#diego greco

[ultrameganicolaokay]

Deep Cuts #3 by Kyle Higgins, Joe Clark and Diego Greco. Cover by Chris Brunner. Out in June.

"Listen up, gumshoes. It's 1940, and Alice Leslie is home for the holidays and hot on the heels of her biggest mystery yet: why did her dad quit music? Can she crack the case before he flies the coop?"

[earth-1218designate]

[graphicpolicy]

Preview: Shadowman: Soul Eaters #1 (of 4)

Shadowman: Soul Eaters #1 preview. Shadowman plays a critical role in the Resurgence event as he confronts the dark forces threatening to fracture reality. #comics #comicbooks

[100-art]

Simple Art Posters & Canvas Prints

100+ Famous Artists of All Time

[sebastian-hidalgosola]

La imagen de Cristo en la Cruz ha sido representada por diversos artistas, cada uno aportando su perspectiva única. Desde la sensibilidad barroca de Zurbarán hasta la perspectiva surrealista de Dalí, estas obras nos muestran cómo un mismo tema puede ser reinterpretado de formas tan diversas a lo largo del tiempo.

[smashpages]

Out this week: Total Suplex of the Heart (Humanoids, $22.99): 

Joanne Starer and Diego Greco square up with this new graphic novel about a journalist who enters the world of professional wrestling to investigate a story, and gets caught up in the drama of the sport.

See what other comics and graphic novels will arrive in stores this week!

[ugliecc]

Finally I can share with y'all my another mini-collection! It's casual style is inspired by my love for art and my favourite brand Medicine. Especially one item - dress - is very similar to dress I own from this brand :D I hope you and your artsy sims will like it!

DOWNLOAD "EVIVA L'ARTE" COLLECTION

This mini-collection contains 4 CAS items:

jumpsuit (25 swatches),

shirt dress (10 swatches, YOU NEED MESH "Evelyn Dress" by @sentate),

hat (5 swatches),

socks (5 swatches).

You can also find all my cc on this website!

Artworks I used for this collection were created by those artists:

Gustav Klimt,

Stanisław Witkiewicz (known as Witkacy),

Peter Paul Rubens,

Hieronymus Bosch,

Vincent van Gogh,

El Greco,

Stanisław Wyspiański,

Titian,

Rembrandt,

Diego Velazquez.

[macmorrighan]

What's Wrong With Robert Graves?

Why are Witches and Pagans so hard on Robert Graves and practically denounce everything he's ever written? It's certainly become verboten in some circle amongst the Craft to cite his book, The Greek Myths (despite its storied use amongst contemporary Classicist), nor the classic academic treatise, The Larousse Encyclopedia of Mythology for no other reason than he wrote the Introduction! Nevertheless, as a Witch, I must contend with the view that amongst my own kind--due to guilt by association--every book attached to Robert Graves is now viewed as highly suspect and dubious, which is (if you'll pardon the pun) gravely unfortunate.

As a matter of fact, in the criticisms of Graves, I wonder how many of us have overlooked the subtitle of The White Goddess (UK: Faber & Faber/U.S.: Creative Age Press, 1948), which quite clearly calls it a work of "poetic myth." The term, "mythopoetic" is an adjective defined as: Relating to the making of a myth or myths, i.e. Relating to or denoting a movement for men that uses activities such as storytelling and poetry reading as a means of self-understanding.

What's wrong with that? Contribution to one's myths are a wonderful thing. Unless one feel otherwise. I would argue that the strengths of Graves's The White Goddess have been overshadowed by pedantic critics that insist its misinformative. But, from my perspective, it teaches one how to look at folk-lore, archaeology and mythology from a different perspective that I (and others) have personally found invaluable.

Sure, one might belittle the Archetype of the Lunar Triple-Goddess of the Maiden-Mother-Crone as an invention; but rather, it has contributed greatly towards Pagan myth-making and it should be celebrated for that, rather than shunned. Although this should not be cited, as it has been publicly misappropriated, usually as an excuse to denounce the Wica/ "Wicca" as an utterly modern religion with no roots in the past.

We should not, therefore, be quick to pass judgement onto the late English poet and Classicist, Robert Graves (1895-1985 C.E.), as the alleged provocateur who contrived the modern lunar archetype of the Triple-Goddess as Maiden, Mother and Crone since this archetype may be interpreted as a mere reaction to human longevity. Throughout the Greco-Roman world there were numerous Triple Moon-Goddesses, virtually none of whom can be described as older in appearance than the median age of women, which was an average of twenty-five years (Carrieri, Maria Patrizia and Diego Serraino. "Longevity of Popes and Artists Between the 13th and 19th Century." International Journal of Epidemiology, 34:6 (December 2005): pp. 1435-1436.). As a matter of fact, ancient Triple Moon-Goddesses chiefly depict three women of a similar age, which should come as no great surprise since the difference in age between an unmarried female, a bride or mother (if she survived childbirth), and a woman nearing the end of her typical life-expectancy was quite narrow. This is how these ancient goddesses would have been conceived in the popular imagination of antiquity. In fact, Graves seems to have been well aware of this detail when writing his historical novel, The Golden Fleece (Cassell, 1944), in which he describes the fashion in which the Old Religion is practiced on the Spanish island of Majorca:

Maiden, Nymph and Mother are the eternal royal Trinity on the island, and the Goddess, who is worshipped there in each of these aspects, as New Moon, Full Moon, and Old Moon, is the sovereign deity.

As a result, Graves has merely brought to light what was self-evident, thus demonstrating how a contemporary culture would have viewed this archetypal goddess in his own day (and in ours). Remember that between the decades of the 1930s and 1950s, which spanned the years of WWII, one was considered elderly if they had reached the age of forty (Philip Heselton: pers. comm.), which is scarcely how one might define a crone in our own day.

This evident knowledge is underscored by the fact that Graves wrote The White Goddess in response to a conversation with his friend, the English historian Alan Hodge (1915-1979 C.E.), regarding the psychological process of poetic inspiration. Graves then acquainted himself with the works from noted scholars of his day that were especially en vogue, albeit some of which have not aged particularly well in retrospect: The Mabinogion (Bernard Quaritch, 1877), quoted at length, by Lady Charlotte Guest (1812-1895 C.E.); The Golden Bough (Macmillan & Co., 1890), which was meticulously researched by Sir James Frazer (1854-1941 C.E.) [and for more research consult this phenomenal essay]; Celtic Researches (Privately Printed, 1804), an imperfect and somewhat speculative treatise by Edward Davies (1756-1831 C.E.); the ideas of his friend, the anthropologist W. H. R. Rivers (1864-1922 C.E.), who was a proponent of the "mother-right" or matriarchal theory; The Witch-Cult in Western-Europe (Oxford University Press, 1921) by Margaret Alice Murray (1863-1963 C.E.), which Grevel Lindrop—Emeritus Professor of Romantic and Early Victorian Studies—described as "scholarship blended with myth-making" (Lindop, Grevel. "The White Goddess: Sources, Contexts, Meanings." Graves and the Goddess: Essays on Robert Graves’s The White Goddess. Eds. Ian Firla and Grevel Lindop. Selinsgrove: Susquehanna University Press, 2003: p. 31), whilst English historian Steven Runciman (1903-2000 C.E.)—who wrote the Foreword to The Witch-Cult when it was reissued in 1971 by Oxford University Press—stated that Murray "has always had solid evidence to back her claims" (Murray, Margaret A. The Witch-Cult in Western Europe. 1921. FWD. Sir Steven Runciman. Reprint, New York: Barnes & Noble, 1996: p. 5), which is not to detract from Murray’s more unfortunate suggestions (e.g., that blue bonnets were worn by the High Priest of the Coven as a headdress); and the masterful trove, The Secret Languages of Ireland (Cambridge University Press, 1937), edited by noted Irish archaeologist, Dr. R. A. Stewart Macalister (1870-1950 C.E.), which was reissued due to its importance amongst the field of Celtic Studies.

It is untenable to imagine that religions do not naturally flux in response to such obvious changes as human life-expectancy, social and political changes. Even the early Christians likely would have affixed in their minds a younger image of the Abrahamic god than that which has swept the popular imagination in our current century. The same is also true of the modern image of the Ancient Greek god, Zeus, who is often portrayed in film and on television far older than he actually would have been perceived by the Ancient Greeks themselves. Even the Virgin Mary of the Christians was probably thirteen or fourteen years of age when she gave birth to the Christ, which was the age when Hebrew maidens became marriageable ('The Blessed Virgin Mary.' The Catholic Encyclopedia. New Advent. Web. 13 March, 2023). This may explain why observant Catholics who witness visions or apparitions of the Virgin Mary often describe her resembling a very young maiden.

Therefore, it is my position, that Robert Graves may be forgiven for his axiomatic contribution to the theology of contemporary Witchcraft, and therefore updating the public imagery and understanding of this Archetypal goddess. Yet again, this should not be interpreted, as it has, that Graves directly inspired our concept of the Triple-Moon Goddess through a book that is now lauded as "disingenuous"; and thereby misappropriated as supposed "evidence" that the Wica/ "Wicca" is a fabricated religion by Gerald Gardner that amounts to us virtually LARPing or Cos Playing the fantasies of Margaret Murray under the auspices of "religion."

CODA: It's not as though Graves concealed his speculations and inventive outlooks, which means that we are projecting our misplaced resentment and insecurities onto Graves. As a matter of fact, personal responsibility is one of the hallmarks of the Craft. Indeed, one of the empowering things about the Craft is that is demands personal responsibility and introspection as a code of ethics, rather than a series of divinely ordained proclamations. So, if one feels that Graves had duped or cheated them, then they clearly hadn't read Graves carefully since he was fairly open about this fact. Therefore, any enmity expressed towards Graves and his legacy is best explained the personal projections and insecurities of those witches and pagans who accepted The White Goddess more seriously than the author did.

Graves quite clearly states that he copied his information on Ogham from Roderick O'Flaherty (rather then inventing it himself), and then on the succeeding page he states that he contacted Dr. Macalister who was then the greatest living scholar on Ogham who told Graves not to accept O'Flaherty's ideas "seriously." Graves then writes, "I pass this caution on in all fairness, for my argument depends on O'Flaherty's alphabet, and Dr. Macalister is a very broad back for anyone to shelter behind who thinks that I am writing nonsense"; and how his [Graves's] argument "began with an assumption." Therefore, the fault is our own to shoulder; not his--and we must take responsibility for our own role in this.

Honestly, I see nothing objectionable with people regurgitating Graves anymore than someone doing the same with Ovid and Hesiod. There are many variants of a given myth, which are simply an elaboration onto that which came before--indeed, the Craft follows this pattern. But the strength of The White Goddess is its ability to inspire others in looking at the world, myths and folklore with new eyes filled with wonderment, to enquire philosophical thought, and to make meaningful additions to old myths for a new era. It very much encourages philosophical thinking! The kind that I think any Sagittarius would deeply appreciate.

Of course, one might have a problem with any of this only if they believe that embroidering upon myths is wrong and makes us look foolish to the uninitiated. I do not. If the Craft is a rebirth, then it's core myths "damn well" (to quote an interjection of Doreen Valiente) should have evolved, which should be expected! That is why the MMC Archetype is a benefit to the craft, rather than a deterrent. Anyone who feels shame because the craft isn't a mirror image of an ancient religion--because that is the litmus test being used by historians with which to judge us--clearly don't understand how thriving religions work! Graves just pointed out what should have been axiomatic to us all in terms of the Lunar Triple-Goddess. This isn't to say that there are no examples in antiquity that mirrors the Craft! There are actually a great many historic shards if one knows where to look. But accepting them means accepting that what you thought was true about ancient paganism is much more blurry than you or some scholars have realized. The Old Religion, however, has adapted to meet new social and political stresses on society and the marginalized.

References:

The White Goddess, by Robert Graves

The Pagan Heart of the West, by Randy P. Conner

Lindop, Grevel. "The White Goddess: Sources, Contexts, Meanings." Graves and the Goddess: Essays on Robert Graves’s The White Goddess. Eds. Ian Firla and Grevel Lindop

Carrieri, Maria Patrizia and Diego Serraino. "Longevity of Popes and Artists Between the 13th and 19th Century." International Journal of Epidemiology, 34:6 (December 2005): pp. 1435-1436.

The Witch-Cult in Western Europe, by Margaret A. Murray

"The Blessed Virgin Mary." The Catholic Encyclopedia. New Advent. Web. 13 March, 2023.

[bobjackets]

Pin-up time with Diego Greco cover art.

[semtituloh]

José Clemente Orozco

Nacimiento: 23 de noviembre de 1883; Ciudad Guzmán, Mexico

Fallecimiento: 7 de septiembre de 1949; Mexico City, Mexico

Nacionalidad: Mexican

Movimiento: Realismo Social, Muralismo, Indigenism

Escuela/grupo: Mexican Mural Renaissance

Campo: pintura

Influenciado por: Francisco de Goya, El Greco, Giotto, Miguel Ángel, Cubismo, José Guadalupe Posada

Influenciado en: Jackson Pollock, Philip Guston, Frida Kahlo, Vlady Kibálchich Rusakov, Muralismo

Institución de arte: Academia de San Carlos, Mexico City, Mexico

Amigos y compañeros de trabajo: Diego Rivera, David Alfaro Siqueiros

Wikipedia: es.wikipedia.org/wiki/José_Clemente_Orozco

[graphicpolicy]

Deep Cuts gets connecting covers

Deep Cuts gets connecting covers #comics #comicbooks

[indiesole]

THE 236 GREATEST PERSONALITIES IN THE ENTIRE KNOWN HISTORY/COLLECTIVE CONSCIOUSNESS OF THIS WORLD! (@INDIES)

i.e. THE 236 GREATEST PERSONALITIES IN WORLD HISTORY! (@INDIES)

Rajesh Khanna

Lionel Messi

Leonardo Da Vinci

Muhammad Ali

Joan of Arc

William Shakespeare

Vincent Van Gogh

Online Indie

J. K. Rowling

David Lean

Nadia Comaneci

Diego Maradona

Wolfgang Amadeus Mozart

Meena Kumari

Julius Caesar

Harrison Ford

Ludwig Van Beethoven

William W. Cargill

Fritz Hoffmann-La Roche

Samuel Curtis Johnson

Sam Walton

John D. Rockefeller

Andrew Carnegie

Roy Thomson

Tim Berners-Lee

Marie Curie

James J. Hill

Cornelius Vanderbilt

Roman Polanski

Samuel Slater

J. P. Morgan

Cary Grant

Dmitri Mendeleev

John Harvard

Alain Delon

Ramakrishna Paramhansa (Official God)

The Lumiere Brothers, Auguste & Louis

Carl Friedrich Benz

Michelangelo

Maharishi Mahesh Yogi

Ramana Maharishi

Mark Twain

Swami Sri Yukteswar Giri

Bruce Lee

Bhagwan Krishna (Official God)

Charlemagne

Rene Descartes

John F. Kennedy

Bhagwan Ganesha (Official God)

Walt Disney

Albert Einstein

Nikola Tesla

Alfred Hitchcock

Pythagoras

William Randolph Hearst

Cosimo de’ Medici

Johann Sebastian Bach

Alec Guinness

Nostradamus

Christopher Plummer

Archimedes

Jackie Chan

Guru Dutt

Amma Karunamayi/ Mata Parvati (Official God)

Peter Sellers

Gerard Depardieu

Joseph Safra

Robert Morris

Sean Connery

Petr Kellner

Aristotle Onassis

Usain Bolt

Jack Welch

Alfredo di Stefano

Elizabeth Taylor

Michael Jordan

Paul Muni

Steven Spielberg

Louis Pasteur

Ingrid Bergman

Norma Shearer

Dr. B. R. Ambedkar

Ayn Rand

Jesus Christ (Official God)

Luciano Pavarotti

Alain Resnais

Frank Sinatra

Allah (Official God)

Richard Nixon

Charlie Chaplin

Thomas Alva Edison

Alexander Graham Bell

Wright Brothers

Arjun (of Bhagwan Krishna’s Gita)

Jim Simons

George Lucas

Swami Sri Lahiri Mahasaya

Carl Lewis

Brett Favre

Helen Keller

Bernard Mannes Baruch

Buddha (Official God)

Hugh Grant

K. L. Saigal

Roger Federer

Rash Behari Bose

Tiger Woods

William Blake

Jesse Owens

Claude Miller

Bernardo Bertolucci

Subhash Chandra Bose

Satyajit Ray

Hippocrates

Chiang Kai-Shek

John Logie Baird

Geeta Dutt

Raphael (painter)

Bhagwan Shiva (Official God)

Radha (Ancient Krishna devotee)

George Orwell

Jorge Paulo Lemann

Catherine Deneuve

Pierre-Auguste Renoir

Bill Gates

Bhagwan Ram (Official God)

Michael Phelps

Michael Faraday

Audrey Hepburn

Dalai Lama

Grace Kelly

Mikhail Gorbachev

Vladimir Putin

Galileo Galilei

Gary Cooper

Roger Moore

John Huston

Blaise Pascal

Humphrey Bogart

Rudyard Kipling

Samuel Morse

Wayne Gretzky

Yogi Berra

Barry Levinson

Patrice Chereau (director)

Jerry Lewis

Louis Daguerre

James Watt

Henri Rousseau

Nikita Krushchev

Jack Dorsey

Dev Anand

Elia Kazan

Alexander Fleming

David Selznick

Frank Marshall

Viswanathan Anand

Major Dhyan Chand

Swami Vivekananda

Felix Rohatyn

Sam Spiegel

Anand Bakshi

Victor Hugo

Bhagwan Sri Sathya Sai Baba (Official God)

Steve Jobs

Srinivasa Ramanujam

Lord Hanuman

Stanley Kubrick

Giotto

Voltaire

Diego Velazquez

Ernest Hemingway

Francis Ford Coppola

Michael Douglas

Kirk Douglas

Mario Lemieux

Kishore Kumar

James Stewart

Douglas Fairbanks

Confucius

Babe Ruth

Raj Kapoor

Titian aka Tiziano Vecelli

El Greco

Francisco de Goya

Jim Carrey

Mohammad Rafi

Steffi Graf

Pele

Gustave Courbet

Rani Laxmibai of Jhansi

Milos Forman

Steve Wozniak

Georgia O’ Keeffe

Mala Sinha

Aryabhatta

Magic Johnson

Patanjali

Leo Tolstoy

Tansen

Henry Fonda

Albrecht Durer

Benazir Bhutto

Cal Ripken Jr

Samuel Goldwyn

Mumtaz (actress)

Panini

Nicolaus Copernicus

Pablo Picasso

George Clooney

Olivia de Havilland

Prem Chand

Imran Khan

Pete Sampras

Ratan Tata

Meerabai (16th c. Krishna devotee)

Queen Elizabeth II

Pope John Paul II

James Cameron

Jack Ma

Warren Buffett

Romy Schneider

C. V. Raman

Aung San Suu Kyi

Benjamin Netanyahu

Frank Capra

Michael Schumacher

Steve Forbes

Paramhansa Yogananda

Tom Hanks

Kamal Amrohi

Hans Holbein

Shammi Kapoor

Gerardus Mercator

Edith Piaf

Bhagwan Shirdi Sai Baba (Official God)

[mrs-stardustt]

Hello again! I too am happy that I found someone who is also currently watching narcos mx again! narcos and narcos mx will forever be 2 of my favorite shows.

I can't think of a request idea off the top of my head right now, but when I do I will be sure to let you know! Headcanons are one of my favorite things to read and I would love to see what thoughts you have about certain characters.

Also I wanted to share that Manuel (Ramon) is in a netflix show called The Secret of The Greco Family (2022) and it's actually on U.S. netflix! You have no idea how excited I am!!! I'll be watching that now too!

I hope you have a great day! -Megan

i have no idea about that show, I should look it up!!

these days every content I can take from my narcos men I'll take you knowwww, just to add that I have binge a bunch of Diego Luna movies to fill the void lately lol

have a great day Megan!!!<3

[atotaltaitaitale]

.

We started with a bang and the Museo Nacional del Prado

It is the main Spanish national art museum and is widely considered to house one of the world's finest collections of European art, dating from the 12th century to the early 20th century. The Prado Museum is one of the most visited sites in the world and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside Italy.

[cocainenews]

Milano e Ibiza capolinea della cocaína vip

Piazzava anche 300 chili di cocaina al mese tra Milano, l isola degli sballi e il nord Italia. Sorpresa: è giovane e incensurato, di sangue blu. Si chiama Morgan Marco Ulivieri, classe 1972, primogenito della contessa Pinina Garavaglia, nobildonna dei salotti e animatrice delle notti milanesi. Questo, almeno, stando alle pesantissime accuse di traffico internazionale di stupefacenti contestate dalla direzione distrettuale antimafia di Trento dopo tre anni di indagini.

Morgan martedì all alba è finito in manette nella sua casa di Ibiza, obnubilato dagli stupefacenti. Gli uomini dell Udyco, l antidroga della policia nacional di Madrid, l ha arrestato dopo un festino a basa di cocaina. Nell abitazione, i resti del party: 35 grammi di polvere bianca. A 1200 chilometri di distanza - sono le 6 di mattina - nel centralissimo viale Majno di Milano il fratello Leopoldo Bernardino, 26 anni, s alzava per capire chi insisteva al campanello della casa materna. Carabinieri. Anche lui arrestato con l accusa di aver gestito le partite di droga. Allibito ha continuato a ripetere «Non ha senso» alla madre in lacrime. Lei cerca di difenderli: «Errori e superficialità - afferma - contro degli innocenti. I miei figli possono aver peccato di incoscienza frequentando persone sbagliate: la vita è piena di botole. Mi rifaccio al giudizio di Dio». Eppure i Ros dell Arma su quest ultima retata, 19 persone arrestate in Italia e 12 all estero, non mostrano esitazioni dopo aver già mandato in carcere altre 56 persone dall inizio delle indagini tra Italia, Francia, Spagna e Argentina e il sequestro di oltre 1.600 chili di cocaina.

Oltre a 110.000 pasticche di ecstasy che due corrieri italiani trasportavano con automobili dotate di doppio fondo e un milione e 200mila euro in contanti ritrovato nelle case degli arresti e uno yatch dal valore di 3,5 milioni sequestrato al socio di Ulivieri.

La cocaina veniva raffinata in quella zona franca che i narcos si sono ritagliati tra Argentina, Paraguay e Bolivia. Era il cartello della famiglia Losano tramite la holding Losano Corporation a gestire il traffico con l Europa. Si utilizzava la rete commerciale di carbone vegetale che assicurava la copertura al trasferimento della cocaina dal Sudamerica. In Argentina Sergio Miguel Greco e Fabian Osvaldo Disipio, due trafficanti di medio calibro, gestivano i rifornimenti con Ibiza sotto la regia occulta del super ricercato boss Reinaldo Delfin Castedo. Sempre secondo gli inquirenti, Morgan Ulivieri aveva contatti diretti con i sudamericani, con i quali passava fine settimana a Milano, e seguiva la distribuzione in Italia. Con cospicui guadagni se la cocaina al 95 per cento acquistata in Spagna a 22mila euro al chilo veniva rivenduta a 33-34mila in Italia. A Ibiza operava quindi una struttura ramificata. Ulivieri contava sull amico e socio Diego Emiliano Corzo, argentino di 34 anni e sul braccio destro Nicola Casola, anche loro tutti arrestati. Corzo in Ibiza aveva un laboratorio capace di raffinare 500 chili alla volta.

Al telefono i trafficanti si fingevano agenti immobiliari, indicando i chili da comprare o con i metri quadrati dell ipotetica casa da poter affittare a Ibiza o con i giorni del periodo di locazione. Per gli inquirenti il figlio della Garavaglia era in grado di controllare rifornimenti per 30-50 chili alla settimana e chiedeva 4-5mila euro per ogni chilo intermediato. La polvere bianca arrivava grazie a 25 corrieri a Milano, Torino e nel Triveneto. Corrieri anche superstiziosi. È il caso dell unica donna presente nell inchiesta che consultava la veggente Ursula di Francoforte prima di ogni viaggio per sapere se avrebbe incontrato «rallentamenti» durante la trasferta. La veggente, l ultima volta, aveva indicato al telefono «ombre oscure» e «uomini neri». Non le credette.

Sotto la Madonnina sono finiti invece in manette anche due noti organizzatori di eventi e feste: Davide Rombolotti, di 31 anni, e Paolo Tarantino, di 33 anni.

Feste, festine e discoteche. Il gruppo poteva infatti contare su clienti vip, modelle, attori e presentatori della tv. Le indagini erano infatti partite proprio da un giro di cocaina in discoteche e locali scoperto in Trentino con festini cui prendevano parte noti professionisti locali. Da qui si era arrivati a Milano e a Ibiza.