July 2023. Accessed April 10, 2024. https://www.hrw.org/news/2023/07/18/caster-semenya-won-her-case-not-right-compete

Reis, Elizabeth. Bodies in Doubt: An American History of Intersex. John Hopkins Press, 2021.

---, “Did Bioethics Matter? A HIstory of Autonomy, Consent, and Intersex Genital Surgery. Medical Law review. 27, no.4, (2019):658-674. https://doi.org/10.1093/medlaw/fwz007

Rios-Espinosa, Carlos, Koomah, Syrus Marcus Ware, and Sean Saifa Wall. “Liberating All Bodies: Disability Justice & Intersex Justice In Conversation.” Webinar at the Crip Camp Impact Team and Human Rights Watch Film Festival, United States, October 2020.

Rubin, David, Michelle Wolff and Amanda Lock Swarr. “Creating Intersex Justice: Interview with Sean Saifa Wall and Pidgeon Pagonis of the Intersex Justice Project.” Transgender Studies Quarterly. 9, no. 2. (2022): 187-195. https://doi.org/10.1215/23289252-9612823

Sharman, Zena. “Intersex Justice and the Care We Deserve: ‘I Want People to Feel at Home in Their Bodies Again.’” Ms. Magazine. 2022. Accessed April 8, 2024. https://msmagazine.com/2022/02/03/intersex-justice-the-care-we-dream-of-queer-trans-healthcare/

Sharpe, Sam. “No one-size-fits all: Myths and Misconceptions about PCOS.” InterACT: Advocates for Intersex Youth. Advocates for Informed Choice. October 2022. Accessed on April 7, 2024. https://interactadvocates.org/no-one-size-fits-all-myths-and-misconceptions-about-pcos/

Spurgas, Alyson. “(Un)Queering Identity: The Biosocial Production of Intersex/DSD.” in Critical Intersex edited by Morgan Holmes. 97-122. Ashgate Publishing, 2009.

Tamar-Matis, Anne. “ Advocates for Informed Choice, Newsletter Fall 2007.” Newsletter. 2007. AIC Legal .https://aiclegal.wordpress.com/wp-content/uploads/2010/02/fall-07-newsletter-final.pdf

---. “Advocates for Informed Choice: Newsletter Spring 2008.” Newsletter. 2008. AIC Legal.https://aiclegal.wordpress.com/wp-content/uploads/2010/02/spring-08-final.pdf

---. “Advocates for Informed Choice: Newsletter Summer 2009.” Newsletter. 2009. AIC Legal.https://aiclegal.wordpress.com/wp-content/uploads/2010/02/aic-2009-summer-newsletter-pdf.pdf

---. “Advocates for Informed Choice: Spring 2010 Newsletter.” Newsletter. 2010. AIC Legal.https://us1.campaign-archive.com/?u=f8291560ebb2dafc25097480f&id=5803ec8c71

---., “June 2011: Promoting the Civil Rights of Children Born With Variations of Sex Anatomy.” Newsletter. 2011. AIC Legal. https://us1.campaign-archive.com/?u=f8291560ebb2dafc25097480f&id=cec68ddac

---.. “June 2012: Promoting the Civil Rights of Children Born With Variations of Sex Anatomy.” Newsletter. 2012. AIC Legal. https://us1.campaign-archive.com/?u=f8291560ebb2dafc25097480f&id=b4d4dd90cf

---. “ 2012 Annual Report.” Newsletter. 2012. Advocates for Informed Choice. https://interactadvocates.org/wp-content/uploads/2016/06/AIC-2012-Annual-Report.pdf

---. “2013 Annual Report. “ Newsletter. 2012. Advocates for Informed Choice. https://interactadvocates.org/wp-content/uploads/2016/06/2013-annual-report-FIN1.pdf

“US: Anti-Trans Bills Also Harm Intersex Children.” Human Rights Watch. October 22. Accessed April 10, 2024. https://www.hrw.org/news/2022/10/26/us-anti-trans-bills-also-harm-intersex-children

Vecchietti, Valentino. “A Journey to the Intersex-Inclusive Pride Flag.” Global Inclusive Pride Flag. Intersex Equality Rights. 2021. Accessed April 7, 2024. https://www.globalinclusiveprideflag.com/

Wilchins, Riki Anne. "In Your Face No. 5 (Spring 1998)." Newsletter. 1998. Digital Transgender Archive, https://www.digitaltransgenderarchive.net/files/vq27zn45k (accessed April 08, 2024).

Withers, AJ. Disability Politics and Theory. Fernwood Publishing, 2012.

Woo, Elaine. “David Reimer, 38; After Botched Surgery, He was Raised as a Girl in Gender Experiment.: Los Angeles Times. May 2004. Accessed April 8, 2024. https://www.latimes.com/archives/la-xpm-2004-may-13-me-reimer13-story.html

#personal #intersex #actuallyintersex #intersex history #intersex studies

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thewadapan · 4 months ago

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Spent today checking out The Amazing Digital Circus and Murder Drones, and god, the kids today have it so good when it comes to this sort of content. When I was a teen, I was obsessed with Red vs. Blue and RWBY, which I think it's fair to say are the equivalents of the time, and the sheer gulf in terms of writing quality and production value is stunning. I hear there were some rumblings of unprofessional conduct from the production company, which would hardly be surprising considering this is yet another guys-working-from-their-basement success story, but much bigger companies with much shittier business practises consistently put out much worse content than this.

The Amazing Digital Circus is definitely the better show of the two, thanks to its slam-dunk premise and some great writing from Gooseworx. The producers have talked about aiming to fill a perceived gap in the market between kids' cartoons (The Boss Baby) and adult animation (Bojack Horseman), and I think they have successfully threaded the needle to create a very unique tone. There's a sense of these works existing totally outside the mainstream media machine; they're not getting BBFC rated, but you just know millions of kids are watching them. It's on YouTube and the fact that it looks like some Frozen Spider-Man kids' slop just means da parents won't question what their kids are watching.

But truth be told, there's nothing objectionable about the content of The Amazing Digital Circus whatsoever. It's unusually metatextual and loosely apes the aesthetics of much darker media, touching on slightly more existential themes than your typical kids' cartoon, but it still has a lot in common with those same cartoons. The zany characters are all fairly one-note, and the emotional arcs of the episodes are honestly quite straightforward. The second episode in particular has an absolutely textbook plot structure to it. It's a far more self-assured and traditional style of writing than you ever see in this kind of independent work—certainly far more so than Murder Drones, which is written by an insane person.

More than anything, I'm reminded of how I felt watching Puella Magi Madoka Magica: that it's a very solid work of fiction, but that the people who'd get the most out of the work are isolated teens struggling to make the transition into adulthood. Certainly if nothing else, the fandoms of these shows must be bringing a lot of kids together around the world. I adore this soundbite from Goose: "Above anything else, I just wanted it to feel kind of lonely." You see Pomni's worldview shatter, she suddenly finds herself in a body that feels completely wrong, and she has to construct a new kind of belonging for herself.

As for Murder Drones, that show's absolutely fucking nuts, yo. The writing is at once painfully basic and utterly incomprehensible. If someone just sat down and explained the plot straightforwardly, it would be fantastically boring. But man, the presentation, the sheer delight the animators seem to approach every scene with...! I'd say it's clearly trying to use "the characters are robots" as an excuse to expose da kids to some absolutely shocking levels of gore, much like the Transformers movies, but midway through the series it starts straightup swapping the oil and wires for blood and bones and you've got to respect that.

The writing itself is so excruciatingly irony-poisoned that it goes beyond cringe and somehow wraps back around again to being sincerely funny. The show kind of wants to have its cake and eat it in terms of constantly lampshading how flat and cliché the emotional plotting is, but also clearly aiming to genuinely tug at the heartstrings and whip fans into a frenzy. And it kind of succeeds, I think! The way it veers between bizarrely high-effort implementations of memes, seriously cool fight scenes and horror visuals, and big emotional moments is very disarming. If The Amazing Digital Circus is an attempt to faithfully rework the American-cartoon formula for a slightly older audience, Murder Drones aims to crib the aesthetics of high-school cartoons while actively rejecting every traditional narrative technique used in those stories. Which means it's kind of bad, which means it's also kind of great.

If it's not already, then within a couple of years it will be deeply cringe to have ever been into Murder Drones in particular or (to a slightly lesser extent) The Amazing Digital Circus, in much the same way that everyone seems embarrassed to admit they were ever a Homestuck fan. But like with Homestuck, I feel like these series are genuinely pushing at the frontiers of storytelling in a way that's commendable and might inspire new kinds of writing once the fans grow up.

ENA is also pretty good, for the record.

#murder drones #the amazing digital circus #tadc

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nnctales · 1 year ago

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Can I Use ChatGPT as a Construction Assistant?

The construction industry, like many others, has started to embrace the tremendous potential of artificial intelligence (AI). As part of this shift, industry professionals are increasingly asking: “Can I use AI like OpenAI’s ChatGPT as a construction assistant?” The answer is not only a resounding ‘yes’ but also that this technology can offer significant benefits. First, let’s understand what…

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#AI and construction efficiency #AI construction assistant #AI for building codes #AI for construction professionals #AI in construction collaboration #AI safety advisor in construction #artificial intelligence in building industry #ChatGPT in construction #ChatGPT training tool #construction AI challenges #construction cost estimation AI #construction project management AI #digital transformation in construction #future of construction with AI #GPT-4 in construction industry

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germanpostwarmodern · 1 month ago

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Zaha Hadid throughout her career pushed the boundaries of architecture: defying conventions Hadid pursued her very own idea of architecture as a flow of space. Although she operated in the context of the digital turn, her calligraphic drawings remained an analog basis of her work, just like her even more spectacular paintings: already during her student days at Architectural Association London she started painting as a means to explore the spatial potency of architecture. At the same time it offered the opportunity to work out spatial „grafting“ as introduced by her teachers Rem Koolhaas and Elia Zenghelis, a method that establishes both spatial and representational constructs that Hadid realized in the painting „Malevich’s Tektonik“ and the painting related to 59 Eaton Place.

Through the years her paintings went through different transformations but continued to remain an essential tool in the development of her architectural vision. In her recently published book „Zaha Hadid’s Paintings - Imagining Architecture“ scholar Desley Luscombe follows this development and provides in-depth analyses of key paintings and how they relate to Hadid’s architecture. Proceeding from the aforementioned early paintings Luscombe in six chapters e.g. covers „Grand Buildings“ from the mid 1980s and Hadid’s engagement with the urban character of London, the Berlin project for an office building on Kurfürstendamm and ultimately the MAXXI in Rome. In each of the chapters the author elaborates on the manifold aspects that informed the paintings, e.g. layered, relational architectural ideas, precedent images by, among others, Malevich and El Lissitzky, as well as the painterly implications directed at the viewer and his/her activation and interpretation. In so doing Luscombe achieves detailed analyses that pay as much attention to the autonomous artwork as they do to its architectural dimension, an approach that brings the reader closer to understanding the purpose of painting in Hadid’s oeuvre: in painting, just like the Suprematists, she used the pictorial space to investigate topics like the spatiality of urban experiences, the role of architecture in the city or the very nature of the architectural program. Accordingly, they go well beyond a concrete, realizable building and very much distill theoretical thoughts about architecture and urbanism into series of paintings.

With Luscombe’s book Zaha Hadid’s paintings finally receive a proper scientific analysis that convincingly explains their meaning and function within the architect’s complex oeuvre. An eye-opening read!

#zaha hadid #architecture painting #architecture #england #architecture book #book #lund humphries

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shadefish · 10 months ago

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Commission for an updated design of a Transformers OC for someone on discord!

Trencher! her pronouns are she/her and she turns into a construction trenching vehicle!

ooo cool links you want to click on to support me

#art #digital art #maccadam #mecha #transformers #robot #transgender #construction #constructicon #sci fi #girl

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thegildedbee · 7 months ago

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Calm/Hobby: May 7 & 8 Prompts from @calaisreno

As his Air Baltic flight from Oslo begins its descent into Tallinn, Sherlock stares distractedly out the window at the thinning layer of clouds, and pushes back at the whisper of bleakness that it it is the Estonian coastline coming into view, not the South East shores of England. He girds himself with stoicism as he feels a tendril of melancholy begin to unfurl at the fact that Sherlock Holmes no longer exists, now that Herr Lukas Sigerson has taken his place.

He knows that this new identity will only be the first of many.

Sigerson has brown eyes, and wears dark brown tortoiseshell glasses; his dark hair is beginning to have a salt and pepper cast to it, his lower face is covered by stubble. His loose-limbed gait is relaxed, and there's a remnant of a tendency to stutter when he speaks. Hidden from view are the still-healing cracked ribs on the right side of his torso, the damaged ligaments of his right knee, and the fact that the ossicular chain within his right ear bears traces of having been successfully reconstructed, the surgical repair restoring the hearing he had lost after the trauma to his skull.

When Sherlock had been ready to leave the UK to begin to grapple with Moriarty’s extant remains -- the people and infrastructure and schemes dispersed across the globe -- it had been hard to determine what to do first and where and why. Of the three assassins in London on the day of his fall, the one assigned to Mrs. Hudson – a thuggish fellow more noteworthy for his brawn than any brains – had been rolled up by Mycroft’s people even before Sherlock had been delivered to the morgue. The one assigned to Lestrade had been somewhat harder to ferret out, but as Sherlock began piecing together what details he could collect during his recuperation, he had determined that he was a functionary who had infiltrated the Met – and the resolution of that criminal had also been left to Mycroftian minions.

But John’s sniper was of a different cast altogether, an experienced professional who had made no mistakes and vanished like vapor. Sherlock believed that individual had been more than a freelance hire -– Mrs. Hudson and Lestrade had been brought into the mix of those in danger of losing their lives because every action of Moriarty’s was as theatrical and excessive as it was insane: ransoming John’s life had always been the true motive. John’s sniper would have been especially close to Moriarty, and likely a member of the upper echelon of his criminal syndicate. Sherlock suspected that acquiring the information that would allow him to destroy this person was going to be an exceedingly difficult proposition.

He needed information, and Sherlock had finally decided that the place to begin was with Estonia, the tiny nation that had regained its independence from Soviet occupation in 1991, and that had chosen to bypass the encumbering drag of the impoverished infrastructure bequeathed from the Soviets, by abandoning it. Estonia had instead risked its future by constructing an economy based on the latest digital technologies, leapfrogging more advanced nations as it became a cyber-powered incubator of innovation, and one of the most wired countries in the world. Sherlock had no doubt that Moriarty would have been intent on turning this transformation to his own advantage; he would have found the opportunity irresistible.

Moriarty’s claim to have a code that could take over any computer was false, but even so Sherlock suspected that this fabulation pointed at something all too real: investments by Moriarity in the dark web, and in the recruitment of cadres of hackers to be manipulated into hijacking computer networks. In April and May of 2007, Estonia had been besieged for three weeks by waves of cyberattacks that had crippled its digital public and private sectors, from government entities such as the foreign and defense ministries, to banks, corporate enterprises, and media outlets. Estonia had traced the attacks to actors within Moldova’s breakaway state of Transnistria, a long narrow geographic entity bordering Ukraine that displayed the Soviet Communist hammer-and-sickle on its flag and coat of arms. Sherlock suspected that these cyberterrorist actors were performing roles under Moriarty’s direction, and that he would find information from within Estonia that would point to the far-flung nodes of his enemy’s wretched empire.

With their impending arrival in Tallinn, the melancholy that had emerged begins to become more deeply rooted, and Sherlock’s mind's eye paints pictures of what lies in the deep of the sea passage below, and across the sea miles beyond Britain’s and Europe’s contours – fragments of exploded ordnance littering the ocean floor, where bodies entombed in submarines and battleships are testament to the destructive capabilities of bands of people bent on glory and riches and domination.

His meandering thoughts catch hold of a memory in the viewing room of his mind palace, the one that records the evenings when John had chosen a film to share as they sat propped up together on the sofa in the darkness. It focused on the US Army Air Force unit that flew missions from East Anglia in World War II, and the appointment of a new commanding officer tasked with reversing the underperformance of the bombing teams.

He had been riveted by the harsh speech the uncompromising commander delivers to the group of pilots, who simmer with resentment at his theory that part of their problems lie with their playing it safe. He tells them that while fear is to be expected, the only choice they have is to stop worrying about the fear, and about themselves. He can still feel the chill of premonition when he heard the figure on the screen bite out his message: “We’re in a war – a shooting war. We’ve got to fight. And some of us have got to die." But it was the follow-on command that is engraved in his mind beyond the memory palace, visible in the shadow of all else he is thinking about: "Stop making plans. Forget about going home. Consider yourselves already dead. After that, it won’t be so tough.” And so, too, was his bombing run a flight into the unknown, against unseen enemies, the actions of a self-created ghost who must reckon that he truly inhabits the underworld from this point on.

Sherlock closes his eyes and continues work on the new spaces that he has been constructing in his mind palace, an effort that never fails to bring him calm, even when other emotions are in play. These new rooms are cloisters and refectories based on the architecture of a thirteenth-century monastery, in deference to Tallinn’s remarkable preservation of the medieval city within its precincts, and he has reserved this adjacent building for whatever part Eastern Europe will play in his sojourns. It is complicated artistry, and he is the last one to rise and exit the airplane.

As Herr Sigerson makes his way toward the front of the compact airport, he adjusts the rucksack on his shoulder, and tugs the bottom of his jumper to straighten it. As a standard issue Norwegian, he is, of course, kitted out in knitted wool, although the garment he wears is only a single hue; the vividly colored patterns favored by so many of the inhabitants of his improvised homeland hurt both his eyesight and his sense of fashion. Sherlock smiles at the thought that John would be amused, were he to see his couture, and consider it revenge for Sherlock’s hobby of “inadvertently” wreaking havoc on the least attractive of John’s jumpers.

Sherlock's half-zip pullover is a dark navy blue with a beautiful sheen, and it is not completely devoid of decoration – it is just that the design is woven into the single color, slightly raised, subdued in its visibility. On the back is the Norse symbol of the vegvisir, which was said to allow its possessor to always find the right path, no matter how turbulent the environment might be. Next to the wayfinding icon is a letter from the ancient runic alphabet said to summon good luck. No doubt John would also be amused at the fact that his relentlessly rational friend is carrying these mystical totems on his body. Although, perhaps not, were he to know of the future toward which Sherlock has now committed himself. ........................................................ @calaisreno @totallysilvergirl @friday411 @peanitbear @original-welovethebeekeeper rest of the @s in the tags, which will work for communication purposes, I hope? just say the word if you want to be untagged or tagged xoxoxo

#mayprompts2024 #calaisreno #sherlock bits and bobs #may prompts 2024 #johnlock

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